#like. i think people get that autism looks different for a lot of people and it's meaningless to judge one autistic person compared to

[ourhouseishaunted]

people acting as if laios can Do No Wrong and infantilizing him because he is autistic are annoying as hell. especially because laios belongs to my favorite genre of character: "person who desperately wants friends and deep relationships because they're lonely, and while part of their problems stem from people not wanting to understand them and refusing to meet them where they are, they also genuinely come across in a way where you Completely Understand why others can get turned off from them"

[dennisboobs]

.

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

[gibbearish]

its been fun watching the hbomb subreddit try very very hard to stick to the "if anyone harasses james on my behalf they wont see the light of heaven" by imo overcorrecting to "any time anyone mentions somerton ever it's because you're obsessed with him and want to pick on him because he's the villain of the week" bc its like. yknow actually i dont think people keeping an eye on his various attempts to weasel back into the spotlight and keep doing his same old shit over the last /two months/ is the same as harassing him because it's hip and fun. i think maybe those are not the same thing

[nomaishuttle]

sry its just like rly incredibly annoying how much ppl will like. IDK. yes ik a lot of autistic and adhd ppl who do love music. and sometimes it is bc of their neurodivergence yk. music can be grounding its familiar its reliable and comfortable. i think its fine to say Autistic/ADHD ppl often find comfort in music. but its stupid as fuck to say Therefore enjoying music makes you autistic/adhd.

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[zebulontheplanet]

I get confused a lot. I think other people get confused too.

Talk about visible autism sometimes, talk about being visibly disabled. But when talk about it, always get low support needs people saying “yeah, I stim and people notice and stare at me. I’m visibly autistic sometimes”

And don’t think they understand when I say visibly autistic or developmentally disabled. Yes, know that sometimes “visibly autistic” isn’t black and white. Some people do get marked as visibly autistic just for stimming a bit.

But when I talk about visible autism, don’t talk about that. And it can be frustrating. Feels like people talking over me. Just want to scream “you don’t get it”.

Example: was in library yesterday. State Caregivers came with their clients, they sit in library, walk around, watch movies, look at books, eat lunch. They’re required to take their clients out into the community for a certain amount of hours a week, so why not the library? I was there. Was there with my caregiver. Looked over, saw the clients, and saw the caregivers looking at my caregiver with a knowing look. They knew. I knew. Their clients knew. I was like them, and they were like me. Just people sitting in the library who are disabled and require caregivers.

That’s what I’m talking about. That knowing look. That look of pity. That look to my caregiver that says it all. The looks of pity from the librarian. From everyone.

Visible autism for higher support needs autistic people, so much more different than visible autism for low support needs people. And that needs to be realized. Strangers know. And sometimes they don’t know what’s going on, but they all went to school probably, right? They know the special education kids. The “special” kids. Yeah. That’s us. That’s me. They know. I’m tired of people not understanding.

Yes, community. Find middle ground. You’re like me, I’m like you. We are all autistic (those who are autistic), but that doesn’t mean all experiences the same. That doesn’t mean we think, act, eat, sleep, the same. You’re different, and that’s ok.

[weird-and-unwell]

“Autism isn’t a disability”, “it’s just a difference”.

I am of lower support needs. I hold down a (part time) job. I have travelled around my home country. I live alone.

At work they complain about my speech. I’m too quiet, they say, “barely audible” is the words used at my autism assessment. My voice is all monotone, and it needs to be more expressive. I get this complaint every week for a year straight, until my manager gives up. I don’t attend trainings because I forget and find it overwhelming anyways. My coworkers form friendships, and I watch them talk, wondering how they make it look so easy. I get a new manager, I tell her I find the work socials too overwhelming to attend. She tells me I can just say I don’t want to come. I don’t know how to tell her that I desperately want to, to be like the rest of my coworkers, instead of constantly being the one sat on the sidelines.

I come home, and I can hear my neighbours again. The niggling background noise messes with my head, and I meltdown; I throw myself on the floor, I hit my head on the ground repeatedly as I scream and cry, tear out my hair and scratch my arms and face. When I complain, people tell me that I just have to accept that neighbours make noise, that I should just ignore it, or block it out. I am the problem, the one overreacting. I put in earplugs and it hurts and I'm crying again. I wear headphones but I can't handle the noise for that long.

I have reminders set for everything. Every chore, no matter how big or small. My phone beeps at me, reminding me that I need to wash the dishes. If I don't go now, then tick the little box on my phone to say I did it, it won't get done. My home is almost always a mess despite this. It's not just chores either. I won't think to wash, dress myself, brush my teeth or hair, without those reminders. And unless someone actively prompts me to do so, I will do those tasks "wrong". I haven't changed my underwear in a month, and I'm currently aware that's a problem, but within the hour I'm going to forget all over again until I'm next prompted.

I can't sleep without medication - it's not unusual for autistic people to have messed up circadian rhythms. Without my medication it's hard to even tell when I'm awake and when I'm asleep. When I was younger and at school I slept through so many lessons, and when I have my mandatory breaks from my sleep meds I sleep through every alarm I set. I want to work full time some day, and I'm terrified of what my sleep issue will mean for me then.

