#new orleans visual artist

[oddphotos362]

[nr1-logo-design-inspiration]

Creative "S + G" monogram ☆☆☆

[thecoochiefairy]

soon az i get home. onyankopon.

𑄽𑄺 warnings 𑄽𑄺 6.8K word count. blackfem!reader, r&b artist coded! onyankopon, grumpy! onyankopon, sweet!onyankopon, dominant!onyankopon, size kink, black woman, vaginal penetration, lil bit of sweet talkin’, lil bit of aggressive talk, creaming, oral [f], choking, praising, LOTS of dirty talk, squirting, riding, condomless sex, kissing, spanking, minors aren’t welcome!

━━ 𝒄𝙤𝒐𝙘𝒉𝙞𝒆𝙛𝒂𝙞𝒓𝙮 𝙩𝒉𝙤𝒖𝙜𝒉𝙩𝒔 .ᐟ reference to the title, this song did inspire this fic. teehee.

𝓐ᥫ᭡ :: onyankopon pays you a visit when he touches down in the city.

visual. visual. visual.

SHINE N’ JAM LATHERED YOUR FINGERS AS YOU TOOK A FINAL SWIPE TO YOUR CLIENTS HAIR. Bohemian box braids had been the style of choice, 613 the full color from her permanently dyed scalp. It wasn’t a color you would’ve chosen for yourself, but it looked beautiful along her chocolate brown skin. She pulled it off flawlessly.

“Niggas wouldn’t know what to do with me if I could pull off being a blonde,” you sigh, giving a light smile as you’re on the final braid, your fingers moving effortlessly against the hair being pulled between your knuckles.

“They barely know what to do with me as it is,” she playfully rolled her eyes, “How much longer to go?” 

As she held her phone up, you took a peek in the mirror, able to tell she was on FaceTime. No doubt with her man again.

“I’m on my last braid, babe. Promise,” you reassure, knowing you’d said that before. You had a habit of creating more spaces along your clients scalp, unable to finish your work until you felt that the hair looked entirely full.

“You sure?” 

She smirked at you through the side view mirror, her brown eyes twinkling, “The last time you said that, I had to call off work.”

It had only been about six months since you began doing house calls, meaning you were more relaxed in the comfort of your condo—but that didn’t mean you had to drag with your appointments.

“I’m sorry, okay? I know I went over my time a bit. I just want you to feel…” you turn her chair towards the illuminating mirror, mahogany brown wood wrapped along the outside of the LED lights, “Pretty, hm? Tell me you like it since you wanna complain so much.”

“You want to hear that I love it so desperately,” she smiled, standing up from the chair to inspect herself. She didn’t bother with a cape anymore, her black tank showing off her collarbone and arms. The braids fell just behind her shoulders, “You know I love it. Always do.”

She glances back as you begin sweeping strands off the floor, raising an eyebrow, “You’ need help cleaning up for the night?”

“No, no—you’re fine,” you shake your head, “I got one more client coming. Asked me to squeeze him in,” you briefly explain. 

You can feel her gaze against you, raising your eyes to a smirk as you say, “What, girl?”

“One more client, huh?” she folded her arms over her chest, the smirk still there, “Girl, please. It’s after ten,” she lightly laughed, “Who is it?”

You roll your eyes with a sigh. She was one of your regular clients, and you talked like sisters. You couldn’t help but be honest. 

“Look, don’t go opening that big ass mouth. It’s Onyankopon, okay? He still comes back down to get his hair braided by me.”

Everyone in New Orleans knew him—he’d actually been successful in making it out of the city, becoming a world renowned R&B artist. You’d been braiding his hair up for years, keeping the relationship you had with him extremely private as he didn’t want anyone ruining your privacy.

“Onyankopon?—You lying right now,” she gawked, slapping a hand over her mouth, “Nah, I got to take a picture—I promise you I won’t tell nobody,” she bit her bottom lip, “I promise!”

You rolled your eyes, “Girl, no. He doesn’t want people to know his location in the city—he hates that,” you take some Lysol, spraying down the chair.

“Just one picture, beloved, please? I’ll give you—I’ll pay you,” she took her wallet out, shuffling through her cash, “I know the man is finer in person. You be trying to be so secretive with these Niggas—“

She pauses, “Hollon’—y’all got something going on? That’s why I can’t get no picture?”

“Girl, what? No,” you scrunch your nose, “I just do the man’s hair,” you began pulling out the products you needed for the upcoming appointment, now hiding your face from your client.

You wouldn’t say you had a thing with him. Your relationship started the moment he DM’d you. He said he remembered you from high school and asked you to be his braider—he also mentioned you were pretty—but that wasn’t relevant to the situation. With each appointment, you never treated him as if he was some celebrity. He was just…Onyankopon. He liked that about you.

“Aht, aht,” she shook her head, “If it isn’t nothing with that man, lemme’ get a peek then!”

You rolled your eyes, “Now you ain’t getting shit. I’ll see you in five weeks,” you shooed her behind with your hands, pressing the elevator within your condo.

“Whatever, hoe.” 

She stepped on the elevator, looking back at you with a smirk, “You can kiss that tip goodbye!” 

Then she was off, the doors closing behind her. You finally had a moment of peace. You allowed the instrumentals of Brent Faiyaz’ Wasteland to thrum along your living room as you cleaned, suddenly feeling a sense of anxiety. You don’t know why you feel yourself becoming so nervous due to the previous conversation you had—but you felt your stomach bubbling at the thought of the elevator doors opening with him on the other side. You’d never felt like this before.

Then, your phone rings. Your eyes glance down—ONY—it reads, and you have to swallow down the racehorse running within your mind as you mindlessly answer, “Hello?”

“You know I’m coming, right?”

 A deep, monotone voice that’s smooth like butter spoke through the phone.

You almost roll your eyes, “I’m aware, Onyankopon. C’mon, boy. I’m getting sleepy.”

A deep chuckle fills your ear from through the phone, “I bet yo’ ass gon’ stay up for me though.”

You hear the elevator ding and a slow creak as the two metal doors begin to open, the phone and your hand slightly falling as you glance over to the tall figure entering your condo. He’s dressed in a sable jersey with cargo pants, the oversized top still able to show the silhouette of his muscular frame. The tattoos that litter across his arms pop under the lights of your home, silver chains along his neck that match with the watch on his wrist. He smells like a mixture of musk and tonka bean—his fro is sprawled around his head, jaw locked as mint gum is trapped in between his full dark pink lips. 

You sigh in reply to his words as you hang up the phone, “Imma’ do what I need to do to make my money, you know that.”

He shut the elevator doors behind himself, “I know your ass finna’ charge me extra for me being late,” he chuckled, walking towards the chair. He paused in his steps for a moment, eyes raking over your body, “What’s up, baby?”

Baby. It was a simple term of endearment he used, an accent prolific with that specific word. Your eyes run over him—the ink on his face, the goatee and facial hair along his jaw and cheeks, even with his hair sprawled everywhere— he still looked good. 

“Hey,” you give him a faint smile, “Was getting here okay? No paparazzi?” You tease. 

“Nah, not tonight, at least. They been on my ass though,” he huffed, “A nigga can’t even go get a carton of milk without somebody following me.”

“They’re just excited, Ony,” you give a soft laugh, reaching into your drawer of supplies as you pull out a rat tail comb, “Did you wash your hair already?”

He nodded to show you he had, sitting down on the forest green chair. You never understood how someone like him could be so intimidating, his gaze being enough to make you crumble on the spot.

On the other hand, sometimes he wondered if you knew what you looked like. Strawberry red hair falling in layers down your back, no middle or side part within the style—it just flowed wherever you went. Your army green baby tee and matching drawstring yoga pants that clung to your body, and you always scented bergamot with a milky vanilla. The cute way your black square glasses always tipped at your golden nose ring, it made you so— pretty. 

“Why are you in town anyways? You got’ a show or something?” You ask him, going over to your kitchen island, washing your hands of the previous grease and hair products used on your last client.

“Doing a lil’ sum’ at the Smoothie King center, nothing too crazy. I’m surprised you ain’t hear about that,” he glanced towards where you’d been, only able to see the back of your head along the mirror, “But you stay under the rock. I ain’t even gon’ hold you.”

You come up behind him as you shake your head, “I’m sorry. I ain’t mean it like that— I just hadn’t checked your socials since you texted me asking for an appointment,” you apologize, not trying to seem indifferent to his status, even if you knew he didn’t care about that.

His head tilted, his eyes narrowing as he looked at you with a small smile, “You always apologizing,” he muttered, reaching his hand into his pocket, “You needa’ stop doin’ that. I know you got me when I come here. I ain’t tripping on that.”

Your dark lashes flutter, your reflexes pushing your glasses closer up against your face as you feel your cheeks becoming warm. You instinctively dig your fingers into his scalp, pulling at the soft coils to assess his hair, “You’ still tender headed?”

