#my second time drawing ford

[collectortruther]

Fordsy, nobody else really gets you, do they? Without me, you'll always feel unseen, surrounded by dolts who don't recognize your true potential. You've always felt alone in a crowd, haven't you?

Even if you got rid of me, you'd miss me. Admit it, you'd miss me.

[inkyrainstorms]

@aroace-get-out-of-my-face YOU. This. Woe be upon ye *casts animation on your fic*

they break my heart man <\3 I simply had to

[rystiel]

that annoying moment when getting left for dead in the trunk of a car in your 20s comes back to haunt you 40 years later (take a shot every time ford says “stanley”)

[nenoname]

got reminded of the bro code and got curious about what their names would look like

and it's like "huh. i suppose stanley is associated with money and ford with stars? but those two likely are just coincidences since alex likely created the code from mcgucket's "oh disney" swear in the blindeye ep

but other than the pine tree standing for p and the boat, i'm surprised that the more unique non-comic book swear symbols aren't part of their names"

so then i tried typing in the symbols that symbolized ford and maybe it's a coincidence but....

of course this stands for WCT.....

[flufflecat]

this is STILL not my beautiful wife

[fanartsofdoritoilluminati]

Could you imagine? (lmao)

[dragonpikachu]

List of old Gravity Falls things

because fans today probably don't know about all the batshit stuff that used to happen, here's some of the stuff I remember in no particular order:

People theorizing Robbie was a zombie

People also theorizing Gompers was connected to Bill because his eyes looked like that

Mystery trio

That time when Dipper got possessed by Bill, he stuck Dipper's arm in a silverware draw and then there was an avalanche of fan art with forks stuck in the poor kid's arm

The fact people guessed Stan had a twin actual years before the reveal, somehow even getting the name Stanley right, and then it turns out the names were swapped (there's so much old fan art calling Ford "Stanley", how could we have known)

All the crossover art with Over the Garden Wall

The fact Tad Strange's name was leaked and people came up with an entirely made up story about who he was, thinking he was some kind of weird shape demon like Bill, only for him to be a small 8 second gag character

When "Not What He Seems" can out and Stan's quote of "The Author of the Journals, my brother" somehow became a meme

When Steven Universe ended and somehow we got a bunch of fan art of him working at the Mystery Shack

That time "A Tale of Two Stans", the Steven Universe episode "Cry for Help" and the FNAF 4 trailer were all released on the same day, July 13, 2015

This:

I know there's other shit I'm forgetting so feel free to add some if you know any

[umboloae]

My new and hopefully final Bill design!! I made him easier to draw in comic style, still pretty, but with more recognizable shapes and traits (seriously, try drawing a generic white boy more than 5 times in a row, it's difficult)

Some notes on my stylistic choices and backstory for the designs:

First one on top: Just regular "young" Bill, this is him after betraying Ford (only thing that changed after he did was the sharp teeth, since he used normal ones to appear more harmless)

Second one to the right: Weirdmaggedon Bill. He took this form to manipulate Ford, it didn't work, all he got was a kiss (my first comic) and then he was killed by his brother (there will be a comic on that soon!!)

Third one on the left: Bill in theraprism. Now he got this glitchy scar, that starts on his face but runs through his whole body. He still uses his human form most of the time since he says he's waiting for Ford to visit. Ford never will, he doesn't even know Bill's alive. Bill uses a headband to keep his hair from falling on his face while he draws. And he doesn't have his earrings on bc no sharp objects allowed (let's be honest, he would stab it in someone's eye's)

And last one on the bottom: Bill after theraprism, and seeking redemption while working in the mystery shack. Not gonna elaborate on him too much bc he's gonna be featured in my future comics, but just know that he's 100% human and that his yellow eye is a prosthetic eye.

