#in general i feel like i could write an essay about how self vs others is treated as a dichotomy

[lord-squiggletits]

Honestly it annoys me that pride, ambition, and generally having a big ego are always villainous/evil-coded personality traits because personally I think if you genuinely are a prodigy at what you do you are 100% within your rights, perhaps even deserving, of flaunting your skills and being proud of the fact you can do something that only a small fraction of other people can do. Is it even ego at that point if you genuinely are as good at your field/skill as you say you are? Are people not aware that becoming a prodigy at something is something that takes lifelong sacrifice and practice sometimes to the point of giving up on having a normal life, relationships, etc even potentially destroying your own health???? God I fucking hate how pride in your own skills and ambition are so villain coded all the time. As if it's evil to want to be good at something and be recognized for what you rightfully earned

[yudrein-aile]

I have reached ch 400 of turning. Kinda obsessed with the difference between the two timelines Kishiyu... Yudrain is like. Young! And doesn't understand politics that well. And there's so much baggage. And meanwhile Yuder is like. 30. He's constantly like "ah these young kids". There's still baggage but he is so much older and experienced and Kishiar responds to that differently than he did + different circumstances (like. Ch 400. Full info not yet revealed). Anyway I came to !!! Because idk who else to !!! At about this

Please !!! here any time, I love hearing your thoughts! sorry you're getting a whole god damn essay reply i had to put a read more.

Yuder is, and continues to be, incredibly harsh on his younger self, especially at the start, some of it is deserved - calling his younger self arrogant and quick to anger - but a lot of it, I think, is also just colored by how much was asked of him vs. how much he could do.

Yuder judges immediately in the first chapter that joining the Cavalry seemed "like a chance for dazzling success and thrilling adventures" as he had not "outgrown his boyishness". In the same paragraph he also judges that he didn't know anything about the intrigues and politics he'd find himself in, "that everything comes with a price, and that he was not well-suited for such pursuits".

In chapter 3 he straight up calls his twenty-year-old self "a poor country bumpkin with a gloomy expression".

So like, the impression we get of twenty-year-old Yuder, to me, is that of a 20 year old kid, who's not really socialized because his grandfather died seven years ago and he's been on his own ever since, and thinks that maybe getting to meet others like him, measuring his powers against them, would be fun.

Generally spekaing, the vibes I got from Yuder is that if he could, he would've done nothing but train all day. He's not interested in leadership, but then he's made Cavalry Commander. In chapter 2, he points out this rise in status himself:

"The previous Yuder had held a great deal of power and influence as the Cavalry commander of the Empire, but now he was nothing more than a young newcomer from the countryside. Who would actually listen to someone like that?"

Think back on the literary lessons - most Cavalry members couldn't even read or write when they joined the Cavalry. Yuder could read, but not really write well. Imagine that, he's twenty, he just learned how to write properly, Kishiar manages to mcfuck himself up during the Red Stone Retrieval Mission and decides "yes, that one will be my successor".

Like to Yuder, even ten years later, it seemed like Kishiar pretty quickly and decisively decided to make Yuder his successor.

Why did Kishiar La Orr pass the position of leader to Yuder at that time? And without any hesitation, as if it had been planned from the beginning.

And it's mentioned at times - a lot more later when Yuder knows what's up - we learn also that Yuder received proper lessons from Kishiar (and Nathan) and probably a whole bunch of other people to prep him for his work as Commander. Because Yuder does do well. The Cavalry is thriving, outpacing every other organization withing years. Sure, he's an interpersonal nightmare, but he did also pay for like parties if it was requested or so. And again, he went from semi literate commoner to Count and, argueably, one of the Emperor's most trusted men. That's insane.

And now in the second timeline, Yuder takes that knowledge with him. He knows what to expect, what he learned by trial and error. Just think about the second gender manifestations that go well. Heck, his own, I'd argue, is his turning (ha) point. The first 150ish chapters really do feel like Yuder's only in survival mode, but after his own second gender manifestation, the thing that IMO definitely fucked up his and Kishiar's relationship in the first timeline (mutual non-con my beloved trope <3), it's like an awakening (sorry full of bad puns today).

And for their relationship in the 2nd timeline!! Kishiar and Nathan both pick up that Yuder's more skilled than he should be. In chapter 17 we have this exchange:

"Nathan." "Yes." After Yuder left, Kishiar, staring at the chilled teacup on the opposite side, opened his mouth. Kishiar's cup was empty, but the one on the other side remained untouched, just as it had been from the start. "What do you think of that guy?" It was an unusual question. Nathan pondered for a moment before answering. "If I hadn't heard of his background beforehand, I would never have guessed he was a commoner." He was unmistakably a commoner, an orphan, barely twenty, yet he did not falter in front of Nathan, let alone in front of the noble duke who was as esteemed as the heavens.

And in chapter 59 we got:

Ever since first meeting him, Nathan Zuckerman had been continually investigating Yuder Aile's background. But just as his lord had predicted, there was nothing to find. His past was impeccably clean.

People regularly are in genuine awe of Kishiar because of the whole sun god thing, and I'd say in the first timeline, while also annoyed with Kishiar, to a degree did treat him according to station before he was made Commander and was even more annoyed with Kishiar.

And now here comes second timeline Yuder who had like. meals with the Emperor and knows Kishiar, to a degree at least.

And Kishiar very much picks up on this. He's got a prodigy on his hands who's not afraid to say what he means - not because of arrogance, but because he's straightfroward and correct. He's fascinated with Yuder to the point of propositioning him to figure out what he's on. (rip to Nathan hope you never learn of this).

Like, man if I have to put it into words, I think 2nd TL Kishiar falls in love because he's fascinated and interested by Yuder and wants to know him wholeheartedly, while for Yuder it hmm feels a lot more like hmm devotion/dedication to an ideal? Which makes Kishiar's genuine joy when he learns a small thing about Yuder a delight to read and vice versa when Yuder realizses why Kishiar acts in a certain way.

Like in 199 we got Kishiar saying , "I was merely asking out of curiosity. Isn't it a natural human tendency to want to know more about a subject of interest?"

(Also love how in 200 Yuder is like "Kishiar is so smart and skilled it's only a question of time until he manages to seduce me" babygirl what the FUCK is that thought process. can't you just say he's hot and charming and you both have a competency kink)

uuh. i think i lost the plot a little replying to your ask but like. yes. i love how the different circumstances shape their experience and attraction to each other,

[actualbird]

n/s//f///w text ahead and also so much stupid, get out while u can

context because god, all of this needs context or else you'll think im nuts (or, well, more nuts than you guys already surely think i am):

kay so on twitter i was talking with BecktheBeetle and ilong_musk about marius thirst and we somehow got to discussing subby marius. which! i am very much into and i replied with, and i quote "my problem is i want him subby for everybody but also i love luke subby for everybody as well. so i have to like...have a hierarchy. marius bottoms for all nxx except for luke, where suddenly his top vibes activate."

to which BecktheBeetle replied with "I’ll need this in a 1k word essay format complete with diagrams please" possibly in a facetious nature but i love writing 1k word things and making diagrams

which is why this post (probably the dumbest but also the funnest thing ive ever done) happened

my unholy nxx polycule sex hierarchy dynamics hc

wc: 1.5k (1.4k if not including flimsy context above to justify all this)

disclaimers: dont take this seriously. i didnt. definitely do not expect any character analysis rationale in this either, this is wholly just my own self indulgent preferences for the characters. also, this is mostly for the laughs and i feel the need to state the obvious that theres no hard and fast "rule" and definitely no "hierarchy" for how sex dynamics must work. switching is a thing, power isnt a requirement, and yadda yadda, pls dont take sex lessons from ppl online, especially not me, is what im tryna say

anyway, before i talk about bottoms or subs or sex in relation to the tot characters

i first have to explain to you a boardgame called Game Of The Generals

Game Of The Generals (GG) is a filipino board game and im so sorry i had to use it for this but it's the most fitting framework my brain could figure out and i Needed A Framework.

this boardgame is like chess in the sense that theres two sides and one side is tryna defeat a key piece (for GG, it's the flag) to win. unlike chess tho, the pieces have ranks, these ranks determine the pieces that piece can defeat, and the player can only see the ranks of their own pieces (thus necessitating a 3rd party called an adjutant (JUST REALIZED THATS BASICALLY AN ADJUDICATOR OMG, HI VYN) who is not on either side and whose purpose is just to check which piece wins when one piece goes into the box of another piece)

but the ranks r whats most important to this deranged ramble.

the picture above lists all 15 ranks (which i hope tumblr lets u see clearly). the ones at the top are the strongest and can eliminate everything under it EXCEPT when you get to the Private and Spy. the Spy is supposedly the strongest piece because it can defeat Literally Everything

except for the Private. which is the 2nd weakest piece on the board (1st weakest being the flag). it's horrendously weak but its wildcard power is that it is the ONLY PIECE OF ANOTHER RANK that can defeat the Spy.

i say "of another rank" because in GG, if two pieces of the same rank try to challenge each other, the one who attacks first is the one who wins. EDIT: WOKE UP IN A DAZE AND REALIZED I MISREMEMBERED THIS. IF TWO PIECES ATTACK, BOTH OF THEM ARE ELIMINATED. first strike wins only applies to flag vs flag. i can fix this still

got all that? cool. im now taking that list of GG ranks and pieces and condensing it and editing it for my terrible mission

LET ME BREAK THIS DOWN

"eliminate" in this sex ramble now becomes "im the one with the reins" which can either mean topping or being dominant cuz a person can totally have a dick in them and still be steering the show

the Private rank now has two special variants: "with rights" and "without" rights and this is in regards to how they can eliminate the Spy and i swear to god i'll explain that more in detail later, trust me. still, the original rule of "if two pieces of the same rank fight, the one who makes the first move eliminates the other" still applies even among these variants. so if Private Without Rights attacks first at Private With Rights, Private Without Rights eliminates the other

EDIT: so same rank actually means both ranks lose. so both Privates get eliminated. this can still work in my favor tho, trust me

note that for both Privates, i say that there is only the capability to eliminate the Spy. meaning that theres still a possibility they themselves can be eliminated by the Spy

i say this in the beginning of the post but i'll say it again: dont take this seriously. i certainly am not.

with these new pieces in place, i now put forth my hc via assigning a piece to each member of the nxx investigation team

from this alone, i think a good chunk of my thoughts are expressed, but lemme walk through them so you appreciate my hardship

mc is the most powerful. she can rail the hell outta everybody (including both privates but not always. but i'll get to that later) and they will say "thank you" with hearts in their eyes (and come just all over their body)

vyn and artem are in the middle of this insane sex sandwich with vyn just one star more powerful than artem. which means that vyn can bend artem over the desk in his dumbass minimalist study in his apartment but should mc want to give vyn the strap not even 5 minutes after that (or, hell, even during), hes happy to oblige.

marius and luke are at the bottom of the this horny power ladder and i realize, fuck, i rlly should have formatted the above image in a line but it's too late to turn back now. anyway, MARIUS AND LUKE ARE THE BOTTOMEST OF BOTTOMS, THE SUBBIEST OF SUBS. they are getting fucked and pushed around sexily so so much and are having a blast

to visualize, heres a chart. red arrows are the straightforward ones. the place where the red arrow originates from is The One Who Fucks and the place where the red arrow points to is The One Who Gets Fucked. orange lines are a bit more nuanced because i messed with the Private rank

but yea, thats it!

now that thats been said, i will explain wtf ive done with the Private rank

see, i wanted mc to be a Spy because while shes the most powerful, theres still one piece she can fall at the hands (or dick) of. and in my mind, the one she hands the reins over to easiest and happiest is Luke Pearce.

because i know in my heart that luke fucks like a one man demolition squad (linked is a meme visualizing this)

so i knew luke had to be a private. but then i go back to what i said that started this whole thing: i want luke to be the one getting fucked if hes with marius. but i also want marius to be a bottom, just not with luke where i want him to top. but i dont wanna rank marius higher because i think the brat doesnt deserve it (i say this affectionately) but i couldnt rank luke lower to be the flag cuz then thatd mean he loses the capability to top mc.

i was in a conundrum! i wanted all these things but the pieces of GG didnt allow me to do this!

so my solution is to deviate from GG a little bit

i split the Private rank into two variants to compensate how pathetic (affectionate, horny) i find marius von hagen to be while still keeping his dick advantage with luke.

see, when luke and marius (same rank) are going into the same square (//waggles eyebrows), i remind you about the rule concerning same ranked pieces facing off: the one who attacks first eliminates the other. and in my mind marius, more often than not, is the one pouncing on luke.

so by sheer virtue of speed caused impatient desperation and incessantly whorish vibes, marius wins.

EDIT: due to my oversight on same ranked pieces, the edited rationale is now that luke is bottoming physically but because of luke's inherent genuine tenderness present at all times, marius, even when topping, is still bottoming emotionally. at the end of the day tho after the Feels, marius still feels smug superior cuz at least He Made The Move First. which luke thinks is super dumb but he got great cummies out of it so fine. he'll let it pass. told ya i could make it work

OK LASTLY....LASTLY....THE LAST THING I HAVE TO EXPLAIN: the whole "capability" thing i invented for the Private variants

luke, a Private With Rights, gets to top mc basically whenever she wants him to. which is probably more of a service top situation but from time to time she Does wanna have a go with Agent Raven and maybe play a very coy target he has to sexy threaten honeypot. when mc is not in the mood for luke going that route, luke always surrenders because for him, it is an absolute joy

marius, a Private Without Rights, is submitting because he wants to and enjoys it but also he makes it such an Ordeal. if luke is obedient even if he really really wants to come and always says "please" like a good boy, marius is Not That.

marius is whining, marius is on purpose riling people up cuz it's gonna get him one hard fucking, marius is misbehaving so that somebody will set him straight (ha! as if!)

so mc is kjsdfkJBKJ NOT GIVING HIM THE SATISFACTION SO EASILY!! hes such a brat!!! so he has a much more difficult time winning in the whole rank business because shes being rightfully stubborn against him being Like That

however, she will give him a reward if he earns it

and the process of earning it is just a long grocery list of being everybody else's boytoy for a Long While.

im suddenly now angry because i designed all this to put marius at a disadvantage but......if hes getting fucked on the reg by the team, hes winning anyway. i was tricked. fooled. BAMBOOZLED!

curse you, marius von hagen!!!!!!!!!!

