#no wonder I don’t have a sense of myself

[chryso-poeia]

Being human is simple if you strip away the inhuman systems, the bureacracy, the trauma that the programmed, wounded and misled perpetuate. (Hence kindness or protecting one’s energy). Being human happens without your conscious participation, you could not beat your own heart, digest your food etc. Hence ”human being” and not ”human doing”. Your body orients you, not the programming. Ground yourself, become present, it’s all here right now, the wonder of it. If you really pay attention.

People are either motivated by an avoidance of pain or a seeking of pleasure. Pain is fear, without pain, no pleasure. Without your palm, no dorsum. Everything exists in a complementary relationship to everything else. Night follows day. Everything is a derivative of fear or love. But it all leads back to love, in the end. Spiritually, this is transcendence of duality.

So i believe that, that which causes life to thrive, or a flower to bloom: is love, which is acceptance, which is compassion, which is nourishment, it allows. So i will be kind and playful in my eternal love, nothing else worked. The mind is designed to be as convincing as possible, hence it reaffirms our sense of reality. But there is something called as healthy functioning and coping, not meant as judgement but rather compassion. This can clear your mind.

Here’s a few of the most effective grounding exercises for a traumatized nervous system, that i’ve found:

• 5-4-3-2-1 Grounding Exercise.

• Progressive muscle relaxation.

• Breath awareness (esp in highly emotional situations): Allow the breath simply arise, don’t try to control it, just let your attention ride on it, become breathed, like a tree.

• EFT.

Misc:

• Follow your excitement in every situation.

• Think about who you are without all your negative convictions. Instead of thinking that you chose think a thought, observe the feeling is triggers in your body. Feel the fear/anxiety and just breathe deeply. Don’t engage in the mind conversation, just breathe deeply. If you start engaging in the convo again, gently back to the breath. Remember: your mind is convincing for a reason, because a lot of thoughts: require your participation to survive. It can help to repeat:

”This negative response is how my body-mind has been programmed to think it must respond. Because it replays the past, i choose to learn from the past and accept myself, in order to move on. I choose to invite love. So i choose to believe that i don’t have to respond that way. Divine, i don’t know how it’s possible but with your infinite intelligence, all things are possible.”

Spiritual Practice:

• Aum chanting, 16-108 rounds.

• Hare Krishna chanting.

• Tibetan Tummo Yoga. (Very physically intense, somatic effect).

• ”Breath Of Fire” Pranyama, breating exercise (CAUTION: Please research how to do this one correctly, faulty practice can damage your lungs. Hence it’s also therefore incredibly potent.)

• Hoponopono.

Natural Processes:

• Full body crying. (Crying is a mechanism that releases tensions and trauma from the body).

• Ruthlessly honest journaling. Write down everything that has ever happened to you. (ChatGPT can be a wonderful tool here, just temper the amount of detail you provide)

• Exercise, 30min at a minimum, daily walk. Preferably in nature.

-

Above all, whatever we resist, persists. So things like journaling can often be the most cathartic and effective practice, each time. The idea is that if it is not expressed, it is harbored within. But once expressed, it becomes external. At which point, one can notice how there is a separation of ’what happened’ and ’who i am’.

chronic fatigue from mental illness and neurodivergency isn't something you can just will your way out of. your nervous system is part of your body. your brain is an organ. the fatigue is real. you're not lazy. so be kinder to yourself. be gentler with your bodymind.

[logansargeantsbabymom]

Just A Prank

Franco Colapinto x Fem!reader

minor angst and a lot of fluff

Follow my instagram account (THATS STRICTLY FOR THIS BLOG) for updates on when i post and fun stuff like that!

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F1 and 2 Masterlist

The day began like any other. You and Franco had both slept in, rare and cherished moments of rest squeezed between the constant hum of his career as a Formula 2 driver. Lately, every moment together felt extra special—his season was nearing its end, and with it, the uncertainty of what would come next loomed ever closer.

That morning, you both lounged on the sofa, Franco’s head resting comfortably in your lap as you absentmindedly ran your fingers through his messy dark hair. You could feel the quiet rhythm of his breathing, the warmth of his body leaning into yours. He seemed unusually relaxed, but you could also sense an underlying tension—like he was holding something back.

“Do you want to go out for a walk later?” you asked, trying to pull him out of his pensive silence.

Franco looked up at you, a glint of mischief in his eyes. “I’d rather stay like this for a bit longer,” he murmured, leaning up to steal a kiss. “Besides, who knows when I’ll get the chance to do this again.”

“Franco, don’t be so dramatic,” you chuckled, but his words stirred something inside you. You both knew the competitive nature of racing, the constant push to perform, and the slim chances of moving up to Formula 1. He’d been hoping, of course, but you could feel the weight of the uncertainty. It had been pressing on both of you, silent and unspoken.

As the day wore on, you found yourself nestled in the little routines that made life with Franco feel so complete: cooking breakfast together, debating which show to watch, laughing over silly inside jokes only the two of you understood. The hours passed, and you found comfort in his presence, a sense of home you never thought you’d find so soon in life.

Then, in the early afternoon, Franco’s phone rang. The sharp sound cut through the quiet, and he tensed immediately.

“Hold on, amor,” he said softly, his brow furrowing as he glanced at the screen. “It’s my boss… I need to take this.”

You watched him slip into the next room, closing the door behind him as he answered. You felt your heart rate pick up, your mind running through a million scenarios. You knew he’d been anxiously awaiting some news about next season, but he hadn’t said much—always downplaying it, always acting like it was no big deal. Yet you could tell it mattered to him more than he let on.

Minutes ticked by, each one dragging longer than the last. You strained to hear snippets of his voice, but it was muffled behind the door. Your stomach churned with nerves, and you hugged a pillow to your chest, wondering what could possibly be taking so long.

Finally, he emerged, his face unreadable. You searched his expression, looking for any hint of what he’d heard, but he just sighed, walking toward you with a faint smile.

“So…” he said, plopping down beside you, trying to look nonchalant. “Looks like next season… they’re, uh, bringing someone else in to replace me.”

The words landed like a stone in your chest. “What?” you whispered, wide-eyed with disbelief. “Franco, no—there’s no way! You’ve been amazing this season! Who would they possibly bring in that’s better than you?”

He shrugged, looking away, his face somber. “Apparently they want a different direction or something.”

Anger bubbled up inside you, your face heating as you struggled to keep your composure. “I’m sorry, but that’s insane. You’ve worked so hard, Franco. You don’t deserve this! It’s not fair!”

Franco bit his lip, struggling to contain a grin. You were too furious to notice.

“I’ll call them,” you continued, clenching your fists. “I’ll go down to the paddock myself if I have to and demand answers. They don’t realize what they’re giving up.”

“Y/N,” Franco interrupted softly, his voice trembling slightly with laughter, “it’s a joke.”

You froze, trying to process his words. “A… a joke?” you repeated, blinking in confusion.

He laughed, grabbing your shoulders and pulling you into his embrace, his whole body shaking with laughter. “Yes, cariño, a joke! They didn’t replace me. They actually… called me up. I’m going to F1.”

For a second, you couldn’t speak. Relief and shock hit you in equal measure, a tidal wave of emotions threatening to spill over. You blinked, your mind racing to catch up. “Wait, Franco, are you serious?”

He nodded, his eyes shining with excitement, a look you’d never seen before. “I am. I didn’t want to get my hopes up until I knew for sure. But yes… I’m moving up to Formula 1.”

“Franco!” you gasped, grabbing his face in your hands as the reality of it set in. Pride, love, and pure joy swelled in your heart, and you leaned in, pressing a fierce, grateful kiss to his lips. “I’m so, so proud of you.”

He grinned, wrapping his arms around you and holding you close. “So… do you still want to go to that fancy dinner? I think I could use a celebration.”

You didn’t need any more convincing. After changing into something special for the occasion, you spent the rest of the evening out together, every laugh and glance shared over the candlelit table a reminder of the journey you’d both been on together, and the exciting path that lay ahead. It felt surreal, like a dream you both dared not wake up from.

The restaurant was perfect��a quiet, candlelit spot with a warm ambiance, the kind of place where you felt like the world outside melted away. It was just you and Franco, tucked into a cozy booth with glasses of deep red wine glinting in the soft light. You both had eyes only for each other.

As you sat down, Franco took your hand, his fingers warm and familiar as they laced through yours. He began tracing soft, invisible circles on the back of your hand with his thumb, a simple gesture that sent gentle shivers up your spine. You caught yourself smiling, wondering if he realized just how much these little touches meant to you.

“Who are you most excited to see on the grid?” you asked, playfully narrowing your eyes at him. You knew he had a few favorite drivers, people he looked up to and couldn’t wait to work alongside. The mere thought of him among the ranks of those he admired filled you with pride.

