#not really fleshed out

[buwheal]

For me, I'm one of the ones who knows some of the things that shouldn't be done (don't mention his appearance, don't make references to stardom, washed up celebrities, religious imagery, puppets, loss, fortune, loss of fortune) and I still slip up.

My running theory is that I'm not used to seeing an askbox that isn't just a race to see who can get the largest emotional reaction (and the cool dramatic art that comes with it). There isn't a lot of experience to draw off of that isn't going to extremes.

Ahhgh,, yeah, i think thats whats happening for /everyone/,, me included... I kinda have to hold back on doing those all the time even though theyre so fun... womp.. You CAN mention some of those things, though!! Puppets/his appearance obv not, losing everything..also /maybe/ not.. but i think depending on what is said/how its said the others may work n be interesting. (except for a whole lot of religious imagery,,* ill add stuff in my tags i dont want this part to be long lol) I think also its just a different way of using the askbox compared to regular which also throws everyone off.

[jayemadeablog]

if your ocs were featured in a horror movie, what would they do and how well could they survive? goes for any ocs ya want

Tw: casual mentions of graphic deaths

Later me here, this devolves into me doing the beginnings of just writing sci fi. Some context i feel is needed: the sci fi i wrote had my characters battling an evil corporation. It ended with all of the main cast left on the space station literally getting gassed to death after declining the main villain's offer to join him. Most of the characters here are canonically dead already. All of this is also under the assumption that there is just 1 monster, and not an abstract concept or a zombie plague, said monster is described about halfway through. I also accidentally started a new (very short lived) oc within this. Oops.

Imma be real i forget their names/gender identities, all of them were for some sci fi i wrote for highschool english 1, and i forgot to keep a copy.

All but the idiot savant would die, because he has plot armour by virtue of always accidentally being in the right place at the right time. hell he would probably never notice the monster, and just continue bopping around the space station as normal. He would be tripping on things making stuff fall on the monster, Just barely saving him. It would be fun to write.

Main character would almost survive, but die in the final confrontation with the monster. They would have figured out its weakness, and gotten everything together to find and kill it just to get ambushed and die. The whole time it would be obvious that they would rather be anywhere else doing any other thing, but they would wind up believing that only their group could manage the situation. This would be false. They would assume the lead, shot-calling role to decent success.

Old main villain would die first at the hand of his own creation, probably a robot coded by one of his employees to go on a rampage. Not like an accidental evil AI but rather a cold, emotionless computer designed to strangle everyone in sight. He would be speaking at a keynote or smn showing off the robot, and when he switches it on after a short, subtly evil, speech he would just get killed in the most gruesome way i could think of at the time. Maybe ripped apart joint by joint, depending on just how much the rogue employee hates his boss.

The rogue employee would escape right as his boss' speech starts, and probably die from a faulty escape pod. Maybe just like a really unfortunate landing, like getting impaled on a fence post or a skyscraper, specifically so that he can no longer remotely disable the killer robot shortly after killing his boss. Maybe he would have been inspired by the main cast so that the whole situation winds up being blamed on the main cast after the fact.

Mc's love interest would die in a gut wrenching scene about halfway through, maybe they would have dropped something while hiding from the murderbot, down in the depths of the station. they would go retrieve it against the advice of everyone else, and then just barely fail to escape. They would not be dumb, the thing that was dropped would have genuinely been pivotal to the story had it not been lost. The mc would spend the last act of the story retrieving it, though it was too little too late.

Cyber security specialist would start out on the planet the station is orbiting, providing support from afar until he gets fed up with the main character's technological illiteracy. They would then arrive on the station, realise there is only one way to beat the bot, pass on the information, and then drop their guard at just the wrong moment and die after somehow managing to leave a solid dent on the bot. Relying on raw strength when their brains failed to do the heavy lifting.

I have like 4 more i could do but its 2:17 and i need to be at work by 8:00.

[noodles-and-tea]

For the twins in time AU, I genuinely wonder what kind of people the young twins grow up into because of Stan’s/Ford’s influence. Especially if it takes years for the portal to get fixed.

(Sorry if it seems like I already sent this question, I don’t know if it got sent the first time I asked)

I haven’t fully fleshed out how Ford grows up in the past but I do have thoughts on Stan presently

[socvincjpeg]

Some concepts for a comic I’m planning from an AU of mine called metal to flesh!