[faggotmox]

Top 5 wrestlers any place and why?

top five RASSLERS || @perchtdont

nick gage (gcw). the why part of this is so long. like...how to explain things here. nicky is my favorite wrestler ever. i say with my whole chest that i do not think there is another (at least american) wrestler that has as strong a connection to their fans as nick gage does. for a lot of us being mdk, being in the gang, means something very real to us. it's a place we belong. when you look a guy in his eyes & tell him how his silly lil stabby glass breaky rasslin & gang saved your life & he genuinely responds back to you "i wouldn't be alive without you guys either" there's something truly special. nick gage has such a a special, genuine connection with his fans & he is truly a wrestler above most. i could talk a lot about this, i could really go into it, but i'll leave it here. nicky just is special. also he explicitly supports the queer community, & makes his gang & shows a safe space for us (like it's not just him at gcw doing this though).

jon moxley (aew, gcw). when i started watching wrestling it was during the kinda closing of the omega/mox feud. i hadn't really find the wrestler i connected with yet, i had a bunch i liked though. can't remember the first mox match but i do remember just very easily finding myself invested in mox. the exploding barbed wire deathmatch is the most significant match to me as a wrestling fan. everything he does is good, even the bad stuff. he doesn't exactly have what i say nick gage has but his genuine self really connects with people. also mox's love of deathmatches/hardcore is what lead me to discover that kind of wrestling which lead me to wanting to be that kind of wrestler. so mox gave me my dream & love for wrestling.

bryan danielson (aew, roh). i know everyone's like of course its cuz u think he's hot. FALSE. well, i do but everyone on my list is hot. i actually kinda hate having bryan on my top five list because it feels generic (sorry bry but you seemed too hyped to be that good) but kenny vs bryan seriously changed my definition of good wrestling. i used to not get technical wrestling (& i really wanted to bc it's nicky's favorite kinda wrestling) but bryan changed that. then i stumbled on bryan vs kenny vs tyler black which just...fucking slaps. bryan became one of my favorites before he was even stalking mox. i also like the man behind the wrestler a lot.

minoru suzuki (everywhere). this is the coolest motherfucker in pro wrestler. not only is he cool as fuck but the dude has just such a fucking understanding of wrestling. not just the moves & the holds & the whatever. no, suzuki gets pro wrestling. like seriously having read some of his shoot interviews & his in character ones, the guy has such a mind for it. the way suzuki brings legitimacy to the sport of pro wrestling is fucking amazing. not only that but suzuki works to use his credibility to legitimize others. effy v suzuki is a good example. it's still a fucking effy match but suzuki brings his vibe to it as well. the dude is who i look to when i want to understand something about pro wrestling that's maybe just not clicking. he also is very humble & just loves what he does. it shows. i just really respect & admire suzuki. ive been so fucking fortunate. i saw him 3 times in 2 days during which he earned his first US title (roh tv championship), & that's like...such a thing for me. like i start to cry thinking about it, it makes me so happy. his chops sound unearthly (like legit not of this earth) in real life.

eddie kingston (aew, chikara, deffy, njpw). i mean...like yall been on my blog. yall know how i feel about eddie. ive spent the last like day running my mouth about eddie which is fitting since all he does is run his mouth which is what i love about him. i could write an essay. but i'll break it down like this. the way he and mox are, the players tribune article, his love & influence from king's road, the genuine way he expresses himself, & his sense of style are why eddie is one of my all time greats.

[starlessea]

Ultimate Guide to Proofreading

Here’s the next installation of my writing tips series!

[Just a quick disclaimer: this isn’t meant to discourage anyone! We are all still learning. These are just some tips you may want to consider when editing your writing].

As a language / linguistics student, I tend to focus on the grammar, or just the overall presentation of my writing. Obviously, if you’re writing online or self-publishing, without a beta reader that is, then no one is going to scrutinise you over the small things.

However, it can elevate your writing SO MUCH if you simply proofread it. Often, I find myself taken out of the immersion of a story because a typo is so glaringly obvious. Most of the time, we can gloss over them and they don’t impact the reading experience too much - but if your work is littered with small errors, they tend to pile up.

Proofreading is an easy way to get your readers to stick with you - and it often doesn’t even take that long! You just need to know HOW to proofread, and it will save you time. 

1) Spell Checkers

I know this seems really obvious, but I read so much work that could be improved tenfold just by being copied-and-pasted into a spell checker. You can literally type ‘spell checker’ into Google, and use an online service.

Personally, I use Google Docs. I just Ctrl+A, Ctrl+C, and Ctrl+V my work into it - and it will underline the spelling mistakes in red, and the grammar errors in blue. 

It’s as easy as that.

2) Consistency and General Grammar Points

This section is by NO MEANS an exhaustive list, but I’ve just compiled the things I’ve noticed the most when reading online. 

American English vs. British English:

This one is quite self-explanatory. If you’re going to use American spellings, then use them consistently throughout - and vice versa with British. Some common ones to look out for include:

color / colour

neighbor / neighbour

humor / humour

(US/UK respectively)

I found a good article here that gives a more comprehensive list.

Homophones or the Question of Verb / Noun:

You may want to double-check that you’ve used the right form of a word (verb / noun) - especially if they sound the same. 

affect / effect

hoard / horde

practice / practise***

*See this article.

allowed / aloud

were / where

I know these can sometimes get a little tricky for non-native speakers - especially since English is really quite a weird language. But these are the most common errors I’ve picked up on.

A lot of the time, things like Google Docs won’t spot these - so it’s good to be aware of the TYPES of errors you’re trying to find.

Also, remember that Google Search is your friend. I can’t even count the number of times I look things up when writing - THERE IS NO SHAME IN IT. It doesn’t take long to check if you’re using a word in the correct context, or the correct form of the word.

Showing Possession:

A lot of people tend to get confused about using the genitive marker, apostrophe ‘-s’ to show possession. See the examples below:

[Disclaimer: don’t judge my name choices...]

Jade has a bag. That is Jade’s bag.

Jade Simpson has a bag. That is Jade Simpson’s bag.

Jade Simpson lives with her husband, John Simpson. They are the Simpsons.

That is the Simpson household. That is the Simpsons’ house.*** 

*This is the one most people struggle on. There are two Simpsons, so the apostrophe comes at the end to show PLURAL possession (i.e., belonging to BOTH Jade and John).

This is Jess. That is Jess’ bag.

Here, the above can be written as Jess’s, but the extra (-s) usually gets ellided if it is following an ‘s’.

Another thing people get confused about is its/it’s. 

In English, ‘it’s’ = a contraction of ‘it + is’ (NOT TO SHOW POSSESSION). ‘Its’ is the possessive form in this case.

E.g., The dog lost its collar; it is brown = The dog lost its collar; it’s brown (the collar is brown).

Punctuation Consistency:

Personally, I don’t mind what style of punctuation you use. Whether you put your full stops INSIDE your quotations, or OUTSIDE;

E.g., ��Go away.” vs “Go away”.

or if you sometimes like using hyphens in place of a comma; likewise with capitalisation, and whether you decide to capitalise certain nouns etc.

But, whatever you choose, BE CONSISTENT WITH IT.

You don’t want to give your readers whiplash by changing styles every couple of lines. Otherwise, it’s like you’ve chosen one academic referencing style for your essay, only to switch it half-way through. It’s confusing. It may seem like a nit-picking point, but people will notice it - and it’s good written practice to focus on being consistent.

3) Formatting:

Dialogue:

PLEASE PLEASE start a new paragraph/line if SOMEONE NEW IS SPEAKING.

Your readers will be so confused if you don’t properly distinguish who is speaking. It takes away from the reading experience when you think one character has said a line, but it turns out to be another. 

Don’t just rely on “[...]” John said. We should know if someone new is speaking by the format, not just the name that follows the dialogue.

Paragraphs:

Don’t let your work be one block of text. Break it up and make it more digestible for your readers. Try to start a new paragraph for a new topic, place, thought, etc. You can find some really great guides online that go into more detail. Personally, I think it’s quite a stylistic thing - but you should still be consistent in how you choose to establish your paragraphs.

4) Other Things to Look out For

Detography: Have you written a word twice?

Pronouns: Are you using the following correctly?

their/they’re/there

your/you’re

Tenses: Are you sticking to the same tense? Are your verbs all conjugated in the same tense? Do you switch tense half-way through?

Repetition: Are you relying on the same words a lot. Are you using the same verb / descriptive word very close together?

For this, I just make a quick Google search:

E.g., “said synonym” or “angry synonym” - it adds variety to your writing.

Character Names: This seems obvious, but make sure you’ve spelt them correctly throughout - same goes for place names etc.

5) READ YOUR WORK ALOUD

I really can’t stress this enough. Even after studying language, literature and linguistics for as long as I have, I still miss so many of my own errors if I don’t read my work aloud. My editing process literally involves:

Write the draft

Read over the draft and correct any glaring errors

Copy and paste into a spelling/grammar checker

Re-read the new work and edit again

Read aloud and edit as I go

Final read through

Obviously I don’t do this every time - but it shows just how easy it is to miss mistakes when you’re still finding them during step 6.

6) Bribe a Beta-Reader (or a Friend)...

This is a really helpful step if you are able to find someone willing to check over your work. Often, we become blind to our own writing after we’ve read over the same thing a number of times. It can be really useful to get someone to take a look at it with fresh eyes!

Disclaimer: These are just some things I’ve noticed that I tend to look for in my own work. Also, I want to make a point of saying that English is a strange language, so please don’t be discouraged if you’re a non-native speaker feeling confused. I still get confused!

Also, please feel free to ask me any questions! I might not always be available to give a full beta-read of your work, but if you have any queries relating to grammar etc., don’t hesitate to drop me a message!

[marimopeace]

there's a limit on how much you can be an isekai intellectual...

a bunch of analyses have been popping up before me all day so i wanted to throw my hat into the ring. all love to ppl who are exercising their creative minds + ppl like geoff here who just talk about these things because of fan interest but i feel like there reaches a point where exploring the "types" of isekai is pointless? i've seen ppl list out the different types of villainess revenge isekai or fantasy mmorpg isekai but eh why fit them all into separate boxes like that?

i think it's easier to think of isekai as a "type" (genre) of itself with only two categories: 1) a focus on isekai (lit. another world) 2) tensei (lit. to be reborn). this allows for a variety of applications and thus tropes that ppl see so many trends of!

with isekai - in another world

you see everything from:

pure fantasy (inuyasha, digimon wait maybe not the best example but in my childhood mind i count digimon as pure fantasy, fushigi yugi)

mmorpg inspired fantasy/adventure (.hack//legend of twilight, sao ugh, log horizon, overlord (LOVE OVERLORD!)

otome game-esque worlds >>> this is where it gets complicated with "villainess routes" since i admit there are multiple villainess tropes but this is why it's nice to not think of this as a "sub-type/genre" bc it frees you from those complications! (the saint's magic power is omnipotent, the white cat's revenge as plotted from the dragon king's lap soso cute!, the savior's book cafe in another world, i'm a villainous daughter so i'm going to keep the last boss wait i can't remember if she's reborn in this one lmaooo see this is why rules make everything hard)

with tensei storylines - being reincarnated/reborn in another world as *insert character/role*

you see...

the same tropes!!

pure fantasy (a returner's magic should be special, reminiscence adonis, the lady and the beast, light and shadow, i can't think of a manga off the top of my head for this ah)

mmorpg inspired fantasy/adventure (so i'm a spider so what i stan kumoko so hard, her majesty's swarm, can't name another off the top of my head ah i hate lists shorter than two things...)

self-insert based games/novels (fiance's observation log of a self-proclaimed villainess, who made me a princess, death is the only ending for the villainess, the villainess wants to marry a commoner, honestly games vs novels are different applications but i'm not in the headspace to try to remember a bunch of both lol)

*insert line break to give random ppl a break from scrolling but tl; dr just enjoy things for what they are no need to micro analyze*

similar variations occur in both genres (if ppl want to be super technical i guess i'm arguing that isekai itself is a massive genre that has the "another world" subgenre and "reincarnation" subgenre tl; dr) so i think it's honestly a huge pain to try to separate all these trends into so many different types of stories. for me personally it's easier to not get overwhelmed by this gigantic umbrella of "isekai" that spans light novels, manhwa, manga, and mobile games by just stripping each story down into its trademark tropes (aka character archetypes, story structures) and slapping "oh this is a person going to a world that's not ours" and "this person gets reborn as blank in another world". none of this "omg this power fantasy is such a this kind of isekai moment" or "there are 14 different types of villainess revenge stories and this series fits into this" bc AH labels! limitations! circle-jerks via ppl trying to compartmentalize everything and sound smart for leaving a comment on story analysis instead of ooh-ahhing over a character's face! dividing things into light novel manga vs manga vs korean manhwa ft. female characters!

the last bit is mainly why i feel frustrated by ppl's insistence to group everything?

the video linked at the beginning of the post (honestly good video essay, i enjoyed it, i just kept thinking in my head the whole time "marimo these are tropes do not take the genre talk literally") has a baby comment thread talking about "korean isekai manhwas" as a genre featuring nothing but reincarnated villainess' and i can't.

like i cannot acknowledge that as a genre of any sort. the energy i felt reading through some of those insights takes me back to 2012 when all yt americans discovered k-pop and deemed all korean music k-pop from then on! (ppl still do this now, yes you are seen and don't talk to me pls i don't like you. k-pop is korean pop music and nothing less and nothing more. take a few seconds and try to parse apart aspects of korean culture instead of slamming everything into a monolithic label that has the letter k and a hyphen.) it feels so odd to see a bunch of young ppl on ig and tiktok acknowledge korean media that happens to be in the form of a webtoon as "oh stories all about young girls becoming villains in stories they made/played" bc it feels so reductive u.u

(positionality disclaimer that i'm praying isn't actually necessary: i am a 3rd-generation korean of japanese descent do not fite me i am exhausted irl of ppl asking for validation/verification bc massive shove off.)

breaking news! korean manhwa...is just as multifaceted as japanese manga...bc how can comics as an art-form not have multiple genres...huh such a shocker?!?! same likely applies to media in other parts of the world like chinese manhwa and french comics--not my place to explain either of those i just know those industries exist bc of wakfu and donghua shows by Tencent.

at the end of the day it's not like analyzing any kind of isekai is wrong--absolutely not!! i think it can be super fun to think about how isekai elements complicate a story (MCs trying to go back home, ppl from the og world, reincarnation plot-twists) or maybe even bash a series for including some kind of other world element when they could have just written a super fun fantasy.

insert marimo's brief ramble that hey you can get sick of truck-kun's hitting disillusioned guys who happen to be super duper smart or girls who happen to be master chefs/craftsmen but transporting a fully-grown being into a fantasy setting is the ultimate cheat code for making mundane modern technology seem cool and overpowered, and being reincarnated as a fully grown person in a world with a pre-made story/game set-up completely bypasses the need for an author to slowly flesh out world-building in a natural progression so isekai is actually a really smart writing tool it's just that there are some series where the author didn't use it well at all and it's cheesy or clearly isekai was misused as a vehicle for character/story development and it was pointless *DEEP BREATH OUT*

in this essay i will argue...lol i am such a culture studies major!! if i were an english major i would be talking all about writing but here i am having a side-tangent about world-building via someone being reborn wow i love this for me (don't get me started on when an author has someone reincarnate as a baby and the story is mostly them having warm fluffy moments with their family--typically father figures--and getting lots of powers i could and would and probably will rant about east asian toxicity)

but anyway am i crazy????? like yes for being passionate about the technical use of a word like genre (i am a scorpio rising let me be fussy pls) but i don't think it's a lot to ask for ppl to not unironically see "villainess revenge isekai" as the definition of korean manhwa.

idk as someone who resonates with why japanese isekai is so popular domestically + why a lot of korean manhwa feat. the same tropes (it's not for great reasons lads it's actually depressing tbh) i'm just starting to feel kind of pained by the generalization and need to separate "cute japanese girl in an otome game"/"japanese boy finds a harem in another world" from "korean girl dies and comes back as a villainess" bc they are just! applications to the same story device!!

recommendations for any who makes it this far down below <3

// also gladly recommend any of the examples i've listed in the above rant as i've read/watched all of them and adore them v much! //

save me princess

super refreshing fantasy manhwa ft. a princess and her ex-boyfriend having to save the world!

the beginning after the end

an AMERICAN web novel turned into a comic (but see it being not korean/japanese doesn't really matter when you just consider isekai as a genre...isn't it nice to not overthink it?) ft. a super-powerful wizard king reincarnated into another world and starting from scratch--gives mushoku tensei vibes but huge twists!

the reason why raeliana ended up at the duke's mansion

love love LOVE this story--read the title and you'll learn how this girl reincarnated as the character raeliana in a book gets married to a duke!

trash of the count's family

such a good novel!! a guy gets reborn as a lazy oaf and he takes the hero of the story under his wing...plot twists come up later on!

this time i will definitely be happy!

v good and refreshing for a shorter series! she's been reborn 3 times and remembers every time the hero's stabbed her in the back, and now she just wants to break up with him!

silver diamond

older manga but v good adventure w intrigue! a boy who loves plants get sucked into a desert world with demonic lizards and a mysterious bodyguard by his side. shonen-ai not BL but wonderful vibes nonetheless + great side characters!

the princess imprints a traitor

adore everything in this from the world (not in that way this society makes me so angry) to the machinations at play and the dynamic between the fl and ml

[spockandawe]

I cannot for love or money let go of the idea that like... I don’t think Lan Wangji canonically was sleeping with Jiang Cheng while Wei Wuxian was dead. But I’m enthralled how easy it would be to slot that into place in the story. And my favorite part of Jiang Cheng is how messily he’s emotionally imploding in the story present, and the big reason I would argue why lan wangji/jiang cheng didn’t actually happen is because I think the present would have been so much messier, but... that’s also exactly why I’m so delighted by the idea of just. Slipping it in there and seeing just how much hotter this dumpster fire can get.

