#my design for the reverse twins

[gh0stbeeee]

[chocolatechipkraken]

Mermay 21-31! FINALE! Which one did you all like best?

Part 1

Part 2

[samaraxmorgan]

Your Roommate Sukuna

“That Time His Older Brother Gave Him A Tarot Reading”

Modern no curse AU, Sukuna X Reader

Synopsis: This housing crisis sure is no joke huh? Rent is just too expensive to live alone, so you put out a listing for a roommate and ended up living with none other than the tattooed bad boy Ryomen Sukuna! This is part of a series of drabbles and oneshots showing glimpses into you and Sukuna’s living situation!!

Contains: brothers au, pure fluff, reader is not present, Sukuna is pining hard

Word Count: 1.26k

Series Masterlist - My Full Masterlist

Sukuna isn’t one to make time for his family. Although he has an identical twin brother who bothers him far too much for his liking and an older half brother, he almost never talks about them and spends even less time talking too them. But today he was feeling nice… which is strange for him, but regardless, he decided to agree to come by his brothers’ apartment.

And was quickly reminded of why he never comes over.

Sukuna was seated on the antique couch while Choso kneeled in front of the coffee table between them, flickering candles on every surface bathing the living room in a soft warm glow and reflecting on the shiny surfaces of the crystals placed meticulously all over the table. Choso opened up a small black box, pulling intricately designed tarot cards from inside and fanning them between his fingers before spreading them face down across the table.

Sukuna really was trying not to roll his eyes at the whole ordeal, but the man can only take so much before he’s bound to cave, “This is so stupid.”

“Shh…” Choso leans forward and presses his finger over Sukuna’s lips.

“Don’t touch me.” He grumbles.

“Shut up,” Choso loses his calm demeanor for only a second before he’s closing his eyes again, “I’m focusing.”

“On what?”

“I’m tuning in…” He wiggles his fingers over the cards, “to the energies.”

“Jesus fucking christ.” Sukuna rubs his temples, “When did you start doing this witchcraft shit again?”

“Not witchcraft,” Choso peeks one eye open to shoot a quick glare at his brother, “And yesterday.”

“Oh you’re a real professional huh?” He smirks down at him.

“Sukuna,” His shoulders slump and he lets out a frustrated huff, “Just, fucking shut up.”

The two of them squint as the lights suddenly flick on, Yuuji not quite getting the memo of what’s going on downstairs as he leans his head over the stair railing to peek into the living room, “Ooh, how’s the satanic ritual going?” He calls out from the stairway.

“Yuuji!” The two of them call out in unison. He lets out a little “Oops” and flicks the light back off, running back to his room upstairs.

Choso rubs his eyes, smudging his eyeliner onto his fingers, “Okay just, pick a card.”

Sukuna huffs out an annoyed breath, reaching forward and tapping his pointer finger on one of the cards in the middle. Choso slides the card down in front of Sukuna and flips it over, revealing an upside down picture of a man sitting upright in a bed with his head in his hands and swords neatly stacked on the wall behind him.

“Oh, interesting.” Choso mumbles.

“The fuck is he crying about?” Sukuna leans down and squints at the card on the table, “It’s upside down.”

“It’s reversed,” Choso clarifies, “The nine of swords reversed.”

“Choso, I don’t know what the hell that means.”

The long haired man sits up a little straighter, pointing at the card with a manicured finger, “This first card is your past. The next will be the present, and the last will be your future.” He picks the card up and scans it carefully, “You were… struggling, alone, not one to talk to others even when you need to-“

“What is this fuckin’ therapy?”

Choso groans and rolls his eyes, “God knows you need it, but no. Anyway,” He clears his throat, “You were in a downward spiral, but this is past tense, clearly you’re more open now considering,” He gestures vaguely around the room, “Well, you’re here for once.”

Sukuna is visibly annoyed, not a fan of being picked and prodded at. Choso places the card back down on the table, gesturing for Sukuna to pick another one, which to Choso’s surprise and for Sukuna’s morbid curiosity, he does; tapping his finger on a card pushed to the side of the table.

Choso flips the card over, and once again, it's upside down. It pictures a man sitting cross crossed in front of a tree, three golden goblets on the grass in front of him and a fourth being given to him from a disembodied hand floating next to him.

He’s really fuckin’ bad at organizing his cards.

Choso’s gaze flickers between Sukuna and the card, his brows furrowed in thought so clearly that you could almost see cogs turning behind his eyes, “Four of cups… reversed.”

“The hell does reversed mean?”

“It’s usually a negative version of the card’s meaning.”

Sukuna scoffs, “Oh fuckin’ lovely.”

Choso props his elbow onto the table, tracing the outline of the card with his finger, “You’re withdrawing-“

“Well yeah. No shit,” Sukuna cuts him off, “You’re telling me I’m cursed. What’s the damn card mean?”

“That is what the card means, idiot. You’re reluctant to open up to someone.”

Sukuna leans back against the couch, crossing his arms over his chest, “Who?”

“I don’t know,” Choso shrugs, “Maybe the future card will clarify.”

“Absolutely not.” He huffs. Choso looks up at him with confusion, “I told you this was stupid, I’m not picking another.”

The light flicks on once again, Sukuna groans at the sound of Yuuji’s voice yelling from the stairway, “Sounds like someone’s a fucking pussy!”

“Yuuji, quit eavesdropping or I’ll gouge your fucking eyes out.”

The light flicks back off.

Choso looks up at Sukuna expectantly, and after glaring down at him for a moment he breaks, rolling his eyes and flipping over a random card, “If it’s upside down I swear to fucking god-“

“Oh shit!”

“What?” Sukuna sounds almost startled, looking down at the card he sees that this one is upright; picturing a naked man and woman standing in front of some kind of angel. But he’s quickly able to gather the most damning part of the card.

The bottom of the card says “The Lovers.”

“Oh fuck off.”

A smile spreads across Choso’s face, “I don’t think I need to explain this one to you. And it’s not upside down.”

“Reversed.” Sukuna mockingly clarifies.

“Shut up,” Choso leans forward, grin still plastered on his lips, “Who is it?”

“It’s nobody, this shit isn’t real.” Sukuna scowls, but deep down he’s glad the room is so dark to hide the tint in his cheeks.

It’s not fucking real idiot. Stop it.

“How about this,” Choso clasps his hands together, looking up towards the ceiling, “If this shit is real, give us a sign.”

Yuuji flickers the lights.

“No! Stop interfering, this is serious!” Choso yells out towards the stairway.

But Sukuna’s blood runs cold as his phone buzzes in his pocket, quiet enough that no one could hear, but he could feel it.

It’s not real.

The room is silent for a moment as Choso scans for any type of sign, but it’s as if the world had completely stopped turning, not even the candles were flickering. Choso plops his head onto the coffee table, mumbling under his breath, “I don’t know why I thought that would work.”

“Mhm.” Sukuna hums, putting up a disinterested front as he pulls his phone from his pocket, “Can we watch a movie or something now like a normal family?”

Choso defeatedly blows out the candles, collecting his crystals and placing his tarot cards neatly back into the box, “Fine, fine, but I still think it’s real.”

Sukuna’s heart nearly stops beating when he unlocks his phone and sees a text from you, “If u leave dirty dishes in the sink one more time I’m actually gonna kill u in your sleep.”

God I hope it’s fucking real.

A/N: Family bonding time has never been so awkward, anyway here’s that time Sukuna started to believe in magic, or witchcraft, or anything if it means you like him as much as he likes you. Dividers by @adornedwithlight

Let me know if you want to be added to the taglist!!

[pkiir]

Reverse Falls , remake!

In 2016 I used to be a huge fan of reverse falls and the biggest fan of the concept but looking back on it many years later I only now realize how strange MOST of the fanart was for it. I am still super interested in the concept but I wanted to take my own spin on it and create my own designs on what I thought fit! ^^

i supposed I wanted to call it something like Reverse remade?

Mable pines!

i see Mable replaced with Pacifica considering their rivalry in a couple of episodes but IMO she would fit Gideons role better considering her "charm" I think she'd run the 'tent of telepathy' corner of her family business and takes relative pride in it. I think she would also be obsessed with journal 2 akin to Gideon

In terms of romance I don't think she'd be all that interested in it because she is invested in figuring out the mystery although she isn't nearly as keen in her senses as her brother so I'd assume she would be on the same level of progress as Gideon.

Dipper pines!

Considering dippers canon trait of being uncleanly at best for not changing his clothes for days on end and having 'vest rash' as stated in the book of bill I think he'd be the super straight edge snobby rich kid who helps out with the other branch of his parents business. Between the two I don't think dipper and Mable would have good connections to each other because Dipper wouldn't want strong involvement in mystery.

Sorry for the low quality art these are little concept sketches for a bigger plan because I want to think of the best designs for Pacifica and Gideon and how exactly them running the mystery shack would work because unlike the twins they are not related, suggestions would be nice but I'm not aiming for the most "canonically accurate" approach, I like creative liberties

[year2000electronics]

Everything about the way you reshape old Gravity Falls aus is so special to me. It's like you just look at an old Gravity Falls au and go:

'This is good, but we can make it better. I can make it better' *proceeds to make something super interesting*

Anyways I love love your reverse Ford and TOXIC OLD MAN YAOI FOR LIFE

AHH THANK YOU!! i mean personally, myself, i tend to avoid the language of "making something 'better'" because even though there are certain things about old gravity falls aus i 100% hate and do not condone at all (the rampant sexualization of the mystery twins, all the b*lld*p and incest), i think the idea of making something "better" is kinda subjective! like i'm just one person who has their own experiences of writing things, i've had people do their own spins on my writing where they'll say "i made this character/concept in my au of your story because i feel like this decision was weird and didn't make sense" when i think it makes perfect sense, or, like, someone doing their own variations on my character designs and adding their own personal preferences (like adding animal traits onto my human characters) that i kinda dont really care for but i dont HAVE to? if that makes sense? cos thats what i like and thats what they like! we're all out here creating these beautiful imperfect things and i feel like tossing aside the idea of "fixing" someone's writing or making it "better" can really help you with the creative process, it's helped me a lot imo, kept me humble and cognizant of other peoples' writing going on in the world :]

ANYWAYS HIPPIE RANT OVER im flattered you like my interpretations!! it makes me happy :] heres some toxic yaoi for your time

[mask131]

Kind of a continuation of my Medusa post? But this time about Poseidon.