“Ah, I can’t lie,” he said with a grin, leaning closer. “It has to be Alonso. To think that I’ll be racing alongside him… It still doesn’t feel real. And Verstappen, too—I’ve watched them since I was a kid, you know? To be up there with them, fighting for positions on the same track…” He shook his head, a little awestruck, and you could see the light in his eyes, that spark of a dream coming true.

You squeezed his hand, feeling his excitement wash over you like a wave. “It’s everything you’ve worked for, Franco. And you deserve it more than anyone.”

He gave you a bashful smile, a flicker of vulnerability in his expression. “I’d never have made it here without you, Y/N. You’re my biggest supporter, and that means the world to me.”

“You don’t have to thank me,” you murmured, brushing his cheek softly. “It’s just… I’m so happy to see you finally getting what you’ve dreamed of. It’s going to be incredible, Franco.”

The two of you settled into an easy rhythm of talking about the future—where he’d be traveling, who he’d meet, the circuits he was most excited to race on. He laughed as he recounted stories of watching past races as a kid, how he’d imagined himself on those tracks, feeling every turn and straight as if he was already there.

“To celebrate,” he began, leaning back with a mischievous smile, “we should travel somewhere just for us. No circuits, no media. Just the two of us, like old times.”

Your eyes lit up. “Like a real holiday?”

He nodded. “Exactly. We could go somewhere quiet, off the grid. A beach, maybe. Just us, some sunshine, no worries.”

“Let’s do it,” you said, a smile spreading across your face. “After your first race, we’ll sneak away and have our own little victory tour.”

Franco laughed, shaking his head. “It’s a date, then.” He raised his glass in a toast, and you clinked yours against his, both of you laughing, a gentle warmth in the air as the wine brought out the color in his cheeks.

As he sipped, he looked at you thoughtfully. “What about you, Y/N? This is going to be a huge change. Are you ready for all the travel, the media, the madness?”

You felt his fingers lace through yours a little tighter, a look of genuine concern crossing his face. You took a breath, holding his gaze. “Franco, I’ll follow you anywhere. This is your dream, and I want to be there to support you every step of the way. I’ll be right there, cheering you on, reminding you to eat, helping you decompress after every race. Whatever you need.”

For a moment, he just looked at you, his face softening, his eyes full of that love that had been there from the beginning. “I’m the luckiest guy alive, you know that?”

You opened your mouth to respond, but your voice caught as you noticed something over his shoulder. At a table just across the room, seated side by side with familiar expressions of pride and warmth, were your parents. They were dressed for the occasion, looking right at you with knowing smiles, raising their glasses in your direction.

“Wait… are those… my parents?” you whispered, glancing back at Franco, utterly bewildered. “What are they doing here?”

But when you turned back to him, Franco was no longer in his seat. Instead, he was down on one knee beside you, his warm hand still holding yours. In his other hand, he held a small, velvet ring box, his face a mixture of nervousness and undeniable love.

“Y/N,” he began, his voice soft yet steady. “From the moment I met you, I knew you were something special. You’re my best friend, my rock, and the reason I’ve been able to dream as big as I have. I can’t imagine facing any of life’s twists and turns without you by my side. I want to spend every lap of this life with you. Will you marry me?”

Tears welled up in your eyes, the enormity of the moment crashing over you. You could feel the warmth of his hand still holding yours, the love in his gaze steady and unwavering. You could only nod, whispering, “Yes, Franco. Yes, I’ll marry you.”

The restaurant broke into applause as he slid the ring onto your finger. He rose to his feet, pulling you close, and you laughed through your tears, burying your face in his shoulder as the joy of it all overflowed. It felt as though time had stopped, as though the two of you were the only people in the room.

When you pulled back, your parents were there, wrapping you in hugs, congratulating you both. You looked back at Franco, his eyes never leaving yours, that same quiet joy radiating from him.

In that moment, you knew that no matter where this life took you, every twist and turn would be worth it because you’d be facing them together.

@luckyladycreator2 @itsmiamalfoy @jeffs77 @ilivbullyingjeongin @forevercaffeinated-lee @daemyratwst @gulphulp @callsignwidow @f1wintermoon13 @teenwolf01 @victoriassecret101 @hiireadstuff @formulaal @kazza72584 @zabwlky1999 @dark-night-sky-99 @rougekiki @xoscar03 @jess-wither @bountychanti @dhanihamidi @tellybearryyyy @a-panseuxalmess @love-simon @tallrock35 @iiaik0ii @Milkyymelanine @ilovsyou3000morgan @styl1shl1v @eddieharrington @hellowgoodbye

[persicipen]

₊ ˙ ⊹ . 𝓟𝒂𝒔𝒔𝒂𝒈𝒆 𝒐𝒇 𝒕𝒊𝒎𝒆. KAMISATO AYATO ₊ ˙ ⊹ .

ৎ୭ — · · 2.1k ノ fem reader — distracting him from work in a certain way ノ petnames — dear . wife . darling ノ implied breeding kink . fucking against the wall ノ teasing and flirting . established relationship . marriage

When he sees you in his office room this late, he knows his frustrations with endless paperwork finally end as the long-awaited — and, what is wee embarrassing to admit, long-forgotten — break came to visit. Break, albeit used to describe many situations and events, in this particular case means you, his most beautiful wife. Ayato’s favourite type of break.

“It’s late, my dear,” he says, tone playful. “Shouldn’t you be sleeping already?”

Your fingers graze against his temple in a caring manner, and he purrs with satisfaction, allowing you to sit right beside him near the low table.

“I wanted to see you. It’s so cold in bed without you…” Your hand slowly slides from his temples to the nape, feeling your husband tremble ever so slightly at your meek touch. The warm pads of your fingertips trail across his shoulders and the area where the neck meets the broad back, resting for a bit and then gently rubbing circles against it, working through the layers of expensive garments. You don’t say anything for a few long minutes — rather, you’re fully immersed in taking care of his stiff muscles.

“Judging by the warmth of your palms, perhaps your claim is not entirely true, hm? Leaving your cosy bedding just to visit me in nothing but a flimsy robe? I sense an intrigue rather than a genuine concern.” Ayato’s hands grab yours before they escape anywhere else. He gives your knuckle a quick peck. Only once, unimpeachable, and he does this every single time you crave some intimacy after what seemed like eternity without him.

Frankly, you do not appreciate it. A pout forms immediately on your lips. They feel lonely, unkissed.

“Spare me a moment or two.” You wrap around his neck, burying your face in the curve of his shoulder and inhaling the intoxicating scent. Camellia flowers and cherry blossoms — a fragrance almost too sweet and innocent for a man such as Lord Kamisato. “I love you so much that I don’t know what to do with myself anymore if you’re not near me.”

What could have been better than enjoying all those delectable noises reserved only for him? A solid offer. No wonder you two are together, one always outsmarting another, always trying to bargain a better deal, be it a kiss, a hug, or an indecent touch during a walk in nature where even butterflies can’t seem to find a way to your secret place.

Insufferable are his thoughts now that you’ve inflicted this venom of lust into his system. If anything, the first dosage was administered long before this evening and had gone untreated due to your husband’s own unwillingness to firmly stop himself from overworking.

Ayato must say that it takes both more patience and determination than usual to fight off your beauty. The purple of his eyes never loses its enticing luster — a mystery worthy of thousands of poems dedicated solely to you. Why should he torture himself any longer while you’re within his reach, offering yourself so obediently?

“My sweet wife is already going for the kill.” His arms encircle your waist in one fluid motion. As expected, he grins to himself, feeling you shiver with excitement against his chest, gaze wandering between your parted lips and star-stricken eyes. “If your request wasn’t so very irresistible, then maybe… Oh well.”

None of you waste any more time, shamefully clawing at each other’s garments just to open them enough to continue making out. You cling to his nape as he puts one hand beneath your ass to hoist you up in order to carry you closer to him.

Every breath burns his throat until he presses you onto the nearest wall — away from the main corridor and prying ears of curious servants, which is unfortunate since he has planned something particularly scandalous involving said corridor. This one he will remember for another occasion, that is. Nothing lost. It does not matter anyway — whatever idea would’ve come to his head can be used tomorrow, a day after tomorrow, anytime, provided that the opportunity arises once again.

Ayato allows himself a brief evaluation of his abandoned tasks before getting down to business. A mere moment later, he’s fucking you relentlessly against the wooden column, your hair tangled with the surface and messy behind your head. With a warm hand on your cheek, it contrasts with the cool breeze coming through the window.

Debauched noises escape your throat without regard to decency, like waterfalls running dry after a hot summer, until there is nothing left but a silent heap of exhales.

Still starving for attention, deprived of everything your beloved husband has been reluctant to provide these past evenings, even the most minuscule gestures spark flames below your navel.

Supposedly, getting so easily wet could be considered unwelcome, always messing up your underwear, but in the company of your adored man, it’s perfect. It’s foolishly easy to slip past the entrance of your pussy and force it to catch every tiny shift of his shaft.