Like, Jiang Cheng and Lan Wangji are both MESSES in their own ways in this story. Jiang Cheng’s turmoil is loud and obvious, while Lan Wangji’s is a lot more self-contained (I was hit harder than I expected by lan xichen’s callout where he was like ‘IT WAS SO OBVIOUS HOW HE FELT’ and wei wuxian just completely blacked out that couple of days, and he’s been fake-flirting with lan wangji while lan wangji thinks he knows exactly how he feels and is so gentle despite how from his pov wei wuxian has been pretty darn cruel and AUGH). But also, I just got my heart broken by the way the main story ended on the note of Jiang Cheng failing to tell Wei Wuxian that he didn’t go back to Lotus Pier to get his parents’ bodies, he went back because he drew the attention of the Wen soldiers to protect Wei Wuxian, and I’m gonna CRY.

Jiang Cheng is a fragile, brittle mess on the whole, and while I wouldn’t say that he’s hungry for love in general, he’s desperate for approval from His People (and since his parents have both failed him hard on that count and his sect was effectively exterminated, that adds up to wwx and jyl). And when Wei Wuxian dies, he’s left horribly wounded over losing everyone he’s ever loved, blaming Wei Wuxian for it, blaming Wei Wuxian to break his promise to stay by his side, and, very importantly, blaming himself for not being enough to protect and/or keep the people he loves. I don’t want to rehash his whole arc, but these are critical character notes.

And if a horrible, grief-stricken, ill-considered affair between Lan Wangji and Jiang Cheng, possibly even a long-running (if irregular) affair, I think... I think they would hurt each other too much for it to be healthy, or for it to be a relationship-relationship. But they’re both overflowing with emotional wounds, and Lan Wangji is observant, and even if he gives Jiang Cheng less to work with, Jiang Cheng is real good at spamming attacks until he finds something that hurts. Knowing each other’s weak spots so that you can hurt each other isn’t a healthy kind of intimacy, but it’s still a kind of intimacy. And in general, I also feel like Jiang Cheng would be pretty awful at keeping as much internal emotional distance as he intends in their not-relationship. I’m not going to write this essay right now, but I’ve got thoughts about this.

But, where I’m headed. Is the present day. Where Lan Wangji and Jiang Cheng are still desperately, hopelessly hunting for any hint of Wei Wuxian, and understanding each other and spending more time near each other than they want(?) because of that shared goal.

And then Wei Wuxian comes back. And Wei Wuxian chooses Lan Wangji.

The POTENTIAL of this implosion!!! I don’t want to undervalue what we get in canon, because canon DELIGHTS me. But just imagine the doubled blow, when Jiang Cheng is abruptly ditched by the two people who understand him the best, who each had.... in theory some kind of connection with him. He melts down terribly just over Wei Wuxian still being alive, and i don’t think it’s even possible to untangle how much anger is thanks to how he wants to hate Wei Wuxian vs how much is being upset over Wei Wuxian choosing someone else, again. But what if we add, simultaneously, more of a meltdown because his not-boyfriend has ditched their not-relationship without a backwards glance, and he stole Wei Wuxian when he knows how much this means to Jiang Cheng, and that reluctant/resentful intimacy between them taking an abrupt turn into a mutual jealous mistrust, and they could be such a tag-team if they trusted each other enough to share, or were forced to share early. But Lan Wangji got the first opening and he took it, and neither of them is certain enough of Wei Wuxian’s love to even consider sharing after that imbalance is in place.

Part of what fascinates me is because Jiang Cheng is already doing Not Great for a lot of canon, and I just. I want to add more fuel to the fire. As far as canon goes, he got hit with that Complete Abandonment truck way back in the past, and has had time to cope and push some of those issues down. So...... what if we hit him with the truck again, and he’s taken super off-guard, because it wasn’t supposed to be possible again, but, you know, your brother rises from the dead and two seconds later your not-boyfriend elopes with him, it’s a little hard to predict things like that. I want more reasons for him to be upset with Wei Wuxian, Lan Wangji, and himself. I want extra concern from Jin Ling as he watches Jiang Cheng refuse to admit that anything is wrong. I’m assuming that Lan Wangji would be prepared to keep this secret until he died, but that Jiang Cheng would 1000% spill the beans in his meltdown at Lotus Pier (oh my god, the ways that would flavor the first wangxian sex scene, holy shit), and that Jiang Cheng would be an extra messy wreck when he shows up at the guanyin temple

And also, I very much want a scene where Lan Wangji tries to reassure Wei Wuxian that yes, okay, he slept with Jiang Wanyin, but don’t worry, it didn’t mean anything, and Wei Wuxian is upset because ‘hold on, you slept with him and it didn’t mean anything? Lan Zhan, how could you? he’s very sensitive!! :(’

[life-rewritten]

Fish Upon the Sky Episode 1-7 (The Problems with Walls; An analysis on Duen and Pi)

I swear, if I could just settle down, stop running away and actually analyse FUTS the way I usually do. I would have so many essays by now on how authentic and deep this show can get with some of its characterisations. As I  write this FUTS essay that has constantly been plaguing me and making me frustrated that no one else is seeing these themes, I realise again sadly how this director has sadly failed to show the vision of what he wanted for the series.  An essay on how DuenMeen and MorkPi mirror each other so much with their themes, it sounds crazy to think that they do because their storylines on the surface seem different at times. Still, also their love interests act differently towards them, and they have different dynamics with them. But that's what's so great about meta and mirroring in TV, especially in shows that aren't meant to be seen as deep or purposely filled with hints and clues to break down. Fish upon the Sky is one of those shows. It struggles to find a balance between wanting to be more profound and showing exciting themes vs pleasing and appealing to the audience, using humour and other exaggerated performances/narratives to do so. However, the writer of Fish upon the sky novel has always had her works struggle with these issues and themes. Jittirain always writes emotional stories about unrequited love, with different lessons, ideas, or characterisations that people fail to understand or truly value because the meta/depth of their personalities is hidden or misunderstood by their own directors. This is what happened in  2gether; this is what also happened in Theory of Love.

A Misunderstood Duo

In order to really understand how grand the narrative the show is failing to truly flesh out is, you need to understand that Pi and Duen (the two main characters of the show) are the narrators of both their own stories. Pi's is Fish upon the sky whilst Duen is Leech upon the sky (😂😂) but what's great is that you can already see the mirroring/similarities just by their titles. Even though their insecurities and worries seem different, it's the same theme for them;  both struggle with love because they secretly have a lot of self-deprecation and hesitancy from how people have treated them. It's not as noticeable when you see Duen's characterisation/storyline, but if you truly focus on the themes of his narrative without being distracted by the loud comedic routine he has, you'd see that his biggest insecurity, that he tries to be defensive and act like he doesn't care about is his dumbness. He genuinely feels weaker/inferior because he's known as being dumb to everyone around him. He struggles to process anything that is complex and requires more depth or thought.  It's played for laughs because he relishes in the idea that people feel exasperated by his actions. He acts like he doesn't get bothered by how people perceive him because he's still seen as socially acceptable, unlike Pi, who's actually bullied and alienated from society because of his own 'flaws'.

But you can see that it's all a façade when it comes to Duen, just like with how Pi handles his own insecurities and trauma to do with his perceived flaws. It's why Duen chooses to lie to Meen that he's a dentist. He didn't want him to see him the same way others do. This already should show that he doesn't actually enjoy being seen as dumb, but he has walls up to make it seem like he doesn't care. He knows he's constantly being compared to others, but he can't change who he is (just like Pi didn't also want to change how he looked or acted to please people at first). So he jokes and tries to see a positive in being that way; he starts to want to slack off and cheat off others when it comes to work. He stops taking University seriously and repeats classes constantly because he always fails. That is until Meen shows up, and then he starts to want Meen to believe he's something more. Why?

But in case I haven't repeated it enough, Duen is like Pi, whose insecurity is easier to see since we watched him get attacked and bullied for it immediately in the first episode. It's Pi's true thoughts and opinions we see in the show as the audience, whilst Duen's story is hidden with comic relief and unseriousness. They both try to act like they're okay with what they are being judged by in society. Thus, they act confident, they're both loud, they're selfish, acting like they don't care how people see them. Preventing others from getting to hurt them by making it look like they are in control of what they have and use that to their own advantage with others.

They both stay heavily in denial about their true feelings in general, but primarily with the critical focus; the people who make them question everything about their flaws that come into their life and frighten them the most. The ones that break down those facades; make them automatically want to run away whilst being unable to stop showing and escaping their true feelings whenever they're in their presence.

The Use of Humour and Sarcasm 

So what we end up with is a narrative with two incredibly annoying and flawed characters who are seen in the audience as exaggerated caricatures for comic relief and shallow storytelling. And it's brilliant because both their unlikable/loud, selfish personalities are just fake walls built, so they don't crumble and get affected by how society views them or wants them to act. So you see, there's the issue that people keep misunderstanding about these two stories, especially about these two brothers. They're realistic; they're flawed because they've been affected by society and the environment around them. They're acting like how anyone who's been hurt before would act, they have built up walls, and they've decided to just stay by themselves and let that guide them in everything. They deal with their issues with sarcasm and humour to reduce the seriousness of the situation, so they don't appear weak or let anything hurt them.  

That's why I love this narrative of FUTS, it's meta and more profound than people think, but because the director doesn't do the best to show it, it can get lost in all the exaggerated humour. For example, with Pi, because he's socially anxious and always overthinks how people think of him (due to his past experiences of being abused and hurt by being ignorant of how people thought of him), his world is wildly exaggerated in his head. The way he narrates the story is played for laughs and is a very telling and realistic representation of how overthinking is expressed in his mind; it's overdone, loud and nonsensical at times. That's what social anxiety does; it makes you cry about one stare, one laugh, one action someone does, it makes you panic over the most minor things, and Pi does that with panic and boisterous, sarcastic humour from the start of the show.

Hence his story also has exaggerated humour because he deals with his issues with that fake jokes and sarcasm. So the show also exaggerated humour too when we are in his perspective.  This is actually similar to Duen's breaking the 4th wall narrative style of his storyline. As with Duen, whose narrator of his story mocks and laughs at his actions ironically. When really that is just literally himself fighting with his inner voice about his true feelings about Meen. He breaks the 4th wall because he's internalising his own emotions and dealing with them as a skit; the narrator is his true self ridiculing him for not accepting that he has feelings for Meen and that he's not as bright/cool as he thinks he is. So if we understand this and notice that the narrator makes fun of him constantly and jokes about his actions, you'll realise that Duen sees himself that way too; he sees himself as a joke. He doesn't see himself as suave and carefree; he actually mocks himself internally for being dumb and being gross.

Pi: The Need for Protection and Avoidance 

So already, just from breaking it down with this point of view, Duen and Pi mirror each other so well, and their narratives because of this focus on the same themes and ideas of self-discovery. Both are flawed characters with a lot of vulnerabilities and pain that they refuse to deal with properly. An id ego defence mechanism catalysed because of their past experiences and protection of their mental space. They both stay in denial, hurting who they love by refusing to let them get to see them without the walls down and more. Pi hates that he loses control with Mork and refuses to let Mork have his heart because he believes Mork is too good for someone like him secretly.  He knows he'll be the one damaged. Hence the choice to intentionally misinterpret his brother's metaphor on the vaccine analogy and view it as the complication with getting with Mork. Let me try and use this to break down his mindset with why he chose to still choose Nan even though he knows (he does know) that he wants to be with Mork romantically. Listen to the analogy his brother uses. He mentions the iatrogenic vaccine, a vaccine intended for a patient that starts helping the patient be well but actually causes more harm than good. The end result is because of the incompatibility of the vaccine and the time it takes for those results to show up in the patient and make their lives affected in a negative conclusion.

 A vaccine ironically is meant to be an antidote, something that saves people, that helps and makes them feel better. And that's what Mork says he wants to be for Pi, it's romantic, but once his brother announces a different version of a vaccine, Pi jumps with that analogy and believes that's the truth about Mork and him that makes sense to him, than seeing it positively. So with this analogy, we can break it down this way:

The Iatrogenic vaccine was too different and incompatible with the patient. Which is what Pi believes about Mork. Remember, Pi doesn't think  (because of what people have told him) that he deserves loyalty and love from people better looking/capable than him. He sees Mork in this light from the start; he views Mork as a rival because Mork is good looking, popular, strong and cool, basically things that are not associated with Pi to others.  So Mork and him are incompatible in Pi's mind.  This is why Pi constantly asks Mork why he wants to be close to him. He just doesn't understand it.  

Second, the Iatrogenic vaccine starts off good but causes damages in an irreparable way to the patient. It's the patient that ends up being affected by this vaccine interaction, not the vaccine that caused it. Before Wan starts this vaccine conversation, he discusses how people around his hospital are patients primarily because of heartbreak; they come in with damaged mindsets, broken hearts and self-harming injuries because of being hurt by love and letting themselves be vulnerable to that. All Pi hears is people hurt themselves over the pain of heartbreak and being abandoned. That's the complication if he does finally trust Mork. Especially after Mork and him get to be close, it'd be just like with everyone who has gotten to know him in the past, who stayed by his side as 'friends', once they learnt about him, what they said is that he wasn't worth being loyal to. So many people used and deserted him, and it almost broke him. This is why Pi grow the walls he has now. Even though Pi is chasing after Nan, he's not expecting an answer from Nan that's positive; Nan is a fantasy, something he can use as a goal to want to keep chasing and distracting himself from that singleness and loneliness he felt at the start of the show. This is why he's doing all of this; he just wants a distraction from the mess of his life. But to Pi, Mork? Mork is real. He's serious; he's someone who Pi actually truly will be damaged by if he's hurt and left by him; he's someone who Pi truly loves and is real to Pi, it's terrifying, and so he rather just avoid that because of the risk of a complication. To be that patient tricked by the vaccine and left to deal with those consequences all alone? Yeh, no, he can't do that.  Pi sees him as a friend and doesn’t want to end that because that's the first thing in a while that has made him feel actually happy being himself and accepted. Being friends with Mork makes him feel safe. So again, it's selfish, but it’s all about him preserving what he already has with Mork rather than damaging it.

Those complications are exactly that result if he lets Mork in romantically and Mork sees his true self and leaves like everyone; it’s not Mork who’d be hurt. It’s Pi who’d have nothing more to believe in if he lets himself be that vulnerable. Again Pi is thinking with his head when it comes to Mork; there’s a massive risk if someone takes the wrong vaccine, that person is damaged because of it. Pis journey with Mork is the same thought process that friends to lovers have. The fear of losing each other if they cross that line, of taking things too far and ruining the foundation they had that made them safe. The fear of the love being false as it always has been from others.  Pi thinks he likes Mork because how can he not? However, Mork is always there, making it hard for him to think. He associates Mork with niceness and protectiveness, but that doesn’t mean he has to accept him romantically, and Mork sees right through him and is fond of breaking down those walls he put so high up to ensure he doesn't get hurt again. Mork is the one pushing Pi further away from him the more he clings because Pi doesn’t like losing control. Same as Duen. And Mork doesn’t let him just figure it out without manipulating everything; the more he does that, the more Pi feels manipulated and tricked into wanting Mork as a partner, and that's too scary for Pi. This is why it’ll be massive when he finds out who Mork truly is on his phone as the guy from nearby faculty.

