#not expecting to feel a certain kind of way about this one

[cherryxbooo]

Nothing lasts forever

Summary: Being a dedicated McLaren engineer with a cold demeanor means one thing: judgment. Trusting and opening up to a certain driver leads to a bigger mistake.

Reader x Oscar Piastri

Genre: Angst

I had always dreamed of working for McLaren.

The team’s history, the legacy, the championships, everything about it had captivated me since I was a kid.

I’d spent years idolizing the drivers, the engineers, the people who made it all happen.

And then, there I was.

Standing in the paddock, a part of the machine I had once only watched from the sidelines.

The air felt thick with history, with success, with the roar of engines and the buzz of anticipation.

It was everything I had ever wanted.

But, as much as I tried to convince myself it was everything I had dreamed of, there was something that gnawed at me.

There was an ache deep in my chest that no amount of triumph could soothe.

I had arrived, but the reality? The reality was a constant weight on my shoulders that I wasn’t prepared for.

I’d imagined walking into the garage, feeling the excitement of the team, and being welcomed as one of their own.

But instead, there were whispers.

Quiet, cutting whispers that followed me like a shadow.

I could feel the eyes on my back, the scrutiny, the judgment.

It didn’t matter how many hours I put in, how many sacrifices I made.

The rumors about me spread faster than the engine roar on the track.

I wasn’t the “right” kind of person.

Too focused, too ambitious, too cold.

Too much of everything that didn’t fit their ideal.

And it stung.

Every word. Every glance. Every offhand comment.

I tried to tell myself to ignore it. That they were wrong, that I had a place here because I earned it.

But each passing day, each race weekend, it felt harder to believe that.

The weight of their expectations, their judgments, it was like suffocating under a blanket of misunderstanding.

The worst part was when the comments came from the people I thought I could trust.

From the people I worked alongside. The people I shared ideas with.

How many times had I stayed late, just to make sure everything was perfect? Just to be sure I was giving it my all?

And yet, it wasn’t enough. I wasn’t enough.

The world outside the track didn’t care about my dedication.

They cared about who I was, who they thought I was, and who I wasn’t.

It felt like every tiny detail of my life was scrutinized, dissected, and criticized.

So, I built walls.

Higher and higher, until they were towering around me. I kept my head down, kept my focus laser-sharp, kept to myself.

No one was going to see the cracks forming inside.

No one would ever know how often I lay awake at night, replaying everything, questioning my worth, wondering if all those whispers were true.

Was I too cold? Too intense? Too much of something that no one could accept?

Could they see me as I truly was, or was I just a puzzle piece that didn’t fit the picture they had in mind?

Then came Oscar.

The new guy, the fresh-faced rookie with that infectious energy.

He had that spark of hope, that belief in things I had lost along the way. He didn’t see the walls I built.

He didn’t seem to care about the rumors. To him, I was just another teammate. Another person to work with.

He didn’t judge me for how I carried myself, didn’t dismiss me for my focus. Instead, he laughed with me.

He challenged me in the best ways, without making me feel like an outsider.

For a while, it felt like maybe, just maybe, there was someone who didn’t see me through that lens of judgment.

Someone who saw me.

Oscar didn’t care about my reputation or the harsh words spoken behind my back.

He saw the work, the effort. And for the first time in a long time, I felt... like I mattered.

We started talking more.

Late-night debriefs, sitting alone after everyone else had gone to bed, dissecting the race, talking about what went wrong and what we could have done better.

I listened to him, really listened.

He told me about his journey to Formula 1, about his struggles to prove himself, about his dreams.

And in turn, I opened up. I shared my frustrations. My doubts. I talked about the battles I fought every day just to be here, just to be seen.

I never expected him to understand, but he did.

He didn’t judge.

He listened.

One night, after a particularly brutal race weekend, we found ourselves alone in the garage.

The others had already left for their rooms, and the garage was eerily quiet, save for the hum of the equipment.

I was staring at the car, my mind a whirlwind of calculations and what-ifs.

Oscar walked up to me, leaning against the tool chest, arms crossed, his usual easy smile softened.

“You okay?” he asked, his voice gentle.

I didn’t turn to him immediately.

I didn’t trust myself to speak.

“I just... I just can’t stop thinking about what went wrong. There were so many little things that could’ve been fixed. If I had just—”

“Y/n,” he interrupted, his voice firm but not harsh.

“You’re one of the best at what you do. Don’t let one bad weekend define you.”

I couldn’t help but laugh bitterly. “Easier said than done, right?”

He chuckled softly, pushing himself off the tool chest and walking closer to me.

“I get it. But you can’t carry that weight on your own. You’ve got a team here. Me included.”

The sincerity in his voice hit me harder than I expected.

I finally looked up at him, and for the first time, I saw not just the rookie but someone who genuinely cared.

Someone who wanted to help. It was almost too much to take in.

“You don’t have to do this alone,” he added quietly, almost as if he was afraid of scaring me away.

I swallowed hard, feeling something stir inside me, something I hadn’t let myself feel in years.

Hope.

I nodded, unsure of how to respond. “I... I know. It’s just hard.”

“Yeah,” he agreed, his eyes softening.

“But you don’t have to have all the answers, all the time. Sometimes, it’s okay to lean on others.”

His voice lowered.

“Especially if that means leaning on me.”

I felt a warmth bloom in my chest, a sensation I hadn’t allowed myself to experience in so long.

Maybe it was okay to let someone in.

Maybe Oscar was the one person who could help me see things differently.

The next few days were full of more small moments that made my walls tremble.

We found ourselves in those quiet spaces between races, just talking.

I’d laugh at his dry humor, and he’d listen as I explained things I thought only made sense in my head.

He didn’t rush me. He didn’t expect anything from me except honesty.

One evening, as we sat on the pit wall, watching the sunset after another long practice session, he nudged me gently with his shoulder.

“You know, for someone who’s supposed to be the ice queen,” he said with a teasing grin,

“you’re actually kind of fun to hang out with.”

I rolled my eyes but couldn’t help the smile that tugged at my lips.

“I’m not that bad, am I?”

He raised an eyebrow, pretending to think it over.

“Maybe just a little. But that’s what makes it fun.” He nudged me again, this time making me laugh out loud.

It was a soft, genuine moment.

And for the first time, I allowed myself to feel it, really feel it.

The connection we were building was something I didn’t expect, something that was slowly chipping away at the walls I had so carefully crafted.

Oscar was breaking through, piece by piece. And it scared me. But in the best way possible.

But nothing lasts forever right?

The morning sun was just beginning to rise, casting long, amber-hued shadows over the paddock.

The air was still cool, with a slight breeze stirring the flags and team banners fluttering gently in the wind.

The hum of the pit lane was just starting to pick up as teams were making their final preparations for the day’s race.

Oscar and Lando stood by the car, both immersed in the quiet but urgent task of fine-tuning the machine that would carry them into the competition.

Oscar, his focus unwavering, leaned over the rear wing, adjusting a setting on the aerodynamics.

His fingers moved with practiced precision, checking measurements, recalibrating.

He didn’t take his eyes off the components as he made the final tweaks.

The team relied on him to deliver his best performance, and he wouldn’t let them down.

Lando, on the other hand, leaned casually against the car, arms crossed, watching Oscar work.

There was an easy-going air about him, a stark contrast to the intensity radiating from Oscar.

Lando's eyes followed his teammate’s every move with a small, amused smile on his lips.

It wasn’t that Lando wasn’t focused; it was just that he had a different way of working, more laid back, like everything was under control even if it wasn’t.

After a few moments of silence, Lando spoke, breaking the quiet concentration.

“I have to admit,” he said, his tone light but thoughtful, “Y/n’s not as bad as I thought.”

Oscar glanced up from his task, a small, surprised smile tugging at the corner of his lips.

“Yeah? I’ve noticed that too. She’s... unique.”

Lando chuckled, nudging him playfully with his elbow.

“Unique, huh? You mean cold and distant?”

he teased, a smirk tugging at his mouth.

Oscar’s expression softened, and he straightened up from the car, wiping his hands on his overalls as he met Lando’s eyes.

His smile faltered for a second, but only for a moment.

“She’s not cold,” he said, his voice quieter, more serious.

“She’s just... guarded. And I think once you get to know her, you’ll see a different side.”

Lando raised an eyebrow, clearly skeptical, and took a step toward him, crossing his arms as he leaned in slightly.

“Really? You’ve spent a lot of time with her, huh? I didn’t think you’d put up with her cold demeanor. I mean, how do you even manage it? She’s like a brick wall sometimes.”

Oscar’s fingers tightened on the tools he was holding, but he didn’t let the tension show on his face.

He took a breath before speaking. “It’s not like that. She’s actually very sweet once you get past the walls she’s built.”

His voice softened, as if speaking about something fragile.

“There’s more to her than people realize. People don’t take the time to see that.”

Lando frowned, narrowing his eyes as he stared at Oscar, clearly unconvinced.

“Sweet? Dude, you’ve got to be kidding. I don’t know if I’m buying that. I mean, have you seen how she reacts to people? Most of the time, it’s like she’s trying to push everyone away. She doesn't smile, doesn't really talk unless she has to.”

Oscar hesitated, the flicker of unease in his chest threatening to break through, but he pushed it down.

He didn’t want to let Lando’s skepticism affect his thoughts about Y/n.

He could feel something real there, something that couldn’t be captured by just looking at the surface.