I talked in my Medusa post of a trait that... seems to be lost on many people when it comes to the characterization of Poseidon? The fact that Poseidon has not just a bad side, but a dark side, and that he is supposed - in many ways like Hera - to be one of those ambiguous villains or anti-villains of Greek mythology. There's the misinformation that "Hades was a bad guy" and the new false take that "Hades was a good guy", when truth is "Hades was a neutral guy". There's the name TV Tropes and Idioms used to designate falsely presenting a bad god in a good light - "Everybody loves Zeus", and I get it is supposed to be a reverse of "Everybody hates Hates", but this is part of the wave of Zeus-hate by the Internet that literaly covered the fact Zeus was supposed to be the BIG GOOD of Ancient Greece. And the third brother also very clearly falls into the series of mischaracterization as there's this sort of cliche of Poseidon as some sort of chill guy who just hangs around the back of the Greek pantheon and is a cool dude...

... And I blame Percy Jackson for it. Don't get me wrong: I love the Percy Jackson books. But it is not because I love them that I don't recognize their flaws, and that I am not saddened at seeing how their fans warped what Greek mythology is. "Percy Jackson" and affiliated series, due to being a book series about the son of Poseidon, presents Poseidon as this good, benevolent, chill, positive deity. And I respect that, and in fact it came off as a true TWIST back when they were released, and I loved this twist because Poseidon had always been one of my favorite gods. Not only that, but Riordan made clear he knew about the dark and bad side of Poseidon, and tried to work it in his worldbuilding, by having key moments of his books relying on Percy confronting his half-brothers (Procrustes, Polyphemus, Anteus, etc...). In fact, a strong point of the original book series was Percy having to deal with the fact his father could love as much him as these monsters... But unfortunately Riordan apparently did not work on this point enough since the Internet basically decided to make Poseidon an uwu god.

So let's break it down. And if you didn't understand anything I said until this point, don't worry, I explain it all here.

Poseidon was... not supposed to be a wholly good, benevolent, and certainly not kind deity. I mean he has his positive point and his goodness, like all gods - because Greek gods are always neither wholly black or white, but grey (except for these minor gods that are personifications, and that do obey a black-and-white morality). And when you crack open the first Greek mythology manual for children you will often find the description of Poseidon as being just as temperamental and mercurial as the sea: sometimes Poseidon is a calm, quiet and kind god reflecting the peaceful sea ; other times he bursts out in anger and violence like a sea-storm, and his mood can change very, very quickly just like the oceanic weather. The Greeks were heavy sailors and fishermen: they knew the sea was their best ally and their more treacherous enemy, that they should worship but not trust it.

In terms of mythology, this is reflected by Zeus being the "dark twin" or at least "darker double" of Zeus. Zeus and Poseidon are plenty similar: both are one of the "big three" as the PJO series calls them, both are notorious for being lustful womanizers that keep having babies left and right, both are heavily implied in the great epics of heroes... The same way Hades was the "Chthonian Zeus", Poseidon was very much the "Oceanic Zeus". But the difference is that Poseidon was supposed to be much more dangerous, and much darker than Zeus.

Zeus embodied the law and the rules. He was a keeper of oath, a punisher of criminals, a rewarder of the goods, he embodied order and justice. Poseidon? No such thing. With his dual nature of helper and persecutor of heroes, with his sudden mood changes, with him surrounding himself with monsters and hybrids, Poseidon rather reflected a form of chaos. This was reflected for example in the quarrelsome nature of Poseidon, who kept getting into fights with other deities about the ownership of specific human cities or islands. His two most famous battles being his dual against Athena, for the ownership of Athens, and his trial against Helios for being the god of Corinth. But other tales of him feuding with gods for pieces of land exist...

And to that, it should be added that Poseidon was one of the most famous antagonists and hero-persecutors of Greek mythology, thanks to him being the big bad of "The Odyssey" and the archnemesis of Odysseus. This status as the antagonist of one of the two fundamental works of Greek literature puts him at the same place as, for example, Hera, the by-default persecutor of great heroes (just ask Herakles or Dionysos). It should be especially noted that The Odyssey takes a great care into painting Poseidon was maybe originally rightfully mad, but pushing the persecution beyond the reasonable. The beginning of the Odyssey has Athena plead for Odysseus' case before Zeus, pointing out the unfairness of his situation, and Zeus fully agree with her... but explains he can't do anything because Poseidon is still on the case and just will not let go. Poseidon is definitively a grudge-holder, and the Odyssey is not subtle about it.

But the final trait that confirms and illustrates well the dark, evil, chaotic side of Poseidon is his entourage, his children especially. As I said, Zeus and Poseidon are both father-figures in Greek mythology, and both are gods who just keep sleeping with everything around them. But Zeus' constant lust was depicted in a positive light, as him enacting his role as "father of gods", "father of men", as king, and god of justice and protector of civilization: because from his loins were born the greatest gods of the mythology, and the most admirable and benevolent heroes, and the great kings that founded the Greek civilization. But Poseidon? Oh, Poseidon was the "shadow" of Zeus as I said, a sort of dark twin. And so what did he gave birth to? Monsters and criminals and murderers.

The tradition of "the sea giving birth to monsters and chaos" is a very old one, in fact it is a trait of the Indo-European religions, as old as the Babylonian or Summerian mythologies. Even before we get on Poseidon's case, we can remind of the fact that the oldest and most dangerous monsters in the Greek world were given birth to by Phorcys and Ceto, two old and ancient sea-deities that predated Poseidon's rule, and were associated with sea-monsters and sea-dangers (Ceto/Keto herself shared her name with whales, any kind of huge sea beasts, and many of the creatures we describe now as sea-monsters or sea-dragons). Ladon, for example, the dragon guarding the Golden Fleece, was Keto's child ; and so was Echidna (aka the mother of monsters, who birthed with Typhon the rest of the monsters of Greek mythology). And speaking of Phorkys, Poseidon ended up sleeping with two of his daughters.

One was the nymph Thoosa of which we know barely anything - but her child became famous. Polyphemus, the monstrous and savage man-eating cyclop that became such a terrifying image through the Odyssey. The other was, as I said before... Medusa the Gorgon. And as I explained before, in the oldest recorded versions of the myth, there was no transformation: the Gorgon was born a hideous and terrifying monster. The snake hair, the petrifying gaze, the monstrous face that embodied everything the Greeks deemed ugly, the metallic claws and wings... And all that seduced Poseidon somehow, and he made her his lover, and they even had children together - which in turn were also monsters. The benevolent Pegasus, and the mysterious Chrysaor (who in turn later gave birth to Geryon, the three-bodied monster Herakles had to fight).

This trend of Poseidon choosing the most unusual, dangerous or terrifying consorts to give birth to monsters heroes will later have to face is confirmed by the recurring image of Poseidon having slept with GAIA out of all goddesses. And who are the children attributed to this unon of Poseidon with his own grandmother (not only that, but to my knowledge it is the only time an Olympian slept with Gaia, who usually mates with other primordial deities)? Charybdis, of the dreaded Scylla and Charybdis (Scylla is also sometimes identified as Poseidon's daughter - though she was before that a daughter of Phorkys, and it seems she became a Poseidon daughter simply because through time Poseidon absorbed Phorkys within himself) ; Laestrygon, the ancestor and first king of the Laestrygons (another race of brutal, man-eating giants like the cyclops of Polyphemus island), and finally Antaeus, yet another murderous giant (though he didn't eat people).

If you weren't certain of the fact that Poseidon was supposed to be "mostly a bad guy with some good sides" in Greek mythology, just wait until your hear about Theseus' legends! Now everybody knows of Theseus slaying the Minotaur... But before that, Theseus did another whole set of heroic feats. You see, as he left his birth-place to reach Athens in hope of finding back his father, Theseus actually did his first real heroic feats. The roads of Ancient Greece back then were infested with all sorts of robbers, thiefs and murderers - some psychopathic humans, others humanoid monsters, some human working with monsters... And Theseus managed to kill the most dreadful and dangerous ones during his journey. And... surprise surprise! Most of them were children of Poseidon!

Procrustes, the guy who loved to cut people he just invited to go to bed? Son of Poseidon. Cercyon who forced travellers to wrestle to death against him? Son of Poseidon. Sciron who pushed people from a cliff after asking them to wash his feet? Son of Poseidon. Periphetes who smashed people with a big club? Possibly a son of Poseidon.

And then, you have to count on the fact most of the evil and wicked kings of Ancient Greece ended up being "sons of Poseidons" at one point or another: Augeas with his filfthy stables ; Pelias the antagonist of the Jason legend ; Polydectes who antagonized Perseus was in later texts a Poseidon son ; there's also Amykos who had some common elements with Cercyon...

And THEN, not criminals on the road, not vicious kings, but the friggin's ALOADS. The monstrous giants that tried to destroy the Olympians and take over Olympus? POSEIDON SONS.