[citricacidprince]

Could you draw that "I trust you" scene with Mabel and Stan but with the relativity AU? (The stan twins and pine twins swap ages au)

OF COURSE, I WILL GLADLY DRAW THEM!!! 💥💥💥

I’m gonna post a long winded thesis about my thoughts on this AU, my take on the AU, and two additional arts under the cut because ooooh boy it’s a tad bit long lol. Also, please please forgive the formatting, I’m writing this all on the fly and it’s extremely disjointed, sorry- 💥

I know there’s the ‘canon’ Relativity AU designs and character dynamics, however I don’t really like them that much ngl. I feel like it mostly just ends up with ‘Mabel and Dipper get switched with Stan and Ford with no nuances once so ever’ and that BLOWS!!! There’s so much potential there and no one is playing with it!! YOU GUYS DON’T EVEN HAVE MABEL PRETENDING TO BE DIPPER, WHATS THE POINT????

Not only that but I feel like making Dipper and Mabel’s dynamic just Ford and Stan’s when they’re adults is a HUGE simplification of their characters. Like, Mabel and Dipper fight, but they don’t fight like Stan and Ford, they’re not as hard headed and stubborn. Mabel would commit some crimes yes, but I don’t believe she would get into some of the heavy shit Stan had in his past. I refuse to believe Mr. Dipper ‘Undiagnosed Anxiety Disorder’ Pines would fall for Bill’s flattery as easily as Ford did.

The Pines Twins are very different from the Mystery Twins. Mabel and Dipper didn’t grow up with a father constantly comparing the two and pinning them against each other, outright telling one kid they’ll always be a failure while the other is going to have the burden of making their family rich. They never had that tension. They wouldn’t be walking on eggshells around eachother as adults.

I know that makes the concept sound boring to some, ‘Where’s the fun in the AU if you take away the sibling fighting’. You cowards, you can still have it, young Stan and Ford are RIGHT THERE. During the second half of the show when Dipper comes back through the portal, instead of having the older set of twins, something that doesn’t make sense with their characters, have a building tension that’s going to explode soon and keep it between Stan and Ford, don’t take it away from them. If anything, I think taking away the resentment and anger growing between the two and giving it to Mabel and Dipped is a butchering of all the characters.

Sure that means some of the episodes would have to change or be completely erased, but that’s fine!!! Make up some new ones!!! Get silly with it!!!

Mabel and Dipper talk about feelings, Stan and Ford don’t. Mabel and Dipper can’t stay mad at each other, Stan and Ford will try and stay mad for decades because being angry is easier than being upset.

In my idea of this AU that fight at the end of Weirdmageddon HAS to be between Stan and Ford, and Stan HAS to still be the one getting his memories erased.

💥 Post Not-What-He-Seems Relativity AU Rambling Below 💥

Dipper is a paranoid man, fool him once you’re never going to fool him again. He would never in a million years ever work with Bill again. Ford however is an extremely lonely child, both he and his brother are desperate for any type of positive attention. I think Bill would see him as a potential protege, especially since Ford is a ‘freak’ like he is and the kid is extremely smart for his age. He’s malleable, Bill probably thinks he could shape him uo to be the perfect lackey.

Ford, being the lonely kid he is, probably does fall for the praise initially. He craves attention and Bill pushes all the right buttons and says all the right words, tries and gains his trust even if time has proven again and again that he shouldn’t be trusting the demon.

The tension between the Stan Twins would grow after Grunkle Dipper comes back because Ford is upset that Stan didn’t listen to him (even if it was for the best that he did) and that Grunkle Dipper forgave Graunty Mabel so easily because if Ford was in those shoes he wouldn’t have. It grows more and more as Ford becomes distant and Stan tries to connect with his brother to no avail. Which, of course, comes to a boiling point when Ford says he’s going to stay in Gravity Falls and learn under Grunkle Dipper. Stan is rightfully upset. He can’t go back to New Jersey by himself. It’s always just been the two of them, he needed Ford, he couldn’t handle school or their father by himself. He can’t be alone.

Unlike Mabel who just wanted one more day of summer, Stan wishes that he wouldn’t be alone, which indirectly causes Weirdmaggendon.

Stan’s prison bubble would probably be a fake New Jersey-esc town full of a bunch of little Stans running around. Town O’ Stan. A place where no Stan is left behind.

Ford says some nice words to Stan there to get him outta there but there is still this intense tension between the two.

During the Cipher Wheel Ford is the one who tackles Stan. The two fight, whining out hurtful words neither of them mean and only stop when Bill shows up and captures them. Graunty Mabel and Grunkle Dipper run off and distract Cipher in hopes that they can keep the attention on themselves long enough that their great nephews could come up with a plan to escape.

