#no fucking way. me ? posting here again ??? hi

[coinsucks]

He matches now!

[the-holy-ghosted]

congrats 2 henry peglar for being the only bitch confirmed as to be Fucking That Old Man

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[mistyscenter]

I love that this fandom doesn't understand Baxter's character, I adore how they patronize him,a whole ass adult, for facing the consequences of his actions.

I love how people make him feel like a sad little baby when he leaves mc as if that's not something he made extremely clear. I love how people treat this 19 year old as if he's not old enough to understand the consequences of his actions. I love how Baxter is aware of his flaw's but feels like he can't break them because people only see him as a tool and this fandom reinforces that.

I love how people will get mad at Nico for doing the cardinal crime of being 6 years old but will baby a 24 year old Baxter. I love how people make him this charismatic rich guy when it's shown that he's a hot mess that doesn't know what he wants. I love that Baxter's whole character arc is about his self sabotaging tendencies and how everyone ignores that. I love that people fell in love with the mask he had for most of the dlc.

I love that this fandom lacks reading comprehension skills and understanding of nuance characters, great job everyone for not understanding how writing works :)

[nerdrooikat]

drabbles about the deer imagery in The Secret History (specifically in relation 2 Camilla) because her becoming a deer/believing that she did stuck in my mind (although this post will mostly take Camilla and the other's recollection of events to be as they recount it – if i examine it in it's effect as an incorrect account, that would be in a separate post)

Obviously there's, on a meta level, an irony to it – Camilla and Charles are named to make fun of the Princess Diana scandal that was happening at the time, and so ironically Camilla transforms into an animal sacred to Diana.

There's also a parallel that I think could be interesting to make between Camilla and Taygete, who for anyone unfamiliar, was turned into a deer by Artemis to protect her from Zeus' sexual advances. Although I think that what happened in the Bacchae was concensual sexually, I think it could possible be indicative in Camilla's narrative role as the "wanted"/"desired" one within the greek class – by Charles, Henry, Richard (although he wasnt there) and even Francis, although he wants to be her more so than actually wanting her.

Additionally, outside of how it actually functions within the story, her transformation into a creature associated so closely with innocence, especially in relation to Diana/Artemis' virginity, might perhaps be tied to Richards view of her as this "pure" and "virginal" person – obviously we know this is far from the truth, and he himself learns this later, but I think it definitely ties into this flawed angelic idea of her he so covets.

I think this interpretation ties into the myth of Actaeon (in terms of "deer transformation myths") although its very interesting to me that they different at key points – Camilla, the "virginual" character, is the one transformed, rather than the sexual transgressor (Charles) or the one who introduces miasma (Henry). But, like Actaeon, she is pursued and hunted – which, another key point – Actaeon is pursued and killed by his own hunting dogs, and Charles returns from the ritual with a bite mark, perhaps tying him into the myth thurther?

[s0fter-sin]

punk!soap metalhead!ghost brain blast!!!

ghost trying so hard to get soap out of the bad parts of the scene bc he's starting to get pulled in by the shadows, a group of wannabe anarchists that stand for nothing except themselves, but soap loses his shit; laying into ghost for daring to try and "save" him

no one's ever been there for him when he needed them; no one ever offered him support or a soft place to land, why the hell would he want ghost's help when he's perfectly fine on his own? (when he’s always had to be?)

"you think i can't make my own decisions? well fuck you, ghost, who needs a washed up piece o’ shite like you!"

