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#me when the development of a doomed relationship…
hearts401 · 10 months
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heyyyyy I just want to say I love your art I want to gobble it up it’s so good…
but I am GENUINELY curious to hear your thoughts on Liz and mikes relationship because I know you’ve talked about cc and Liz and mike and cc but im so curious to hear what you think about Liz and mikes relationship
if you’ve already talked about them this would be really awkward erm
WAAH IN GLAD U LIKE MY ART TEEHEEE
THANK YOU FOR ASKING IM PULLING OUT A COMICALL LARGE SCRIPT BECAUSE OOOOO NOBODY EVER ASKS ME ABOUT THEM BC IM BIG ON THE BROTHERS BUT BUT BUT HEAR ME OUT
SO I’ve said before that liz avoids her brothers and just overall doesn’t wanna be associated with them bc they’re both annoying. She’s blunt and rude especially to them. as a teen mike HATED HER with a passion. She was his bratty little sister who got all their dads attention, but he couldn’t do anything about it because if he so much as nudged her too hard she’d go straight to William. She knows how to get under Michaels skin but that’s not her goal
Her goal is to be honest with him
She’ll tell him “everything would be easier if you’d behave. Daddy wouldn’t treat you like this if you behaved”
She talks down to Michael, like he’s a problem child. Because that’s what her father does. She’s giving advice knowing he’s not going to take it since he doesn’t take it from their father
So their dynamic is a bit of hatred and rivalry for Williams attention back and forth. Until Evan dies.
Elizabeth was never close to Evan but he was still her brother. And she’s a kid, she doesn’t fully understand how blame and fault works. She just knows Evan died because of Michael. Because Michael didn’t listen. Didn’t behave, and now not only is someone hurt THEY ARE DEAD. William probably uses this to his advantage to isolate Michael more, treating Michael like he’s not safe to be around. Elizabeth doesn’t think he’s safe to be around.
She has resentment and discomfort built up around Michael because what is she supposed to think of him?
And Michael is sorry he’s so sorry he hates being around him too he didn’t mean it but now his sister won’t meet his eyes or talk to him and she no longer gives him her long lectures because clearly he’s too far gone he’s not a problem child he’s a murderer as far as she’s concerned. You can’t fix something that breaks itself
This is also around the time Michael stops violently hating Will because after all, he brought this upon himself, didn’t he? But even when William stops treating him like the worst son on earth, Liz still avoids him. Because she’s a kid. She doesn’t fully understand what’s going on but she doesn’t like him. She prefers her father.
After she dies things are muddled. She’s working against mike thinking he’s William but she doesn’t want to KILL William but she has to
Then there’s two options
A) she finds out he’s Michael and decides she doesn’t want him dead because he’s still her brother
B) she still thinks he’s William and that’s why she brought him back
I’m going with A because I like it more
She let him live. Continue living his life. She gave back to him but he still came to stop her and for what? Why can’t he just let her be! She saved him the least he could do is leave her alone and let her do what she was made to do!!!
But he sets her free. She deserves to go to hell with her father but he sets her free
She doesn’t deserve to go to hell, she’s a kid. She’s just a kid.
I think she really missed Michael
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deadrlngers · 1 year
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smth so sweetly fucked up about violante's interest for shadowheart being fueld by the fact sh lost her memory, reminding violante of camylla (ex with whom she had a nasty break up and almost killed) and how she took mylla's memories away. it's like a you remind me of someone and maybe i'm trying to live a past i lost and miss through you and what if this is a joke of destiny? or maybe my chance to make amends and fix smth i broke long ago but also no matter what she's not her but the past doesn't matter to me anymore and yet all her decisions and actions seem to be taken under the influence of the past, an extension of it and i think she really needs to let go and move on u know but alas, not in her right state of mind girl swag
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lost-time-memery · 1 year
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I really don't wanna see anyone talking about Betty as if she was a "poor little misguided girl" that had to sacrifice her whole life for a man.
She was her own character and made her own decisions during the whole show! Yes, jumping through the portal basically doomed her life, but it was HER DECISION.
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I'm not saying it was a good thing for her, being impulsive and reckless is a very consistent flaw to her character, as well as being passive and inattentive to her self destructive behavior was a flaw to Simon! Their relationship had flaws like any other would, but they loved and admired each other the exact same amount! (Simon went back in time to apologize and say goodbye to her, while Betty refused to accept his loss and tried to go back in time to change the future, he was more willing to let her go AT FIRST)
I'm also devastated that Betty got such a tragic ending, but the important thing is that SHE ACTIVELY CHOSE HER FATE. And she did not regret it.
SHE CHOSE TO STAY WITH SIMON AND NOT GO ON THAT TRIP
SHE CHOSE TO JUMP THROUGH THAT PORTAL
SHE CHOSE TO TRY TO FIX THE CROWN EVEN WHEN SIMON BEGGED HER TO STOP
SHE CHOSE TO STAY BEHIND AND MAKE HER LAST WISH
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(I'm also a little bit disappointed with the fionna and cake finale, the way they handled Simon's character development was kinda underwhelming, but seeing people treat Betty like the ultimate victim makes me a lil bit upset... SHE WAS SUPER PROACTIVE)
I'm not trying to romanticize her toxic traits, being this obsessed with someone is not healthy, but at the same time... In a show with world ending monsters and interdimentional beings and telepathic war elephants, the fate of the world in both AT and FaC depending on a normal human woman that just loved someone SO MUCH is so beautiful...
It's PAINFULLY bittersweet but also immensely true to the nature of human beings. 🥲
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calder · 11 months
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Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.
Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.
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In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:
Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin
Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."
This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.
Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.
The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.
New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.
In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.
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“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”
“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell
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written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome
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ironunderstands · 5 months
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Yapping about why I love Aventio and what I feel makes it a great ship 
(If you hate it I urge you to read this, because you don’t have to agree with me, but I want you to get where Aventio shippers are coming from at least)
I’ve just really wanted to talk about why I love Aventio because the people do not get it like I do and GODDD ITS SO GOOD WHEN DONE CORRECTLY UGHHHHH
Also this is gonna be VERY stream of consciousness I do not have a plan besides dragging you through my brain so enjoy the ride.
I guess the best place to start is the fact that Aventurine and Ratio are my two favorite characters in the game. Like even if they have no interactions with each other ever and might as well be from different pieces of media I would ship them, because I like seeing characters I like interact and the fun police cannot catch me. That’s a really shallow personal reason though and I feel like the rest I have will be able to be appreciated by others.
GOD THE DYNAMIC IS SO GOOD RAAAAAA
Two emotional constipated dumbasses circling around each other like black holes trying desperately to deny and run from their feelings when they have both fallen hard. The lack of acknowledgement of feelings on both ends is TRAGIC and it makes me want to rip my eyes out in a good way, let’s start with Ratio.
Unfortunately my glorious king Ratio has been mischaracterized to hell and back but we will get to that (and the Incorrect Reasons Why People Hate Aventio) later. Instead I will go over his actual character; a deeply insecure, intelligent man who desperately wants the rest of the galaxy to come to the realizations he has long since stumbled upon, but has been so isolated from his peers from such a young age that he’s doomed to fail in literally every social interaction he has and be misunderstood by both the audience in universe and irl (the autistic coding isn’t helping him either).
Ratio is tragically misunderstood again, both in universe and by the audience, which is why it means so much that Aventurine Gets Him. Aventurine pushes his buttons, tears down that literal cold marble facade masking the deeply silly and caring man beneath (this man bathes with rubber duckies in the privacy of his own home 😭), and that scares the shit out of Ratio. People aren’t meant to see through him, Ratio acts rude not just because he believes it’s the best way to help people, and because he believes he himself is mundane and the conclusions they come to should be their own, not his.
No, it’s also because on some level Ratio is afraid to be vulnerable around people. As much as he pretends like it doesn’t affect him, Nous’s rejection has hurt and haunted Ratio for his entire life. And I do mean his entire life, even in high school he had already set up a strict routine for himself, something commented on by his teacher, Ratio has quite literally always been striving for some sort of perfection and the fact that he cannot achieve it kills him.
Moreover, the guy just grew up way too fast, he didn’t have time to develop social skills. We see it in that afformentioned relationship with his teacher, in which they recommend Ratio (who is again in high school) to be moved up to college level stuff and transferred due to his success. He has quite literally never been able to just relax in a environment of his peers, Ratio for some reason we don’t yet know has always been dedicated to constant improvement and that leaves no room for dealing with failure.
On some level, he knows this too, that he can never be perfect. Ratio is part of the Mundanites in the Intelligenica Guild for a reason, he doesn’t just see himself as mediocre because he believes everyone is and that’s ok, but also because he looks down on himself for being too mediocre for the Genius Society, being too mediocre for Nous’s acknowledgement, being too mediocre for anything.
Which is tragic because Ratio is very accomplished and he is very smart, and his character stories aren’t even told from his pov, but rather in the style of documentaries and letters (his professor) and other works on his well acclaimed life. We don’t ever get to see how Ratio really sees himself, just the tiny cracks in his marble facade that let the real man behind the character shine through.
Because that’s what he’s playing 90% of the time, a character. Whether it be at the Herta Space Station in which his real goal was to uproot the researchers blind worship of the Genius Society, or in Penacony in which he plays up the arrogant, narcissistic scholar both people in universe and irl make him out to be, both to serve a goal bigger than himself. 
