#no I think I just need less free time so that I don't have time to think those things

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

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i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[wilhelminyard]

part 3 of the foxes being brutally honest and insulting people to their faces because they are SAVAGES

NEIL :

"I figured he was an egocentric maniac who was so desperate for his own glory he refused to see the potential in anyone else"

"tell me you're not that stupid"

"I might have been a little more considerate if I'd known how stupid you are"

"you being an asshole at heart means I was right about your chances. you do understand by now that your cowardice is what's keeping you and andrew apart, right?"

"you're a spineless asshole. you let the world happen to you and don't bother to fight back. you let other people dictate how you can live your life and who you can spend your time with. remind me why you put up with your mother's abuse for so long. did you actually love her despite her madness, or were you just too afraid to walk away?"

"what do you think?" "I think fuck you"

"your false bravado helps no one" "neither does your cowardice"

"you already walked away from him once knwoing what riko would do to him in your absence. don't do it again. if you don't protect him now, his death is on you"

"die free or die a failure. the choice is yours."

"I'd ask you how it feels but I guess you've always known what it's like to be second, you worthless piece of shit"

ANDREW :

"is your learning curve a horizontal line?"

"a privileged child like you has never seen the real world"

"I've had enough of your stupidity to last me a week"

"I'm volunteering my opinion" "don't. children should be seen and not heard"

"you're stupider than even I gave you credit for"

"you have a problem wherein you only invest your time and energy into worthless pursuits"

"you're a different kind of suicidal. didn't you figure that out in december? you're bait. you're the martyr no one asked for or wanted"

"I hope you two are miserable together"

WYMACK :

"anyone have ideas on how to make neil look a bit less like a battered wife?"

"I can't tell if you're being obtuse to fuck with me or if you're really that dumb."

"I need you to derail that one-track fucking mind of yours for two seconds"

"great. kevin's turning into another you. that's just what I needed."

"get washed up before your stench kills me"

KEVIN :

"we need you on the court but not if you're going to drag us down with you. in the shape you're in right now you'd be a complete waste of our time."

"even if you'd stepped it up when I told you to a year ago, you would have no chance of beating them. there is nothing at all you can do this late in the year. they are better than we are and they always will be"

"stop acting like a spoiled child"

"you've got a thing for controversial teams, I think, but I like this one much better than the last one" "they're mediocre at best but they're easier to get along with"

NICKY :

"do you get off on being such a debbie downer?"

AARON :

"it wasn't the drugs that made him crazy"

"I'm walking away and pretending I don't know you"

"I want to drink and pretend I don't know any of you"

MATT :

"good to see you're still fuck-all crazy"

"one of these days you have to let me hit kevin."

ALLISON :

"you are on messed-up child. you come by that naturally or did your parents do that to you?"

"seriously you guys? it's like you don't know us" "we try not to"

RENEE :

"I tried taking you off his hands at one point. andrew refused on the grounds he wouldn't wish you on anyone except a mortician"

[genderqueerdykes]

finding out i'm intersex has been the most relieving, freeing thing i've experienced, second only to starting testosterone. like... finally knowing why my body was so different from my perisex transmasc peers', why i could never relate to them, why i always gravitated towards intersex discussions of their development--because hold on a minute, that sounds familiar!

i felt just like. really ashamed for a long time. ashamed for relating to intersex folks (because i was worried about "co-opting their experiences" no matter how silent i stayed about my experiences, no matter how much i denied the Strangeness around my own bodily development, no matter how much i tried to reassure myself that it's okay to relate to people who aren't necessarily like me, etc--the moral OCD probably made this a thousand times worse), ashamed for never relating to perisex [transmasc] folks, and just. Ashamed.

