#mina reads

[evolving-dreamer]

Me as a teenager judging twilight: "Oh, Smeyer couldn't even create the story on her own. She just dreamt the plot of her saga."

Me, now: "Sorry, can't go today. I had a dream that told me I shouldn't go to the party."

[ash-tree-eyes]

Mina, writing to Lucy: I cannot wait to hear how Jonathan is doing on his travels! He must be having such a lovely time <3

Jonathan, in his diary: OH GOD OH FUCK HE CAN CLIMB WALLS LIKE A LIZARD NOW. I HAVE ONLY A CRUCIFIX FOR PROTECTION AND I AM GOING TO DIE TO A LIZARD MAN. THERE IS NO WAY OF ESCAPE SO I MAY AS WELL WRITE MY GOODBYES. FAREWELL MINA!!!

[studywithjennifer]

whitby abbey, where dracula arrived in england

[kalofi]

im playing and having fuunnnn

[the-crooked-library]

something something the symmetry of horror and seeing yourself in the abyss reflected

[aquilacalvitium]

Dracula: Has survived hundreds of years. Has been through many wars. Has seen many many generations come and go. Has killed thousands of people. Finally sets his sights on England to continue his undead existance of murder and terror.

Three English men, one Dutch man, one American and a recently married, potentially newly pregnant woman:

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[nightspires]

Thinking about how Will and Tessa loved Jem so much they named their son “James” after him.

And also thinking about how, 130 years later, Jem and Tessa named their daughter “Wilhemina” after Will. And then they adopted a snarky lil Herondale boy to raise too.

I JUST…. IT’S ALWAYS BEEN ABOUT LOVE!!!!!! IT’S ABOUT DEVOTION!!!

😭😭😭😭

[saintatreidess]

(MINOR) SPOILERS FOR BOTH NOSFERATU (2024) & THE NOVEL DRACULA AHEAD!

modernity in nosferatu (2024) & dracula

it’s been almost 24 hours since i saw robert eggers’ nosferatu and i’m still in shock by how well crafted this film is. all my expectations for a dracula adaptation have been met. it’s obviously not a faithful adaptation of the novel. but we’ve seen that even adaptations that claim faithfulness end up fumbling what the story is about (cough, cough, bram stoker’s dracula (1992)). so, with that in mind, i think it’s better for a movie to do its own thing as long as it includes the themes at the core of dracula. and this is what nosferatu (2024) does really well.

what i want to talk about here is the topic of modernity in the story. it’s a central theme in the novel. there are a lot of references to late 19th century technological & scientific innovation. the count dracula is wary of modernity. he doesn’t understand it so he almost fears it. there is an opposition between modernity and old/paganism. this opposition can also be interpreted as "west v east".

this is referenced a lot in robert eggers’ nosferatu. when thomas hutter arrives at count orlok’s castle he asks his host about the local population’s superstitions. this angers the count who calls said superstitions idiotic (or something like this, i don’t remember the exact quote). obviously in the movie the main reason orlok goes to the west (germany in the movie, england in the novel) is to get to ellen. but there’s another reason, which is that in the 19th century western world (at least in the cities) pagan beliefs are practically gone. it’s a "modern" world in which people are no longer superstitious. they don’t believe in the supernatural, in vampires.

in his home country, orlok is threatened by pagan beliefs. by moving west, he can claim victims and get away with it because he’s protected by the upholding of modern science and rational thinking, which replaced superstition long ago. in the movie, the germans think that the doings of orlok are the plague. the existence of a blood-thirsty demon is ridiculous to them. this idea is represented by the character of herr harding (aaron taylor-johnson), whose rational mind ends up costing him the loss of his family and his own life.

that being said, in the novel, what ends up causing count dracula’s downfall is his weariness of modernity that i mentioned above. he uses "archaic" means of transportation to escape the hunting team made of van helsing, dr seward, mina & jonathan harker etc. he travels by sail instead of steamboat, carriage instead of steam train, the list goes on. but what allows the count’s foes to defeat him is in fact the belief that modernity/science and superstition are complementary and not opposite. van helsing uses both a scientific and pagan approach to eventually kill the vampire. so, don’t get it twisted, the novel doesn’t try to say that "modernity = good & superstition = bad" or vice versa. rather i think it offers a more nuanced take, suggesting that one doesn’t necessarily have to cancel out the other.

gif credits: junkfoodcinemas

[kastalani123]

Not my usual content, but I just. I wanna ramble, ig.

Do you understand how baffled I was about how the vampire book, written by a man in 1897, is essentially a PSA about how important proper communication is?? Even after I scrolled through Tumblr, saw the memes, read people geeking out about the relationships (platonic and romantic) in Dracula, I was still caught off guard, because. Like. Everything in this book is about communication.

Sure, it's kind of a given, considering it's an epistolary novel partially made up of letters between the characters, but. I dunno. From Dracula controlling Johnathan's lettres, van Hellsing refusing to tell anyone shit, the men keeping Mina out of the loop, to Mina using her telepathic link with Dracula, it's. It's literally all about how important actually talking to each other and sharing information is. Fuck, throw in the fact that "Harker", Mina and Jonathan's, arguably the main characters, last name means "to listen"/"eavesdropper", and that the book is Mina's in-universe creation to help compile, organize, and share what they know about Dracula, and the book's very essence becomes centered around information-sharing!