The younger twins don’t find a way out and instead, finally, have an actual talk about their feelings, one that definitely ends up in tears as the two talk about the pressure that’s put on them or how worthless they feel. After that the boys get a rush of determination to escape when Stanley has a plan. Ford immediately hates the plan but Stan insists that they do it, in his own words, ‘Let me prove I can do something right for once.’

When Bill comes back and threatens to kill either Mabel or Dipper just for the hell of it, Ford calls out that he’d like to make a deal.

He wants to work with Bill, let Bill into his mind willingly. Bill immediately jumps on that offer. Ford is a promising young kid, perfect henchmaniac potential, not to mention it would absolutely devastate Dipper is his great nephew willingly turned to Bill’s side.

He goes into Ford’s head, revealing Stanley just in time to reveal that he was trapped, panicking as he was erased with a swift left-hook along with a kid who was happy to prove he was good for something after all.

Everyone was devastated after Weirdmaggedon of course, a child had his mind completely wiped. Stanford took it the worst, he just managed to finally break down those words that others built in his head, that he was too good for Stanley or that he didn’t need a knucklehead like him dumbing down his brain, and now his brother was gone. Just like that.

We all know what happens after this, Stan gets his memory back, everyone celebrates and the Stan twins are sent home, promising each other that they’ll never let anyone try and tear them apart ever again. Dipper and Mabel stay at the shack, after all, all they could ever want is there, where else could they possibly go?

Sorry this was… extremely rambly and long, I am extremely tired and can’t think straight I have a bunch more ideas and concepts so if anyone’s desperately wants to hear them just ask I guess, sorry you read this dumb of ass essay haha 💥

[potato-lord-but-not]

Potato I’m coming into your asks with my head in my hands but I have to ask: how the HELL do you draw people kissing, you’ve gotten it down in such a ‘satisfying’ way I need to know your secrets

okay this is probably going to be really incomprehensible but I am TRYING my BEST

first, we must implement the tilt method. you want your faces to be tilting in opposite directions as to make room for the kiss. the heads tend to make a heart shape if you’re normal and draw the heads completely (oops). And the lips create a zig zag type shape. the person tilting towards us (right figure) having their nose and top lip visible, and the person tilting away (left figure) has just their bottom lip and chin visible.

and you can use this for two people being close, just about to kiss. although you don’t have to tilt em as far since they have more leeway, but the principle is still there

you can play around with this tho, and I have a few different ways of drawing a kiss to portray different things-

1 is more puckered, a light playful kiss that may not last long

2 has the mouths create an O shape, giving an air of a breathy slightly desperate kiss. it gives the impression that the kiss isn’t the focus, these two are more focused on what their hands are doing, how close they are, soaking in the feeling of being intimate ect etc.

3 is wider, closer, there could be some tongue action going on. They miss eachother and they want to smash their faces together as humanly possible

You can also use these when only one person is giving the kiss !!

PHASE TWO REAL WORLD EXAMPLES because one thing that aids in a good kiss is the BODY LANGUAGE. it gives the kiss more life and feeling, the above examples even have some shoulder action to further the vibe. Anyway. Exhibit A

a subtle tilt, but that works in favor of creating a more relaxed feel. their kiss is a mix between 2 n 3, wide and open, messy and passionate. they’re definitely taking their time.

this one’s a body language one !! just the kiss alone has much less going for it compared to the way they’re tangled together. Ford (right) is more relaxed, more confident. And Arthur (left) is a bit more weary but letting Ford take the lead. Arthur has his lips puckered more, while Ford’s are more relaxed and a bit more open (although it’s very subtle)

This one is mainly kiss with body language as an aid. Arthur’s (right) head is tilted up instead of to the side, leaving Oscar (left) to pick whichever direction. The kiss is mainly 3, with a hint of 2 to communicate the more desperate and eager vibe. This is also paired with the subtle head tilt away from eachother and solid position they’re in. This creates a relaxed and content feel, like they started off hungry but ultimately don’t want to take it any further.