“I think you’re wrong,” Oscar said, his voice firm, though the unease lingered at the edge of his words.

“She’s just... been through a lot. I can see it in her eyes. She’s been hurt before, but she’s not who people think she is. She just needs someone to understand her.”

Lando’s face darkened slightly, his expression hardening as he stepped closer, his voice lowering to a more serious tone.

“You’re really going to let her fool you, huh? What if she’s just using you, Oscar? What if she’s trying to win you over for something, like fame, or to get information out of you? People like her, they’re good at manipulating others. They know how to get what they want, and you might just be her latest target.”

Oscar’s pulse quickened at Lando’s words. His grip on the tools tightened until his knuckles went white.

His initial instinct was to push back, to tell Lando that he didn’t know Y/n like he did, but the words hit a little too close to home.

He tried to control the rising heat in his chest, not wanting to let it spill over.

“No,” Oscar finally said, his voice quieter, though the defensive edge was still there.

“I don’t believe that. She’s not like that. You don’t know her the way I do.”

Lando’s gaze shifted, his brow furrowing as he leaned in closer, his tone shifting to something more insistent, more urgent.

“Come on, man. I’m just looking out for you. You’re still new here. She’s smart, and she’s got a way of getting people to like her, but it’s all for a reason. Maybe she’s just trying to get close to you for some advantage. I’m just trying to warn you before you get too deep in. You should keep an eye on her.”

Oscar felt a tightening in his chest, a flicker of doubt threatening to cloud his judgment.

He wanted to trust Y/n, to believe that the connection they had was real, but Lando’s words were like a seed planted in the back of his mind, something he couldn’t ignore.

He shook his head, trying to shake off the feeling.

“I don’t think I need to be worried about her,” Oscar replied, his voice firming again, though his hands were still clenched.

“She’s been nothing but professional with me, and I trust her. I’m not going to let something like this ruin that.”

Lando sighed, his posture relaxing just a fraction, though his concern was still evident.

“I hope you’re right, mate,” he said, his voice quiet but serious.

“Just keep your eyes open. You might be seeing things through rose-colored glasses right now, but trust me, people like her don’t change easily. Don’t let yourself get hurt.”

Before Oscar could respond, the team was called for practice, the urgency of the situation pushing the conversation aside.

Both drivers were pulled into the whirlwind of final checks and preparations for the race.

But even as they walked toward the garage, Oscar couldn’t shake the uneasy feeling that Lando’s words had left behind.

He tried to push it to the back of his mind, but the doubt lingered, simmering beneath the surface.

He caught a glimpse of Y/n as they made their way to their cars, and for a moment, he found himself wondering if maybe, just maybe, Lando was right.

Could she really be hiding something?

Or was it just the fear of getting too close to someone who had built walls around herself for so long?

Oscar didn’t know, but what he did know was that he wanted to figure it out, he couldn’t just dismiss her like that.

He took a deep breath and forced the thought away.

The race was about to begin, and there was no room for distractions now.

But as they took their positions for practice, Oscar couldn’t shake the lingering doubt that now danced at the edge of his mind.

Later that afternoon,

after the chaos of the post-race debrief, I was given a simple task, one that I had done countless times before.

I was asked to grab some papers from the drivers’ room that had been left behind after a last-minute meeting with Oscar.

It's an easy. Simple. Routine. Right?

I pushed the door open to the driver's room, the quiet atmosphere inside making me feel alone for some reason.

I started sifting through the papers on the desk, the disarray mirroring the mess in my head.

Coffee cups, race schedules, notes from the meeting, all scattered in a haphazard way.

Then, my hand brushed against something, and before I could react, I heard the unmistakable sound of a phone hitting the floor.

A loud thud.

I froze.

Oscar’s phone.

My heart skipped a beat as I bent down quickly, my fingers shaking slightly as I scooped it up.

I checked it over anxiously, my mind racing.

It seemed fine, no cracks, no shattered screen. Just a small scratch on the corner, nothing that couldn’t be fixed.

I let out a quiet sigh of relief and, for a split second, considered just leaving it there on the desk.

Maybe pretending it hadn’t happened would be easier than facing him.

But before I could even make the decision, the door swung open.

Oscar stood in the doorway, his gaze immediately locking onto the phone in my hand.

His eyes flicked from the phone to my face, his expression shifting in rapid succession, surprise, confusion, and then something darker, something colder that made my stomach churn.

“What are you doing with my phone?”

His voice was tight, almost accusing.

I felt a lump form in my throat.

“I—I'm sorry, I knocked it over, and I was just checking to see if it was okay.”

His eyes didn’t soften. If anything, they hardened.

His jaw clenched as he stepped into the room, closing the door behind him with a soft click that felt like the final barrier between us.

“Why were you going through it?”

His words cut through the air like a knife, and I could feel my pulse racing in my ears.

“I wasn’t going through it,” I quickly explained, trying to remain calm despite the panic rising in my chest.

“I swear, Oscar. I wasn’t—”

But he wasn’t listening. He cut me off, his voice rising with frustration.

“I just don’t get it,” he muttered, more to himself than to me.

“Lando was right, wasn’t he? You’re just trying to get something out of me. Trying to manipulate me.”

I stood frozen, the words hitting me like a punch to the gut.

My head spun as I tried to process what he was saying.

“What? What are you talking about?”

Oscar’s gaze was cold, distant, like a stranger’s.

He took a step closer, eyes narrowing with suspicion.

“I know what Lando said,” he spat, his words laced with frustration.

“You’re trying to win me over, aren’t you? Maybe you just want to get close to me for some advantage, information, fame, whatever.”

Each word stung like a slap. I felt my chest tighten, the weight of the accusations suffocating me.

I had spent so long building trust with Oscar, trying to make him see the real me beneath the walls I had built.

But now, it was as if all that effort had meant nothing.

“Oscar, I don’t know what he’s told you, but I swear, that’s not it. You have to believe me,”

I pleaded, my voice cracking despite my best efforts to keep it steady.

But his gaze hardened further, like an impenetrable wall had been built between us.

“I don’t know what to believe anymore, Y/n. I thought I understood you. But now… I don’t know.”

The words cut deeper than anything he had said before. I felt them settle in my chest like a heavy stone, each one sinking further into the pit of my heart.

The silence that followed felt unbearable. Neither of us moved, the air thick with unspoken words and hurt.

Finally, Oscar broke the silence with a sharp exhale, his frustration palpable.

“I don’t want to argue with you right now.”

And just like that, he turned and left, slamming the door behind him with a finality that echoed in my chest.

The sound of the door closing felt like the door between us had been shut permanently.

I stood there for a long moment, frozen in place.

My mind raced, but the only thing that kept repeating in my head was how completely shattered I felt.

It wasn’t just the argument, or the mistrust, it was the way everything I had worked for, everything I had built with Oscar, had just come crumbling down in an instant.

And for the first time in a long time, I was completely alone.

Hours had passed since the argument, and the weight of it sat heavily on my chest.

The tension between Oscar and me still lingered in the air, suffocating and sharp.

I had kept to myself in the aftermath, buried in data and numbers, trying to escape the clamor of my own thoughts.

I needed the distraction, anything to keep my mind from spiraling further into the uncertainty of everything that had unfolded between us.

But as I walked down the narrow hallway, heading toward the garage, I heard the familiar voices of Lando and Oscar in the distance.

Their voices cut through the stillness of the hallway, and without meaning to, I found myself slowing down, drawn to the conversation like a moth to a flame.

I tried to stay calm, but something in my gut told me I wouldn’t like what I was about to hear.

“…She’s just so cold,”

Lando’s voice was low but carried a certain finality, like he was trying to convince Oscar of something he already believed.

“I’ve tried to get close to her, man, but it’s like she doesn’t even care. She’s got this wall up that I can’t get through. It’s exhausting and childish.”

Oscar’s response was quieter, but still audible.

There was a hesitation in his voice that I hadn’t expected. “She's cold... but I guess that's just how she is”

My heart thudded painfully in my chest, the pressure of the situation suddenly too much to bear.

I thought, no, hoped, that Oscar might defend me, at least show some understanding of who I really was, what I had been through.

But instead, it was like he was agreeing with Lando.

And with every second that passed, the pain inside me deepened, unbearable and raw.

Lando’s voice cut through the silence again, sharper this time.

“Whatever, man. Just keep an eye on her, alright? I’m telling you, she’s got her own agenda. You can’t trust someone like that. She’s been playing everyone, and I’m sure you’re next.”

I stood frozen in place, my heart sinking.

Oscar was quiet for a moment, and I could feel the crackle of tension in the air, even from where I stood.

Was he really considering what Lando said? Was he starting to doubt me too?

Finally, Oscar spoke, his voice quieter than before, but there was an edge to it now, like something had shifted inside of him.

“Yeah, I’ll keep an eye on her. She seems suspicious and untrustworthy.”

The words hit me like a physical blow.

My stomach twisted painfully, and it was like all the air had been sucked from my lungs.

That was it. He didn’t defend me. He didn’t trust me.

He was agreeing with Lando’s words, buying into the idea that I was some sort of threat, someone who couldn’t be trusted.

The space between us that had once felt so close now seemed impossibly vast, like an insurmountable chasm had opened up between us.

I felt the sting of betrayal rush through me, even though I tried to swallow it down.

My mind raced. How could he believe that? How could he think that of me, after everything we had shared, the small moments of connection?