Duen: The Need for Nonchalance and Ignorance

Duen is the inversion with his storyline; he tries to look cool and better to Meen,  refusing Meen to see him when he's worried, anxious or insecure because he himself shuts off those emotions whenever Meen triggers them. He doesn't want to face the truth, that he hates being seen as dumb and not being seen as a hero to Meen. He lies to Meen because he's trying to keep him by his side without actually letting him see his true self. After all, if he does, he also may judge or leave him too (guess what same as Pi's worries with Mork. Mirroring!).  Duen tries to act unaffected just like Pi does with Mork because again, they both know once they break down and give in, there's no turning back, they will be exposed, and the' truth' about them (which they believe and see about themselves) will push the people they truly want by their sides away.

So instead, they grapple for control by faking lack of care and feelings for their partner; they refuse to apologise quickly and refuse to give in easily to them to further their relationships, increase their trust and let them in. They refuse to let go of their fake personas and fake masks and walls they've built and try hard to hold onto the facade, which hurts Meen and Mork in the end. They both push and pull and show signs of vulnerability and romance only when they're alone with no one else around (like the tent scene with MeenDuen and the after school night scene with MorkPi outside). They show worry, devotion, and they show that they want them by their side. And these are the moments when we actually get to truly see who they are without their walls, their fake personas unshed, and their niceness, their care and protectiveness over them exposed.

Wan: The Comparison and Norm

When we're first introduced to the show, Wan is mentioned almost immediately as we see Pi's struggles. Because of Wan's reputation, people choose to crowd around Pi, and it's sad, but I also think Duen also had this same issue, just a bit different. With Pi, it's about his outer appearance, his beauty standards vs society's. It's exposed to him he lacks those, but it's his intelligence similar to Wan that makes people stay by his side at first.  He also studies dentistry as Wan studied Medicine, viewed by societal standards as impressive and praiseworthy. Pi is used by people who want to both get to Wan and want to profit from his brain and abilities. Duen is the inverted version of this; he is seen as handsome and cool and aloof, a bit messy, but the reason why Meen first leaches onto him is his street smarts and survival skills with social interactions, he knows the right people, he is seen as cool by others including Pi, but he's also seen as dumb. He's failed repeatedly, unlike his brothers at trying to obtain a degree.  So he has the outer appearance but lacks the next valuable thing in society's opinion; brains and the ability to increase your status by your talents and skills. Duen lacks that; he doesn't have any specific things about himself that he can fully be proud of. He's not highly talented, he's not intelligent, and he's also not viewed by women as extremely attractive or awe-worthy. He nonchalantly takes on this persona; he chooses to block any worries about things being serious because he lacks the smarts to think of things deeply or ponder about life's questions.

He's insecure, however, about this, and you see it when he tries to join in with Wan and Pi when they discuss vaccines and love. As Pi transforms for Nan, his lie is that he's well of without other people in his life like Mork; he pretends he's okay being seen as loud, not friendly, selfish etc.  Duen's own lie to Meen is that he is a version of Wan, of what people think Wan is; intelligent, put together and reliable. Because what Duen wants from Meen all the time (he doesn't realise he already has this devotion from Meen for just being himself when he's not trying) is for Meen to want to rely on him since that's precisely what Meen keeps telling him he likes about him, or wants to learn from him; street smarts etc. Duen likes being seen as a protector, a hero, a helper etc., to Meen. And that's why he stays adamant with his lie and refuses to let Meen truly see him below the surface.

Like Pi, he also doesn't want to admit what he knows and has fought to accept, which is, he loves Meen and wants him by his side. It's the fear of losing what he has with Meen that makes him do what he does, which is the same reason Pi also keeps rejecting Mork; it's the fear of losing him. And that's the ironic thing about Pi and Duen, they're ironically trying to preserve what they love, but because of scars, insecurities and walls, they're hurting the ones they love by just refusing to be their authentic selves. It's ironic because they think being themselves is the worst option. Yet, on the surface, they act like they're fine with who they are, they're loud about being carefree of what others think of them, they're okay if these two leave them, but in reality, their worst fears are admitting that they agree with what people see in them as flaws, that they also hate themselves for that. That's heartbreaking because they fought so hard to keep loving themselves, to keep believing in their worth, but society made them genuinely think that they're wrong. And it's painful but realistic.

Again they're all similar and mirror each other. I just want people to understand that FUTS is a deep show; I know the director doesn't do the best job with what he's been trying to show, but it is deep; there is thought at times put to it in the profound moments. In the moments where both Pi and Duen aren't being fake and are their true selves, you'll notice that the jokes and humour slowly reduce whenever they are true; the narrator also reduces for Duen because he doesn't struggle as much with his feelings for Meen like he did at the first time. All the stuff that happens in the show is on purpose, even if done messily and poorly. People love to hate on the show. It has a lot of flaws, I know, but it's not the worst thing; it has deep characters that are incredibly flawed and hurt (even Mork, who we still hope will get to understand his story) it has people that act one way on the surface but hold deep scars and pains below whilst wearing a mask. The characters are unlikable because they are realistic to how people with self-sabotaging habits and deprecation act. That's why I like this show. And I'm sad I wasn't writing out more all about the meta and moments I've enjoyed so far. Anyway, I'm grateful this show has been shown this year; it definitely made me ponder my own ideas about how I view myself and if I have walls up around the people I love. I think many people do relate to Pi or Duen somehow, and it's unfortunate that the director doesn't help us feel the same way about the narrative when it's actually a great BL story to unravel and watch.

[wolfboyvirus]

Concepts that Megamind (2010) represented incredibly well but got no attention for

Societal expectations and their traumatic effects on adults and children alike ("I'm the bad guy. I don't save the day, I don't fly off into the sunset, and I don't get the girl.")

The lasting effects of bullying and being bullied (such as: self-consciousness, depression, anxiety, and just general unhappiness)

Treating others differently based on physical differences (commonly grouped into the broader term of racism, though it isn't necessarily the same thing)

And the consequences of such behavior never being corrected until it's too late

Nature vs nurture

The horror of incels/nice guys, and the daily struggle that they bring to women. Especially when, in this society, there's a big chance that the woman would just be accused of "overreacting" and "getting too emotional" when she reports it to someone

Every single character in this movie has absorbed some bad concept into their personality (even innocent little Minion), and they can't even really be blamed. It's the same for basically everyone in real life, too, which is pretty sad. Its just that humanity itself has somehow gotten so bad that these ideas have become justified, and nobody really knows any better until its way too late.

And now for some quotes that explain the general idea much better than i ever could in my own words

"There's a benefit to losing: you get to learn from your mistakes."

"Maybe I don't want to be the bad guy anymore!"

"Funny; I guess destiny is not the path given to us, but the path we choose for ourselves."

"Even the most heartfelt belief can be corroded over time!"

"Sorry, sorry! He's just not used to positive feedback!"

I know the last two were used for comedic purposes, but they're actually pretty meaningful when you look closely

Bonus: Megamind: The Button of Doom

Anxiety

More anxiety

All the anxiety

Fearing not doing something correctly, and trying to copy someone else so you don't fuck it up (Ex: a newbie artist copying someone's art because they don't think people would like their art style)

Did i mention anxiety

Embracing yourself for who you are and what you've done, even if you've done some pretty bad things in your past

Speaking of past, i feel like Megamind fighting his old evil robot and winning by making his big realization about being himself is a metaphor about fighting the demons of his past. The robot would be representing Megamind's past, the villainy and the bullying and all, and his victory is supposed to represent him starting over, and understanding that he doesn't have to be the evil alien screw-up anymore. He has a choice, now, a chance to be what he truly wants to be, and this first victory of his is telling us that he's sure as hell gonna take it. It's amazing how that all works out, isn't it?

TL;DR: Megamind is incredible and speaks on a lot of ignored problems that you rarely see represented in movies made for the demographic that Dreamworks aims to entertain. Okay thanks for coming to my ted talk bye

(I was planning on making a much more detailed version of this but i dont feel like writing the 3 page essay required to fully describe my thoughts about this awesome movie so you can have this)

[funkymbtifiction]

Finding my Si: a submission

I’d like to share 6 things that helped me discover my Si and how Charity’s advice helped me, in case it helps anyone else :)

1.It helps when friends and family tell you what they think your dominant function is. Like a fish not realizing the water is wet, it’s so normal that it’s invisible to you. My mum picked Si the minute I asked her which function described me best; she said, ‘You trust your personal experiences and refer back to them all the time; it’s like an anchor for you. You rely on the past to get you through the present.’ One by one, my friends picked the same, pointing to how I recollect everything from the date we first met to changes in their food preferences to the color of the shirt they wore one Monday morning. I never realized the enormity of the storehouse of detail in my head until they pointed out that not everyone treasures memory-keeping in the same way. I wouldn’t say Si memory is photographic; for me, it’s more like a fisherman’s net, where I gather in what matters to me. I see a living mosaic of past and present when I look at people and places I love.

2. Being willing to question my own assumptions. An unflinching look at what I actually do, not what I think I do.

I considered Ni when I thought of goals I’ve set. For example, I got into the same UK university at 18 that I’d loved at age 14. This story initially sounded as though I’d had a clear future vision, and never let go of the dream (Ni). However, I’d left out winding twists and turns in between. At 16, I was captivated by a Canadian university and considered going there for a while; at 17, I considered studying in New York. Eventually, I applied to a bunch of unis and got an offer from the original ‘dream one’ in England. It was the best offer and I’d remained fond of it, so I wound up going. I was pleased, but I’d been open to other unis and happy to go to them too. After reading the perspective of actual Ni-users on their laser-sharp vision, I realized mine wasn’t as unwavering, intense and single-minded.

Instead, I realized that the reason I treasure this story -  'I visited my uni when I was just a kid and then got to go there for good!’ - is that I liked being able to link my childhood self and adult self. I enjoy connecting the past and present and spotting continuity and change ('Back then, I did this…now I still do this…and I don’t do this….’). My mind always traces back to how things were, which spills over into dinner-table family conversations ('Do you remember when…?’/'You know how we used to…?’). I realized that this type of personal mythologizing and cherishing a living past is Si. I can set goals and work meticulously in a step-by-step IFJ way, but it is not a dominant personality trait in the strikingly single-minded, futuristic, visionary way that is Ni. For anyone considering Ni, I recommend looking up mbti-notes and Charity’s explanations here, as it is a very complex function and it helps to understand exactly how it works.

3. Painful honesty. Confronting flaws isn’t fun. However, as Charity says, it helps to think of pairs (Si-Ne, Ne-Si or Ni-Se) rather than functions in isolation.

I tried to determine which flaw I could most relate to: inferior Te, inferior Se, or inferior Ne.

I couldn’t identify with inferior Te because I’ve always been a careful planner and organizer; even my third-grade report cards said, ‘She loves being efficient and organizing her little space!’ Today, I have multiple administrative responsibilities at work and genuinely enjoy it. There’s something about streamlining systems and attending to details that feels satisfying (dorky, I know). I could not relate to inferior Se either, as sensory engagement has always been a big part of my life. Whether it’s dancing or nature hikes or cooking, hands-on hobbies have always been so core to me that I often find myself feeling one with the natural environment, rather than uncomfortable with it. I haven’t had reckless moments characteristic of inferior Se. But inferior Ne - those descriptions embarrassed me.

As Charity says, if something makes you go ‘ouch’, it might hit the nail on the head.

I thought I had good Ne because I can see multiple perspectives. But this is more a 9 and 2 influence ('Staying open-minded helps to understand people, help them, and resolve conflict’) and a skill honed through my job in peace-building. What trips me up are the problems plaguing inferior Ne users. Newness and novelty feels hard. My 9 probably plays into it, but in general I am not good at out of the box thinking and brainstorming dozens of different approaches. Despite my 2-9 positive outlook, I usually feel fearful of the unknown and find it difficult to speculate or imagine possibilities in the uncertain future.

4. It helps to see where your attention goes. When I teach and review students’ essays, I’ll start leaving comments about their word-choice in paragraph 3; the evidence they used on page 2; how their argument on page 12 risks contradicting their logic on page 10, etc. I can hold these details in my head with ease, suggest a clear structure, and spot incongruities, but I have to consciously remind myself to zoom out to comment on the overarching ideas in the work.

On the other hand, I notice when I do something creative or abstract because it’s not really what I do on a day to day basis. When I first began researching MBTI, I found it easy to recall the last metaphor I imagined because it stood out in my mind. But determining frequency helped. Not just how I think, but how often I think that way. Ne is a ‘play’ function for me - on good days, it’s a whimsical scribble in a poetry journal, occasional daydreams, self-improvement books on my shelf.

5. Being able to tease out finer differences in cognition. I got interested in a Royal Family controversy recently. I thought I was using Ni because I mused on the consequences for the nation (in a Ni-Fe way). However, I realized I was less interested in future possibility and more interested in what was helpful for interpersonal understanding (Fe/2-9) and how the country could preserve the traditions and culture built up over centuries (Si). Rather than preferring to look ahead and predict what would happen (Ni). It’s a fine line, but it helped to think: how often is my cognition located in the future vs the past? Which one feels more natural? Is it an Enneagram or an MBTI influence at play?

6. Avoiding sensor bias. I felt I must be an intuitive because I do engage in abstract conversation sometimes. It’s just that my topics of choice come from my Enneagram 269 tritype. How can schools treat children better? What can we do to promote community mental health? What keeps kids safer? My job is centered around people’s welfare, and I’d be happy to discuss theories of human psychology or relationships or mental health because I’m very absorbed in my little niche of knowledge. However, concrete applications interest me most, and I am not likely to start conversations about, say, 18th century theology or automated cars or space travel. My INFP and INFJ friends seem interested in a much wider range of philosophical conversation.

I agree with a post on this blog that pointed out that modern psychology now understands traits not as bimodal distributions (X or Y) but along a spectrum (how much of X? How much of Y?). People differ in where they lie along the spectrum. I’d say I’m close to the middle. My biggest tell that I lean towards sensing is when I look through philosophy books on human well being. Even though the topic reflects my interests, I’m quickly bored by too much theory. I’m happy to thrash out an idea with a friend, but it needs to be animated by real-life examples and practical applications for me to stay interested.

Above all, I recommend observing where your heart leads. Much of my free time goes into journal-writing, old albums, and time capsules. Detail-driven memory-keeping fulfills me deeply, and it was this deep joy that proved most helpful for recognizing my Si :)

[i-did]

hi hello i couldn't sleep last night so i was scrolling thru all ur asks and stuff and ur opinions and analyses are so interesting!!! and then afterwards i was thinking about what u were saying about mlm smut and i'd also been thinking about such things a little bit recently bc like.....at a certain point it becomes quite clear that the vast majority of smut-writing is just imitation. like there's the sex noise verb list and all and the whole general mechanics of the sex and those things just .... replicate over and over. and the whole thing w people writing mlm vs wlw smut regardless of their own sexual orientation..... like i feel like a big part of that is just a self-perpetuating thing. like if u have not had sex and u r getting all ur (pleasure-related) sex ed from fandom (even if u do watch porn, that doesn't rlly tell u how to describe stuff? idk) regardless of What fandom , the majority is going to be mlm smut. which is itself majority imitation of other mlm smut, imitating and imitating back to whoever knows what the first smut fanfic was etc. there's just way More to mimic than there is on the women side of things. which then becomes a self-perpetuating thing, bc the mimicry continues and generates more and more. and---if there are fundamental misunderstandings of anatomy involved---those self-perpetuate as well. and maybe even exaggerate. and yeah. does this all make sense? idk i was just thinking about it. like all the stereotypes and stuff continue bc writers are getting their inspo from other writers rather than their own brains. or something. idk!!!!! it's just all... divorced from reality? bc words. or something!! i hope u get what i'm trying to say. just thoughts i've been thinking. anyway i think ur thoughts are cool. and ur writing. ok bye have a good day!!