things finally clicked into place for me recently ("hold on, wtf do you mean growing multiple, actual beard hairs at 16 (pre-T!) when all of your cis, perisex male relatives only started growing their facial hair in their early 20s at the very earliest is 'normal perisex development'? that feels completely backwards. like wildly backwards. dude, you're nearly a year and a half on T and you've gotten absolutely 0 fat redistribution, all that's happened is you've gained weight and muscle; your body generally has the exact same ratios part-to-part as it did before, just Bigger/More. buddy, you were a fucking baritone pre-T, which is wildly deep for someone who is presumably perisex and was afab. pal, every single effect of testosterone happened WAY sooner and more 'severely' than expected (except for the fat redistribution, which didn't happen at all because your fat distribution was already extraordinarily masculine), you're extremely sensitive to testosterone HRT in a way most perisex people probably would not be. friend, you have notably high testosterone levels and the only reason nobody mentioned it is probably because you were tested to go on testosterone, not because of other concerns (that you never mentioned), thus leading to them thinking it was a non-issue, or at least would be a non-issue in a few months since you were going on T anyways--and also, when has anybody ever mentioned that you've had notably high or low levels of anything? it took you months after the corresponding blood test to learn you had an iron deficiency requiring 130mg in iron supplements every day until you no longer got your period! why would they ever mention the high testosterone levels to you???"--etc etc, i could probably go on for hours) and it's been. possibly The Best Thing for my self confidence and mental health. it feels obvious in hindsight, but hindsight is also 20/20. and also i was riddled with moral OCD and fears of doing/saying/feeling/thinking Something Wrong. following you and hearing your experiences and thoughts has probably helped the most since it like. made the possibility of me being intersex Less Scary to consider.

anyways. Yeah. just needed to ramble about this somewhere/to someone since i'm not really in any intersex spaces (at least, none that i feel comfortable talking much in) and it's a lot to bottle up, even if it's by and large positive hdsgjs hope you don't mind lol

you know, the thing people need to realize is often times there is a lot of time that passes before someone realizes they're intersex. like for a lot of intersex people, not all, but a lot, it takes a really long time to figure that out. and they may question being intersex by reading others' experiences. that's not a bad thing i don't see how it's bad for someone to educate themselves and go. wow that really feels like me. i see myself in this

people get so hostile and mad towards people who are questioning and its like. we ALL go through a questioning phase when it comes to adopting queer identities. you don't just pop into existence knowing the words for all of your experiences. you have to learn somewhere. we have to be kinder to people who don't know what their experience is just yet

i'm glad realizing that has been good for you! i felt the same way when i realized it i was like ??? why can't i relate to a lot of these experiences. being intersex can be a super unique experience that makes you feel like a total outlier. i'm glad you now have a word and a community for who you are and what you're going through! thanks for stopping by, i really appreciate hearing from you! let us know if you need any help down the road

[abbysimsfun]

Dating Deanna Entry: Nicola Moody-McMillan for @changingplumbob

Hey everyone! I've never done anything like this before so I don't know exactly how to introduce myself. But I'm a schoolteacher in Henford-on-Bagley, the same small town where I was born and raised.

I'm currently living in my childhood home in the Bramblewood with my mother, Kim, and my younger brother, Dominic. Our relationship is pretty good even though my mom can be a bit of a problem at parties, but I'm a family-oriented sim! My mother and brother mean the world to me, and we've been especially close since my dad passed away not that long ago.

Apart from my job, which I love, I like doing Henford things - offering favours to people in need, cross-stitching, gardening, and talking to birds! I haven't really travelled much, but I'm ready to get out of my comfort zone!

I think. I really love comfort, and I've heard these bachelor shows can get a little wild. My friends said not to worry about my manicure - but honestly, I'll probably always worry about my manicure.

The big elephant in the room is my marital status - divorced. At 24! I married my high school sweetheart but she turned out to be less sweetheart, more heartless...sorry, that's a boring story! We grew apart.

Some days it feels like we divorced just yesterday. But some time has passed, I really believe in counseling, and I'm ready to try dating for, really, the first time in my life. That's kind of embarrassing to say out loud!

My friends said don't be negative. But some days can feel like the worst day ever, you know? Maybe you don't know. I don't know. I'm not always great at first impressions and I can be a little high maintenance, but I'm excited about this experience!

I can't wait to meet Deanna. Joey can flirt with me if he wants, but I'm a high maintenance lesbian who wants a family, so he'd be wasting a good line on the wrong gal! Even though I can be a pretty competitive teacher on School Sports Days, I'm really looking forward to getting to know the other contestants, too. People who don't know Hazel. Who isn't important.

More about Nicola, housekeeping, etc...

Nicola Kimberly Moody-McMillan (she/her), daughter of Henford townie Kim Goldbloom, and granddaughter of townies Ian McMillan and Derek Moody, who adopted Kim. Nicola's father was a very blond randomly-generated sim named Eddie Harmon (RIP!). She has a younger brother named Dominic.

She's grown up from a wee sprite in my Sims In Bloom legacy challenge as a best friend and then girlfriend/later wife of my Gen 2 heir's little sister (until it all fell apart).