[keystrokecascade]

character idea: girl mecha pilot who gets dysphoria from being human and spends as much time neural-linked into the mech as possible because that body feels more like her than the flesh does.

mechs are expensive so maybe the only way she can possibly get regular access to one is to put herself in debt to a mercenary corps, running disposable missions until she can pay her junk-tier mech off.

sleeping in her mech to spend as little time out of it until she starts dreaming of static. wearing long sleeves to try and stop herself from picking at the squishy human flesh on her arms. it doesnt work.

maybe neural-links are dangerous for the feedback they provide to the pilot, with few risking to install them. maybe they dont usually provide sensation, but she disables the safety measures because its the only way she can feel alive.

[padfootastic]

can’t help but think of how, if we choose to go by sirius’ characterisation as a private, arrogant teen who only lets a select few into his circle, sirius’ post-azkaban life just have been such an utterly humiliating experience for him.

especially OoTP. when he has all these near strangers in his childhood house, that he hated and loved and ran away from and couldn’t ever escape. if he spent his entire pre-azkaban existence building a cold and aloof persona, not letting people know what his home life had been like, then to have all of these people get a front row seat to it because of kreacher and portrait walburga’s shenanigans must have been near unbearable. to have the entire order, including snape whom he disliked and mistrusted, hear the kinds of names he’s being called.

not only does he have to deal with the retraumatisation of his childhood, but also the fact that he’s flayed open for everyone to see. it’s not only his freedom, innocence, dignity that has been snatched from him but his privacy also. it’s such a cruel thing to experience, on top of everything else.

to have literal children, his godson who he has been kept away from all this while, whom he presumably wants to be able to look up to him, to have him see into the deepest parts of his soul. to have to be so weak in front of him. not only is he subjected to such vileness but he also cannot do anything about it.

sirius has not had a moment of peace in all the time we knew him. it is indignity upon indignity that is heaped onto him. every other character has gotten a moment of respite but him. it fully breaks my heart.

[maskofnova]

You weren't invited to this party but theyre gonna do a cool pose at you anyway until you leave the room.

[blacktabbygames]

We're thrilled to announce that we've wrapped principal development work on Slay the Princess — The Pristine Cut. We'll be releasing it this Fall (date TBD) so we can simultaneous ship the update with both the game's console release (surprise!) as well as official subtitling support for 11 new languages, all with the help of our wonderful new partners at Serenity Forge (who you might know from their publishing work on Doki Doki Literature Club Plus!)

There's a lot for us to share about The Pristine Cut, but before we get into the details, please check out our new trailer!

Here's what we've got coming for you: Content

For those of you who are just now hearing about The Pristine Cut, it's an entirely free director's cut of the game that adds about 35% more content on top of the initial release.

This includes massive expansions to The Den, The Apotheosis, and The Fury routes, each of which is over three times bigger than their release versions, with tons of variations to discover across multiple playthroughs.

On top of this, we're adding three brand new chapter three routes that will add even more depth to your stories with The Damsel, The Prisoner, and The Spectre.

And we're adding a new ending.

All in all, these additions come to over 2,500 new voice lines, over 1,200 new hand-drawn illustrations, and over 15 new tracks of music.

We're also adding an extensive CG gallery with over 400 unlocks to help all you completionists track your progress, complete with cryptic hints to help you discover some of the game's more obscure and buried interactions.

Languages

And all of this is coming with a giant wave of localization support, covering the following languages: Simplified and Traditional Chinese, Korean, Japanese, French, German, Russian, Spanish (Latin American), Brazilian Portuguese, Italian, and Polish. These localizations are just going to cover subtitles, so we can be as thorough as possible about maintaining the quality of Jonny and Nichole's performances.

Consoles, Physical Release and New Merch

With the help of Serenity Forge, we’re bringing Slay the Princess — The Pristine Cut to every major current console — Nintendo Switch, PS4 + 5, and Xbox.

And these won’t just be available as digital downloads. You’ll also be able to pick up a physical edition for the Switch and PS5, with an exclusive sticker sheet and a download code for the game’s soundtrack.

And if that’s not enough we’re also doing a Collector’s Edition, complete with a 7 inch statue of the Princess, a mirror with a lenticular lens, an acrylic standee, and more.