The quick work on your clothes made you too flustered to act before you could even explain your presence here in more detail. With an arm sneaking around your waist, he pulls you closer with a goal to slip his painfully hard cock deeper into your sodden cunt.

Alongside the kiss pressed to your forehead, his mouth lingers there for a brief moment, humming praises against your sweaty skin.

“Is this exactly what you wanted?”

“I love you.” You pant in desperation, fisting at the back of Ayato’s embroidered suit. A string of needy whines flows from your tongue in rapid succession while his lips pepper kisses over your jawline, up and down and across your heated skin until they land on the juncture of your neck, eliciting a small gasp as a reward.

“Aren’t you the most precious one? You should be aware that your words are more dangerous to my heart than any blade or poison.” The Commissioner lets his guard down, a ripple of relief and solace washing over him in the loving warmth of your closeness, and he leans into the embrace while holding you as careful as one holds an ancient vase.

“Hmm, isn’t that adorable that even you have a soft spot?” Your giggle turns into a wanton yelp as he manhandles you to fit against his lean body like a missing puzzle piece.

“Only because I adore you so dearly, I will allow myself to pause the work of utmost importance.” His fingers are brushing against the soft material of your night robe, creeping under the fabric to keep your thigh high enough for him to push his pelvis right against your clit. “It’s not as important as you, I have to admit.”

He kisses your cheek, and his lips travel down your jawline, the feather-like pecks on the side of your collarbone, and you can’t help the content sigh that escapes your mouth. His breath is ticklish, and when his teeth gently nibble the delicate skin, the gasp that follows makes him chuckle, his pace not slowing down.

“If my darling is not silent,” Ayato whispers, his hot breath fanning against your ear, “the servants may notice something unusual is happening in my private quarters.”

As if it would not rouse is excitement…

Such a threat is empty, just a fickle of a joke to raise your pulse before his pace returns to the previous rhythm. The mischievous sparkle in his eyes betrays his amusement, knowing that he will most likely fuck you dumb until you whimper out his name pleadingly, for he does not care if others hear how much of a perfect lover he is. Those working under him are long adjusted to the questionable ways of their Lord’s doings.

You can’t deny the effect it has on you, though. Especially with his hand moving to your mouth, covering it completely to muffle any delicious mewls slipping down your tongue.

“Bite it, if you have to.”

A rush of heat engulfs the pit of your stomach, your cunt squeezing his shaft hungrily. He doesn’t slow down — no, quite the opposite, as if motivated by the shame that strikes your silhouette. His thrusts are steady and merciless, and you are glad that the column is keeping you upright; otherwise, you’d collapse into his arms like a lithe rag doll.

It works like a charm on you. Heavy weight of his words, a need for control in every little detail, always caring, always considerate towards you. Although there are times where your husband will bend to your will and please you thoroughly, there are also moments like these when he won’t give you a chance to think straight, all because of such a simple reason.

He adores you to the point of addiction.

And now he wishes to enjoy you to the fullest without further pauses, reducing his duties to mere distractions that otherwise would stop him from revelling in your body.

No longer form a coherent sentence, you accept the mind-numbing sensation of his cockhead hitting the deepest spots simultaneously with his fingers rubbing at your wet, puffy clit. The tension in your core is threatening to snap at any moment, your juices soaking his length as your pussy greedily milks his shaft with each and every snap of his hips into your pliant body.

Even with limbs unable to muster out any strength to cuddle to your husband, the feeling of your hole gripping him like a vice rewiring Ayato’s mind into a mush, a delirious haze of lust. He removes his hand from your mouth, cupping your face and wiping the drool that is trickling down your chin, his thumb gently caressing the damp skin.

Dark lavender eyes follow sparkles dimming in your fluttering gaze as you try your best to not fall into bliss and close your lids. His forehead rests against yours, his breathing heavy and shallow, his lips dangerously close, and the Commissioner swallows at the familiar heat pooling in his abdomen.

“Just like this, dear,” he says softly, his voice trembling and strained. “Just a bit more.”

With a shaky sigh, he shoves his mouth against yours in a sloppy kiss to avoid any loud noise to escape him, savouring the flavour of your tongue as if you were the finest dessert prepared solely for his appetite.

Despite being unsure if you could truly make it last until your husband finds relief as well, you fight for balance on your shaking thighs while even a portion of your weight feels too much to bear on your wobbly knees. His cock swells, the pressure coiling and tightening from the inside of his balls as the release hits him like a tidal wave. As soon as his essence souses the walls of your womb white, you sob and join him in the moment of sweetest carnal satisfaction.

The sudden contractions of your cunt bring you both to the sweetest peak of pleasure, all too intense to not slump down the polished floors in a puddle of fine silk stained with your mixed essences.

Although Kamisato Ayato is the epitome of politeness and strict discipline, there is no way to deny the truth that he might turn the world upside down just to rest between the thighs of his darling wife.

The delirious euphoria comes to an end when he slips himself out of your snug cunt, soft and worn, satisfied but also amused upon noticing that some of his cum already leaked out of your hole. A pity, such a waste that his seed is seeping through the slippery gash. Maybe the idea of making you pregnant will stay with him until the next close encounter, then.

There is nothing left of composure that usually defines him as the leader of the Yashiro Commission. Instead, the sight is almost unnerving compared to his usual image. Clothes crumpled and skewed, hair ruffled atop his sheen forehead, and the pink blush adorning his cheeks. Perhaps you did him some good tonight after all, clearing his mind and relaxing the muscles tense from sitting still for hours. There are plenty of tasks left to be done — he won’t sleep even after exhausting himself — but perhaps now he’s willing to consider joining you in bed for the rest of the night.

As if hearing your thoughts, he chuckles breathlessly, scooping you up in his embrace without worrying about cleaning the mess just yet.

“There are several things I’d rather do instead of dealing with t-those reports right now...”

“Do I r-really have to coerce my beloved husband into sleeping together?”

“Obviously, no. It’s only a matter of fact that I forget about the passage of time until you have to visit my office. But wasn’t it just as sweet?” His teeth nibble at your earlobe before he laughs under his breath again.

[tourettesdog]

Beta Reading and Fanfiction

I’ve been writing for a long time myself, but it’s only been very recently that I’ve immersed myself in communities online for it. I’ve been having so much fun really diving into Danny Phantom and DPxDC fanfic, and I’ve met so many great friends doing so.

I mostly do my own writing, but I’ve really enjoyed doing some beta reading as well, especially for friends! There’s something so fun about getting to dive into a work in progress and help where you can.

But I do feel like some people might really struggle to understand how to beta read, or what makes a good beta reader— especially where fanfiction is concerned. I’ve been extremely fortunate to have wonderful beta readers, but I’ve had some friends frustrated with the beta reading they’ve in turn received, or otherwise feeling uncomfortable in asking for a beta reader since they don’t know what to expect.

So, how should beta reading work? How do you do a good job?

Above all, the most important thing about beta reading is communication with your author. You are not in their WIP to prove how good of a writer you are, or to hammer their work into what you would personally be proud to present online. You are there to help, in whatever way the author has asked or communicated they're comfortable with.

Before you beta read anything it is vital to ask what the author is looking for in a beta reader. There are a number of things you can ask in particular, including:

What are you looking for help with?

Do you just want me to look for typos or confusing sentences?

Do you want suggestions for things to add?

Do you want suggestions on grammar, or other more in-depth writing suggestions?

Do you need help with characterization, or even the plot?

Depending on who you are beta reading for, you might have someone who only wants a very light beta touch. They might just want you to look for glaring mistakes, or for confirmation that a plot beat makes sense. 

Other authors might want something much more involved! They might be trying to improve their grammar, or perhaps they're not very familiar with writing a new character and they would like suggestions for how to better capture their voice.

Regardless of what an author wants in a beta reader, you won't know unless you ask them! It's possible that you simply might not be compatible as beta reader and author, depending on their answer, and there's nothing wrong with that. It's okay to step back and say "I personally like to beta read things more in depth than this, so I might not be the best person to give it a look."

Otherwise, getting an answer about your author's preferences can help you figure out how to help them. Perhaps you would normally make more suggestions, but if an author has specified that they're not comfortable with that, then it's not your job as their beta reader to do so. If you are capable of sticking to the help they've asked for, then you will ultimately be fulfilling your role as their beta reader admirably.

"But I'm just trying to help. Their work has a lot of places it could improve!"

Again, beta reading is not about shaping a story into something you would personally present as your writing. It is about helping the author produce a story they're comfortable with and proud of.

It's not about being right, or heavily criticizing their writing and grammar abilities (unless this is what the author has explicitly requested!)

Especially while writing fanfiction, the work presented is not something that will ever see publishing, or that needs to have flawless grammar and syntax. This is work done for free, and it is done for fun.

And that's something very vital to beta reading—

A beta reader needs to preserve the fun.

It's very daunting, putting your work out there for others. It's especially daunting putting your work up for analysis of any kind. You're accepting that people might not understand your vision, or may judge you for what you've written.