Nicola is a cis lesbian who is exclusively attracted to women, both romantically and sexually. She is a monogamous sim, but Henford is a small town. Whether her interests include non-binary or trans women remains to be discovered, actually.

Goes By: Miss Moody-McMillan (in class), Nicola, Nic, but not Nicki Hometown: Henford-on-Bagley Traits: High Maintenance, Family Oriented, Good (originally she had one of @maplebellsmods's More Traits - Spoiled - in addition to the last two, and I figured High Maintenance was closest to that one). She had a fourth bonus trait, Childish, which I lost when I switched out Spoiled, but feel free to add it back in for the sake of keeping her canon if you have the extra slots! Fears Being Cheated On (I think this should carry over into the Gallery-saved version but I'm actually not sure...) Likes: Bowling, Gardening, Handiness, Research & Debate, Cross-Stitch, Fitness, Wellness, Physical Intimacy, Flirtation, Deep Thoughts, Compliments, Stories, Small Talk, Discussing Interests, Discussing Hobbies, and has a more upbeat, poppy, or catchy singer-songwriter driven music taste Dislikes: Dancing, Fishing, Programming, Arguments (they make her feel bad even though she can be combative), Deception Favourite Colours: Blue, Grey, Purple, White

Open to flirt/get intimate with other contestants? She's there for Deanna and to build a future with her, but she's also spreading her wings for the first time so yes.

Open to polyamory? As much as marriage sucked for Nicola the first time around, she still believes in soulmates and true love and monogamous commitment.

Open to woohoo? She would be if it feels right.

Doesn't vibe with pessimistic, argumentative, and ambitionless sims. And yes, with her traits and Henford origins she's definitely grown up to be a little fairytale princess-coded. Maybe she's a little like The Princess and the Pea, so we'll see how she does with the challenges and her high maintenance mood swings.

Now that introductions are out of the way, she and her Watcher are All In.

Download Available: On the Sims 4 Gallery under userID simcann, 'Nicola for DatingDeanna.'

cc used? The submitted version of Nicola has EA eyebrows in a shade darker than her hair colour, but normally she has TwistedCat's Lush eyebrows which are Maxis-friendly. Even though they look darker on her, they're the same shade of blonde as her hair. Most of the above photos were taken with her new eyebrows, except the portrait with her mother and brother, which shows her OG cc brows.

For anyone curious to see her dear departed dad, Eddie, here he is with Nic's mom, Kim, in their younger years, next to a shot of kid Nicola because I'm shamelessly buying affection for her:

And recently, Nicola randomly dressed for Spooky Day as The Final Girl. Just saying:

WCIFs: The picture of Kim, Nicola, and Dominic is from @simmireen's amazing Ultimate Family Portrait posepack, a perpetual favourite of mine! The classroom is just a room, but I found it on the Gallery by Jmadyson1030 - I love the aesthetic, the hamster cage, and the cushy extra seating along the walls. Felt like a classroom I'd almost want to be in myself!

[lithuanianking]

Do you have any outsiders headcanons-

@hatter-holding-tea don't know why you keep pretending i don't know it's you

I may make a little mini fiction about this cause I got the bug if there's a demand

I vaguely based this off of randomly generated headcanons because it takes me 30 years to formulate an opinion on characters I like after I indulge in my little obsessions. But dw i expanded in them alot so hopefully it won't be too Cliche

Two-bit is a very skilled artist. He's no van gogh and he can only really copy things and not create original works,it's because he drew characters from comics, mainly Archie,for his sister.

He doesn't tell anyone about it since there's really no need to and it doesn't go well with being a greaser. He can dish it out but he can't take it. But when he starts dating Marcia he starts opening up and eventually draws her.

Dallas steals a lot of his clothes,no surprise,but what is surprising is it's from his friends. More accurately those who's he's been in the house of and really less of his friends and more of their dads since he's way bigger than the rest of his friends . A pair of Darrel Sr ‘s shoes from the Curtis house,a jacket from Steve's dad,A belt from Johnny's and so on. It usually gets the last two in hot water and it was funny to the first,until Mr. And Mrs. Curtis passed away.

Steve used to have a dog. Some mutt leftover in a “free puppy box” left on some random street corner. It reminded him of Johnny in a way,and when he whined at him he couldn't leave in behind. He loved that dog and it loved him. Until one day while he was at work the dog chewed on Steve's Dada shoes. When he got back the dog was dead.

Darry is oblivious to any and all romantic interests someone may show them. There's been tons of girls (and even guys) who've come on to him. He was more aware of it when he wasn't working but now he's too busy to notice.