Sincere moments from Ratio are RARE but god are they beautiful, his conversation from Screwllum in 1.6 and his note to Aventurine in 2.1 will forever haunt me in the best way possible. If you want to understand Ratio as a character, yes read his character stories, but just watch that damn scene with Screwllum it is phenomenal. He cares so much and is so, so bad at expressing it, he drives me nuts, Veritas Ratio the man you are. 
And the thing is, it seems like he’s always been playing a character and doesn’t know where the real him ends anymore so he just sticks to the way people perceive him a lot of the time. Like as a kid he was constantly striving to be the best so he missed a lot of necessary developmental shit, and as an adult he’s a celebrity so it’s hard for him to attach himself to others anyways because society and his students will hound him for it.
And then you throw Aventurine into the mix, and oh boy does shit get interesting.
Veritas Ratio, perfect “unfeeling” Veritas Ratio and the one person who gets him well enough to push all his buttons and expose the vulnerable underbelly he thought he hid so well. On a fundamental level, Ratio understands this, which is why he doesn’t bother with the alabaster head, as pretending the real him is just as unfeeling and uncaring is easier.
So he brushes off Aventurine’s jests as if they are an insult to his very existence, he can’t look in Aventurine’s eyes when he “betrays” him because his poker face would break, he leaves as soon as he’s done talking because lingering would allow the weight of their conversations to sink in. Part of it is because for pretty much all of Penacony, up until the note Ratio gives him, Ratio is acting, trying to play up the role of the arrogant, unfeeling scholar to make Sunday buy the betrayal plan, because to Sunday this behavior is signs of a bad relationship between the two (honestly the fact that the audience also interpreted it this way makes me mad like did yall seriously not pay attention, but also happy because if even the players were fooled that means Sunday buying it is believable). 
However, even if it feeds into his insecurities, Aventurine knows that false facade and loves tearing it down. It’s very telling that the second time we see Ratio really freak out (the first being at Herta Space Station) is at the suggestion that he came to narrate Aventurine’s demo not because of knowledge or respect for the show or whatever, but because he genuinely likes the guy. What makes it even better is that Aventurine is the one who suggested it, and already figured out the excuses Ratio was going to use to deny it. Ratio can fool everyone else in the galaxy, but he cannot fool Aventurine, and on a fundamental level that is what makes their dynamic work, because Ratio knows Aventurine in the exact same way.
Aventurine can shove away people who care about him, out of distrust and fear that they will leave him like his family did. He can believe he’s unloveable and a person so detestable that even the actions he performs in order to stay alive condemn him to hate himself as much as the rest of the galaxy hates him. But, Ratio doesn’t see him that way.
Aventurine doubts his intelligence, if he has really earned anything he’s done and in his voiceline about Ratio, doubting if Ratio even sees him as smart or worthy. However, Ratios voiceline about Aventurine is about how he believes Aventurine is smart and worthy, and that his doubt will be his downfall if he doesn’t come to the realization that he isn’t worthless. 
Ratio knows Aventurine’s one weakness, the one thing that could stop him; himself. That’s why he gives him the note urging him to stay alive and keep on living because ultimately Aventurine will only ever fail if he gives up. And The Note Is Enough, Aventurine walks into the event horizon of a black hole, confident he can return alive on the other side because someone cares about him, BECAUSE RATIO CARES ABOUT HIM, and wants him to live on even if Aventurine doesn’t feel that way towards himself.
In the metaphorical and literal manifestation of the meaningless of the universe, in the face of overwhelming nihility, Aventurine survives because someone loves him, and with that love he’s strong enough to brave even that. 
Even if they can’t admit it out loud, these two deeply, deeply care for one another and trust each other perhaps more than anyone else in the narrative. The betrayal plan would have never worked if there was not mutual trust, Ratio wouldn’t have gone to Penacony in the first place if he didn’t trust Aventurine, and Aventurine wouldn’t have asked him to come if he did not trust him. We don’t just see this trust between Aventurine and Ratio either, and Jade and Topaz both trust him with their cornerstones, but ultimately it’s Ratio who’s physically with him the whole time, risking his life alongside him for the sake of their plan. 
As much as people like to ignore it, lying to the Family members, to Sunday, is extremely dangerous and puts Ratio’s life in danger as much as it does Aventurine’s. Ratio is not an irrational person, he wouldn’t have done that if he didn’t have faith Aventurine would succeed, he would not have done if he didn’t think he would return. They have absolutely faith in one another and it’s beautiful. 
Aventurine’s first constellation is named “Prisoner’s Dilemma” for a reason. A social experiment in which two prisoners are captured and separated, if they sell the other one out and remain silent, they go free but the other remains in jail for 20 years. If they both sell each other out, they get a sentence of 5 years. 
But if they both remain silent, trust the other, they even if they physically can’t communicate and don’t know what the other says, they get the best possible outcome, only one year in jail each. It requires a sacrifice on both ends, they both still have to go to jail, but only for a year, and only if they trust each other completely, as if the other sells them out they will be in jail for 20.
The prisoners dilemma relies completely on trust, and it’s the exact situation Aventurine and Ratio face in the Penacony quests. Aventurines doubts if Ratio’s betrayal was real or not, even if he set it up himself, and Ratio worries about Aventurines survival, if continuing this plan will end well. “You can’t expect a featherless bird to take flight” isn’t just Ratio chastising Sunday, he’s genuinely worried that this plan will put Aventurine at too much of a disadvantage to continue on. 
But they both trust each other, and if just like in the Dilemma neither come out completely unscathed (although it’s much worse on Aventurine’s end), they ultimately achieve their goal. 
God is it sweet and corny in the best way possible 
I want to kill this fandoms perception of stoic, emotionless Ratio because once people realize he’s actually the corniest mf ever is the day I sleep easy. He makes statues of himself doing Jojo poses, he plays chess versus himself, he named himself Veritas (truth), he loves rubber duckies, he literally sits in a bathtub couch, and Aventurine breaths and he gets flustered.
Ratio so deeply silly, chronically corny, it’s a crime he needs to be locked up someone stop him. 
And Aven brings that out of him. His teasing reveals the goofball trying so desperately to disguise himself as a serious scholar. Ratio is very smart of course, but that only makes his silliness better, as you watch this absolute genius of a man behave like a tsundere schoolgirl. 
It’s not like Aventurine is some paragon of seriousness either, he’s the one teasing Ratio, fucking around even in a serious mission. Yeah it’s partly because he wants Sunday to think he’s incompetent, but it’s also because Aventurine genuinely is having fun, enjoying himself before the serious part of the plan kicks in, and the meantime he does that by messing with Ratio.
Their dynamic of Aventurine messing with Ratio, and Ratio trying desperately to pretend like it doesn’t affect him is as hilarious and heartwarming as it is tragic, and that dichotomy is why I love them so much. It’s fun and it hurts so so much because their interactions being this flavor of silly leaves almost no room for the sincerity they both desperately need from one another. 
AND GOD I NEED IT TO HAPPEN. RATIO MENTAL BREAKDOWN SCENE PLEAASEEE LET HIS WALLS CRUMBLE PLEEEEAASEE PLEASE PELADE PLEASEEEE EPLES DOLS AAAAAAAAAAAAAAA 
They’ve gotten closer and closer and closer and soon something’s gonna snap because they are so close yet so distant and if something doesn’t change the tension is just gonna boil over AND I NEED IT TO HAPPEN. I need more Ratio scenes I need more interactions with him I need him with his guard down I need him to profess out loud that he cares about Aventurine I need him to break please he needs it, it would be so good for him. It doesn’t even have to be from Aventurine, just Ratio snapping and revealing the fucking mess he is under his facade and not being rejected by the people he cares about for it is enough.
I honestly doubt it will happen in the story though, as much as I want it to. Although Aventurine’s character demo somewhat changed my mind against this, I feel like hoyo is like “ok they get the vibe between these two we can move on” and the shippers are left to extrapolate how this relationship would go beyond what it is now. As much as I want a breakdown scene for Ratio in general, it probably wouldn’t happen in a while but devs if you are reading this PLEASEEEE. 
The only time Ratio ever gets slightly out of his element is with Aventurine but I need it to go further because god it would be interesting.
Well I’ve deemed that enough yapping about why I love Aventio (for now 😈) so let’s talk about why people hate the ship and why most of the reasons behind it a fucking stupid. (Massive disclaimer of course you can dislike it it’s just a lot of the “oh it’s a horrible ship and anyone who likes it sucks” shit isn’t grounded in reality in the slightest and I’m tired of the slander)
“Ratio was racist to Aventurine”
Now this is a spicy one because if this post was made in 2.0 I would 100% agree with you (during that time I shipped a non canon version of them in which that did not happen because how dare u do my boy like that hoyo). However 2.1 changed a lot and I mean a lot, and basically reframed the 2.0 quests for everyone.
Essentially, Ratio and Aventurine were both acting in that argument scene, making the things Ratio said to Aventurine not how he really sees him, and actively something Aventurine wanted him to say, so you cannot blame him for what he said. I’m not even joking or exaggerating, retrospectively it quite literally does not make sense if you view it in any other way, and honestly even with just the knowledge of 2.0 the scene doesn’t make sense if played straight, so let’s get to why.
a) Ratio and Racism do not mix fundamentally. Ratio is a person who believes that everyone deserves and education regardless of background, that it is a scholars duty to help others achieve that, and no matter who you are, you are capable of intelligence, learning and becoming the best version of yourself, and that those qualities are just limited to geniuses.
THIS AND RACISM DO NOT MIX. “Oh yeah education and improvement is possible for everyone except this specific group of people for some fucking reason!!” Like not only would this scene being serious contradict Ratios entire character, the man who believes people should not be judged for their educational background judging Aventurine for his educational background (that’s actually what the Sigonian upbringing line meant, it was mistranslated in the EN version)??!?!! Make it make sense.
