#interview feature

[interact-if]

Black History Month Author Spotlight: Lapin

To kickstart the Black History Month Author Spotlight series, I'd like to introduce everyone to our first IF author, Lapin (@harlequinoccult)!

(I had a ton of fun reading Lapin’s answers, and I’m sure you will too! Read on for a celebration of ‘weird,’ Lapin’s Black southern gothic / horror influences, and how a D&D game could lead to interactive fiction!

Lapin, thank you again for your candid, humorous responses, I am very honored to have gotten to know you better :D)

Author: Lapin

Black creole and cajun, artist and writer, and wannabe game developer

Games: Slaughter Squad (Horror, Slasher, Romance)

Synopsis: YOU HAVE A HUNGER A HUNGER THAT YOU’VE BEEN NEGLECTING For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your.....”Associate” Carter “Dollface” Abernathy. Who is a murderer, and quite frankly, a sloppy one at that. And you’re the accessory to his crimes. No matter what way you’ve gotten to know the man, or how you feel about him, you’re stuck with him, and stuck with just being his little “helper” ........Or are you? Especially when you’re suddenly given a....Unique opportunity.

Games: The Valley of Luck (Fantasy, Adventure, Romance)

Synopsis: The Valley of Luck was said to be a myth. Something that grandparents would tell their grand-kids around a campfire. Even those who worshiped Lucian, The God of Luck, thought it nothing but an old wives tale. Until, one day, a man with an arm made of solid gold started telling people that he'd been there, that he'd seen the Valley. Word spread quickly, and suddenly, every continent was alight with the rumor that The Valley was real, that it could give you all the riches you could ever want, and then some. However, your quest, whether related to The Valley or not, will lead you down a much stranger path.

Quote from the interview:

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household… Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. … I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs….I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

Read on for the full interview!

Tell me more about yourself! What are some things new readers or long-time readers might not know about you?

Both parts of my family are 100% from Louisiana, New Orleans and the deep south. My moms side have been there so long, we have two streets named after us.

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

My main project, of course, is Slaughter Squad. I love slasher movies and horror media in general. But what I always noticed with horror/romance, at least in the visual novel scene, is that the main character is nearly always the one getting screwed over, so I thought, well, what if the bad guys actually are your peers? How would this dynamic change if they don't see you as prey? I never thought that premise would appeal so much to so many but hey, I can't complain! I adore seeing people having fun with the silly little concept I had.

Now, my secondary project, The Valley of Luck. Some may not know this, but this story is based off of a D&D campaign I DM'ed back in the day with my friends. All the ROs are NPCs that my friends had, or where going to encounter. I won't lie, I did shy away from it and changed some things when the whole debacle with Wizards of the coast (the company that "owns" D&D) Where making some...questionable decisions. But this story is my baby. My first born. This one has been in the works far longer than SLSQ and has a lot of background lore that I hope I get the opportunity to share.

I do have a few other projects bumping around, One I am particularly excited for, But that one will have to wait a little bit~

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household. I never felt that I truly had a sense of identity until that household inevitably split up. Everyone talks about being the weird kid in middle school, but no one mentions being the "normal on the outside but wants to be the weird kid so bad its painful on the inside but can't because you were told that stuff is 'white people shit' " type of kid.

Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. I was a little shitter on the internet, I can't lie about that, as much as I want to. But I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs....I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

Let your characters speak through you like you're being possessed by a demon.

What’s the one thing you’re really proud of that you’ve written so far? Do you have a favorite character or scene that you’ve written?

I am so serious.

is it wildly inconvenient? yes. does it help your writing a ton? also yes. Doing Roleplay with friends is a fantastic way to learn to do this. being a DM for a D&D game has basically made it so characters can simply speak from my brain at any given moment. It's also annoying because some of these people do NOT shut up. Learning how a character would react on the fly does wonders for dialogue writing and character analysis. Roleplay with your friends, or hell, strangers who are down to clown that could become friends. Be cringe. be free.

I love the opening to Slaughter Squad and if you told me to rewrite it with a gun to my head I would tell you to shoot me. I love how punchy it is and it came out exactly how I wanted it to. I don't play favorites with characters (<- lying) but my two favorites to write are the stinky little bastard cat Sterling in TVoL and.....Carter, from SLSQ. I love writing complete bastards. One being lighthearted and gets a pass for it because he's just a kitty cat and the other you want to actively beat his face in with your bare hands. It's SO funny.

If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?

Write. Write it now. Doesn't have to be good doesn't have to be polish all that matters is that you WROTE IT. All the bells and whistles can come later!!!! Stop thinking about the later and think about the now!!!! Write what you love and never give two shits about if it's cringe!!! Be excellent to each other!!!

Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?

GO LISTEN TO CHROMAKOPIA BY TYLER THE CREATOR RIGHT NOW!!!!!!!!!

This-or-that segment: (bold = Lapin’s pick)

Coffee or tea?

Early mornings or late nights?