Sodapop sings at the top of his lungs in the shower. It's random songs and he's not particularly good at it. It's annoying every time but especially when he gets home real late.darry just turns off the lights in the bathroom whenever he'd Start so he'd think the power went out and it used to work.until after 5 times soda wised up.

Ponyboy can't sleep in complete darkness. He's always gotta have either the door open a crack or the curtains open. Luckily soda can sleep through anything and the house never seems to get too dark.

Johnny loves books and just stories in general. He enjoyed it when they read Romeo and Juliet in class and all that stuff. Unfortunately, unbeknownst to him, he's dyslexic and that's why he can't read too well on his own.

[nightlyrequiem]

The Canary Cage Chapter 1. Inertia

Masterlist AO3 Next

w/c- 3,436

One meeting in a dingy bar on the cheap side of town. One sighting of you. The raw sadness in your eyes drew Valeria in. A parasite attracted to the taste of your tears. She'll chew you up and spit you out, but what she doesn't realise is you bite back.

A/N: Tags will be updated as chapters progress. Original plan was to outline each chapter but I think if I do that I'll never actually start writing the fic. So I'll just wing it. Also, I rewrote this like four times. Also also, listened to a bunch of Massive Attack - specifically songs from Mezzanine. Teardrop is my personal favourite. Also merry Christmas

Tags/Warnings: Tags Will Be Updated as Story Progresses, WLW, Mental Illness, Unhealthy Relationships, Angst, Violence, Referenced Self-Harm, A Healthy Amount of Self-Hatred

༺☆༻༺☆༻༺☆༻༺☆༻

Manicured nails pick at the delicate, sensitive skin on your lips. Grabbing ahold of a small sliver of it and peeling it away to reveal the rawness beneath. The voice of a siren carries through the smokey bar. Tauntingly caressing your ear drums. In the shadows of the hall leading to the stage you stare up at the woman singing. Harlow. Unblinkingly and jealously. Low bass reverberates through the wood-paneled walls.

In the dim yellow lights Harlow still manages to look angelic. Impossibly soft yellow hair brushed over her dainty shoulders. You tear your gaze away from her to survey the crowd tonight.  It's smaller than usual. Not by a lot, maybe five or so people less than usual. A majority of the patrons are men. Eyes flash in the corner and you meet them momentarily before quickly looking elsewhere. Those eyes aren't for you anymore.

On stage, Harlow bows and blows a kiss.

"Thanks for coming tonight." She calls out in her stupidly soft voice. It grates on your nerves. Subdued applause rings out as she turns heel and walks towards the hall - towards you. You don't look at her as she passes, bumping your shoulder as she does. You straighten out your dress and gloves and walk forward, stepping onto the stage and taking your place Infront of the microphone.

The Fireflower, like most of the older businesses in Las Almas, is old and in desperate need of a new coat of paint. It's had the same owner since you were a child. It's on the west side of town and it's frequented by people that live there too. People who lack much money and choose to spend what they do have on illegally homemade beer that is guaranteed to fry their livers faster than regular alcohol. It is cheaper to produce, however. And when you live in a 'protected' neighborhood where the cartel demands a 'security fee', you have to find ways to get creative with money.

You flash your teeth in a smile at the crowd. Pretending that they're more interested than they really are. One of them is. Peter. He's also been here since you were a child. Often seen slumped over in front of the doors next to a puddle of his own vomit. He whistles and raises his drink in support. Your smile is a little more genuine when it reaches him. You don't bother with introductions. None of the faces here are new anyway. Three songs. Get through three songs then you're free to leave. Go back to your dingy, one bedroom apartment and cry yourself to sleep under the obnoxiously loud AC unit.

It's not that you don't enjoy your job. You like to sing, like being on stage and admired. It's just doing it here sucks out any possible joy that could be found in it. The bar is grimy and falling apart and its loyal patrons match that. You glance over at the corner. Where the eyes were. They aren't on you anymore. Their owner, a tall dark-haired woman, are gazing deeply into Harlow's eyes. Your grip on the microphone tightens, your voice weakening at the sight so you look away. Object impermanence.

Halfway through your second song the doors open and a woman walks in. She's notable because there aren't many women in the bar as it is. She's also openly carrying. She looks around, eyes briefly settling on you before shifting to a man in a far corner. You don't pay much attention to her as she strides over to him. He and the woman begin to engage in what looks to be a very serious conversation. It's not one that lasts long, she jerks her head to the side and he reluctantly rises to a stand. One few too many beers making him unsteady on his feet. He walks out, leaving the woman alone.