It didn’t make sense.

It wasn’t like me to be the one who couldn’t be trusted, but here I was, questioning everything.

Turning on my heel, I quickly walked away, the sound of their voices echoing behind me, but I couldn’t bring myself to face them.

I could feel the tears welling up, but I refused to let them fall.

Not now. Not when it felt like I had already lost everything.

As I made my way back through the hall, my stomach twisted with a kind of emptiness I couldn’t describe.

That was it. Oscar had chosen Lando’s side without hesitation. And that hurt more than anything.

The realization settled over me like a heavy blanket, and I couldn’t shake the feeling of being completely alone in a place I thought I had found some semblance of belonging.

I had hoped for more from Oscar, but now, I wasn’t sure what was real anymore.

What had we even shared if it could be so easily dismissed by someone who barely knew me?

Later that evening,

I found myself walking toward the tech area, my mind still reeling from the aftermath of everything.

The weight of the argument earlier that day had left me hollow, like a piece of me had been torn away and I couldn’t find the strength to patch it back together.

I wanted to drown out the pain, to lose myself in the data, in the work that always kept me busy.

But then, as I rounded the corner, I saw him.

Oscar.

We came face-to-face in the hallway, and for a moment, neither of us moved.

Time seemed to stretch endlessly between us, the world around us fading as the air between us thickened with unspoken words.

My heart raced, pounding in my chest, the weight of the moment pressing down on me like a thousand-ton brick.

The silence felt suffocating, every second of it making me feel smaller, more exposed, more vulnerable.

I could barely breathe.

Finally, he spoke, his voice hesitant, as if testing the air.

"Y/n, I want to talk about earlier. Please."

I couldn’t even look at him. His words felt like a distant echo, like something I couldn’t quite reach.

The sting of everything he’d said to me earlier, the doubt, the mistrust, burned too fiercely in my chest for me to react calmly.

I shook my head, my throat tight as I tried to hold it together.

My voice came out barely above a whisper, thick with emotion.

“What’s there to talk about? You don’t believe me. You don’t trust me.”

Oscar’s face softened, his eyes filled with something I couldn’t quite name, but it didn’t matter.

The pain in my heart was louder than anything he could say. He stepped closer, like he couldn’t bear the distance between us.

His voice was pleading, desperate for me to listen.

“That’s not true. I said those things out of anger, out of frustration. Lando’s words... they got to me. But I swear, I don’t think you’re using me. I—”

I cut him off, my voice breaking with the weight of my emotions. I couldn’t let him spin it.

“No,” I whispered, shaking my head furiously.

You’re just like everyone else. You heard one thing, and you turned your back on me.”

His steps faltered, and for a moment, I saw something like regret flash in his eyes.

But it didn’t change anything. Not anymore.

The damage had been done, and I couldn’t pretend it didn’t hurt.

“Y/n, please,” he said softly, reaching out, his hand hovering near my arm.

“I didn’t mean it.”

But his words felt hollow now.

I didn’t want to hear him apologize. Not when everything I had worked so hard to build between us seemed to have shattered in an instant.

I felt the tears welling up, burning my eyes, threatening to spill over.

My chest felt tight, suffocating under the weight of everything I had been trying to keep buried.

“You did,” I whispered through the tears. “You believed it. And now I can’t trust you either.”

Oscar’s hand dropped as if the weight of my words had physically knocked it from him.

The space between us seemed to stretch, a chasm that no words could bridge.

His eyes flickered with something like frustration, but I couldn’t find the energy to care.

“You’re always so defensive, always so closed off,” he said, his voice sharper now, tinged with anger.

“It’s exhausting. I can’t keep up with this anymore.”

I felt the sharp sting of his words, but there was something else beneath it.

Something that twisted in my chest.

“Maybe it’s because you don’t want to,” I choked out, my voice cracking with emotion.

“Maybe you just don’t want to understand.”

Oscar’s eyes turned cold, and his voice rose, filled with a rawness I wasn’t prepared for.

“You think you’re so much better than everyone, don’t you? You act like you don’t care, but deep down, you’re just scared. Scared that you’re not good enough. You’re scared of getting hurt, so you push everyone away. And it’s pathetic.”

I froze.

His words hit me like a punch to the gut, and my breath caught in my throat.

I couldn’t speak. I couldn’t move.

I was frozen in place, each syllable echoing through my mind, digging into the parts of me I tried so desperately to keep hidden.

The parts I had tried to lock away from everyone, including myself.

And now, here he was, exposing them in the worst way possible.

I trusted him, but he used my trust in him against me.

My worst fears, my deepest insecurities, laid bare before me in the cruelest possible light.

I didn’t want to cry. I couldn’t. But the tears came, hot and fast, and I couldn’t stop them.

I had built so many walls around myself, so many layers to protect the fragile parts inside, and now they felt like they were crumbling away with each word Oscar spoke.

Oscar’s expression faltered as soon as he realized what he had just said.

His eyes widened in horror like he couldn’t believe the words that had just left his mouth. This wasn't him.

He reached out to me, but the instinct to pull away was stronger than anything I had ever felt.

My body jerked back, my anger and hurt boiling over in that single moment.

“No,” I spat, my voice venomous and raw. “Don’t touch me.”

His hand dropped like a stone, and I saw the regret washing over his face, but it didn’t matter.

Not now.

Not after everything.

It seemed like he was regretting everything the minute he realized he was losing me.

But the damage was already done, and there was no taking it back.

I turned away from him, the weight of everything crashing down on me as I walked away, the tears falling freely now.

My heart felt like it had been torn in half.

I didn’t look back, because I knew if I did, I’d crumble.

The pain was too much.

I was almost out of the hallway when I heard his footsteps behind me.

He was following me.

“Y/n, please,” Oscar called again, his voice breaking through the distance between us.

“I’m sorry. I was wrong. Please, just let me explain.”

But I couldn’t. I couldn’t listen to him anymore.

I had trusted him and believed that he saw me for who I was, and now… now he had shattered everything.

My heart felt raw, bleeding from the wounds he had inflicted.

I stopped in my tracks and turned to face him.

“You want to apologize now?” I asked, my voice trembling with the pain I could no longer hide.

“It’s too late, Oscar. You’ve already made your choice. You’ve already believed the worst about me.”

Oscar stepped closer, his face full of regret. “Y/n, I—”

“No,” I interrupted, shaking my head, my heart breaking in two.

“I can’t keep doing this. I can’t keep trusting people who turn on me the second something goes wrong. I’ve had enough.”

He opened his mouth to speak, but no words came.

The silence stretched between us, and I could see the conflict in his eyes. But it didn’t matter.

The damage was already done, and I couldn’t forgive him, not now.

Not after everything.

With a final, bitter glance, I turned away and walked off, the tears still falling as I left him standing there, his apology hanging in the air between us, unanswered and unaccepted.

But one thing was for sure: I had to put myself first.

The end

[jennamoran]

If a strategist from Glitch were to try and go about killing a god (maybe they’ve backslided, maybe the god is just really annoying or trying to kill their friends), how would they go about doing it. What would be the best way to use Eide, Flore, Lore, or Wyrd?

-

Jenna, my readers are always asking me, how do you kill a god? But there is no one size fits all answer to killing gods.

You have to look within yourself.

You have to find the unique way of killing gods that expresses you.

-

Glitch is a game where you tell stories, and an important feature of stories about killing gods is that they are not all the same.

Some are long. Some short.

Some put their protagonists through heck. Some let them just glide through.

Stories can have very different ideas about what it takes, and what it means, to kill a god.

Gods, too, can differ.

-

If you're frustrated, looking at Glitch, trying to find the thing you're supposed to do to accomplish task X, you're misunderstanding the intended flow of play:

To kill a god, decide how you want to kill a god.

Then, express it in the form of actions.

Optionally, discover that you're misaligned with the group zeitgeist on how god-killing stories work, and adjust.

Then, the god dies, or doesn't.

If you're having trouble figuring out how you want to kill a god, then you might need to stick it on a back burner. Over time, you'll have a better understanding not just of the game options the traits provide but of how your character uses them, and some things your character might want to try will gain more dramatic weight in the group zeitgeist.

-

Decide you want to kill a god by shoving it out of your way into the street. Declare that as an everyday Ability action.

Decide you want to kill a god in a complicated flower rite. Declare that as a quest or planning miracle.

Chain it down in a place of sorrow with a Greater Invocation. Erase it with a handwave and your Wyrd. Give in to the wicked voice of your god-killing knife, that whispers to you always, and draw the curtain on the scene, and expect that when the next scene starts it will be dead.

Declare that gods aren't real, and let it poof away.

In every last case, perhaps the group goes, "Yeah, that's a satisfying answer!" Perhaps they don't. If they don't, then your action still "works," in that it happens unless in direct conflict with a stronger action, but it likely doesn't kill the god.

-

A secret is that this is not just how Glitch works.

In almost every RPG, the way you make something happen is get the group on board with that thing happening. All rules can do is help that happen.

If the rules of Glitch could make that happen then you wouldn't even have to read them, you wouldn't even have to know you were playing Glitch, you could think you were playing D&D and accidentally play Glitch instead and the rules would sort that out for you.

They can't.

-

When it comes to killing gods, the game of Glitch bestows a certain implicit authority on higher-level miracles, particularly epic miracles; miracles that take time to play out; miracles that imply in their description that they're on the right power level for killing gods.

