#long ass post but i have a lot to say

[jmr-observingfromafar]

ngl Matangi in Moana 2 was kinda gay. like just a little gay. i mean my girl is a "crazy cat bat lady", calls Moana "babe" twice in her song (the way i audibly gasped in the theater when i heard it lol), and is like sooooo queer coded i love it sm. she just gives off the vibes of sapphic-coded older woman who's played as suave and confident and makes the mc just go "haguphuk" and we all know if this was old disney they would've leaned so hard into that. but i could not have been the only one to keep catching Matangi poking her buttons, the hand on her chin in one scene, just being a total fucking vibe like please i know what you are. that whole scene felt real gay and don't think im leaving Moana out of this one. she is gay, i don't make the rules. i'm stickin with this hc no one can stop me from making Matangi the cool lesbian aunt and NO ONE will stop me from turning Moana gay (Auli'i Cravalho knows what she's doing)

ok im gonna be so real for a second i was simping HARD over Moana's character design in this movie.... like even more than baby me was dying during the first one... like this girl is just- oh my gosh. baby-gay me from 8 years ago would have actually DIED if she'd seen this Moana. it's almost embarrassing how down bad i was during that movie like she's so fucking pretty i wasn't ready for her design. like girls are just too much sometimes, i cant cope .

also side tangent but the lazy ass rewrite of Moana 2 from its planned version as a Disney+ series into a freaking MOVIE was just- so painfully obvious. like they didn't even try reworking it. the structure of the whole movie is painfully episodic and it was just so blatantly shoved into movie format without any care for the integrity of basic movie versus tv structure, so the char dev and pacing was just so rough. like what were the writers even thinkingggg. pretty disappointing but that's ok i have the fandom to make me feel better (moana fan art save me....)

[reel-fear]

Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:

The queer people he has actively admitted he will never show any representation of in the games.

2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]

3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.

4. The fans who critique him. [He blocked me for doing so lol]

5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]

Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]

At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]

6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.

7. The Bendy fans who can see he is actively lying to them. To their fucking faces.

He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]

8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!

So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.

Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?

So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.

I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.

The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.

anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.

As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.

Also the books, the books slap.

[starheirxero]

OH YEA BTW BTW. I got caught up in another fixation so I didn't comment about this the day-of or when I watched it but. The Lunar's apology video!!

And frankly? I don't see anything wrong with this episode actually! This looks really promising and there's even acknowledgments of topics I wasn't sure they'd ever bring up on the show. I still hold a lot of feelings on past episode leading to this point, but I think am overall wildly relieved that this was where we ended up. Lunar could have easily forfeited everything out of shame and stayed in that dingy apartment, not ready to take their mental bandages off yet and start the process of disinfecting the wounds.

But they swallowed their pride and not only initiated the conversation but also admitted they were wrong!! They were just dripping with vulnerability in this episode and ghod don't I know that takes a lot. I must confess I am also terribly excited for their conversation with Eclipse because I feel like, this time around, it will actually be more of a conversation instead of... Lunar talking at Eclipse about how they're not scared of him anymore while Eclipse tries to rile them up.

Because Eclipse is at a place where he has actually changed for the better and because Lunar is at a place where masking doesn't do them good anymore, I feel like they will actually have to both contribute time the conversation instead of it just being like it was last time. I am,,, very hopeful for whatever happens in it, to be quite honest HSJABD

I'll also add that honestly, most of my worries stem from just,,, wondering how this is going to be moving forward. Like, in a more meta sense. Earth had acknowledged that trauma takes a long time to heal, but I worry that process may be sped up for the sake of videos. Not to mention, Earth honestly has every right to be upset at Lunar, like, forever tbh. They did something that is going to affect her for the rest of her life. I'm worried this is gunna be, like,,, a wedge between them for good.

I actually have a lot of thoughts abt how things were and are and will be around this but uhm I have talked so much longer than I intended to so that's all for now. Overall, happy with this direction!!