I don't travel independently. I don't travel anywhere alone, always with someone or to someone. If to someone, I have assistance the whole way. I find it embarrassing sometimes. Yes, I have a job that requires a certain level of intelligence. No, I cannot get on a train by myself. If I am not shown To The Train, To My Seat, I will be unable to travel.

Last time I travelled, I was left alone at the station for ten minutes. I stayed rigid and sobbed the whole time. I was overwhelmed. It was too loud, I didn't know where I was or where I was meant to be going, and until the assistance person came back I couldn't do anything because for some reason I cannot understand it.

I spend a lot of time trying to explain to people that despite my relative competence, I am unable to do many things. Why can I understand high level maths but not how to get on a damn train? No fucking idea.

"Autism isn't a disability" most severely affects those with higher support needs, and this is absolutely not to take away from them. But for fucks sake, autism is disabling.

Maybe you personally are extremely lucky and just find you're a little "socially awkward", or just find some textures painful or nauseating. Maybe you would be fine with just a couple of adjustments.

But for a lot of us, even lower support needs autistics, it doesn't work like that. I will never sleep properly without medication. I still have the self-harming type of meltdowns as an adult, over things that are deemed as being "just part of life". I live alone but have daily visits from family - if I'm left fully alone I forget all the little daily things one is "meant" to do. I had speech therapy as a child to get me to the "barely audible" "mostly correct" speech. I don't mask, I'm not really sure how I would to begin with.

I'm not unhappy with being autistic. It's just who I am. Life would be easier if I were neurotypical, but I also wouldn't be me. I just wish those luckier than me could...stop saying it's all chill and not at all a disability.

Because yes, socially, I am "awkward". I obviously don't make eye contact - I stare down and to the side of whoever I speak to. People think it's weird or creepy or a sign of disinterest. My autism assessor wrote down about how I often use words and phrases that don't make sense to others, even though they make perfect sense to me. In my daily life this means I'm frequently misunderstood, and have to try explain what I mean, when what I mean is exactly what I said, and the true issue is that what I mean just doesn't make sense to others. I gesture, at times, but again, my gestures apparently don't make sense in relation to what I'm saying. I take things literally, I have almost no filter, and I can't explain how I go from topic to topic.

And yes, I do have sensory problems. Sometimes people, including others with sensory problems, tell me that "sometimes sensory issues have to be tolerated", and I wonder what they think of as being sensory issues. I'm sure they do struggle, but if I say I can't handle a touch, I mean you will need to forcefully hold it against me for me to touch it more than a second and it will make me meltdown. If I say "I can't eat that", I mean that I am unable to swallow it, that I will gag and choke and inevitably spit it back out, as much as I try. If I say I can't handle a noise, I mean I'm so close to a meltdown and my meltdowns are a problem for everyone around me.

But yes. Autism. Not a disability. Just a fun quirky difference.

[itneverendshere]

hi again! so I've been meaning to send a request, but before i go about it I wish to say it's completely okay if you're not inspired by this, or if you simply don't want to write it, i would hate myself if I made you overwhelmed or smth. love you anyways 💕 so for the request: reader who's autistic. she's not very talkative nor socially active, never had a boyfriend, has one or two friends, yet somehow rafe notices her and finds her endearing. she's okay being herself with her friends, like she's funny, kind and passionate about her interests (like geek stuff, fantasy books, animals and such). she has zero flirting experience and is always dismissive towards rafe bc she doesn't think someone could like her romantically, and she's always suspicious of people bc they've wronged her in the past (in my experience as an autistic person i tend to believe everything ppl say and am kinda naive, so ppl played me or said unrealistic things and I believed them, which then is a reason for laughter, now I'm always suspicious to ppl's intentions). I'm giving you creative freedom with this, just wanted an autistic reader for once :) if you feel like writing it but need to know more abt autism, you can just post question and I'll answer in your asks, if that's okay. Just a reminder again before I go: feel free to decline this request, I know it might not be something cool to write and that's okay ☺️ love you lots, thank you for your time!

i tried my best, hope you like it 🫶🏼 and if you don't lmk so i can do better!! this was really fun since it's a compeltely new topic of inspiration. kinda left an "open" ending bc i couldn't make my mind up lmao. thank you for the resquest and sorry it took me a while to finally do it 🫂

got dreams but i can't make myself believe them - r.c

paring: rafe x autistic!reader word count: 6.9k

The party was a mistake. You knew it the moment you walked in, the thumping music and crush of people making your skin crawl. Your friends had been relentless, insisting that you needed to “get out more” and “live a little,” despite your repeated attempts to explain that “getting out” meant something different to you.

But somehow, you’d caved, and now you were standing awkwardly in the corner of a stranger’s living room, clutching your book like it was a life vest. You needed to stop letting them drag you everywhere.

It was the typical college party scene, at least the one's you'd heard or read about before. Red solo cups everywhere, groups of people huddled on couches or pressed together on the so called dance floor, and a few already-drunk guys yelling loudly in the kitchen.

This was supposed to be fun?