Subtle head tilt, a kiss between 1 n 2, and idle bodies make for a relaxed, domestic and intimate feeling. they’re sharing a kiss that was intended to be quick, but they lingered a few seconds too long and now they’ll stay there for a good 15 minutes. hands resting on the other, lips gently touching, words exchanged between moments of no contact.

GOD SORRY ANYWAY I spent way too long rambling about my podcast men kissing I hope this was insightful I’ll take my leave

[cryptic-underground]

He Used To Be so Bright, Then Life Stole It.

If you squint, you'll see something that alludes to the fic I'm writing. (Which finally has a name, it's: "Ring Around the Pine Tree." Might change it when I ended up posting it, but this is the name I like for now).

I thought of this idea late yesterday night whilst procrastinating writing said fic(still writing Chapter 2, smh(it's like 5k words so far compared to other chapters mere 1k combined)). And I kept thinking about a certain sentence I wrote, then I spiraled. Drew all the sketches the same night, did all the line art upon waking up, and then spent like 4-5 hours colouring and shading them all in ONE SITTING. Without moving from where I was sitting the whole time. I almost postponed the last one for tomorrow because I really wasn't feeling colouring Ford, but then the dark part of my brain was like "what it's just one more and then you're done the whole thing! Then you can do other stuff tomorrow without having one more unfinished drawing sitting around."

So I blacked out, and he was done. The frustrating part was saving all the pngs because I'm insane and did this all on one canva, meaning I kept forgetting to both turn on certain layers as well as turn others off. (I had to resave certain ones multiple times, it was a NIGHTMARE).

The full images because I worked too hard on them for them to be seen for just a second:

[illusioncanthurtme--art]

This may be a silly question… but I’m an artist trying to learn backgrounds. I’ve studied perspective until my hands fell off, but I don’t know how to choose an angle or not make things look wonky. I’ve tried asking a lot of artists, but I’m hoping to hear more than “just draw backgrounds”, because I have been, but I’m not improving.

Do you have any tips on how to practice?

The anonymous ask is much more recent but it reminded me of another ask from @cerealssoggies i forgot to answer thats, OOF... gotten old. Sorry about that. I'll answer your ask more directly at the end of this.

I'll talk about the perspective ask first. Anon... I'll answer your question as best as I can!

I think what makes perspective tricky is the beginning, when you're using perspective lines and grids and such to map out the picture. Because the actual technique of 2 point perspective isn't hard or complicated, it's getting the scene to look the way it does in your head thats tricky. I'm talking about the metaphorical "camera" location, angle, and... idk, focal length? If I'm using that phrase correctly.

So you can draw something like a simple square bedroom, and by the time you're done placing your horizon line, vanishing point, and perspective lines, and actually start drawing, you realize it doesn't look like how it does in your head. And from there, it's hard or nearly impossible to move things around to look like your vision, so you'll be tweaking each thing individually: uhh, let's move the horizon line down, the left vanishing point further? The right one closer? Both further? Huh??? And it's frustrating.

I've found, if you're drawing an environment from your imagination, the best way to start is to draw an teeeeny tiny thumbnail sketch. The smaller the better. Not just environments, but any drawing idea is easier to map out when it's smaller. Your brain can latch onto the visual as a whole when it's all tiny on a piece of paper.

Drawing my current blog header, the one of ford's research tent, I had a similar pickle. I knew exactly where I wanted the camera to be, in the corner of the tent, and I knew I wanted the camera to be more wide, so you could see most of his tent while keeping the feeling that it's small. I started digitally with perspective lines and quickly got frustrated. SO - I took to my sketchbook and thought reeeeeally hard about what it looked like in my head, and tried mapping it out in a tiny tiny thumbnail. Here's what that looked like:

This was closer to what I wanted than what I first had on my computer. I knew from there that I wanted the furniture items to be closer together and the camera higher (you can see my scribble writing saying this), so I scanned my thumbnail, and drew on top of it to get closer to the vision. Then, from there, I was able to add a proper perspective grid based on what I had already drawn.

THEN you can finally get down to the fun part - actually populating your room with furniture and details. I put this sketch on paper and did most of the real drawing traditionally:

In summary: instead of jumping straight into perspective theory, thumbnail the idea as rough as you can. Then base the angles of the perspective lines on your thumbnail.