[unfortunatelyilikebnha]

Bnha makes me so mad because it could’ve been good. It had a lot of good aspects. But in the end none of them were satisfyingly resolved so it just feels bad.

[saltyfinalboss]

Have you seen the new Dead Cells Immortalis episode yet? It's kinda interesting and they close the gap between the show and the game's lore a bit more

yes i have! ive seen all 10 eps on ADN a while ago, and i have some thoughts on it (spoilers for ep 9 and vague spoilers for ep 10 below if you care!)

i think episode 9-10 are hands down the best episodes and honestly pretty exciting, but it kind of makes me angry, cuz it makes me imagine how much better this show would've been if they included more stuff from the game throughout the whole thing instead of just the last 2 episodes. not even deep dead cells lore, just like having settings and characters that actually exist in the game would go a long way to make this show feel like it's actually related to dead cells

i thought the twist was interesting too, i genuinely didn't expect them to do that... which is weird to think about because the queen is so important (imo) in the game's story?? the real plot twist to me was not that she exists but that they decided to include her in the show, because the rest of the show does NOT acknowledge dead cells lore like at all LOL. i also feel like this about basically the entirety of episode 10, but i'm not gonna tell you what happens in it haha.

anyway one thing about episode 9 specifically that i HAVE to mention:

after going back and forth making hand/finger puns for HALF A MINUTE they have a fight scene with middelus (bootleg hotk) for LITERALLY LIKE 7 SECONDS and after ONE STAB FROM A KITCHEN KNIFE he DIES

look i know it's for comedy (presumably???) but you cannot make me believe this kitchen knife stabbed him so badly he died. it looks like it barely pierced his fucking skin

[ferronickel]

Hail, flatter! This one, who is a layperson of the arts and comixcraft, has a query for you:

So like, what is flatting?

I've seen your flats in Wifwulf, and I've read about the flats in Looking Glasses, and generally get that it results in an image with similarly coloured areas sharing the same false-colour.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this? Why do false colours get used instead of the real ones? How do you pick the colours and how many get used?

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

Thank you! I come in the spirit of humility wishing to relieve my ignorance of your noble craft!

OHOHOHO!!! You've activated my trap card and now I get to ramble about comics craft! And in my area of professional expertise, too! Be prepared for a long post

I'm going to start with the last part of your question:

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

So the thing about comics is that it is one of the most intensely time consuming mediums to create. One person can make comics on their own fairly easily, but it takes forever to produce. Consider that I've been working on Looking Glasses for 18-19 months and have drawn about 87 pages. Now, the western comics industry expects issues to be produced monthly, generally 24 pages in length. It's very difficult for a single person to work at this rate, so the labor of producing comics has been divided. Generally these jobs become:

Writer (writes the script)

Editor (edits the script)

Artist (draws the lineart)

Colorist (colors and renders the art)

Letterer (adds balloons, dialog, and sfx)

Flatter (sometimes 'color assistant' they take the art and prepare it for coloring)

This isn't comprehensive though, there are a bunch of other jobs, like designers and layout artists. Occasionally the artist job gets broken into Pencilers (who sketch the art) and Inkers (who ink the sketch). Basically, by splitting the work amongst a number of people you can produce comics much faster. Not all of these jobs are required, and creator-owed books might have artists do their own coloring and lettering, while big work-for-hire books might have twice as many people working so they can pump out a spider-man book every other week.

Okay, so why Flatters?

Flatting at it's most basic level is just coloring inside the lines. You take a black and white page of art, and you have to fill in every part of the page that will eventually be colored. It's a pretty time consuming task depending on how involved your lineart is.

Flatting a page of Looking Glasses doesn't take me all that long, usually less than a half hour, which is pretty quick. Looking Glasses pages tend to be... optimized for flatting though. There are only ever a few characters and there aren't a ton of background details.