He smacked his teeth before giving a small wince at the sting, “You’ don’t see me about to cry?” He glared, “You a pain,” he huffed, tilting his head to look back up at you, “Why you always tryna hurt a nigga?”

You roll your eyes, “Ony, please. It’s only been two months since you last saw me,” you stare blankly through the mirror, mentally preparing for the fight he always gave before you actually started.

“I don’t like you no more. You hate me. You tryna test me,” he began, going down a small list of your wrongdoings, “I’mma’ find another braider. You want me to feel pain.” 

He saw the look in your eyes, his large hands already gripping the handles of his seat. Every appointment was like this, and you knew it. He got comfortable around you—more than he should’ve—maybe it was because you grew up around each other in high school. He knew you—and you knew how to be patient with his ass.

You flip the rat tail comb in your fingers, “You need the teddy bear I give my babies that can’t handle getting their hair braided?” You raise an eyebrow, “You’ getting on my nerves already, boy.”

“I ain’t no damn boy,” He gave you a stern look—but it only got you to smirk. He grumbled under his breath, turning his head back towards the mirror, “Do yo’ thang.”

You begin parting his hair into six straight backs, PARTYNEXTDOOR 4 now playing each song throughout the album, humming quietly in the background. You were always efficient with your fingers, swapping product in between his scalp the millisecond after you parted. He was sensitive when it came to his head, but after about ten minutes, his jaw clenched as his eyes closed, relaxing under your touch. Sometimes he’d even fall asleep, and you’d just adjust to how he laid in that moment. 

You ask him, “You’ excited for the show?”

Though his eyes were closed, he nodded his answer, a low hum in his throat. You honestly loved when he got like this—his head would drop to the side, allowing you to braid easier. He trusted you. 

“They gon’ go crazy,” he mumbled, the corner of his lip lifting up in a smirk.

“I’m sure,” you muse, “The women love your big headed ass.”

“The niggas fuck with me too,” he smiled, opening an eye to look over at your reflection in the mirror, “You don’t like me?” 

You glance at his opened eyes through the mirror, still continuing to perfect the parting spaces in his head, envisioning the style as you softly reply, “I like you. You know that.”

He was always able to see the way you held back your smile, but his grin only widened as he looked at you. 

“I know yo’ ass love me,” he began, “All up in my hair, touchin’ me and shit.”

“Not too much,” you laugh, “I touch you cause you pay me to. Them’ girls outside would braid you’ up for free, I don’t play like that,” you smack your lips, “You’ seen your family since you been here?”

His grin faltered in the slightest, the question souring his mood. You’d grown to learn it was a sensitive subject—especially for a young man who wanted the world, but only had a couple people in his corner. You could see the way his facial features turned stern, Onyankopon chewing on the gum in his mouth before he opened his eyes, looking in the mirror to answer. 

“Yeah,” he muttered, “Spent some time with momma before she had to go to work. I got to visit my grandma for a little bit too. She always askin’ about you.”

“Bout’ me?” You raise an eyebrow, “I thought you ain’t tell nobody you came over here?” 

But that wasn’t what you really wanted to say. It made your face a bit warm to know he’d mentioned you to his family. So you clear your throat, knocking the warmth of your face away as you correct, “I ain’t know your mawmaw remembered me.”

“‘Course she remembered yo’ ass,” he grinned at the sight of you blushing—he always did manage to make you do that. 

“Always said you was built like a grown woman, pretty in the face. Real smart, she knew you’ was gon’ be somebody.”

“She’s sweet,” you giggle, “I’m sure she thought I was one of them’ fast tailed girls tryna get your attention.”

“She knew better than that. When did you ever try to get my attention?” He challenged, staring you in the eye. It was a question he’d always had on his mind, but the fact that it finally came from his mouth made the words almost feel tangible.

You think about the question for a moment, beginning to work on the braid closest to the shell of his ear. You pull his head back a bit to start at the root, your scent wafting along his face as you hum, “Mmm, I always thought you were cute. But you know you’re cute, you didn’t need another girl in line to tell you that. I wasn’t tryna’ be a groupie. But you always had a nice voice, and loved the spotlight. It was meant for you.”

He was a grown ass man—nearly nearing thirty, which had passed the age of embarrassment. But you could see the slight tinge on his cheeks, his ears flushing red for a moment before his mouth curved into a grin. 

“You like me, huh?” He raised a brow, looking down into his lap to hide the smile on his face. That’s when he noticed the time on his phone, glancing up into the mirror, “Damn,” he huffed, “I’m bout’ to be here all night wit’ you. You needa’ get faster.”

“If I go faster it’s gonna hurt,” you remind him, looping the hair in your fingers just a tad bit tighter, watching as he grimaced in response.

"Ayo!" He flinched, reaching back to try and pry your fingers off his head. You were quick to let go in response, but it proved your point. 

“You don’t got’ to pull like that…” he groaned.

“You gon’ let me do my job?” You raise an eyebrow, “You’ being irritating. I’m not the one who came over ten at night, Onyankopon. You’ got somewhere to be?”

He smacked his lips again, “I was just sayin’...“ 

In truth, he wasn't trying to leave your place immediately—he wanted to be around you. You always seemed to know exactly where to touch him. That, and your perfume always made his head spin.

"You gon' tell me who you dating, or you got a line of niggas?" He countered, his gaze meeting yours through the mirror.

“Nobody at the moment. I’ve been too busy with work,” you reply shyly, finishing up his first braid with a tight end, moving on to the second patch of hair, “My male clients usually have girlfriends—who want to be on the phone the entire time to watch me,” you chuckle.

“So that means you ain’t gon’ give me no love?” He grinned, reaching a hand behind him to press against your thigh, squeezing it gently. Your entire body shivered at his warm palm along your skin, the hand nearly wrapping against your entire leg. 

"A nigga just want to talk to you, be on you. You be’ all shy and shit," he grumbled, "Maybe I will find another braider for real, yo' ass stay bein' mean to me."

You giggle at his touch, even if it makes you nervous—maybe a little horny. You smacked his hand away, “So you flirt with all the people that work for you? That’s what I’m getting from this.” 

“Nah. Just you,” he replied without missing a beat, a confident smile on his face. “C’mon, say somethin’.”

You didn’t even need to look into the mirror to know he was staring at you—that alone made your insides twist. 

A loud sigh left your lips as you shook your head, “You’re gonna mess around and get yo’ feelings hurt. I’m just doing your hair, Onyankopon. You’ll have thousands of girls to choose from at your show tomorrow.”

“We ain’t talking about them. We talkin’ about you.”

He wanted you to look at him. But he knew you wouldn’t do such a thing until you finished his hair. 

So he relented, pulling out his phone to check his messages—there wasn’t much to see, though. A silence had become between the two of you, comforted by the music playing in the back. His fans had been bombarding his team for the past few days, ever since the news of his new album came out. And, sure, he’d be surrounded by girls tomorrow. But those girls weren’t going to be you.

“You gon’ be at my show since you know about it now, right?”

You were now on the fourth braid, pulling his head back a bit to look at his face. Your eyes narrow, almost having the urge to roll them as you say, “You know I don’t have a ticket, Ony. I’ll watch it after it’s posted.”

He looked up to see the scowl on your face, a laugh escaping his lips, “Don’t even worry about all that. I don’t want you watchin’. I need you there.” 

When you reach out to knock the side of his head, he catches your wrist, bringing it to his lips to plant a sloppy kiss there. Your heart hammered beneath your chest, an unsteady thump resounding through your ribcage.

“You smoked before you got here?” You question, “You’ real touchy—feely today.”

He grinned in reply, “Nah I didn’t, maybe you’ just real fine today. Every day.”

He was laying it on thick. The worst part? That it might’ve been working. You’re now on the final braid, your body unfortunately hot, and a throb between your legs at the sight of him. He was murmuring the music to himself, his deep voice now ringing in your ears.

“You want me to line you up after I’m done braiding, or are you gonna do it yourself? I bought new clippers,” you ask softly, fingers swiftly pulling his hair into a neat bind.

He looked at your reflection, watching as your fingers moved swiftly through his hair. The feeling was pleasant, the sound of your voice even more so. 

“You always do it fine, so yeah,” he murmured. 

The next time you’d reach for his hair, he’d stop you—his hand cupping your wrist to bring it down to his chest. 

“I appreciate you, you know that right?” His voice was low, but you could still hear the sincerity beneath his words. He was staring at you now, his eyes warm.

You blink a bit at his words, and the sincerity makes you smile innocently. 

“I know that,” you nod, “I’m glad you trust me enough to keep coming back.”

His free hand came to cup the side of your cheek, feeling your soft skin beneath his tough palm, "You got some soft skin," he murmured as he stroked your cheek. His thumb lightly brushed your lips, "Pretty lips too, y'know that?"