It's all too easy to compare yourself to other creatives online, and to overthink and overanalyze your talents. Too often, it’s easy to get discouraged and feel like your work isn’t good enough.

Beta reading should never be done in a way that will discourage writing. Even if an author has asked for a lot of help, it’s important to pick your battles with what you choose to analyze, and to check in with them if you feel like you might be crossing boundaries or covering their work in too much metaphorical red ink.

When people are trying to improve their writing, you don’t always have to mark every little suggestion you think of. Unless the author is a friend you know well, or has explicitly asked for Extreme measures of help, it might be best to ignore some smaller writing issues and focus instead on bigger things. 

If you’ve already marked a lot of issues in one paragraph, but have more things you could say, consider if the additional suggestions are vital or if it might be better to leave them be. After all, if your author is looking to improve, and if you are planning to beta read for them again in the future, then helping them with more glaring issues now will help them in a way that is not overwhelming, and will open the door for other kinds of suggestions to be better understood and absorbed. 

You can always check in with your author if you’re unsure, too. Ask them if they appreciate the amount of suggestions you’ve given them, or if it’s been too much. Your author might be uncomfortable with telling you that they’re overwhelmed, and checking in is a good way to ensure that you’re both on the same page.

All that being said, though, it is also important to not always focus on things to fix and improve. You’re not just editing the story, you’re reading it. Part of keeping beta reading fun is engaging in that story as any reader would. It both helps morale, and helps let the author know what they’re doing right, when you take the time to tell them what you enjoy about the work you’re beta reading!

There are so many ways you can express positive things about an author’s writing. Consider:

“I love how you phrased this sentence here.”

“This body language feels natural and very in character!”

“I love this word choice here.”

“This part was really funny and had me laughing.”

“I’m excited to see where this goes!”

You’re reading a story, and you must have thoughts and feelings on it outside of suggestions. Let your author know! People thrive on positive feedback, and there’s just as much to be gained in marking Positive attributes to a story as there is in noting places to improve.

The last major thing I feel is vital to beta reading is respecting that it is your author’s work, and that your suggestions (however clever or helpful you feel they are) may be rejected. And that that is okay. 

Suggestions are just that— suggestions.

What you might like in creative writing might not necessarily be what your author wants to express. You might love to use ellipses, or lots of different dialogue tags, while your author might prefer dashes and more standard dialogue tags. You might like to use more colorful descriptions of scenery and atmosphere, while your author might want to focus much more on the character body language and dialogue. You might like to use a lot of exclamation points and next to no italics, while your author might like a lot of italics and very little exclamation points. 

You’re ultimately two different people, with two different ideas of what is an ideal way to tell a story. And while you can give many different suggestions on just about anything the author might add, remove, or change, it’s ultimately the author’s choice whether or not they accept those changes.

It’s not your job as a beta reader to double down and insist that they accept a specific suggestion. It’s not your job to make a case for why you think they need to change something. If an author has denied a suggestion— it’s best to let it go. Especially if you don’t know them well, and don’t have a very good rapport with them, pushing the issue will only serve to make you both uncomfortable.

It’s not just about picking your battles, but also about mutual respect. You’re not a teacher, nor an editor looking to make their work prime for publishing. You have to respect their decisions for their own story, even if that means they decide not to take a suggestion you felt would be impactful. 

It’s also always important to keep in mind that writing style, particularly where creative writing is concerned, can vary wildly. The strict rules that you learn in school were made to be broken. You learn them to figure out how to break them and, particularly when writing for fun, it doesn’t even matter if you’re breaking those rules in a perfect way. It’s fanfiction. It’s freeform, it’s fun. If someone wants to make a habit out of going buckwild with their writing style, there’s really no reason to try and corral their writing into a box labeled “High School English 101”. 

You can’t force someone to write their fanfiction like it’s going to go to a letter grade, nor should you try to unless they’re looking for that level of editing. 

Be willing to listen, and pay attention to what is and isn’t working. It’s good to take note of suggestions that your author has already commented on. Have they thanked you for pointing out something in particular? Have they expressed they feel weak with something in their writing?

Is there a type of suggestion that you keep making that they have rejected multiple times?

Work with their strengths and with their style. Focus on suggestions that have been received well, and consider letting go of ones that the author clearly has no interest in, or that might conflict with their style.

Communicate and respect each other, above all else.

Beta reading is such a helpful and wonderful thing someone can do for an author. I’ve been so thankful to have it done for my own work, and I try my best to be helpful and considerate when I’ve beta read myself. 

Having my work beta read has really helped me find things to improve upon in my writing, and has helped me feel more confident in the stories I’ve posted, just having another eye look over them before they hit the internet. I don’t always take all of their suggestions, and might disagree from time to time with the direction they want something to go in, but I’ve been thankful to have understanding, kind betas that work with me well. 

And that’s one more point I want to touch on too, is that I hope that, as a beta reader, you find yourself with authors that show you mutual respect in turn. That they thank you for the work you’ve put in to help them succeed, and have made the experience positive for you as well.

It always makes me happy to see beta readers credited on posted works. It’s a kind thing for writers to show appreciation, and to acknowledge that someone helped shape the words you see on the page. 

This got much longer than I intended it to, but I just hope that this post might help some people in some way. Either to understand beta reading and the purpose of it, or how to potentially go about it themselves. 

I really recommend giving beta reading a try if you’re comfortable with it, especially if you have friends that write fanfiction! Even just an extra pair of eyes looking for typos can be a godsend for someone who has spent hours upon hours staring at a long fic and editing it.

[lovelookspretty]

erase me

exboyfriend!rafe cameron x exgirlfriend!reader

— “ and i wonder who will erase me? ”

content: unhealthy relationship post-breakup, hookups, sexual themes, drinking, toxic cycles, SMALL ONE-SHOT idc

authors note: “erase me” by lizzy mcalpine has been my hyper fixation song lately n i was just watching the music video when i thought to myself huh. this would so fit with rafes character !

his lips are soft against your skin, pulling slowly away just to dive in again. he’s savoring every noise, every taste, every sight, every part of you.

his back is bare, freckles scattered across the ivory that you’ve thought about tracing once or twice before, only if you ever stuck around long enough.

his fingers curl inside you, erupting a reaction that he chases after. you’re like a drug to him. his tongue grinds—swirling, flicking, teasing. he’s giving his all to you. to please you. to make you feel like you never have before.

but there’s just something off.

you lower your chin to look at him through heavy lids. his forehead is licked with sweat, cheeks soft red but his lips swollen from working on you. the realisation comes faster than you do.

for the past eighteen minutes you have not had a present bone in your body. he started eighteen minutes ago, and not once have you released yet, or felt like you wanted to.

it’s almost embarrassing, needless to say more for him and less for you, but you can still feel second-hand. your mind can wander but it doesn’t stray from the fact that he can’t give you what you need. but you know who can.

just as you look closer, he’s pulling himself off of you to flip you onto your stomach so he can fuck you. it’s raw, and he slips his cock inside of you easily—it’s just better than whatever the hell he was doing before.

his hips snap brutally against your own, his chest pressed against your back as he curves his hand around your throat, applying pressure. there.

that’s when you feel it. not him, but that familiar sense. a warmth you know all too well. you’ve been tossed, turned, flipped, thrown, all for the pleasure of a man. here, it’s no different.

your phone lights up on the nightstand, and all you can think about is him again. his grunts in your ear, encouraging you to keep holding yourself up so he can murmur how pathetic you are so that the praises hit better. you’d rather feel the tip of his cock finding your g-spot over and over again until you string out a moan, barely comprehensible but you know that he can make out his own name from your lips.

rafe.

you wanna say it again—rafe. but it’s fine. right here is fine. this guy’s fucking you in his bed. he’s surely some eye candy, and he’s been gentle with you all night. the sex can be rough though, and maybe that’s what you need.

still, something stirs in you, and you know that it’s not what you want.

you wake up to the pale yellow light filtering through unfamiliar blinds. the room is silent, save for the soft breathing of the guy beside you. he’s sprawled out, dead asleep, dark hair ruffled, face turned away. you don’t even remember his name—just that he’s neighbors with your friend who hosted the party last night.

your head throbs, a steady, unforgiving ache that pulses behind your eyes, and the sour taste of rum still lingers on your tongue. you shift slightly, feeling the rough fabric of his sheets against your bare skin, and suddenly, an emptiness sinks in, heavy and suffocating. you’re barely dressed, just his oversized t-shirt clinging to you like a ghost of whatever last night was supposed to mean.

you stare blankly ahead, your head propped on a pillow, but your body turns away from him, toward the edge of the bed. your arm dangles off the side, fingertips brushing the floor. it’s ironic, how last night’s distraction becomes this morning’s reminder of how desperate you are to erase him—rafe.

you stay like that for a moment, unmoving, letting the sting of it seep in. the room smells like cologne and stale alcohol. he’s nice enough, you think vaguely. kind eyes, a smile that had been warm just last night.

but now, it’s empty. meaningless.

you push yourself up slowly, carefully, so you don’t wake him. your fingers shake a little as you pull on your clothes from the night before, you don’t bother with anything else. you move quietly as you gather your shoes and slip them on, not daring to glance back.

when you step out into the early morning air, the street is quiet, the world still practically waking up. rafe’s name pounds in your head with each step you take.

your hand shakes as you pull your phone from your pocket, staring at his name in your contact list. you shouldn’t call him. you know that. but the ache, the gnawing desperation to hear something from him, is too much to resist. your thumb hovers for a second too long, then you press the call button before you can think better of it.

it rings. once. twice. you almost hope he doesn’t pick up, that you can hang up and convince yourself you were just being stupid. but then the line clicks, and his voice cuts through, sharp and unforgiving.