You mentioned Wifwulf (created by my longtime friend and collaborator Dailen Ogden), here's one of it's pages:

Basically everything that's a different base color, (every tree, plant, bit of moss, character, etc.) needed to be picked out separately. Each page of Wifwulf took me a few hours to flat. If Dailen had been doing that themself, those hours would have really added up, but instead they could spend that time drawing and coloring. Now, that said, these pages have a lot of texture, so it's hard to see exactly what I did.

Here's an example from a comic I worked on early in my career. (Lineart by Patrick Custodio)

The writer for this comic loved to put in these incredibly complex crowd scenes, which is something the artist excelled at drawing. I was coloring and flatting at this point on the book, and before I could even start coloring properly, I would need to flat for like eight hours. (I have a much more efficient method these days) It was frustrating because I just wanted to work on the actually creative part, but the majority of my time was spent on something monotonous. As soon as I got the writer to hire a flatter for me, coloring a page would take me only one or two hours, not nine or ten.

So that's why flatters exist, mainly to ease the workload on colorists.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this?

Flatting serves a couple of purposes. It's main function, like I said above, is just coloring in the lines. After finishing your lineart it has to get colored in, so in a layer below the lines, you add colors.

The secondary function is preservation. I like to work in a way that is non-destructive, basically, at any point in the process I can restore an earlier version of the drawing if I make a mistake or don't like something. Flats are integral to this.

In digital art, there's this thing called anti-aliasing, where the edges of a line or shape have a drop off of pixel color or opacity. It makes the edges look smoother or blurrier. The three dots on the left are Anti-Aliased, while the one on the right is Aliased, there's no drop off, just hard pixels.

Anti-aliasing is fine until you need to change the color using the paint bucket, or select using the magic wand...

See how the anti-aliased art doesn't play well with these tools, but the aliased art does? So with something like Wifwulf, the final art is going to be full of texture that makes it impossible to select anything again once it's painted. By having a dedicated aliased flats layer under the rest of the artwork, you can always re-select any part of the image you want.

I always leave my flats layer alone, and do any detail work in layers above. For example when I was painting this, it really helped to be able to select just the titan so I could work on those paints without worrying about brushstrokes overlapping the rest of the characters.

One of the other things you can do with flats is quickly selecting certain elements. On most pages, I flat my panels, figures, and background elements separately. Later, with a single button press, I can select just the characters in the scene, or entire panels at a time, which makes things like shading a whole lot easier.

Why do false colours get used instead of the real ones?

If you're flatting for other people you often don't know what the final colors are going to be, so you just pick random ones. Garish colors can be helpful because it makes it obvious that they're not the final colors. Why don't I use the correct colors on my own pages when I'm flatting? Habit, mostly. It's also faster to grab random colors than to track down the correct ones. Sometimes two different things will have the same final color but I like to flat them with different colors so I can select them individually if I need to.

You can see the process a bit here. In my flats, Lancer's spade (eye? eyes? thing) is a different color from his tongue, even if they end up being the same white in the final image. This would help if I ever needed to select just his eyes for some reason. You can also see how I select his body fur color and then add details on top, like his colored fingers and the grey on his arm. Those elements have blurry anti-aliased edges, and it would be impossible to re-select them without flats.

How do you pick the colours and how many get used?

I use the default "additional color set" palette in clip studio and just work my way through it. I pick row and work my way down (for a change of pace I vary which row I start with). How many is mostly dependent on the artwork. You just keep going until you run out of individual objects to color. I have worked on pages where I've run out of colors on this palette and had to start making up more. Typically a page of Looking Glasses only needs around 20-30, though.

So! That's flatting! It's a little known job, and it's how I got started with my comics career, so I have a lot of thoughts on it. I was trying to be concise (lol), so I hope this all makes sense, but I'd be happy to clarify or answer any other questions about this process. I know I didn't really go into how I flat my work, so I can make that post if anyone is interested.