She finally turns her attention on you. You're used to being stared at, that's just what happens when you sing on a stage. People have looked at you in all manner of ways. Lustful, indifferent, judgmental. Some people have really intense stares. Ones that you can feel like a hand firmly planted on your shoulder shaking you. Demanding your attention. Demanding that you stare back.

You finish your second song and begin your third and final of your set. You sing it with a little more conviction. More passion. Because a face comes to mind whenever you hear or sing it. Downturned eyes and arched brows. Your eyes shift to the corner where the tall woman is. You don't know how many times you've traced the slope of her nose or brushed her unruly mane of hair away from her face.

You finish the song. Glad to have it over and done with. You bid the audience a farewell before walking off stage. Into the dark hallway. One of the lightbulbs along the wall has burnt out, leaving a dark patch of vague ominousness. You walk back to the dressing rooms. Passing a few of the girls smoking. They don't speak to you, something you're fine with. In the group dressing room, you grab your coat and purse from your locker. Slipping your arms into the cheap, water damaged leather.

You walk back out into the bar.  Weaving around the tables.

"Hey!" A slurred voice calls out your name. A heavy hand claps you on the back and you grimace.

"Hi Peter, enjoy the show?" You ask.

He smiles at you, sun-damaged cheeks dimpling. "I did, come have a drink. Come." He ushers you towards the bar. Reluctantly, you follow. Peter doesn't have many friends.

He pulls out your stool for you and you take a seat. Having to shift to get comfortable. The padding has worn away over the years. Leaving barely any protection between your ass and the hard wood.

"What will you have?" He asks. Scratching his unkempt beard. "My treat."

"Um... just coke." You say. Smiling nervously.

"Coke? C'mon sweetheart this is a bar, you have to drink!"

You shake your head. "Not tonight." You say. You don't like drinking. It doesn't make you fun or sociable. Just angrier and more bitter than you already are.

Peter shakes his head back at you like a disappointed father.

"Alright." He concedes. "I remember when your father used to bring you around here." He sighs.

"Hm. Yeah." You nod. The Fireflower was your father's main haunt and maybe that's part of why you hate it so much.

"He was a good man." 

"He was." You reply. Good, if you weren't his daughter or his girlfriend. Peter claps you on the back again.

"He and your mother would be proud, you've grown into a fine young woman. Too good for this town."

You smile but it doesn't reach your eyes. Your mother couldn't find the time to be proud of anything you did, and your father was incapable of being proud of anyone but himself. Peter lifts his drink in a toast, you lift yours back although you aren't sure what you're toasting to. While drinking, your spine tingles with the feeling of eyes watching you. Discretely you turn to see who it is but can't notice anyone outwardly staring.

The bartender comes back around with a whiskey lemonade and sets it in front of you. He goes to leave but you stop him with a hand, concerned about being charged for a drink you didn't order.

"I didn't order this." You tell him. He nods understandingly. 

"I know, it's from the woman over there." He nods his chin over at the back corner. You tilt your head to see. It's the woman who walked in earlier. She's not looking at you, instead her eyes are on the stage, focused on the other girl singing.

Turning down drinks always makes you feel guilty but it's a necessary evil. Not only do you try not to drink, but you've come to learn that accepting them from strangers leads to expectations. The bartender leaves before you can give it back so you slide it over to Peter.

"If I were given free drinks, you best believe I'd never turn them down." He says, happily taking the glass.

You smile lightly. "They usually come with a price, Peter. Just not one that's monetary."

Peter replies with a low hum.

You stick around for a while longer. Keeping Peter company. You finish your coke and set down your empty glass on the counter.

"I should be getting home now, goodnight, Peter." You say. Your farewell is lost on him as he has already passed out. Head resting on the rough wooden counter. You get up and head towards the exit.

It's cold out. As cold as it can get in Las Almas. You walk to your bus stop and check the app, hoping you didn't just miss the bus. You didn't. A small win for you. You put your phone back in your pocket and wait. Watching a piece of litter drift by aimlessly in the wind. Something glass shatters in the alley across the street and a drunken yell rings out. Somewhere else a girl laughs at something. Down the street Dolly stands. Dark purple dress and extravagant fur coat on display. You watch discreetly as a truck pulls up to her. Watch her walk up to his window and chat. After a couple of seconds, she gets in and they drive off.