Your heart is hammering in your chest at this point. He’s fine, full lips moisturized, goatee and facial hair aligned perfectly along his face, jaw structure deadly for him to have his hair braided back. His brown skin was clear—fucking hell. 

You give a nervous laugh as you try to pull yourself back, “…You’ still got one more braid, Ony.”

"You sure you wanna keep going?" He questioned, "You lookin' like you want something else right now."

Your mouth parts a bit at his words, but quickly closes as you try to figure out your reply. You then say, “Yeah, I’m almost finished. I know you’re getting antsy in my chair,” you pull yourself back behind him, quickly maneuvering into finishing off his final braid.

He had to give it to you—you were hard to crack. But that didn’t mean you were good at hiding it. You watch his face become more serious than you’d ever seen, it’s a mixture of something—admiration, lust, need. 

"Yeah, aight. Line my shit up. We gon’ talk.”

You can feel your nerves bundling at the pit of your stomach as you finish off—a tension now palpable in the air. Clippers buzz along his hairline as you lean yourself  close to his chest to get a good angle, your body feeling warm as you’re close to him—you adjust yourself as you softly say, “…Sorry.”

“Nah, you good. Come closer,” is what he says instead, reaching a hand out to grasp your thigh. He grips you gently, but firmly, to get you closer to him. You’re in between his legs now, which he spreads a bit further so you can settle in.

Your hands are trembling. You usually had no issues with this part of your service, but the tension was becoming heavier second by second. You exhale a bit, breathless in your nervous giggle as you confirm, “I’m gonna put some oil on once I’m done—loosen up your braids a bit, okay?”

“Take your time,” he murmurs, voice smooth and low. 

Slowly but surely, he begins to rub his hand back and forth against your thigh. Eventually, it begins to move towards the inside of your thigh, rubbing at the flesh there. You bite your lip, trying to fight back the desire to whimper. 

“You’ quiet now, what’s up with that?”

He’s really getting to you. The simple touch makes your eyes want to roll back. You admit, “Just tryna’ focus while you’re being distracting.”

“I ain’t done nothin’ but rub on you, you’ really that sensitive?”

His lips brush the side of your ear, his warm breath tickling your neck. “How I look, mama?”

You wanna pull back from him, but you’re unable to. You quickly snatch the clippers back as you sit them on the small table beside the chair, giving him a warning look as you caution, “Ony.”

“Why you sayin’ my name like that?” he grunts, fingers gripping the back of your thigh, holding you there. 

“C’mere—Lemme’ taste you.”

You breath hitches at his words, and your mouth is only centimeters from his. Your hand finds its way to the fabric of his shirt, gripping the cotton fiber as your voice is weak, “C’mon, Ony. Stop playing.”

His eyes are hooded at this point, “Who playin’?” 

His mouth captures your bottom lip, slowly dragging it between his teeth. You actually whimper at the feeling, your thighs squeezing together beneath your shorts. Pulling you fully onto his lap, he kisses you, not letting you pull away as he cups the back of your head to keep you there. His tongue is rough inside of your mouth, a satisfying hum heavy against your lips as he makes out with you.

You’re shuddering against his mouth, a frown pulled at your eyebrows at how good his kiss is. It makes your entire body thrum, clutching the material of his shirt even tighter. It’s like you’re having an orgasm—all he’d done was kiss you. 

The heat of his skin, the smell of his cologne is all intoxicating. He’s pulling your head back so that he can kiss your throat. His lips are smooth as he’s sucking the skin—your body feels like jelly. 

Your hand clutches the side of his neck, “W—Wait Ony…mmph,” ” you pant. 

When his mouth comes back down to meet yours, he kisses you deeper, groaning into your mouth. You attempt to keep him in one place, but you know you don't have the strength to keep him from having his way with you.

You gasp softly as he tugs up your baby tee, brown nipples dropping straight into his mouth the moment he drags his tongue out to catch them. Your eyes lock down to the way his mouth moves—it’s effortless. 

You’re latching along his hair, trembling above him as you suck air down your throat, “T—They’re s—sensitive…” he’s lapping your breast into his mouth, your skin becoming hot on his taste buds.

“Got a nigga acting greedy as fuck.” 

He’s almost mad at the sight, sucking harshly and letting your nipples drop out his mouth, milliseconds later catching your entire breast back in between his full lips. The skin is starting to bruise, your legs squeezing against his lap as a deep relaxation comes over you, a warming tingle in your spine.

You were writhing on top of him, your hands gripping his shoulders tightly as he sucked and nibbled on your nipples— you’re trembling, “Oh god... oh fuck..." you’re panting as if you’d run a marathon, biting your lip as you felt yourself growing wetter and wetter between your legs, “Don’t…stop…”

His mouth was almost aggressive at this point, a loud popping sound leaving his lips each time he pulled away. The music within the room is dousing your brain. 

His voice was low and raspy, "You look’ soooo muhfuckin' sexy right now. Take all this shit off. Need you naked as fuck.” 

He reaches down between the both of you, pressing his palm against the front of your shorts, the contact making you whimper as he groans, “Ooh shit, pussy drenching them shorts—I know that shit glistening all pretty. Nasty ass bitch,” The heat continuously develops in between your legs, wetness creating more and more by the second. 

He starts rubbing his hand against you, back and forth, the heel of his hand grinding against your clit. It’s making your head spin, your hips move with his hand, whining softly as he starts kissing you again, lips soft against yours, sucking your bottom lip between his teeth.

Dark brown eyes stare into yours, his expression serious—intense. You jump as he slams his palm down on your ass, grunting, “Up,” your body complying as you stand halfway above him to remove your shorts, allowing your top to quickly follow— you’re now completely naked on his lap.

He’s nothing like you had before. With that, he dips his hands in between your legs to pull you back up in a standing position against the chair, palms locked against the back of your thighs as he scoots himself lower, tugging your body down so quickly that your entire pussy rubs against his jaw. 

A mixture between a deep chuckle and groan comes from his mouth as he’s already running his tongue chaotically against your clit. Your lower lip drops open as you gasp, pressing yourself into his arm to not fall, riding his face within the air.

His mouth was a mess as he grinds you down on his tongue, so deep in between your folds that he’s tasting himself. His tongue was strong, heavy, eyes closed as if your body was a rarity. Onyankopon’s facial hair was coated, dripping against your thighs as he eats you out. He was being lazy with it, almost too comfortable within the chair, hands digging into the back of your thighs as he forced himself deeper, nose pushing against your mound. He was choking on your pussy—but he was enjoying every single bit of it.

“Oh— my g—god!” you pant out, gasping in between, “Ony…ohshi—Ony!…” he’s bouncing you against his face, using his free hand to spank the skin of your ass, flesh shaking in his palm. You’re losing nerves in your brain, dropping your face down as you whimper, “You’ in my pussy, baby…fuck…”

“‘Could tell you ain’t never had a nigga eat you like this—shit a muhfuckin’ delicacy, I’m just slurping this shit the fuck up—fuckin’ love this shit," he said, moaning it, slurping, slurping, his voice was almost like a murmur, "Fuckkk, imma’ have you squirting on this big ass dick."

Onyankopon was growling against your clit, a wet noise coming from his lips as he sucked on you, his mouth covered at this point. His hands were grabbing at your thighs, spreading them apart so he could see your juices rolling down the skin.

There was a rhythm to it—his mouth moved like a metronome as if he were making a song, a steady beat as he eats you out.

He was almost high from the taste, his mouth watering as he lapped up everything you were giving him. His chin was daubed, tongue flicking up to catch a bit of the spit as he was using it to lubricate your pussy, trying to make it easier for his tongue to slide inside. Again, again. 

His tongue is long, rolling around from the bottom of your entrance all the way up to your clit. He's eating you like he loves you, mouth open, tongue sloppy, just groaning,  licking—you’re feeling faint. 

He was making a mess of your pussy. 

Your eyes are rolling at this point, a discomfort beginning to form in your legs from the way you’re hovered above him. But it’s all so good—you’re spinning. Shaking. Trembling. All of the above. 

“Ony….I t—think I’m cumming,” you softly cry, beginning to rotate your hips in a circle along his face as you weakly whine, grasping a hold of his hair as you whimper, “I—I’m c—cumming…”  

“I hear that gushy ass pussy, that bitch singing to me.” 

At that second—you hear yourself gush against his face, squeezing your thighs against his head, body shuddering like a harsh chill had taken a marathon against your spine. You’re robbed of time to come down from the orgasm, Onyankopon pulling you back down to sit along his lap as he grunts, “Come pull this dick out.”

You whimper in response, dipping your fingers into his pants nonetheless. Your acrylics graze against the hefty weight of his tip you feel for—and it’s big. 