[crunchycrystals]

ok so like a lot of the stuff i've seen about the ending of painted devils seems to say "sad that vanja can't remember the lesson she learned throughout the book" but i'd argue she does. she knows that she's worthy of love, that the people around her care about her. it's just a bit harder to accept because of her trauma but she knows it. she leaves not because she thinks she's unworthy of love, but because she knows she has it but the system doesn't make it easy for people like her to love and be loved.

the system perpetuating poverty is the reason why she became a thief and now it refuses to let her forget that this is who she is. see kirkling (literally used as an example of what im talking about when vanja runs away), always unfairly harsh to vanja but immune to the consequences of her bias because she's retired. and now she loves someone who wants to be a prefect, someone who is going into that very system to try and improve it, but it's still the same thing. the loopholes are still there and one day someone worse will exploit it to ruin emeric's life, prevent him from saving others from her fate, and she cares about him and those girls like her too much to let that happen

the book says that it's one thing to know something but another thing to believe it. in the same vein, it's one thing to know what you want, it's one thing to know you are loved, believe you are loved, but it's a completely different thing to be allowed to pursue that want or love. vanja and emeric don't have that freedom. gisele didn't have that freedom until vanja broke the leadership system in minkja, but no one's breaking the system for vanja. not yet at least.

[khalixvitae]

@katabaesis No but you’re right. Like granted Idia does have a pretty broad stroke hatred/dislike for the world at large but that’s more of a personal issue than something he takes out on others. While I would argue that he can be petty and bitchy and vindictive, he’s not innately cruel. when he does do cruel things (because he has an impressive capacity to do so, let’s be real) it’s not a demographically targeted thing nor is it driven by a particular ideology. He may be a very calculated and deliberate person who people should take more seriously, but hes the one who undermines himself socially and does so with the intent of being alone.

Also I don’t think he’d gain anything from the incel “community” anyway, mostly because his personal philosophy is fundamentally different. Incels blame their perceived loneliness on others (primarily women), but Idia’s adversary is something way more personal. Idia’s isolationism is insular- he doesn’t blame any particular demographic for his condition, but instead blames something in his literal blood. I mean he also pins his fate on his ancestors, but again that’s way more internal than the outward projecting incel think pieces rely on. Idia doesn’t think anyone besides Ortho is capable of understanding him anyway (both the original and the android, but for different reasons). Idia is the one who believes he can’t/shouldn’t make personal connections and that he is ultimately the root of the issue. He’s sparing himself the trouble and inevitable pain of cutting social ties when he returns to STYX, and he’s sparing the people around him. He doesn’t want to drag anyone else into the mess he was born to inherit. In short, Idia’s personal philosophy is diametrically opposed to incel behavior. He’s the one that has decided he must be alone, and he doesn’t pin that on his peers. He’s lost enough already, so in his mind there’s no point in subjecting himself to the awkwardness of socializing with anyone face to face. Not to mention the ABYSMAL socialization he received growing up at STYX, like holy shit. Being offputting to people by nature doesn’t help his situation and definitely contributes to his built in self loathing. Also it’s insinuated at multiple points that his physical appearances are picked at in the twst universe, so like. He’s got several complexes going on there that he ultimately blames himself for.

Anyway yes I hate the incel Idia trope because it totally washes out the layers of nuance built into his character. It obliterates his self awareness and his open distaste at his ancestors, as well as his fear of being let down. Idia is his own worst enemy, and frankly his isolationist tendencies are what reflect his worst traits back at the audience ten fold. His lack of socialization during his upbringing only makes it worse- I mean he was literally born and bred for a life of secrecy and scheming in the shadows. There are plenty of things wrong with him as a person, but misogyny isn’t one of them???

And on a personal note, I think he’s too intelligent to pin the blame on anyone else. I think the incel trope dumbs him down to an almost unrecognizable point. Idia is way smarter than that.