When something good comes out of Poseidon, it is generally a surprise and has to deal with a lot of the bad stuff their own father produced. (In some variations of the Theseus legend for example, Theseus becomes a son of Poseidon, which completely changes the angle of his stories - as his opposition to the Minotaur and his battles against the bandits make him look like the "good son" of Poseidon having to get rid of all the monstrous sons or indirect creations of his father...).

Even the more neutral or benevolent sons of Poseidon are freaky or disturbing. The first son of Poseidon and Amphitrite is Triton - half-man half-fish, and probably the origin of the origin of the triton species. Some consider Proteus the son of Poseidon, and he is a frightening shapeshifter. And then there's the whole host of "talking magical animals" Poseidon gave birth to, which reflects how "primitive" and... let's say "inhuman" the god stays - from the ram from which comes the Golden Fleece to Arion the fabulous horse. Usually, gods who have such a parent-relationship with animals, in Greek mythology, are not good guys (for example Ares in the Cadmos legend, and his relationship with the dragon Cadmus/Cadmus killed...).

If you ask me who my favorite fictional Poseidon is in media, I will say without a doubt, the Poseidon of "Mission Odyssey" as you call it in English (I always found this title silly, in French it was "The Odyssey", and that's it):

Now, I know that "Mission Odyssey" is WILDLY inaccurate to Greek mythology and they clearly tried to stretch as much as they could... everything. Just a look at Poseidon's design above tells you that they clearly do not want to give a "traditional" retelling of the Greek myths.

But, that being said, there's a reason why I love this cartoon, and its because for everything inacurracy they have something that is done perfectly right, and in fact well ahead of their time. For example Hades: they did Hades right, as an imposing, frightening deity... but a neutral and fair one, that shows to be understanding, just and generous, and that only acts unfairly and antagonizing when tricked by Poseidon (and promptly apologizes when he realizes he was tricked). And Poseidon's characterization is also done, for me, right, because they truly manage to represent what Poseidon in the Odyssey is supposed to be.

A bad guy, yes, the antagonist of the story, a grudge-holder and a schemer and a bully who is ally, boss or father of most of monsters and criminals of Greek mythology, and is driven by pride and anger... But who is also shown to care about his children (in his own way), to try to respect the divine law and rules as much as he can (though he breaks them whenever carried away by his ego and anger, and doesn't shy from "cheating" at the "divine game") ; and that is shown to be well-liked and positively-seen by many gods and Greek cities, outside of the Odysseus-plotline. In fact, not only does the story hints and offers glimpses at the good side of Poseidon despite focusing on him as a bad guy ; but it also explains why the good side is "outstage" by turning into a story-tool the villainization of Poseidon. As in, the god is shown, just to obtain a petty win against Odysseus or satisfy his obsession with him, to trick, cheat and bully his friends and allies, who later turn against him when they realize the treachery or the deceit, and as a result over the course of the story he gets more and more alienated by all those that loved or respected him... Precisely because of how he plays an antagonist to Odysseus' story.

If you want a Disney's Hades-like villain (as in a recurring divine villain in a Greek mythology story that allies the sinister and the funny), but that is much more mythologically accurate than Disney's product, take Mission Odyssey's Poseidon.

And I just love the design. It is Asterix meets Ursula and I just LOVE this (but given this series came from the same studio that did things such as Martin Mystery, Totally Spies or Team Galaxy, cool unusual designs are expected).

[helloanthy]

🗒️ 24.04.2024 ⋅⋅⋅ 🥀

some notes for 20.09.2023 post and a separate cut out for utena because i spent a very long time rendering her ... the original concept i had in my head for this art was very different. it was just supposed to be a style study of this an official anime prop design art, and i'd thought to draw anthy in a similar pose across from her like in the shown version, but with her wearing her prince outfit from the manga. something something another form of female competition under the patriarchyyy stop pitting 2 girlprinces against each other omg etc (side note, how sick would it have been in an AU where akio made anthy fight against utena in the ring? like i dont think it would hav added more to the story or made it better really ... probably would've diluted the message to be honest ... but everytime i see that manga art of prince anthy i imagine some convoluted black rose arc AU where utenas dodging anthy getting her hair hacked off left and right like himemiyaaa nooo snap out of it this isnt uuu while anthys silent and dead eyed hahaha) but then after i drew prince anthy, the picture looked rather empty ... so i thought to add a few decals or borders in the style of the show & official arts but aaahh ... there was still too much negative space. i had to scrap anthy's prince outfit and put her back in her rose bride dress 😭 man !!! he cant keep getting away this !!! [blames akio the figurehead of patriarchy instead of taking responsibility of my own actions] which made me sad because i was pretty satisfied with the way i drew her pose and legs ! but i had to cover it up 🥲 ... the composition overall looked better though. and then after that it kept spiraling. i just kept adding more and more things until i lost control of this drawing and it plagued my WIP folder for months ... i dont want to try and connect all of it in words so ill just lay out all the pieces for you so you can connect them yourself. and you can experience my art thought process in fraction of erraticity and frustration as i experience it myself. this is a lot neater than what happened in my head though because i bothered to put it in order. honestly if i can make you feel a little bit insane trying to scroll through and read all this than i can make you understand how annoying my brain is when all i wanted to draw was utenanthy girlprinces fighting starting references & inspiration: utena prop reference sheet & manga prince!anthy

the tower & the lovers tarot

above: the lovers as depicted in the tarot of marseilles deck, tarocco bolognese deck, & tarocco piemontese deck the lovers (tarot card) wikipedia: The Lovers is associated with the star sign Gemini, and indeed is also known as The Twins in some decks. Other associations are with Air, Mercury, and the Hebrew letter ז (Zayin). In the Rider Waite deck, the imagery for this card is changed significantly from the traditional depiction. Instead of a couple receiving a blessing from a noble or cleric, the Rider–Waite deck depicts Adam and Eve in the Garden of Eden.

a.e. waite, the pictorial key to the tarot, part III, section 3, no.6: UPRIGHT: Attraction, love, beauty, trials overcome REVERSED: Failure, foolish designs. Another account speaks of marriage frustrated and contrarieties of all kinds a.e. waite, the pictorial key to tarot, part II, VI. the lovers: In the foreground are two human figures, male and female, unveiled before each other, as if Adam and Eve when they first occupied the paradise of the earthly body. Behind the man is the Tree of Life, bearing twelve fruits, and the Tree of the Knowledge of Good and Evil is behind the woman; the serpent is twining round it. The figures suggest youth, virginity, innocence and love before it is contaminated by gross material desire. This is in all simplicity the card of human love, here exhibited as part of the way, the truth and the life. It replaces, by recourse to first principles, the old card of marriage, which I have described previously, and the later follies which depicted man between vice and virtue. In a very high sense, the card is a mystery of the Covenant and Sabbath. The suggestion in respect of the woman is that she signifies that attraction towards the sensitive life which carries within it the idea of the Fall of Man, but she is rather the working of a Secret Law of Providence than a willing and conscious temptress. It is through her imputed lapse that man shall arise ultimately, and only by her can he complete himself. The card is therefore in its way another intimation concerning the great mystery of womanhood. going off of the rider-waite tarot deck: the pictorial key to the tarot—biddytarot's interpretation of the lovers: UPRIGHT: Love, harmony, relationships, values alignment, choices REVERSED: Self-love, disharmony, imbalance, misalignment of values In its purest form, The Lovers card represents conscious connections and meaningful relationships. The arrival of this card in a Tarot reading shows that you have a beautiful, soul-honoring connection with a loved one. [...] The Lovers is a card of open communication and raw honesty. Given that the man and woman are naked, they are both willing to be in their most vulnerable states and have learned to open their hearts to one another and share their truest feelings. [...] On a more personal level, The Lovers card represents getting clear about your values and beliefs. You are figuring out what you stand for and your philosophy. Having gone through the indoctrination of The Hierophant, you are now ready to establish your belief system and decide what is and what is not essential to you. It’s time to go into the big wide world and make choices for yourself, staying true to who you are and being authentic and genuine in all your endeavors. At its heart, The Lovers is about choice. The choice about who you want to be in this lifetime, how you connect with others and on what level, and about what you will and won’t stand for. To make good choices, you need to be clear about your personal beliefs and values – and stay true to them. Not all decisions will be easy either. The Lovers card is often a sign that you are facing a moral dilemma and must consider all consequences before acting. Your values system is being challenged, and you are being called to take the higher path, even if it is difficult. Do not carry out a decision based on fear or worry or guilt or shame. Now, more than ever, you must choose love – love for yourself, love for others and love for the Universe. Choose the best version of yourself. Finally, The Lovers card encourages you to unify dual forces. You can bring together two parts that are seemingly in opposition to one another and create something that is ‘whole’, unified and harmonious. In every choice, there is an equal amount of advantage and disadvantage, opportunity and challenge, positive and negative. When you accept these dualities, you build the unity from which love flows.