You’re pulling, pulling for more than two seconds, watching as it slaps a little over his belly button. Dark pink, a beautiful brown matching his complexion. Your eyes widen a bit, the gasp your throat that wanted to release now caught in his palm as he’s holding you by your neck. 

He tugs you forward, “Spit in my fuckin’ mouth.”

He’s nasty. You pull him into a sloppy kiss, letting your saliva run against the tip of your tongue, meeting with his mouth that makes him glare at you, “Freaky ass lil’ bitch, huh? I’m finna’ do you in witcho’ pretty ass. Come sit on this shit.” 

“Too big, Ony…” you whimpered before you thought about your words, knowing he was already arrogant. 

And you weren’t wrong for thinking that. His mouth twists in amusement against the shell of your ear, hand rubbing along the curve of your ass before smacking it, “You either gon’ bend over so I can watch my dick go in and out this pretty ass pussy, or sit that shit on me.”

Your eyes glance back down—his dick was standing straight up, swollen at the tip, thick veins running across the shaft, and a toned belly for you to grip onto. But you knew he wasn’t repeating himself. 

He murmurs, “Go slow, baby. I got you,” easing your anxiety, moving his hand around to the back of your neck, pulling you into the softest kiss he’d given you this entire time.

You adjusted your hips as you rubbed his tip along your folds throughout the kiss, mouth falling open as you whimpered again, his throat humming, nodding gently for you to continue. Your folds stretch apart as you begin sinking down, keeping yourself kissing him to distract from the immediate discomfort you feel. You pull your mouth back slightly to press your forehead against his, also holding the back of his neck as your breathing becomes chaotic, chest heaving a bit as you whisper, “…Oh my…” you suck in a breath, “goddd…” you drag your words so lowly, and he hears every syllable.

“Yeah?” He grunts, “Why you’ squeezing’ my shit like that?” 

He’s cooing to you. His balls slap lightly against the weight of your ass, hearing the slick of your pussy as he pulls you back up. Onyankopon dips his fingers into your mouth, coating them before he lowers his hand to massage your bruised walls for a millisecond, making it easier to push his dick back in.

He helps ease you back down, fingers rubbing at the back of your hips as he drops you fully down his length. Your eyes clamped shut as you cried out, eyes rolling as you dragged out a whine, “Onyyy…” all while he sucked on the spot between your neck and collarbone, moaning into it to keep you open. 

You pull your face back to meet him, keeping your foreheads connected as he begins raising you halfway up, dragging you back down, dick disappearing between your thighs. Your arousal is splattering in between your skin stuck together, ripping apart each time you’re pulled back up, clapping as you come back down.

“This all you needed, needed this pussy played with. Shit pretty as fuck. Makin’ art on my dick.” 

He was getting used to the rhythm, leaning his head back against the seat to look at you. His hands were planted on the back of your thighs, the muscles rippling as he helped pull you back up before slamming you back down, his mouth open, eyes half-lidded.

He was watching you—The way you were crying out, the way you were cursing him out, the way you were begging for more, and the way you were fighting for breath.

He was watching it all—taking it all in. You were perfect. 

Each time you protested, “Babyyyy,” he tugged you down harder, the pressure rubbing against your pussy, the warmth of it making you shudder. He’s talking, “I hear you, Mama. Fuck, you drenching my shit.” 

His hands were firm against your hips, helping to guide you up and down. He was almost wrestling you, a dominant nature he had coming out the longer he fucked you. Your ass is applauding against his thighs, breasts bouncing, your mouth releasing breathless sounds you’d never heard before. It makes you feel like those final nerves within your brain were no more, wrapping your arms around his neck as you let him take you—pouting as you talk to him, “This your pussy baby…” you whine, softly crying, mewling the words to him. You’re making promises.

“That’s how you feelin’?”

He slides his palm against your asscheek, gripping the skin there as he moves his index finger over your hole, the feeling making you tense. You lean yourself forward a bit as he’s nudging the tip of it into you, using the rest of his fingers to keep you bouncing down. You whimper deeply, the pleasure and pain knocking you every which way as he’s filling you up in both places—he was trying to kill you.

Nonetheless, you keep yapping, “Your fuckin’ pussy, Daddy…gonna come to your show…”

You drag your tongue along his neck, sucking there petulantly as you look down, seeing as you cream on his length, coating the shaft white. You’re so horny, even if he was fucking you at this exact moment.

“No you not. Finna’ be sleep all day after this,” he grunts, “You creamin’ on my shit. Pretty as fuck.”

His hand wraps around the back of your neck to pull you down for another heated kiss, sucking the taste of yourself off your tongue. His other hand held you by the hip, moving you faster, finger thrusting in your hole deeper.

He’s strong—in lost time, he stands from the chair as he places your legs over his shoulders, taking a step forward to place you right along the mirror you used to show your clients their finished hairstyle. He was tugging at your neck, making sure you were locked in his arms as he began dropping you on his dick, making you squeal, a moan spilling from your lips as you whine, "Oh shittttt.” 

“Look at you, fuckin’ bad girl. Yeah, look at me, look at you, look at that shit gushing for me.”

He was pounding you from the bottom, his balls slapping between your folds, your arousal making the sound reverberate through the room. A feeling you never felt before surrounded your aura, a pleasure so good that you felt emotional, your eyes beginning to form tears as you suck in a breath, releasing as you sobbed, “Ugnh, fuck.”

He’s fucking you so hard that the mirror across began steaming up, showing only a faint outline of your body. You flick over to it, seeing the strawberry tresses of your hair sticking to your face, your expression ruined. 

Your mouth was dangerous as you writhed, “Ony,” a way that was close to a shout, talking through each thrust, “Love. This. Dick. Baby…”

His mouth came to yours to stifle the sounds, hand clamped around the back of your neck. His teeth were scraping your lips, his tongue slipping inside to fight yours as he’s pounding you in place, the sensation making you shake.

"You gon' cum? Gonna squirt all over his dick? Pussy gettin’ tight as fuck…damn…” he groans, locking his eyes down to see himself go in and out, in and out, in…and out.

“Gonna squirt all over you,” you sniffle in a small gasp, unaware of your own mouth at this moment, “Harder—please…” 

His mouth was a mess, tongue thick and long, lapping against your neck and collarbone, sucking the skin there, his mouth wide open, slurping the taste of you up. He squeezed your hips so hard that you were crying out. He was slamming himself into you, a groan of pleasure spilling from his lips as he buried his face against your throat, sucking it up as he grunted, “Finna’ have you at every fuckin’ show. Up in the private rooms, gon’ fuck you after every song.”

You’re gone, becoming entirely silent as your eyes are filled with tears that wouldn’t stop, nodding your head to every word as you hold onto him. The silence, listening to the sounds of your skin coming together in music, a sound rips from your throat before you could realize—pure bliss, a scream projecting out as you squirt, the arousal spouting, pushing him far enough for his tip to now be halfway in. Your body feels exhausted, eyes back into staring inside your head as you cum. 

And it broke him, he was moaning into your throat—mouth open, eyes closed, pulling himself out as his tip rubbed against your inner thigh, cumming against the warm skin. Your body was tired, exhausted, satisfied. 

You struggled to keep yourself wrapped along his neck. As the both of you caught your breath, you brought your eyes up to him, using the last bit of strength you had to give him a soft peck against his lips. Onyankopon couldn’t help himself—You looked so pretty at this moment, yet the innocent kiss makes him chuckle lowly, holding you up more as he questions, “You aight’?”

You press your face within his neck as you murmur, “Mhm,” your eyes feeling heavy, “Don’t think imma’ make your show, Ony…” you pout sleepily.

He laughs at how cute you were being—it’s a stark difference from your usual reserved demeanor. 

“It’s straight, baby. You’ll be on my mind the moment I get there—that’s fasho.’” 

He pecks your forehead, “You want me to stay tonight?”

Your eyes won’t open at this point. You could figure out the meaning of this moment later. You just wanted to be wrapped in that damn scent of his—tonka bean.

“If you’ actually plan on sleeping, you can stay…” 

“Damn, no late night nookie?” 

“Onyankopon.”

“My fault. Night, shawty.”

[interact-if]

Black History Month Author Spotlight: Lapin

To kickstart the Black History Month Author Spotlight series, I'd like to introduce everyone to our first IF author, Lapin (@harlequinoccult)!

(I had a ton of fun reading Lapin’s answers, and I’m sure you will too! Read on for a celebration of ‘weird,’ Lapin’s Black southern gothic / horror influences, and how a D&D game could lead to interactive fiction!