And I just. The narrative punishes just about every secret hidden, every time the characters don't communicate. There's the obvious, Dracula keeping Johnathan from sending out letters for help and Mina getting bitten because the men leave her home alone, but also. Van Hellsing not telling Lucy's mom that the garlic flowers and closed windows and so on are the treatment and she is not to touch them is what kills Lucy and her mom! They maybe could have survived if he just told them what's happening/what he's doing! And even the godsdamned telegram he sends to Seward! If he had just addressed it properly (communicated to the telegram boy properly!) then Seward wouldn't have been late and maybe could have prevented the massacre!

There's also Jonathan's diary right after he finally reunites with Mina, and obviously Mina's whole ✨ thing ✨ with the diary during their wedding is like. Peak romance, but Johnathan doesn't fully get better until Mina reads and shares it with van Hellsing and van Hellsing assures Johnathan that he's not insane. Sure, it's an oversimplification of PTSD and healing and such, but it makes sense, especially if you consider communication and information sharing as a major theme! Only sharing his experiences, reading through them himself after blocking off the memories, is what heals him! He cannot get better without knowing what happened, and without others knowing what happened, because knowing and sharing is important.

Renfield's also an interesting case. I don't have the book with me right now to check, but as far as I remember, he tries to talk about Dracula, tries to get Seward to release him from the asylum so Dracula can't use him against Mina, but is dismissed entirely; as a consequence, Dracula gets in the building, kills Renfield, and bites Mina.

Even the language barriers! The villagers Johnathan meets on his way to Dracula's castle try so hard to warn him of the danger but they can't. They can't, because they don't speak enough of the same language, but they try so hard. But whatever does get through to Johnathan, such as that woman begging him to take the crucifix she gives him — that might've saved him. It keeps him unsettled and wary and he does keep the crucifix, which wards Dracula off. They can't communicate the full extent of the danger, but what they managed is probably responsible for him surviving.

And the whole idea is even mentioned in-text! Sure, Lucy saying that a wife ought to share everything she knows with her husband is definitely sexism-flavoured, but Johnathan says it too! He says that his idea of an ideal marriage is one without secrets! And Johnathan is effeminate, yes, he spends a good chunk of the book as the "damsel in distress", but he is still the hero! He is still the one who kills Dracula (with Quincey), and can therefore be assumed to be an intended role model. The (male) main character and hero of an 1897 novel says that a good relationship relies on communication. Sure, he doesn't always stick to it, mostly by agreeing to keep Mina out of the loop when van Hellsing pushes for it, but that doesn't discount that that is what Stoker set as the ideal.

I just. I love this book so much. It subverted just about all expectations I might've had about it and I'm so glad for it. It's undeniably a product of its time, with plenty of racism and sexism and ableism, but it's also so. Not, at the same time? It's so good.

[poorly-drawn-mdzs]

In Regards To Your 2024 Summary:

Holy shit it’s been another year????? The hell?????

Also! Your art style is gorgeous and that being found in 2023 and then refined throughout late 2023 and the entirety of 2024 really shows, as does your growth in panel layouts, perspective, and — as you said — experimentation. If you ever post your animation or video game art I’m looking forward to it.

As cheesy as it sounds, being able to laugh at funny comics and look at all the details of your art really made my 2024 brighter, even when things were hard. Including looking at your older art— it doesn’t need to be new to be enjoyable! I’m glad your art is well loved and it’s a privilege to have been here since the (near) beginning. I hope you take care of yourself in 2025 and beyond!

You and your art bring a lot of people a lot of joy never forget that <3

Thank you so much for keeping up with my art journey throughout these last two years! Two years!!! I am baffled at how that feels both too long and too short!

Admittedly, my art summary didn't manage to capture the fact that I did a lot of comic layouts that I'm really proud of. I also drew more backgrounds and made some very detailed works (*Dungeon Meshi spoilers for these examples*).

The growth is lot more evident when comparing my 'best' comics of 2023 to 2024:

Sometimes the growth is vertical, sometimes it is horizontal - and damn, sometimes it goes out of sight into the Z-plane. But it is always happening!

[eliseliedl]

Mina Harker and Lucy Westenra in Bram Stoker's Dracula (1992) ♡

[bisexual-coala]

I wish people talked about how alienating it is to be butch and bisexual.

Almost everyone acts as if it's only lesbians who can be butches and even the lesbians who know that butch is not exclusive to them don't bother educating fellow lesbians. It's up to us and when we do try to educate others, we get harassed by terfs and exclusionists saying that we are "stealing lesbian culture" as if bisexuals weren't right beside yall helping build butch femme culture.

Heck even the butch bisexuals who are vocally active in the butch side of the internet don't call themselves bisexual and butch proudly in fear of getting harassed for being openly themselves. It's so fucking sad. I wish we had more solidarity. From lesbians, other queer people and especially other bisexuals. I wish I wasn't made to feel so isolated from the community that is supposed to be accepting of me.

[iamnmbr3]

critics and film directors: dracula is all about how women's sexuality is evil and needs to be punished. now we're not sexist. these are just facts from the story which was written in the 1800s and therefore definitely totally represents these attitudes.

the actual book: has incredibly well developed and realistic female characters who feel like complex and real people and who also spend a large amount of time discussing and thinking about feminism - which all the adaptations cut.

[may12324]

Mina and the Witch from Bitterthorn by Kat Dunn, a sapphic retelling on Sleeping Beauty❤️❤️💜💜💜

[froqpi-art]

i binged kaiju no 8 recently so here’s a squad photo! they’re so cutieful 🫶