Strategy and Greater Strategy are good ones when they apply, because you can get the players on board during the planning process, spend a while playing it out gathering narrative momentum, and then have it feel well-grounded when it works.

If you have a Talent for killing gods, then that probably works well, but also tends to reframe the game as one where you're killing a bunch of gods and more story time gets spent on the ones where there's a twist that makes it difficult. Think of the Traveller in Black; as competent as the traveller is, they still spend most of their time "in play" dealing with entities that are difficult even for them.

Greater Invocation is well-built for attacking gods.

Destruction and Greater Destruction can be good, though honestly they kind of push the GM to make a complex conflict out of it, which in turn means it's actually the Wailing Rite that would serve you best.

Flore is all kind of of one piece, but you'd definitely want to start with a Greater Glorification on a god-killing weapon.

-

If you decide in play to do something that the GM and group think you can probably do, but which they also think should feel difficult and earned, then you probably have to spend some time on either a quest or a spotlight-driven exploration of what's going on with that thing before coming up with a plan people think is cool, executing the plan, and then having the plan mostly work but devolve into some kind of chaotic complex conflict at the end to finish up the final details.

If you decide in play to kill a god ... well, probably the GM and group will believe you can, but also think it should feel difficult and earned. That's kind of what the book implies, at least.

-

In the old days---I once wrote this.

In the old days, they didn't know very much about the world. But they made maps anyway. If they had to map something they couldn't, they just drew whatever they felt like and wrote, "Here there be dragons."

We still don't know very much about the world; and there are things to map of it besides its surface.

How do you write a book?

How do you kill a god?

Can broken things be remade? Can destinies change? Is it worth the risk of hope?

Important questions, but one can only shrug, you see:

Here, there be dragons.

-

As for Glitch, I mean, like ... the game only has two rules, and they're not even a dozen words between them; some things had to be left as exercises for the reader, and the dreamer, and their group.

[klorophile]

I agree and I don't at the same time... I've been having mixed feelings about this take and I'm gonna try to put some words on it.

First of, Arcane absolutely is a modern tragedy, yes, of course, no doubts about that. It's even presented with a classic theatre colored structure: different acts composed of episodes (scenes), and even works in threes to be fancy. And I mean... the characters, their actions, the consequences, the themes, ... You see how things will go bad, and they do go bad because of their premices. Tragedy all the way.

Yes. ...For season 1. But season 2? I personally expected season 2 not to be a tragedy, or at least not fully. Because I feel like... "what's the point?" Season 1 was already fantastically sad. Absolutely all the characters were shaken at their core (to the point of death for some), everyone was facing their big ass consequences by the end of it. Why repeat that in season 2? Because the message of "you always pay the consequences of your actions" had already been 100% delivered, I feel like there was no need to repeat it for another 9 episodes. In a way, I feel like it's redundant.

And maybe that wouldn't have been a problem. I mean, Game of Thrones told us from the start "you're gonna cry, 'cause the world is horrible and that's it" and repeated it throughout all the seasons, sure, but I think one of the differences is that Game of Thrones never promised anything else. While I know I feel like Arcane did.

One of their motto for the second season was that everything was going to be turned upside down, a 'story of opposites' as Silco says, they wanted to force the characters to be the opposite of what they usually are (Vi with no one to protect, Jinx a hero, ruthless Caitlyn, not alive silco ToT etc). And well... If season 1 was a complete tragedy and season 2 is going to be the upside down version, then why is it still a tragedy?

And I know, writing those words, that the obvious answer is "because everyone still face consequences", "because the world is a tragedy no matter who you are", "because you can't escape", etc etc. Okay. Maybe (most probably) I'm just a pussy who can't stand sad endings, especially when I have a blorbo from this show. Maybe.

But I think a lot of us are feeling betrayed, not just disappointed, hence the strong reactions. For @angelinthefire's "Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not." I wonder: Wasn't it the story itself that made us expect another genre at the end? Like I said, the part 1 tragedy then part 2 same tragedy feels weird.

And, in all honesty, I hate that I am saying all of that, because I completely agree that people should just tell the story they want to tell however they want to tell it. I did not expect to find myself complain about something being a tragedy instead of having a good ending.

But the other thing is that I feel like season 2 is not completely consistant about its 'consequences', and also, well, a bit cruel... Because if you look at Caitlyn, she paid very little, she's just forgiven by the narrative like that, because the writers decided that she was 'good', and that in spite of her actions. And don't read this as Caitlyn hate, I absolutely love her, but I think that doing this to her kept her away from the character development she could have had. I feel like they made her narratively good, but also less narratively intersting than she could have been.

Meanwhile, Jinx had to die with Warwick, and the message is that she finally pays the consequences of her actions from when she was 12 and accidentally got her family killed. And that's... brutal. Of course, I am a Jinx stan, so I'm not objective at all, I am aware. But if I am a Jinx stan, it's because the show made her oh so relatable. A lot of people see themselves in her. And that makes killing her a little tricky I think... Especially as what she is being 'punished' for was an accident, that in the end does not get to be forgiven.

And I mean... I think all of this could have been okay, actually. Season 2 could have been a second tragedy, why not. But what bothers me the most is simply that it does not work as well as season 1.

In season 1, the end is unescapable. That is precisely why it's a tragedy. Everyone is aiming towards it, everything is falling falling falling to this. But I am not convinced by season 2. Viktor and Jayce had to be obliterated by the arcane to save the world? Ok, sure, but then explain it! How does it work? What did they actually stop? Because the Hexgate is still standing there, hextech still exists, Piltover is still what it is... Events are going to repeat themselves. And sure, there won't be Viktor for a new Glorious Evolution, which is for the better, but what how why Ekko what what happened?? It's just not explained enough. If it's all about consequences then the arcane and the wild rune should be explained better because nothing feels like consequences, it just feel like plot written for itself. It doesn't feel like a tragedy, it feels like a story written by people trying to knot an ending. Vi and Jinx can't have a relationship anymore, because they always fall in this codependant nocious thing so Jinx has to fake her own death and flee the country all on her own? Ok, that's interesting. But why show that they could and actually did begin to mend things between each other then? (the both of them working together as equals, Vi asking for Jinx's opinion, Jinx learning to be the big sister with Isha and by seeing Vi with her alcohol problem, ...) Why show Vander and Silco (Vi and Jinx parallels) together if by the end the conclusion is that you cannot mend a relationship when it's been too bad for too long?

Anyway, I feel like what I disagree with in season 2 (one of the things at least, because we're not talking about the Piltover/Zaun storytelling here, amongst other things) is that we were told that it did not have to end badly, and then it did anyway, and for reasons that are not solid enough. I agree with season 1 because I see how it couldn't have turned differently. It shows us its heroes, and because they are what they are, the end is what it is. But in season 2, I just feel like the sad ending was forced. It's the other way around: the end has to be sad, so the characters are going to do this and that. And I think that is also a part of why we read the 'consequences' with the morale glasses on: because if it is more forced than logically flowing, then we see the choices the writers deliberately made, who they chose to keep alive and who they did not, and we wonder why.

They say it's about consequences, but it feels more like they are forcing their characters in a direction because they want the end to go a certain way. It's not inescapable like season 1. And if it's not inescapable, then maybe we deserved a good ending for season 2. Or at least an episode 10 that would be an alternate ending or something.

I've been thinking about how I would most concisely sum up the plot of Acane. Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not.

And I think the most concise way to put it is that Arcane is about consequences. The first episode starts with an explosion, that the characters spend the rest of the arc dealing with the repercussions of. And then the first arc ends with two massive events - Powder killing her family and the invention of hextech - that they spend the entire rest of the show dealing with.

I think most of the stories we get from Western media are about achieving or accomplishing something, or the failure to achieve something. And you can frame Arcane in those terms. But I think to best understand the story, you have to step out of that typical framework. Because the thing with an achievement-based story is that there is a particular end goal in mind, and I don't think Arcand has that.

Like take Vi and Jinx, for example. A typical way to frame their story would be that it's about two sisters trying to rebuild their relationship. That presupposes a certain ending: They either succeed or fail at their relationship, and that's what the focus is on.

But it's not about that. It's about - how do you deal with an event that fundamentally changes you?

In season 1, Vi's answer was to recapture what things were like before. In season 2, they try to redo the past (saving Vander) and get a different outcome, but that's impossible. The answer comes with Ekko - to build something new.

And this is all over the show - action and reaction, how the arcane wakes up, killing is a cycle.

[graementality]

behold?? my full interpretation on all of the main factors of CCCC!! I don't know what compelled me to write all this but here we are. (whoops this got LONGG)

enjoy!

[disclaimer that this is my own interpretation and, while I take alot from canon, some of it will be closer to the fanon side of things. ]

[disclaimer 2 that I get all writery in certain parts and essentially write "from the characters' perspective" so those bits aren't MY OWN opinions, it's what I think they would feel about certain things C:]

[disclaimer 3 that alot of this is me stating the obvious, aswell as making them out to seem quite horrible, I promise I love them all and while they do have many flaws, they have good moments too </3 uhh ok yeah don't kill me with rocks pls]

Heart

• first of all: Heart has a huge victim complex. whether intentionally or not, he will always play the victim- he can get quite emotionally manipulative in this sense too. It can never be his fault- "he was provoked" "the other deserved it" "the other started it" "I'm innocent I'm innocent I'm innocent."