It gets to a point where you begin to shiver. Wishing you brought pants to wear over your dress when your bus finally pulls up. 'El Sin Nombre' has been spray painted over its side. Ominously red, the paint having dripped before it dried. You step on and pay the 13.95 peso fee. There aren't that many people on board. One of the few pros of working the night shift is not having to deal with crowded transport. You walk past a slumped over man and take a seat at the back.

It's only a five-minute drive, a fifteen-minute walk if you're fast, home. However, it's not safe to be out past dark. You had a colleague a few years ago, a sweet girl who lived in your building used to walk home. Her weathered missing person poster hangs up on the front of the worn brick apartment complex. You fish out your key and open the door, walking inside and slamming it shut because if you don't it won't close.

You almost trip over a little girl on your way up to your floor.

"Jesus. Maria, what are you doing pout here?" You ask, frowning. What is she still doing up is another question. Maria simply shrugs. As usual she doesn't speak or look you in the eye. You sigh and reach for her hand, which she promptly gives you. The two of you walk down the hall to her door. You brace yourself for what you're going to have to deal with next.

You knock on room 20 and one of the sickly green-blue lights flicker. There are a few seconds of cherished silence before muffled stomping draws closer. Maria tightens her hold on your hand. The door swings open, revealing a very short woman.

"What?" She barks. Glaring up at you.

"I found your kid." You reply, gently ushering Maria towards her mother. She scowls and pulls Maria inside. 

"¿Qué te conté sobre tocar en la sala?" She hisses. There's no idle chit-chat or thanks. The woman slams the door in your face.

When you finally make it back to your apartment, you're exhausted. You've done what you could with the place. Paintings you made yourself to hide the holes, cracks, and stains in the wall. Saved up to purchase fluffy pink rugs to cover the water-stained floors. Fake plants to decorate the counters and shelves because the real things seem to die regardless of how much care you provide them. Still, despite the pink and colorful nature of your living space, it somehow still seems sad and dull. 

You drop your bag down by the door, soon followed by your coat. You promise yourself that you're going to pick them up later, but you know you probably won't until you need them for tomorrow. Tomorrow. You shove the thought of tomorrow out of your head. Shove the fact that you're going to have to wake up, do your hair and makeup, put on a cute but uncomfortable outfit and go back to that sad little bar on 8th Street.

You wander into the kitchen and look around your cupboards for something easy to eat. You find a dubious bag of nuts that you forgot about. The milk has gone bad and you're out of eggs. Looks like grocery shopping is on your to-do list for tomorrow.

You peel off your dress and let it fall to the tiled floor. The water is cold as it sprays your nude form. You hurry your shower. Using up the last of your favourite body wash. You feel like you'll never get warm when you step out. Forcing yourself through your usual routine. Brush your teeth, wash your face, moisturize your body. Finally, you get to stumble into your room and crash into bed. Enveloped by soft pink pillows and sheets, watched over by your childhood stuffed animals. You reach into your nightstand for your pills. The bottle is almost empty. One refill left.

The cycle repeats. You stare out at the crowd blankly before over correcting yourself with a large smile.

"How's everyone's nights going?" You ask. "Good I hope, I know mine is." You broke down into tears ten minutes before this. "This next song is Valerie, one of my personal favourites, always a good time when I get to sing this." You begin the song. Voice far more enthusiastic than you feel. Each note burns your throat and the smell of smoke is worsening your headache. "Won't you come on over stop makin' a fool out of me. Why don't you come over Valerie? Valerie, Valerie, Valerie."

You're on closing shift. Helping the bartender wipe down sticky tables. There's a puddle of vomit in the corner. You pretend not to notice.

"Hey, can you go to the back and get a couple bottles of Smirnoff?" He asks. Lazily wiping glasses behind the bar.

"Sure, Tony." You reply. You set down your rag and walk past him into the back. You watch your step as you head down to the cellar. The wooden stairs are rotted.

Grabbing two bottles you go back upstairs, setting them on the counter for him. You turn away but he stops you.

"Oh, hey, someone left these for you." He says, placing down a vibrant bouquet of roses. You raise your brows. 

"For me? Are you sure?" You ask carefully. Even Harlow, with her angelic vocal cords and appearance to match doesn't receive flowers. Tony pushes them towards you. 

"No other girls here with your name." He replies.

You grab the bouquet with care. Inspecting it. The roses are real and look expensive. You gently trace your fingers over their petals, feeling the smooth velvety surface.