“Just stay for an hour,” they said. “If it’s really that bad, you can leave.”

Right. Except an hour felt like an eternity when you were trapped in a sensory nightmare. You took a deep breath, scanning the crowded room. There were people everywhere—laughing, dancing, chattering loudly in clumps—and the noise was a constant, overwhelming buzz in your ears.

This was definitely a mistake.

So, you did what you always did in these situations: you found a place to hide. After walking through the drunk college students, you eventually ended up on quiet nook near the back of the house. It was a small room, probably some sort of den or study. Blessedly, it was empty. With a sigh of relief, you settled into an oversized armchair, opened your book, and let the world outside your pages melt away.

Time slipped by as you read, the noise of the party changing into a distant hum. You were so engrossed that you didn’t even notice when someone stumbled into the room until a loud crash jolted you out of your fictional word. He nearly tripped over his own feet, catching himself at the last second with a slurred, “Shit.”

You looked up to find a guy standing unsteadily in the doorway, blinking blearily at you. He was tall, with tousled hair and a loose, easy grin that spoke of far too many drinks. His eyes were a striking blue even in the low light, and it took you a second to place him.

Rafe Cameron.

Oh, God. You knew him—well, of him, at least. He was in your sociology class, always sitting a few rows behind you with his gaggle of equally charming friends. He’d never spoken to you before, though, and you’d never had a reason to pay him much attention.

Until now.

Then his face split into a lazy grin, and he swaggered—no, stumbled—into the room, somehow managing to make even that look effortless.

“Heyyy,” he drawled, leaning heavily against the arm of the chair across from you. “It’s… it’s you.”

You blinked at him. “Me?”

“Yeah,” he slurred, squinting like he was trying to see you clearly. “T-The girl from my class. The quiet one.”

Your stomach did a weird flip, part confusion, part disbelief. “Okay?”

“Yeah.” He nodded sagely, as if you’d just confirmed some great truth. “You’re the uh, the smart one. With the books.” He gestured vaguely at the one in your hands. “Always sittin’ up front, all… all cute n'shit.”

Your cheeks burned. Was he seriously calling you cute? No. He was drunk—really drunk. He probably didn’t even know what he was saying.

“Do you need help?” you asked cautiously. “You look—”

“I’m fine,” he cut you off, straightening up as if to prove it, though the effect was somewhat ruined by the way he swayed on his feet. “Needed to get away from those idiots out there. Too many people.”

You almost laughed. Rafe Cameron, overwhelmed by people? The guy who was always surrounded by friends, girls practically draped over him like accessories? But he looked sincere—well, as sincere as a drunk person could look.

“Why don’t you sit down?” you suggested, gesturing to the empty chair. “You, um, might fall over if you don’t.”

“Pfft, I’m not gonna—” He paused mid-sentence, wobbling precariously. Then, as if he’d just made the smartest decision of his life, he plopped down in the chair, sprawling out like he owned the place.

“See? Told ya m'fine,” he said, flashing you a lopsided grin.

You couldn’t help but snort. “Right.”

He looked at you then, really looked at you, his gaze roaming over your face “What’re you doin’ here?” he asked abruptly.

You glanced at your book, then back at him. "Reading?”

“No, I mean… here,” he insisted, gesturing vaguely around the room. “At this shitty party.”

You shrugged, feeling awkward. “My friends dragged me. I didn’t really want to come.”

Rafe’s eyes narrowed thoughtfully, and for a moment, he looked almost sober. “Yeah, same.”

You raised an eyebrow. “Really?”

He smirked, a flash of the cocky, arrogant guy you’d seen in class. “Yeah, well… they’re fucking assholes, but they’re my assholes, y'know?”

You didn’t, but you nodded anyway. “Sure.”

“So, what’s that book about?”

You hesitated. “Um… it’s a fantasy novel.”

“Fantasy, huh?” He tilted his head, eyeing the cover. “Like wizards and dragons n'shit?”

“Sort of,” you admitted. “It’s about a girl who finds out she has magic and goes on a quest to—”

“Save the world?” he finished with a mock-solemn expression.

“...Yeah,” you said, narrowing your eyes. “But it’s more complicated than that.”

“Bet it is,” he murmured, his gaze still fixed on you. “You’re really into that stuff, huh?”

You shifted uncomfortably. “Yeah. Why?”

He shrugged, his smirk softening into something that almost looked like genuine interest. “You looked happy, talkin’ about it.”

Your heart did another weird little flip, and you frowned, pushing the feeling down. He was drunk. This didn’t mean anything. He probably wouldn’t even remember it in the morning.

But then, his eyes drifted shut, his head lolling back against the chair. Within seconds, he was snoring. You sat there, stunned.

What the hell had just happened?

Three days later, you were sitting in your usual spot in the lecture hall, flipping through your notes. Class was about to start, and the room was filling up with the usual pre-lecture chatter. You were just getting settled when someone slid into the seat beside you.

You glanced up, expecting one of your friends. But it wasn’t.

It was Rafe.

“Hey, friend,” he said casually, like you hadn’t left him passed out at a party a few nights ago.

You stared at him, completely disoriented. “Hi?”