Okay yeah this is kinda messy but hope u see this, uhh yeah I think you're right about the echo chamber effect fr about stuff. I think it's a mix of projecting too sometimes. talk more under the cut and also link to a video essay since I love video essays.

Here’s a video that sort of touches on this topic: 

“Gay fanfiction” by Sarah Z. (has CC)

https://www.youtube.com/watch?v=H8E_C00dKwI

This video begins to talk about fetishization at the end, but also… not really. The words “gay fanfiction” is used as a catchall, when really gay fanfiction is largely mlm written by non-mlm.

Fandom is a largely women's space dominated by the female gaze in a media industry world that is dominated by men and the male gaze. I'm really glad women have this space to explore creativity and queerness, and I don't expect the female gaze to go away, but I am still ultimately bummed out I can’t read most fanfic or interact with most fandom spaces without having fetishization in my face. 

So about 80% of fandom is women, and most of those women aren't straight, but 90% of those women prefer mlm ships. Why don’t they prefer wlw ships? Well definitely part of it is the fact that queerbaiting is centered around white straight men, and then there is also the fact that women tend not to be written as well charcter wise. But the fact still remains that you get jerjean getting priority over Layla and Alvarez who are in canon just as much and are a canon wlw couple who actually interact as well as Alvarez could likely be a woc because of her Hispanic last name. Korasami doesn’t get nearly as much hype as zuko and saka, despite the fact that they are 2 fully dimensional characters who canonly kiss and hold hands, something the creators fought for and ended up having to sacrifice another reboot for. 

I do believe the fandom echo-chamber is largely responsible for… a lot of things, like you're saying. But what's interesting is that the complaints I've heard about visual porn from non mlm in the fandom space is that they can’t get off to it because its for the male gaze and misogynistic usually. But they also don't seem to notice how the mlm smut circles has the female gaze and is also… almost always mlm. If it was a pure anatomical not knowing thing, I get that, but I also think that leads to the question of “then why the male body for porn, and not your own? The one you know and are familiar with?” 

I know some people want to get outside of their own body for porn and don’t want to think of their own anatomy at all, but overall I'm still uncomfortable. If an anglo said “well I watch porn of only Mexicans so I don't self insert” I'm gonna be like … hhhh in a similar way. I understand people “like what they like” but I wish they also noticed said patterns in the first place. I understand the t4t tumblr porn circle, and how it's different from cis people who only watch trans porn. 

I actually wished that instead of fandom focusing on mlm ships where some asshole guy hits on bottom troupe charcter for top troupe character to save, was instead… a wlw character experiencing said shitty getting hit on and other wlw swooping in. what's interesting is fandom writes a lot about misogynistic experiences without often realizing it. Ive read fanfic where guys get called sluts for sleeping with people or called bitch for speaking their mind, these arent things men usually experience, but rather women. Fandom has a lot of internalized misogyny and also queerphobia imo. Women characters often get pushed to the sidelines and men become the canvas for female fans to project onto. 

There is this natural inclination to mlm. When people are talking about “gay shipping” or “gay books” or “gay feels” or even just “gay” mlm is what’s largely in mind. I honestly am kinda saddened by this because if gay fanfiction was really solely about writing more to feel represented, then you would see a lot of bi and ace and lesbian rep, but this isn't the case. Queer women are seriously underrepresented, and I want to hear their stories and read them in fanfiction as well as published. 50% of lgbt literature is mlm, and of that its largely written by women. Becky Albertalli, Rainbow Rowell, Maggie Stiefvater, are the YA big names and are all women writing mlm. Red white and royal blue is written by Casey McQuiston and Captive prince (which is not YA) is written by C. S. Pacat, who is non-binary, but is also TME and not mlm. These are all the big names in mlm lit, behind them is some gay men, but honestly their stories aren't preferred, they're not the right “flavor” for the consumers usually, who are largely women. In general YA consumers and authors are women, but I wish that they… just wrote about women too. I think there is a certain… snowball effect to the overrepresentation of mlm representing the whole LGBT community that leads to fetishization, as well as misogyny playing a factor in: less women characters being written well to write fanfic on, when they are written well they're taken less seriously or the audience struggles to relate to them, they're less marketable then men. 

Idk I never feel “seen” or “represented” by any of the books above, which don't address boyhood and manhood and queerness intersecting really, and AFTG doesn’t either. I relate to AFTG as a trauma victim who has experienced a lot of what many of the characters go through and have gone through in the EC as well as them just overall being very well written characters, but I don't relate to it as a mlm really. I've never seen like.. gay voice or being straight passing or femphobia or how boyhood can be affected from a young age by those around you sensing you're ‘other’ or if you didn't experience this you feel outside the mlm community. Let alone sub cultures like bear and leather and pup, at most you see the word “he's such a twink” in fandom which... i fr hate non mlm using that word because it's usually used to replace the f-slur essentially, used derogatorily or to call him “such a bottom” and stuff like that. It’s like a joke or an insult.

Long story short, idk mang this was a ramble and I think I'm coning down with something. I wanna see more queer women rep and women authors writing about being a queer woman too. I think it's a complex web of fetishization and a bit of forbidden love yaoi culture (or it used to be in the BOYXBOY days) as well as misogyny on an industry level, creator level, as well as reader/consumer and fandom level. I don’t think it’s inherently wrong to explore other peoples stories and what we read has to be segregated, “only mlm are allowed to read and write mlm, only wlw are allowed to read and write wlw,” but I also think author’s intent and audience and background is telling, as well as overall statistics. Like about an hour ago I was looking for cookbooks in spanish or in english, and I was looking for some mexican food cook books, but I had to look for them using words in spanish because otherwise what came up was a bunch of “fiesta party, easy as uno dos tres authentic cooking!” and I was like… hm. Since I could tell they were marketing to anglos. (also the author’s last names were like michelle smith, james cooper, and this could be for a variety of reasons, but I trust Hispanic names more tbh and deadass would look at the authors pictures and if they had other books in Spanish or what their specialties were.)

anyways. not sure how to end this. uhm if anyone has any book recs (my to read list is like 500 books tho no joke) preferably not YA white mlm written by a white lady, hopefully queer women written by queer woman, LMK, I need more wlw and queer women stories on my list. I have a decent amount but always looking for more. I kinda wanna link my goodreads or my storygraph but I also don't want to get doxxed and it has my legal name on it so.

Also, I'm dyslexic and using spell check but if there's like some wild typos my b.

[dimonds456]

What was “A Picture Perfect Hollywood Heartbreak” Really About?

What was Zach Callison’s A Picture Perfect Hollywood Heartbreak really about?

Hey all you people out there! How are you surviving quarantine? I had a bunch of spare time, and so I decided to write an essay that focuses on Zach Callison’s album, A Picture Perfect Hollywood Heartbreak. The album has been out for a while, but most people either only know Interlude IV or are really confused about the story it tells. I think I’ve finally got an answer, and I wanted to share it with you all.

If you’re only here to better understand Interlude IV, you can skip down there if you want, but you’ll still be pretty confused. Besides, you should listen to the rest of the album. The whole thing bops. 

Personal favorite song is Phantom Love, but I’m pretty sure no one cares about that.

Anyways, on to the show! One song at a time, in order.

WARNING: REALLY, REALLY LONG POST UNDER THE CUT!!

Phantom Love

Phantom Love sets up the whole story for us. Juanita is Zach’s old GF, who appears to only have dated him so she could get ideas for a music album she was writing. However, she had no ideas and/or is a masochist, and so wanted to get Zach to either break up with her, do something horrible to her, or just create drama in general she could write about. Whatever happens happens, and she is successful. 

Juanita seems to be suffering from some form of depression, but whether that’s actually the case or she, again, just wanted something to write about is up for debate. But either way, it’s hinted at several times that she slit her wrists and other self-harm-inducing activities. 

Many people follow her- she seems to be popular enough (which makes sense, due to the album being about two celebrities dating each other, just like Zach’s irl relationship). However, she has two different faces- her showbiz the-cameras-are-on face and her real face. Zach seems to have the same thing, as hinted at in She Don’t Know, but we’re not there yet. Point is, Juanita used Zach to try and get a tragedy out of the whole deal.

It was a phantom love- it never existed. 

“Made me promise I would never break your heart

How was I to know that’s what you wanted from the start?”

Both people got into Hollywood from a young age and grew up with it, and so were surrounded by drama constantly. This takes a toll on Zach, but he tries to deal with it whereas Juanita actively wants to partake in it. She causes drama- little triggers to get him to snap- until one day, he does.

Interlude I - Frantically

This one is pretty straight-forward. After the two break up, it’s the perfect excuse for Juanita to start spreading rumors and stirring tension. She’s quick to make Zach out to be the bad guy, when in actuality, he was the one who was being loyal in their relationship.

We’re clued in that these rumors aren’t true from one line: “I heard he got fired from that cartoon he does. (Nooo wayyy…)” We, as the audience, know for a fact he didn’t, but things get shaky as we realize that some of them are also true. 

“I heard he does coke now and, like, screams a lot.”

“AAAAAAAAAAAAA!”

[laughter]

Zach overhears them talking about them and runs away, going off somewhere to be alone. Once he’s alone, we get the disturbing audio of him sniffing some drugs, implying that he actually does, indeed, do coke.

DISCLAIMER: Irl Zach Callison did NOT turn to drugs! It’s a metaphor for how many people he knows who have decided to do so, and so he;s aware of what it does to one’s mind. Don’t worry; Zach is okay in that department.

She Don't Know

After gaining the following knowledge, this song is easier to understand. Zach really did love Juanita, and he misses her, even though he knows at this point that she used and abused him. 

“There ain’t no drug in all the world like loving you

Cocaine and cigarettes will have to do

Won’t somebody save me? My heart’s beating outta m’ chest

I just wanna hold you with those hands I once possessed.”

Juanita isn’t aware of the effect she had on him, and he laments this quite strongly (hence the title). Once she had her heartbreak, she ran off, leaving a broken lover behind. 

Trigger warning: there are hints of suicidal thoughts in this song. They get more prominent as the album goes on, which becomes important later. This is where we really start seeing them, though.

“F***ed up on my bedroom floor

And my first thought’s ‘let’s do some more’

They say it all kills for thrills

And I hope it does!

Can you hear me, love?”

He speaks about “where did I go” later on, meaning that he is losing himself/doesn’t feel like himself. He still wants to be with her, and her absence has utterly destroyed him. He’s still in love with her, and wants her to know that. However, Juanita doesn’t give a bat of the eye in his direction, only caring that she now had the material she needed to write her album.

Interlude II - Christie Only Knows

Here, we are introduced to Zach’s make-believe sister, Christie. Only she is aware that he is going through this, and we find out quickly that she isn’t supportive.

“It’s getting late now, but to me, it’s just beginning

‘Cuz life’s tearing me to pieces and I know I’ve been defeated

Oh, no

And Christie only knows.

Never seen someone like this before

An eight-ball power on the floor

And I’m staring at the ceiling 

Wondering if the reaper’s close

But Christie only knows

That there ain’t no drug in all the world like being you

\Glory on the silver screen just had to do

Won’t somebody save me? I am screaming out of breath

And my shadow, he’s holding a gun…

With those hands that I once possessed…”

This is the only time I’ll put all the lyrics in here, I swear. However, this one is important as it paves the way to Nightmare, bridging the gap between the two moods. She Don’t Know is angry, stressed, unsure, and frustrated, whereas Nightmare is just… depression. Interlude II is the middle ground, showing us that once Zach got all that off his chest, he feels… numb. He doesn’t know what to do. 

Now, who exactly is Christie? I don’t think she really exists, in the context of the album, that is. I believe that Christie is someone he’s hallucinating, an embodiment of all his most negative thoughts, sugarcoated into something pretty and worth listening to. We’ll explore her character later on in Interlude IV - Showtime, but for now, what you need to know is that his suicidal thoughts are getting more and more intense now that she’s here.

A sister is someone who you’re bonded to, whether it be in blood, relationship, or cause. In this case, I think it’s more relationship. She is telling him to let go, to accept that things are this way and won’t get better. It’d be easier to end it. And Zach is listening to her. We know this because of the line “And my shadow, he’s holding a gun with those hands that I once possessed…” He is seriously thinking about it, and the fact that it’s his shadow shows that the thought is always in the back of his mind. The same thoughts that led him to love Juanita are now ready to kill him- those same, once-steady hands he used to hold her with. And he’s done. He’s holding on by a thread.

Nightmare

This song is told in the 3rd person as Zach really explains what he’s been going through each and every day that lead him to this fateful decision to end it. He is done. He’s decided it. 

Every day, he cries. He hates himself, he hates looking at himself, he hates all of it. 

“Prosecutor at his own trial, 

The floor below him becomes so fertile 

by his very own vile, Nile, and exile source 

By the pitter-patter of his tears on the bathroom tile… 

...you’re nothing more than your feelings 

from your floors to your ceilings 

and out the all-bloodshot ocular faucets… 

Boy vs brain, white noise vs the sane, 

always vs the same, cries for help exclaim 

that he’s beyond repair. He’ll swear, he’ll despair, he’ll stare 

straight ahead in the mirror at the source of his waking nightmare.”

There’s an instrumental break, during which he says “Are you writing this down, Christie? Yeah…” This shows that he’s lamenting to himself, as again, Christie doesn’t really exist. He’s venting to her, jotting down everything that’s wrong with him.

This tells me that he’s writing a note. He is telling someone where he’s going and why he did what he’s about to do. Remember, Christie is in Zach’s head, and so if she is writing this down, that means that Zach is writing this down. His worst, most negative thoughts are writing all this down, showing him that this was the right decision. This will end all his suffering, and whoever reads the note will understand and be happy for him. This was his solution.

“He’s standing on a bluff overlooking the city

The city’s biggest bluff is making itself look so pretty

He tells himself to be tough, isolated and gritty

But gritty’s kinda hard when his brain’s run by committee”

This is how he decides to die. Now with a gunshot like Interlude II hinted at. He is willing to jump for it.

Look at the album cover. Did he go for it? I don’t think so, but we’ll get to that.

The song concludes with him saying this:

“So who do I speak of and why is he grey?

He rejects all his love, see the prices he pays

To his vices he caves, in a crisis of fates

No tragic history, only a mystery 

So I say to you, ‘who?’

Why don't’cha tell me?”

This is him confirming to us, the audience, that this is Zach’s character speaking about himself. He’s been hinting and clueing at us to this song all along, and now he is making sure that we know what’s going on in his head. He’s ready to end it. 

His love for Juanita broke his heart so severely that it left him broken and bruised beyond repair. And if you can’t fix it, it’s time to throw it away.

So he heads back out to the bluff to jump.

Interlude III - Second Thoughts

He’s standing on a bluff overlooking the city. The bluff’s height is making itself not so pretty. Is this being tough? Or just being petty? But petty’s not likely, it’s a selfish, single entity…

Doe she really want to do this? Looking down, Zach thinks about what made him come here. The drugs? They’re messing him up. He’s aware of it, he’s been aware of it. Would jumping be giving in to their influence? Or Juanita’s? 

“We put his record on until he’s bleeding on the needle

And he’s weeping in the street

Cut down on his curtain call

That’s where he’s gonna sleep.”