Lapin, thank you again for your candid, humorous responses, I am very honored to have gotten to know you better :D)

Author: Lapin

Black creole and cajun, artist and writer, and wannabe game developer

Games: Slaughter Squad (Horror, Slasher, Romance)

Synopsis: YOU HAVE A HUNGER A HUNGER THAT YOU’VE BEEN NEGLECTING For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your.....”Associate” Carter “Dollface” Abernathy. Who is a murderer, and quite frankly, a sloppy one at that. And you’re the accessory to his crimes. No matter what way you’ve gotten to know the man, or how you feel about him, you’re stuck with him, and stuck with just being his little “helper” ........Or are you? Especially when you’re suddenly given a....Unique opportunity.

Games: The Valley of Luck (Fantasy, Adventure, Romance)

Synopsis: The Valley of Luck was said to be a myth. Something that grandparents would tell their grand-kids around a campfire. Even those who worshiped Lucian, The God of Luck, thought it nothing but an old wives tale. Until, one day, a man with an arm made of solid gold started telling people that he'd been there, that he'd seen the Valley. Word spread quickly, and suddenly, every continent was alight with the rumor that The Valley was real, that it could give you all the riches you could ever want, and then some. However, your quest, whether related to The Valley or not, will lead you down a much stranger path.

Quote from the interview:

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household… Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. … I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs….I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

Read on for the full interview!

Tell me more about yourself! What are some things new readers or long-time readers might not know about you?

Both parts of my family are 100% from Louisiana, New Orleans and the deep south. My moms side have been there so long, we have two streets named after us.

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

My main project, of course, is Slaughter Squad. I love slasher movies and horror media in general. But what I always noticed with horror/romance, at least in the visual novel scene, is that the main character is nearly always the one getting screwed over, so I thought, well, what if the bad guys actually are your peers? How would this dynamic change if they don't see you as prey? I never thought that premise would appeal so much to so many but hey, I can't complain! I adore seeing people having fun with the silly little concept I had.

Now, my secondary project, The Valley of Luck. Some may not know this, but this story is based off of a D&D campaign I DM'ed back in the day with my friends. All the ROs are NPCs that my friends had, or where going to encounter. I won't lie, I did shy away from it and changed some things when the whole debacle with Wizards of the coast (the company that "owns" D&D) Where making some...questionable decisions. But this story is my baby. My first born. This one has been in the works far longer than SLSQ and has a lot of background lore that I hope I get the opportunity to share.

I do have a few other projects bumping around, One I am particularly excited for, But that one will have to wait a little bit~

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household. I never felt that I truly had a sense of identity until that household inevitably split up. Everyone talks about being the weird kid in middle school, but no one mentions being the "normal on the outside but wants to be the weird kid so bad its painful on the inside but can't because you were told that stuff is 'white people shit' " type of kid.

Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. I was a little shitter on the internet, I can't lie about that, as much as I want to. But I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs....I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

Let your characters speak through you like you're being possessed by a demon.

What’s the one thing you’re really proud of that you’ve written so far? Do you have a favorite character or scene that you’ve written?

I am so serious.

is it wildly inconvenient? yes. does it help your writing a ton? also yes. Doing Roleplay with friends is a fantastic way to learn to do this. being a DM for a D&D game has basically made it so characters can simply speak from my brain at any given moment. It's also annoying because some of these people do NOT shut up. Learning how a character would react on the fly does wonders for dialogue writing and character analysis. Roleplay with your friends, or hell, strangers who are down to clown that could become friends. Be cringe. be free.

I love the opening to Slaughter Squad and if you told me to rewrite it with a gun to my head I would tell you to shoot me. I love how punchy it is and it came out exactly how I wanted it to. I don't play favorites with characters (<- lying) but my two favorites to write are the stinky little bastard cat Sterling in TVoL and.....Carter, from SLSQ. I love writing complete bastards. One being lighthearted and gets a pass for it because he's just a kitty cat and the other you want to actively beat his face in with your bare hands. It's SO funny.

If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?

Write. Write it now. Doesn't have to be good doesn't have to be polish all that matters is that you WROTE IT. All the bells and whistles can come later!!!! Stop thinking about the later and think about the now!!!! Write what you love and never give two shits about if it's cringe!!! Be excellent to each other!!!

Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?

GO LISTEN TO CHROMAKOPIA BY TYLER THE CREATOR RIGHT NOW!!!!!!!!!

This-or-that segment: (bold = Lapin’s pick)

Coffee or tea?

Early mornings or late nights?

City or countryside?

Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)  

Steady progress or frenzied binge-writing followed by periods of calm?

Summer or Winter?

First drafts or editing?

Introvert or extrovert?

Plotter or pantser?

Characters or plot first?

Lapin’s custom “this-or-that” pairing: Rain or Shine

More on Black Southern Gothic:

Black southern gothic can vary a lot, but when I think of it, I think of old semi abandoned wood shotgun houses in the swamp, all white tiny baptist churches where the white paint is peeling from the heat and humidity, riding horses down a dirt paved street while people still ride by in their old busted down 1960s chevys. Old plantation houses that have been reclaimed by the swamp. The dark, humid heat of the night on a street with no streetlights. Every house you see is absolutely haunted by something and not just ghosts. Voodoo and hoodoo is different than what people will tell you it is.

Sassafrass, Cypress and Indigo by Ntozake Shange, Sing, Unburied, Sing by Jessamin Ward, and anything by Toni Morrison 100%.

[mr-laveau]

A little NeXus Lore Tidbit

Here's some canonical info we know about some listeners + added lore about them that you won't get from the audios, directly from the discord:

Hot Shot - has a pair of strong arms, aether, visually defies gender norms in their appearance, secretive, asks a lot of questions, orphan, preference for earth elemental magic, smart and athletic but not very active in sports

Cher - has one arm, also secretive, does not have a green thumb, protective alpha, empathetic to a degree and is an artist who can still draw alright because they hadn't lost their dominant hand

Pet - smoker, just moved out of their home to New Orleans, best friends with a dog shifter, drifter telepath, now a vampire and was actually a very good cook

Sherlock - sneaky, mischievous, strategic, put together, a vampire who's over a century old, works as a freelance night guard and has actually family in new Orleans they don't talk to

Bud - Shape shifter, more withdrawn but can be firm, was bullied in AMP for a time, senior year student, works as a teacher's aid and has a custom coffee order that's too long for any person to actually think it's sane.

Trouble - daemon turned werewolf, rough around the edges, withdrawn, stubborn and does not like being touched without permission

Liege - talented liar, gaslight, gatekeep girl boss(gn), has committed several crimes, telepath, canonically has no issues with murder or blackmail, seems to know things about the criminal underworld and they have a bunch of playing cards they keep on hand to play solitaire

Seaweed Brains - shape shifter drifter, has not yet been fully registered, reckless, studied marine archeology in college, experimental, loves horror books and has a hard time putting names to faces if they're not close to someone

Angel - hacker, hard ass but cares, very intelligent, has a righteous streak, is pretty well known online and owns too many hoodies to make this look healthy

Best friend - dog shifter, has been a part of the garroway pacl for a while, protective, loyal, tough & intimidating and is a gym rat-or dog

Rascal - troublemaker, adventurous, solid leadership qualities, pretty down with cases of murder, married, most seen with a handkerchief over their mouth wild west bandit style and they are more fashionable than Joseph as shown by the many cowboy hats they keep on hand

Genius - stubborn, incredibly smart, does not know how to take no for an answer, loyal to a fault, not reckless all the time, daring, does not realize their own circumstances until it hits them like a brick, inventor and does know how to fire a gun because of their brother

Doll - married, loyal to a massive fault, ex-cop, very empathetic, community oriented, idealistic in some sense and they are an avid reader who prefers historical romance and non-fiction

Tanker - scientist, earth elemental, smart but also a bit of an ass, mischievous, does not hold themself in high enough regard or their achievements and is well learned in boxing

[iwtvfanevents]

Rewind the Tape —Episode 2

Art of the episode

Just like we did for the pilot, we took note of the art shown and mentioned in the second episode while we rewatched it, and we are sharing our findings with you. Did we miss any? Can you help us put a name to the unidentified ones? Do you have any thoughts about how these references could be interpreted?

Unnamed painting by Marius de Romanus

Created for the show (uncredited artist).

Armand (still "Rashid") tells Daniel that Marius was a contemporary of Tintoretto (1518-1594).

Transformation

Ron Bechet, 2021 [Identified by Gizmodo's Linda Codega, here.]

Bechet is a New Orleans-born visual artist. He's a relative of the early jazz pioneer Sidney Bechet. Exhibition Prospect.5 says about the collection this piece belongs to: "Bechet carefully renders the ways vines wrap themselves around trees for support and access to sunlight. At times, this relationship serves both the vine and the tree. Works such as Transformation depict a harmonious symbiosis, as tree and vine both flourish. (...) Through his immersive compositions, Bechet invites us to see history and ourselves in relationship to the beauty, power, and violence of the natural world." And, from Xula Gallery: "Here, we are gifted with the physical proximity of life and death – How they share the same organic space, how they sleep together as equals. The flora of South Louisiana's natural landscape is cleaved open to expose its roots. (...) Here is botany that has every potential of becoming monstrous. All of these meanderings are used to symbolize the deep historical roots of a family home and exhibits the precariousness of nature, both human and environmental, with all of its nurturing and destructive potential. (...) It is a diaspora body, skin folded back to reveal its elegant and resilient backbone."