he doesn’t talk to ghost for days, doesn’t let himself acknowledge the hole he’s left behind until he's getting pissed with the shadows one night in an abandoned house and graves starts waving around the gun he snuck through customs and it accidentally goes off, grazing soap's temple

he's never heard anything so loud, even at all the shows he’s attended and there’s so much blood; it's getting in his eyes, running down his neck and soaking into his clothes and he’s frozen. graves and all his shadows bolt after hearing the gunshot, worried about cops finding them and they leave him there; staring at the growing puddle at his feet

soap's panicking; half-blind, blistering pain lighting up his head and he can't think about anything beyond how much he wants ghost

ghost's been sulking at his flat since soap blew him off; pissed at soap for going off on him when he just wants to help but still worried about the punk. he doesn’t want him going down the same road as him; doesn’t want him to repeat his mistakes when he could save himself so much suffering and he almost doesn't answer his phone when it buzzes on the couch

he lets out a ragged sigh as he picks it up; raking a hand over his shaved head when he sees the bubble emoji and contemplates letting it ring out. contemplates answering with a growl; something a younger, crueler version of him would spit. in the end, he decides on silence and puts the phone to his ear just before it can stop ringing

he almost breaks it when he hears soap choke out, "i've been shot."

he's out the door in a heartbeat, running down the stairs because the lift is too slow; trying to get more information out of him but he can't get anything out beyond a repeated, "i've been shot."

he breaks every law there is as he speeds to soap's location; visions of his cold, bloodless corpse staining his mind's eye. the only thing keeping him calm are the strangled breaths from the other end of the line; he's not dead, he can work with not dead, this isn't tommy, soap won't end up like tommy-

ghost screeches to a halt outside a random alley and throws himself from the car when he sees soap collapsed against a garbage bin. he's covered in blood, soaked, just like that night, it's everywhere and he's not moving, he's not moving-

“johnny!”

he skids to his knees and fits his hand under his chin to check his pulse… but his heart beats strong under his fingertips and soap's eyes flutter open; flooded with blood but conscious and alive

the second he registers ghost in front of him, he’s reaching out for him; babbling apologies over and over, "you were right, i'm sorry ghost, i should've listened; i'm sorry, i'm so sorry."

ghost just gently hushes him, cupping his face heedless of the blood. "that doesn't matter now, johnny. we're gonna get you all fixed up, yeah?"

soap’s hands fist in his shirt, clinging to him. "i got shot, ghost," he says again; lost and smaller than he's ever heard from his punk and it's been years since he's felt this kind of rage but he doesn't let a drop of it touch his voice

“i know, lad. i know. gonna let me take a look at it? make it right?"

soap finally nods, his stuttering apologies coming to a halt and ghost runs back to his car to get a towel. he presses it to soap's skin, trying to soak up as much as he can so he can get a proper look; cooing assurances as soap absently hisses in pain the closer he gets to it

it's only a graze and something in his chest unravels; old fears and grief settling as the shallow wound continues to gush into the towel

ghost slumps, pressing his forehead into the top of soap's head and takes a second to just breathe. “‘s’alright, johnny; it’s not even that bad, not even that bad,” he promises, low; spoken more to himself than soap

his hand starts to grow damp and he forces himself to his feet, gathering up soap and getting him into his car. he puts the towel in his hand and presses it against the wound, trying to coax him through his shock to put pressure on it so he can drive

soap curls up in the passenger seat; eyes distant, seeing nothing and ghost has to tighten his grip on the steering wheel so he doesn't turn around

soap is the priority

he has to get him home; has to get him cleaned up and safe

then he can go hunting for the gutless shadow that hurt his punk

[dhmis-autism]

Hey hello!

Here are some colored doodles of the fun little DHMIS bodyswap idea thought up by the very fun, very smart @escargon! I did them way back when and wanted to finish them up to add to the fun lol.

It was sooo much fun to draw and I hope I made it clear whos who by the body language/dialogue but if not! I put a helpful little diagram in there. Also,as well, I think if Duck had access to a relatively-normal sized body like Reds’ that duckman is dressing up and NO ONE can stop him. So that’s the last two.

[allpromarlo]

i don’t think a character has ever polarized me as much as geto has. i will hate on that mfer without a lick of shame but let me see ONE fanart of him and

[unfinishedslurs]

LOUMAND EPIC DIVORCE FIGHT PT.3

if loumand has 1 million fans I am one of them if loumand has 5 fans I am one of them if loumand has 1 fan it is me if loumand has 0 fans I have been removed from this mortal plane if the world is against loumand I am against the world. failmarriage enjoyers come get y’all’s juice

“What happened to those ‘Great Laws,’ Armand?” He asked, fury rising in him again. “You know, the ones you killed my daughter for?”