Moreover, half this perception also come from the fact that hoyo made the incredible writing decision of naming Aventurines planet after a slur for Romani people, so unfortunately literally anytime its name, Sigonia, is brought up you’re essentially saying a slur. It’s much worse in the CN version, in EN it’s not obvious at all, because our version of the slur (it starts with a g and ends with a y that’s all the hints you’re getting), doesn’t look like the version of the slur that the name for Sigonia was derived from, which is partly the source of this misconception as I’m pretty certain most people assumed Ratio (and by extension Sparkle) said a slur elsewhere in the conversation when in reality them referring to Avens ethnicity/background/planet IS the slur.
Anyways terrible writing decisions aside, Ratio supposedly being racist doesn’t just contradict his core motivation, it contradicts his job. He’s a scholar, for fucks sake, and racism is inherently illogical. Mmm yes I’m gonna base my identity around finding truth for myself and I will believe government and social propaganda about specific groups of people! Very logical, very scholarly, we all clapped. 
So yeah, doesn’t make sense on a character level, to the point that in 2.0 I concluded that they must be using Ratio as a plot device in that scene to deliver some of Aven’s backstory to the audience due to how OOC it was for him 😭. However I wasn’t necessarily wrong, Ratio was delivering some of Aventurines backstory to AN audience (not just us), and he was behaving OOC in the 2.0 scene, but it was on purpose.
b) The betrayal plan 
Aventurine forms a plan in which him and Ratio pretend to betray one another in order to sneak the Aventurine cornerstone into the dreamscape by replacing it with the Topaz stone (red herring + black hole scene dialogue implies she and Jade are there for other reasons) and the Jade stone (perfect dupe). 
Now this betrayal hinges on Sunday, their main antagonist buying it, actually believing that Ratio would betray Aventurine on a mission as important as Penacony, and it requires Sunday also buying that he is winning the whole time, that the loss of the cornerstones was somehow a fumble on Aventurine’s end rather than something he planned all along. 
So, they stage the 2.0 conversation. Ratio yells at Aventurine for losing the cornerstones, something which was part of their plan the whole time. He then insults Aventurine’s background allowing Aventurine to reveal key details of his past that Sunday would not have learned otherwise, which he uses in the trial against Aventurine. Seriously, Aventurine only found out he was the last Avgin when he became a Stoneheart, do y’all think Sunday summoned that info with his mind or something during the trial (like do you guys genuinely think Sunday read his wiki or something)
Moreover, Ratio not only insults him, but portrays Aventurine as useless, disposable to the IPC because he is apparently already sentenced to death. Why does he do this? Well, so Sunday feels confident enough to do the same to Aventurine. Seriously, sentencing an IPC member, especially a high ranking one to death is a risky move, even for someone as convicted as Sunday, he would need the confidence to do so and learning Aven might already die would give him that ability. 
Because well, it doesn’t matter that much if he’s already going to get disposed of in the near future. I also think the IPC plans to use Aventurine’s “death” as leverage against the family because they were pleased to hear of his death sentence according to Dr. Ratio, meaning a) he likely did not have one from them at the time, although in the past he was sentenced to death and b) even if Aventurine succeeded in getting the cornerstone his seeming loss in the rest of the conversation wasn’t actually a loss at all, getting sentenced to death/“dying” at the very least was part of the plan all along as the IPC could still use it as leverage if things went south.
Continually, Ratio treating Aventurine in the exact same sh1tty way the rest of the galaxy does perfectly slots him into the arrogant, uncaring scholar role, which Sunday knows are some of the most easily manipulated people in the galaxy, considering he tries to bribe Ratio with knowledge about Stellarons it seems he bought this idea hook line and sinker. Sunday isn’t even subtle about it either “I heard you and your companion haven’t been getting along lately” where did he hear that from? Ratio didn’t tell him, and even though we know Sunday was 100% watching the two of them on their little adventure pre-meeting him (the bird and hound statues) that scene hasn’t happened yet so where did he get that from?
Some other interesting proof for it is that the Final Victor lightcone likely depicts Aventurine trying to convince Ratio of this plan of his, the events of which must occur  pre-Penacony for several reasons, the least of which being that we just never see it happen on Penacony which if you think it did we would see it. Moreover lightcones are canonically condensed memories and the Final Victor lightcone released in 2.0, meaning it’s the memory of something that happened before then. 
All signs point to the 2.0 scene, the one people use to paint Aventio as toxic being staged. And I have so much more evidence for this, (Ratio would never agree to go without a plan, Aven clearly formed his pre-Penaocny, so much of the plan like Ratio opening the cornerstone box, which he can’t do up until the betrayal as it’s in Sundays possession, rely on him arriving knowing how to do so, the time discrepancies, the complete 180 in personality Ratio would have to do to go from distrusting Aventurine to putting his whole faith in him, etc), but I will reupload one of my old slideshows to elaborate more on it. Basically the one thing that people use to say it’s toxic is not true and is in fact a greater show of the trust between those two. 
“The shippers are all weird and racist” 
Now this one actually has some truth to it because yes there are some incredibly fucking weird Aventio shippers and I do not blame yall for disliking them.
HOWEVER, most Aventio shippers are normal and hate that shit just as much as you guys do. Like do you realize most shippers also really like these characters and have something insane called morals so they don’t automatically excuse racist fujoshi goobers just because they are making content for their favorite ship. Trust me someone doing that pisses me (and most other Aventio shippers) off significantly more than people who hate the ship. Also free Ratio from this shit man poor guy is getting mischaracterized as a slaveowner by his fans and haters 😭
And like guys, have you ever been in a fandom before, like ever? Weirdos are always gonna be weird and it’s not Aventio’s fault they are this months victims. For a fun little example of how gross other fanbases can be, one of the most popular Overwatch ships on ao3 is Genji Shimada X Hanzo Shimada WHO ARE BLOOD RELATED BROTHERS. THERES LIKE 300+ FICS OF IT, SHIMADACEST IS LITERALLY A TAG ON THERE. I WAS IN THE TRENCHES SEARCHING FOR GENJI HANZO ANGST FICS (Hanzo killed Genji it’s complicated doomed siblings will always get me) AND HAVING TO COMB THROUGH THOSE ABOMINATIONS IN THE PROCESS.
Like please I’m relatively new to fandom culture but yall cannot be acting like this is weird for fans to do, it’s weirdo behavior but it is not unique to the HSR fandom or even Aventio. And even if understandably this makes you not like the ship, don’t paint the people who enjoy it as being the people who do this kinda sh1t. It’s not our fault peak gets tainted by miserable creatures ok, let normal ppl have their harmless fun and stop lumping people together into a monolith. 
?????
Well that’s it that’s all the “valid” reasons people have for hating Aventio, at least the ones I can remember. Everything else is just personal opinion and not at all an objective reason.
“They’re so sibling coded!”
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Anyways again obviously you can still dislike it not everything is for everyone, I really just wanted to make this post to demonstrate why I and many others like it, and why the reasons people use to say it’s problematic are incorrect. Feel free to call it mid, block it whatever I don’t care, just don’t harass shippers for having some harmless fun, because the characters aren’t real but the people who like them are and in doing so you are really just being a jerk for no reason. If you somehow hate Aventio and read this the whole way through I congratulate you on your ability to actually listen to other people, and regardless of whether you changed your mind or not I respect you for doing so anyways. Thanks for reading and I would love to hear your thoughts. 
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unboundprompts · 8 months
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Thank you so much for your blog! It's so neatly organized, it's lovely to read. It takes a lot of commitment to do detail every post and still constantly update, and I'm very grateful for you <3
I was wondering if you could write tips+prompts for a paranoid character?
Thank you again 😺
Thank you for the kind words!! That means a lot :)
How to Write a Paranoid Character
-> sources: mind.org , betterhealth.vic.gov
Paranoia is the irrational and persistent feeling that people are "out to get you."
Things that Make Paranoia More Likely:
Having confusing or unsettling experiences or feelings that you can't easily explain.
If you are anxious or worried a lot or have low self-esteem and expect others to criticize or reject you.
If you tend to come to conclusions quickly, believe things very strongly, and don't easily change your mind.
If you are isolated.
If you have experienced trauma in the past.
Things that may Contribute to Paranoid Thoughts:
Life experiences. You are more likely to experience paranoid thoughts when you are in vulnerable, isolated or stressful situations that could lead to you feeling negative about yourself.
Experiences in your childhood may lead you to believe that the world is unsafe or make you mistrustful and suspicious of others. These experiences may also affect your self-esteem and the way you think as an adult.
If you experience anxiety, depression, or low self-esteem, you may be more likely to experience paranoid thoughts.
Paranoia is sometimes a symptom of certain physical illnesses such as Huntington's disease, Parkinson's disease, strokes, Alzheimer's disease and other forms of dementia. Hearing loss can also trigger paranoid thoughts in some people.
Lack of sleep can trigger feelings of insecurity and even unsettling feelings and hallucinations. Fears and worries may develop late at night.
Recreational drugs may trigger paranoia, such as cocaine, cannabis, alcohol, ecstasy, LSD, and amphetamines. This may happen particularly if you're already feeling low, anxious or experiencing other mental health problems.
Research has suggested that genes may affect whether you are more likely to develop paranoia.
