#nola

[reasonsforhope]

"The Lower Ninth Ward of New Orleans has recently witnessed an incredible eco-renaissance following decades of damage and neglect.

Led by a local community development group, a 40-acre wetlands park has been restored to glories past with hundreds of local trees that attract over a hundred species of birds, plus joggers, picnickers, and nature lovers besides.

The story begins with Rashida Ferdinand, founder of Sankofa Community Development Corporation (CDC). Growing up in this historic part of New Orleans, where Black homeownership thrived, where Fats Domino was born, and where locals routinely went out into the wetlands to catch fish and crustaceans, she watched as it suffered from years of neglect.

Poor drainage, ruined roads, illegal trash dumping, and unmitigated damage from hurricanes slowly wasted the wetland away until it was a derelict eyesore.

In the name of restoring this wild heritage indicative of the culture in the Lower Ninth, and in order to protect her communities from flooding, Ferdinand founded the Sankofa CDC, and in 2014 entered into an agreement with the City of New Orleans for the restoration of Sankofa—a 40-acre section of neglected wetlands in the heart of the Lower Ninth.

The loss of Sankofa’s potential to dampen flooding from storms meant that over the years dozens of houses and properties were flooded and damaged beyond the ability of the inhabitants to recover. Forced out by a combination of nature’s fury and government failure, the cultural heritage of the community was receding along with the floodwaters.

Ferdinand knew that restoring natural flood barriers like Sankofa was key to protecting her community.

“Hurricane protection is a major concern in the community, but there’s a lack of trust in the infrastructure systems that are supposed to protect us,” Ferdinand told the Audubon Society. 

Today, Sankofa Wetlands Park is a sight to behold. Hiking trails snake through a smattering of ponds and creeks, where bald cypresses and water tupelo trees continue to grow and cling to the ground even during storms. Picnic benches have appeared, wheelchair-accessible trails connect sections of the park to parts of the Lower Ninth, and local businesses are seeing more visitors.

It needed a lot of work though. Thousands of invasive tallow trees had to be uprooted. 27,000 cubic meters of illegally dumped trash compacted into the dirt had to be removed. A 60-year-old canal dug by the US Army Corps of Engineers had to be disconnected, and all new native flora had to be planted by hand.

Audubon says that Ferdinand routinely can’t believe her eyes when she looks at the transformation of Sankofa into its current state.

“Seeing butterflies, birds, and other pollinators in the park is a sign of a healthy ecosystem,” she says. “All we had to do was create the right conditions.”

Slated for official completion in 2025 with an outdoor amphitheater, interpretive signage, and additional trails, Ferdinand and the CDC have their eyes set on an even larger area of wetlands to the north of Sankofa.

Along the way, Ferdinand and the CDC attracted many helping hands, and entered into many partnerships, But the catalyst for change arose from the spirit and determination of one woman in the right place at the right time, for the benefit of hundreds in this historic heart of a historic city."

-via Good News Network, September 17, 2024

[rjeldridge]

Kush, New Orleans (2023)

[milfzatannaz]

New Orleans is less abt the vampires when you’re a local bc you don’t have time to care abt the weird goths in the French quarter bc you’re too busy tryin to find a cheap oyster poboy. we’re immune to these stories it’s like oooh someone bit you at the club on bourbon? are you sure that wasn’t a Loyola student that got a lil too excited

[nameandgenus]

[mostlysignssomeportents]

It's time for action

[thesargasmicgoddess]

I love these flavorful splashes of your mysterious NOLA trip!

Me too! I love NOLA. It wasn't that mysterious, I was there for work (serious). I just threw in some time for fun too lol. Hoping I get to swing back there again soon!

[covid-safer-hotties]

Free kids masks in New Orleans!

[blackleatherjacketz]

Shadow and Sin: Chapter 1

Klaus Mikaelson x Female Reader

Summary: Having just recently moved to New Orleans, you get intimately acquainted with both Mikaelson brothers, but don't find out who they truly are until it's too late.

This Chapter: Your art is finally put on display at a local gallery, and Klaus has a vested interest in it.

Warnings: Klaus Being Klaus, No Personal Space, Alcohol, Flirting, Almost Kisses, Art Interpretation, Dark Themes

Word Count: 1.2k+

Read the rest of the story HERE

Your first art show in New Orleans isn’t nearly as extravagant as you thought it would be, despite the small jazz band in the corner and the free champagne being served at the door. The jubilant music seems to fade off into the distance as you stand just a few feet away from one of your pieces, silently stalking the patrons as they walk by and observe it, muttering amongst themselves. You try to hone in on what they’re saying about your work, about how it makes them feel, or if they’ve caught onto any messages you’ve hidden in your mixed medium on canvas. So far it’s just been a mixture of silence and solitary comments like “interesting” or “hmm” as the glass of champagne warms to room temperature in your hand.