The bus is running late. You shift on your feet impatiently. You really need to get your license. However, you don't make enough to afford a car. Or the car insurance. The distinct tapping of heels approaches you and look over, seeing Dolly approaching you, diamonds glittering around her throat.

"Public transport is so unreliable." She rasps. She reaches into her bra and pulls out a cigarette carton, offering you one.

"No thanks, I'm trying to quit." You say. Dolly shrugs and lights her own. Taking a deep inhale and coughing roughly.

"That's a beautiful thing of roses you got, sweet girl." She says, eyeing the bouquet clutched in your hands.

You smile timidly.

"Thanks, got them from work." You reply, feeling a little proud.

"Wish my customers would give me flowers." She sighs, shaking her head. "Who're they from?"

You shrug. "Not sure. Tony said someone left them for me."

Dolly gives you a knowing smile. "Maybe Tony is the one who gave them to you. He's always been a shy boy."

"Ah, maybe." You say. Looking away. It wasn't Tony. He doesn't play for your team.

Dolly blows out smoke rings.

"Did you hear about the man found in the canal this morning?" She asks.

You frown, feeling heavy. "No. Cartel?"

"That's what the police think." Dolly says. "The man had twelve pounds of coke in his apartment, my guess is that he stole it from them."

An engine rumbles as the same truck from last night creeps towards the two of you. It stops and the window rolls down, revealing the man inside.

He's older than you, younger than Peter and Dolly.

"Thirty minutes with you and your friend." He says gruffly. Before you can even respond Dolly storms up to his window.

"Get the fuck out of here you good for nothing trout." She snaps. "Don't show your face around this corner again. Or I'll have my boys cut off your balls."

"Your boys?" He laughs.

"Eric and Thomas."

His laughter stops abruptly. He narrows his eyes at Dolly, expression dark and cruel. However, the threat that Eric and Thomas must pose seem to mean more than his pride. He rolls up his window and speeds off.

Dolly curls her lip in disgust.

"You have lipstick on your teeth." You murmur.

Dolly swipes a finger over her teeth. "He didn't pay me the agreed amount last time." She says angrily. "His excuse was that I'm old."

You frown. "What a pig."

Dolly sighs, turning to you. "My advice, Sweet girl," She says as your bus pulls up. "don't ever do this line of work."

The next night is the same. As it always it. As it always will be. Walking back to the dressing room you bump into someone.

"Oh, sorry." You mumble.

"Hey."

you look up, downturned eyes, arched brows. "... Erin." You greet stiffly. Erin's gaze lingers on you for a few seconds before she brushes her hand through her dark hair. She nods once and moves past you.

Something venomous coils around your heart as you put on your jacket and pull on some sweatpants. Speaking to Erin has ruined your night completely. Why was she even back here? Probably for Harlow. You scowl and storm out of the dressing room, purposefully knocking into another girl.

"Hey-" She exclaims angrily at you.

You clench your fists as you leave the bar. You lean against the foreclosed building in front of your bus stop. Avoiding the trash littered along its side. You check the app, seeing that you just missed the bus. You feel like crying. You feel angry. You punch the brick building and immediately regret it. Hissing in pain and cradling your throbbing hand to your chest.

"I'd hate to be that building." A smooth voice says. Your head whips up. The woman it belongs to looks vaguely familiar. Dark hair cut into a layered bob, severe brows. She's wearing a dark turtleneck and coat, hands tucked into her pockets.

Your face heats with embarrassment.

"I was just, like, I slipped." You mutter.

Her lips twitch up in amusement. "I broke my hand once by punching a wall." She tells you, leaning beside you.

You flex your hand, worried that it may be broken. It's stiff and sore. "Oh."

"You have a lovely voice." She complements. "Shame you're wasting it on the Fireflower."

You feel slightly defensive at her jab. The Fireflower is rundown, and you hate working there but it's where you've made most of your childhood memories, good and bad.

"It's not that bad." You reply.

"Sure." Valeria nods. "But you're still only making 7,500 pesos, no?"

You don't reply to that. It's not like minimum wage is exclusive to the Fireflower.

"I didn't mean to be rude." The woman says. "Valeria." she raises her hand. You look at it. Tempted not to shake it. You grab it gently, surprised when she lifts it to her mouth, pressing a chaste kiss to your knuckles.

You stare, caught off guard. You're not sure if you're flattered or weirded out. You give her your name and she repeats it, then nods her approval.

"I'll be seeing you around, chula." 