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[crossbackpoke-check]

Substance, Shadow, and Spirit [remixed, abridged] by Tao Yuanming

[skunkes]

You probably get this asked a lot but do you have any particular things you keep in mind when writing in your journal? I started recently and it's been great but I find that Only recapping my day gets to be a bit tedious (esp when I don't go outside much lol) so I was curious what you do to keep motivated with it ! Ur sticker layouts are always so cutes btw I'm very inspired by them ^_^💖

Yeah! I mainly journal for Memory Keeping as i have a weird obsession with wanting to keep track of anything/everything, so i just think of what future cheye would want to know, instead of just recapping day.

Makes me really sad bc in college all i had energy to write was like "ate x went to class went to mailroom went to class 2 had x for dinner 1 am now goodnight" and its like. What about. The whole rest of it!! What did u do who did you talk to when was it that you saw a raccoon irl for the first time!!! Were you stressing over assignments?? Which and why!!! I have 0 tangible, meaningful, memories of what happened now. Just sterile clinical ones. :(

I do track things consistently like my rating for the day, the time i woke up and the time i go to bed, what i ate, if i cried, along wit other personal stats (i like the numbers!). Sometimes I also dont Do anything in a day so i just focus on other things, like taking the opportunity to write about feelings a little bit, so future cheye Knows the state of mind i was in on a given day, or maybe talk about how I bought something and am excited to wear/use it

Not much happened today so I wrote about and included how my dad described the plot of to, and showed me, some scenes of The Untouchables 1987 today because a song always reminds him of that movie...

yesterday I wrote about how my sister and I are planning on trying some pillsbury cocoa rolls on thursday, since we couldn't today, and that I am Excited.

I don't know, its small things that I feel I'd appreciate in the future even if they seem silly or pointless right now...(and also good for keeping track of personal growth, as Im hoping I at one point get to pinpoint where my complaints about Not Wanting to Drive fade away from the entries. Ykwim?)

ITS KIND OF LIKE THAT ONE POST ON HERE...like "if you see this tag one delight from your day no matter how small". You ""force"" yourself to come up with something to pad the entry with, and I think it's small things like that that will be really telling of your time here, in the future ^_^ time capsule of the old you

like. Did you see something insanely funny? Did your best friend say something weird... Did the internet platforms you browse all rally over a war criminal dying... Is it still rainy and chilly like it was yesterday? Are you excited for your birthday even if its many months away... What series did you start rewatching? Did u get scared by a shadow while walking your dog...idk! Anything, everything

[mbat]

i really wanted to try and write like, a thing explaining how i think steven universe future is one of the best portrayals (and my personal favorite) of mental illness in media, and how i think people misinterpreted it (me included at first, cause my experience over time has given me new perspectives) but i. AAA i literally dont even know if its necessary cause i dont know if people still think it was bad or a bad way to write steven (it wasnt!!) or like any of that, mostly cause. holy shit its just so obvious to me?

like i watch that show and i relate to him so much that i just understand it all and its so obvious to me and i dont know if other people find it. not obvious. like everything is right there in the text laid out i think

the main thing that i saw get misinterpreted when it aired was the second to last episode where steven turns into a fucking kaiju and everyone, again me included, thought that it felt rushed, but everytime i rewatch it i think... no it wasnt, actually. because we see it expecting a big fight or thinking it needs a whole lot to fix, but it doesnt. its not a fight, its someone having a mental breakdown and thinking theyre purely unlovable and evil, but being made to see that they are still lovable and arent evil even after all the bad theyve done, theyre loved unconditionally, and that other stuff mostly really doesnt matter (and hey, it can be fixed/dealt with later, its fine!)

its just my favorite show ever, specifically future! and i really wish other people would see what i see, but do i even need to try..? i didnt really write it very well anyway, but drafts exist for a reason. idk ive just been thinking about it a lot