the tower (tarot card) wikipedia: The Tower is widely associated to danger, crisis, sudden change, destruction, higher learning, and liberation. In the Rider–Waite deck, the top of The Tower is a crown, which symbolizes materialistic thought being bought cheap, downcast. a.e. waite, the pictorial key to the tarot, part III, section 3, no.16: UPRIGHT: Misery, distress, indigence, adversity, calamity, disgrace, deception, ruin. It is a card in particular of unforeseen catastrophe REVERSED: According to one account, the same in a lesser degree also oppression, imprisonment, tyranny (the wikipedia included a.e. waite's upright meanings, but i have no idea where they got the reversed meanings) going off of the rider-waite tarot deck: the pictorial key to the tarot—biddytarot's interpretation of the tower: UPRIGHT: Sudden change, upheaval, chaos, revelation, awakening REVERSED: Personal transformation, fear of change, averting disaster The Tower shows a tall tower perched on the top of a rocky mountain. Lightning strikes set the building alight, and two people leap from the windows, head first and arms outstretched. It is a scene of chaos and destruction. The Tower itself is a solid structure, but because it has been built on shaky foundations, it only takes one bolt of lightning to bring it down. It represents ambitions and goals made on false premises. The lightning represents a sudden surge of energy and insight that leads to a break-through or revelation. It enters via the top of the building and knocks off the crown, symbolizing energy flowing down from the Universe, through the crown chakra. The people are desperate to escape from the burning building, not knowing what awaits them as they fall. [...] The best way forward is to let this structure self-destruct so you can re-build and re-focus. [...] with a card like The Tower, you have no choice but to surrender to the destruction and chaos, no matter how unwanted or painful [...] After a Tower experience, you will grow stronger, wiser and more resilient as you develop a new perspective on life you did not even know existed. 

infant stars taken by NASA hubble used in the background overlay of akio's tower star birth | cool cosmos: Stars form from the simplest of building blocks - huge clouds of gas and dust that permeate the Galaxy. [...] While these big clouds of dust and gas lay dormant for many millions and perhaps billions of years, eventually some of them are disturbed. This can happen gradually, maybe caused by the approach of one of the Milky Way's spiral arms as it slowly sweeps around the center of the galaxy, or it can be a sudden event, like a nearby supernova explosion that blasts a shockwave through the cloud. Either way, a small increase in the pressure and density of the cloud forms knots in the gas and dust that eventually collapse under their own gravity, pulling more and more of the surrounding material in, and forming the stellar "seeds" known as protostars. From Protostar to Star: As the clouds collapse, they start to rotate, and, like a spinning skater pulling in her arms, each of these seed protostars begins to spin faster the more it collapses. The material falling towards the protostar flattens out into a rotating disk of dust and gas encircling the central core. The protostar warms up, as the potential energy of the material falling in is converted into kinetic energy, but it has not yet ignited to form a fully-fledged star. For the next few million years, the protostar's gravity pulls in more material from the surrounding cloud into its disk. That disk transports the gas and dust onto the protostar, causing the protostar to grow. The increase in mass causes the gravitational field of the protostar to increase and so even more material is pulled into the disk. The addition of more material, in turn, increases the gravitational field even further, pulling in more material, and so on, creating a feedback loop that keeps the whole process going. [...] The density and temperature of the protostar keep climbing higher and higher, until eventually the core grows to about one tenth the size of our Sun, and becomes hot and dense enough for hydrogen nuclei to spontaneously stick together to form helium, in a process called nuclear fusion. At that instant, the core ignites, and the new star is born. Meanwhile, in the disk, clumps of material have been forming, which are the seeds of new planets. These seeds sweep up material in the disk in a process called accretion, forming the planets of a new solar system. Once the star has started nuclear fusion, the heat and wind from the infant star begin to blast the gas and dust away, creating a cavity in the cloud. As more and more matter gets funneled onto the star from the disk, the star gets larger and larger, causing it to push harder and harder against the cloud and the disk, enlarging the cavity, vaporizing the disk, and halting the growth of planets.

deadheading (flowers) wikipedia: Deadheading is the horticultural practice of removing spent flowers from ornamental plants. Deadheading is a widespread form of pruning, since fading flowers are not as appealing and direct a lot of energy into seed development if pollinated. The goal of deadheading is thus to preserve the attractiveness of the plants in beds, borders, containers and hanging baskets, as well as to encourage further blooming. Deadheading flowers with many petals, such as roses, peonies, and camellias prevents them from littering.

[...] Ornamental plants that do not require deadheading are those that do not produce a lot of seed or tend to deadhead themselves [...] if the plant bears attractive seeds or fruits, deadheading is normally avoided

ladybird, ladybug, lady beetle: scientific name "coccinellidae" wikipedia: Etymology: [...] The common English name ladybird originated in Britain where the insects became known as "Our Lady's birds". Mary ("Our Lady") was often depicted wearing a red cloak in early art, and the seven spots of the species Coccinella septempunctata (the most common in Europe) were said to represent her seven joys and seven sorrows. Trophic Roles: Coccinellids act both as predators, prey and parasitic hosts in food webs. The majority of coccinellids are carnivorous and predatory. [...] Cannibalism has been recorded in several species; which includes larvae eating eggs or other larvae, and adults feeding on individuals of any life stage.

Defense: The bright warning colouration of many coccinellids discourage potential predators, warning of their toxicity [...] Species with more contrast with the background environment tended to be more toxic. Coccinellid haemolymph (blood) contains toxic alkaloids, azamacrolides and polyamines, as well as foul-smelling pyrazines. Coccinellids can produce at least 50 types of alkaloids. When disturbed, ladybirds further defend themselves with reflex bleeding, exuding drops from their tibio-femoral (knee) joints, effectively presenting predators with a sample of their toxic and bitter body fluid.

despite said being named after the lady virgin mary they are known to be promiscuous breeders, who's habits have been documented to result in epidemics of sexually transmitted infection in large populations, subject to various academic studies

lyric from lady oscar's theme song "the rose perishes beautifully"

ok there was more but its been like 8 hours it turns out trying to put my thoughts into words even if its just a bunch of copy pasting is even more annoying than just thinking them im ending this post 😭

[armythings-love]

I’m gonna cry… I had an entire analysis for this typed out but my wifi is shit so it refused to post😭😭 anyways, this is based off of the @ladybugout-au permanent superhero team. I decided against doing Luka’s Cadmeancio suit because I 1. Didn’t want to draw him in orange and 2. I was already pushing it with making a purple/red Neurofoxin. Only reason I made her purple is because natural coloring obviously doesn’t mean shit to the character designers if Juleka gets to be a purple red tiger. Anyways, here’s my take on their suits!

Hecattack: I wanted to diverge from the furry/bdsm influences Chat’s suit got, so I gave him looser fit pants, a hood and combat boots. His suit was lowkey inspired by Red Hood’s design because, dammit, DC may be super dark, but they know how to design characters well (something MLB could stand to learn from ಠ_ಠ) anyways, along with the hood and paneled top+cargo pants+combat boots, I gave him cat-shaped knee pads, similar to Ivan’s turtle shell knee pads. You will also notice a trend with a lot of my hero suit designs, which is fingerless gloves. Yes, this’ll take away from the cat claw thing Chat had going on, but I’m ok with that. To go with his punk/rock band aesthetic, he got combat boots with the signature cat paw steel toes. His tail is pretty much the same along with the ears. His mask is also different, covering the bottom half of his face. This also takes away from the cat sclera thing the original Chat had, but Luka isn’t a furry so… also, the mask covering his mouth alludes to his calm nature and quiet personality, not feeling the need to play around, especially during a battle,which was where the original Chat erred most often. Luka also has very expressive eyes, so I wanted to push that, like, even if he doesn’t talk much, he’s still a good communicator. Plus, when cats are hunting, they’re quiet! Which the original Chat cannot relate to!

Ladybug: ok, so her suit is still pretty basic, since I wanted to stick with he AU’s canon description of her suit. The main bodice/legs are similar to the season 4 suit after she calls on the lucky charm, but the sleeves are slightly different. I also got rid of the “reverse” polka dots cuz they just look ugly imo. Her gloves are also fingerless, since I feel like that would 1. Lend better to doing yo-yo tricks and 2. They just look better (u_u) anyways, her hair is still the same, as well as her mask. It’s pretty basic but eh…

Neurofoxin: her design is also super simple, but I also wanted to veer away from the gaudy orange normally associated with the fox miraculous. If she can make her tiger suit purple and red, I can make her fox costume reddish purple!! She’s goth, she’s not gonna walk around in *o r a n g e*. And I stand by that. Anyways, like I said her suit is relatively simple, the panels of the suit modeled after Volpina’s actually, because despite how I hate Lila and her stupid sausage link hair, her volpina suit was pretty cute. Instead of giving her a jacket w/coattails or a belt/sash to be her tail, I decided to make it her hair, cuz even in civilian form it’s pretty long. I also decided that instead of a dark grey/black to purple, I’d make the tips the same cream as her “underbelly” panel, as I wanted to incorporate the cream in more than just that singular spot. I also pulled her bang back because even if she’s goth, she still needs to be able to see properly as a superhero. Plus, I like Juleka’s eyes, and I feel like Trixx would like her to show off more. Anyways, besides the morph suit and her hair being a bit longer than normal+a different color, she has a cropped leather jacket,same color as her suit. There’s also paneling on the side/back of her thighs/back that’s a darker red/purple color. Again, to go with her rockstar/alt aesthetic, I gave her combat boots as well, though hers are knee high, plus I forgot to draw the laces, but eh. Fun fact: I headcanon the Couffaine twins as being super tall for their age, but Juleka is taller than her twin for now+her boots are heeled.

Fukiya: for Kagami’s suit, I pulled inspo from someone else’s LBO AU fanart, although I can’t remember who’s it was. Originally, I was gonna go for a suit similar to Kagami’s fencing gear, but decided to go w the suit she has now so it’d be more reminiscent of a bee. I gave her a sleeveless, cropped kimono, the bottom of which has a honeycomb pattern and an ombré going from dark yellow to black. Her obi has two layers, the bottom layer being a bright yellow and the outside layer being black. Her sleeves are similar to Queen Bee’s, but with an added black line. Her legs are completely black with the exception of her knee pads, which are a bright yellow and octogon shaped. I wanted her to look more bee-esque than Queen Bee or Vesperia (her character design is 🤢) so I gave her the yellow torso with black limbs, than made the kimono collar thick to look like a neck ruff or smth. I honestly struggled with her design a bit but it looks ok in the end so I’m happy with it :) also, Kagami is the shortest because I said so!