“Which one’s yours?” A man’s eloquent voice pulls you from your anxious thoughts, forcing you to look over at his delicately handsome face as he walks toward you with a confidence that could rival royalty.

“Huh?” You take a sip of your lukewarm champagne in order to gain some liquid courage to engage with this gorgeous man who seemed to appear out of thin air.

“I’d recognize that look anywhere,” he starts, touching one of the sculptures he clearly wasn’t supposed to. “Will they like it? Will they understand it? But most importantly, will they buy it?”

“That obvious, huh?” You take another sip, letting the bubbles take their time to crinkle your nose as the rest of the carbonation slowly fizzles out.

“Painfully, I’m afraid.” That smirk of his warms into a coy smile as he takes a step toward you, his own glass of champagne nearly empty. “Yours isn’t the landscape with the sailboat, no… those waters look far too calm for you.” He stands next to you and continues to guess, letting his fresh clean scent surround you as hints of a bergamont settle into the air. “Not the still life either, you don’t strike me as someone who focuses on something as mundane as coffee and beignets.” He pauses and looks at you briefly, taking in your features. “No, a work of art from your hands has to contain something different, something much… darker.”

“And what makes you think that?” You chide in return, enjoying this little game he’s created for himself. “Maybe I love coffee and beignets.”

“Well, darling, who doesn’t? But that’s not why you became an artist, now is it?” He raises his eyebrows, giving you a chance to notice the hints of green and gold in his blue eyes.

He was good, you’ll give him that.

“My money’s on the portrait of the faceless woman drenched in blood.” His tone drops to the level of darkness he previously described as he steps behind you, his voice like butter as it melts down each vertebrae of your spine. “It’s beautiful, really; the way you captured the themes of the tortured and macabre while still maintaining an intimate beauty of the feminine experience. I’ve never seen anything quite like it.”

His change in tambre and location freezes you in place, forcing you to look at your own painting through his eyes as he hovers behind you, making you shiver with the anticipation of his intentions. The fact that you’ve allowed him to get this close so fast makes you wrestle with the idea that you may already desire this stranger based on nothing more than the words he’s chosen to speak with that velvety voice of his. Are you that subject to flattery? That desperate for validation? Longing that deeply for some level of intimate connection? Perhaps you are...

After what seems like an eternity of moral gymnastics, you no longer resist the temptation to turn toward him as he guesses correctly, noting the triumphant look on his face as your lips linger mere inches away from his. You barely notice the still breath that remains inside your lungs, expanding your rib cage for far too long as you stare at his plump lips, taking heed of the single droplet of champagne that rests on them.

“And what makes you such an expert on the feminine experience?” You manage to ask as he allows you to stare at him a little bit longer before answering your question.

“Oh, I’m not. I’m merely a curious third party who’s invested in the local artists that my charitable donations help support.” He confesses with a step back.

“You’re a benefactor?” You don’t mean to sound so judgmental, but he doesn’t exactly look like most of the ancient relics who usually pour money into the city. If you’re being honest, he looks more like one of the musicians you’d find on the street corner playing a cover of ‘Wonderwall’ on guitar for tips.

“Oh, don’t look so surprised, love, we come in all shapes and sizes.” He laughs, looking you up and down while the shock of his financial status slowly begins to wear off. “Now, tell me, was I right? Is that your painting?”

“Maybe.” You cross her arms over your chest, trying your best to resist his evident charms. “But you already knew that, being a benefactor and all; that’s cheating.”

“Cheating is such a harsh word. I merely used my astute powers of observation to put two and two together.” He casually places his hand on your shoulder with a gentle squeeze in order to keep you near. “Surely, you can’t fault me for that.”

“I suppose not.” Your heart races at his sudden touch, the gleam in his eyes barely hiding the raging fire behind them. He’s going to be trouble, you can already tell. “Do you flirt like this with every new artist you meet?”

“Just the morbidly disturbed ones that I find deeply enchanting.” His strange compliment is oddly personal, hinting that he might know a little bit more about you than he’s currently letting on.

“You think I’m morbidly disturbed?”

He gives you a knowing look.

“Oh, it’s all over the canvas, love. It doesn’t take an expert to notice the hurried brush strokes in the busy background, the aggression with which you plastered the feminist news clippings together contrasted against the time you took to purposefully pour the viscous, slow drip of blood on it until it’s nearly spilling onto the floor.” He closes the gap between you, his hand now in your hair.