TL;DR: i adore steven universe future and im wondering if anyone thinks its even necessary for it to be analyzed for people to maybe better understand it/do you think that there are enough people misunderstanding it that it needs a perspective to maybe help be more understood

[lil-vibes]

Now that the translations are out I gotta say that IF this is trully how it ends for him, I'm disappointed. Like I was never under the illusion that Gojo would've survived till the end of the manga but this just feels so... off? So underwhelming, almost? Like, it feels incomplete and granted, Gege has killed characters that, arguably, weren't finished with their arcs (Nobara, Nanami) before but even if we take that into consideration this one still feels so wrong to me.

Obviously I wanted Gojo to win and obviously everyone knew that he wasn't going to (historically, he has always lost something so important whenever he 'wins' a battle that it renders his victory almost meaningless) but killing him off screen, even with all of the explanations, when he was straight up folding Sukuna's shit for like 10 chapters straight just feels cheap and Sukuna's victory actually feels undeserved to me bc of it.

He was on the defence most of the fight. He pulled out every single thing he could from Megumi's CT and STILL got his ass handed to him multiple times. Im gonna be real, despite me making fun of his ✨fraud-core✨ chapters, I like Sukuna. I like him a lot as a character and as an antagonist and so I want to see his victory actually mean something, or be hard won since this was a fight between THE pillars of the jujutsu world. Perhaps if he killed Gojo with his own CT it would have felt more right ? Maybe..

Besides all of that, what happens now? What could possibly be done against Sukuna now that The Strongest is out of the picture? Kashimo, and let it be known that i love him dearly, will be folded in probably 2 chapters max. Yuta (<3), Yuuji, Maki, Hakari and his domain will not be enough.

Like sometimes I feel like people just either forget or don't grasp the sheer depth of the power gap between Gojo and EVERYONE else. It's just so insanely large that after defeating him, Sukuna is trully unstoppable. And if Gege pulls some shit and has him defeated regardless, then that will just be bad writing and Gege, for all I curse him on the daily, isn't a bad writer.

Truth be told, whenever a chapter ended before, I wasn't all that scared that Gojo was done for solely because the manga would have ended. Like, in universe, if Gojo goes down then it's a wrap for everyone else pretty much immediately (like mans got sealed and not even 10minutes later everything went to hell in that godforsaken train station) so now that this has happened I trully wonder where this will go from here?

[svtskneecaps]

literally it's 3am where i live and i'm on mobile but FUCK IT i haven't posted any actual writing in like a YEAR on this blog whose description include the words "I WRITE" and i can't tell if i'm even going anywhere with this so fuck it under the cut is the prospective absolute mess of the first chapter of the flipo family time loop fic. (for clarity, flipo family as in slime, mariana, and juanaflippa) this covers loop 0, aka the relevant parts of canon. words: 1630

parts of it i popped off with and other parts i hate; up to you to identify them. also the italics and other formatting got erased when i copy pasted and i'm re-adding all of it by hand so if i missed a spot, no i didn't. if i missed an accent on a letter in spanish that was a typo, if i missed a ¡ or ¿ that may have been on purpose.

oh and for obvious reasons, content warning for mentions and mild descriptions of child death and child murder. no blood, and most of it is a three word mention; i'd say the brief paragraph beginning "Tilín didn't scream" is most of the reason this warning exists.

Charlie Slimecicle stepped off the train.

He’d been hoping for a bright, sunny day to start their vacation, but was sorely disappointed. The portal had apparently taken them pretty far, since they’d gone from noon to night time. Talk about jetlag. They hadn’t even been on a plane.

“What happened to the other guys?” he wondered aloud as he stepped onto the platform.

“Yeah no clue,” Phil said, scanning the empty station. “Thought they’d meet us here.”

“Guys!” one of the Spanish speakers--Vegetta, he’d said, when they’d all met up at the first station--called, from a lectern at the wall. “There is a book!”