Heavy Matal: oh, Ivan, you absolute teddy bear of a guy. I adore the Iván of this AU, he’s so sweet, a gentle giant, so I wanted to focus on making him look slightly softer than the rest of the heroes, despite being the turtle holder. I gave him his signature cargoes, although they’re pants instead of shorts when he’s transformed, a sleeveless hoodie, and “turtle”-neck compression-esque undershirt, the sleeves long enough to be, you guessed it, fingerless gloves! The only reason Kagami is the only one with full gloves is because I wanted to giver a more serious/conservative look. Mari’s been ladybug so long she deserves to have cute, fingerless gloves! Anyways, back to Ivan! His hoodie is two toned, like a turtle’s shell, with the front being a light green. It’s patterned to look like a turtle shell underbelly, with a nice big pocket to hold whatever. He wears elbow- and knee-pads, which are shaped like little turtle shells. He wears regular Vans-style tennies, and his mask is similar to Carapace’s, except it cover the majority of the front of his face (think Kid Flash), and is colored/patterned similarly to a box turtle, with red accents along his cheekbones and his little tuft of hair is his usual blond with an ombré to that same red. (Ignore the ear I forgot to color in plz, I don’t feel like editing anymore T-T)

Ok, so that’s it for today’s character designs! I’m working on redesigning pretty much everyone’s civilian and hero costumes. I haven’t mentioned on this blog, but on pretty much every Gabe!Salt fic I’ve read, I will tell you, whoever the hell designed most of the characters in MLB, you deserve to be fired and then arrested. I’m so sorry, but there’s no way ur gonna convince me Fashion Designer™️ Marinette Dupain-Cheng walks out of her house every day, wearing ugly ass ballet flats+”denim” jeggings in that shade of pink. No way. And don’t even get me started on Gabriel’s candy-cane, red pants and duck hair headass, because omg… that man is supposed to be a world renowned Fashion Designer™️, one of the best in Paris. IN. PARIS!! No fucking way. No way. I get, you want ur characters to be simple and easily recognizable, but that doesn’t mean they have to be ugly!! And I get it, Adrien’s supposed to have a model-off-duty look, but wth are those shoes? Plus, why does he never change for his photo shoots? He’s a MODEL! I get it, you can’t even spend money to change the transformation animation to whatever the characters are actually wearing but wtf??? If you were gonna have any kid’s show where we get to see a lot of different clothes/outfits, this would be the show!! Two of the main characters are fashion designers, one of the minor antagonists is the daughter of a fashion magazine owner and your other main character is a model. IN PARIS!! A city known for its fashion and “romance”. And ur telling me you can’t add a few more outfits to the show??? That’s called lazy writing/animation.

Ugh, sorry abt that rant, but the character designs genuinely piss me off. It’s bullshit.

I digress.

I’ll be releasing the main 4 kids’ redesigns probably on the 15th!!

[sagau-my-beloved]

I’ve been thinking, wouldn’t the closest character to the player be Lumine or Aether since the player plays as them? Do they act the way we portray them in game? (Example I play Lumine and I make her snarky sometimes but also very kind to Paimon and I try to make sure she doesn’t call her emergency food)

And in the realm of the reverse Isakai, wouldn’t they get extremely jealous that Venti got to go but not them? They are the envoy for the player/creator after all so they must be their most devout followers.

☁️ anon

It's interesting territory because neither the chosen traveler or Abyss Twin is even from Teyvat or worships any of the gods there, so there's no real reason for them to "worship" the creator as a god of Teyvat, since the world of Teyvat isn't theirs and probably wasn't that much more important than any of the other worlds they went to, at the beginning at least

Now the thing that gives the advantage is obviously them being the mc and the original "host" chosen by the creator, and since that creator is driving them and helping with their goal of finding there sibling (plus offering protection and increased abilities like more stamina, health, and damage ability) it has to harbor some form of reverence eventually

When it comes to dialogue options, I'd say the traveler is equally likely to say either option given, based on their mood and the millions of other fluctuating factors that cause people to say something over another, but is unconsciously influenced to choose the option you pick, they probably have no clue their speech is being influenced at all because those are just things they'd say, the way they were designed (not that they know that)

Anyway I'd say they'd both probably be likely to get pretty possessive quickly, after so many near death experience and life changing moments the traveler would no doubt feel very close to you, and less likely to be ok with you favoring someone else more since they already lost their sibling to this world and sure aren't about to let the only person who's been with them from the beginning get taken, archon or not

Now the abyss twin would be possessive in a completely different way, especially if you tended to favor an archon, since we all know their view on the gods. In their mind, you're the highest power and the only divine being that hadn't betrayed them, and having you watch over and guide their sibling only increase their liking of you of course

It boils down to the traveler being all "The creator is my strongest ally and closest friend and if they stop favoring me I'm gonna be so upset about it and might get desperate to win them back" to the abyss twin being like "I will personally kill all the gods and also if the divine creator even looks at an archon nicely they're the one getting skewered first so help me god"

[girl4music]

“What I have heard is that it’ll be more truthful in the relationship between Xena and Gabrielle in that it will show who they are and their love for each other in a new way. All I can hope for is that it keeps the layers to the characters as rich as they were with the original show in that it’s not just that they’re partners, it’s that they are everything to each other.” — Renee O’Connor about how she hoped the thankfully now scrapped Xena reboot went in how the relationship between Xena and Gabrielle would be written and portrayed.

I love so much the way the roles reversed in that as Xena becomes softer, Gabrielle becomes harder because we know it only happens in this way because of how ride or die they are with and for each other. That the depth. intensity and authenticity of the connection, relationship and friendship that they had was so immense that it influenced their personalities and changed each other emotionally and they became each other in the end as my character study thesis goes into great detail with explaining because they are one soul in two bodies for eternity. Which isn’t merely just soulmates but also twin flames in that they constantly navigate this match and mirror dynamic throughout all of their soul’s life experiences almost as if there’s an eternal dance between them where they keep shifting from the lead partner to the follower partner and there is always that equilibrium where they are just perfectly balanced as one nature and you just don’t get that in just any romantic ship. You might get a soulmate connection but you won’t get the characters irrevocably changing and evolving as individual people and as a couple because of that connection because love stories just aren’t that EPIC in TV art/entertainment. They’ll never be as profound as the one between Xena and Gabrielle where they truly were - as Renee said - everything to each other.

I think about how in the episode ‘Little Problems’ Aphrodite temporarily puts Xena’s soul essence into the little girl Daphne so that she would have a second chance at life. I’m just thinking about how that was essentially 3 individual soul essence’s in just one little girl’s physical body. That of Xena, Eve and Daphne.

As insane as the idea of that sounds in my INTP head, the plausibility of it in the Xenaverse isn’t because they do this more than once across both shows. Twice in Xena. The first time Ares is responsible (Succession) and the second time Aphrodite is responsible. And maybe the idea does require some divine intervention.

So the question is - based on my interpretation and conclusion of my thesis - who does it the third time?Who is responsible for returning them to their roots as a nondual entity? As the fundamental Yin and Yang? Because if an idea like this is ever-present in the Xenaverse as a thematic narrative in soul hopping, body swapping, reincarnation, and an exploration of AU, then what’s stopping that from being an ending?

It might be an insane idea in any other fantasy TV show - but in Xena, it’s a pretty common storyline. Temporarily, sure, but very possible as an endgame. The more I watch the show and the more I delve into the nuances and intricacies of its characters and themes and narratives, I am reminded over and over again just how much this idea makes sense because they do effectively set it up to work out that way in that Xena and Gabrielle disappear into each other.

And it’s like - okay, so they’re now just going to be one human being. One person with two legs and one head. Now what? Where does their story go on from there? Well, it can go anywhere forever. It’s like what Steven L. Sears said: They’re between the lines of the Mehndi. The body or physical manifestation of it is temporary, but what’s between those beautiful patterns is eternal. The spaces in-between which you must have to even be able to witness such beauty in the Mehndi design.

So they’ll separate in another lifetime, another Universe, another body, but then they’ll join back together and it will always be a continuous journey for Xena and Gabrielle - or whatever their names are in and at that moment - because they are the human representation of yin-yang and what you can learn through them as both individual characters and a character dynamic is love - be it whichever way you wish to interpret the nature of that love. The point is that it’s an EPIC love story first and foremost and that everything else about the show becomes far more valuable when you view it as that from episode one. That way even the early episodes are significant in terms of the trajectory of their romantic arcing, even when - especially when - they are paired with others because it is a romance what they have. It’s just that it’s not just a romance. There’s so much more to it.

And for me - that’s exactly what makes it even more of one. It’s the fact that it can’t just be pinned down as romantic love but all other different types of love too. It is that - absolutely. But it’s far more than that to the point where there really isn’t a necessity for it to arc romantically because the journey is why you want it to. And the journey is immense. Nothing could eclipse it. There’s not a single WLW love story out there in the TV art/entertainment hemisphere that can come close to what Xena and Gabrielle have. They are the ultimate. It’s bitter suite to think that the first ever WLW love story we had in a TV show was also the greatest one because they really couldn’t confirm it textually. But it’s precisely because they couldn’t why it’s so great because it forced them to have to find another way of representing a romantic relationship without any sex. And if all you care about seeing is the sex, well then this isn’t a relationship I would recommend to you because, besides from a few kisses, there isn’t any. It’s an emotional romantic relationship and it’s beautiful and well-worth watching for me - who is so tired of overtly sexual ships that have little to nothing else to them and it may be a double-edged sword, but if you asked me, they need to go back to the censorship because it’s too insulting for me to only see that between WLW/queer ships in TV art/entertainment. I’ve said this before but I’ll say it again. I have no issue with sexual intimacy in general. But I do if it’s all it is. If the only thing that ship is is sex, it’s a big no from me.