You swallow hard as he fishes around in your psyche for an accurate interpretation of your work, his proximity nearly turning your insides to quicksand as his cologne dizzies you on the spot. Good god, he’s beautiful.

“You know there are other ways of releasing all that pent up rage and aggression… all that passion.” He leans in so that his lips ghost over your cheek as it blushes against his stubble. “Although they aren’t quite as lucrative as this.”

“And what would those be?” You ask coyly, eagerly daring him to show you.

But instead of going in further for a demonstration, he leans back with a satisfied grin, as if he’s already gotten everything he wants from you at that moment. He grabs a pen from a nearby table and takes your hand, writing his phone number on your palm. “Find me when you feel like it gets to be too much, when all those emotions make you feel as if you’re absolutely about to burst.”

[nevver]

Word on the street, Ray Markham (@raymarkhxm)

[savagewildnerness]

Let’s breakdown this scene…

Lestat, playing piano: bent over, lost in the world of the music - out of this world entirely. Louis sees a broken thing playing a plank of wood. A far cry from the proud, splendid creature he once knew.

(From Interview with the Vampire) "My eyes widened as I studied this stooped and shivering vampire whose rich blonde hair hung down in loose waves covering his face.”

Side note from me, as I love to talk about things that make The Vampire Chronicles appealing to me. Some people seem to be of the view that they wouldn’t desire immortality, only to be these sad, lonely, melancholic creatures… but I have always felt this way myself - even when I was a tiny child, long before I read The Vampire Chronicles. There has always been an innate loneliness and isolation to me deep inside. I don’t think you’d necessarily know it to meet me, mind! I am a smiley person! I like to do childlike, fun things. I try to bring happiness, not gloom to the world.

However, my instinct has always been to retreat into my own, wordless, unbound imagination, and to feel entirely alone, in truth. And still, I am. As a child, I felt more the weight of the world as if I were already 1000 years old. Now, loss of hope that comes with time is both sadder, scarier and, in its way, more freeing.

Anyway - imagine having infinite time and so being able to truly drift out of existence for decades. It’s such an appealing concept to me. I know Lestat is very sad here, but the idea of this kind of true escape… oh how I yearn for it. To let the world crumble around me. To step out of existence for some decades, with the possibility of return, not the reality as it is in mortal life that that is you falling through cracks you’ll never crawl out of ever again…

Lestat names Louis, reflexively when asked who said “hello”. He hasn’t turned to see Louis yet. To Lestat, Louis died 50 years ago. He is a ghost, surely? Lestat’s voice has a flat affect here. He isn’t thinking. He is merely reacting.

When Lestat first looks at Louis, I see fear:

- Does Louis really exist?

- What will Louis do?

- Must Lestat be drawn back into the world here? To acknowledge reality?

(From IWTV) “`I've dreamed of your coming . . . coming. . ' he said.”

Lestat asks Louis if he’d like a rat, as if he were a hallucination still, more than real-Louis. I think Lestat knows Louis is real when he speaks, but he’s still only half in reality himself.

Louis says “I’ve come to see you”, but Lestat is still half in his own constructed world with his music and Argerich… I love how Lestat hugs and caresses his plank-piano, drawing it into himself, as if drawing music in to himself. Me too, Lestat. Me too. I adore how Rolin and all added music to this scene. It isn’t there in the books. Of course it makes a through-line for rock star Lestat, but it is a deep love of Lestat’s and I am SO HAPPY with this addition!

I know a lot of people find “Siri, pause…” funny, but I must be a weird human, as I just find it oddly poignant. Like did people watch and laugh at this moment? This feels like when I go to see a play and people all laugh at something and I don’t laugh, then some other thing I laugh out loud at, but nobody else is laughing. And this is why I can’t do memes or any popular thing. SIGH. ANYWAY!!!

The way Lestat puts the keyboard up on front of himself, like a shield as Louis moves closer, his breathing growing ragged. Lestat genuinely scared… as though Louis’ mere presence might obliterate him if he gets too close. And of course, he does not know why Louis is there. Is he there to kill him? Does it matter if he is? He should kill him. He could too, right now. The emotional support piano becomes a protective plank.

But what Lestat is not expecting is Louis’ kindness, care, worry and empathy.

“Did you save my life in Paris?”

And now we get the first glimmer of the old Lestat as Lestat lifts his chin, shakes his head, tries to be nonchalant and to muster up his old pride, maintain any pride he still possesses. He immediately dismisses Louis’ niceness with a self-criticism as he truly perceives that he put Louis in danger by not protecting him from Armand. Responsibility in Nicolas’ death, and, he thinks, in Louis’.