Untitled photographs

Vivian Maier, undated

Maier was a street photographer whose work was discovered and distributed after her death —she took more than 150,000 photographs during her life, and never printed or circulated any. You can learn more about how her work came to light here. We don't actually see the self-portrait in the third picture, which hangs to the left, until episode four.

Dancers

Edgar Degas, 1899 [Identified by @nicodelenfent, here.]

Degas produced countless paintings of ballerinas throughout his career. While he is often considered an impressionist, he himself saw himself more as a realist and preferred harsh gritty subjects of working class backgrounds. Ballerinas at the time often came from working class or poor families and worked intense grueling hours.

Berthe Morisot with a Fan

Edouard Manet, 1872 [Identified by @nicodelenfent.]

Manet was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. The portrait in this scene shows his close friend, painter Berthe Morisot, wearing mourning blacks after the death of her father, but wearing a wedding ring —she was engaged to Manet's brother.

Portrait of Erich Lederer

Egon Schiele, 1912 [Identified by @nicodelenfent.]

The Schiele depicts a young Erich Lederer, son of art collectors Serena and August Lederer, whose collection was looted by the Gestapo.

Paddy Flannigan

George Bellows, 1908 [Identified by @nicodelenfent.]

The Bellows depicts a young impoverished boy on the streets of New York.

A Doll's House

Henrik Ibsen, 1879

Lestat tells Louis "They'll seat us late, and we'll miss Nora's entrance with the Christmas tree," which quite a few fans soon identified as a reference to this play, in which a housewife becomes slowly disillusioned with marital life and eventually leaves her husband. This conclusion led to the play being banned in certain countries, such as Germany and Britain, and Ibsen was compelled to write an alternative ending, in which Nora's husband forced her to stay. In the two stage productions pictured above, you can see Kelsey Brennan and Nate Burger on the left, and Assad Zaman and Anjana Vasan on the right.

Unnamed paintings of Papa du Lac and Paul

Created for the show (uncredited artist).

Unidentified painting*

* The running theory is that the woman in this painting is Gabrielle, Lestat's mother; which would mean this is another uncredited prop painted for the show.

Woman in A Fur Coat

Edouard Manet, 1879

Additionally, on the bottom left corner of the frame you can catch a glimpse of another unidentified painting, but we couldn't get any clearer looks of it either.

Autumn at Arkville

Alexander H. Wyant, 1909 [Identified by @vfevermillion.]

The one in the mirror and the one on the other side of the door are too blurry, but we managed to place the one on top of the couch!

The Lone Tenement

George Bellows, 1909 [Identified by @nicodelenfent.]

The National Gallery of Art says about this painting: "Bellows has imbued the composition with a sense of eerie wistfulness, recording the precarious positions of those who were being displaced to make way for the future."

Don Pascuale

Gaetano Donizetti, 1842

The opera that Louis and Lestat go to at the end of the episode follows an elderly bachelor, who gets conned by his nephew Ernesto and his friend Malatesta into marrying the nephew's lover, Norina, under false pretenses. You can find a complete synopsis here.

The Storm On The Sea Of Galilee

Rembrandt van Rijn, 1633 [Identified by Gizmodo's Linda Codega.]

Rembrandt van Rijn, Dutch Baroque painter and printmaker from the 17th century, is best known for his biblical and allegorical pieces. Rembrandt's only seascape was stolen from the Isabella Stewart Gardner Museum in Boston on March 18th, 1990, alongside other 12 works of art. The case remains unsolved.

If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!

This week, we will be rewatching and discussing Episode 3, Is My Very Nature That of a Devil. We can't wait to hear your thoughts!

And, if you're just getting caught up, learn all about our group rewatch here ►

[evan-collins90]

The first Torrid store - Brea Mall - Brea, CA (Opened April 18, 2001)

Designed by JGA, Inc. 

From the book: “The retailer, Hot Topic, based in City of Industry, CA, started a short 12 years ago with a concept and a target market; cutting edge apparel, accessories and novelty items--all inspired by alternative music, oriented towards a hip and trendy, teenage market. Hot Topic changed the look of their retail settings, which are usually located in mainstream malls, and the company has recently taken aim at another special market. The new focus is on plus-size teens; an area that the fashion market seems to have neglected. 

Up until this time the 15-30 year old hip and trendy young women who wear sizes 14-26 had no other choice but to shop in the larger size women's shops where the fashions were tailored to the more matronly and conservative tastes. That is how Torrid was born! 

Torrid was introduced in a new, hot and fun retail setting designed by JGA, Inc. of Southfield, MI which has designed the various prototypes for the Hot Topic stores as well. To be sure of the need for such a niche to be filled, the company opened five Torrid shops almost simultaneously; the first in Brea, CA, followed by stores in malls in Mission Viejo, CA, Annapolis, MD, Omaha, NE, N. Attleboro, MA, and Littleton, CO. The merchandise offerings are clustered as "Streetwear," "Clubwear," Rockabilly Wear," and Renaissance Wear" and the stores average about 2,750 SF. Besides the "everyday" slacks and novelty T-shirts, these larger size young women can find black vinyl pants and mini-skirts, black corsets, dog-collar chokers and platform shoes as well as retro-inspired clothing and accessories. In addition to the gothic and prom dresses, Torrid also carries a full line of lingerie for this particular market. Listening to the target market, Hot Topic's Torrid offers teenagers and up the opportunity to look "girly yet fierce." 

The design objective for the prototype store that was designed by JGA, Inc. was to create "a celebration of abundance" and make the setting as unique, unconventional and spirited as the plus-size young women who will be shopping here. Inspired by a "mythological, after-hours club in New Orleans," the atmosphere is romantic, dark and filled with a sense of "unbridled passion." "From the signature flaming heart icon to the curving voluptuous lines throughout the store, excessive materials and scale mirror the zest of the Torrid woman." It starts out front with the shopper-stopping facade which serves as a dramatic gateway to the store. 

The curvaceous and sensuous "hourglass" figures of the Torrid customer is expressed in the hand-crafted metalwork and the backlit translucent glass glowing red. A "drippy" red chandelier and the hand blown flaming heart torcheres add to the store's distinctive sense of place and being. The mosaic porcelain tile floor sets the color palette of jewel tones and metallics. "Visually complex, layers of finishes and architectural pieces evoke a one-of-a-kind artistic flavor." The eclectic mix of fixtures, furniture and furnishings-even the armoires--add to the New Orleans flavor. The hand painted, whimsical and overscaled armoires or cabinets are used to anchor the various zones within the store and at the center of the space a large bronze metallic drape further divides the departments.

The designers added special touches to each area to create that unique, one-of-a-kind feeling to the design. Specially designed, oversized red sculptured chairs with slatted backs are featured in the shoe area. Shoes and accessories are displayed on the slatted backs. The lingerie area takes on a more intimate and exotic--almost Moroccan--feeling with the hand blown glass chandeliers suspended down from large plaster domes. Seen behind this area--beyond a hand painted wall and arc--are the individual, oversized dressing rooms which are equipped with flattering uplights and decorative chandeliers that are visible from other parts of the store. The cash wrap becomes a "focal fantasy" in the total design and it resembles a giant canopy bed topped with twisting shapes and forms.

The space is filled with a pulsating excitement that is so appropriate for the merchandise and the young clientele. In addition to the shimmering palette of rich, deep colors, the warm colored downlights not only enrich the ambient colors and textures but they enhance the merchandise display. The traditional long and narrow mall space is broken up into more personal and individual zones by the variations in ceiling heights, the tin ceilings, finials and the assorted wall coverings. The use of brocades, metallics, and jewel tones on the walls also help to differentiate areas in the store. The metal fixture system--tortoise shell like in appearance--was customized to accommodate the products unique size and length requirements.

If all goes as well as anticipated we can expect to see more and more Torrid shops opening up across the USA- maybe even as many as 700 outlets!”

Images and text were scanned from the book, Stores of the Year 14 by Martin Pegler (2003)

[sadalmostlesbian]

District 11: A Cultural Snapshot

I've been searching through District 11 content on Tumblr and wanted to create something myself that focused on the visual cultural exploration on District 11, which (in this post) heavily focuses on the possible cultural elements of D11, with reference towards ancestral African American cultural practices, music, and art. Sources and background information for all photos are linked below!