He grinned, leaning back in his chair like this was completely normal. “Didn’t think I’d forget about you, huh?”

Your eyes narrowed. “I… yeah, actually.”

Rafe’s grin widened, and he leaned in closer, “See, that’s where you’re wrong, princess,” he murmured. “I remember everything.”

Did he just give you a nickname?

Your stomach dropped. “What?”

“Yeah.” He crossed his arms, looking entirely too smug. “You, sitting there all cute with your book, talking about magic and shit. Thought I was too drunk to remember, huh?”

“I—” You stared at him, completely off balance. “Why are you here?”

“Because I want to be,” he said simply. “Got a problem with that?”

You blinked, caught off guard. “No?”

“Good.” He flashed you a grin, all cocky charm. “So, you gonna tell me more about that book, or what?”

You gaped at him. “You actually want to hear about it?”

“Why not?” he shot back, raising an eyebrow. “It made you smile.”

And for some reason, that simple statement knocked the breath out of you.

“Okay,” you said, still unsure if this was some kind of elaborate prank.

But Rafe just leaned back in his seat, eyes fixed on you like you were the most fascinating thing in the world.

“Yeah,” he murmured. “I think I’ll stick around.”

The next few classes were…weird, to say the least. Ever since Rafe decided you were his new "friend," he’d taken to sitting beside you every lecture, plopping down in the empty seat as if he’d been there all along. It was confusing. Most of the time, he’d breeze in at the last possible minute, sauntering up to your row without so much as a greeting and settling into the chair with that infuriatingly self-assured smirk.

You were already seated, your notebook open and your pen poised to start taking notes when he dropped into the seat beside you with his usual nonchalance. He stretched his long legs out in front of him, casting you a sidelong look as if daring you to acknowledge him first.

“Hi,” you said quietly, eyes flicking back to the front of the room.

“Hey, princess,” he replied, voice low and teasing.

You kept your gaze firmly on your notebook. You’d quickly learned that the best way to deal with him was to pretend his presence didn’t affect you—no matter how much his proximity messed with you.

He’d spent the last three classes nudging your foot under the desk, passing snide comments under his breath, or leaning over just close enough to murmur sarcastic observations about whatever the professor was droning on about. And today was no different.

The lecture started, Professor Callahan launching into her usual detailed overview of sociological theory. You tried to focus, pen flying across your notebook as you jotted down her points.

“Is she always this boring?” he whispered, leaning in slightly so his arm brushed against yours.

You stiffened, eyes fixed on your notes. “If you listened, it wouldn’t be so boring.”

He snorted. “Yeah, right. Like I’m gonna waste my time listening to her go on about… what is it today? Class structure?”

“Yes,” you hissed, refusing to look at him. “And if you don’t stop talking, I’m going to—”

“You’re going to what?” he challenged, his grin audible in his voice.

You snapped your mouth shut, trying to ignore the way his leg brushed against yours under the desk. He was doing it on purpose—nudging your knee every so often, shifting just a little closer until the faint scent of his cologne surrounded you. It was infuriating. And yet, when you glanced sideways at him, he was looking at you with that maddening, lazy grin that made your heart stutter.

“Just pay attention,” you mumbled, cheeks warm.

“Why would I do that when I have such a pretty view right here?”

Your head whipped around, eyes wide. “What?”

But Rafe just smirked, his gaze drifting lazily up and down your face before flicking back to the front of the room as if he hadn’t just made your brain short-circuit. 

“Relax, princess. Just messin' with you.”

You swallowed, trying to refocus on the lecture. His attention was like a physical thing—intense and all-consuming. It made you uneasy. 

Determined not to give him the satisfaction, you forced yourself to look at the professor, tuning out the heat of Rafe’s gaze. Professor Callahan was in the middle of explaining something about social hierarchies when she suddenly stopped mid-sentence.

“Mr. Cameron.”

The entire class fell silent.

You looked up, eyes widening in surprise as Professor Callahan fixed Rafe with a stern look. “I’m aware that I’m not as pretty as your classmate,” she said dryly, gesturing toward you, “but I would appreciate it if you could pay attention for at least ten minutes.”

A ripple of snickers spread through the room, and your cheeks flamed scarlet. Rafe, however, didn’t even blink, he was completely unruffled and offered the professor a lazy, arrogant smile. “Sorry, Professor. Just got a little distracted.”

Your stomach dropped. He was staring at you, unabashedly.

The professor raised an eyebrow. “I’m sure.” Her tone was dry, unimpressed. “Would you mind keeping your distractions to yourself until after class?”

Another murmur of laughter swept through the room, and you shrank in your seat, mortified. His smirk widened, but he leaned back in his chair, raising his hands in mock surrender.

“Of course, ma’am,” he drawled. “No more distractions.”

Professor Callahan gave him a pointed look, then turned back to the board, resuming her lecture. You sat there, face burning, refusing to look anywhere near Rafe, but you could feel his eyes on you.

“Guess I got you in trouble, huh?” he whispered, leaning closer.

You grit your teeth, still staring resolutely at the front of the room. “Stop talking.”