Symptoms of Paranoia:
being easily offended
finding it difficult to trust others
not coping with any type of criticism
assigning harmful meanings to other people's remarks
being always on the defensive
being hostile, aggressive, and argumentative
not being able to compromise
finding it difficult (or impossible) to "forgive and forget"
assuming that people are talking ill of them behind their back
being overly suspicious
not being able to confide in anyone
finding relationships difficult
considering the world to be a place of constant threat
feeling persecuted by the world at large
believing in unfounded conspiracy theories
Writing Prompts for a Paranoid Person
-> feel free to edit and adjust pronouns as you see fit.
Everyone was against him. No one liked to see him succeed and so they were doing everything in their power to stop him.
People were talking about her behind her back. They would whisper as she walked by, and their laughter would echo in her ears as she got further from them.
"You never believe me!" They wailed, pointing an accusing finger at their friend. "You wouldn't get it! You don't know what it's like to be hated by everyone!"
He laid in bed, staring at the ceiling and wide awake. It was a nightly routine, at this point. He could never bring himself to close his eyes. There were too many things going on his head, too many things that only made him dread when morning came.
Everything was about to go so wrong so fast, and there was nothing she could do to stop it. The impending doom beat down on her shoulders, reminding her that she was not okay. She was not safe.
They couldn't stop fidgeting with their hands. It used to offer some form of comfort, but not anymore. How could it when the whole world is against you?
They were looking at him. They were watching his every move. He was being tracked. Studied. Something was going to happen. Something bad. Something he wasn't prepared for. What could he do to be prepared?
"You think I'm crazy, but I'm not! You'll see."
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
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myhamartiaishubris · 13 days
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Ben Hargreeves is the worst written best character and I can prove it
This is a poorly organized meta/essay about my baby boy who got massacred. Originally posted in the discord server so some of y'all have seen it already.
Let me be clear: this is a love letter to my favourite Hargreeves boy. I could write him better. I could fix him (narratively).
Here's why Ben is a great character who, paradoxically, was very badly written.
Umbrella Ben
Listen. Listen to me. Ben Hargreeves was, from the moment I saw him, my absolute favourite character. He's already dead? Doomed by the narrative before the narrative even begins? Also, an East Asian character in the year of our Lord 2018?? I was on board. And Brelly Ben gets a lot of good moments! You know that scene where Klaus is in the motel closet, tied up, and Ben says something like, "How does it feel being helpless? This is how I feel, watching my brother piss his life away." Um, hello?? That's such a delicious line.
Because up until this point Ben's been kind of quiet, in that dead broody way, or we saw his young self being soft and reluctant. But suddenly we realize, oh, Ben isn't nice. In fact, he's kind of nasty to his addict brother, and you get this kernel of a glimpse into his character. This is a character who might have been soft-spoken in life, but death and the years since have shredded him down to all his razor edges. He's still that bookish little Ben, except he's not little and he's frustrated, angry, traumatized, and in pain.
And season 2 builds on this! He's willing to violate Klaus's personal boundaries just for a taste of life again. Holy shit that's so delicious. My problem is that, especially in season 2, this isn't explored nearly as much as it could be. Ben's possession shenanigans are mostly played for comedy, when in fact we could be delving into the implications of Ben's character and his relationship with Klaus. You have this character who's kind, who (from what we know so far) represented the "good" of the academy, who loves his brother so so hard and it hurts him so bad to see Klaus hit rock bottom every time. The little "I missed you guys" in season 2? Devastating. And yet despite his goodness he is capable of being a bad person, and he repeatedly hurts those around him (namely Klaus).
So surely this is part of his arc, right? This is going to be explored and resolved. Right?
The Season 2 Ending
So the thing is, I didn't immediately hate the way they had Ben move on / die to save Viktor. I was sad to see my favourite character go, but also excited to see where the writers would take that storyline. Because, obviously, it wasn't over. Right? Obviously Ben's arc isn't finished, he hasn't resolved his frustrations, his complicated relationship with Klaus is never fully untangled, plus the rest of the family never get a moment of real closure with him (except maybe Diego). So clearly, it wasn't over. Right?
Well, in light of season 4, I can confidently come back and say that killing Brelly Ben off here was a stupidass decision.
And here's why: you've effectively splintered his arc in half. Starting from season 3, Ben is an entirely different character, with an entirely different arc that needs to be built from the ground up. While everyone else gets 4 seasons of development, Ben only gets 2, both times. And I'm so not over the fact that his arc isn't over. We saw Ben do some reprehensible shit to Klaus, especially in season 2 with all that possession shit! And we just. Never hear from him again? That's bullshit.
But anyway, since we're here, let's make peace with being here. Hey, Justin H Min is still playing a version of Ben, and he seems interesting, if way different! Surely this will have some interesting implications.
Sparrow Ben
Oh god, Sparrow Ben. In terms of Ben's character writing, season 3 is... fine. Like I said, it suffers from effectively fracturing his arc in half and having to start over, and this isn't the complicated, kind but frustrated and prickly ghost Ben I originally fell in love with. But ok, I do like Justin, and EA rep is still a win to me, so let's go with the flow.
For the most part, season 3 does a solid job. We get some solid beats relating to Ben's ambition and inferiority complex being Number 2. There's a bit of overacting on Justin's part, but hey, that's camp. (I think. I have no idea if I'm using that word right. Am I hip with the kids?)
I really, really loved Ben's moment with Sloane as she's getting married, because it highlights the core of this Ben's character: someone who desperately yearns for family but has forced himself to be all hard shell and soldier. In a way, he's the other end of Brelly Ben's spectrum. (Like forsterite and fayalite - all Mg on one end, Fe on the other.) How much of this Ben is family softness, how much of it is defense mechanism and lashing out?
And then of course - the thing I've been craving so badly - the in-universe comparison to Brelly Ben. This was done... underwhelmingly, if I'm honest. I liked that Ben had a moment of crisis where he couldn't live up to the Umbrellas' dead version of himself, and his moment with Klaus was nice, but in light of season 4 it becomes clear that we could have had more. I wanted him to have an entire arc about it - after all, it's a pretty significant aspect of your character to be "the worse version of yourself from another timeline." (Refer to @vyther16's Gongye Jiwu fic.) I feel like there's a lot of meta you could pull from that, about how your siblings who aren't your siblings look at you and see someone different. Someone you won't be. Someone you can't be, even if you tried, so why bother trying? And they really don't dig through that at all, which is disappointing.
The tentacle samurai fight is badass, though.
Season 4
Oh buddy oh boy. There's so much dumpster fire here, but I'll start with the season 3 loose ends and then move on to season 4's own problems.
1) Sloane. Luther picks Ben up from prison, so I thought they might have an interesting bonding moment over Sloane - after all, they're the two people who cared most about her. But actually no, apparently Ben doesn't give a shit about the one real sister he actually had left at the end of s3.
2) The subway thing. Wasn't he in Korea? My grasping-at-straws ass truly thought that might have been Brelly Ben in the reset timeline, and we'd get a Ben-Ben confrontation or a battle in the minds thing. But I guess that doesn't matter.
3) The Jennifer Incident. So we all know that everyone forgetting about an incident they explicitly reference is stupid, right? Especially because the name Jennifer only exists because they reference it in s3. Ben obsessively draws Jennifer, and then he doesn't recognize or know her? Kill me.
The continuation of his arc is also just sloppy, if it even exists. No more identity crisis about being the worse Ben, no more secret yearning for family or inferiority complex about being a good soldier. Suddenly his arc amounts to, uh, being an asshole and getting hit with sex pollen so powerful it ends the world.
And look, there is a world where Sparrow Ben spiking everyone with marigold could parallel with Brelly Ben's consent problems with Klaus. There is a world where Sparrow Ben dying because of Jennifer could echo Brelly Ben's death in a haunting, tragic, destined kind of way.
But, uh, none of that happens. Here we are, finally getting a Ben-centric season, and it's this. Being relegated to a plot device in your own season. Looking back and realizing that you were always the plot device, even in season 2. Carrying all that tragedy in your little ghost body and being treated like Chekov's waterlogged gun.
And I can't help but look back at season 1, Klaus trying so desperately to prove Ben's existence, and contrast it with the literal next season where a single throwaway line from Klaus sidelines Ben for a whole season. And then he dies. And he dies again.
Fucking hell.
It feels like I'm being made a fool of. Oh, you cared about this East Asian character? You wanted him to have narrative weight and character presence instead of being a plot device for the benefit of his White brothers? Idiot.
Because you'll still be here anyway, right? You'll grasp onto your crumbs for a cool EA character, you'll let us run a character through a trash compactor and keep pretending he's a good character because you latched onto this one East Asian protagonist and you don't want to admit that maybe you should have let go years before.
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aereasrage · 2 months
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Notes on The Favorite pt. 2
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summary: as requested, i elaborate on the relationship between daemon, rhaenyra and alicent’s daughter!reader (but mostly rhaenyra and reader sorry😭) (links: part 1 /part 2/part 3 /part 4/ part 5/ notes 1)
cw: rhaenyra kinda preys on your mommy issues, manipulation, mentions of parent/child incest (but nothing actually occurs), platonic yandere, some…interesting undertones between these two sisters.
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Rhaenyra was occupied with her own matters and her own miseries, too much so to truly be invested in the rearing of her youngest sister. She'd never spoken to the girl alone but she knew her eldest was fond of her. That was why she offered a betrothal in the first place, when she was shot down, she felt for her son but reconciled herself easily to the fact that having a relationship with her sister was simply never to be. Alicent guarded you like a hound and if not her, then Aemond. It was abundantly clear that her being around you would only be another point of contention in an already volatile family. After the night at Driftmark, she accepted that there were to be no mended fences and she, who had already been suffering the fallout for years, retreated back into minding her own children. The distance was final and irreparable.