“What do you want me to say? Would you have me apologize again so you can refuse it? To tell you that if I could go back and change it, I would? To turn back the wheel of time itself and undo it all? I cannot.”

Louis wanted to strangle him. Would, if he didn’t know that Armand would just sit there and let him, not feeling a damn thing. “I want you to feel fucking sorry!”

Armand rolled his eyes, but Louis had spent over seventy years sleeping next to the monster under the bed. Had decades to learn his tricks and tells. Not all of them, like he might have thought once, but enough to spot the minuscule shift in his expression. The brief twitch of his mouth and the shuttered blink before his face flattened.

There he is, he thought triumphantly. A reaction, a real one. Something that alluded to the man beneath the mask he always wore, not nearly as impenetrable as he thought it was.

“‘Sorry,’” he scoffed, lifting his chin haughtily. “Sorrow is for mortals. We are vampires, Louis. We do not have the time to waste on regrets and what-if’s.”

As if he hadn’t seen into Armand’s mind countless times. As if he had not held him through a thousand nights of wishing he could go back and save his Maker, save Riccardo, save his brothers. As if he had not once confessed to Louis that he sometimes wished he could go back and die a human death in Marius’ arms. The audacity of the lie was almost like a slap in the face of their entire companionship. Or was Armand telling the truth, and those memories the lie? How much did Louis know him, really?

He couldn’t be sure anymore, but he was confident that it was better than any living being on this earth. Enough to get through the lies and rip into the man underneath, the fragile heart in the photograph. If Armand owed him anything, it was this.

“No time? We got nothing but time! You really expect me to believe that when your fledgling is flaunting himself in front of millions with no Maker in sight? You telling me you’re a deadbeat ‘cuz you don’t feel regret?”

Armand’s mouth pursed before he stepped back. “Don’t speak of things you don’t understand,” he warned, eyes darting back and forth. Settling on the closest window like he was thinking about an escape.

Louis didn’t give him one. “Oh, I understand plenty,” he scoffed. “I probably understand better than you. What, you thought you’d make our ‘symbol of love’ immortal for shits and giggles?”

That finally got a visible reaction out of him, swiveling his head back to look at Louis with wide eyes. “I didn’t—“

“You let your coven fucking lynch me because of my fledgling, but eight decades later you’re doing the same damn thing! To the ill and infirmed, no less.”

“What do you want from me?” Armand finally burst out, whirling around on him in an incandescent rage. Louis felt himself smile, could feel his lip splitting as his fangs dropped. “I have apologized time and time again—“

“Only ‘cuz you thought it would fix things!”

“—spent years throwing myself at your feet for your mercy—“

“Mercy? Did you show my daughter—“

“Will it ever be enough? Over seventy years devoted to you—“

“A drop in a bucket compared to the fact that it was over half my life—“

“I don’t know what else I can do!”

“Say sorry and fucking mean it this time!” He roared. “Feel fucking sorry for lying to me throughout our entire companionship! Say something real for once!”

They both fell silent at that, chests heaving through some faded muscle memory. Puppets just going through the motions yet again. What was it that Armand said? Mark it on the calendar, align it with Ursa Major. Louis and Armand’s tri-annual blow-up fight to kingdom come.

Louis’ voice trembled as he said, “I want to know why. None of that ‘I could not prevent it’ shit. I want you to tell me why you let them kill my daughter.”

Armand sank down on the couch, shoulders slumping. Submission and acceptance coloring every inch of him. “Why?” He murmured, staring at his knees. “It will not change anything.”

Louis sat on the other end, keeping as much distance between them as he could. “Humor me.”

“…it is true, that it was because of Madeleine,” he finally admitted. “She was somewhat of a last straw. I had told you before, the creation of more creatures like us was something I could not condone. If you did not love me enough to understand and accept that, how could I trust you over the people in my coven? How could I believe you would not leave me to whatever caught your fancy next?”