Xena and Gabrielle didn’t have any representation in a sexual context but they did have everything else that a real life WLW romantic/sexual relationship would have.

So you’ve got to take your kicks for the ticks - as I like to say. But in my view, that “kick” was barely a nudge. It did not phase me whatsoever that they had no sex on-screen. What bothers me is that they cannot be considered “canon” without showing sex on-screen because showing kisses was enough for me to see and believe of them as a canon WLW ship. But in this day and age, that would be very frustrating for people because for some reason… that is what is required to “canonize” a romantic/sexual ship - same-sex or not. And I just… I don’t know. I preferred the censorship when the intention of the showrunners was sincere and they actually cared about representing true love between two people that didn’t involve constant sex and showed you the emotional connection and how those two people relate to each other instead ‘cause for me, it is far more worthy of my time and attention.

Xena and Gabrielle were just one of a kind in such a way that they came about in a time and place where WLW representation couldn’t be so explicit in TV but, because of that, the writers built on their relationship in so many other ways that still showed the romance and at the same time made it far more than romance. And it was the most beautiful and profound ship ever.

Were a reboot to ever happen,… I wouldn’t want it to because I know they will never be able to do this again.

And if they can’t - why would I even care to watch it?

I’ve been a big fan of this show for a long fucking time. It’s not just Xena and Gabrielle’s relationship that I love about it but it is what keeps me coming back to it because even though I will come across ships that are worth my time and attention, I just know I won’t be gifted a relationship like Xena and Gabrielle’s again.

[leosagi-real]

refs for my stan twins designs in the reverse portal au! dad bod ford my beloved

(based loosely off other designs, but i tried not to copy ofc)

[vbnhuet]

Before I start another writing project I couldn’t finish, I’m just gonna leave my idea so my head won’t explode. Weird Bowuigi AU idea time.

So we’ve seen Bowser being the “sugar daddy” in the relationship all the time, basically spoiling Luigi and give him all the fanciest rooms, clothes, food because he’s king and all that. But I feel like a role reversal would be entertaining to explore.

So I’m imagining like a regent/aristocrat/business??? AU. Bowser is born blue-blooded and rich but have no self restrain on spending money, while Mario started off as a commoner, but through hard work and being generally lucky in the real estate scheme got himself to the same social status as the other nobles. The two got into a years long rivalry trying to court the same lady (Peach), and bowser spent all his inherited money on crazy expenses and bad business decisions just to try and woo her.

At the end, Bowser obviously loses. Losing his lady and in massive debt, still he begrudgingly show up at Mario’s engagement party to save face and not look like a sore loser. He mingled with the guests, getting a bit tipsy, and then when he tried to pat on Mario’s back to congratulate him, a taller, thinner version of Mario with a different moustache to look back at him. The other guy told bowser that he’s Luigi, Mario’s twin brother, and Bowser just blinked in confusion. He was Mario’s rival for years, and now he just know that mario got a twin brother??? Where was this guy at the social meet ups?

At first bowser thought Luigi was just some nobody who leech off of Mario’s success, but Luigi just smiled and told him that “oh no, I’m the chairman of the business, actually”. bowser laughed it off because he thought luigi was joking

But Bowser went home and search up Luigi’s profile and… holy shit. Three mansions. Hotels and casinos. Multiple brand deals. And he owns like most of the estates in their region. No wonder why bowser was losing to Mario. He underestimated those two because they were born commoner, but turns out behind the scene, they were owning probably triple the amount bowser ever owned in his life. But while mario was having his face plastering all over the place, Luigi, the one who make all the important decisions in the family was trying to keep a low profile, cooping up in his personal mega-mansion on a private property somewhere because he was too shy and awkward.

So cue Bower, trying his hands at courting this insanely rich but socially awkward man, basically trying to leech off of his wealth and get that revenge on Mario. Luigi pretty much dwarfed bowser in everything when it comes to wealth (I could see Luigi coming over to bowser’s place and just turning his nose up and start commenting on how bowser is terrible at architectural design and stuff like that), so bowser have to use his “charisma”. Showing up on Luigi’s property unwanted with a grand piano, dumping love letters in front of his door, offering Luigi rides on his crumpling vintage cabriolet. Luigi promised Mario that he wouldn’t spit out a single coin for bowser… but somehow this is working.

[robo-milky]

What if Cloche were to stay in Twisted Wonderland? Worst Case Scenario (Delusion)

CW: BLOOD//GORE (Written?)

(Edgification— My love/j)

Events:

• If Crowley never finds a way to send Cloche back home, Cloche’ position as a prefect is solidified. Cloche would also be granted greater authority over other students.

• The longer Cloche stayed in Twisted Wonderland, the stronger Binding Bells became. Cloche had less of a conscious choice when following orders, and it got to the point where orders become automatic and were harder to reverse. Crowley didn’t take any actions to contain the curse, under the impression most of Cloche’ orders were harmless, until the incident she lost her eye. From that point on, Crowley finally recognized the severity of Cloche’ cursed obedience and set a password on her. The password makes it so that Cloche doesn’t have to follow anyone else’s orders, and that she doesn’t have to address others as “Master/Mistress”.

• Cloche lost her eye to first years who didn’t know any better. The freshmen were skeptical of the curse and wanted to see the full extent of it, so they cornered her when she was alone. They ordered her to freeze to cut her hair, and were surprised Cloche was so complaint. Still under the impression the curse was fake, and cutting hair didn’t cause any physical harm, they went out of their way to order Cloche to take out one of her eyes. Their curiosity turned to horror, when Cloche actually did it. Even if they tried to restrain her, she can’t stop until the order is fulfilled.

• The freshmen weren’t expelled, but suspended and heavily reprimanded. Crowley wanted to keep any and all incidents of violence under the wraps, as best he could. After the incident, Crowley realized Cloche had the potential to kill if ordered so, and temporarily fixed the obedience aspect of Binding Bells.

Changes:

• Cloche becomes more paranoid and stern after the incident. Her emotional apathy also worsens as a result of not being able to go back home. Cloche never felt a big connection to Twisted Wonderland and NRC in the first place.

• Since Cloche is less emotional now, she’s less likely to go feral.

• Cloche takes off her maid accessories and is finally given a form fitting uniform. With her hair cut, she also fits in with the boys more.

• The first year gang (now second year) are more protective of Cloche and keep a closer eye on her (especially ADeuce + Grim)

• Grim acts as Cloche’ second pair of eyes to make up for her worsened depth perception.

• Cloche comes to terms with the fact she may never be human again, and accepts the beastman features as apart of her.

• Unlike her first year self, second year!Cloche takes her role as a prefect more seriously, and actively tattles on troublemakers. She’d even go as far as to document suspicious activity her ear bells pick up on. She’d garner a reputation similar to Riddle. Thanks to Crowley’s protection, she can make reports without worrying about others trying to get revenge on her.

• In place of a magical pen, Cloche wears a NRC badge with a whistle behind it.

[Notes]

• Second Year!Cloche is designed with the intent to foil the Cloche who can return to her world, to foil the Cloche who did get her happy ending.

• I went for a police/military vibe with the design and pose to establish power

• Her iris will be forever shrunk to show the constant paranoia and unease.

• Cloche isn’t necessarily bullied here, but she happened to run into dumb kids who didn’t make the best decisions. The justifications of their actions is up to you

• She is twinning with Leona <3 Both felines with scarred eye ;)

• Shout out to the friend who said quote: “What is wrong with you?” when I showed the OG sketches— everything. Nobody deserves to be happy (except for sweet baby Leikata and Otomine uwu)

[magnetothemagnificent]

(apologies in advance if this is a weird or offensive question, I'm just curious about the history)

Is judaica the same across Jewish communities of all global regions? Like do Asian, African, and European Jewish people have different types and styles of judaica, or is it generally all the same? I figured being dispersed across such varied areas would cause some divergences in how different cultural artifacts would look, but my cursory google searches have been unhelpful, both in finding judaica itself and in even getting any information on non-European Jewish communities.

I know this is probably a really ignorant question, but I like learning about different cultures and the history and evolutions of their artifacts.

There absolutely are different styles of Judaica!

Jews have been dispersed around the world, and thus our art has taken on many forms.

I will say though that a lot of Jews don't identify with just "Asian", "African", or "European". We are Jews. Our identity is Jewish. We have different labels that reflect where our ancestors found themselves in the diaspora at different points in history, but the three labels "Asian", "African", or "European" are far too simplistic. Ashkenazi, Italki, and Sephardi Jews have ties to Europe; Sephardi and Mizrachi and Ethiopian Jews have ties to Africa; Sephardi, Mizrachi, Bukharan, Cochin, and Kaifeng Jews have ties to Asia; all while being widely different and diverse subgroups and traditions. (There are far more different Minhagim than the ones I mentioned, by the way, I just mentioned a few as examples.)

Anyway, as for our Judaica.....

Of course it varies! We have had thousands of years to develop different art styles and techniques, although you will find certain motifs that arise often throughout most Judaica styles, such as Stars of David, lions, crowns, pomegranates and all of the rest of the Seven Species of Israel, eyes, hands, and fish.