“Can’t help it,” he murmured, his voice teasing. “You’re way more interesting than this shit.”

“Rafe, I swear—”

“Okay, okay, I’ll behave,” he said lightly, sitting back. But he didn’t take his eyes off you. You could feel him lingering, warm and intent, and you wanted to scream. How was he so calm? So unaffected, like getting called out by the professor was just a minor inconvenience?

You hated every second of it.

“Rafe,” you hissed under your breath, finally daring to glance at him. “Will you just—”

“What?” He leaned in again, eyes bright with mischief. “You want me to go back to ignoring you?”

“Stop staring.”

He hummed thoughtfully. “Can’t promise that, princess.”

Your heart hammered, and you squeezed your pen so tightly it nearly snapped. “Why are you even here?”

He shrugged, his expression turning oddly serious. “I like sitting next to you.”

Rafe Cameron—the arrogant, cocky asshole you’d written off as nothing more than a nuisance—had just chosen to stay by your side.

As soon as class ended, you gathered your things in record time, heart still thumping wildly. The room buzzed with students shuffling out, but you kept your head down, hoping to slip away unnoticed.

Maybe if you were quick enough, you could escape before he decided to make good on his new, annoying habit of sticking to you like glue. But, of course, he was nothing if not persistent.

You’d barely slung your bag over your shoulder when he appeared at your side, his tall frame looming over you as he fell into step like it was the most natural thing in the world.

“Heading to lunch?” he asked, all casual charm, as if he hadn’t just spent the entire class making you the center of unwanted attention.

“Yes?” You tried not to sound as thrown as you felt, but the way he looked at you—with that infuriatingly lazy grin—told you he could see right through you.

“Cool. I’m starving.” He said it like it was an invitation, like he was entitled to follow you, and before you could muster up a half-hearted protest, he was already steering you through the crowded hallway.

“Wait, what are you doing?” you demanded, glancing around in panic. People were staring, eyes widening as they took in the sight of Rafe Cameron, of all people, trailing after you. Whispers flitted through the air, curious and disbelieving, and you shrank under the scrutiny, feeling painfully exposed.

“Uh, going to lunch with you?” He made it sound so obvious, his voice lilting with amusement.

“I didn’t invite you!” You glanced at him, trying to tamp down the fluttery, nervous feeling his presence always seemed to stir up. “What if I’m eating with someone else?”

He shrugged. “Then I’ll eat with them too.”

You gawked at him. “What?”

But Rafe just flashed you that cocky, confident grin. “Relax. It’s just lunch.”

Just lunch, he said, like this wasn’t completely absurd.

You narrowed your eyes, debating whether to make a break for it, but he was already steering you toward the main quad, his hand ghosting the small of your back in a way that made your skin tingle. 

Your heart hammered as the familiar outdoor seating area came into view. Your friends were already there, sitting at your usual table—a small group of two girls and a guy, all talking animatedly. You hadn’t even sat down yet, and they still managed to look up as one, their expressions morphing from curious to shocked when they caught sight of you—and Rafe—heading straight toward them.

“Uh, hey,” you greeted awkwardly as you approached. They just stared, mouths agape.

Emily was the first to recover. “What the—since when do you two know each other?” she asked, eyes darting between you and Rafe like she was seeing some kind of glitch in the matrix.

“Yeah, what’s going on here?” Max, the guy in your small circle, chimed in, his gaze flicking to Rafe warily. “Is this, like… a project thing?”

“No, it’s not—” you started, but Rafe cut you off with a breezy smile.

“Can’t believe y’all kept her to yourselves this whole time,” he drawled, pulling out the chair beside yours and plopping down like he’d done it a thousand times before. “Thought you’d have the decency to introduce me to the most interesting girl on campus.”

Your friends gaped, eyes wide with shock. You could practically see their brains short-circuiting. Meanwhile, you were fighting the urge to smack him upside the head.

“Please shut up,” you muttered under your breath, cheeks burning.

But he just smirked, his gaze sliding over your stunned friends with lazy amusement. “What?” he said innocently. “It’s true.”

“What the hell is happening right now?” Emily demanded, still staring at you like you’d grown a second head. “You—you and Rafe Cameron?”

You sighed, already regretting every life choice that had led you to this moment. “There is no ‘me and Rafe Cameron.’ He just—he’s being annoying.”

“Annoying?” he repeated, feigning offense. “C’mon. I thought we were past that.”

“We are not past anything,” you snapped, shooting him a glare. But that only seemed to amuse him more.

“Okay, back up,” Max interjected, brow furrowed in confusion. “How do you guys even know each other?”

“Uh, sociology class?” you offered weakly, as if that explained anything. “He’s been sitting next to me.”

“Sitting next to you?” Emily repeated slowly, like she was trying to process a particularly difficult equation. “And now you’re… eating lunch together?”

“It’s not—” You looked helplessly at Rafe, who was watching the exchange with that insufferable smirk. “I didn’t ask him to.”

He looked completely unfazed by the mess he’d caused. “What can I say? I like the company.”

“Since when?” Emily shot back, clearly unconvinced.

Rafe shrugged, “Since she started talking to me.”