Valeria walks off into the night. Disappearing into an alley. The interaction leaves you feeling disrupted. It was weird. She was weird. But that doesn't stop a butterfly from emerging from it's cocoon within your stomach. 

[genericpuff]

vent post

[fridayyy-13th]

wow. not even a week into college and i'm already behind on work. fucking lovely.

[angorwhosebabyisthis]

[pericky; a look into ricky's head during their meeting.]

---

"I'm glad you came, I wasn't sure you would." The wine pours, the sound of it drowning out the missing word in that sentence: back.

Of course, is the response, and the part of Ricky that's spent twenty years tearing itself apart to understand why vibrates with relief. It doesn't matter anymore. Of course, of course, he thinks giddily along with the words. He never needed to wonder why Pericles wasn't coming back in the first place; he was always going to.

I'm happy you invited me, and of course he thinks again. A lifetime of pretending he wasn't always going to either falls away. However harsh and lonely the world has been, all's right with it again; and the shy voice of the boy inside him that he's tried so hard to kill says, so quietly, I missed you.

[ravenekrops]

so many things to do and so little energy and time and focus to invest in all of them at the same time all the time

[badgirlcoven-official]

This is absolutely not a diss on anyone who did like the Collector's ending there's merits to it and interpretations that make it more reasonable but sometimes idk it's such a let down when you're watching a show about found family, acceptance, healing from abuse, etc and you get attached to this character only to never see them get more than a gentle dismissal.

I have to wonder what kids who are more like the Collector than the other kids in the show or who have similar behaviors because of neglect feel about that ending. Maybe for some of them the idea of leaving everyone behind to be in their own space would be freeing and exciting but it does come with the implication that the Collector didn't deserve to have a real family.

That's what stings about it I think, I know that wasn't the intention but his resolution really kinda was like "ok now take this and go away" in the end he was too out of touch, too powerful, too weird, too messed up, and no one especially wanted him enough for the writers to justify him staying.

[semiotomatics]

GOD im so mad

i only just found out YESTERDAY that hozier is coming here in october, and tickets went on sale on the 24th which means of course they're already sold out and only available at 2-4x face value from resellers. and i'm trying to decide if it's worth it to pay $200+ bc i DO desperately want to see him live but a) that's SO MUCH MONEY for not the best seats esp considering b) its an arena show and i'm really not a fan of arena shows as it is

cursing myself for not going to see him when he played the orpheum in 2018, it would've been way cheaper and that's literally THEE perfect venue for him 😭

[nonokoko13]

Why can't people like a celebrity without imagine them as queer? Can't people like Taylor music without go saying she's lesbian/queer when she hasn't said anything about that. Pretty sure if she was attracted to women she would have already said it 🫠

Even in the hypothetical scenario where she was queer indeed pressuring somebody to come out or out them yourself is selfish, stupid, dangerous, toxic and overall fucked up (-᷅_-᷄)

We have so many queer pop icons out of the closet but you need to headcanon your favourite ally/het as lgbt for...comfort reasons? Just because she's your fav? Because you are queer? Dude she's not a fictional character can you not spread false information or discuss real people orientations and just enjoy their content 💀

all goofing aside I genuinely don't understand the urge to reimagine Taylor Allison Swift as a secretly queer icon when the pop music scene(TM) is like. literally overflowing with women who actually like women. Gaga and Kesha and Miley and Halsey are right there. Rina Sawayama and Hayley Kiyoko and Rebecca Black and Kehlani and Victoria Monét and Miya Folick if you're willing to get slightly less top 100. Janelle and Demi for them nonbinary takes on liking girls. like what are we doing here. like I'm not even saying you can't enjoy Taylor but why would you hang all your little gay hopes on her.

[barin-mclegg]

"Only X people experience Y thing!"

Sure.

You aren't the one that decides who experiences what form of assault, harassment, and other discrimination. I mean, you do, but only on the field of possibly adding to the list.

Literally none of those people care about using the right slur for the right person. It's just you lot.

Sometimes it's your turn to be quiet and support an oppressed group. Sometimes it's not about you.

So like. Maybe shut the fuck up sometimes and have some goddamn respect for your fellow human beings and their experience.

[tardis--dreams]

Wow this really was terrible. I think I'll stay in university as compared to work it seems actually quite nice (:

[ame-to-ame]

Rereading ayaka is in love with Hiroko senpai!!! Last time I read it I don't think it was finished/I didn't finish it but ack. Now I also want to be in love 😭😭😭