Honey's Mango Bob by fiber artist Carole Gary Staples; renowned fiber artist Rosie Lee Allen with the grandchildren in front of a quilt she created; sweetgrass basket stand of Gullah artist Mazie Brown; Woman of Gullah heritage weaving a traditional sweetgrass basket; Soul food Chef Roosevelt Brownlee; Fishing boats in Mount Pleasant, SC; Cornell Cox sells boiled peanuts in Hollywood, SC; Member of Mt. Calvary Missionary Baptist Church after being baptized in Skull Creek, Hilton Head Island, SC, Indoor Group Shot of Children, Mount Horeb Sunday School, Mississippi; Gone Fishing and Hoeing Corn by prolific Black folk artist Clementine Hunter; houses in the historic New Orleans Creole neighborhood Faubourg Marigny; paintings of Black women donning headdress scarves in ordinance with the 1786 Tignon law which stated that Black women had to wear a scarf or handkerchief over their hair as a visible sign of belonging to the slave class, whether they were enslaved or not (scarves have been a popular fashion statement in Black American culture ever since); Sweet Emma and Her Preservation Hall Jazz Band; Abbey Lincoln singing at an AJASS event, Harlem (technically this photo was not taken in the D11 region, it was taken much father north, but since Jazz originated in Congo Square in New Orleans, Louisiana, I decided to include it); rice fields in the American south alongside hands holding rice grains (both photos come from this BBC article, which details how rice shaped the American south, soul food traditions, and discussed the immense knowledge regarding rice cultivation in enslaved African populations in the southern US); photographs from the bayou close to New Orleans; celebrations of Black hair and beauty supply stores, a symbol of Black self-sufficiency and cultural ownership in the US.

[spnangelbang]

A preview of... “A Soul Connection To Freedom” 

Author: @masoena

Artist: Twin_One

Rating: Explicit

Archive warnings: Rape/Non-Con; Graphic Depictions of Violence

Featured characters: Dean WInchester, Jimmy Novak, Castiel (Supernatural), Justin Barker (MOC), Benny Lafitte

Featured relationships: Dean Winchester/Castiel

Length:  20,000 words

Tags:  Hurt Dean Winchester, Musician Dean Winchester, Protective Castiel, Profound Bond, Canon-Divergent - Modern Setting AU

Summary:  Dean Winchester takes the biggest risk of his life to try and make it as a musician in New Orleans. He secures his first job through the bar manager Benny Lafitte who in turn also introduces him to the owner of the building one enigmatic Jimmy Novak. Dean enters into a doomed abusive relationship with Justin Barker and as coincidence would have it none other than Jimmy saves him at his lowest point.

Excerpt:

He spotted Jimmy pacing outside the restaurant from half a block away, his dark brown dress shoes nearly digging a trench into the sidewalk with how focused he seemed. He looked stunning in an equally black suit with a blue button down and a darker narrow tie that picked up and emphasized the color of his eyes beautifully. 

“You look magnificent Dean. I may have to take you to the opera next just so see you dressed up like this again.” Jimmy smiled wide saying it and took Dean by the hand to walk into the restaurant. Holding hands with a near complete stranger should send warning bells ringing but Dean didn’t mind. In fact it felt rather special and comforting. 

“I’d go to the opera with you just to see you like that too, even if the music makes my ears bleed.” 

Jimmy gasped in horror looking back at Dean like he’d just called him a name. Dean smiled at him easily because he looked rather adorable with that utterly offended look on his face.  

“I apologize Jimmy. I love music but not opera. I’m certain we can find other reasons to dress up for in the future.” 

The banter between them felt natural, easy and like they’d known each other for far longer than the scant amount of cumulative minutes. The food was a delight for the senses, visually and otherwise. Dean much enjoyed it as they fed each other bites of their respective dishes across the small secluded table at the back of the restaurant. All the while their knees touched and time flew by without any lull in conversation.

Posting date: February 24, 2025!

[nugothrhythms]

Trevor Pink, one of the guitarists of New Orleans goth rock band Missing, is getting top surgery and if you want to donate to his GoFundMe, here you go.

[kolajmag]

THIS WEEK AT KOLAJ MAGAZINE

No Specific Story, Intuitive Collage, cut/form & Camera & Collage

FROM THE PRINT MAGAZINE Who’s a Good Boy!

NEW EXHIBITION AT KOLAJ INSTITUTE GALLERY IN NEW ORLEANS Camera & Collage On view through 5 January 2025 part of PhotoNOLA

COLLAGE ON VIEW The Brinton Small Works Show at The Brinton Museum in Big Horn, Wyoming, USA

COLLAGE ON VIEW cut/form at Jack Fischer Gallery in San Francisco, California, USA

FROM THE ARTIST DIRECTORY Intuitive Collage Jason McCollum | Laurinburg, North Carolina, USA

FROM THE ARTIST DIRECTORY No Specific Story Christine Karapetian | Jackson Heights, New York, USA

Read the full update

*****************************

Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.

SUBSCRIBE | CURRENT ISSUE | GET A COPY

SIGN UP TO GET EMAILS

[aheathen-conceivably]

If I remember correctly, you said before that you didn’t choose Zelda’s gender, but had written or had plans for her life that would work either way, and then just refined them when you knew what you were working with. And that’s why Josephine and Antoine are a brother-sister duo; if Zelda were born a boy, he’d be with Josephine. And of course you mention pretty frequently that Giorgio has become SO much more than he was ever intended to be.

Can you tell us a little about what would be different? Who would Antoine be with?? And Josephine with a baby.. I can hardly imagine 🫢

AHHH friend!! This is such a delicious question, and so timely at that 😉

So yes, that’s correct. I didn’t change any of the birth sex or genetics for our first generations of Darlington babies. I was still in a phase of writing/planning where I was functioning more on general ideas than deadset plans. So before our heir was born all I really knew was that they would end up in New Orleans by 1920, and that the decade was going to explore the artistic scene in that era. I also knew that if they were born female, they were going to be a jazz singer while if they were born male, they were going to be a writer who documented the whole era almost like from an “outsider’s perspective.”

In both of these scenarios the heir’s personality would have been very similiar, in that they would get pulled into this world by the Duplanchiers and kind of be swept up in it beyond themselves. I had a very vague sort of F. Scott/Zelda Fitzgerald vibe visualized for our potential 1920s male heir and Josephine, and I think a lot of the tempestuous conflict between her and Giorgio was originally born from that vision.

Beyond that, I didn’t really have much planned. More that the characters were envisioned and waiting there for us. So I couldn’t tell you the route Antoine would have taken if our male heir had ended up with Josephine, mostly because their actual arcs and plot points came after Zelda was born, and even much of it when she was already in New Orleans.

Josephine especially, who’s character I had visualized since before Zelda was born, didn’t actually come to life until they met. Still one of the first things I knew about her (plotwise) is that one of her partners was our impetuous to move out west. So the figure of Giorgio the first time we see him, was meant to be one of her partners, and a different one to who we eventually met in Strangerville. Only over time in the 1920s, they just kind of…became soulmates? Like I know they are absolutely fucked, but simultaneously the more I wrote them together the more it was like a puzzle piece that was missing from Jo’s character, and perhaps left there by my original idea of who she would have been if Zelda had been born male. So gradually the Giorgio we knew in New Orleans and the faceless partner out west became one in the same, and I bridged the gap between the two of them into one character.

And Josephine with a baby you say??? 👀👀👀

[the-girl-who-didnt-smile]

Ranting about portrayal of Alastor’s ethnicity

This is basically Part 2 to a previous rant… I just need to get this bitch moaning out of my system. 

As previously mentioned, I think we might get the first glimpse of Alastor’s human life in Season 2 of Hazbin Hotel. As also previously mentioned, I don’t think Vivienne retconned Alastor’s heritage from white to mixed race. Given that she is herself a white-passing mixed race person, I think she originally envisioned him as a white-passing Creole.

Due to the controversy, I think there is a decent chance she is going to retcon his skin tone to make him more visibly mixed race. I feel ambivalent towards this. On the one hand, I much prefer Alastor’s character design if he accurately looks like a mixed race person from the 1930s (not that fanon Alastor is a bad design… this is a personal preference). But if his entire backstory has not been retconned, this could fall into the trap of: “Alastor became the first radio host of color in America without any issue, because the Deep South was a colorblind society where racism did not exist!” 

That being said, this is a very light-hearted show. THIS IS GONNA BLOW YOUR MIND but people (of all races, at that!) don’t want to think about the harrowing realities of racism in America while watching Hazbin Hotel. The lack of skin tone diversity in the main cast is worthy of criticism, so I’m not going to be complaining too bad if they pull an Adventure Time Marceline and retcon his skin tone.

But if they do retcon his skin tone, I hope his human design isn’t just Italian-passing Alastor. 

You’ve seen him. 