Since it's almost Chanukah, I'm going to use different Chanukiyot as examples of the variations. I'm by no means an art historian, these are my notes based on what I've learned and read, and from observations.

Here is a classic Eastern European Chanukiyah. Here you can see two lions holding up a depiction of the seven-branched Temple Menorah, with a crown atop. It's made of bronze. This style of Chanukiyah was very popular, and had many variations. Sometimes the Temple Menorah was replaced with other motifs, such as the Ten Commandments, a Star of David, or some other symbol.

Here is a Moroccan Chanukiyah. You can see here that it's meant to be hanged on a platform or wall. It looks like it's made of copper. Already you can see the difference between this one and the previous one. You can see it has the floral and keyhole repeating patterns that are familiar in Moroccan art, and in fact this Chanukiyah here is intended to be lit with oil wicks, not candles, like the previous one.

This Chanukiyah isn't an antique, it's a modern design, as you can see by its oblong shape and reversable nature (it's supposed to be flipped over to serve as Shabbat candlesticks, too) however, it exemplifies the beautiful Yemenite Jewish silverwork. Silversmithing was historically a Jewish profession in Yemen, as Muslims were forbidden from silversmithing. Yemenite Jews acquired a reputation for their incredible silverwork. You can see how intricate the details are, the swirling, repeating patterns and leaves.

Here is an Italian Chanukiyah, likely from the 18th century. You can see the twin lions here again, only this time they're holding a flame. This Chanukiyah is also made for oil wicks, not candles. (Oil wicks are the more traditional and older way to light the Chanukah lights.) On it is enscribed in Hebrew, "Like the flame of Mitzvah and the Torah of light". There's also different designs than on the Eastern European Chanukiyah, such as the leaves and filigree, and the domed "roof".

And finally, here is an elaborate silver Ukranian Chanukiyah from the 19th century. This was once in the Great Suburban Synagogue in Lviv, and survived Nazi occupation. This is obviously a far more elaborate design than an average household would have, as this was in display in a syngogue and was intended to be a prominent peace of art. You can see again, more lions holding up the base of the lamp, and flowers and leaves and filigree, and a bird perched on top. The original Temple Menorah was described as having bulbs and flowers, and thus many Chanukiyah designs embody this by including such motifs in their designs.

These were only a few examples I was able to hobble together, and honestly you're right, anon, there aren't many accessible resources outlining the history and variation of Judaica.

Here's some further reading about Jewish art if you're interested:

Jewish Art: A Brief History

Jewish Art in the Ancient World

Ancient and Modern Art

Goldsmiths and Silversmiths

Jewish Art in Medieval and Modern Times

And this isn't educational, but it's a really interesting article:

Jewelry and Jewish Feminism

[id in alt text]

[eroticwound]

I love your thoughts on The Bear. Particularly the Berzatto siblings. I was wondering if you could talk about Mikey. And possibly his relationship with Richie. Outside of the internet when I talk to peers about the show people are quick to demonize or dislike Mikey. They cite his behavior with Lee and his taking part in ganging up on Carmy with Donna as reasons why. Also, how Richie was so desperate to get away from the beef.

I would love to hear your opinion about how this could be someone’s impression of Mikey. And how you would describe Mikey to someone who maybe isn’t seeing the whole picture? Or just how you would describe Mikey as a person in general.

And do you think his relationship with Richie was very one sided? Do you think it was always Mikey in the lead? I’ve read some fic that truly makes Mikey terrible to Richie.

Hi anon. Thanks for this incredibly thought out ask. Cannot emphasize enough how much I enjoy getting questions like this :)

Michael Berzatto is a complicated guy and he’s a guy we don’t get a lot of screen time with. That’s by design. He’s the character haunting this narrative. Mikey is the Laura Palmer of The Bear (I have that disease where I see everything through the prism of Twin Peaks), and as such we get to know him mostly through people’s grief. Through their imperfect memories. We’re left missing him just as much as any other character. And while I would love a feature length movie showing Mikey’s last days a la Fire Walk with Me, I very much doubt we will get that. So we’re left to figure out this complicated character with scraps.

For these reasons, I do get why people don't understand Mikey. As you mention, they are literally not given anything close to a whole picture. In fact the screen time we have most with him is during Fishes, when he is quite literally at his worst. If people only saw scenes where Carmen was yelling at people in the kitchen or where Richie was being sexist to Syd, I'm sure they'd have a poor opinion of them as well (in fact, being in this fandom after the first season, I can confirm that most of tumblr disliked Richie).

The healthiest we see Michael is in the Ceres flashback in season 1. He’s exactly how everyone describes him: loud, brash, funny. Both Carmy and Richie are just having the best time, completely immersed in the story he's telling. Even Nat’s having a great time, though both brothers stop her from adding raisins, which is Donna’s recipe for the dish they're making (side note, I find it so interesting that Nat is the one trying to follow their mom’s recipe. She's still trying to please Donna, to garner favor, whereas the boys, who Donna relies on in the kitchen and emotionally, feel fine deviating from Donna’s recipe). Even beyond the Ceres flashback, we do get flashes of what makes Mikey great in Fishes: the opening is him checking in on Natalie, he's really sweet and engaging with Carmen in the pantry, and even though Carmy doesn't take Mikey and Richie trying to set him up with Claire well, it's still proof that Mikey cares.

The thing is Mikey is mentally ill, like Donna and like Carmen. He’s dealing with some sort of chemical imbalance (depression or bipolar) on top of the severe parentification he got from Donna. I talk about it at length in my unfinished series delving into the partentification of the Berzatto siblings. As I point out in those posts, Mikey is actually the sibling getting the worst of the parentification, which is a form of abuse where there is a role-reversal between parent and child. Nat can't morph herself easily to accommodate Donna's dysfunction (she un-normalizes it), so she gets Donna's ire instead. Carmen was also parentified, especially when Mikey was out of the house growing up (they have such an age gap), but Mikey was the oldest. He has high EQ and can morph himself to accommodate Donna's dysfunction. It has in fact shaped him into the person he is. Which is someone who is trying to avoid all of the bad: bad outbursts from Donna, bad feelings from his siblings, bad reactions from outsiders to their family dynamic. He's also trying very hard to avoid the bad emotions he's feeling. Michael is looking to avoid all of this through any means necessary, which includes using alcohol and drugs. As I mention in that parentification meta series, using substances is quite literally the only way he's managing his distress.

I want to talk about each point you mention people citing as to why they don't like Michael. But first, I want to preface it by pointing out that Michael has been forced to move back in with Donna. His failed business ventures and poor mental health have forced him back into this scenario that is NOT GOOD FOR HIM. That scene where Cousin Michelle says to Carm that it's not good for him to be in this environment? Well, it's not good for any of the Berzatto siblings. And throughout the episode, you can tell how exhausted Mikey is by it. By having to fulfill his role as Donna's pseudo-partner.

So let's start with Michael and Donna ganging up on Carmen in the kitchen. When Donna and Mikey do this they are functioning as a parental unit. This is the perfect example of Mikey's parentification at work, of Michael acting as Donna's partner. It's what he's been trained to do to maintain the delicate ecosystem of that house. Donna's emotional state is given top priority. Everyone else's emotions fall to the wayside in light of what she's feeling, otherwise you get fallout like her crashing her car into the house. Mikey talks to Nat about this at the start of the episode:

What do you think she's at right now? A 4? A 5? She's not at a 6.

The siblings literally have a rating system for Donna's moods. They're all trying to avoid escalation above all else. Michael in particular. So in that scene with Carm in the kitchen, Mikey is trying to keep things from escalating. This is something Carmen knows too—hell, it's the first thing Carmen asks Mikey to do in Fishes:

Hey Mikey can you come inside and be you for a little bit, I don't know how to deal with these people.

Carmy needs Michael to come fill his role of buffer between guests and their family. Carmy, notably, gets Donna duty—a role I'm sure Mikey filled before Carmen came along. I say this based on Donna calling Carmen "Michael" when he's trying to coax her to the dinner table at the end of the episode. She's implying talking to her like this is what Michael does. When the people you know irl cite this moment, unfortunately this is the rebuttal: this is Mikey's role. Donna needs his emotional support. Otherwise she'd be more abusive towards Nat and Carm. Michael is doing it for the greater good.

As for Lee, that's another great example of soooo much being implied. Lee, along with Cicero, were best friends with their father, and it is heavily implied that Lee and Donna had a fling or two after their dad fucks off (whether Mr. Berzatto is dead or a deadbeat, who’s to say?). When Lee is helping Donna clean shit off the floor, Mikey grabs a beer from the fridge and asks if they are "doing this again." Basically, Lee and Donna have been romantic before. This means Lee would have been around erratically growing up. And it's clear Michael and Lee have a historic antagonism because of this. Lee's first interaction with Michael in the episode has him threatening to "lay [Michael] out." This screams to me that Lee stepped into the man of the house role, and that Mikey and him had altercations that got physically violent. That's why Mikey says at the dinner table, "I can throw forks cuz this is my father's house." That feels very much like something a kid would say to a man who is trying to replace a missing father. And it's especially heated, because it is Michael who has had to consistently step into the man of the house role for Donna and for his siblings! Michael couldn't leave like Lee when Donna and him broke up. Living with Donna and keeping his siblings ok is daily life for Michael.