Your friends fell silent, eyes wide and suspicious as they turned to you, searching for answers. But you just sat there, feeling utterly, hopelessly lost. What were you supposed to say? That Rafe Cameron had decided, out of nowhere, to insert himself into your life? That he was following you to lunch like this was some sort of normal occurrence?

“Look,” you sighed, pinching the bridge of your nose. “It’s really not a big deal. He’s just—”

“Rafe Cameron is never ‘just’ anything,” Emily interrupted, folding her arms as she fixed Rafe with a suspicious look. “So what are you up to?"

“Nothing,” Rafe said easily, his smile all sharp edges. “Like I said, I’m just getting to know her.”

“Getting to know her,” Max echoed, clearly skeptical.

“Yeah.” Rafe’s eyes never left yours, his eyes gleaming with something that made your pulse flutter. “What’s so weird about that?”

Your friends exchanged looks. You didn’t blame them. This was weird. More than weird. You’d never been the kind of girl to attract attention—especially not from someone like Rafe. Popular, arrogant, and completely out of your league in every possible way. And yet, here he was, acting like sitting with you at lunch was the most natural thing in the world.

“So,” He said suddenly, turning his attention back to the group, “Are you gonna sit here gaping all day, or are we gonna eat?”

Emily blinked, snapping out of her daze. “Uh, yeah, we’re… we’re eating.”

“Good.” Rafe turned to you, eyebrow raised. “You eating, princess?”

You stared at him, “I—yes?”

“Cool. Want me to grab you something?”

You stared at him, incredulous. “You’re offering to get me lunch?”

He rolled his eyes. “Yeah, I am. Now, what do you want?”

“I—” You swallowed, glancing at your friends, who were watching the exchange like it was some sort of bizarre performance. “Um, a sandwich?”

“Got it.” Rafe pushed to his feet, his smile smug. “Be right back.”

And then, to your utter disbelief, he sauntered off toward the food line, leaving you and your friends staring after him.

“What,” Max said slowly, “the hell just happened?”

You groaned, burying your face in your hands. “I have no idea.”

The awkward lunch with Rafe didn’t end as badly as you expected.

Your friends had spent the entire time shooting you confused, bewildered looks, while he seemed to thrive under their scrutiny, lounging beside you like he belonged. He didn’t flirt—thank God—but he didn’t exactly tone down his usual cocky self either. By the end of it, he’d somehow managed to charm your friends just enough to leave them confused rather than outright hostile. Still, after that lunch, you’d expected him to lose interest, to move on to his usual crowd and forget all about his bizarre little experiment. But of course, he wasn’t known for playing by the rules.

You learned that the hard way two days later.

It was late afternoon, and you were holed up in the campus library, buried under a mountain of textbooks and notes for an upcoming exam. The library was your sanctuary—quiet, calm, and blissfully free of distractions. At least, until Rafe sauntered in. You didn’t notice him at first, too absorbed in your notes. The library was busy, students murmuring as they worked, the rustle of pages and the faint clack of keyboards filling the air. You were hunched over a particularly dense passage in your sociology textbook when you felt it—

You stiffened, glancing up cautiously, and there he was.

He leaned against the bookshelf a few feet away, his eyes fixed on you with a lazy, assessing look. He didn’t move, just watched you, his lips quirking in that infuriating smirk when your eyes met.

“What are you doing here?” you hissed, glancing around nervously. No one seemed to be paying attention, but you still felt like the entire room was suddenly staring.

“Studying,” he said, straight-faced.

“Since when do you study in the library?”

“Since now,” he said easily, pushing off the bookshelf and strolling over to your table. He pulled out the chair across from you, dropping into it like he had every right to be there. “What? Can’t a guy broaden his horizons?”

You stared at him, incredulous. “You’re joking.”

“Not today, princess.” He leaned forward, resting his chin in his hand as he peered at your open book. “So, what’re we learning?”

“We are not learning anything,” you muttered, eyes narrowing. “I’m studying. You are… I don’t know what you’re doing.”

“Keeping you company,” he said simply. “You looked lonely.”

Your mouth fell open. “Lonely?”

“Yeah.” He tilted his head, his gaze sweeping over your face. “All holed up in here with your books. Thought I’d help.”

What was he even talking about? This was insane. He didn’t just hang out in the library, especially not to “keep someone company.” He was the kind of guy who spent his free time at parties, or on the field, or wherever people like him thrived. And yet, here he was, sitting across from you in the library like this was normal.

“Rafe,” you said slowly, “you don’t even know what I’m studying.”

He shrugged. “Doesn’t matter.”

“It does if you’re trying to help,” you shot back, frustration seeping into your voice. “You’re—what are you even—”

“Okay, okay,” he interrupted, raising his hands in mock surrender. “Calm down. Just trying to see what’s got you all riled up.”

You bit back a groan, rubbing your temples. This was absurd. You didn’t need—didn’t want—his attention.

“Fine,” you muttered, turning your textbook around so he could see the page. “I’m going over Durkheim’s theory of social integration.”

Rafe leaned in, squinting at the page. “Durkheim, huh?”