She viewed Jace's obsession with you as a youthful infatuation which would fade with time as he realized the position they were all in. She was mistaken. Jace, at a tourney for your birthday, nearly killed himself trying to crown you Queen of Love and Beauty. And the boy didn't even have shame about it, he seemed proud when she confronted him. He was languishing in bed, bandaged and delirious, he could only grin when she spoke of you. She could not get through to him for the first time.
Daemon, in turn, went to Baela about the matter thinking that surely his daughter would have something to say about her betrothed's behavior. A wish to break from this betrothal in the face of such insult. Mayhaps, even, a wish for him to be thrown from his horse sometime. But what he found was not his daughter scorned but a steadfast image of her mother, her eyes betraying a certain thrill. "He has not insulted me, father. He is taken with another, but I have been taken before, mayhaps just as much." He hadn't known how to respond to such a revelation. Oh, the curse of having a daughter who was just like her mother. He'd never know how to be a father to her. He should have advised her then but all he could do was be somewhat…pleasantly surprised by the depth of his daughter's similarity. She had gained so many wants and nuances right under his nose and he'd not known until then. She’d developed a fervor toward something that she wished for.
So, they left it be and watched with a precognition of doom when you married Aegon, your mother having to hold your hand as you said your vows. She waltzed you away from the feast and Daemon noticed that you were nodding on your feet from one cup of wine but thought little of it until the queen did not return to the event to continue entertaining congratulations. Jace was sullen and Rhaenyra was in his ear, trying to cheer him, not having noticed the state you were in. Later, the two would compare what they’d seen and heard. Daemon would crassly, half jokingly suggest something between you and Alicent. Rhaenyra would propose that her son might have already had you and your mother, though remaining silent, sought irrefutable proof of your duty to Aegon so as to be certain of the cleanliness of all their reputations. Though, that never accounted for why she didn’t wed her eldest daughter to her eldest son. It was distasteful for you to be wed to him, Rhaenyra thought and it made something in her feel uneasy.
And when the first dark haired child was born, there was no surprise in it happening (mayhaps there was actually even a bit of relief) but rather how casually it was handled. Daemon and Rhaenyra surely had eyes just as well as Alicent but there seemed to be no commotion about the fact that her grandchild was surely sired by Jace. Rhaenyra didn’t have any desire to stir trouble but Daemon surely did and he made jokes whenever the family was gathered in one place. “My grandnephew bears such a resemblance to my other grandnephew, it seems my brother’s blood runs strongly,” he’d said smugly to Alicent as he came upon the three of you in the garden. He couldn’t help himself, the jokes were not toothless but he wasn’t serious about brooking any trouble. He even found you worthy of some credit given how firmly you seemed to have planted everyone’s heads up your arse.
The couple found it eerie how your mother was always hovering over you, Daemon would have liked to know how you got out from under her long enough to fuck his stepson. Rhaenyra had heard she’d even been in your chambers during your first night with Aegon. And it seemed her madness translated to the rest of the family. The image of piety all day long, your siblings always calling after you, always wrapped up in you so much so that they seemed not to even realize how their nephews and niece so resembled a certain prince outside of them. Not even your lord husband seemed to care or notice that all your children took after Jace, it was peculiar. The oddest part about it was that it felt sincere for most of them, when Alicent had told her that the children looked the way they did because of whatever nonsense she spouted, Rhaenyra truly thought she seemed as though she believed it herself. That was what frustrated and baffled her more than anything. She loved the girl so much she’d even gone blind.
In a way, it was perhaps a good thing for her cause that all Aegon’s heirs were sired by her son, although it made clear an upsetting double standard. If you’d been so endeared by her son, to some degree, you’d have no choice but to have sympathy to their cause. They could make something of that. And perhaps both of them would find out why their children were so enamored with you.
When she was finally able to separate you from Jace, she had you in her chambers, staring at you like a hawk, circling around your form. She didn’t intend to give you hell or be a nightmare of a goodmother but it was life and death, she wanted to know who you would be loyal to. If she’d have to keep you as a prisoner or a sister. You didn’t shrink under her gaze yet. You were always somewhat intrigued by your big sister. Such attention was paid her, such fuss. Her arrival in each room was like an event unto itself. Whispers carried on the wind about her. Your mother talked about her all the time. Maybe it was part of the reason you had your children the way you did, to pull some of your family’s focus back to yourself. She was your mother more than she was Rhaenyra’s enemy, after all. You envied Rhaenyra, you admired her. You were kin to her and so unlike her at the same time.
“I have always wondered how your mother had the audacity to ignore how much your children resemble mine,” She murmured, her eyes wide, pupils dilated and dark as she stared at you. She remembered also how her own children had been treated and that brought a flare of anger she was quick to quell. “They say the red keep is in a frenzy because of your absence. Do you long to return?”
Yes…and no. It was complicated. “I long to stay wherever we are safest.”
She smiled to herself, mirthlessly. “You would be safest a year in the past. Answer me this…you wear our colors, you have had my son’s children, but would you put an oath to me? Over your lord husband? Do you have that much love of my son if not of me?”
She startled you by taking your hands in her own, you hadn’t been anticipating her to touch you. You had never been so close to her, now that you thought of it. It felt like a domineering gesture, as though asserting that she could do anything to you. “I expect that I won’t have to keep you here as a hostage,” she murmured, catching your gaze. “Am I right in assuming?”
“I do love your son…” you hesitated, trying to think of some sly thing to say. You were trying to ride the fence as long as you could and she had cut through to ask you directly your position. She was full of hateful memories of the red keep when she looked at you, barely contained and her patience worn very thin. She had in her hands a potential tool and she wanted to be certain of what using it would entail. You didn’t know her well enough to be certain she wouldn’t harm you if she didn’t have the heart to hurt your children, you needed to tread lightly. “As I love the rest of my family.”
“Does your husband know his children don’t carry a drop of his blood?”
“No, I don’t believe so,” you admitted easily, it had been nothing to lie to Aegon. He was happier for it and what did it matter when it was you he loved and wanted rather than babes who need care they cannot return to him? “I’m not faithful to my husband in that way, I admit. And if this war comes to have his head, then I can only pray for him. It is his war to fight and win or to fight and lose. But I ask that you spare my mother and sister their fates, then you will have all my loyalty rather.”
Rhaenyra deliberated for a moment, letting go of your hands abruptly and stepping away from you a few paces as her eyes surveyed you closely from top to bottom. “If I have my way, they’ll not need to be harmed,” she said, finally. “There will be more bloodshed if you seek to betray me than if you do nothing. I can promise it.”
You, the very jewel that the rest of her family sought to keep away from her, in her grasp finally and looking at her as though she were about to eat you. She hadn’t known she wanted this but somewhere deep inside, now that she had you alone, she felt a certain modicum of satisfaction. You were…delicate, frightened, perhaps more willing to obey than she’d thought previously. A conquering desire overtook her caution and anger. Pull you away from your mother and your other siblings…what could she turn you into? Her own? …yes, mayhaps the endeavor of it would please her.
She hovered ever closer and reached out, twisting a lock of hair around her fingers. She’d wanted to see how you’d react to a softer touch, a more intimate, motherly gesture. She’d wanted to know how to felt to do so as well. Your breath hitched at the semblance of touch which reminded you so much of your mother. You hadn’t meant to lean into it but it was reflex and a need for a mother who was not there with you. More disconcerting was the fact that your sister smiled softly at your reaction. “Give me your word and I’ll give you mine,” she commanded but in a softer tone she reserved for her own children.
She had you in her grasp. She was beginning to understand why your mother had held so fast to you. You nodded, struck dumb by intimidation and mild admiration, “I swear I would never betray you. On their lives.”
She smiled softly and you couldn’t keep yourself from feeling a strange sort of pride at her approval. She was to you what you were to your lady in waiting at the red keep, the one who adored your every movement simply because you were the princess and she couldn’t believe she was in your presence, at King’s Landing. This was your illustrious elder sister and to be near her…was it the fact that your father favored her so much that made you feel as though her presence were greater than it was? Was it all the whispers? Either way, you had a latent desire for her smile, for her to look at you and speak to you.
“No undue harm will come to Alicent or Helaena, I will not harm them so long as they stay only as figures of this war.” Her words were careful, sly, even but even that much assurance made you sigh in relief. “You’ll stay with me, with us, until the war has reached an end.”
She liked that idea more than she should. Liked the thought of her half-sister, apple of her stepmother’s eye trailing her skirts more than she should. She enjoyed the thought of having you.
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bookshelf-in-progress · 4 months
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Heartsong
Everyone dreams of finding the other half of their heartsong. You know your heartsong from birth, grow up surrounded by the music that is you, and after a certain age, you're always listening for the one person in all the world--your soulmate--whose song exactly matches yours.
My sister found her soulmate in kindergarten; all through school, they sat by each other as often as they could, their heartsongs all the brighter for being shared.
I know girls who tricked themselves half a dozen times into thinking that they'd found the one, only noticing the clashing notes of their songs after the relationship had crashed and burned.
There are entire streaming services for heartsongs--in college, my friends listened to almost nothing else, waiting desperately to hear the song that would align with theirs.
I was no different than other girls. I tried all the usual tactics. I developed a good ear--maybe too good, because I always noticed the subtle differences in the closest matches. I dated a few of those, hoping the theory would prove true that heartsongs could develop over time so we'd grow to match each other. Every one of those relationships ended the moment the guy heard the heartsong of his true soulmate.