Standing on top of the bluff now, he looks down onto the road. He can see that there is where he could die, but he’s suddenly not so sure. The idea just slammed into him, reality slapping him in the face. “Do you really want to do this?” 

“Take aim with these hands he once possessed

A dozen roses on the pavement laid the rest

Oh, my dear sister Christie, will I feel some remorse?

She says ‘no, pull the trigger, ‘cuz he’s left us no recourse.

His brain has a sickness, so kill it at the source.’”

He steps closer. He can see, in his mind, the image of his dead body lying on the road, forever resting. But, was that the right call? To just throw in the towel like that? So, in true metaphorical fashion, he turns and asks Christie. His inner demons. They’ve been straight with him before, right? And, of course, they say “yes, go for it.”

But Zach still isn’t sure.

I believe he backs off for now, leading the way to Curtain Call.

Curtain Call

This is where it really starts to get difficult when it comes to dissecting this album, and from here on out, I guarantee that I got things wrong. However, stay with me, because I’m open to and want to discuss what everyone else thinks it all could mean. I’m going to share my ideas, and if you have a better one, tell me and I can either agree or argue it with you. Point is, like English class (in high school), if you have the evidence to back it up, you’re not wrong. Let’s have a serious discussion about this.

On with the show! Now, it appears as though Zach is arguing with himself in this one, one wanting to show people that he’s hurt so he can get help- the side that wants to live- but on the other hand, his other half knows that there’s nothing they can do if he does. He’d just weigh them all down. Because all of him agrees that he’s useless and hopeless. 

He sends up a prayer (I think Zach is Christian, so this makes sense), asking for, basically, karma of some kind. He’s done feeling this way, and wants it to stop. So he asks for “some price to pay,” hoping that there’s a solution, but knowing that the solution isn’t going to be handed to him on a silver platter. He’d need to work to get better, and this is him saying that he’s willing to do that. He WANTS to live, but he’s just not sure he can anymore. And that’s his main argument. Can he do this? Was it even worth it?

Obviously, with Zach being a famous actor (both irl and in the album), he has a double life. One is bringing joy to others, while the other is a constant internal struggle. The world is a stage, and at this point, Zach is basically admitting- through metaphors- that he has been acting. Pretending. 

Consider this lyric, put there- side by side- very intentionally:

“I find that I’m anything but fine.

No, I’m okay. Oh please just look away!”

It’s all a mask. And it’s one he’s tired of wearing. Notice how tired he sounds when he sings those lines. He’s done. He’s been done.

“Bourbon to kill my pain

Curtains to hold my shame

No, they can’t look away

Cannot contain my rage…”

These lines are telling us that people around Zach have started to notice that he’s off, but he wants to believe that he’s okay, that he’ll be okay. So he continues his career (“curtains to hold my shame”), even though it’s hurting him to do so at that point. And people are starting to notice. And that’s making him frustrated. At himself. At them. He’s tired. Let him rest. He just wants to rest and forget. Bourbon, alcohol, kill the pain. Make it go away so they can’t see. But they already see. The mask is old and withering in decay.

Towards the end, Zach’s voice becomes more echoey and distant (discluding the Italian that I have no hope of understanding, which is why I’ve yet to mention it). This shows that he’s distancing himself, running away, if you will.

Running back to the bluff.

And this time, he jumps.

Interlude IV - Showtime

Okay, meme time. This is the one everyone knows. However, we are not going to be talking about a Connverse fight that honestly makes no sense given the limited context of the song (as cool as those animatics are). We will be talking about, however, Zach facing and challenging his inner demons. Christie does not exist. Why should she rule over his life?

Let’s break this one down, since this one is the hardest to fit into the story.

He jumps, but survives the fall. Maybe dazed, maybe broken. Maybe it was just a dream. Maybe this song IS the dream. We can’t be sure. Everything is metaphorical in this one. Perhaps he didn’t jump at all. We can’t be sure.

Christie congratulates him. She tells him that he’s free. He did the right thing, and now it was just the two of them. They could do whatever they wanted without feeling so weighed down!

Zach disagrees, coming to a realization.

He jumped. Christie had said that it’d make everything okay again, that it’d be bliss. Well, he jumped, and it wasn’t. It was worse. He felt anger and fear, and this leads him to finally, for once, counter her. 

“The world is ours!”

“No it isn’t.”

“Get in the car.”

“This isn’t finished.”

“...What?”

She’s shocked that Zach openly argues with her, and as their bickering goes on (which I’m sure a lot of you reading this can hear perfectly in your heads, so I won’t write the exact lyrics down), Zach gains more confidence. He accuses her of murdering him. “And they’ll all think that it was suicide, but Christie, I know that it was you inside.” Remember, she’s not real and therefore didn’t really “kill” him, but he blames her as he allowed her to control and manipulate him. 

Christie is shocked, stating that everything she did, she did to comfort him. ”I saved him! I held him ‘til the moment he [Zach’s “innocence”] died!”) However, Zach realizes what she really is now, and decides that enough is enough. (“You choked him out of his goddamn mind! Promised the world to him, a goddamn lie!”) He knows what she is, and won’t let himself be manipulated by her again. 

Now, the whole time, they’re talking about someone who is dead. Who is that someone? Zach. However, it’s all a metaphor. When Zach jumped, a part of him died. The last of his humanity? His sanity? I think his “innocence,” which I say in quotes because I’m sure there’s a better word for it out there somewhere. He’s done being blind to the truth, blindly following Christie around. The part of him that was naive enough to do that, to listen to her influence and complain about the world, is gone. He’s dead.

And that means Zach isn’t taking anymore s***. 

C: “I won’t help you take [Juanita] down.”

Z: “Fine. I’LL DO IT BY MYSELF!”

C: “You don’t need it!”

Z: “Oh, I know that I need it.”

C: “She’s been gone for years, I know you can beat it!”

Z: “Oh, look in the mirror, you know we both fear her…

But you let me kill him, you’re WORSE than Juanita!”

Juanita herself never killed him. She never physically harmed him, not in any way that counts here. However, Christie did. She pushed and pushed him, taking a fragile boy and breaking him even more. Zach is now his own worst enemy, not Juanita, and this is him realizing it. But he doesn’t want to be his own enemy.

C: “I won’t help you take her down.”

Christie doesn’t want Zach to face her, because she knows that that would be him really facing his demons and starting down the path to healing. Juanita is Zach’s biggest obstacle, aside from himself. He has to face himself first, and that’s why this song is so powerful. Zach is taking a step back and realizing what he has to do, who he is, and why things are like this.

Z: “Oh, look in the mirror, you know we both fear her. 

We’re one and the same, we’re afraid to be near her!”

There’s that mirror metaphor again, except that he’s not looking at himself with hatred; he’s looking at himself with understanding (and a side of hatred). He’s ready to face her. He’s ready to get everything to stop.

“1, 2, 3, 4

Is this what love is really for? 

Is this all I get for being yours?

The kid in front of me in blood and gore?”

The kid is, again, Zach’s “innocence.” He understands, he’s ready to not only move on, but also confront her.

5, 6, 7, 8

Years left to waste for all I hate

They’ll all know Juanita’s fate!

Show’s about to start; don’t be late.”

He knows that it’s going to be a showdown, a big, epic throw down. And Christie isn’t coming with him. He’s leaving her behind. He’s leaving his demons behind, breaking free from them and moving on.

War!

The ultimate throw down begins!

“A wise man once said, ‘time is money’

So how much money did I lose to you, honey?

Find it kinda funny you wanna keep this feud runnin’

But I’m glad I’m on your mind, keep that canon fire coming, woah!”

This is 100% a diss track. Zach confronts Juanita in front of a lot of her friends (we hear multiple girls go “huh?” as they realize that Zach’s here and he’s ANGRY), and immediately starts in. No introductions, no “hey it’s nice to see you again”s, nothing. He’s here to make a statement, and he’s gonna do so.

He realizes Juanita for who she is now, and she has done so many horrible things to him. Spreading rumors and lies to ruin his life, after dating him just to get a story to write about. He’s sick of it and done. He calls her out, and it’s important that he does this in front of other people so they see what she’s really done. He’s hurt, he’s been hurt, and it’s because of Juanita, this amazing person a lot of people looked up to and liked (“I know, Juanita deserves so much more [Interlude I]”. “Step inside the life of the men weak enough to follow you [Phantom Love]). 

Juanita also appears to be dating someone else by this time. This is really important, because now due to context clues we got from before, the only reason Juanita dates is to get a heartbreak out of it so she can have the motivation and drive to write her own album. That’s why she dated Zach. So, if she’s dating again, that means she either lost the motivation and drive again, or she never had it in the first place since it wasn’t a real love between them. She didn’t truly experience a heartbreak at all. This is further backed up by the claim that “we’ve been waiting on your album for ages, no traces, and baby, we’ve already run out of patience!” She’s only dating to get that experience again.

This means that, at least in Zach’s eyes, she hasn’t changed. “To your new boy, let he be warned: you’re her new toy for blood and gore! What, you didn’t know?” She is going to destroy him emotionally, and he’s going to go down the same path as Zach, ending in death- blood on the pavement. The gore part is to emphasize how horrific the whole ordeal was.

“Sit down with me and sign this armistice

Get your big proboscis outta my s***, miss”

A proboscis is the butterfly equivalent of a tongue. They use it for sucking nectar out of flowers. So, what he’s saying here is that they need to settle this between them (“sign this armistice”), and that she needs to mind her own business. By her talking about Zach like that, she ruined his life and he’s sick of it. She literally sucked the joy out of him like nectar. 

“Welcome to the new me!

Paint your nails black and unscrew me

But that’s okay, Juanita

Know my business is booming”

His business is a reference to his own album, the very one you’re listening to. His music career took off now because of her and the fact that she broke his heart, not the other way around. Juanita can never understand that because she “only loves to be broken [Phantom Love].” 

“That’s alright, that’s okay!

You barely wrote them anyway

Half your songs got thrown away

Like ballets on voting day

All my ballads had more to say

Like a bullet through a motorcade”

In a twist, Zach got the story Juanita had wanted. He experienced a heartbreak, while she never really did. So he writes an album instead of her. It’s a cool kind of karma that Zach- or, at least, his character- can’t resist. 

The whole song ends with him forcing her/her friends to sing along with him, repeating her name, then yelling. She screams, and it cuts out. 

I think he’s lost his sanity (or again, his “innocence”) here. He gets carried away, and either attacks her or makes like he’s about to. I think he makes like he’s about to, but stops. This is the final song; if Zach killed her, there would more than likely be another song depicting the consequences and an Interlude V to show the aftermath of the incident. But because he stopped himself, he’s satisfied. Juanita learned her lesson, Zach got everything off his chest, and the people around them know the truth. 

That’s all he’s wanted for longer than we can possibly know.

Final Observations

Zach Callison has gone on record to say that “Juanita” has finally published an album of her own, but that happened months later. I don’t have any specific dates for anything, though. No one knows who the real-life “Juanita” is, which in my opinion, is noble of Zach. He had a lot of anger to get out, but unlike her, he wasn’t going to ruin her life to try and get something out there. He can make a statement without ruining someone else along the way.

With that knowledge, let us all stand and clap for this man.

Not only is the album just a really good listen, but each song tells a cohesive story. The tones each song sets, as well as the far under-appreciated interludes (or over-appreciated in terms of Showtime), really shows how his emotional state changes. Phantom Love is a lament, She Don’t Know is a classic “I’m sad bc my gf broke up with me :(“ which is how Zach perceives that incident at that point in time, whereas Nightmare is him falling into depression stronger than anything he’s ever felt before. Curtain Call is him arguing with himself about whether or not he should even live anymore, and it all comes back around with the upbeat, heavy-rock literal song of War!. The interludes take the tone of the next song and combine it with the lyrics of the previous to show that smooth transition between emotions as he grapples with his mental state, the only exception really being Interlude I, as it has an overall bouncy tone to it.

Zach not only made every single song enjoyable, but also unique and heartfelt. Just listen to how his voice shakes during Christie Only Knows. He is genuinely upset and lost, and because of this, he’s better able to convey the HUGE emotion dump that was his album.

Do I recommend it? Yes. I think there’s something in there for everyone, even if you only enjoy one of the songs. However, doing a review is going to be an entire post in and of itself.

Thanks for reading, guys. Now go listen to the album and tell me your thoughts. Does my explanation make sense? Do you have a better idea? Let me know. I want to have a real discussion about it with other people who have listened to the whole thing, not just Interlude IV.

If you haven’t listened to it yet, it’s on YouTube and ITunes. Do yourself a favor and check it out. The whole thing is ~45 minutes long.

Have a link to the playlist: https://www.youtube.com/playlist?list=OLAK5uy_n1rA_1uUBtxoATot0ixiTgvdEHhj3lAn4

[kittyprincessofcats]

She-Ra S5 E07 - Perils of Peekablue

There might be spoilers for the rest of the season in this post!

I’ll start by saying upfront that I pretty much consider this to be the weakest episode of season 5 (or at least one of the weaker ones), even though it does move the plot along significantly. The main reason is that, as I said before, I don’t care about the group on Etheria as much as the group in space (with the exception of Scorpia and possibly Spinnetossa), so an episode like this - even though I get why it’s important - just won’t interest me as much as what the gang in space is up to.

That said, it’s not a *bad* episode or anything. Let’s get into it:

- The entire beginning scene where Adora tries to transform into She-Ra and the others keep interrupting her is absolute gold and I love everything about it. Especially Catra, OMG! The way she shows up and actually asks “Are we messing with Adora?” - She’s not even pretending to be helpful and I love that she’s bonding with Glimmer and Bow over “messing with Adora”. And how she then just flings herself onto Adora’s lap and brushes Adora’s face with her tail while cheekily saying “Yeah Adora, concentrate!” - brilliant, absolutely brilliant 🤣. And I also love how Adora doesn’t even try to push her off and actually holds her. These two are too cute.

- I also wonder if the “You can’t let distractions keep you from transforming” line was intentional foreshadowing for Shadow Weaver telling Adora that Catra’s a distraction.

- I like Catra’s new outfit! Well, it’s pretty much just her old outfit with a few adjustments. But still, nice! And she looks really cute with short hair.

- I feel like this beginning scene is pretty much here for two reasons: It sets up that Entrapta is trying to reach the rebellion on Etheria, which will be relevant at the very end of the episode, AND it shows Catra’s new outfit, so we can have a new opening now.

- Changes in the opening: Time for some really exciting mid-season opening changes! Catra’s missing from the villains’ card for the first time ever. Instead, Horde Prime’s hands are now closing around a glowing orb (I assume that’s meant to be the heart of Etheria). At the part where Catra and She-Ra fight, Catra now has short hair, She-Ra is in her new form, and instead of a snarl the fight ends with a soft smile between them (I’m not crying, you’re crying. Best opening glow-up ever! 😭). In the final heroes’ shot, Adora back to being She-Ra instead of Adora, but this time in her new form. And Catra is *finally* in the heroes’ shot as well. GOOD STUFF. (In general, I just LOVE that they actually kept updating the opening in the middle of the season. That is SO cool. But the change that really gets me is how they updated Catra and Adora’s fight, because that’s been the same since the beginning of the show and now it’s SO SWEET.)