But.... even still, I don't have the strongest ability to picture things mentally, and not everyone is gonna be able to do that (although it is a good muscle to exercise.) Sort of a segue into the second ask - those backgrounds of dibs car? I straight up traced over pictures I took of my car. I'm not the biggest advocate for tracing, it does kind of feel like cheating, BUT for the purposes of this animation? There's no point in getting on a high horse. I needed to draw his car like 10 times and there was no reason to torture myself. I did photoshop some of the photos before I drew over them because the focal length made the car look bigger than I wanted it to? And a lot of it was guessing what the car looked like behind the front seats, etc.

But this does remind me of an exercise I did in school for an illustration mentorship class. The mentor for one unit was a set designer working for Netflix. She was given photos of a room that a scene would be shot in, and she drew the set on top of it: like furniture, decorations, etc. So my assignment was to choose a stock photo, and do some world building concept art based on the photo. From the photo, you can figure out the perspective by identifying lines/angles that theoretically lead to a vanishing point. You need at least two lines, and you extend them really far and see where they cross. Where they meet is a vanishing point. Find two vanishing points and they are level with the horizon line. Then use the perspective dots you just found to draw furniture, items, and you can even get creative and change the shape/height/size of the rooms/buildings/etc, while still using the same perspective.

If an image from the internet feels too much like cheating (it SHOULDN'T, you'll only learn from it and your drawing won't look anything like the image by the time you're done), you can always take your own photos. This technique is honestly what made me enjoy drawing backgrounds in the first place. It made it fun! And drawing should be fun.

I still do this sort of thing today. Here's the reference picture I had my sister take of me for my Fairy godmother illustration. (This is from a couple years ago.) I drew on top of it in photoshop to get my best guess as to the lines and angles. I didn't trace this one, but I did use it very heavily for reference!

So I guess... to summarize both techniques, don't jump right into perspective. Best way to start, that's fun and not wildly frustrating, is to use a photo. If your vision is hyper specific, start from a tiny thumbnail and work your way up. Then the fun part!! Populating the scene with furniture and items and fun little details.

To answer @cerealssoggies question more directly: omg, thank you?? :O💞 I'm always so wowed when people talk about my prints and where they put them. I'm really glad you like the fairy godmother one! My mom also has one hung up in her room lol!

My advice on the design front isn't as specific, because that always felt like the easy part. Once you have the room or whatever mapped out, it's just about drawing all the Stuff. Which for me usually means getting in the head of the character and asking myself what sort of things they'd have around themselves and their environment. And obviously if the setting isn't a characters room/personal environment like the previous three examples, then you'd just have to think about what the environments purpose is, and what sort of stuff would be there. When I'm thinking about a background before I draw it, I'll ask myself what items or features it will have. For the ford tent, I made a list of all the stuff I thought he might have in there (I googled winter camping trip packing lists, as well as science-y tools and gadgets). For dibs car, I asked people on tumblr for suggestions as to what I should put in there.

And look up references! Reference is always a good thing.

In real life, I'm a maximalist and a clutterbug. This bleeds into my drawings - I like it when an environment feels full and lived in.

Here's my bedroom lol.

WELL typing and compiling this took up a greater portion of my Friday but I really hope this was helpful to you and others!!

[non-plutonian-druid]

[ID: Drawings from darklordofawesomeness' cat Stan au, this time featuring wolf Ford.

In the first, cat Stan is standing on wolf Ford's back. Some helpful text points to them, reading "Same coat color, same eye color, same expression, NOT related".

In the second, cat Stan is sitting on wolf Ford's shoulders, and saying "Wolfy, I'm gonna teach ya how to commit FRAUD." Ford looks nervous.

In the third, there are assorted wolf Fords and cat Stans: Stan curled up on Ford's shoulders; Ford and Stan posing cutely and reluctantly; Stan and Ford sitting in front of an open book. Stan says "If I didn't need this to turn human, I would just laugh at your suffering." Ford says "noted."