I went to countless social events. I tried the sites online. I even did a bit of world traveling, in case my soulmate had been hiding all this time on the other side of the globe.
As year after year (after year after year after year) went by with no success, I was forced to accept the truth--I had no soulmate.
Maybe my soulmate had died. Maybe I was too strange to have a match. However it had happened, I was a superfluous person, doomed to be always alone.
The revelation crushed me at first. I was strange, unlovable, incomplete. I was half a person whose heartsong would never be whole.
My mom came over the night of my revelation and found me weeping on the floor of my kitchen. She hugged me, let me cry, and then cooked me a meal.
By the time my tears had dried enough to let me take a bite of the spaghetti, I noticed her heartsong was clearer than ever--and it meshed with mine. It wasn't a match--it was better than that. My heartsong served as a descant to hers, our two melodies blending into a new song.
After that, I stopped trying to listen for one specific song, and started listening to every song. My friends had heartsongs that blended with mine in different ways--when a group of us were together, we became a symphony. My brother's heartsong was a lower version of mine--our growing up together had given us a shared bond. When the grocery store cashier and I shared a laugh, for just a moment, our heartsongs fell into harmony.
There was not one song, one relationship, that defined and completed my life. Every relationship was important. Every relationship was beautiful.
It's possible, I suppose, that my soulmate is out there. Maybe one day I'll hear that song that perfectly matches mine, and enjoy a bond that different than any of the others in my life.
But if I don't find him, it doesn't matter.
Because I'm more than one half of an incomplete song.
I am a vital part of countless symphonies.
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meggannn · 5 months
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hades 2 conversation dialogue my sister and i found interesting
SPOILERS obviously. my sister has been failing her runs on purpose to get more dialogue out of people. this post discusses dialogue that was not in the developer stream.
on hermes (mel and hecate are speaking about hermes and artemis at the start):
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on melinoë, artemis, and the olympians:
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on why mel is the only one who can kill chronos:
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on hecate & mel's relationship:
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on a secret order that mel is apart of:
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on mel's job at the crossroads:
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tension and secrets in the crossroads!!!!
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when you give hypnos nectar:
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(i wasn't fast enough to get his reply. hypnos says something like "zzzz... welcome to the.... zzzz"), then mel says:
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other things i didnt screengrab:
hypnos: mel can remark to charon that hypnos is still asleep, charon says "arrghhh," and mel says "wait, he's of more use this way...?" possibly implying hypnos's sleep is not what it seems
nemesis: is uhhh kind of really mean!!!! she says something to mel along the lines of "you're upset you lost a family you don't remember? i KNEW my mom, all you did was be born"
moros: you can invite moros to the crossroads and he stands near the fated list far from everyone because nobody wants to talk to doom incarnate (odysseus in particular makes a point to say he'll stay away). iirc he introduces himself as "the bearer of bad news" which i find kind of clever but also a bit sad. if you give him nectar iirc he says nobody has given him a gift/offering before. aphrodite also notes that moros has made mel's acquaintance and calls him good-looking.
hephaestus: he criticizes your weapon's workmanship when you first meet him, then later takes it back and compliments it as very good, and says "just don't go spreading it around" to the olympians.
takeaways:
hermes is "missing" but he's on a mission for the war to find out what chronos is scheming
artemis (and hermes) didn't tell the olympians hecate has been raising a titan-killer (mel) and the olympians don't really believe she can do it but send her boons anyway, presumably figuring why not
only mel can enter the house of hades to challenge chronos, so that's why she needs to make this journey alone
hecate is rather sweet and mentorly with mel, but she gets exhausted and irritated when mel doubts herself. i didn't grab it but there's a bit where mel says if hecate had not held back, she knows she would've lost, and hecate snaps "you know?" asking mel why she puts limits on herself
mel, hecate, selene, and artemis are part of a secret order called the silver sisters that hermes also supports. olympus does not know about it. all these gods (save hermes) also have moon iconography in their designs
pretty sure moros will be romanceable. i think his and mel's interactions are very sweet, and aphrodite notes he's arrived and calls him good-looking, which reminded me of how she commented on thanatos to zag. no idea who might be a female romance option yet (i'm assuming there is one)
hephaestus boons are a lot of fun, per my sister
the big one: HECATE AND NEMESIS KNOW SOMETHING WE DON'T??? hecate maybe knew an attack was coming and didn't do anything?? nyx is also confirmed to basically be not around though we don't know where she is. and hecate is something called a handmaiden??? is she meant to serve nyx? it now seems like the children of nyx are meant to serve hecate, and eris isn't doing that, but nemesis is playing guard duty begrudgingly. so maybe nemesis thinks hecate let the house be captured/destroyed for her own ends, possibly also to get nyx out of the picture, so nyx's children would serve her(?). maye nyx is also a silver sister and hecate is now in command at the crossroads/on earth, second only to selene?
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Broke: Merlin and Arthur's fates were predetermined and there was nothing either could do to prevent it. Love is a powerless force compared to the hands of destiny.
Woke: Love directly prevents both Merlin and Arthur from fulfilling their destiny. Merlin's blind love for Arthur skews his moral compass and causes him to lose sight of his true destiny. He prioritises Arthur and their relationship over his own happiness and the wellbeing of all sorcerers. Arthur is blindly trusting and desperate to please the people he loves. This allows him to be easily manipulated by Uther, Morgana, Agravaine and often, Merlin, which prevents him from becoming the king he was destined to be. He hesitates when he sees Mordred at Camlaan because he doesn't want to believe that he has been betrayed, which directly leads to his death. Both Merlin and Arthur (and the audience) wants to believe that love will redeem them, but it becomes their doom.
Bespoke: Love is a benevolent force, the tragedy arises from shame preventing it from being expressed. We are told from the start that "a half cannot truly hate that which makes it whole" and that their destiny is entirely dependent on Merlin changing Arthur for the better, overcoming hate with love. But the power of love will only go as far as you let it. Merlin is repeatedly told by people that he trusts (Gaius, Kilgarrah, Hunith) that Arthur can never know about his magic*, so he hides the true depths of his loyalty in order to avoid making Arthur uncomfortable. Merlin is so afraid that Arthur would hate him if he knew the truth, that he self-sabotages any opportunity that would challenge Arthur's views, eventually becoming complicit in his own oppression. In actuality, Arthur is just as fiercely devoted to Merlin and would have legalised magic for him if he was ever given the chance to grow. However, the confines of class divides, toxic masculinity and the expectations placed upon him prevents him from ever communicating his feelings to Merlin. If either Merlin or Arthur had felt comfortable expressing their love for each other and had allowed their relationship to develop, they would indeed have fulfilled their destiny, but they are held back by external factors. "They tell me it was fate. No, darling, it was not the stars which crossed us. It was people."
*Although this post is more of a general commentary on themes, also... magic is a metaphor for sexuality, the true evil is homophobia
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yandere-wishes · 3 months
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You can judge, I’m picturing a Yandere Yord x reader, they are secretly in a relationship. The reader is a senator in training. The typical Anakin and Padme story. Qimir observes one of their secret meetings after he is interrogated and begins to think about Yord as an apprentice. Love is against their code. they feel Yord pull away and track him down to find out……they see Yord with the masked man. Before they can say anything more Master sol with a few others step out of their ship. Yord is enraged thinking the reader betrayed him and chokes them until the master intervene. Sol confirms they are alive then joins the fight.
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I've been so distracted with ep 6 that I totally forgot about my original plans for poly Yandere Qimir/reader/Yandere Yord.
But I LOVE this idea! Only judgment you're getting from me is that this is a 10/10!!
History is doomed to repeat itself and unfortunately, the Jedi and Sith are entwined on a cosmic level. Yord is dedicated to the Jedi code, so you can imagine the chaotic turmoil when he starts to develop feelings, deep feelings, for the reader. And who would Qimir be if he didn't try to exploit that to his own benefit?
I'm imagining Qimir's pitching being something along the lines of "what if you could have a stronger connection to the force AND keep your lover too? wouldn't that be great"
Qimir sneaks reader onboard his ship while everyone is distracted. She's the perfect tool to turn Yord to the dark side, finally granting Qimir his acolyte. Plus he'd be lying if he said he didn't find her cute. He'll get Yord and the three of you will relocate to the unknown planet. Where he can finally start Yord's training…and maybe yours too.
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writeywritey · 2 years
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ok ok ok I have to rant specifically about how PERFECTLY they adapted and changed Joel for the tv show
because in my opinion, his characterisation has changed the most and it’s absolutely geared towards character development we don’t see in the game
in the first game, after the prologue and beyond, Joel does not change. the text and subtext makes it explicitly clear through his involvement with hunters, to the breakdown of his relationship with Tommy, that he has always been violent and cruel when it comes to his own survival. his humanity died with Sarah; it does not return with Ellie. to save himself the pain/grief of losing Ellie, he (potentially; arguably maybe not) dooms humanity.
Ellie changes. Ellie grows up; the first game is her bildungsroman.
but in the game, we’re POV Joel. we don’t want him to change; we dig in the trenches with him and by the end of the game, we’re gonna save his kid no matter what it means- fuck the fireflies.
this is a fantastic choice for the game, but it would not work for a tv show.
we don’t want to watch an already-formed character lead in tv shows. we want to watch them change.
Joel in the tv show, Joel right now, is not completely hardened. he’s not a murder machine who would torture Robert over guns and watch Tess blow his brains out and say nothing about it. hell, Tess of the tv show doesn’t seem like she would do that, either. neither of them are framed as the untouchable trafficker badasses they are in the game.