And finally (for now), we’re launching the first wave of new line of sticker sheets, featuring chibi art of the Princesses as seen in The Pristine Cut’s new gallery. Pre-order them now at Topatoco!

Alongside these developments, we've also launched a new website for the game: check out slaytheprincess.com where you can order the physical editions, check out merch, and more!

Thank you so much for your patience while we've worked to make The Pristine Cut the definitive version of Slay the Princess. We can't wait to share all of the game's new stories with you this Fall.

Until then, we're back to working full-time on the next Episode of Scarlet Hollow (and have been for about a few weeks now!)

Best, Abby and Tony

[bluegiragi]

monster au intros - team 141 feat. Price, Ghost, Soap and Gaz!

[bonefall]

Anyway. Bi and Mspec Lesbians aren't a hotly "debated" topic or even new to queer culture, it's just the newest thing that bullies who REALLY want to be homophobic and even racist use to justify harassing gay people they don't like.

It's the thinnest possible veneer of progressive language wrapped around TERF and reactionary rhetoric so that they can feel righteous for forming an angry mob against vulnerable targets. If you're gullible enough to fall for the newest wave of bigotry within the queer community, and turn on your allies because they're "confusing" or "invading your spaces," the SAME way they turned on bi/pan labels, trans people, xenogenders, neopronouns, and aroace people before this, then get lost.

[tartarusknight]

Time Loop where it's Eddie stuck. He wakes up after dying by the bats and thinks it's just deja vu. Only during the third, he thinks maybe he's in hell. That he's forced to repeat the worst moment of his life for the rest of eternity. That maybe his dad was right and heaven and hell was real. That being gay was a sin and that now he's paying for it.

Yet by the fifth repeat, he tries something new. He thinks fuck it and does what he wants. He first with Steve Harrington who blushes easily and freezes like a rabbit in a headlight. He doesn't make Eddie feel like an abomination, in fact, it seemed to Eddie that he got flustered by the attention.

Which well, if this was hell, why give him a moment of light in the dark? So it isn't the only thing he does differently. No. When the bats come swarming in Eddie takes out a can of hair spray stolen from the camper and lights the fuckers on fire. He laughs even as one attacks him from behind.

He messes around during the next loop and the one after that and the one after that. But on the 10 or maybe 12th loop, he thinks that maybe it's not hell. How could it be when he gets moments with his friends and can flirt with a boy that might like him back.

So he starts to change more after that. The first thing he does is save himself. Being sick of his painful end, he gets him and Dustin out of the Upside Down the moment they get into the trailer. Then through the trailer and hidden a little ways down.

That's when he learns that not only does he die, but they still loose in the end. He's forced to accept that he had been dying for nothing. That they needed him alive and they needed a better plan.

So in the next loop he tells the group when he wakes up in Max's trailer. He explains it all and no one believes him. No one but Steve. Steve who tried to ignore Nancy's vision and repeated told Eddie through the loops that everyone would work out. Steve who raised a bitchy eyebrow at Dustin when the kid talked about electromagnetic fields and shit.

And as he tries again and again, he knows another constant. Steve trusts him readily.

[thefandomenchantress]

So I watched Hazbin Hotel, (or at least the episodes out so far). And I wasn’t that attached to Vox in the pilot because he was only there for two seconds but he’s now my favorite. I can’t help it he’s so pathetic.

Also I love whenever the animators have him make this face:

Why does he look like a cat??? I noticed the soundwave on his hat looks kinda like cat ears and now I can’t unsee it. How am I supposed to take him seriously when he wears that hat and is constantly making a :3 face? /lh

[marcell-arts]

doodles of viago de riva and his little protegee, Rookie!

i just finished veilguard and i am obsessed with the crows. you can check out my fic on this duo, focusing on pre-game events and what it was like for my crow!Rook to grow up in House de Riva!

[eggsploded]

i never posted this lol

[evie-doesnt-write]

I don’t know how to say this exactly but like… fandom and show are kinda weird about Mel and Ekko and it is very much rooted in racism

[intotheelliwoods]

FUSION FIGHT FUSION FIGHT! <- <-

@dianagj-art The fusions are fighting!!! Because hey funny story, their first meeting does not go to well 😌It was SUPPOSED to be a friendly spar.. more details in my tags vvv