…What I’m referring to is the variation of fanon human Alastor, where artists just take fanon Alastor and shift his skin tone a bit without changing anything else about him. 

(I’m not going to insert an example image because I think a lot of these artists are well-intentioned but very young, and yeah… I don’t want to be a dick!)

Granted, “Italian passing Alastor” is not an entirely bad character design. In a place like New Orleans, there is such a wide range of phenotypes that it is not inconceivable that a mixed race Creole could have this phenotype. Not to mention, the whole mukokuseki effect - racial features are generally diminished due to the built-in limitations of animation as a medium (faces cannot be rendered in the same level of detail as live action or comics/manga). For these reasons, I won’t be complaining too much if this is his final design. Actually, I probably won’t be complaining at all, as I’ll just be excited to see his human form! It really isn't a bad design... I'm already simping for him!!

But to bitch moan anyways, here is my critique of this fandom trend: All of the visual data that went into fanon human Alastor is this: https://www.google.com/search?q=white+boys 

If you just shift his skin tone without changing anything else, the visual data that went into him is still this: https://www.google.com/search?q=white+boys 

If you’re going to retcon his skin tone (really, his ethnic makeup / family tree) you actually need to start from the ground up and use this as reference material: https://www.google.com/search?q=creole+men+1930s 

As you can see, there is a wide range of phenotypes, and many did pass for white. But this is a necessary step, not just for human Alastor fan designs, but in designing POC in general - including mixed race POC. The visual data / reference material behind the design needs to be people of color - not white people. You can always immediately tell who took this step and who didn’t; the former category always looks WAY better than the latter!

It’s not just white artists who do this. Many non-white artists fall into this trap, because they were only trained on how to draw white people. For this reason, I don’t really fault the individual artists - it’s more of a systemic problem in how schools etc. teach upcoming artists how to draw.

So yeah… thanks for coming to my TEDx Talk!

[storytelling-2075]

Introducing Olivia Zhang, the artist behind “Over the Years.”

"Over the Years" is a multimedia artwork that bridges imaginative storytelling and climate data science. Inspired by the role of location: how people interact with each other, with our histories, and with our environment, this artwork features a timelapse of satellite imagery, overlaid and blended with a personal portrait. Accompanying these visuals is a poignant poem that delves into the artist’s personal fears and hopes regarding the escalating climate crisis. Through this fusion of data visualization and intimate self-expression, the artwork seeks to humanize the often impersonal nature of climate science, making the pressing issues of environmental change more relatable and emotionally resonant. By visually and lyrically intertwining the stark realities of climate data with the deeply human response to our uncertain future, "Over the Years" transforms abstract visuals of “change for the worse” into a narrative that speaks to both urgency and our shared humanity.

Olivia Zhang is from New Orleans, LA and grew up in South Florida, where she discovered her passion for climate action and environmental justice. As a geography and data science student at the University of Florida, she is passionate about supporting community-centered initiatives through research and data storytelling. Art and storytelling are interwoven through everything she does.

[antboom]

Download Wolfenstein 2009 for PC from Mediafire

Download Now

Wolfenstein, released in 2009, is one of the most prominent first-person shooter (FPS) video game titles. Developed by Raven Software and published by Activision, the game is part of the popular Wolfenstein series that dates back to the early 1990s. This game follows the story of Benedict "BJ" Blaskowitz, a soldier fighting against Nazi forces in an alternate world filled with science fiction and supernatural elements.

Game background and series history The Wolfenstein series was founded in 1981 with Castle Wolfenstein, which was one of the first shooter games in history. But the most famous part is Wolfenstein 3D, which was released in 1992 and greatly influenced the development of FPS video games. The following games in the series follow the Nazi combat style and are based on the events of World War II, but with a fantasy touch.

In 2009, Wolfenstein was looking to revive the series by offering a new story and advanced gameplay. The game featured a mix of action and science fiction, giving the game a new feel and bringing back fond memories of previous installments.

Story and Characters Wolfenstein takes place in an alternate world during World War II, where the player plays the role of Benedict "BJ" Blaskowitz, who is considered one of the best soldiers in the war. BJ begins his journey in New Orleans, where he seeks to discover the secrets of Nazi magical technology. As the story progresses, BJ discovers that the Nazis are using magical powers to enhance their military strength.

Main Characters: Benedict "BJ" Blaskowitz: The main character of the game, a brave soldier who is characterized by courage and intelligence. BJ seeks to combat the Nazi forces and prevent them from taking over the world.

Helga von Schabbs: One of the evil characters in the game, a Nazi scientist who seeks to use magical powers to enhance the capabilities of her army.

Supporting Characters: BJ meets a number of supporting characters along the way, including allies who help him fight the Nazis.

Gameplay Wolfenstein features a diverse gameplay that combines intense combat with exploration of different environments. Here are some of the key features:

Combat Mechanics The game offers a variety of weapons, ranging from traditional rifles to advanced weapons. Players are able to use weapons strategically, allowing them to choose the style that suits them in combat. The game also features a weapon upgrade system, giving players the opportunity to improve the capabilities of their weapons.

Magical Boosts One of the unique features of Wolfenstein is the use of magical items. BJ uses special powers known as “Pockets,” which allow him to move quickly, see enemies through walls, and use magical abilities during battles. These elements add extra depth to the gameplay experience.

Environment Exploration The game is rich in detail, as players can explore a variety of environments, ranging from abandoned villages to secret laboratories. The game contains many secrets and challenges that players can discover as they go.

Enemy AI The game features advanced AI, with Nazi forces dynamically responding to player actions. Enemies act strategically, creating a combat experience that requires thinking and planning.

Graphics and Artistic Design Wolfenstein benefits from the id Tech 4 engine, which provides high-quality graphics. Environments and characters are meticulously designed, contributing to a realistic gameplay experience. The graphics reflect the details of World War II, in terms of weapons, clothing, and architecture.

Visual Effects The game features stunning visual effects, such as explosions, shots, and shadows, which enhance players' interaction with events. Magical effects are also an important part of the art design, showing the imaginary dimensions used in combat.

Music and Sound The soundtrack is one of the essential elements of Wolfenstein, fitting in with the warlike and suspenseful atmosphere. The sounds have been carefully chosen to enhance the gaming experience, giving players a sense of immersion in the game's events.

Interactive Sounds Sound effects, such as the sounds of weapons and explosions, add an exciting touch to battles. Players can also hear the dialogue of different characters, which helps enhance the story and interact with the events.

Critics' opinions Wolfenstein 2009 received positive reviews from critics, with many praising the innovative gameplay and exciting story. Some critics described it as a successful revival of a popular series, with further development in the gameplay.

Criticisms However, the game faced some criticism, especially regarding the artificial intelligence of enemies at times. Some players also felt that the story could be predictable, and lacked the required depth. However, the experience was generally satisfactory for many players.

Impact of the game on the gaming industry Wolfenstein 2009 made an impact on the shooting game industry, as it proved that there was room to develop games with complex stories and fantasy elements. The game contributed to motivating other studios to develop similar games that combine action and fantasy.

Future of the Series After the success of Wolfenstein 2009, the series continued to evolve with other releases such as Wolfenstein: The New Order and Wolfenstein II: The New Colossus.

[onenakedfarmer]

Daily Painting

Norman Rockwell THE PROBLEM WE ALL LIVE WITH (1963)

-

From The Kennedy Center website:

This is what actually happened to Ruby Bridges on her first day at William Franz Elementary School in New Orleans on November 14, 1960. Ruby was the first African American child to attend the school after a federal court ordered the New Orleans school system to integrate. The public outcry was so great that white parents withdrew their children from school so they would not have to sit with a Black girl. Ruby spent an entire year in a classroom by herself.

Artist and magazine illustrator Norman Rockwell is known for his idyllic images of American life in the twentieth century. But his work had a new sense of purpose in 1960s when he was hired by LOOK magazine. There, he produced his famous painting The Problem We All Live With, a visual commentary on segregation and the problem of racism in America. The painting depicts Ruby’s courageous walk to school on that November day. She dutifully follows faceless men—the yellow armbands reveal them to be federal marshals—past a wall smeared with racist graffiti and the juice of a thrown tomato. The canvas is arranged so that the viewer is at Ruby’s height, seeing the scene from her perspective.

Rockwell’s painting, created a few years after Ruby made her fateful entrance at school, was produced at the height of the Civil Rights Movement. It is now considered a symbol of that struggle. Bridges never met Rockwell, but as an adult, she came to admire his decision to tell her story: “Here was a man that had been doing lots of work, painting family images, and all of a sudden decided this is what I’m going to do…it’s wrong, and I’m going to say that it’s wrong…the mere fact that [Norman Rockwell] had enough courage to step up to the plate and say I’m going to make a statement, and he did it in a very powerful way…even though I had not had an opportunity to meet him, I commend him for that.”