Joel in the tv show wants to get to his brother. Joel has PTSD. Joel is, despite the alluded-to argument, still motivated by interpersonal connection, and love.
anyone who has played the game knows what happens next- knows the amount of people Joel loses over the course of crossing the country. and instead of being an already-hardened, stoic, untouchable badass who just takes the losses on the chin, over and over again, Joel is going to hurt. Joel is going to feel every single one.
and then he’s going to deliver Ellie to the fireflies. they’re going to succeed. and they’re going to try and take her away from him.
and that is going to be the moment he becomes Joel from the game.
‘the world has already taken one of my daughters away from me; this is the one thing I cannot let be. you cannot have her.’
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absolutebl · 7 months
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This Week in BL - it was a pretty darn good time, frankly
Organized, in each category, with ones I'm enjoying most at the top.
Feb 2024 Wk 4
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Ongoing Series - Thai
The Sign (Sat YT) ep 12fin - Everyone looked like they were having a lot of fun in the fight sequences. I’m very happy for them. I’m not surprised they shot Khem and Chart. A little shocked it wasn’t also Yai, TBH.
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I found this final episode rushed. According to rumors, The Sign was originally slated to be 14 eps, and it probably should’ve been. And I don’t say that often about Thai BL. But we all knew it was getting too bloated for its britches, so I'm not surprised they fumbled the ending. For me personally, it just wasn't that bad. It was fine and I was fine with it.
Tho, Billy does not look good with facial fur, messes up those gorgeous angles.
I was ultimately amused that the solution to the mythology thread was simply to talk to the river god and persuaded him to give up... off screen. It felt very old school wuxia. Or like Aeschylus or something. I did adore the stinger, Saint was basically like “I want wings too”. 
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FINAL THOUGHTS
This show is literally everything (except straight) all at once. It's BL, queer, band of brothers, romcom, erotica, PNR, fated mates, police procedural, fantasy, mystery, suspense, and slasher. It’s the king of genre mash-up chaos. Sure, it's madness but there is genius in it. Was it a crazy unhinged mess +1 roll for damage? Yes. Yes it was. Did it manage to hold all those tangled threads together? No it did not. Was it also a charming, sexy, engaging, non-stop piece of entertainment? Sure thing. I think this show is basically my KinnPorsche, and frankly I’ve been chasing that dragon naga since KP aired. Is it perfect? No. But it was balls to the wall FUN and that gets a 9/10 from me.
I'm thinking of doing a full recap review (partly because I have so many great screen shots.)
Cherry Magic (Sat YouTube grey) ep 10-11 of 12 - Since this series is following the yaoi so closely, I knew these were the separation eps. (Also I knew with would be a soft non-doom ep 11, Japan rarerly does these.) I like that they used it to show improve communication and development in all relationships, but, frankly, TayNew are just best when they are TayNew together on screen. So yeah. Let’s keep them back together, please?
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Meanwhile, TayNew gifted us a gorgeous loving sweet sex scene. Thanks OG for doing us a solid. 
I wanna add, it sure is fun to see New play as soft and vulnerable character, I feel like he hasn’t done that since SOTUS. 
(Read all about distribution issues here.)
Cooking Crush (Sun YT) ep 12fin - 1/3 of this is a sweet romance about a student doctor falling in love with a student chef, and the rest of it is utter dross. Look the OffGun bits were GREAT.. In fact, I think they’re better AS A PAIR in this show than in any of their other BLS. And I'm a hard sell on any OffGun being better than PickRome. Saying that, how can I review a show where I could only tolerate 1/3 of it? Because I didn’t like any other aspect of this show, no other pairs and no other plots. That gives me: 9/10 for the OffGun bits, 5/10 for everything else. Frankly it probably should be an 8 but I gotta go with my gut and it's upset about this so 7/10. Sorry boys. It’s GMMTV’s fault. Your heart was in this show, mine wasn’t. 
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City of Stars (Fri iQIYI) ep 4 of 12 - These two are so good at making heart eyes at each other. It’s ridiculous. They don’t need any cartoon images or noises. Moot crush but "I wanna flirt and court more" is so flipping awesome. I love this for them… and us. 
1000 Years Old ep 2 of 12 - It’s very silly and we have been gifted with the dorkiest vampire ever. But... the smell thing makes me so happy. And I like that the vamp uses chan/nai or tan = v old fashioned. Nahlak. I love our ghost girl. Did you notice she wasn’t in the room with them but they left an empty chair for her? Also nahlak.
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Ongoing Series - Not Thai
Perfect Propose (Japan Fri Gaga) ep 5 of 6 - Kai was pretty much just “you're a workaholic but I basically married you whether you like it or not.” SMOOCH. What can I say? I'm a sucker for this dynamic.
AntiReset (Taiwan Fri Viki/Gaga) ep 5 of 10 - How is this show so cute? How do they both love and hurt each other so much. They are both just scared of loosing each other. Gah.
Unknown (Taiwan Sat Youku YouTube) 1 of 12 eps - Youku dropped the first ep to their YouTube channel but I doubt we can expect that to continue. Still, it was nice to be able to watch it in a convenient way. I enjoyed it. But I am cautious about it. Of course this is possibly two of my favorite tropes of all time (stepbrothers or a variation + hyung romance). So I’m looking forward to the romantic thread, but from the gritty style, it feels a lot more like a Taiwanese short. Which means it could go very dark and may not end happy. 
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Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 7 of 10 - I just don’t know if the main couple should be a couple. But when they finally get around to talking to each other, they sure are lovely. Also how great is it to see a uke initiate a kiss? Even if it’s not a very good kiss. 
My Strawberry Film (Japan Thurs Gaga) ep 2 of 8 - I am still not sure about this one. I am not contesting its quality, just saying it’s not for me. Also I’m not wild about what amounts to basically a redo of everything that already happened in the first episode from a different perspective. I know it’s a tall order with Japan, but I would like (when it’s a short series) for each new installment to actually move the plot (such as it is) along in someway. Am I asking too much?
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It's done but I have no time
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.
The Servant and the Young Master - from Vietnam, it's on YouTube. I will give it a try when I have a window of time.
Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will give it a watch.
It's airing but...
Dead Friend Forever (Thai iQIYI) - rumors are it's interesting but full of unlikable characters. I'm waiting to know how it ends.
Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… probubly not. I won't be watching this. I disliked Season one and actively hated the follow ups. No thank you.
Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far. Ends next week TF.
Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.
A Secretly Love (Thai WeTV) - I tried but I can't get into my WeTV account anymore and I'm way too lazy to figure it out. Should I bother to go grey for it?
To Be Continued (Thai C3 Thailand YT) - High school sweethearts who had a bad break up reunite when both of them have full time jobs but coming out is still a problem. You can watch this on YT but it has no Eng Subs.
Next Week Looks Like This:
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We're light on content right now, but frankly I'm so busy with work I don't really mind.
3/6 Born to be Y (Thai ????) 10 eps - 14 contestants who audition to compete in Born To Be Y, a program that searches for the best couple of the year to work together on a giant project. Described as semi-reality series. So I probably won't bother.
3/7 Deep Night (Thai iQiyi) 10 eps - Multiple romances set in a host clubs. Nice to see First back on my screen but this is not my favorite setting.
Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
THIS WEEK’S BEST MOMENTS
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The eyes have it.
Your random BL moment brought to you by my ult-bias being a hyung smartass to his maknae.
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(Last week)
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akuma-coffee · 26 days
Text
"i love you"
satoru gojo x reader
cw: kissing, fwb arrangement but no smut, suggestive? , light angst to comfort 2k words
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gojo never stays the night.
granted, it's not like you've ever popped the question, but attempts have been made at keeping within the warm confines of your sheets. an arm wrapped around him, your head placed over his heart; yet he never seems to take the bait. the longest he's stayed with you is an hour, even going as far to snake an arm around your shoulders and pull you in close - but just as you were drifting off, he had to go. 
you did know what you were getting into, as even if it wasn't explicitly said, satoru isn't exactly known for his romanticism. if anything, he's known as an unstoppable force, an untouchable figure, with too much money and childish nature, often resulting in a little too much flamboyance. but it's all for show, because when he's tangled within your sheets, he's different. sweet.
sure, most of the time he's just fucking you for the fun of it, but sometimes he kisses you so tenderly and holds you so close that you're almost lulled into some kind of security with him, like you're his. unfortunately it always ends, and even if you hope and pray for some kind of development in your relationship, the next time he comes over it's all back to normal.
your phone's on silent, but you don't miss the notification on your screen. with pen in hand and papers to mark you almost ignore it, but face id means your screen's already unlocked, and you're able to see it's him - he's asking if you're free.  in truth, you aren't. you're supposed to be working late alongside shoko marking student reports, but for him you'll make yourself readily available by whatever means. 
"are you listening?" shoko sighs, and you don't glance up from your phone.  "sorry, i'm gonna have to have to go." you speak monotonously while preoccupied with thoughts of the man you're far too infatuated with, and it's a tone shoko knows all too well. her frown sets much deeper as your fingers glide over your keyboard to tell him you'll be a half hour. 
"please tell me you're not ditching me for satoru."
finally, your eyes set over hers. she wears her disapproval so thickly, and so shamelessly. if eyes could kill, ieiri's sure would. she lets out a lengthy breath before deciding you're more deserving of her pity than annoyance, slumping back against her chair. it groans as she moves.
"this thing you've got, it will end in tears."