• he *can be* immature. now this word gets thrown around alot by Mind but i think he's 'immature' not in the sense that he throws tantrums and can't be trusted and has nothing of importance to say like Mind thinks. he is in the way that he refuses to listen to others, refuses to take the blame, and can also be quite petty and has a tendency to blow up (sound familiar? yeah. Minds immature too, we love Heart Mind parallels).

• he is spiteful and impulsive, but can you blame him? he's constantly being belittled and fought against; of course he's gonna take any chance he can to get back at Mind- to show him how it feels- to make him finally *listen*.

• Heart constantly feels like no one listens to him, that he is the disregarded part bcus he's "uncontrollable and unruly". this obviously forms alot of built up resentment because no one is taking him seriously. I think he can switch alot between "I need to prove that I'm just as good as Mind, I'll show them." and "they're right, I'm violent and impulsive and I'm ruining our chances of becoming Whole.". as you'd expect- his mood swings are wild.

• he is Inherently violent and impulsive. nothing is premeditated- if he's angry, he'll act on it. he'll say and do whatever he thinks will get him out of a situation or will make the other person listen.

• just the same as Mind- he is under the full impression that his opinions on how Whole should be are correct. And of course there is truth in that, emotions are a necessary part of existence, but just like Mind, he doesn't understand the need for his other half's part aswell.

• I think he very much wallows in his depression. he finds it difficult not to, but when he's bad- he's bad. he takes after Whole in that sense. he will be selfish and cruel and will isolate. he will spend all his time in his room and will be significantly more vile to Mind. he gets very caught up in his own emotions and depression, which just enhances it. (that is until things start being better and they're on their way to concord ofc, they all start helping eachother and themselves again) (this sounds mean I promise I love him, sadly I love projecting onto him more)

• there's alot of negatives here for him being my favourite character but trust me he can be good too. He's excellent at comfort, he knows just how to make someone feel better when they need it. He's empathetic, he can read people's emotions with ease and because of this-is able to understand them. Every fight with Mind- he feels his anger and frustration just as much as his own, he knows Mind gets just as riled up as him when tipped over the edge. The same goes with Soul, he can feel Soul's anger like a looming threat when their fights escalate too far. He can feel Soul's guilt and and how he relishes in the control despite it. That is to say- Heart can be kind and caring too, when it counts. he's the love AND the hate; it just so happens that he's got ALOTT of things to be mad about in his life </3

Mind

• Mind is astronomically emotionally repressed, it is a problem. he views emotions as something that holds him and everyone back from rational thinking and being at their optimal performance levels. he doesn't allow himself to get caught up in emotions (this of course is a lie, and excludes his petty outbursts at Heart, those don't count).

• ^ so much to the point that he 'removes himself of everything humane and emotional' by replacing himself with mechanical parts. no I don't think that's canon but I love this headcanon and I will die on this hill.

• though he would deny it: he is very petty, and does enjoy provoking Heart whenever given the chance. (which of course Heart does aswell)

• he is a 'control freak' to his core. though it comes off as tyrannical, he truly does think he knows what's best for the Whole, and that's why he's so adamant on being the ruler. logic is straightforward, logic can be easily worked through and used to make optimal decisions, thinking clearly avoids all possible bad situations. logic is his mainstay, his rock. (If he were to let in the flood of repressed emotion, he wouldn't be able to handle it all, and would lose hold of his mainstay whilst desperately trying to stay grasped onto it. he would be scared and lost in it all without a way back up.)

• he hides behind his apathetic facade but he *does* feel and he *does* get angry and upset and scared- and he hates himself for it. he can't be seen as vulnerable, as weak. I don't think he even knows *how* to deal with emotions either. he's spent so much time shoving them down that when they finally all come back up, he genuinly doesn't know what to do, he panics, unable to use logic in a situation like this.

• he is stubborn as all hell.

• he is Whole's ego. he doesn't think he's ever good enough and yet pretends he's the best; he believes he's the best too- contradictory I know, they're all hypocrites /lh.

• despite all these sympathisable things, he *is* cold and he *is* cruel at times. just like Heart, he has his reasons, but that doesn't make his actions justified. (make up already you guys suck!!!!)

Soul

• sigghhh identity issues x1000; he doesn't know who he is or what he's meant to be. he isn't a real person, and what's worse, he isn't *Whole*.

• I think so much of his character is based around Whole rather than him being much of his own person. his identity is a mimicry of Whole, botched together to make the imperfect Self, always wrong, never perfect enough. he has spent his whole existence working towards becoming someone else that he's never once thought to make an identity of his own- it's all for Whole, he would be nothing without him.

• he does not want to have to hurt the other two but in the end, that's all they'll listen to. he mimics power and control. he doesn't want to hurt them- but what else does he have if not power over these two? he has no control over the loops, no power against Whole, he can't do anything to stop this in the grand scheme, so he exerts control in the only way he can. he (tries to) keeps them in line. there is a large amount of guilt around that though.

• he's actually a very guilty person in general, his existence is merely the happenstance of dissonance; he and the others are born from it. he is the hubris of his Whole's misery- how could he not feel guilty about his every motion and thought, his existence itself is made from anguish {his Whole's anguish}.

• he yearns for non-existence and existence simultaneously; he contradicts himself. he wants to be Whole, but at the same time he wants to co-exist with him, happily.

• overall he is tired, he is very very tired. he doesn't have much left in him and he'll do whatever is necessary to just make it *stop* at this point. I think even after cacophony ends and the fighting finally stops, he's still on edge. he flinches at every little sound and raised voice. he wakes up in the middle of the night thinking he heard the other two arguing again, he has nightmares. he's very paranoid at all times.

• during cacophony I feel like Heart and Mind are defintely dehumanised by him. whether subconsciously or not. they become the ids, rather than his fellow thirds. they're a problem he needs to fix, parasites he needs to be rid of. he wants to get along and trust them, truly, but he never can.

• touch starved. this needs no elaboration.

• he worships Whole, devotes himself to him. he thinks of him like a god, something holy and perfect and completely out of his reach. his whole identity and existence is built around becoming him, this places Whole as the epitome of perfection. he wishes he was able to be close to Whole, to know him- but that's impossible, and he thinks if he ever even got the chance to brush their hands together his body would explode at the heat of his divine touch. yeah listen to this freak, please be normal for once in your life Soul.

Whole

(disclaimer: this is the character Whole and is in no way how I view CJ!! they are completely seperate thank yew) -

• my entire perception of Whole is mismatched ideas I've collected from mutuals but a large portion of his personality is from 'live the dream'. so, just picture that version of Whole mixed in with the weird codependent god relationship with Soul and that's my Whole 👍

• he is selfish and hypocritical at his core, he's almost as guilt-ridden as his Soul.

• he knows he does bad things, to himself and others. he hates it, he regrets it, he feels guilty for it- but he will always come back and do it again.

• he lacks barely any form of self love- of course this is going to make it difficult for him to sympathise and love his little blots- *parts of himself*.

• he is (of course) suicidal, alot of his (self proclaimed) 'selfishness' stems from this; he can't help it but its true. he's spent so long only looking out for himself, in isolation, believing that everything he does is pointless- his actions are gonna be selfish, whether he likes it or not. hence- the loop; he continues to repeat it.

• he is a chronic liar, he lies to himself, he lies to HMS, he lies to his friends. sometimes harmlessly, sometimes Very Much Not. there are times he's sworn he won't restart the loop and believed it, but of course that never lasted very long.

• he's not good at maintaining relationships- with anyone. this is why he struggles so much with Soul's unwavering devotion to him. not only does he feel like he's not putting into their relationship as much as Soul is, but he also lives in constant fear that *it will end eventually*. Soul will realise what a bad person he is and abandon him, or he'll fuck something up on his own.

• Whole has religious trauma (two wuv), and because of this he is very uncomfortable with Soul's worshipping of him.

• despite this, he still leans into it; no one's ever adored him this fervently, without hesitation, he can't help but enjoy it at least a little. both him and Soul are touch starved as hell so, it's *alot*. It's easier when they're in the loops, when he's separated from them all, from their resentment and their love. he doesn't think he deserves anything but what he thinks of himself. so Soul's unwavering love and devotion throws him off, but who would he be to refuse such a scarce thing in his life?

The Juno Incident

• ok!! I like lot's of different interpretations of the Juno incident honestly, though the ones that align best with what I think happened are these:

• Heart missed, literally. his bullet did not hit Mind. I believe he had low vision (just like me fr!!) before being blinded fully after TJI and this of course made aiming difficult.

• ALTERNATIVELY, he *did* shoot Mind, and the bullet *did* hit. Whether that was in the throat or some other place idrk, it fluctuates.

• In both instances, I think it went like this: after Heart's shot, Mind was shocked, he was scared, ESPECIALLY if the bullet did actually hit. I think in that moment, he did not have his logic to rely on, emotion- shock, fear, betrayal, anger- all of it, took over. he probably couldn't move for a few *very long, agonising* minutes, he was shaking, he was trying to organise his thoughts to best approach the situation and *couldn't*. his smug demeanour was finally broken down and in that moment he was truly *weak* (which he resents both himself and Heart for every day).

• meanwhile Heart very quickly flips from seething hatred and anger to regret, he's a sobbing mess. he's also scared- partly for Mind (if the bullet hit), but mainly for himself, mainly of *Soul* and what the consequences will be. he starts hysterically apologising, not to anyone in particular, just whoever will listen. he immediately goes into defence mode- victim mode.