“And saving me?”

“Lestat—“

“I don’t mean on stage. Why didn’t you let me die in the coffin? I was almost gone. It would have been over, and then you would have had your coven and spent the rest of eternity directing plays, fooling an audience, listening to Santiago blabbering on…”

“So you’d submit me to a punishment worse than death,” Armand said dryly.

He almost cracked a smile before he remembered himself. “I’m not in the mood to be funny right now.”

Armand sighed, as if Louis was some insufferable child he was humoring. It pissed him off, but yelling wouldn’t get him what he wanted right now. Even if it would be cathartic and incredibly deserved. “The coven wasn’t the same, after,” he said. “They had lost respect for me. In part, I suspect, because they could sense the regret you seem so insistent on. Santiago had never liked me much—“

“He wanted to fuck you.”

“He got off on forcing me to submit. He knew the name I had told you. I don’t know how, whether he heard you say it or if he plucked it out of your head through the appalling shields Lestat had not trained you on—“

“Don’t talk about him. This is about us.”

He looked briefly incensed at that, and he could almost hear the retort, “But you can speak about Daniel?” He didn’t say it, though, because Daniel was different. Daniel had been theirs, in a way that Louis couldn’t put to words.

Armand must have known that too, because he moved on without comment. “The coven could sense my guilt, my regret, and they closed in on me. Is that what you wished to hear? That I saved you to save my own skin?”

“Okay.”

Armand looked at him in surprise, frowning. “Okay?” He echoed.

“That was about what I expected to hear.” He learned back against the couch, letting the cushion swallow him and his regrets. It stung, but he was still too angry to really feel it. What was one more betrayal? What was one more petty grievance eighty years in the past?

Armand considered him for a moment. “It was also because I love you,” he said softly. “I do not want you to doubt that. The coven was only part of it. I found I could not bear the thought of your death.”

Found out too late, but hindsight is 20/20. What did it matter that Louis still had stones rattling around in his ankles? The constant reminder weighing him down, never as badly as the memories that came with them. If Armand had decided to wipe the trial from his mind, would he have removed them as well, or left them? Would Louis know why his footsteps felt so strange, what the aching in his heels heart meant when it echoed in his heart? He wished they were back in Dubai, so he could feel the comfort of his rock garden beneath his feet.

“Okay,” he said again. “Now pause the bullshit for a minute.”

Pause. Blink. Head tilt. He could see the cogs turning in Armand’s head like clockwork. For a master manipulator, he was always incredibly predictable. Or maybe Louis had spent too much time with him. “I’m not lying to you.”

“No,” he agreed, “but we’re going around the real problem. You said Madeleine was the last straw, but that was me. Let’s go back to that. Why did you kill my daughter?”

“The Great Laws—“

“I didn’t ask about them.”

Armand fell silent, studiously not looking at him. Louis settled back and waited him out.

Finally he spoke, very quietly. If they weren’t vampires he wouldn’t even have heard him. “I fear that if I tell you the truth, I will forsake the last bit of affection you may still hold for me.”

“If you don’t tell me, you’re gonna get the exact same result,” he said. “So I don’t think it matters.”

The blow struck. Armand swayed as if taking a physical hit, taking a deep breath he didn’t need. When he looked at Louis, his eyes were lined red with tears he didn’t let fall. Truth, or another tactic for sympathy? It didn’t matter. He had plenty of experience ignoring Armand’s tears in the bedroom, he couldn’t let himself falter when it mattered most.

“She reminded me of myself. Of the youth I once had.” It came out of him in a rush, as if he’d been holding the words back for centuries. “Amadeo begged his master to turn him for over a decade, and each refusal battered his very soul. As he grew older, taller, as hair began to grow on his face and chest and between his legs, as his master took him to his bed less and less. Amadeo was loved, yes, yet it was not until I was nearly thirty and dying that my master saw fit to give me the gift. I was jealous, Louis, is that what you wanted to hear? She had everything Amadeo had ever wanted, yet she cursed her own fortune with every breath she took. I forced her to reckon with it, quietly delighted in watching her perform a song that made her more miserable with every note. I thought she was a spoiled, inconsequential flea who would not make it another fifty years. I believed her to be the reason you refused my companionship. A hundred reasons, each of them more petty than the last. What does it matter? You will hate me no matter what.”