"i know." you consider furthering the conversation and allowing more detail, letting her onto the fact that the snowy haired psycho is in fact different when in your presence, he's so much brighter, and kinder... but you decide against it almost as soon as the idea had popped into your mind. she'd probably just play therapist and deter you from your endeavour (of winning his heart), and you didn't want to hear her voice your deepest fears - that satoru doesn't feel the same way.
it's not a long journey home, and with the perks of teleportation satoru is able to get to you within a heartbeat. he's already pushing you toward the bed within minutes of being in your presence, his lips hungry against yours. his hands traverse the peak of your hips, dragging upward to the trough, conveniently slipping those fingers under your work shirt to grasp at the flesh beneath.
there's always a little bit of buffer time in your brain when he arrives, a minute or two needed to disconnect your racing brain and relax, to ignore that build up of nerves and focus on the present. you lay back on the mattress and he takes his place between your legs, your shirt already in a heap on the rug - but you're not able to shake those thoughts. you try to push it all down and lean into his touch, yet shoko's words still hang heavy. 
it must be that whatever ditch you would force these memories into had been crammed all too densely, because not only are you unable to shake this feeling of impending doom, you're also reminiscing on things you hadn't wanted to think about. late nights with satoru, laying beside him basking in the aftermath of your intimacy, and all the feelings that are tied to his presence. 
these memories weren't as neatly packed away as you'd thought. in fact, they're overflowing, and they're unforgiving. you realise now, you're in love with him. you know it as well as your own name. 
 his lips trail to your neck, blindfold still on. it tickles your skin. 
you think back to a moment a few months back, when this had all just begun. a simple gesture of ordering pizza when you'd known he hadn't eaten, a shared meal after you'd come down from your highs. he'd gone to leave, but of course you'd do anything to make him stay just that little bit longer. 
"for me?" you can still hear the way he'd asked when you brought through two boxes, and the way his expression softened. he watched you grow closer to the bed, his upper half nude and slouching on the headboard. you smiled, just as you always do with him, one of the boxes suddenly resting in his lap. the smugness you're used to had left him in that moment, and when you stuck the tv on, it felt natural. domestic. it was like the real him sat beside you that night, but after he'd eaten and the episode ended, he was gone.
satoru pulls back and you're shoved back into the real world, opening your eyes to the black fabric that envelops his face. it's impossible to read him when he's like this, though you're never able to ask him to remove it. your hands move up from the back of his neck and rest at the seam, and you stare at the cotton as if you're looking him in the eye. you wonder if you are, or if he's denying you that. 
"what's wrong?" he asks as if he's intrigued more than concerned, and you swallow, breaking your imaginary eye contact to look over his shoulders. they're bare, though you don't really remember helping him out of his shirt. "it's nothing." you try to pass it off as such, a weak curve of lips, but he doesn't drop it.  "just tell me." he's buttering you up with his gentle tone. you ignore him and tug on his head to bring him back to you, but satoru doesn't stop. 
"i'm just tired, that's all." there's silence following your statement, and he doesn't seem all that convinced, though after a few seconds tick by, he appears to have dropped whatever he was thinking.  "i'll go, then." there's something in his voice that you're unable to place a finger on, it's similar to disappointment, though not quite it. you swallow your pride. 
"i just," you drag your fingertips over the fabric. "was wondering if you'd take this off."   the playfulness returns, and you're a little tense, but he doesn't seem to notice.  "what, you don't like it?" he teases you, and you feign a smile in return.  "not here." you're hoping you sell your words well, otherwise he'll know you're feeling unnerved and likely leave. he stills and you tug at the fabric, brushing the longer strands of hair and scaling his undercut until the tightness finally gives and you're able to unwrap the blindfold. 
your heart picks up pace when his eyes are boring into you, very evidently judging your every move when you toss the unravelled cotton to one side. it's not often you're able to examine them so closely. they're both beautiful and intimidating, adorned with white lashes, swimming in the deepest hues of blue you've ever seen. 
"i love you." the words leave your lips before you've processed them, and your mouth suddenly casts a downward turn as you watch his eyebrows raise, and lips part. genuine surprise meddles with satoru's features. you grit your teeth and cower back into the mattress.  "that's a big word." his reply makes your heart sink from your chest to your stomach in a way it never has before. your eyes gloss over. 
"i'm sorry, i shouldn't have said that." for a moments pass you think he's going to continue, he's quiet, and staring at your lips. but he doesn't, instead furthering the distance between you by pushing himself back onto his forearms and letting the air nip at your prickled skin. you've blown it, there's no way satoru is going to keep this going now. 
"it's alright." he appears distant in his expression and reply, yet doesn't get off of you. you're left to question what he's thinking.  "satoru?" his name rolls from your tongue so naturally. he let you call him that after your first hook-up, gojo was too impersonal. he'd been calling you by your first name long before that, though. 
"sorry." he looks hollow. "i haven't heard that in years." 
you furrow your brow and begin to ask what he'd meant by that, but the words fizzle out. shoko made vehemently clear you were never to mention geto's name in satoru's presence. his first, and only love. it's one of the few times you've also seen shoko so genuinely upset. 
"i'm so sorry." you voice again, though this time there's a dip in your voice. satoru looks as though he has re-entered the room when your words falter, and he's staring right at you with no mercy. he leans back toward you, connecting his lips to yours in a heartbeat with a loving and gentle movement. he's pressed against you so snugly you almost forget to breathe, his hand encasing your cheek so firmly it's as if he expects you to fall from his grasp and shatter. 
there's a warm droplet on your face and you tighten your eyes under the assumption it's one of your own tears - only you realise the placement isn't quite right. peering through half open lids you're able to see water pooling at satoru's lash line, just enough to blink away into a single tear. you place your palms over his shoulders to push him back, but he has already taken his lips from you, and instead placing his head at the nape of your neck. you slide your hands down and around, circling around his torso and squeezing. he sniffles, and although you know he won't cry in front of you, this is certainly close to it. 
"i didn't notice, i'm sorry." his words are spoken into that nook, and muffled by your skin. you close your eyes, exhaling.  "it's alright." from all of the ways you'd thought this might have gone, this wasn't it. you're doused in disappointment, it's like you've taken a dunk into a bath full of ice; it chills you to the bone. 
"i really..." he speaks slowly, tiptoeing around how he's about to phrase his confession. "jujutsu has a hold over us, you could never really have me."  "you're not just a sorcerer, satoru. you deserve to be loved." you feel heat in your nose as your own tears bubble, but you don't allow them to surface. instead, you're left with clouded vision and a runny nose as you stare up at your ceiling. you circle a thumb over satoru's back. "but, if you don't feel the same, it's okay." that's a lie, it would definitely not be okay, you'd want to set yourself on fire. "no, i do." your heart feels as if it's about to jump out of your chest. "but there's no curse more twisted than love." 
you loosen your grip and take his face back between your hands, pulling him back to have his face before your own.  "it's gonna be okay." you offer a small smile to accompany your words of comfort, and satoru wants to trust you. 
you glance down to your half dressed body, then back to him. "will you stay the night? we can order in, watch some tv." it's funny how you feel more exposed than ever while, in comparison to your past encounters, being decently covered. "we can start small." 
"yeah, okay." he pauses, before pushing off of the mattress. "i want pizza." there's no hiding the grin that seizes your face as you grab your phone, pulling up your favourite restaurant. 
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gingermintpepper · 18 days
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I continue to be in the foulest of moods so here are some Zeus + Apollo headcanons because they make me happy :)
(Important note: this is largely specific to my original work and is not me making inferences from mythical or historical texts)
Zeus and Apollo spar. Like a lot. Like a lot. A big reason why Apollo gets so good at boxing is because he usually sparred with his father as a young god and getting hit with one of Zeus' punches is!! Not advisable. He focused on becoming fleet-footed to combat Zeus' more solid fighting style which was definitely helped by his dancing. Conversely, Hermes would later develop wrestling partially as a response to Apollo's annoying fleet-footedness in combat.
Zeus decides to tie his mind to Apollo's when the strain of Apollo's visions become too intense for him to handle alone. When Apollo first returns from his exile after slaying Python, his visions are so severe that he suffered from 'time-blindness' where he could only percieve the future and was completely unable to see the present. Zeus shoulders some of that strain until Apollo becomes strong enough to handle prophecy on his own - though Zeus is careful not to give Apollo absolute prophecy lest he get overwhelmed again.
Despite their closeness, or maybe because of it, Zeus and Apollo argue quite a lot. Usually it's banal things like administrative work or squabbling over which of them should get the larger portion of a hecatomb, but they do argue about how prophecies should be carried out quite frequently too. There's a general agreement for Zeus not to bring up Apollo's children after how messy Aristaeus' anointing was (and how angry Apollo was at Zeus' disagreement with his decision to make his firstborn son a god) but the odd occasion where it cannot be avoided is usually when they have their most grave spats.
One of Zeus' greatest regrets is his relationship with Ares, partially because Ares grows up seeing him dote and teach Apollo with his full attention. There is... a lot of himself that he sees in Ares. A lot of Kronos too and the part of Zeus that is a warrior before he is a king has done his best to keep the boy at arms length entirely because of that familiarity with the face staring back at him. It's another of the things he and Apollo have argued ceaselessly about. Naturally, Apollo has attempted to bridge that gap many times and while Ares is still quite close with Artemis, when it comes to Apollo, he is particularly sensitive.
Zeus is the one that ultimately decided that Apollo should never marry. Due to Apollo's love-curse and his already concerning tendency to be overly attached and committed to his mortal affairs and offspring, Zeus decided that marriage would be doom to Apollo's spirit and proclaimed him unfit for the ceremony and its status. Instead of the expected argument, everyone was quite surprised when Apollo merely bowed his head and accepted such an outrageous decision.
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