Lestat is defensive. His unspoken mantra, “Don’t see me. Don’t see the real me, Louis. I cannot take it. Not right now.” Lestat is almost begging Louis to tell him he hates him, as he’s imagined Louis’ hate all these years… I fear halluci-Louis may not have been the kind, loving vision for Lestat that DreamStat was for Louis…?

A side note again: Lestat’s “All hail me” gave me a full-on spontaneous existential crisis. Folks, does Lestat say “All hail me” in the books? I hope not! Because for as long as I remember, in appropriate circumstances, I say “All hail me” and obviously it’s a turn of phrase, but I had a sudden heart stopping moment where, with a chill, I thought *Did I get that from Lestat?!* Am I entirely even my self at all?! Am I merely a manifestation of all the art I have ever consumed? Am… I… Armand!?!?!??!! Oh MY! I don’t think Lestat says this in the books though, right? Right!?!?

Well, Lestat puts his piano-plank down, terrified Louis might show him love. Craving it. Fearing it.

“Been enduring here?” Lestat is truly proud now. He will not admit his pain. As if not speaking it could make it invisible when it’s plain all about - from within him and without. It is *very* Lestat when questioned on the pain in his soul or shown that it has been seen to be like “I am FINE” & to think that’s how he comes across to others, when really of COURSE they see how broken he is. And then he bemoans that nobody will let him be broken, when he himself struggles to be broken other than when alone or on the page.

“I didn’t know it was a gift.” - Lestat is still wary. Still expecting hate from Louis here… unable yet to fully accept and understand…

Then Louis begins to say the only things Lestat has ever wanted to hear and know from Louis - thanking Lestat for the gift of vampiric immortality, showing he understands the beauty of it and intends to value that and use it… & Lestat is done for; broken open from here. He still, for a moment tries to fight back with “Shall we list all the ways we have wronged each other…” etc. But really, Lestat can now no longer maintain ay facade. Louis has opened him up.

And now we are open to Lestat’s thoughts for the last half-century. Armand erases Louis’ suicide attempt from his mind, but it is the first thing Lestat asks about. In his mind he has replayed for 5 decades how Louis is dead and it is his fault.

Sam and Jacob are so brilliant and beautiful as they open to each other in this scene. Claudia. Grief. Pain. Then, love. Broken-Lestat is particularly too much - holding on to responsibility over Claudia’s fate and how she looked at him at the end and he did nothing… and Louis, trying to take away and share the burden. Louis - so empathetic… and as they move through grief to love, words fall away (or become too personal to matter) and the storm outside echoes the storm of their hearts and their love.

(From IWTV) ““…And as I looked down at him, as I saw his yellow hair pressed against my coat, I had a vision of him from long ago, that tall, stately gentleman in the swirling black cape, with his head thrown back, his rich, flawless voice singing the lilting air of the opera from which we'd only just come, his walking stick tapping the cobblestones in time with the music, his large, sparkling eye catching the young woman who stood by, enrapt, so that a smile spread over his face as the song died on his lips; and for one moment, that one moment when his eye met hers, all evil seemed obliterated in that flush of pleasure, that passion for merely being alive.

" Was this the price of that involvement? A sensibility shocked by change, shrivelling from fear? I thought quietly of all the things I might say to him, how I might remind him that he was immortal, that nothing condemned him to this retreat save himself, and that he was surrounded with the unmistakable signs of inevitable death. But I did not say these things, and I knew that I would not.

" It seemed the silence of the room rushed back around us, like a dark sea…””

Bonus: misprint in my TVL copy!

(From TVL) “Louis had come finally to this very place and seen me through the windows. I tried to imagine it. Louis alive. Louis here, so close, and I had not even know it. I think I laughed a little. I couldn’t keep it clear in my mind that Louis wasn’t burnt up. But it was really wonderful that Louis still lived. It was wonderful that there existed still that handsome face, that poignant expression, that tender and faintly imploring voice. My beautiful Louis surviving, instead of dead and gone with Claudia and Nick.

But then maybe he was dead. Why should I believe Armand?”

[whitefireprincess]

New Orleans Shrimp Po Boy | Poor Boys

[found-in-nomadland]

Audubon Aquarium

New Orleans, Louisiana ✨

[prince-puppet]

NOLA Nights

[surprisesongoclock]

Taylor Swift performs a mashup of "Our Song" and "Call It What You Want" in New Orleans, Louisiana on October 25, 2024.

[jylovv3]

Reggae Festival🖤

[saydesole]

New Orleans Mardi Gras and Second line

Love my city 🫶🏽⚜️