Louis thought he might be sick.

Armand closed his eyes, drawing back into himself. “If that was the only reason,” he said almost gently, “I would not have done it. But I had seen dozens like her over the centuries. Children are not meant for the gift. Either madness takes them, or they cannot bear the constant infantilization, or something else, it doesn’t matter. One by one they walk into the sun. The absence of choice can be a mercy.”

He clearly believed what he was saying, which just made it even worse. How much “mercy” had Armand offered over the years?

Even deeper down, Louis wondered if he was right. The first vampire they ever met in Europe had cast herself into the flames before their eyes. Louis himself had run headfirst into the sun and nearly succeeded. How many others had destroyed themselves because they could not bear the Gift they were given?

“Not Claudia. She was strong.” Stronger than Louis had ever been, certainly.

“They all say that, and yet they all succumb eventually.”

“She wouldn’t have”

Armand sighed. “I supposed we’ll never know,” he acquiesced. Louis could tell his heart wasn’t in it.

He let it slide this time. At least the words were true. “No, we won’t.”

They sat in silence for a time, not looking at each other. The only sound from the cars driving outside. They did not need to breathe, to blink, to move at all. As still as the pictures Louis used to take, back when things seemed like they might turn out okay.

Finally, Louis exhaled slowly. Armand turned toward him, but said nothing.

“Okay,” he said. “Okay. I don’t forgive you.”

Armand didn’t flinch. Didn’t blink. Just stared at him motionless, as if he was waiting for something.

“I don’t forgive you,” he repeated pointedly. “But I’m not going to kill you.”

“I don’t understand.”

Of course he didn’t. Hadn’t that been what he was aiming for when he turned Daniel? If you touch him, Louis had said, and Armand had given his fascinating boy the worst curse he could imagine as soon as his back was turned. 500 years passively yearning for an end no one would provide. Louis wouldn’t be the one to grant him mercy.

His final gift to Armand, or maybe his final “fuck you.” A long life. An eternity at his fingertips, exactly as Amadeo had once begged for. The chance to grow even more powerful until little Arun could never be hurt again. A chance to torture himself for the rest of time in a hell of his own making. A chance to better himself, if Louis was feeling generous.

He wasn’t sure, but after seventy-seven years of standing hand in hand with this man, this monster, this little boy trembling in the midst of all the power he held, he thought it was a kind of salvation. For both of them.

Besides, Daniel was thriving better than either of them in the throes of the Gift. Armand had to have known he would.

“I don’t either,” he said. “You’d deserve it. But I’m tired, Armand, and I loved you once. I think that counts for something.”

Armand’s eyes widened. He stood quickly, putting distance between them, but not before Louis saw a bloody tear slip down his cheek. “Don’t say that to me when you don’t mean it. I cannot bear it.”

He looked as pained as Louis had ever seen him, despair twisting his features at the words Louis had never afforded him when they were together. He was beautiful in his misery, as beautiful as he was in anything. He hated him for it as much as he’d loved him once. The Temptation of Amadeo, rendered in flesh and blood and the viscera of honesty.

“I do. I did,” he said, twisting the knife just to be cruel. “Guess it doesn’t matter now.”

Armand shook his head. Opened his mouth, then froze, caught between words. Still as a painting in the low lamplight. Louis could see the brush strokes on his face, see every piece of art he had shown him overlaid with the real man in front of him.

“Right,” Louis said, when enough time had passed that he was certain Armand wouldn’t say anything. “Glad we had this talk.”

“Are you?”

Louis surprised himself when he answered, “Yeah, actually. I am. You?”

“I don’t know.” He looked frail, sad, tired, but no closer to walking into the fire than he had been when Louis had cornered him.