• when Soul gets to the scene it's a mix of emotions. he's mad, mostly, but also feels betrayed- this is going to impact Whole, this is a setback we can't come back from, how could they do this? but of course the first thing he has to do is help, mediate, punish- as always.

• when it comes to whether or not Soul blinded Heart, I'm not sure. I enjoy the interpretations where he does, but also the ones that don't. but I firmly believe that it was majorly Heart's doing (self inflicted whilst in Apathy which I'll elaborate more on soon).

• Soul still punishes Heart obviously. after realising that Heart isn't the one that's been hurt here, and is crying crocodile tears, he quickly makes his way to Mind, who is still trying to regain his composure. Heart is obviously still screaming and wailing, and Soul now has the full picture of what happened, he tears into Heart. he yells at him about how he's betrayed them, betrayed Whole, how he's broken everything. Heart just defends and defends, cries and cries, he doesn't want to face the consequences. Soul eventually sends him to Apathy, where he can't wreck anything else (except himself). This was maybe the first time they were all equally afraid of eachother. (It will happen again, and again, of course)

• after dealing with Heart, Soul tends to Mind, who is *very* averse to being looked after (he doesn't need his pity). But he is obviously Very Fucked Up and accepts the care anyway. cue weeks of recovery and PTSD.

Apathy

• Apathy is somewhere in headspace that no one knows how to get to, they just end up there when that is where they need to go. It's a long walk, or a short one; no one really knows when you end up underground, you just do.

• I picture it as something of a cave system but instead of rocks, it's made up of decay. It smells like dirt and rotting flesh, the walls squirm as if they were alive, the floors are covered in rotting vine-like things that crawl around you and pull you deeper into the pit. Its dark and agonising.

• Heart relies heavily on sound and touch, this place is a sensory nightmare for him to say the least. he can barely see, Apathy is unable to harbour sound, and everything around him makes him want to throw up.

• eventually his own actions, with the additional side effects of being somewhere so horrific all alone for so long- causes Heart to scratch out his eyes. I hc him as someone very prone to scratching and skin picking- it got a bit much here to say the least and that got taken out on his eyes.

• I imagine he was down there for at least a few weeks. at the max a little over a month. Soul is the one to come get him, Mind does not want to face him.

The Loop

• Whole purposefully restarts the loop. for quite awhile I stuck with the idea that the loop restarts itself, like when they start fighting again- as the cycle of depression does. and while I still believe that- I like Whole restarting it on purpose more :]. It gives not only the plot, but all of the characters so much more depth in my opinion. there's resentment, there's guilt, there's it's effects on relationships and relationships with oneself. It's just overall so horribly good.

• I mainly like the way things happen in 'live the dream'. as in: Whole gets tired of Being A Person, he doesn't want to exist anymore- so he sits down at his piano and begins his song to restart the loop; the loop that brings him to the peaceful realm of unconsciousness whilst his thirds go through hell once again. and when they finally reach concord, he's brought back to reality. and it repeats itself.

• regarding memories: Soul remembers the most, which isn't saying much but yk. his memories of the loop mainly consist of the main events (split, fighting, Juno incident, any other significant things). his memories aren't clear enough to ever prevent any of this though, he just has to live with the fact that he knows something bad is going to happen, and he can't do anything to stop it. even if he did manage to, the loop would find a way to make it happen anyway. (for example: he calms Heart down before he manages to shoot Mind. Soul thinks all is well but later that night he hears muffled yelling from one of the blots' rooms, he's annoyed for a moment- just another fight- until he hears a gunshot. It happened anyway, his efforts were fruitless.)

• Soul is aware they've been through many many loops. he doesn't know how many, but he knows they've been here for A Very Long Time. he's tired.

• Heart and Mind are..somewhat aware of the loop? I think during calamity and closer to concord they're able to remember better, but in the midst of cacophony, they might as well know nothing. the battle for control and constant warring prevents them from remembering they've been here before- and will be once more. It all feels familiar, they write it off as deja vu. alot of things happen because of their 'instincts', for example: Heart's first thought during The Fight with Mind is to grab the gun; he's never shot anyone before, so why'd the thought come up? well it's obviously the most efficient choice of action- it'll certainly get Mind to shut up and listen to you. <- and so the cycle repeats itself.

• on how many loops there have been. I think it comes and goes like the cycle of depression (obviously). I think they each last for a few months up to a year at a time, and concord lasts for roughly a few months aswell. however many of those fit into the time that Whole has been alive and struggling with depression is how many loops there have been.

done!! holy shit that's alot, over 3k to be exact. these ideas will probably change and fluctuate over time but it was nice to get it all down for now :] feel free to send me asks about my headcanons of these weird little bugs, I love them :33 !!!

[rnnsdrms]

TELL ME, DO YOU FEEL THE LOVE?

DEAREST READER. i was supposed to publish moriarty brothers’ first but remembered that the 5th and 6th of january was mycroft and sherlock’s birthday! to celebrate their birthdays, and also the return of moriarty the patriot manga, i decided to write a little something ! if you like my work, consider treating me a coffee. it means a lot !

CONTENT SUMMARY. basically how the holmes brothers shows their love for you. this is based on a - z sfw alphabet challenge and this is the a for affection part ! so, THERE IS NO SMUT. i wrote this with female! reader in mind + sherlock is implied to be taller + mention of ‘queen’ in mycroft’s part.

CHARACTERS. mycroft holmes, sherlock holmes.

ᯓᡣ𐭩 SHERLOCK HOLMES

Sherlock being affectionate is, perhaps, one of life’s rarest phenomena–something you never expected to witness and experience firsthand. The man, by all accounts, is crude, aloof, and generally unlikeable to most. But not to you. Somehow, in a way he does not quite understand, you have managed to see beyond the sharp edges and impossible arrogance. You will say, in a teasing tone, “It’s a part of your charm,” and Sherlock, in his endlessly logical mind, is half-convinced that there must be a small dent somewhere in your delicate skull for finding him admirable. And although he would not like to admit it, it was a good enough reason for him to return your kind disposition.

He has never cared about public opinion, but when it comes to you, it is a different story entirely. Your thoughts of him matter more than they should, more than he ever anticipated. Only in these moments that he becomes the accused, and you are his honourable judge. Words that fall from your lips–whether they are gentle praises or sharp criticisms–hit him harder than anyone’s insult about him ever could, carving every syllable into his mind like a new scripture he should abide by. What you think of him is vital, necessary, as crucial as air to his lungs. So, he listens, often with his head down in contemplation. For the first time in his life, he lets someone mold him into a shape that befits a certain vision—your vision. Because he knows that with your guiding hand, he can transition from a good man to a better man.

But Sherlock is far from a traditional Victorian gentleman. There is no flair for romantic chivalry, no polished manners or well-practiced charm to sweep you off your feet. And he knows this–he knows he lacks the grace and poise most would expect from a man in love. But what he lacks in gentlemanly qualities, he compensates for tenfold with the precision of his sharp intellect, which he dedicates entirely toward easing your life’s burdens.

When crisis unfolds, Sherlock steps onto the scene with his usual calm authority, a quiet grace that steadies the chaos around him–which in this case, the chaos is usually you. To the outside world, he is seen as the blade of reason, but beneath that steely exterior, he watches out for you, always. Anything that troubles you naturally becomes his burden to bear. Your worries are his worries, and his detective instincts won’t let him rest until he has unraveled the knot of your hardship. His mind sharpens into focus, meticulously piercing together solutions, knowing that once he is able to solve it, your relief–that gleam in your eyes as you pull him down to kiss him–will be his greatest prize. He often says he works best alone, but this time, he strives to be a partner you can lean on. For Sherlock, love is not solely about roses or sweeping gestures; it is about showing up in the way he knows best. It is in the way he says, “Don’t worry about it. I’ll take care of it. You know I always do,” that makes you feel safe in a world that often feels anything but.

While he might be a man not possessing great ambitions, he does, however, aims to be the best partner you will ever have. Good is no longer good enough. He longs for your recognition, your acknowledgment of his efforts, no matter how significant or simple they might be. And when you give it to him–when your eyes light up at something he has done or your words affirm his care–he practically glows, like a happy child, even if he hides it beneath that trademark smirk you know so well.

Sherlock holds your individuality with reverence, and loves the way you shine differently among the other ladies. He loves the way you tell him random facts about life, the way you bombard him with a lot of questions that he is only too happy to answer, or the way you try to prove him wrong even if you always fail. It comforts him to know that he sees himself in you, that you are just as stubborn as he is. When you achieve success, it sparks something within him that he cannot suppress: pride. Though he won’t erupt in grand applause, you can still catch the tender radiance in his eyes when he holds your gaze, a small smile forming on one edge of his lips. His praise comes in soft, sincere words. “I knew you could do it, honey. I never doubted you for a second.”

Sherlock may not always get it right. He stumbles, he overthinks, and sometimes his temper gets the better of him. But in those moments when he catches you smiling—really, truly smiling—he swears it’s all worth it.

ᯓᡣ𐭩 MYCROFT HOLMES

People who do not have the pleasure of knowing him will never know how this cold, stoic man is actually a hidden walking-green-flag on earth. When you first met him, you thought he exuded a daunting and untouchable aura, a common characteristic you find in men who wanted to steer themselves clear of any romantic alliances. Of course, that didn’t stop him from looking desirable in the eyes of many women–including yours. In the end, by some strange luck or fate, you piqued his curiosity, held his attention, and the next thing you know, he has got himself wrapped around your little finger of his own will. Everything that he does never fails to surprise you, in a way that makes you think, ‘I didn’t think he would be this kind.’