“what?” his voice is rough, low, the way it gets when he’s been up all night. you can picture him now, jaw tight, blue eyes dark and narrowed. your pulse quickens.

you swallow, suddenly dry-mouthed. “rafe,” you mumble. “hey.”

“are you serious right now?” he snaps, and you can hear the rustle of sheets, like he’s sitting up. “don’t call me, y/n. i don’t want to hear your voice.”

the words sting, but they don’t stop you. they never do. you almost smile, that twisted, sick part of you that craves this, the heat of his anger, the way it matches the storm in your chest.

“why not?” your voice comes out quieter than you mean it to, a little rasp from sleep and the lingering effects of alcohol. “you sound wide awake for someone who doesn’t wanna talk.”

there’s a pause, just long enough for you to think he might hang up, but then his voice comes back, clearer, like he’s got the mic pressed right against his mouth. “you’re unbelievable—‘hear me? un-believable. you leave that party with some random guy and then you call me? is this some kind of game to you?”

“it wasn’t like that,” you mutter, but it’s half-hearted. it was exactly like that. your shame burns hotter under rafe’s scalding words.

“no? then what is it, hmph? because lately, all you’ve done is show me just how fast you can try to replace me,” he spits, voice laced with something that sounds dangerously close to hurt.

your grip on the phone tightens, nails digging into your palm. “it’s not like you’re innocent,” you say, the words barely a whisper. it’s pathetic, you know it is, but it’s all you have.

“don’t turn this around on me,” he snaps. “yeah, i know what you’re trying to do, running off with random guys like it’s supposed to mean something. you think i don’t hear about it? but you call me? after all of this, you still call me?”

his voice cracks at the end, barely perceptible, and that tiny break twists something in your chest. you press your lips together, trying not to let him hear the way your breath shakes despite your smile.

“rafe—”

“no,” he interrupts, hard, a finality to it that hits you like a slap. “don’t call me again.”

the line goes dead, and for a moment, you just stand there, staring at the phone in your hand. you feel some strange, hollow satisfaction just from hearing his voice, hearing him angry, hearing him give a fuck, even if it’s in the worst way.

a bitter smile tugs at your lips, but it fades just as fast, leaving a dull ache in its place. your teeth graze your bottom lip, the embarrassment settling in, thick and heavy. what were you even hoping to get out of that?

you shove your phone back into your pocket, the regret sinking in as you start to walk.

the music pulses through the room. you dance, eyes closed, while two faces are close, dancing around you, their hands lightly grazing your hips, steadying you as you sway. you can feel the warmth of their laughter and the faint pull of their fingers, but your mind is elsewhere. you’re not thinking about them. you’re not even thinking about yourself. you’re thinking about him.

rafe stands across the room, one hand gripping a cup. his jaw is tight, eyes narrowed as he watches you from a distance.

he notices everything. the way your hair tumbles over your shoulders, the curve of your lips when you laugh at something someone whispers in your ear, the way your body responds, a subtle roll of your hips, when the beat drops. it’s infuriating.

you’re so far away, yet every move you make drags him closer to the edge. he hates it. hates that you’re pretending not to see him. hates that you’re acting like this—so carefree, so untethered, so far from the girl he remembers.

someone bumps into you, hard enough that you stumble slightly. rafe’s grip on his drink tightens, the glass groaning under the strain of his fingers. but then he sees it—how you turn and smile, an easy, genuine smile, and apologize to the stranger as if the fault was yours.

not even a hint of annoyance, not a trace of the sharpness he knows you have when provoked.

he watches, feeling the burn of it—how can you be so good, so kind, yet crave the venom he’s always fed you?

do they know you called him this morning just to hear him snap at you, that you needed the sound of him furious just to feel close? he doesn’t think so, but he’s in awe, and it makes him hate you, hate himself.

how do you still do this to him?

the trance is broken when sofia appears, slipping from the hallway with a playful smile. she says something—something about the line for the bathroom being longer than ever, that everyone’s probably considering the ocean instead.

he smiles, nodding as he pulls her in, an arm draped around her shoulders. the shift in his attention is deliberate, as if trying to convince himself he doesn’t care. as if touching someone else, being close to someone else, could drown out the low hum of you in his veins.

and that’s when you open your eyes, half-lidded and hazy, the world coming into focus with a few blinks. you glance around, a soft smile still curving your lips, until your gaze lands on them.

there’s no hiding the small, faint frown that pulls at your mouth. it’s barely there, but still is. you watch rafe let her take his drink, her fingers brushing his as she sips. your eyes flick down, betraying you for a moment as you take in their closeness, and then, just like that, you look away.

there’s a sting behind your eyes, but it’s not strong enough to stop you. you press your lips into a thin line, exhaling sharply as you turn back to the crowd. you don’t pause before reaching for the hand of a guy nearby, someone whose name you won’t remember tomorrow. again.

you lace your fingers through his and pull him with you, stepping through the bodies and toward the stairs. he watches, his mouth set in a thin line, but he doesn’t move. he just watches you walk away.

it all twists something inside you, bitter and raw, but you keep walking. maybe you and rafe are both pretending it’s over, trying to find where you begin without each other. at least you know now who’s painting over the last parts of you.

erasing you.

a/n: wanted to just leave it here and kind of quickly depict toxic cycles & the two POVs 😭 bc yea they are so NOT over each other

tags: @iiszaa @lotuslovers @obsessionsarenotfortheweak @yootvi @skyslowalking @hoelesslyt @ariiwritess @beebeerockknot @0-tatiana-0

[raven-at-the-writing-desk]

I really didn't understand the "lilia may know skully!" theory at first bc I thought about it strictly from a nrc pov and I kept telling myself that there's no way they would have met bc lilia didn't go to nrc back then. it makes so much more sense thinking about it and them meeting in their travels, or lilia hearing about skully as he had a decent impact on something! I wonder if the devs will see people's theories (of they didn't already plan it already) and give skully vague dialogue about lilia looking familiar when he gets his own card!

[Referencing this post!]

Omg, that would be such a neat inclusion for Skully’s voice lines!!! 😳 I don’t know if the devs would actually do it though, considering the pattern so far for Rollo and Fellow, the other two Halloweenies. Those two basically only mentioned Yuu and the SSR characters from their respective events in their voice lines. Rollo also mentions Trein and Fellow mentions Gidel, who are both characters that also appear in their respective events.

If Skully follows that trend, his voice lines will probably include Yuu, Leona, Sebek, and Jamil. Maybe some other characters relevant to the event, like the residents of Halloween Town?? But unfortunately probably not a NRC student that didn’t feature in Lost in the Book with Nightmare Before Christmas at all 😔

[anjelicawrites]

Paring: Armand x reader

Synopsis: you're sitting in a pub, you start drawing the mysterious stranger sitting not far away from you. When he discovers you, you don’t realize you’ve picked the attention of a dangerous creature.

Warnings: reference to past injury, self doubt, allusion to past trauma.

A/N: reader is AFAB. They/them pronouns used.

The wind is howling outside the thick windows of the pub, dark clouds promising heavy rain and violent waves against the jagged coast not too far from the narrow road where the pub is built. The fire is roaring in the huge hearth, shadowed by too many people huddling there to nurse their drinks; the lights are dim against the old wooden panels, giving the overcrowded room a homely air.

You beer sits next to the small case full of your pencils as you draw in the dim lights of the overcrowded room.

Your head sits lightly on your free hand as the other rushes to finish the quick sketch you’re working on, before your, unintentional, muse decides to leave; you’re hoping the promise of heavy rain will convince the man to stay a little longer. Who knows if he will or he will try his luck, now that the wind has picked up even more violently.

You focus again on the black lines on the sheet of paper, finishing the outline to start working on the elegant sweater he’s wearing; you’re no expert but it looks expensive, and warm, and soft. A real nightmare to draw using only a charcoal pencil, since you are planning to add colors and you don’t want to put too many shadows that aren’t there.

“It has been a long time since anyone ever painted me. I was given the chance to pose back then, for hours, I have to admit.”

The soft voice makes you lift your head in surprise; dimly you think that there is an accent you can’t truly pinpoint, his words almost neutral in their intonation.