He thought that deep down, he was probably relieved by it. The confirmation that Louis wouldn’t kill him, that the love between them hadn’t been a complete lie. Still, how would he know? His lack of understanding of Armand’s innermost thoughts had been made abruptly clear to him with a script marked in red ink.

“Anything else we should talk about?” He asked. “Any other lies? Any other Danny’s knocking around in my brain, waiting for me to remember them?”

“No. No, there was only one. Daniel Malloy is not an experience you can replicate, I suspect.”

“Thank God for that.”

He almost smiled at that. “Indeed.”

“Speaking of Daniel Malloy,” Louis said, standing up. “For fucks sake, pick up the damn phone. Give our boy a call.”

Our boy. A slip he hated himself for instantly. It was too easy to fall into their old patterns, something that was probably by design. Shock flashed over Armand’s face before it was replaced by humor. “He hates it when you call him that,” he pointed out.

“I’ve had to deal with that shit for a century, he can handle it.”

“He finds it arousing.”

“You’re not the only one who can read minds around here, you know.”

“Are you going to do anything about it?”

As if Armand still had any right to know who was in his bed. “Are you? Don’t think I didn’t pick up on his thoughts about ‘Rashid.’ You feeding him your blood was probably a dream come true for him. Did you get to pick his brain about it before it was closed to you forever? What did he think of the taste?”

Armand’s lips thinned, and he turned away.

Louis didn’t let him leave without a final blow. “You gonna tell him about the other memories you erased?”

He stiffened. “You have no right—“

“I have every right, and you know it.”

“If you must know, the answer is no. What difference would it make?”

A pretty damn big one, if you asked Louis. He felt it every time he talked to Daniel, the yawning cavern of curiosity surrounding the blank afterimages in his memory, the way he could clearly sense something wasn’t right. Searching the globe for Armand, chasing him in some kind of fucked up role reversal only one of them was aware of. And then Armand, clearly punishing himself with every echoed heartbeat, every kill Daniel took to like a shark in a reef. Only making them both miserable as he hid in solitude.

“Honesty, Arun,” Louis snapped.

They both froze. Fuck. Fuck. Falling into old habits indeed, the world's most ill-timed Freudian Slip. He’d tried so hard to stay away from it, to wrangle Armand’s honesty from him in a way that didn’t depend on the command of his submission. He’d finally gotten what he wanted, and then he had to go and screw it up.

“I am not Arun to you, anymore.” Armand’s voice trembled. “I would prefer you did not use it.”

Louis nodded, even though Armand couldn’t see him. Bit back the instinctive apology on his tongue.

“I do not see the use in continuing this pointless conversation. Is there anything else you want of me, anything else you require?”

Yes. He wanted to shake him, tell him that they weren’t done here. He still had questions. He wanted to strip Armand down to the bone, rip his flesh off piece by piece and expose the skeleton underneath. Would that finally reveal the truth, or would he have to go deeper? Into bone marrow, the stem cells, his DNA. Would that allow Louis to know him?

It didn’t matter. The mask had gone up, and Louis didn’t have the energy to pull it back down again.

“No.”

Armand nodded once, his back still to Louis, before walking to the door. He paused with his hand on the knob. “I have always been a coward, Louis,” he confessed, still staring straight ahead. Louis could see the set of his shoulders, the clench of his fist, but not his face. “There is your truth.” He twisted the knob, opened the door. “You will not see me again, if you do not wish.”

Before Louis could reply, he was gone.

[adellovesrowan]

can you even imagine falling like i did?

[lusalemaart]

[deus-and-the-machina]

ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.

the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,

but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.

It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.