They crowded around as he read the instructions aloud--something about pressure plates, Slime wasn’t paying that close of attention. He was a little more preoccupied with making sure it only felt like his brain was dripping out of his ears. That would be kind of embarrassing.

Which was not to say that he wasn’t enjoying the constant onslaught of people talking over each other using words he may or may not understand. In fact, it was the opposite; he was frankly thriving in the absolute chaos that kicked back up around him as a timer appeared in the wrist communicators they’d been provided along with their tickets.

“Como se dice ‘we are going to die now’?” He giggled, chasing Phil and Fit to one end of the station.

“¡Vamos a morir!” shouted Spiderman, echoed seconds later by the black bear in the collared shirt.

Giddy over the high of attempting to use his high school foreign language for the first time maybe ever, Slime absolutely didn’t contribute much to solving the puzzle, and before long the sound of the timer ticking down was accompanied by a loud buzzing alarm.

“It’s been an honor!” he shrieked at the top of his lungs. “It’s been an honor!”

The bear ran past them again, shouting, “I’m going to die!” in English this time.

“Adiós amigos!” Slime yelled.

The countdown ended.

And then his communicator buzzed, and there was a video playing on the screen, showing a cartoonish yellow duck in front of a blurry beach stock photo. He skimmed it absently--some generic welcoming message and another side quest for them--distracted by Maximus audibly losing his shit laughing across the station.

“Come on, I’m trying to take a vacation, I gotta work now?” Fit complained. “This is ridiculous.”

Slime wanted to jump on that bit, but the message cut off with coordinates marred by static and the noise of the emergency weather alert system and he lost his train of thought completely.

“I got the English book!” Spreen called, holding it with two fingers like it had personally offended him.

“English leader,” Vegetta said, seeming to find that amusing.

“English leader.” Spreen laughed and flicked the book away. Slime stepped back but somehow it still nailed him in the chest.

“Guess I’m reading then,” he said cheerfully.

“In Spanish?” Maximus said.

“Um.”

Vegetta called something, backing across the plaza with the book open in his hands. Phil backed up to the wall.

“Here,” Phil instructed, “we’ll read it here.”

“Okay okay.” He flicked it open. “So we have to get water wheel planks--”

Their peace lasted a grand total of thirty seconds as voices suddenly began shouting, overlapping in chaotic chorus.

“What is that?” Fit demanded.

“Is that coming from the other side?” Phil stared up at the top of the wall.

“This is the thinnest thick wall I’ve ever seen,” Slime said, giddy laughter bubbling out of him again. “Is this thing made out of pencil shavings? If I sneeze on it, is there gonna be a hole?”

“Nevermind, we’ll read it over here.” Phil dragged them away again, but the Spanish speakers were dispersing into the trees.

“Forget the book,” Fit said, “follow them!”

(In the end it was explosives that took the wall down, which in hindsight was a precursor to how a not insignificant portion of time on the island was spent. The first day, however, it was just funny, much like everything else.)

(That was to say, the first first day.)

The communicator had indicated that today there was something special planned, so he made an extra effort to wake up.

“Morning Jaiden!” he called to his upstairs neighbor.

“Hi Charlie!” He could hear her farming through the wall. “Glad you woke up on time!”

“Well you know, you know, El Backflipo couldn’t miss it,” he joked, sifting through his backpack. “Got any spare food? I’ll trade you uno backflipo.”

“I have so much toast, come here and get some, free of charge.”

With a quick backflip and some toast to start the day, he popped open the map.

“There’s a lot of people down the wall,” he noted, their green dots so clustered they formed one. “Wanna check it out?”

“Yeah sure.” Jaiden tossed some seeds into a chest. “Do you know what this event’s gonna be?”

“I have no idea,” he admitted cheerfully.

She laughed. “Yeah, me neither. I guess there’s an egg involved, but that’s all I know.”