Because, as it turns out, here is a man who has been anointed with the title of a provider. Mycroft does not just give, because he knows that is what any respectable good man is supposed to do. He provides with purpose, with intention, with an almost acute type of meticulousness that mirrors every other part of his life. Yes, his wallet is loaded, but he is not the kind to randomly shower you with expensive gifts or empty sweet words. His generosity is calculated, deliberate–every act of giving is carefully chosen to mean something. When Mycroft decides to give you something, he wants his gifts to be of use to you. He likes gifting you your favourite brand of personal care products or that specific perfume with a scent he likes so much that he thinks you should spray them on your skin again.

A romantic dinner? He won’t spoil it with unnecessary fanfare or lengthy explanations. Instead, he will step into your space, gently disrupting whatever it is you are doing, place an elegant outfit in your hands, and simply say, “Wear this. I’m taking you to dinner tonight.” No further explanation needed, because the evening will speak for itself. You only have the highest regard for his immaculate tastes, for it never once disappoints you. You can trust that he has chosen only the finest restaurant, a place where every detail–the ambience, the wine, the food–meets his impossibly high standards. For Mycroft, perfection is not luxury; it is a necessity when it comes to you. This is his kingdom, and you are his queen.

He is not one to smother you in repeated declarations of love. In fact, the word “I love you” rarely ever leaves his mouth. But when it does leave his lips, it strikes a chord deeper in you than the most lavish gift or flowery phrase. Mycroft doesn’t simply say I love you. Little do you know, even these three words tugs at every string of his core, threatening to undo him. There was something about the word ‘love’ that strips him bare, and with the combination of your soft gaze on him when the word teethers in the edge of his lips, Mycroft realises he is not as formidable as he thought. He is not above love after all–while the word itself gives him the power to live his days, it was, at the same time, his bane, knowing that the word itself resonates with your name. So, he often rephrases them with other words: “I will take you home,” “What would you like to eat? I’ll pay.” “Is everything alright?”–are the words that decorate your days. And you understand that those words, spoken in his low, steady tone, are his heart laid at your feet.

Publicly, Mycroft is all composure, all restraint. Mycroft is known for his headstrong manner and his solemn words, but watch him listen and obey the second words leave your mouth, for he knows that you care for him, and only have the best of intentions for him. He may not indulge in the frivolity of public displays of affection. But behind closed doors? He is a different man entirely. In private, your existence becomes his gravity, pulling him away from his mountain of work, reminding him to rest. He may need you to distract him, but other times, he will find you himself. You are the soft chaos in his carefully structured world–the calm after the storm–and it’s exactly what he needs. His hands envelop your frame without hesitation, tracing the edges of your presence like he is memorising you all over again.

Mycroft is far from being a master in the kitchen or a patron of words, but he will always save the best slice of food for you. Watching you savour something delicious—shaking your head in delight and doing a small dance—becomes one of his simplest, purest joys. It’s in these moments that his carefully guarded walls lower, letting himself bask in the quiet and intoxicating joy of loving you.

RNNSDRMS ©. SUPPORT WRITERS BY REBLOGGING THEIR WORK. DO NOT PLAGIARIZE, TRANSLATE, OR POST MY WORKS ON ANY SITE. I WILL POST MY POSTS ON OTHER SOCIAL MEDIA SITES MYSELF AND THAT’S ALL YOU GET.

[feroluce]

I've been yapping at a new friend a lot lately about Boothill & Rappa; she described them as "sidekicks in chaos" and! Yes! Finally!Someone else gets it! They're SO cute and so sweet, I adore them. They speak so highly about each other and they have a lot of respect between them! I love them being friends!

With the way Rappa calls him Lord (vs Ninja for everyone else) and how much she openly admires and mimics him, I'd like to think Boothill was the one that showed her the ropes when she was first brought into the Galaxy Rangers. Mentor/mentee and teacher/student are too strong of labels for how I see them, though.

Rappa and Boothill are like a college senior taking the new little freshman under their wing. Or the much older and more experienced coworker trying to look out for the fresh-faced little newbie who's just entering the workforce.

As for how they met and became friends in the first place, I like to imagine it was a case of Boothill's soft heart and being unable to turn a blind eye to things. ☆

Like Boothill wasn't on the mission where the Galaxy Rangers found Rappa, he was off on his own Hunt at the time. But given that the Galaxy Rangers have a leader (La Mancha) and they do seem to have some kind of organized efforts, I wonder if there's any kind of secret hq, or at least certain places where they tend to congregate, like how the Masked Fools have their taverns. Anyway.

Boothill maybe sees Rappa for the first time at one of these hqs (he came back when he heard there'd been a major breakthrough with Dr. Primitive). Or he maybe just happens to run into that Galaxy Ranger from 2.6 that initially found her, who then just. Wasn't really sure what to do with her after the raid. Boothill walks in all these Rangers sitting around like "well now what" because none of them actually expected Rappa to survive the memetic virus. Honestly, her brain should have fried.

Either way, Boothill comes across her by total coincidence. But I think he'd have a lot of sympathy for her because like. Aeragan-Epharshel had been an uncontacted planet before the IPC came around. And since they were there to fuck the place up, they definitely didn't expose the natives to the rest of the cosmos. To say that Boothill "left" the planet is a massive underestimation- he didn't just leave, he escaped. And when he got out, he was completely alone, with very little idea how the rest of the world worked or how to get by.

And right now, Rappa is much the same.

She doesn't know anything beyond the lab she was held captive in all her life. There's no way they would have allowed her to learn that kind of stuff, and I'm sure Kucha wouldn't have told her out of kindness. It would be cruel to taunt her with things she couldn't have.

So someone needs to teach her The Ways of the World! It's just a matter of deciding who.

Boothill: ...What're you morons doing.

The Rangers, in the middle of a very intense rock-paper-scissors tournament:

And Boothill likes these people. He really does! ...Ok, except that one guy. He's kind of a prick. But the rest of them are at least mostly decent! But he wouldn't trust them to keep a pool, let alone a whole human being. If he lets this girl go with any of these dumbasses, there's no way she'll make it. So Boothill smacks them around a bit and announces fine, he'll show the new girl how to be a Galaxy Ranger! If any of them have a problem with this, feel free to make complaints to his revolver ☆

Rappa watches all this go down with stars in her eyes, because Boothill is just like the heroes in her manga! Wow! So cool!

(When it came time to actually leave though, Rappa made some sad eyes at the Ranger from 2.6 that actually found her- for better or worse, she got a little attached. The Ranger told her to go on! Go! Just get out of here!

It's very important to imagine this like a movie where the kid frees the wild animal they bonded with skhzksksjk)

Afterwards, Boothill does actually take Rappa aside and ask if she even wants to be a Ranger. If she doesn't, it's fine. The Galaxy Rangers do a lot of charity work, and everyone knows someone who knows someone who knows someone. They'll find somebody that can help her figure things out and get settled. She can have an actual life now.

Rappa gives a passionate speech (that Boothill catches about 50% of sdlkfjasdl) about how she wants nothing more. She'd wanted it before she even knew the name for it. This was what she'd dreamed of, laying across the bed in Kucha's room, reading through his manga collection for the nth time.

Kucha isn't with her anymore. He'd died just to get her out of there. But she can take the opportunity he gave her and make the most of it. She can still keep her dream alive.

So yes, Rappa wants to be a Ninja Hero. Please teach her!

(Boothill: Bein' a Galaxy Ranger ain't easy shirt. Ya gotta be able to hold yer own in a fight. Can ya even do that?

And then Rappa fucking suplexed him and Boothill was like ok so the first parta bein' a Galaxy Ranger is- JSJJSJDKSK)

They're mentioned together so much outside of the main game, too. So I'd like to think even after Boothill passed on to Rappa all the street smarts he could, they still remained pretty friendly, and make the time and effort to meet up whenever they pass nearby. They just ended up getting along so well!

Like no, they don't see each other very often. They're each on their own separate Hunt. Galaxy Rangers still largely work alone. But they're the kind of buddies that can still happily greet each other the same even after months of not speaking. ♡

(Clutching my heart imagining Boothill telling Rappa she is now a full-fledged Ninja Hero, and she is now strong enough to make her solo journey! But he does give her his phone number. And he tells her that if she's in trouble- like real, real bad trouble- call him. Call him and he'll come runnin', to any corner of the galaxy, ok?)

[ablogofloveandtrash]

Little Diamon Moments that Really Interest me

Damon being emotionally touched by Diana's kindness. These screenshots alone don't do enough to show the full scene, but Damon starts off with him beginning to doubt his accusation after seeing her beginning to break down. He is affected by her reactions, and he begins to have doubts which starts the non stop debate that branches into the logos route, or pathos route. However, these scenes are exclusive to the Pathos route, and explores Damon's inner conflict regarding his decision to take back the accusation. He internally questions why he is becoming all 'mushy' and putting himself in a trivializing situation. Despite this, he can't help but call back to the times she has helped him. Starting with the scene in the dining hall where Damon and Eva were nearly excluded from seeing the new room with the others. Diana appealed to Wolfgang by reminding him that having different opinions doesn't immediately make them bad people. She gives him and Eva the benefit of the doubt which Damon is noticeably silent on response. It seems as if may have presumed Diana didn't like him as the others had, until this moment.