- Okay, so my biggest problem with this episode is that the plan to find Prince Peekablue seems... kinda dumb? So they’re planning to sneak into an underwater soiree undercover and abandon everyone else at the camp to find a “hermit” no one has seen in ages because he might know where Adora and the others are? As a plan it just seems far-fetched. I get that they want to warn Adora and company that Prime is chipping people (they don’t know that Adora’s group already knows that), but how would finding Peekablue even help them achieve that? He could tell them where Adora and the others are, but... that’s it. It’s not like he can also magically communicate with Adora or anyone else. And didn’t Swift Wind tell the others last episode that Adora’s coming home and that he can feel her coming closer? So shouldn’t they already know that the group in space are on their way home? (Granted, Swift Wind told that to Micah, Frosta, Spinnerella and Netossa - but I’m assuming the rebels communicate with each other and Micah would have also told Mermista and the others?) I mean, idk how much time supposedly passed between these two episodes, so maybe it’s been a while since Elberon? Also, when did they even figure out that Horde Prime is chipping people? Last episode, Micah still said they had to “figure out what that was”. And if they know about the chips now, it might have been a good idea to check the necks of everyone at camp right away - though to be fair, they maybe didn’t realize how the chips work yet. And yeah, I am nitpicking here (and obviously the rebels have to mess up so things can go south this episode, so I guess they have to make some bad decisions.)

- That said, I love all of their outfits! And I like that Scorpia’s alias “Lynda D’Ream” is a reference to the 80s cartoon.

- Netossa’s lucky that she wears an outfit with such a high collar - makes it hard to put a chip on her neck. (Also, idk if I’ve said this before, but I love Spinnerella and Netossa’s character designs and outfits. They’re both fashion queens.)

- Just the fact that it really is Spinnetossa’s anniversary and Netossa thinks that’s why Spinnerella is acting strange - I mean, what are the odds?

- “They are my people! Which means that most of them have sworn revenge against me at some point.” Okay, that is pretty funny. And getting to meet all of Sea-Hawk’s exes was pretty funny, too. (Yeah, officially they’re not his exes but just people whose ships he set on fire... but come on, the subtext isn’t really subtle here.) And I love the whole running gag of him and Mermista fighting all of them behind the bar counter with Mermista doing most of the work and getting more and more annoyed with it - but when they’re finally done, it turns out there’s also someone there that *she* doesn’t want to see, because she set their ship on fire. Comedy gold.

- Scorpia is me at a party :( I also find it super hard to socialize and get into conversations with strangers. Very relatable there.

- I also love how the sweet flowergirl Perfuma has absolutely no problem blending in with a bunch of criminals.

- “You’re amazing. You have the biggest heart and you could do whatever you put your mind to.” Aww. I’m glad someone told Scorpia that!

- “You should do things not because you’re good at them, but because they make you happy.” That actually is some really good life advice. People should keep that mind in general.

- (I love how Sea-Hawk and Mermista are carrying Admiral Scurvy away in the background while Scorpia and Perfuma are having their heartfelt talk 🤣.)

- “Repeat after me: I can do this. I can do this.” “Perfuma can do this.” 🤦 I feel bad for laughing, but... gosh, Scorpia has some serious self-esteem issues.

- Okay, time for an unpopular opinion: I’m... not that into Scorfuma. There’s nothing wrong with it and I’m not against it or anything, but it just doesn’t particularly grab my interest. That excited feeling you get when you ship something just... isn’t there for me with them, sorry.

(I kinda felt like I had to explain/justify myself, so I started to write a small essay on my ships here that doesn’t really have anything to do with the episode. Feel free to just skip this part.)

I consider myself a multishipper and while my #1 OTP is definitely without a doubt Catradora, I also really have a soft spot for Scorptra (to the point where I’d say it’s probably my #2 after Catradora). And, to make it short, Scorptra vs. Scorfuma is one of those “fanon vs. canon” things for me, where what you want to see happen in canon isn’t necessarily what you find exciting or interesting to explore in fanworks. Obviously Scorptra was never going to be canon because Catradora is a thing, and I’m perfectly okay with that. And in canon, Scorpia getting out of a toxic friendship, moving on from her unrequited feelings, and finding love with someone else (who treats her right) is the right message to send, so I’m glad that’s where the show went. But when it comes to enjoying a ship in fanon (which is what I consider “shipping” to be), then I don’t pick my ships based on how healthy they are in canon, but on how much their dynamic fascinates me and just on whether that certain spark that makes me like a ship is there or not. And in that sense, Scorpia’s dynamic with Catra, which was explored over the course of 4 seasons, is just infinitely more fascinating and spark-inducing to me that her relationship with Perfuma.

And even beyond Scorptra - if I had to ship Scorpia with someone other than Catra, my first pick would be Entrapta. (Yes, I do ship Entrapdak, but like I said - multishipper here. Also, Entrapta has two hands!) And my first pick for who to ship Perfuma with would be Mermista because I like their bickering and I have a thing for opposites attracting.

Anyway, I’ve been rambling about ships for too long now. The bottom line is: I’m fine with Scorfuma being canon and it makes sense that they fit together since they’re very similar people. I don’t dislike it, I’m just not as hyped about it as many people seem to be. On with the episode now, please!

- “I guess I don’t know what a hermit is after all.” Yeah, Peekablue was giving off Double Trouble vibes from the beginning, tbh.

- I love how Netossa is competitive even at planning anniversary surprises.

- Perfuma loudly supporting Scorpia when she ends up on stage is a super nice moment, though. And Scorpia’s performance? Amazing!

- I wonder if Double Trouble made up that whole “She-Ra in space” vision because they were pretending to be Peekablue and just got it right by accident, or if they actually knew that much from their time pretending to be a clone. I wonder how much time they spent as a clone and what exactly they saw.

- Scorpia realizing it’s Double Trouble and then tricking and unmasking them was an amazing moment. So much for Scorpia not being smart!

- I was so excited to see Double Trouble again! Tough it makes me a bit said that they refered to Catra as their “cash kitten”. While they never made a secret out of being in it for the money, I kind of like the idea that they did care for Catra after all. (Do I just ship everyone with Catra? The answer is yes.)

DT: “I know where your friends are. And I’ll tell you - for a price, of course.”

Perfuma: *grows flower arm canon*

DT: “... Fine.”

😂😂😂 Love that.

- “It makes for a very dull audience when everyone’s mind-controlled.” Okay, but that really is a good reason for Double Trouble to help the heroes out without really changing their motivation. They’re still a Chaotic Neutral who doesn’t particularly care about morals - but it would make for a very dull audience if everyone was mind-controlled.

- “Prime is angry. She-Ra showed up and stole his little kitten away.” Like I said before, I LOVE that that’s the reason why Prime’s so pissed in the first place.

- The confrontation between Netossa and Spinnerella is so heartbreaking, but when she said “show me your neck” it again made me wonder why they didn’t check everyone’s neck at camp before.

- “What a shame we can’t be together... in Horde Prime’s light!” Ooohhh, it’s so creepy and angsty, I love it!

- And Mermista’s chipped as well because obviously things have to go south here.

- The parallel confrontations at camp and at the soiree are really cool scenes. I especially like the Spinnerella vs. Netossa fight. And Micah’s chipped as well, because things have to go wrong and Glimmer mentioned being “a day away from meeting her dad” - so obviously that has to be ruined now, too.

- “A little help? I need to lift my hand to the heavens.” Gosh, I love DT.

- Scorpia’s sacrifice made me tear up 😭. (When I first watched it, I was scared she was actually going to die and not just get chipped - I’d never have forgiven the show for that.)

- Can we talk about how strong Netossa actually is? She fought off both Spinnerella and Micah by herself, made a big enough net to cover all the chipped people, and got herself and Frosta out of there safely - I don’t want to hear anything about her powers not being strong again.

- “Happy anniversary.” Noooo, now I’m crying again... 😭😭😭 It’s so sad, but so romantic... (I really love that this season gave Spinnerella and Netossa more screentime. And I’m always here for some angst!)

- And finally, Perfuma is able to contact the group in space and warn them about the blockade. I really like that scene. I like that Perfuma specifically says “You need to stay away”, since we know what happened last time someone told Adora that. And the whole grim mood of Perfuma apologizing and saying the rebellion is compromised, the shaky pictures, the connection cutting off, and then the shot of the ship all alone in space and the silence - amazing. Basically, this episode was “things go very wrong on Etheria, and now the group in space has a serious problem”.

This was a good episode, overall. Like I said, the main reason I consider it weaker is because I care more about the group in space, and they were only here for one scene in the beginning and one in the end. But this was still pretty solid. It had some funny and sweet moments, and then some really cool and dramatic scenes in the end. And of course, it was a very important episode for the plot because things are now really not looking good on Etheria. My favourite moment was Catra sitting on Adora’s lap in the opening scene, though.

[Previous episode]   [Next episode]

[cameoamalthea]

So About the Traveler: Critical Role C2E103

“How can I be cruel? That is for mortals.” But then she did raise her eyes, and they were great with sorrow, and with something very near to mockery. She said, “So is kindness.” - Peter S Beagle “The Last Unicorn”.

In lore and media, including Dungeons and Dragons, immortal beings whether called “immortals” or “fey” are not bound by the same sense of morality as mortals. Indeed, some interpretations posit they lack the same capacity to feel the same emotions as mortals do. These beings are by their very nature different and alien. 

The Archfey is an immortal. They are ancient and yet, ever young. A contradiction. They cannot lie and are bound by any promise they make, but are very good at wording things carefully or withholding what they’d rather not say. They are not to be trusted. They are not safe. They can be good, and Artagan falls squarely on the good side for a fey.

The key words being “for a fey”. 

Fey generally lack empathy, which makes sense for the short lives of mortals are nothing compared to their eternal existence. They can be killed, but they do not simply end and pass away the way mortal things do. So there is a question as to how much a fey can value mortal lives at all. 

Still, Artagan makes it clear he does not want to hurt his followers. He rejects killing them when Jester brings it up. He sees leaving them to join the Island cult where they will be happy as a viable solution for the ones he dislikes. Which is actually fairly merciful considering fey do not value mortals in general and can easily destroy the lives of any who offend them. That does not make it ok by normal ethical standards, but it is important to realize that it is his nature not to have normal ethical standards. 

Artagan seems to be primarily motivated by doing whatever amuses him. Trick a bunch elves into worshiping a dead whale because it’s funny? Sure. Respond to someone claiming they can’t die by requesting to kill them just to see what happens and see what it’s like, just for the heck of it. It is likely he has never cared about anything other than his own self-interest and personal enjoyment. He has certainly never cared for a mortal.

Yet, he cares for Jester but cannot understand what she cares about.

He sees she is crying and does not like that, but doesn’t understand why she’s scared.  

He does not understand why asking her to lead a lot of people to a place that is home to a dangerous monster that will erase their memories and turn them into willing slaves would upset her. 

He understands when she expresses fear for herself; because he understands that. And he is quick to assure her that he wasn’t going to give her to the monster. And again, fey cannot lie. Artagan does value Jester but does not value mortals in general.

For Jester the question is ‘how do I know you wouldn’t do that to me’

Whereas to Artagan it’s as obvious as how can someone keep animals as pets and still eat meat.

One is cute 

One is food

It’s not a question that you could truly love your pet chicken and also love some BBQ wings. The same animal, but one is valued.

Jester is valued, and there is a question as to whether a fey can value a mortal as more than a human might value a pet or what if any capacity fey have to love anyone. That said, he is genuine in his affection for her. He did not intend to hurt her (he still did - he absolutely did) and honestly did not mean to put her through any heartache. 

Some would describe this behavior as “creepy” or even as “gaslighting”. (And if this narrative is triggering because the character’s actions remind you of an abuser that is 100% valid. This essay is exploring only the actions of this character in the context of analyzing the fictional portrayal of an imaginary magical being).

While creepy is subjective I do not believe he is malicious so much as heartless (another quality of fey). He does not understand caring about other people so he honestly could not foresee that the fact he would do this would feel like a betrayal to Jester. He does not have the empathy to understand why he has hurt her and instead tries to explain his perspective honestly and assure her that she is safe (which she is safe with him, at least insofar as he will not intentionally hurt her - the problem is this dumbass doesn’t understand how he’s hurting her).

So while I understand the impulse to say “He made Jester cry KILL HIM”. 

He is not lying when he never intended to leave her on the island or when he assured her that she is his favorite person. He also freely makes a promise to her, which is binding and not something a fey would give lightly. 

So now- Now he cannot ever leave her. He will keep her safe and her friends safe. That’s a big deal. And there’s nothing in it for him aside from her happiness. He paints the moon itself to make her smile.

He is a powerful, alien, chaotic neutral fey and he adores Jester.

The question is then will Jester love him after this. Will she be able to have a close relationship with him now that she understands his lack of empathy. Even when he is sorry all he can say is he’s sorry she feels hurt (because he doesn’t want her hurt) but he cannot truly apologize and take responsibility for hurting her. (I’m sorry you feel hurt vs I’m sorry I hurt you). 

He can’t take responsibility for anything. He is carefree and free from the ability to care. Mortals care, mortals can love and regret. They can understand hurting someone else and take responsibility for that rather than focusing on the consequences that relate to their own feelings (I don’t like that you feel hurt because I care, so I am sorry for that).

Note: In real life, in humans, we call this behavior toxic. To focus on yourself and not emphasize with others and your impact on them is harmful.

And Jester grew up with Artagan. He is not a “child groomer” as some have accused. He was a child with her. However, once she became an adult he dropped the polymorph and became a fey again. Jester grew up. Artagan can’t grow up, because he’s a fey. He is still and will forever be as selfish and unthinking as a child. 

Jester isn’t anymore and she may outgrow Artagan unless his affection for her can make him grow as a person. However, Jester is not at the point where she is able to call him out or push him to change. She is understanding ‘I know you wanted to get rid of followers’ she doesn’t want to judge. When he complains about the headache of dealing with ships she joked about some of them dying.

However, the Traveler does not join on that joke. He doesn’t want them to die. He has learned to enjoy doing good and to care somewhat for people in general - which is notable given that he is a fey and caring isn’t in his nature. 

Jester has made him a better person. He did grow up with her for a time. He was mortal with her then and grew and, I think, learned to feel love for her. To be her best friend. 

But he has a long way to go to be a good friend; if he can even get there. Either way, it will be an interesting story to watch play out. An interesting dynamic. An interesting take on a fey that Matt has done a wonderful job writing as truly inhuman. 

Footnote:

1) For further reading on the nature of fey/magical creatures, please see this post on “The Last Unicorn”

2) Why are these chickens so cute you guys???