He dug around in his backpack for a paraglider, nodding along. “Yeah, yeah, un huevo, I get you.” Shuffling the landmine from Vegetta to one side, he yanked out his glider and threw himself out her window. “Let’s go!”

(nothing like getting struck by lightning to wake a guy up in the morning)

Slime fiddled with the communicator as he waited for the line of people to get through the ticket machine; he already had his own, a nice B for Backflipo. The new live translations still boggled his mind. He had to fight the urge to chant weird shit under his breath, just to see what the bubbles would say.

He paid a little extra attention when Mariana walked up to the machine. That guy seemed cool. They’d done that pequeño dormir together on day one, and he had a good sense of humor. Egg parenting would probably be funny.

He was thrilled to see the B for Backflipo on the ticket Mariana stepped away with, even if Mariana was decidedly less so. This was gonna be good.

(it was, and it wasn’t)

So, Mariana wasn’t exactly the coparent of dreams. Then again, Slime was pretty sure Mariana could say the same about him. In fact he was pretty sure Mariana had said the same, but in Spanish, when he wasn’t checking the translation.

It was great. They thought they’d killed a child immediately and then decided to fake their own child’s death to get away with it, and then confessed their sins to a bilingual angel and built a farm and then he buried himself beneath an improvised cross and went into a coma until his sins were forgiven, or something, except his sins weren’t forgiven in time to save his own child’s life.

And then Juanaflippa was dead. Dead at Mariana’s hand.

His bitch wife killed their daughter.

(Everything went faster, after that.)

Slime wanted to kill him.

Slime wanted to kill him for killing their fucking daughter, but of course, Mariana couldn’t even be bothered to be around to take care of her alive, never mind to pay for his crimes when she died by his hand!

(in a better world, his rage started and ended there. in a better world, the anger fizzled out with the lack of a target.

this was not that world)

There couldn’t be an Egg Event with no eggs.

If he killed them all, it would bring her back.

(in a worse world, he succeeded. in a worse world, the Egg Event ended there.

this was not that world)

They held a trial.

If he won, it would bring her back.

(in another world, he didn’t convince them. in another world, they left his daughter in Hell.

this was not that world)

Tilín was still before she hit the ground.

Tilín didn’t scream. Maybe they didn’t have time. It happened so fast. He was sure it happened fast. Almost too fast. But everything went so fast, now, even though Flippa was back. Yet, time slowed down for this, like a rubberneck driving past a highway accident, watching him desperately trying to shock their heart back into motion.

“YOU KILL MY BEST FRIENDS,” Flippa wrote. He begged her to understand. She wrote, “i can’t believe it.”

She wrote, “I HATE YOU.”

(in a better world, the error would have been caught in April instead of July.

this was not that world)

His daughter fell to his bitch wife’s sword. The same way. The next day.

They’d only just gotten her back. And Mariana killed her again.

He only left eggxile for the funeral. She wouldn’t stay dead, but he had to be there.

Time went even faster after that. He was Gegg, or maybe Gegg was him, or maybe Gegg was Gegg, or maybe. . . ?

He went back to eggxile.

He wasn’t leaving without them. Tilín. Juanaflippa. He would do whatever was necessary. He would pray to any higher power. Lil J still owed him a goddamn favor, but the guy wouldn’t pick up his calls. Maybe if he put more shit in the shrine; angels liked shiny shit, didn’t they? He went back to the mine, where the gasses swirled in his head. He built the shrine. He mined. He built the shrine.

He went back to the mine.

He went back to the mine.

He went back to the mine.

“This is where I sit, this is where my bitch wife sits, and this is where my daughter sits, if I had one!”

He’d said that before. No he hadn’t. Yes he had.

No, he just needed to clear his head.

Charlie Slimecicle went back to the mine.

Charlie Slimecicle stepped off the train.

[unproduciblesmackdown]

more bloodsong whimsy for the joie de vivre

[itspileofgoodthings]

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