City or countryside?

Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)  

Steady progress or frenzied binge-writing followed by periods of calm?

Summer or Winter?

First drafts or editing?

Introvert or extrovert?

Plotter or pantser?

Characters or plot first?

Lapin’s custom “this-or-that” pairing: Rain or Shine

More on Black Southern Gothic:

Black southern gothic can vary a lot, but when I think of it, I think of old semi abandoned wood shotgun houses in the swamp, all white tiny baptist churches where the white paint is peeling from the heat and humidity, riding horses down a dirt paved street while people still ride by in their old busted down 1960s chevys. Old plantation houses that have been reclaimed by the swamp. The dark, humid heat of the night on a street with no streetlights. Every house you see is absolutely haunted by something and not just ghosts. Voodoo and hoodoo is different than what people will tell you it is.

Sassafrass, Cypress and Indigo by Ntozake Shange, Sing, Unburied, Sing by Jessamin Ward, and anything by Toni Morrison 100%.

[erebus0dora]

something something a chat i am in discussing the loneliness of Armand who needs someone to define him and see him, so

"...it was ghastly and awful and loathsome, and beautiful all at the same time."

and yeah i kinda just want to give ppl hugs with anything i do and talk to them in hushed tones, so there you go

[911onabcbts]

New feature ft tim, oliver and aisha. this is very spoiler heavy.

[crowinstitches]

Some Claudia practice for a little project I’m planning 😈

[fritzes]

ben shelton's reaction to beating flavio cobolli for the first time

[no-takozz-here]

mr. 150% divorce rate himself

[shesnake]

romance is so key in vampire gothic horror, the way every time love is what leaves these people with no choice, the romance is the horror is the all-consuming love stealing all your autonomy to the point where the only freedom you have is being able to choose which tragedy you prefer

[frm9pm]

Post war recluse Harry who does interviews once in a while to get the public to leave him alone and is completely unhinged

[littlemissmoodswings]

interview with the vampire — fem edition (cause that's kinda my bread and butter)

featuring. . . .

susan sarandon as danielle molloy; ella purnell as young danielle molloy

simone ashley as the vampire armande

evan rachel wood as the vampire lestat

tessa thompson as the vampire louise

[mugentakeda]

say your prayers weezer (ref sheet that i dont even need) (ignore how italian lestat looks i didnt realize it while drawing)

[mirai-e-jump]

???????????????????

this just happens

suffering at the hands of friendship

[interact-if]

Our fourth edition of the Black History Month Author Spotlight series, features Becky (@losergames)!

(I’ve been in awe of Becky’s multi-talents (art, writing, coding, excuse me??) for a long time now, and am super excited to get to interview her and introduce her awesome game, Chop Shop! The portion on morality and finding a middle-ground between harmful stereotypes of “bad” POC characters and angelic, one-dimensional ones who can do no wrong was a really interesting and insightful take.)

Author: Becky

Hello hello!!! I’m Becky! I am a black bisexual woman from the UK, lover of games, TV and food. I have a Bachelor's degree in Animation & Visual Effects and currently work as a technician at a college 😁

Games: Chop Shop (crime, action, LGBTQ+, meaningful choices)

Short blurb: A crime action interactive fiction game.

Quote from the interview

There are a few main themes I keep in mind about when writing Chop Shop but the big one I think everyone understands is morality. What is right and wrong, and the various shades of grey in between, has been written about a thousand times in a thousand ways but it is continuously interesting to me in a changing world. What does it mean to be a bad person doing good things and a good person doing bad things? Is there a chance for redemption? What are the consequences? Race and class are also massive factors, made all the more complicated when we’re looking at sets of characters on either side of the PC’s life. I want to write black and other characters of colour make bad, questionable, and unredeemable decisions whilst also remaining aware of stereotypes and archetypes. I want them to be loud, messy, and rude, attributes that are always attached to minorities, but I also want them to be smart, calculating, and deceptive. I think a lot of people are scared to do so and we end up with plain, can-do-no-wrongers that lack any depth.

Read on for the full interview!

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

I am currently working on the crime action interactive fiction Chop Shop. There are a mix of inspirations that went into Chop Shop but above all else I’d say the kicker was my circumstances at the time.

During covid I walked away from the WORST job I’ve ever had and moved back home, which I realised a while after was an extremely huge blessing. I had a major burnout and was processing what my ex-managers had put me and my colleagues through. So, in my freetime I was playing a lot of cyoa/ romance games (shoutout Love Island the game) and found a whole fandom that also enjoyed them. 

I made some friends, did art commissions, and wrote some fanfic here and there, yadda yadda. A close friend recommended I try out a very popular COG game at the time (🧛) and it all spiraled from there. I fell in love with the format, endless creativity, and community and never looked back.