[unproduciblesmackdown]

@uberoll-oystercrackers putting this PT convo on blast just for the sake of switching to this format where u don’t have to break everything up via replies because [comically deep inhale]

honestly like idc idc i guess ppl are just like “uhh mytho’s got nothing going on b/c he has no feelings!!” like Yeah Correct, that’s a premise / inciting factor for this series and everything everyone’s doing lol, it’s only Boring if you don’t think about the character at all lmfao which i guess some ppl don’t, but like, there’s only 4 of them.....it’s Wildly Interesting that he literally has no feelings at first, like, for one thing it’s cool how there’s always the Idea of characters who don’t have emotions or act on them, but this is like the rare “realistic” situation where having no feelings means he needs someone to steer him around and make choices for him (and how Vulnerable that leaves him lmfao like episode 2 is wild but also that ppl just haven’t really realized that they Could just pick mytho up and pitch him into a wall, and fakir and rue are sort of careful neutral alliance keeping tabs on him) and you know, the whole s1 structure of mytho regaining both Capacity For / Experience of An Emotion and his sense of identity and by extent of all this his agency, and how like, Thematic everything surrounding this character is that’s reflected in the overall series like. trying to control someone for your own benefit vs being willing to sacrifice your own interests (and then some...) for their freedom & the Protecting Someone (And/Or Wanting To) As A Love Language that all the characters show for each other at various points & hope vs despair.......and like No Shit he’s dispassionate & passive b/c he can’t Feel Feelings & resultantly can’t make decisions or feel motivations but obviously he’s still Motivating other characters to act on his behalf, & there’s so much mystery & drama already in “yeah this guy you think is just a neat handsome guy is also an actual prince from a story who’s Real & sacrificed his heart in the fight with an evil giant raven monster that eats people & so he can’t feel anything or remember who he is” like damn!!! epic of him even if right now he can’t do much of anything on his own. i’m interested, and then i’m Interested every time in the Drama & Mystery of this person regaining parts of himself and completely rediscovering An Emotional Experience and how that is totally recontextualizing his entire existence for him.....

plus also even though “person literally lost heart via magic and doesn’t know what Feeling Things is” isn’t a We’ve All Been There situation i was like oh and you know it’s not like what mytho’s got going on isn’t potentially Relatable....can get into a side essay about dapressione and trauma and other types of stuff that can make it seem like someone can’t/shouldn’t have full access to their feelings / self / agency &/or it’s Dangerous if they try.....whew

but continuing on YEAH ugh just completely fascinated with mytho the Entire Time actually lol like, i’ve tended to lose steam in early s2 b/c he’s sort of Less involved beyond the [hehe time to cause some trouble in this particular ep] role lol but even so it’s like well it’s kinda fun when at least somebody’s being a bitch who lives for drama lmfaooooo & we get mytho Struggling Internally & sometimes punching through that way but again it’s like yeah oops the guy was basically autonomous but zwoop here’s a problem where that doesn’t mean shit anymore lol b/c he’s got this alternate evil self steering the ship all the time now lol got em.....the Peak of that i guess is where we get to have an epic swordfight between raven!mytho and fakir like you know what fuck yes!!! the intrinsic drama of that lmfao!!!! and then it’s like “oh no :/ loving the drama? that’s just what drosselmeyer wants” except Not b/c actually what makes it totally rule is that it’s this chance for Real Mytho to come through for the sake of protecting fakir (tbt “i wonder what i think of you, fakir”...) and really like that being what prompts fakir’s “you know what, even though before i was afraid my role as a knight would kill Me and i’m afraid my coincidental(?) role as a guy who can Reality Write could kill Anyone Else, i gotta try b/c that’s the only thing i could possibly do here and i want to try protecting everyone else b/c everyone else including mytho is protecting Me” and like augh everyone is so Thoughtful about how to try to help mytho out even as like, they can’t hardly interact with him or undo the situation lol.....as you’re getting into the series finale and everyone’s just outright Voicing things and you get “i/we want to protect mytho” like 32x and it’s beautiful each time ;___; like and well sorry but him & his heart/lack of are also the heart of the whole story here.....

and you know what *i* want to protect mytho, sympathizing with all the characters like fuck yes you’re so right, this guy rules, episode 6 aka The Fear Episode is SO good, like, you’ve gotten kinda used to the episodic format here, ep 5 did sure also make it obvious that things are Building on what’s happening prior here & that there’s stakes and stuff but it’s such a shakeup, like, that maybe just kinda sneakily dipping in and out of the arena giving back a piece of his heart until it’s done with, no problem, Isn’t Gonna Happen, and again, the Drama of it all......that the heart shards are yeah kind of their own People who are these fractions of mytho’s self and the way you interact with them is gonna like, affect things, since tutu didn’t like “resolve” things with that heart shard and just kinda got him on a technicality there lmfao so it’s like, yeah not only does mytho have a more general / abstract cause to be afraid of tutu & her bringing all these Unknowns & completely new things to him / changing things up and apparently introducing conflict, but you’ve gone and gotten his capacity for fear all recently riled up and specifically afraid of his interaction with You from 5 sec ago, and how could anyone know this mysterious magical being giving you Negative Feelings is like, Safe......and i’m sure it’s all compounding here, like, it’s Wild to be suddenly experiencing A Feeling for the (seeming) first time, and that in itself sure could be Scary, he just hasn’t had the proper emotion available with with to Be Afraid, now he’s gotten back a freshly stoked (capacity for) Fear and how off the shits it must be to be afraid for the first time anyways, or to be feeling the other stuff for the first time, and who knows what Unfun Feelings could come next, there’s a lot to freak out about.......and not like it’s trying That hard to never suggest like oh fakir's not that bad even though he’s technically an antagonist at the start b/c of being at odds with / against the protagonist, it’s pretty telling there lol like he’s unhappy with mytho having feelings again at all and has already been getting mad about it but is just being Helpful here and trying to comfort him, like aw that’s neat i think it’s nice, and again throwing it back to “I Wonder What I Think Of You, Fakir” you get fakir reassuring mytho that nobody but him is around, and mytho having this capacity for Fear is choosing to confide in fakir re: what he’s dealing with here (not that this would on it’s own be some guarantee that mytho’s Right to be unafraid of fakir, but, knowing all we eventually know...) like again lol it’s funny that drosselmeyer’s loving the Drama of mytho only having regained Negative Feelings like, i mean i’m soaking it in as well but it’s like, that guy’s all about Angst and it’s like no im here all about the Hurt/Comfort more like, thank you lmfao

it’s also SO good how it’s like, the next episode is turning around & giving the story a way forward not by like, oh let’s just counteract this Fear mytho’s struggling with by returning the....emotion of Courage i guess, but rather by giving him back Curiosity to ultimately lead to him actually seeking a conversation with tutu.......and it’s like AUGH it’s soooo fun that he goes to that river and has a conversation with his own heart shard lmfao like that’s you!!! and that You does not realize you’re them!!! that’s wild and i love it......wait i took low res screenshots when i rewatched this a few weeks ago lmfao

i Love it lmfao like it’s Such a good choice to have him not only have lost his Emotions but also memories / knowledge of who he, himself, even is.....like yeah man it was all on you to fight this heart eating raven monster!!!!!!!!! which you know, it’s also Fun that earlier in that episode when he and fakir are hanging out in the secret Problems Mill (which....fakir is hilarious like that lmfao. whole other tangent here like ppl are not only rolling with Animals As People but stuff like “yeah fakir might just be like ‘oops gotta go!’ and whisk mytho away to various out of the way Locations” like lmfao these teens have some free rein, but it’s nothing compared to s2 where it’s like “They Were Roommates but ig fakir tried to kill mytho who’s now being really dramatic and weird which is v different from before and maybe he’s in love with that one random dude who’s around now, which sucks for everyone else, oops now he’s just like Vanishing for god knows how long at a time it’s fine!!!!” lmfao like god. ballet school just is like that sometimes...) anyways Yeah that mytho’s been having nightmares about the raven and fakir is just going like IT’S FINE JUST DON’T THINK ABOUT IT lol and knowing fakir is also being pretty driven / restricted by fear, reasonably, as he thinks (well. and is correct) that he’s The Knight and his fate is literally written as “yeah if the story gets going and you’re a part of it you’ll just be killed” like yeah, oof......Wonder What I Think Of You Fakir like yeah AND he is that knight you actually did know who was suddenly killed trying to protect you and he’s sorta accepted that role again except he’s not really a fan of that Being Killed thing so here we’re having some issues in his misguided approach here re: Mytho Should Not Get His Heart Back, but he’s also trying to protect them Both from the story, and he’s only So Willing to act Against mytho, like, well hey thanks for apologizing after you hit him and then like, not doing that anymore lol, v reasonable how he’s struggling here lol where he’s trying to Protect mytho but the story a) wants to invite tragedy and b) has already said that The Knight has been / will be killed and can’t actually protect the prince within the story, also c) he’s just like one random high school guy out here......and also that it must just be kinda hard to adapt to this changing situation where mytho Is regaining this sense of self and motivation, but for like the past decade or whatever he Has needed fakir to just be in charge and tell him what to do all the time and, if he had the sense of what it was to trust someone, trust fakir to just always be acting in his best interest, but then mytho’s idea of his own best interest a) starts to Exist and b) is at odds w/fakir’s b/c also c) he doesn’t have All his feelings yet, Or all his memories, while fakir is like “noooo i know the story”.....like there was never any need to just like tell him he sucks at random times lol but it’s also kind of funny that’s just part of fakir’s shtick, calling mytho a dumbass one more time when he’s just fully himself as The Prince again lmfaooo. but prior to that, surely fakir could wonder what mytho thinks of him (or potentially Could think of him) too.......it’s just soooo good when mytho is like, expressing things verbally while trying to work through / figure out Feelings and even ones that he doesn’t have back yet, and it’s always fun how that inevitably throws off whatever character he’s musing about this to......including whenever ahiru’s just like “oh fuck yes he can do this b/c he has more feelings back now, that rules” and/or “aw :( he’s struggling w/this b/c he only has Some of his heart back”

and also that reminds me it’s SO good when the characters just kinda get to Do Something together lmfao like. ahiru and rue hanging out when looking for mytho that one time, iconic stuff, mytho and ahiru hanging out in the previous episode, iconic, maybe it kills me that in the first ep of s2 you have mytho saying ahiru’s his friend and the only person he feels like he can tell anything (and ahiru feeling bad she hasn’t Told Him Everything lol) and then he basically never gets to interact with her again knowing and as himself like Scream it’s fine ;v; !!!!!! let these people spend more than 3 seconds together Interacting lmfao it’s soooo good when they do :’0

and THEN you get into how there’s all this stuff re: The Story, like, fakir is the reincarnated knight, ahiru is the duck given tutu’s abilities Via a piece of mytho’s heart, but we had the original knight and tutu in the story as these actual ppl who we only hear a Little bit of lore about, but mytho actually knew / knows, and like, the original genesis for tutu only being on 1 Page of the story and apparently drosselmeyer doesn’t even really put any thought into what her motivations could be lol like yeah idk whatever she wants to marry the prince or whatever so that’s why she loves him and Says It and disappears......and like we have almost No direct info about her but uh nbd at least some of her actual essence is actually now an intrinsic part of mytho’s actual heart and specifically embedded in the heart shard of Hope, like damn!!!! you Know there was something more Real and Complex going on there and i love it so much.......and the original Knight, lohengrin.....might have been doomed to be unable to protect mytho with his sword, but there’s other ways to protect that guy and Someone needed to be doing it.......i’m just like wow mytho’s gf and bf!!!! and they both sort of died but hey. there’s still a lot to think about

so yeah lmfao love that you can originally see this series like, a decade ago and here it is like damn still lying down / yelling / generally riled up about mytho and just having So Much to think about / appreciate from this series like. it’s so Singular and has so much going on.......cherish it and i’m just still anytime like [epcot vine voice] Mytho...........

[everything-laito]

HDB vs MB Laito + my opinions

There’s been a lot of opinions about Laito’s abrupt shift in his character between HDB and MB. I’m gonna break it down first, and then talk about it. Whole essay under the cut!

To begin with, let’s start with the contrasts between HDB and MB in general. This is a short list, there’s definitely more.

Laito’s route in Haunted Dark Bridal 

Darker, isolating, focusing on the mysteries around Laito and le Sakamakis as a whole

Hints pretty heavily at Laito’s masochism

Voice drops and manic laughs and sadism galore

Stomach knotting content

Laito’s route in MB

Not as an isolating feeling; not as dark compared to HDB; different focus on Yui’s placement in the Sakamakis and now the Mukamis, along with some Karlheinz development. Focuses on interactions with the Mukamis as well in the plot scenarios

Laito? A masochist? Who is she???? Where’d she go??? She not here

Stomach knotting but more of “oh god what the fuck why” @ the toothbrush scene 

Focuses on Laito’s perverseness; not as sadistic as he was, but still uses objects for,,, unconventional things

What they kept with both: 

Laito’s poetic and cryptid phrases with double meanings

Laito’s lust vs love motifs; more prominent in MB 

In Laito’s route in More Blood there isn’t an instance where you go into the dungeon (except in his brute route I think?)… Which is… interesting… Because he took you there a good handful of times in Haunted Dark Bridal. I found the fact that in HDB you RARELY saw any other of the brothers. I don’t even think you saw Shuu in that route aside from the prologue. That whole route was isolating, like I said, and that just added to the whole twisted experience. More Blood wasn’t as isolating; you saw Kou or mentioned Kou in the plot oriented scenarios. 

I know More Blood focuses on the Mukamis too, whether you’re in a Sakamaki route or not. It also assumes a scenario where Yui didn’t choose any of the vampires like she did in HDB. She was just there, vibing. I did like how we got some Laito interactions with other characters, because that was barely a thing in HDB. 

More Blood was a lot more traditionally fanservicey, in my opinion, compared to HDB. It was oddly calmer too, with rare Laito mood switches, except in the maniac portion where Laito became more thirsty for Yui’s blood. He was in a writhing, screaming mess. What I do like about More Blood is his development towards the end. But the first half of that game was… oddly fluffy, for Laito’s HDB brand he created.

We did see another side of Laito in MB; a side we’ve never seen. He was in a begging, craved state (even more so in his HDB flashbacks; dear god Hirarin can scream and cry). He was very poised and calculating in HDB. He was a predator, had walls that Yui couldn’t even break; cuz Laito broke Yui before any of that happened. In More Blood, he was desperate, and ended up not wanting to drink Yui’s blood because it just made it worse for him. He was in an utter state of confusion, which made him more susceptible to Reiji’s words and his paranoia of Kou stealing Yui. 

As much as I don’t like Reiji as much (just a personal preference; don’t hurt me), I do like Reiji and Laito interactions, considering they contrast each other quite a bit (and it can be really funny and or constructive!). But Reiji was kinda done with Laito’s shit by the end and Yui ended up killing herself over it as a self sacrifice to Laito. Which was definitely different than her trying to kill herself in Haunted Dark Bridal. In HDB it was an act of escape, she hated Laito’s actions so much that she felt like that was her only choice (god that scene in HDB made my stomach shrink and invert). In More Blood, she had more of a positive (?) attachment to Laito compared to the HDB experience. 

In contrast to HDB, MB had Laito’s walls broken down by Yui. Karlheinz was like “haha nope you’re not dying wtf” and we got a beautiful, tragic scene of Laito being confused by his own tears over Yui’s death; and her unlocking his heart. Something that was never possible for HDB Laito, since he broke Yui and had her right where he wanted. He could mold her to his every desire. (Yes, she’s a strong character, but her being broken by Laito doesn’t mean she’s weak. She’s a human, and is capable of neuroplasticity; a neurological concept that means the brain can be molded negatively and positively no matter whatever the person’s previous circumstances are). 

More Blood Laito is kind of an antithesis to HDB Laito. We actually got a consensual sex scene at the end of ecstasy, which makes me cry every time. It was a really poetic scene; Laito guiding Yui through the process but Yui shows him the fuzzy wuzzies. (thanks to @/akuichansera for the translations as usual!)

Laito: So, love… …seems to be a good feeling of thing after all… …

I think… …you were asking to be loved.

Yui: … …Yeah… …it’s good. But, still.

Laito: Fufu… …I thought that Bitch-chan was saying so… ..It’s something you only know… …

But, I’m relieved… …to do things like this… …Nn… …

――Yui, only you.

As mentioned in my Hilde analysis, I was saying how he hated and rejected love, but grew to “like” it because he forced himself to just intake the physical pleasure. Which I do think is true to his HDB character as well. And in this quote in Ecstasy 10, it shows that he still likes pleasure (which he has to work on more of the emotional side, but hey, thats gradual development!) but has a positive correlation with it; which is that scene.

As for endings, his vampire ending was meh in my opinion as for Laito endings. It was cute, him trying out cute couple things, but it was too cheesy for my taste LOL, idk it was a weak ending too but that might just be me.

I know people are mad or disappointed by Laito’s fluffier character in MB. And I’m not exactly mad, because the events in MB make Laito less calculating and more erratic and emotional (because he’s craved with thirst). Which I like seeing that new side of him. Sure I like the dark sadism stuff in HDB and I will miss HDB Laito, but I do love seeing this man develop! One thing I hate more than writing abruptly changing for the audience cuz of business related things, is just having a stoic character. I still think he’s Dialover’s most complex character, even if they made him and the other boys less dark. 

Thanks for reading as always! Feel free to add on if you’d like! -Corn