[phagodyke]

genuinely so devastating to finish my flcl rewatch and pull up the tumblr tag confident that everyone else is also down cataclysmic for haruko and posting abt it but *crickets*

[sleepy-crypt1d]

i'm gonna be autistic about borderlands for a sec, everyone stay with me okay

i do not understand why the borderlands games try to make moxxi so important to jack, i dont get it, genuinely it doesn't make sense

so, spoilers for BL2, the pre-sequel, tales from the borderlands, and BL3 moxxi's heist- the general info you need is that jack and moxxi canonically dated for a period of time between the first game and TPS, how long this was we arent sure but we can make a guess that at the VERY most it was less then six months of them being together

we can piece this together by the vague timeline of TPS happening about a year or less after the first game

(this is estimated by the fact that Athena said she worked with jack five years ago, meaning TPS happened five years ago by the time the second game takes place and five years is also the amount of time that's passed between the first and the second game so- TPS took place in a very short few month period after the first game)

now we know that they couldn't have been together for long because moxxi was together with BOTH mordecai AND jack during this only a few month period of time between games- this is confirmed in a line of dialogue from BL2 where mordecai says moxxi left him for jack at the end of BL1 but then in TPS moxxi and jack are already broken up, which means they could have only been together for a few months for the timeline of five years to make sense! at the VERY most they were together for like, three months or even just a few weeks. all that matters is that it was not very long

in BL2 there's also a line about jack destroying moxxi's fighting dome because he thought she cheated on him, which is a thing he does AS handsome jack not as the normal dude jack he was when they broke up, the reason for which is still unknown but we know it was Vaguely Messy which is like whatever, sure, that sorta makes sense for him to do but what DOESN'T is the games trying to convince you that jack is in love with her.

okay you still following? cool

in TPS jack is visibly uncomfortable around moxxi and doesn't like working with her, even going as far as asking her to stop calling him 'sugar' a request she just, ignores and continues doing anyway, also during TPS is when jack gets together with nisha, his canon girlfriend he's had through the five years between BL1 and BL2. jack is INSANELY in love with nisha, we see this in the after credits art of both TPS and BL2 same with the way he talks to her/about her in TPS and in outside game material where he literally stutters when talking about her AND in the way he proudly displays her hat in his office in TFTBL alongside his most prized possessions.

he LOVES his woman with his entire heart, he gave her a whole town to prove it!! nisha is his everything outside of hyperion so, tell me, PLEASE why BL3 tried to tell us that jack was still in love with moxxi? because i do not get it at all

what im talking about here is 1. in moxxi's heist timothy is in love with moxxi, this is made canon in TPS where he fumbles through trying to flirt with her and in the heist dlc this is brought up again and timothy has a line about how jack asked moxxi on a date during his reign as handsome jack and sent timothy to go as him because he was busy but like, why would he do that? we know that jack is insane about nisha why would he then?? ask his ex that he visibly hates on a date??? and then 2. they added a fucking painting of her in his office in the casino.

i do not even know where to begin on how much i hate that detail

when you get to jack's office in the casino there are two paintings you find, one is of angel- makes sense, is his daughter who he loves even if he is really bad at it, it's the same as him having the picture of her in his office on helios, he loves his daughter, a painting of her being here is in line with everything else!! plus it's really pretty and i like it

then across from that is a painting of moxxi, which makes no fucking sense!!! why isn't it nisha!! it SHOULD be nisha!! the woman he is CURRENTLY TOGETHER WITH AND MADLY IN LOVE WITH????

i have DETESTED this detail since i first played the dlc, as much i love moxxi's heist and credit it as my favorite borderlands dlc the whole 'moxxi is jack's true love' thing makes me so confused?? they dated for MAYBE three months between BL1 and TPS and then he got into a five year long committed relationship that is never properly explored in the games and then the devs have the gall to say they wish they had done more with nisha like!!! good news you still could have!! but you didn't

anyways, i apologize for this, it has just been bothering me for months and i had to get it out and see if anyone else had noticed this and was bothered by it?? because it makes me go a little insane every time i think about it

then again maybe the character writing in BL3 is just bad

[lab-gr0wn-lambs]

To be honest the dialogue in twd is absolute ass sometimes but the actors deliver their lines with so much conviction that it kinda slips by. You yell that convoluted sentence with your whole cunt, girl.

[girlcrushau]