I loved the Need For Speed games as a kid, the og Most Wanted, Carbon, and Underground 2 are, in my eyes, amongst the masterpieces of games from the 2000s. It got to the point I was going over to friends houses just to play on their PS2 lmao. I am also a Fast and Furious fiend (shock) and I will defend that god awful series till I die. Fast forward to being a teenager/ young adult I’ve become a massive fan of fictional crime shows. Breaking Bad will always be my first love, but I also love The Sopranos, Fargo, The Wire and more.

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

The real catalyst for Chop Shop was my previous job. A lot of the PC’s experiences are based off my own. A few examples I love sharing are how I had to make breakfast for my boss every morning and had to keep the office freezer stocked with a specific supermarket ice lolly because he ‘needed’ one every day at 3pm. I truly wish I was making this up because people think I’m crazy when I tell them. But I really was catering to a man-child because I was desperately trying to get my foot into a creative industry. Woof!!!

That said, the industry I wanted to work in was and still is extremely competitive. I came out of uni with a tonne of friends, but also a tonne of competition. It stung very badly to see my peers excel and surpass me when it came to careers but that’s just a part of becoming an adult. That life really was not for me and I’m glad I’m out of it now.

My mother is an extremely influential person in my life. Bits and pieces of her stick with me, not just in my writing but my every day. She’s worked in corporate all her life, from the early 80s and still to this day. She laughs about it now but she tells stories about the times she was laughed out of meetings or undermined by subordinates because she was a black woman in positions that were not occupied by minorities. It hurts to think about but I can only dream of having the type of strength she does.

Now that I think about it, Chop Shop is a massive fuck you to the past.

Are there any specific themes or messages you hope players take away from your work?

There are a few main themes I keep in mind about when writing Chop Shop but the big one I think everyone understands is morality. What is right and wrong, and the various shades of grey in between, has been written about a thousand times in a thousand ways but it is continuously interesting to me in a changing world. What does it mean to be a bad person doing good things and a good person doing bad things? Is there a chance for redemption? What are the consequences?

Race and class are also massive factors, made all the more complicated when we’re looking at sets of characters on either side of the PC’s life. I want to write black and other characters of colour make bad, questionable, and unredeemable decisions whilst also remaining aware of stereotypes and archetypes. I want them to be loud, messy, and rude, attributes that are always attached to minorities, but I also want them to be smart, calculating, and deceptive. I think a lot of people are scared to do so and we end up with plain, can-do-no-wrongers that lack any depth.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

I write way better outside of my bedroom. I know writing is supposed to be fun and a hobby but sometimes it’s… not. If I get stressed out in my room, it’s all a mess. The brain needs to be away from where I sleep to get work done. Last summer, when all the teachers were on holiday time, I was the only one in my department for weeks and it was the best writing stint I ever had haha.

Oh and I keep a huge spreadsheet. All the episode breakdowns, outlines, character details etc. It looks insane to anyone else but it is my prized baby.

Do you have favourite interactive fiction games, characters, scenes or authors that you’d like to recommend?

My goto game rec is always 180 Files: The Aegis Project. So quick and punchy, more narrative/plot than romance focused. The action sequences are fun and the interactions are so delicious, ugh. I love it. I’ve played it at least 20 times to get the different endings and it’s never not satisfying, just… chefs kiss. I’m also really enjoying Thicker Than right now AAHHH I NEED TO CATCH UP!!! 

Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?

Not anything specific but I do have some books I’d like to recommend to my fellow black readers:

The Psychosis of Whiteness: Surviving the Insanity of a Racist World by Nicola Rollock

Black Skin, White Masks by Franz Fanon

The Strangers: Five Extraordinary Black Men and the Worlds That Made Them by Ekow Eshun

Black England: A Forgotten Georgian History by Gretchen Gerzina

The Hard Road To Renewal by Stuart Hall

Honestly I’d recommend anything by Stuart Hall lmao. RIP king, you would be shocked at the media literacy today.

This-or-that segment: (bold = Becky's pick)

Coffee or tea?

Early mornings or late nights?

City or countryside?

Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)  

Steady progress or frenzied binge-writing followed by periods of calm?

Summer or Winter?

First drafts or editing?

Introvert or extrovert?

Plotter or pantser?

Characters or plot first?

Becky’s custom “either-or” pairing: Driver or passenger?

[varpusvaras]

Obsessed with Miles having a bit rounder features and body type than Phoenix. Phoenix pinches his cheeks once and calls him cute while half asleep. Miles bluescreens for twenty five minutes.

[cultofpoppy-tm]

Poppy for NME, November 2024

[marisatomay]

Been listening to books about the Salem witch trials and it’s so weird to me that there’s this prevailing narrative where people think of Salem as “oh they were deluded primitive folk who believed in witchcraft lol” when there are contemporary documents where prominent people said the accusers and the court (which hadn’t followed standard legal procedures even for that time) were committing crimes so grievous it would forever be a stain on New England

[deus-ex-mona]

h EY THE CLAIMS THAT THEY KISSED IN MEOTO WERE TRULY LEGIT??????????