The fourth is a two panel comic where Stan teaches Ford to look less like a wolf and more like a dog. Ford is standing like a wolf; head in line with shoulders and tail down. Stan says "Yeah if you wanna fool anyone you need to change your body language", then "Lift your head and tail. Smile. Put your ears forward." Ford, following his instructions, looks significantly more like a dog at a glance. He is smiling, but his eyes are narrowed, and he says "I hate you." Stan says "Better! Now just stop scowling at me."

In the fifth, human Stan drives an extremely sketchy and loosely colored Stanleymobile. Wolf Ford is standing on the door and sticking his head out the window. Stan looks annoyed.

The sixth is nearly identical to the fifth, with the addition of Carla, Fiddleford, and Emma-May in the backseat. They, along with Stan, are dressed like Scooby Doo characters. End ID.]

More cat stans from @dark-lord-of-awesomeness's cat stan series! These are mostly from Double Cursed, except for the last two, which are ostensibly from chapter 52 (How to dognap a man?) of Cat Stan Extras. Except the last one is because i made up scooby doo vibes in my head and i wanted to do something with that. Basically, this is The Post Where Ford is a Wolf.

the comic is because way back when, i saw that one post about how to draw wolves to look more like wolves, and i thought it would be fun to use wolf ford as my guinea pig to test out some of the differences. Since ford is a human person capable of changing his body language! idk if it would fool someone in real life but in image form i do think it works, the second one reads way more doglike.

[boomerdangs]

[PART 3] What if: The Amazing Digital Circus x Gravity Falls?

[Alright chat I finally was able to draw and design this fella— was fighting my art block like CRAZYY but we MIGHT be back… who knows, I’m still a lil slow.]

The idea with Fidds is actually he’s the first one to have ever shown up in the digital circus— with Ford being the second around the same time, which I think I’ve stated previously [I think lmao]. I’m planning on answering an ask where I’ll basically explain how I personally think everything went down to get them both trapped.

Anyways, in my mind, Ford does his best to protect Fidds as much as he can, there’s a lot of guilt on both their shoulders and Fidds doesn’t take well to their new reality. Ford could only try so hard to keep Fidds calm after being trapped for 30 years.

Yap session over, thanks to @samo-nkey and @biggielean as always for the banger ideas especially on this guy!

Part 1 : Stanford & Mabel

Part 2: Stanley & Dipper

[COMMISSIONS OPEN]

[bigfatbimbo]

hmmmm if you’re looking for stanford smut requests….. maybe expand on ford loving pegging? maybe throw in him getting called pretty boy to really wreck him?

- 🎩 anon!

A Night to Remember

a/n — Yeah, not my best work. But oh well.

warnings — implied Fem dom, dom reader, use of a strap, pegging, sub Ford **NOT PROOFREAD

summary — Reader and Ford try out pegging for the first time.

“Are you sure about this, dear?” Ford queried for the hundredth time that night.

You were almost done setting up with prep, getting ready to slide the first finger in. His weariness was almost laughable, “Yes, i’m sure. Are you?”

He looked taken aback—sounded taken aback, as he was already on fours for you. “What? Yes! Of course, I— I’ve been looking forward to this all week.”

It’s almost cute how unsure of himself he could still be, despite everything he’s been through. It’s in vulnerable moments like this you catch a glimpse of the insecure boy he once was. You try to call him down.

“So have I, baby—“ the pet name was well received, “—but you can relax. I’m gonna take good care of you.”

Your finger slipped into his asshole with ease because of the lubricant, and he shifted uneasily. “It might feel weird at first— But just get ready, sweetheart.”

“Right. Yes. Of course,” was his short response.

You worked on loosening him up for a little bit before you must have hit a spot he liked, because he sucked in a breath, “Oh.”

Gaining confidence, you kept moving. Twisting your fingers in and out, drawing soft moans from Ford.

Finally, his voice wavered, “Please.”

You took that as your queue, slipping your fingers out and replacing them with your strap. 

“Brace yourself,” You say as you slide into him, drawing out a whimper of approval from Ford. “Good, good.” You praise absentmindedly, beginning to find a pace.

You steady yourself and move inside him, not too fast, but not annoyingly slow. 