“Yes,” you said, a little impatiently. “He believed that society functions through a collective conscience—shared beliefs and values that bind people together.”

“Sounds boring as hell,” Rafe said bluntly.

“It’s not boring,” you retorted before you could stop yourself. “It’s actually really interesting—he argued that a lack of social integration could lead to anomie, a state of normlessness that causes people to feel disconnected and isolated.”

Rafe stared at you for a long moment, his expression unreadable. At least it felt that way to you.

“What?” you demanded, suddenly self-conscious. “Why are you looking at me like that?”

He shrugged, a strange, thoughtful smile tugging at his lips. “Just… you get really into this stuff, don’t you?”

Your cheeks flushed. “It’s sociology. It’s important.”

“Yeah, but…” He shook his head, “It’s kinda cute.”

You blinked, your brain short-circuiting. “Cute?”

“Yeah.” He leaned back, crossing his arms as he regarded you with a casual, easy confidence that made your heart flutter. “You get all intense when you talk about it. Like, you actually care.”

“I—I do care,” you stammered, “It’s my major.”

“I know,” he murmured. “I like that about you.”

What—what was that supposed to mean? Why was he looking at you like that, like he actually meant it?

Before you could even begin to untangle your thoughts, a shadow fell over the table, and you glanced up to see another student standing there—a tall, lanky guy with dark hair and glasses. He looked vaguely familiar, probably from one of your classes.

“Uh, hey,” the guy said awkwardly, glancing between you and Rafe. “Are—are you using this seat?”

Rafe’s expression changed instantly, “Yeah,” he said flatly. “We are.”

The guy blinked, taken aback. “Oh, uh, sorry, I just—”

“You just can find another table,” Rafe cut in, “We’re a little busy here.”

You gaped at him, mortified. “Rafe, stop.”

But he didn’t even glance at you. He just kept staring down the poor guy, his posture tense and unyielding until, with a muttered apology, the student backed off, scurrying away like he’d just had a close encounter with a predator.

“What the hell was that?” you hissed as soon as the guy was out of earshot. “He just wanted to sit down!”

“Yeah, and we’re studying,” Rafe said dismissively. “No room for distractions.”

“We’re not studying anything!” you shot back, resisting the urge to smack him. “You’re just sitting here, being—being weird.”

“Not weird,” he corrected, leaning in again. “Protective.”

You froze, your mouth going dry. “Protective?”

“Yeah.” His eyes were dark, intense, locking onto yours. “Can’t have just anyone bothering you, can I?”

After the bizarre encounter in the library, you were convinced Rafe would drop this whole… whatever it was. Surely, following you to lunch and then “protecting” you in the library was enough.

So when you found yourself at another party two nights later—dragged along by Emily despite your vehement protests—you knew it was only a matter of time before he found you. Because somehow, no matter where you went, Rafe had made it his mission to seek you out.

“Come on, you need to have some fun,” Emily had insisted, half-pulling, half-dragging you through the front door of one of the fraternity houses on campus. The music was already blaring, the heavy bass vibrating through your body. People were packed in the main room, laughing, talking, drinking, the buzz of chatter filling the air.

“This isn’t my idea of fun,” you muttered, hugging your arms around yourself as you tried to avoid brushing against the partygoers. It wasn’t that you disliked parties, exactly—it was just that the noise, the sheer volume of people could get overwhelming quickly.

“Just stay for an hour,” Emily pleaded. “Please? I swear it’ll be more fun than you think. We can dance, have a few drinks—”

“I don’t dance,” you cut in flatly, giving her a pointed look.

“Okay, fine, I’ll dance, and you… can hang out and people-watch,” she amended, undeterred. “Besides, who knows? Maybe you’ll meet someone.”

You gave her a withering stare. “Yeah, because I’m such a social butterfly.”

You sighed, resigned to your fate, and began making your way through the press of bodies. After a few minutes you managed to find a relatively quiet corner in the back, near the stairs, and gratefully leaned against the wall. Maybe if you stayed out of sight long enough, Emily would give up on trying to get you to socialize and let you leave early. It was a long shot, but you could hope.

You hadn’t been there long when you felt it—the now-familiar prickling sensation of someone’s gaze lingering on you. Sure enough, when you glanced up, there he was.

Rafe, in all his infuriating glory, leaning against the wall a few feet away, his eyes locked on you with that lazy focus that made your heart stutter. He looked unfairly good, dressed in a dark button-up that clung to his frame in all the right ways, his hair tousled just enough to look effortlessly cool. And, as usual, he was watching you like you were the only person in the room.

You narrowed your eyes at him, your stomach twisting in irritation and something else. “Are you stalking me now?” you demanded, crossing your arms as you glared at him.

Rafe’s lips curved into a slow, teasing smile. “Would it be so bad if I was?”

“Yes,” you said flatly. “It would be very bad.”

He chuckled, the sound low, sending an unwelcome shiver down your spine. “Relax, princess. I just saw you standing here all alone and thought I’d come say hi.”

“Hi,” you muttered, your voice dripping with sarcasm. “Now you can leave.”