“It’s actually a drawing, not a painting.”

You want to drown in your own sweater at how stupid your response sounds.

“May I sit?”

You can’t see his eyes, hidden behind his wraparounds sunglasses and his expression is hard to read: you’d hate to cause a scene, not everyone appreciates being portrayed in secret.

“Please, do.”

Carefully you move your beer more on the side of the small round table, the too long sleeve of your sweater uncovering partially the black burn glove on your left hand, despite you racing to hide it again.

The man sits down, gracefully and only now you notice he has no drink with him: he must have entered the pub to escape the oncoming storm. He only lays an elegant cigarette case on the battered table, the ornate, intricate designs catch your attention from the rowdy crowd of the pub.

He is stunningly beautiful, but this you realized when you eyes had landed on him, whilst you were sipping your beer and wondering what, or who, you could sketch to pass the time; what truly draw your attention was his aura, so calm, yet it gave you the sense of someone who keeps a tight lid on their emotions, like a summer evening when you know it’s going to rain soon.

“Are you an artist?”

Again, his soft voice drags you back from your thoughts, the musicality of it makes you want to listen to him reading his grocery shop list, if that meant just hearing it.

“No, not really, it’s just a hobby.”

“You have a great deal of sketches in your book, and in your little case.”

Almost on instinct you want to grab your work and curl around it in protection; it’s the gut reaction of a second, you aren’t in that position anymore, this man will not tear your works into shreds for no reason.

“It’s something I haven’t done for a while and then I had decided to pick it up again. We can’t only work all the time, can’t we? We need to treat ourselves.” You say with a smile.

“I am acquainted with that meme.”

It surprises you that he feels the need to convey his knowledge: what a strange man.

“This is my way to treat myself.”

“By drawing unsuspecting strangers?”

There’s no heath in his words, no rage, perhaps a bit of curiosity.

“By drawing what, or who, catches my eyes.” You answer, parroting his words. “I love to hang somewhere and just let my eyes wander. I can stop sketching you, if you want, I know it’s disconcerting for some people.”

You can truly feel the weight of his gaze, still hidden by the sunglasses, even now that the pub is bathed in the dark light from outside. This stranger is not simply looking at you, you feel as if he’s taking you apart to catalog every single piece of yourself he can find, like an entomologist does with a pinned butterfly.

You know you shouldn't feel so calm under his scrutiny, that you should bid your farewell and go home, but you can’t help yourself: you want this stranger to keep looking at you like he would the pieces of a puzzle he desperately needs to put together. No matter how dangerous the consequences.

A shiver runs down the damaged nerves on your left arm, and you decide to ignore the warning.

“Why should you? You’re very talented.”

All of his nervousness now shows itself in the way his index fingers fiddles with the cigarette case, his hidden gaze fixed upon you.

“It’s a shame it’s not possible to smoke in public places such as this one anymore.”

How strange! You think. The law passed here in 2004 and he talks about it as if he had experienced how it was before. He can’t be that old!

He seems to have made his mind as his hand gently grasps the sunglasses, as if ready to remove them.

“Please, don’t!” In your haste you lift your hand, almost to stop him. “The most interesting part is to guess and imagine. Do keep wearing them.”

There’s a slew of small expressions playing on his face, all to hide his surprise and, perhaps, curiosity?

You grab the charcoal pencil in a tighter grip and go back to your work, losing yourself in the quick, almost nervous motions of your hand on the paper: you don’t know why you feel like you have to rush, to capture the fleeting essence of this nameless man, but you do.

With every ticking second you believe you’re going to lose the feeble hold you have on the ideas crowding your mind, with every stroke you fear you’re drifting far away from the first image of sadness and loneliness that lighted up in your mind, as soon as you saw him, sitting alone in the pub, under lights that enhanced his otherworldly beauty, the very thing that set him apart from all the other men present.

You only need to glance at him sparsely, to make sure to capture the texture of his hair and the folds of his sweater, the long lines of his fingers against the battered wood of the table.

Only when you’re finished, you realize you have been holding your breathe for most of the sketching and you have to force yourself to take a big gulp of air, before turning your sketchbook to him, while grabbing your beer again.

You’re learning not to be shy, when it comes to your creations, to share them with the world, to accept the criticism and the compliments; not now. Now you’re crawling out of your shell again, trying to draw while being filled with self doubts and hating every single piece you created, those past months disappearing in your mind, along with the strength you built for yourself.

His piercing gaze is now turned on your drawing, that analytical stare that cut you into layers and layers, now is doing the same to your work, and to himself: you’d do anything to know his thoughts, now that his face shows nothing.

Under the stillness a maelstrom rages. The man looking back at him from the page is a knot of everything he’s always felt and never told. Through the fast strokes of his eyes, he can see all his hardships, all he’s done and lost for centuries, pain and desperation, in a way a simple mirror would never show him: how a simple mortal like you could read him so deeply after staring at him, comes as a surprise. You’re nothing but a child, compared to him, yet you have the understanding of a much older person, as if you’ve experienced the depths of hell, only to expose it in your art, and to him.

It takes a lot of restrain for Armand to show nothing of his internal turmoil: it has been so long since someone managed to pin him down so precisely, so perfectly, he has to fight the instinct to stand up and storm out, away from you and your keen eyes; he wonders if you have done the same to other people, read them so perfectly and bluntly putting them in front of their own soul, like his fledgling had done to him. Do you know how dangerous you are? Do you have any inkling of how easily you could destroy a person’s life? Would you do that in the name of the truth?

“It’s awful, isn’t it? It’s not worth keeping.”

You reach with your good hand to slip the sketchbook away from his grasp and he stops you with elegant fingers on your wrist. His grasp is not strong, it doesn’t hurt, but holds a secret strength you can feel traveling up your arm and makes you shiver with the need for more.

“It’s beautiful.” He says, after a heartbeat, still holding you in place. “The one who painted me wasn’t as good an artist as you are, he lacked the depth you hold.”

His face is now turned back to you, his hidden, piercing stare focused on your features, analyzing you again, as if wanting to explore the hidden crevices of your soul.

“Thank you.” You stammer. “I’m glad you like it.”

Still, he says nothing, making you feel self-conscious of your own existence in this small pub on the coast.

“Would it be too forward of me to ask you to gift me this sketch?”

You’re too dazzled yourself to notice the small quiver in his soft voice.

“Oh! That’s the first time anyone has asked me that.”

Right now the people around you two don’t exist, nor is the wind beating down the old windows and stones of the building. There are no passing cars outside, nor are the waves crashing against the high cliffs, just a handful of miles from here.

“I thought I wanted to color it.”

“I think it’s perfect this way.”

He knows a finished work will incinerate him on the spot, because he will never be able not to stare at it, at himself, like Dorian Gray, to face all his centuries on this Earth.

“You’re too good to me. It’s really just a small sketch.”

“You’re selling yourself short. You have something many professional artists lack.”

When his big hand releases yours, the spell you were under breaks and all the sounds around you attack you again, adding to the fog you’re still feeling clouding your brain.

Almost through a dream, you take the sketchbook from his hand and cut the page off with the small pocket knife you keep in your pouch to sharpen some of your thicker pencils.

“It’s yours, my personal thank you for appreciating my work.”

His fingers touch yours again on the thin piece of paper and only now you notice how cold they are, despite the heath in the pub.

“Thank you.” There’s no calculation in his words, he feels real gratitude, the feeling burning brightly in the scorched desert of his soul. “I don’t even know your name.”

When you answer his question, you feel like he’s got a hold on your soul, like in the stories about the fairies.

“My name is Armand.”

A french name to someone who hasn’t a french accent, but nowadays people call their children anything, you think.

“Are you here on holiday?”

You can see the cheeky way his mouth turns when he smiles at your question.

“I thought I was simply passing through, but I am fascinated with how this area has changed, I think I am going to stay, for a while.”

You almost don’t notice the way he refers to this place as if he’s visited it years and years ago. Almost.

“Do you have somewhere to carry it? My sketch I mean. It has just started to rain.”

“Unfortunately I don’t. And I don’t wish to ruin it.”

“Here, use this!”

With much too haste, you empty the case where you carry your bigger pieces and hand it over to him.

“I can’t possibly accept it. Your other works will be destroyed by the rain.”

“I can roll them up and keep them in my bag, it’s big enough. Besides, that one is fresh, if you do the same to it, it will get ruined.”

“I still need to refund you yours.”

“There’s no need. If you’re staying, you’ll give it back whenever you can. There aren’t many meeting places here.”

The old trick always works: you are all so easy to manipulate.

“Then I shall give it back as soon is possible.”

His hands don’t tremble when they take the case from you, touching the sketch again doesn’t burn him the same way the first time did, but he knows he’s still affected, and needs to understand why.

“Regrettably, I need to go now.”

He lies, a part of him wants to stay to take your brain apart until he knows all the ways the mechanisms work there, but it’s too early for that.