“M-more,” Ford mutters, “Please, love—“

So you speed up, and you begin to drive deeper into him. First your pace unsteady, but once you find a good place, Fords legs begin to shake. His breath hitches and he gasps for the sheets, groaning slightly.

You go on like that for a little bit, before deciding to, once again, lift your pace.

Ford whines your name. 

“You’re doing so good, sweet boy,” You thrust into him, “So well behaved, so perfect.”

He whimpers into the pillow, mumbling incoherently.

“And so pretty,” you add on, drawing out a long raspy whine from Ford.

“Ah— Y/n, dear lord—“ He whines, “Close, ‘m so very close.”

You drill into him now, daring him to reach his limit, a challenge he seems to gratefully accept.

“Anytime you want, sweet boy.” 

His breathing gets ragged, back arching with every thrust, and with one final whimper he releases, before collapsing onto the mattress.

You lay there with him for a few moments after ford flips onto his back. 

“Wanna get cleaned up?” You propose.

He breathes, “I think—“ a huff “—If we want to get full use out of the strap then… maybe a second round would be.. most productive.”

[hoodedjelly]

Sleep walk BTS post!

will go in depth with my process and put better quality drawings in here!

Before any of this i was listening to several fiddauthor/ford playlists to hear a song that really got my brain moving. Funny enough i didn't get Sleep walk from one of the 100+ song playlists i was listening to, it was in my oc playlist (thats a mad scientist who would've thought). Originally i wanted to make a fiddauthor animatic (who knows maybe i will), but THIS SONG just caught my brain in a way i couldn't refuse.

So i technically started working on it the late night of September 27, exactly a week ago! which yes yes i hear you all in unison go "WHAT???" to that, and all I have to say to that is.... I have untreated adhd and lots of caffeine in my system! (honestly felt like ford sometimes while workin on that animatic)

Started it off with some notes, then thumbnails. I had my tbob AND J3 open next to me stood up with clips for reference (prob looked a little insane looking back but its fine)

now for the rough animatic! i did this in Adobe animate 2022 (i'll get back to that later) the only thing that really got changed was i wanted to add the diner scene from j3. i realize now that it messed up the timeline i was going for with the animatic but i like to think things are out of order because of the state ford is in, things start to merge together.

After i sat with this rough animatic for a bit, i wasn't sure if i was going to make it in Adobe animate (what i usually do) or make it all in Clip Studio Paint. I wanted this animatic to be way more visually interesting then i usually do, so CSP it is. But! i only have CSP Pro, so i had to draw and export every single new frame from this animatic.

it was a little tedious at first (again never done an animatic like this before) but i got used to it! I edited it all together in CapCut and thats really it!

The missing J3 pages from TBOB spoke to me in a way that im not fully comfortable talking about to my followers. I put a lot of myself in this animatic then i'd want to realize, it's very important to me. The night when i uploaded it i was literally shaking with anxiety (and caffeine-) but the overwhelming support for it is really amazing, thank you so much! if you have any more questions please ask away i love talking about the art process.

Below im going to talk about the code and put HD backgrounds!

thank you for dyemro on here for cracking the code first! now i can talk about my insane little thought process about it

So i never planned to add a code until halfway through with the animatic. i was watching ThatGFFan videos and him talking about gravity falls codes got my brain cooking. i wanted something sweet and simple (i realize with dyemro's post it wasn't as simple as i thought, give me some slack it's my first time). like what you should with making codes you start at the end. And i wanted something that was a nice send off for drawing ford be fucking miserable for 1 minute and 30 seconds.

so i got this. (honestly every time i look at this drawing after finishing the animatic it makes me real emotional)

There are 4 codes in this whole animatic 0:02, 0:15, 0:30, and 0:58

wanted the first one to be REAL noticeable so people can stop and be like "wait... theres stuff in here". people usually think to use the bill symbols, but no! from the description theres a little hint to use the Author symbols

doing that code it leads to: imgu r.com /a/uZa iVfu (and if you know that double line a under a letter means capitalization + im a dumb dumb that used a code image that didn't have a Z so thats just a normal Z)

it makes a LINK! > imgur.com/a/uZaiVfu <

now enough of that boring stuff, heres some HD screenshots and backgrounds of my fav parts