This is something that isn't of immediate importance, but it was noteworthy that Damon initially seemed like he didn't expect anyone to try and help, if at all. As the two didn't have any important interactions again, until the night before the tournament. In the night of the tournament, that is where Diana and Damon have their first main interaction, with each other. He does put a little emphasis on her, if not vaguely. Where he notes her as "a certain someone". This leads to a little dialogue interaction, where Diana greets him and simply asks how he's doing. She basically explains that she notices everyone around him and Eva seem to feel tense or uncomfortable. So she goes out of her way to see how he was doing. This conversation eventually leads to Diana asking about Eva out of concern. As the girls were rooming together, but Diana reveals that Eva hasn't been in high spirits. As concerned as she is, she asks Damon if Eva told him anything, as she wanted to help Eva opening up to others as well. Unfortunately Damon chooses not to share anything he knew about Eva. Diana doesn't seem to press onto the matter. (Likely out of assumption that Damon doesn't know anything) and reminds him that if he ever needed someone to talk to, he could come and find her. Once she leaves for her dorm, that is where Damon tries to process the conversation. He starts becoming curious if Diana was genuinely concerned, or if there was an ulterior motive to it. (Implied by his question of whather she tried to 'pry' information out of him.) This entire part comes into play once the trial eventually begins. And with Diana being the first person to attempt to reach out to Damon and be kind to him. Damon feels conflicted over what he can deduce by facts and logic. But also from what he can already see when he interacted with Diana. It shows for the first time, that Damon shows his capability of caring about others aside from himself. This moment in trial 1 is one of Damon's most humanizing moments. And it definitely doesn't stop from the Pathos route as well. As we eventually saw with him crying at Eva's execution and to his reaction to Diana's speech. With everything that's occurred until that point, so much is left to be known as to how Diana and other characters could possibly affect Damon in the future.

[casadegatos]

Favorite thing I wrote today, It's Hump Day Baby Edition:

today's prompt: one accomplishment

Down to his toes, down to his toenails, even, Shirl promised himself. This was the last time. The last time. The last time had been the last time, too. And the time before that. Shirl picked at a scab on the back of his hand and blocked out the stench of the other men. Other men who were as hollow looking as Shirl felt.

He didn’t know how many times Narcan worked on you. Some guys said after five times it didn’t work, then your O.D. would be permanent. Shirl didn’t want to find out. He pushed up from the cot, slid his bag out from under it, and nodded at Cuke as he started for the door. The Shining Light would let him stay another night, but the cool spring weather was inviting and there were guys worse off than him. His bag was lighter than he recalled it being when he checked in. Rummaging around inside, his fingers touched the leather binding of the book. At least Frost was safe. The metal canteen was missing, that was it.

A narrow look Cuke’s way. Cuke’s eyes slid toward a new guy, one Shirl hadn’t noticed. Under his cot, the canteen. Shirl shrugged his bag over one shoulder and made a circuit of the room, barely breaking his stride when he scooped the canteen up. Then he was outside.

Bright, optimistic rays of sun slanted through the branches over his bench. Shirl settled on one end, leaving the other open for anyone else who wanted to enjoy the park that day with him. It was a singular type of Spring day, every green hue possible, light pink buds just about to burst, some sparrows twittering. Shirl breathed in. He liked this, this was being alive. He could do this.

If he stayed here, read Frost, appreciated the sun, and didn’t think beyond that. He’d get hungry, but Shining Light gave him a packet of trail mix on the way out, so he could handle that. If he stayed here and It left him alone, he could do this.

Even though he had memorized the poems back in his classroom, all those years of teaching them to freshmen, he still liked to look at them on the page as he ran them through his mind. Sometimes he forgot a word here and there, but only sometimes. It. It didn’t like poetry. So Shirl kept his eyes on the page and in his mind the road diverged, the fences were mended, nature was green and gold. The order of the poems mattered, so he turned the pages carefully. He couldn’t skip any of them. If he did, It might find the opening. Make Shirl shiver and need. Next. Next. Next.

No one sat at the other end of the bench, not once. If they had, Shirl would have smiled and offered some of his trail mix to them. Talking to people, though. Shirl pushed It away. Thinking about people hurt. He turned another careful page. Darkening clouds fretted over the horizon and Shirl stuck out his tongue. No rain, he didn’t think. No. The empty bench was long enough for him to lay on, he knew because he’d slept on it before. Probably would tonight, the park was quiet.

Only a few dog walkers and stroller pushers had passed him the whole time he’d sat here. Shirl was invisible to them. That was good. His loneliness was his, he didn’t want to inflict it on anyone else. How he’d ended up here, he supposed. Protecting others from It. Drugs only did so much. Distance only did so much. Whatever tether he’d had before unraveled every time he used, but every time he used he could almost touch what it had been to feel…normal? To feel something. To not feel It.

Purple and orange streaks announced sunset, followed by a soft breeze. Shirl closed Frost and put it under his head as a pillow. He would be able to sleep. He’d made it through the day and he was alive.

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[lord-squiggletits]

Honestly it annoys me that pride, ambition, and generally having a big ego are always villainous/evil-coded personality traits because personally I think if you genuinely are a prodigy at what you do you are 100% within your rights, perhaps even deserving, of flaunting your skills and being proud of the fact you can do something that only a small fraction of other people can do. Is it even ego at that point if you genuinely are as good at your field/skill as you say you are? Are people not aware that becoming a prodigy at something is something that takes lifelong sacrifice and practice sometimes to the point of giving up on having a normal life, relationships, etc even potentially destroying your own health???? God I fucking hate how pride in your own skills and ambition are so villain coded all the time. As if it's evil to want to be good at something and be recognized for what you rightfully earned

[redheadedfailgirl]

From 'Dream of a woman' By Cacey Plett.

This sums up exactly how I feel about most transition timelines. As much as they reflect people's experiences, they are also a narrative. And the narratives that get shared the most tell a lot about what our values are. The timelines that get the most attention are the ones where people go from sad, loser, nothing boys into beautiful women.

But if you go to /r/transitiontimelines or a similar place, and sort by controversial or look at what has the least likes, its people who made timelines when they still don't 'pass' yet. Even if they're happy as can be, that's not what people are looking for.

I think it says a lot about what people expect from trans women, that they only want to see us be beautiful. In some cases, that they want to believe they can be beautiful. So there is no value in trans life if you're not beautiful.

[squorttle-pox]

idk if it means anything really, but i think it's interesting how after all their time together as a couple in a christianity-adjacent world, lucifer and lilith only had one (1) child, and it was only 200 years ago at that

[butts-bouncing-on-the-beltway]

I feel like the post I just reblogged pointing out the all-or-nothing in how many people interact with their deconstruction of systems of oppression is resonating for me right now with so many different moments in my life where someone decides that because some part of myself has access to some of the levers of control/influence/etc that come with the relationship to power, and decides what that must mean about all the other parts of me that might be explicitly refused access to those same levers.

It has happened in so many spaces/aspects of my life, and it can be so hard to feel safe and seen and trusting of others when that's my chronic relationship to being perceived - half truths and obfuscation.

It doesn't really change regardless of who's doing the assuming either. Like, where they land in relation to systems of power may influence which direction they lean in their assumptions about me, but even that is often inconsistent. Both sides of the equation (those who share my marginalizations and those who exist in spaces of closer proximity to power) will still do it nonetheless.

When I was doing my liminal social identities work in undergrad, this was actually a big part of the conceptualization we explored of traumtic alienation of self as individual from self as collective, and what it can do to people to exist in this liminal relationship with your environment and the people in it. As I'm starting to gather my thoughts about my stress modeling, this conceptualization is bubbling back to the surface. I'm finding myself meandering through it on both a path specifically my own, and in an effort to better understand what other paths may be available to people during their version of the process/experience.

Selfhood is so fragile, and so in need of balance between self-construction and co-construction for us humans, and that gives us so many beautiful, even spiritual, experiences of meaning making and generativity of self. It also createa many pivot points where we may find room in our path for vulnerability or blurring of self. As much as these pivot points can be distressing, I think they also sometimes become our foundations of change/personal evolution, when we find that through the distress of existing in shift, something meaningful is occurring or observable in our experience of self-in-transition.

I think something I've valued especially about my own relationship with self is its transience. It doesn't always end up somewhere I would be happy to sustain, but it always allows me a degree of comfort in complexity that I think has made my body-mind a safer place for me overall.

[itspileofgoodthings]

also it’s interesting because. my family is deeply unsentimental (in a very powerful way) and society is divided into the pretty heartless or the pretty sentimental (generally speaking) and I’m sort of this walking heart wound of emotion trying to straddle these lines (and having a hard time of it!) but one of the things that does guard me from being more sentimental than I am is the secret cruelty and unfairness that lurks at the bottom of all sentimentality.

[quietwingsinthesky]

there’s a progression in there, somewhere, of even going from ‘the master might kill me any day now :(‘ to ‘the master is going to kill me :) she’s not going to let someone else do it after all this time’

[moonmoonthecrabking]

"chaotic bisexual-" i don't find this particularly encourages me to read the book, actually. i might anyway, because of the concept (and in a partial hope to prove my preconceptions wrong), but i think that a mistake was made somewhere in the marketing stage