“It’s raining pretty hard.”

“My car is parked nearby and your lovely sketch is safe.”

He doesn’t have a car, but he has faster means of transportation that defy such a small thing as rain.

Before you can stand up, he gracefully takes your hand to kiss the palm, ignoring the smudges of charcoal. He does it the classy way: his lips don’t touch your skin.

“Thank you again for your gift.”

“No, thank you for humoring me. I hope I’ll see you soon!”

Oh, he thinks, you have no idea how ‘soon’ can become ‘now’.

[olderthannetfic]

How do you feel about the different styles of writing POVs?

Personally, first person is the most awkward to write and the most restrictive. It definitely has its place though, when the narrative lends itself to releasing limited info. I can’t bring myself to write in first person though, it feels so weird. I think I enjoy a level of detachment when reading and writing fiction.

I’ve seen people rag on second person but I find it the easiest to read, it seems more natural than say, first person. You’re understanding the narrator but you’re not physically in their shoes. You’re a silent observer, privy to character thoughts but also able to detach and view them as a whole. There’s a level of intimacy with the character but more detachment than first person.

Okay so google says third person can be split into two; limited and omniscient.

I find omniscient to be a funny beast, as it’s not a style that I write, often finding that if I give away what everyone was thinking, all the time, the element of mystery is lost. For me, it feels like showing everyone’s inner thoughts or motivations at the same time ruins the suspense, at least in the fiction I write. I think that’s a personal failing though because I enjoy reading fiction with omniscient POV.

Limited, I’d like to say, is more within my wheelhouse, but I have been known to switch character POV in different chapters. I wonder if by switching characters per chapter that actually means I write omniscient. Anyway.

I feel like I’m write in some weird, secondary-third person which feels very much like playing with dolls: X mutters quietly, stepping close to Y. Y responds with a remark, grasping X’s hand. X is overwhelmed, their thoughts racing. Etc.

Very reductive, but you get the point. One persons intentions are clear, the other is not.

I’m troubled as I think that my writing style comes across as unnatural, almost robotic. I find it hard to step into the mind of another person, especially if it’s a creation of not my making - how could I possibly know how this character would react in this situation? I can only guess and hope it reads as in-character. As such, I often find that I don’t spend a lot of time expanding on how characters feel and their inner thoughts on situations, which seems like a really big oversight! It’s difficult for me, though.

Do you have any tips or assurances about this kind of thing?

I apologise as well, brevity is not a strength of mine.

--

Oh god... the things I want to say, nonnie...!

I've promised myself no more really long writing meta on here. I write that stuff for my patreon, which I should be spending more time on.

The short version is: I loathe second person due to early exposure to CYOA books and just finding it clunky and mannered.

First makes it more obvious if your command of character voice is ass, but it's not actually more intimate or harder than limited third.

Limited third is often the most neutral and transparent of voices for English language popular fiction in modern times. It's the norm. It's what has all the conventions built up. Switching chapter by chapter is very common and is not omniscient in any sense, WTF, anon.

Omniscient makes more sense if you've been reading works that are actually in it. Golden Age mystery novels are a good example. No, it does not list every thought of every character. What? No good writing does that. Of course you withhold info.

What does "secondary third person" mean here?

[aftgficrec]

Can you please suggest fics where neil and bee have more interactions. Or even ones about andrew and bee talking about neil or anything else

Btw I really really appreciate everything yall do! God bless you.

Here is what we found for you. -A

Neil/andreil talk to Bee:

Neil goes to therapy here

‘we softly stir the violence’ and ‘Healing’ series parts 1 & 3 here

‘“I wish I'd never…”’ here

‘Andrew Minyards Crystal’ here

‘pain our brain has made’ here (updated)

‘not to blame for falling’ series and ‘sidelines’ here

‘on the tip of my tongue (say something)’ series here (completed)

‘Andrew and Neil's guide to getting better’ series here

‘True Love Waits’ series here

‘Cyberstalking’ here

‘Promises’ here

‘A Taste of Your Own Medicine’ here

‘The Massive Continuity of Ducks’ and ‘Ghost of You’ here

‘A collection of Andreil one-shots’ ch 3 here

‘I Don't Know’ here

‘The Destination Was Always Forever’ (updated), ‘Minyard-Josten Rivalry’ (updated), ‘sunrise, abram’ series, ‘and in a flash, it's gone.’ series part 2, and ‘Stay Where I Can Reach’ here

Andrew talks to Bee about Neil:

previous ask here

‘Unspoken’ here

‘AFTG Drabbles’ parts 1 & 8 here

‘Paper Cut Hearts’ here

‘the shuffling of cards’ here

‘words can't warm the windows of my soul’ here

‘The Hand That Needs Me’ here

‘Mother Mannequin’ here

‘Anything’ here

‘the icarus to your certainty’ here

‘No straighter path than to struggle’ here

‘Can we can pretend like we're (not) in love?’ here

Neil Josten is Not Fine by Anonymous [Rated T, 3362 Words, Complete, AFTG Then & Never 2024]

After weeks of nightmares and an embarrassing discovery, Neil finally decides to pay Betsy a visit.

tw: implied/referenced torture, tw: implied/referenced rape/noncon, tw: nightmares, tw: bedwetting

i'll take anything you have (if you could throw me a line) by ifitmeanslosingyou [Rated M, 923 Words, Complete, 2024]

the sunrise can be pretty, neil thinks, but instead of the pinks and oranges washing him with ease, neil can’t help the panic at the thought that he’s been up here for longer than he planned to he wonders if anyone has even realized he left the dorms in the first place, wonders if andrew even looked when neil left the bedroom, wonders if he gave up, wonders if he finally came to his senses and realized neil was more trouble than he’s worth wonders if the roof of the court is high enough that the fall would kill him day 31: asking for help | therapy | “i’m alive, i’m just not well”

tw: suicidal thoughts, tw: implied/referenced self harm

help, I've lost myself again (but I remember you) by abitsillygoofy [Not Rated, 5320 Words, Complete, 2024]

“Neil we have to talk about it,” Betsy said “I don’t think so” Neil replied “Nope, not happening” He popped the p at the end trying to make the woman mad at him. “You just tried to kill yourself, so I think we have to have this talk” Betsy didn’t seem bothered by his act and kept her nice, neutral facial expression, but unlike on his session looked worried too. or Neil wakes up in the hospital after his suicide attempt and has to face what he did.

tw: suicide attempt, tw: self harm, tw: blood

keep telling me that it gets better (does it ever?) by phan_taloon [Rated M, 15415 Words, Complete, 2022, Locked]

Previously recced here

AU where Neil never met the Foxes, with a little less mafia and a little more pain for Neil when he ends up captured by Nathan for months, and has to deal with the consequences by himself. He ends up in treatment for chronic pain with opioids, and let's just say opioid use is tricky when you're alone and in pain; one thing can lead to another more easily than it seems.

tw: drug addiction, tw: drug overdose, tw: withdrawal, tw: suicidal thoughts, tw: implied/referenced self harm, tw: implied/referenced abuse, tw: implied/referenced torture, tw: vomit

an acquired taste the asbestos is lovely by cyanica [Rated M, 6617 Words, Complete, 2024, Locked]

“What did you take?” Andrew demands. Neil wonders if Andrew will taste all that is wrong with Neil when he kisses him. He wonders if Andrew will recognize it. Andrew knows what it is to hurt himself, and this must be familiar. It’s deja vu, Neil thinks, if only a little bit worse, a little more terrible. Neil shakes his head, groaning into the toilet, “I don’t want to tell you.” Andrew pulls out his phone, and Neil can already hear it dialling when he says, “You can tell the paramedics.” Or; “Cigarettes,” Neil says. “I ate your cigarettes.”

tw: self harm, tw: overdose, tw: pica, tw: eating disorders, tw: vomit, tw: blood, tw: mental breakdown, tw: implied/referenced abuse

If it means protecting you (I’ll pay my dues) by Intangibel (duskbutterfly) [Rated T, 125462 Words, Incomplete, Updated April 2023]

Previously recced here

What if the threat of Aaron being charged with murder was more significant and Neil found out that he could prevent Andrew from having to be at the trial if he were to testify. What would he be willing to sacrifice to achieve that? What if instead of refusing to testify for Aaron, Neil decides to make a deal with the FBI to become their witness against his father if they’ll backstop his current identity. He thinks it means signing his death warrant and losing the Foxes. Betsy, Aaron and the Foxes are determined to convince him it doesn’t have to be all or nothing, his father’s people are coming for him and that’s not even starting on what Andrew will have to say about Neil choosing to martyr himself.

tw: graphic depictions of violence, tw: child abuse, tw: torture, tw: blood, tw: scars, tw: vomit, tw: implied/referenced drug addiction, tw: implied/referenced rape/noncon, tw: implied/referenced csa, tw: homophobia, tw: conversion camp reference, tw: reenactment therapy with noncon