So all through the episode, Lee is poking a bear (Mikey Bear to be exact). Lee calls him out about telling the same old stories, embarrasses him in front of everyone by revealing he's borrowed money from Cicero and had to move back in with Donna. Lee has been explicitly disrespecting him. And maybe if Mikey was in a better place, he would have been able to roll with it, but as I mentioned before, Mikey is not in a good place. He's depressed, he's been drinking and taking something (pain pills?) to manage the stress he's under. Him throwing forks is not a lucid reaction. Frankly, if people don't also blame Lee for that outburst, then they really weren't paying attention during the episode.

Finally, onto the Richie portion of your question. Richie’s family is something I would *love* to get more canon info about. All we know is that he's not Italian but Polish, his home life wasn’t great, his dad sucked, and Donna allowed him over so often that he’s practically her fourth child.

Richie and Michael grew up together. They're best friends, practically family. It's why Richie is "cousin." Michael's relationship with Richie is his closest relationship. Everyone says Mikey was their best friend, but Mikey's actual best friend was Richie. Period. And there's some complicated jealousy between Carmen and Richie because of what each is to Michael: Carmy's jealous of Richie and Michael's genuine closeness, and Richie is jealous that Mikey has special regard for Carmen as his actual brother. You see this jealousy in the very first episode of the show during that first walk-in fight: Richie was there for Mikey, buried Mikey and took care of Donna, and yet Mikey left the restaurant to Carmen. Left the money in cans for Carmen, so he could fulfill their dream restaurant together. There's honestly some great fic out there that goes into this jealousy. I'll come back to link it if I can find it.

Bottom line is that Richie was the closest person in Mikey's life. They have the same humor, the same life experiences. They had each other's backs. So when you ask if Richie and Michael's relationship was one-sided, I'm going to answer with a resounding no. They're literally besties. It's just by Fishes, Michael has deteriorated. His depression and drug abuse and failures have shrunk his life. Just compare where they're both at: Michael's moved back in with his mom, is single, and is telling the same old stories from their youth. Richie, on the other hand, might have anxiety (the xanax from Dogs <3), but he's in a stable and loving relationship and has a child on the way. That's why Richie asks Cicero for a job—not to get away from Mikey, but to make more money for his expanding family. And yes, he wants to amount to something more than working at a sandwich shop, but hell, so does Mikey. Neither of them want that for the rest of their lives. It's why Michael tried other business ventures. They fail, so he's stuck at The Beef. But it's a weight around his neck bringing him down. He says as much to Carmen when they're in the pantry:

Yeah but the place is no good, Carmy. It's a fucking nightmare. Like trust me I'm doing you a favor.

He even tries to set it on fire for the insurance money! Only Carmen sees the potential.

As for whether it was always Mikey taking the lead, I do think there's some merit to that. Mikey is talked about as more charming than Richie. You see it in Ceres when the edit compares Mikey telling the Bill Murray story to Richie telling the Bill Murray story to his date. Mikey is loud and funny and can "dial a room." Richie can too, but I think Mikey has more finesse. Still, they rely on each other. They back each other up. Michael would hook people with the stories, and Richie would embellish and inject at the right points or reel Mikey in when needed. They supported each other and worked together. I think any fic you might be reading that's demonizing Michael isn't accurate to his character and is actually falling into a pretty common fic trope: if the focus is Character A, then a fic author will cast Character B as the villain in order to serve whatever they're writing, twisting and embellishing the traits of Character B until they’re barely recognizable. Could Mikey be dismissive and hard to contain? Sure, but I don't think that means he didn't love Richie, or was undemonstrative with his affections. Even when Michael was out of it on drugs, they still had a very close relationship—Richie says so. In fact, everything Richie says about Michael supports this. I see zero support in canon for their relationship being one-sided. I'll say it again, they loved each other.

So this is how I would describe Mikey: loud, funny, obnoxious. He could dial a room. He cared deeply for his family, friends, and employees. He suffered parentification and has some sort of chemical imbalance. In fact, because he was charming and loud and funny, people could ignore his deterioration. Even Richie says, "he was Mikey Bear! I thought he'd come out of it," because he was able to come out of it up to that point. But after decades of not treating the problem, the only solution Michael could see was killing himself. He's a complicated character. He's a tragic character. He's the Laura Palmer of The Bear.

[tav-marcio-leles]

Meet my Tav, Marzio! Yes, another updated masterpost. I'm so sorry.

His pose is apart of the somatic motion for Sanctuary (if you wanted to know)~

Since my Marzio comic is going to take a lot longer to be produced than I planned, his story will be under the cut! You can read this if you like, or you can wait until I start releasing the comic.

Gender/Sexuality: Trans Man / Gay Age: 35-40, or however old Gortash is -> unsure due to memory loss Race: Mephistopheles Tiefling Origin: Haunted One (Dark Urge) Class: Monk / Cleric of Ilmater -> Duelclass (Open Hand / Life Domain)

Marzio has very little memories of his life before the Nautiloid. All he has left are his name, flashes of old names and training as his time as a painbearer for Ilmater.

Stats:

STR: 15 DEX: 12 CON: 13 INT: 8 WIS: 17 CHA: 10

Important Design Note:

Devil’s Hair listed here is Devil’s Daring Needles or Virgin’s Bower. I didn’t realize thar Devil’s Hair was a parasite twin plant? Correct me if I’m wrong.

His pants are usually white, but I went with blue here... for some reason.

His eyes probably change color during his urges to red or orange

SPOILERS BELOW CUT -> scroll all the way down for screenshots!

Marzio's Story TLDR: Marcio got sacrificed to Bhaal and was revived as the Dark Urge (now Marzio).

Life One:

Marcio was a cleric of Ilmater, a painbearer specifically. Marcio was trained to endure the worst pains a person could experience, all in the name of helping others—including but not limited to drowning, starvation, dehydration, extreme weather, and anything physically painful. Reading on Ilmater Painbearers, there's a lot of horrors between those lines.

Despite this, Marcio was satisfied with his life and the path he had chosen. He loves people, and Ilmater is actually pretty cool compared to a lot of the other gods. He was eventually almost made a martyr of when the Nautiloid came and took him away—taken rushing people to safety as the ship tore through Baldur's.

He met Gale after Shadowheart, and one could say the rest is history, but that's unfortunately, that's not how Marcio's story goes.

After a lot of self-sacrifice, Marcio developing an alarming savior/martyr complex, they finally reached Mystra's confrontation. I kid you not when I say that my save files stopped loading after that conversation. Gale had received all the help he needed from Marcio, but the moment Gale turned around to finally help Marcio in return, dead. Save gone.

So, why not take that opportunity to diverge from canon a little bit.

Intermission:

Remember that murder tribunal with Sarevok to Bhaal? Who would be a better replacement for Valeria than Marcio himself—a cleric to Ilmater makes a much better sacrifice than an uncaring investigator.

Gale, I imagine, was nooooot that happiest with this development. But what was done, was done. Can't revive Marcio now.

So, what does our completely sane and not at all unhinged wizard do? Why, he takes the Crown of Karsus to revive Marcio, of course! Somewhat becoming a god, and despite all warnings not to, half-god Gale reverses time with a wish spell. Wish spells though? They're a lot like a monkey's paw. He might have changed the timeline, but not everything came back how it should.

Life Two:

Marcio has been reborn in this timeline as Marzio. (Partially because I needed a way to differentiate the two, and partially the because that was how I meant to spell it in the first place. But I had two save files to experiment with classes, and I was afraid of overwriting something.)

Now here's where the timeline gets messed up.

I don't imagine this new Bhaal was very happy with a sacrifice to him literally being the cause of a new world with new life. No, in fact, it was probably another chance for him to try and destroy the world again. Taking that sacrifice Marcio made for Valeria, Marzio was born as the Dark Urge. Maybe this would direct his destruction on the winning path this time.

So, Marzio is the Dark Urge now. He's all blue, because he was a corpse literally wished to have a new life.

Currently:

Yeah, so that's Marzio!

He and Gale are Betty x Simon coded, and I'm crying in the club thinking about it.

I'm thinking maybe Gale is a tiefling too in this timeline (thanks to High Rollers for that imagery), solely for the fun of it. Who knows. I was this comic to be fun and worth the time it will take to create, but also worth y'all's time to read. Let me know what you think.

I have the dream guardian set as Marcio, so maybe that will change things in the comic for the Emperor? Who knows. I still have a bit of deciding to do with the writing.

OTHER FUN INFORMATION:

Romance Partner: Gale Tattoos: Dandelion, Yarrow, Coltsfoot, Bishop's Lace & Devil's Hair (Virgin's Bower) Scars: Morning star scar on cheek; whip/scourge lashings on his back and some spilling onto his arms/shoulders, hips, and sides; rope burn scars (religious practice), vivisections scar from his collarbone down to his abdomen

Other Notable Details:

pierced ears

wears holy symbol ropes around his wrists for Ilmater as often as allowed

doesn’t have t-scars, because he’d prefer no one to know (magiced them away!)

Other Behaviors:

cat-like: purrs, trilling, tail movement (twitching, lashing, etc.), and sometimes other cat body-language (headcanon that all tiefling are somewhat cat-like)

Music Playlist (Spotify): Marcio Leles

Trivia:

Birthday: March 4th / Ches (the Claw of Sunsets) 3rd MBTI: tbd Personality: Shy with people he knows, bold with people he doesn't know, lovingly teasing, patient, self-sacrificing

Favorites:

Food: Potatoes (& anything potato adjacent) Drink: Dry Alcohols (usually ciders or wines) Color: Blue Weather: Slight Breeze, Slightly Cloudy, Sunny Flower: Dandelion Animal: Pigeon Activities: Gardening, Foraging, & Herbalism

Images:

You can thank my roommate for these once in a life time quality screenshots. My laptop does not let Marzio look this high res 👁️