Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
And go, "Oh..."
"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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Saying this an Elia Martell fan from what little we know of her, but I'm really sick of how fandom sees her as nothing but a perpetual victim and/or hater of Lyanna and Rhaegar. Where's fandom content of her being kind to baby Tyrion or headcanons of her plotting with Rhaegar against Aerys? Makes me wish GRRM would write more Fire and Blood books to flesh her out more outside of the "pretty victim" fanon Sansa stans want her to be.
It's actually so frustrating cause there are great conversations + theorizing that could be going on surrounding her character because we know we're going to be learning more about her in the future, but a lot of her "fans" are just stuck on using her as a prop. And honestly? That's because the more we learn about her, the more she moves away from being fandom's favorite passive self-insert character. If George has her doing anything it breaks their idea of her being the perfect victim which is what they love about her. They don't even like her character organically, they just like that it gives them a justification to hate Rhaegar and/or Lyanna. I'm personally neutral-positive about Elia, but I am very interested in learning more about her character. George has kept that portion of the story intentionally vague for a reason and I can't wait to see why.
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I was going skimming through VLR again to screenshot some scenes I wanted to talk about, but while I was doing that I suddenly remembered how bullshit the 9BP game overs were. Y'know, the endings where Sigma has enough points to leave but immediately gets jumped by everybody and prevented to leave? Yeah, those ones. I'm not surprised that they pounced on Sigma, he did betray their trust for his own gain so that feeling of betrayal leading to that reaction is all fine and understandable except why the hell don't other characters get this same treatment?? I swear, everyone else excluding Luna has screwed the group over at some point some where some timeline, but they all get off scott free. Especially Dio, and personally that is just an actual affront to justice and my sanity, I freaking swear. When Sigma, the nicest (albeit most perverted) guy in the cast attempts to escape, all love for the man is lost and he gets stomped on, his arm chopped off and abandoned and left to die in a heartbeat, just no hesitation, but when goddamn betray-happy cultish asshatish douchebag Dio screws everyone and attempts to escape, all of a sudden the characters forget that-- oh I don't know-- tackling that twink is a totally valid option but instead they just go "alas, there is no point anymore he's already won" so this man just gets to walk out that door all proud of himself like what the fuck?? How is that fair in any way??? What the hell are they all smoking to be fine with that????
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I am now a strong moustache hater mostly cause Jan looks waaaaay too much like my ex for comfort.
Also they look like the moustaches guys grow when they're going through a crisis. It's the male equivalent of shitty bangs.
(Seriously every guy that can grow facial hair has a phase of growing a moustache he can't really pull off but no one can convince him it doesn't work)
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