The Sun Still Rises by mordax [Rated E, 474451 Words, Incomplete, Updated Oct 2024]

Previously recced here

Somewhere on the road, Mary Hatford gets pregnant with her second child. When she passes, she leaves behind not only Neil, but his toddler brother. Survival is difficult without also raising a kid. Worn out and desperate, Neil still somehow ends up at Palmetto, only this time, he brings his four-year-old brother with him.

tw: violence, tw: anxiety, tw: panic attacks,  tw: implied/referenced rape/noncon, tw: implied/referenced self harm, tw: implied/referenced child abuse, tw: drug use, tw: involuntary sedation, tw: reenactment therapy with noncon

NB: find fanart for this fic by @/elidanus on twitter here

Ain’t it fun by jemejem [Rated T (we say M) 30672 Words, Complete, 2018]

Neil can't sleep. Andrew can't feel. High school is going well for the both of them.

tw: homophobia, tw: mental breakdown, tw: anxiety, tw: depression, tw: suicidal thoughts, tw: suicide attempt, tw: implied/referenced self harm, tw: scars, tw: ptsd, tw: psychological trauma, tw: flashbacks

I been here all along (so why can't you see?) by alexcherry [Rated G, 8691 Words, Complete, 2021]

Andrew leans on the counter beside Neil's thigh. "Where do you want to go, Josten? What favor do you need from me?" Neil looked at Andrew and steeled himself. "I want you to come with me to the next therapy session with Betsy posing as my boyfriend." "Like one," Andrew thought for a moment. "Couple therapy?" Neil perked up. "Yes! Exactly, and then we see how long it takes her to find out we're not connected at all."

tw: implied/referenced child abuse, tw: implied/referenced torture, tw: implied/referenced murder

If You Need Shelter by AfraidOfBananas [Rated M, 2642 Words, Complete, 2021]

“The boy is staring at Neil with a startled expression like he’s just seen a ghost. Well, maybe he has. Neil hasn’t felt alive for a very long time.” Or.....Neil meets Andrew while he’s on the run

Family by BlueJay26 [Not Rated, 9420 Words, Complete, 2021, Locked]

The blood of the covenant is thicker than the water of the womb. Three adults who certainly proved this was true, and their (sort of) children who realised a family isn't always linked by blood. Also known as, how Abby, Bee and Wymack earned their family's love and trust.

tw: implied/referenced abuse, tw: internalized homophobia

Art

Abby and Betsy art by @rainbowd00dles 

Betsy 💕💕 art by @neroholik

Mom and Dad and Mom art by @llstarcasterll

Betsy and Abby 💖 art by @jeannemaybedarc

Betsy Dobson cosplay by @/toobeetofunction on instagram

@drbetsydobson instagram account/moodboard

[howlsofbloodhounds]

Hey! You probably have already been asked this question- and I know you’ll probably never see this- but I’ve been thinking about this and curious about this lately, uh-

What are all the things killer went through during his time under the control of his frisk? Both cannon and head-cannon? I have a few head-cannons myself but am really curious what others think and what the cannon is!

It’s okay if not answered, am just a curious soul wondering about stuff-

Well, first, it wasn’t his Frisk he was under the control of—Frisk is actually hardly mentioned in Something New outside of the first few panels of the first page of the comics, and Killer saying he misses stabbing Frisk’s face when asked if he missed Frisk.

It was Chara, and the Player—basically one and the same in Something New, even if Chara the dead child potentially wants something more. All the Player ever really wants from Killer’s existence is something new, after all. Chara’s the one who wanted a partner in crime.

As for what happened between them, the fun part is—we don’t actually canonically know. We can make guesses based on the beginning, when Killer turned on them, and some things based on after they ended—how Killer still sees them and hears them and listens to them, how he feels watched by them constantly, as if they’re living inside him.

This tells me just how codependent their relationship was—and how scared and powerless Killer feels beneath them, even as he feels he needs them and that he still has to listen to them, even if he doesn’t want to—even as he struggles to realize that he doesn’t want to, because he wants what They want.

Even if he has a new “master” now in the form of Nightmare. It tells me that Chara’s wants and priorities and needs have always taken priority over anything and anyone else—especially Killer himself.

It’s like..how a baby doesn’t realize they are separate from their mother for the first few months of their life. Except Killer never truly realized that he is separate from them. Or that they are separate from him. He has internalized them, and in many ways, has become them. Something he struggles to make sense of.

Killer doesn’t know who he is or what he is, what he wants—if he wants anything at all. He doesn’t know what is or isn’t real—why he feels and behaves about certain things. Why everything both does and doesn’t feel familiar, and yet still he is always just separate.

Chara provided directions. They represent identity and direction and stability, certainty and structure. They scare him and hurt him and confuse him, and he hates them and fears them in equal measure, but no one has understood him like them. Not even himself.

I’m sure he also didn’t use to understand why he was ever scared of or disobedient of Chara before—if something ever triggered him into Stage 1, such as his own hesitance to kill Papyrus. Stage 2 may not have held the same emotional ties to Chara that Stage 1 does or hold the same anger and hate that Stage 3 does or the fear and reverence that Stage 4 does; but it wasn’t like he knew anything else besides them with certainty.

He knew he needed them. He didn’t know fully why, he just did. He could try to explain why but it’d be through the lens of what Chara taught him: control or be controlled, the most Determined decide fate, etc.

He holds on these contradictory views and experiences with Chara, likely dissociated and compartmented into his four Stages, but all just as true as eachother.

They made him. He exists because of the Player, sure, but Chara basically raised him. The Player speaks through them, they act on our behalf. There may even be no difference between Chara and God in his mind in Stage 4.

And try as he might, he can’t pry their pieces out of him.

All of it suggests heavy levels of manipulation, conditioning, gaslighting, dependency, and abuse to me. The specifics aren’t said or shown or even confirmed, but the fact that out of all his shadowy hallucinations of everyone he’s killed—living in his head—Chara’s the only one who’s more than a shadow and has sway over his choices seems to say something about their relationship.

Anyway, a lot of things could’ve likely happened when he was with Chara. Who knows how long they were together—Killer likely doesn’t know. How many timelines they went through together.

I do like to think that there was an entire timeline where Killer and Chara overthrew Asgore and ruled the Underground themselves at some point, because Princess Killer and Killer being conditioned through royal etiquette is an idea I love. I also think he was conditioned through childhood nursery rhymes, games, gestures, and sayings that are loaded with specific meanings that only Chara and Killer themselves know. Their own little language.

I think Chara gave Killer Asriel’s golden locket, to basically make Killer into the better “Asriel.” I do believe he was often threatened and kept in line through the use of the Reset—something Killer, back when he was Sans, hated and dreaded more anything.

(And by that I mean, he was either threatened with a Reset if he didn’t do something, or forced to repeat something over and over through the use of the Reset until he either did it perfectly or without thinking or hesitation. Until any attempts to resist results in an instinctive overriding of his own will via the triggering of Stage 4.)

That original sentiment was likely twisted over time, but still present in some shape or form—such as the need for something new, and to not constantly do the same thing over and over again, even as paradoxically, Killer has a tendency to do the same things over and over again thanks to the role of the Resets in his conditioning.

I’ve made a post before about like, Chara and Killer making the killing into something like hunting games, can’t find it. But I like to think there was a punishment-reward system that Killer internalized as well, especially in Stage 4.

I’ve mentioned before how i hc that Killer and Chara had a pinky swear system that could never be broken under threat of grievous harm to whichever party breaks the promise—and as a result any promises made via pinky swears with Killer from absolutely anyone is basically the same as signing away your right to live if you ever break it.

I’ve mentioned how I think the one death Killer has never experienced before is buttercup poisoning. But basically, anything you think could happen has possibly happened, except ya know..weird stuff.

Reality is a game, and the Underground is their sandbox.

[iwishiknewyouwantedmeuh]

The girls with toxic mums and absent dads.

[hanzajesthanza]

i’m sure i said this already but regis swearing when quoting angoulême’s phrases is too dangerous. he could bypass his social etiquette, if only he prefaces it with “as our darling young angoulême says”

[the-worms-in-your-bones]

Me seeing someone with a cool name: oooooo, what if

Another part of my brain: no. we spent enough time getting to Jonah. we’re not doing it again

[akkivee]

i have missed them so much lmao

[sepiasys]

Why am I like- forgetting my tags for my blog? Like the tagging system. I switched acct on tumblr app bc post limit bullshit ykyk? I’m gonna pretend that’s why /hj

[i-could-be-so-much-more]

It frustrates me to no end that everyone I talk to someone new my brain catastrophises to the point where even though I know logically it’s fine, and normal, and fun, I end up making it a bigger deal in my head that I know it is…I think myself into spirals that the logical part of my brain knows are ridiculous and dramatic and improbable, which stress me out more than is entirely necessary…it’s so tiring to exist and participate in the social world sometimes