But he didn’t budge. Instead, he straightened, pushing off the wall and closing the distance between you in a few long strides until he was standing directly in front of you, his presence overwhelming.

You tried to step back, but the wall blocked your escape.

“Actually, I was thinking we could, I don’t know, hang out for a bit?” he suggested, tilting his head as he regarded you with a faux-innocent smile.

“Why?” you blurted out before you could stop yourself.

Rafe blinked, seemingly taken aback by the question. “Why?”

“Yes,” you insisted, frustration bubbling up inside you. “Why do you keep… doing this? Showing up, sitting with me, following me to lunch, acting like—like we’re friends or something. What is your deal, Cameron?”

Slowly he reached up, bracing one hand on the wall beside your head, leaning in so close you could feel the warmth of his breath against your skin.

“My deal,” he murmured, his voice low and smooth, “is that I like you.”

No. No, no, no.

That couldn’t be right. People didn't just like you. They tolerated you, maybe, or found you useful sometimes, but they didn't like you. Not like that. Not in the way he was implying. You felt panic rising in your chest, like a wave that was too big to stop. You couldn’t stop it.

“You’re lying,” you said shakily, shaking your head in disbelief. “You’re just—this is some kind of game, isn’t it? Some—some bet, or—”

Rafe’s expression tightened, his jaw clenching. “It’s not a game,” he ground out, his eyes flashing. “I wouldn’t do that to you.”

You swallowed hard, your chest aching. No, this couldn’t be happening. This didn’t make sense.

“I don’t believe you,” you shook your head stubbornly.

His eyes narrowed, “No?”

“No,” you repeated, crossing your arms defiantly. “You’re just… you. You can’t just decide you like me out of nowhere.”

“I didn’t decide,” he murmured, “It just happened.”

Your breath hitched, your heart racing. Why was he doing this to you? Why couldn’t he just leave you alone?

“I—” You broke off, struggling to find words, but before you could answer, a loud voice interrupted.

“Yo, Rafe! There you are, man!”

You both jerked back, startled, and you glanced over to see one of Rafe’s friends—Topper, if you remembered correctly—stumbling over, a wide grin plastered across his face.

“What are you doing back here?” Topper slurred, his gaze sliding to you. He blinked, “Who’s this?”

Rafe stepped in front of you slightly, his posture tense and protective. “Doesn’t matter,” he said curtly, “Go find someone else to bother.”

Topper blinked, taken aback. “Whoa, man, chill. I was just—”

“Go,” Rafe repeated, his tone brooking no argument.

Topper stared at him for a long moment, then slowly backed off, muttering under his breath as he disappeared into the crowd. As soon as he was gone, Rafe turned back to you, his eyes softening again.

“Sorry about that,” he murmured, “Didn’t mean to—”

“Why did you do that?” you cut in, your heart still pounding.

Rafe frowned. “Do what?”

“Get rid of him,” you said, shaking your head in confusion. “He was your friend. Why would you—”

Maybe you’d misread him. Maybe he didn’t actually mean any of what he said. He was probably just bored, looking for some amusement—another toy to play with for a little while.

“I wanted to talk to you. Not him.”

You blinked, bewildered. “But he’s your friend.”

He gave a half-hearted shrug. “So? Doesn’t mean I want him interrupting us.”

Us. Like there was an “us.” Like there could ever be an “us.”

You shook your head, trying to clear the fog of confusion. “But I don’t understand,” you mumbled. “I don’t get it. You don’t even know me.”

“I know enough,” he said quietly, his eyes holding yours in a way that made it hard to breathe. “More than you think.”

You frowned. It was impossible to shake the nagging feeling that he was just… playing with you. That this was all some sick joke and at any moment, the punchline would hit, and you’d be the idiot.

“You’re just messing with me,” you muttered, taking a small step back to put some space between you. “You’re bored or something.”

“I’m not bored,” he said firmly, stepping forward to close the gap you’d just created. “I told you, I wouldn’t do that.”

“I didn’t ask for any of this. You’ve been following me around, showing up where I am, saying all these things like—like we’re something, but we’re not.”

Rafe stepped closer, his eyes narrowing as he looked at you, as if he couldn’t believe what he was hearing. “What are you talking about? You really think I’m just messing around?”

“Yes!” you practically shouted, throwing your hands up. “Yes, I do! Why else would you be doing this? You’re Rafe Cameron, for god’s sake. You don’t even like me. This is just some twisted game to you, isn’t it?”

You stared at him, trying to read his face, trying to find any hint of dishonesty, any sign that this was all an act. But all you saw was that same intensity, that same focus, like you were the only person who mattered.

Your chest tightened, panic grazing at you. This wasn’t right. It couldn’t be. People didn’t just… like you. They didn’t seek you out at parties or show up in libraries to talk about sociology. Guys like Rafe didn’t choose people like you. There had to be some ulterior motive.

“You show up out of nowhere, act like I’m some project, some… someone who needs your protection—why, Rafe? Because I don’t fit into your world? Because I’m some joke to you and your friends?”

“That’s not it,” He growled, his voice defensive. “You don’t know what you’re talking about.”

“I don’t know what I’m talking about?” you scoffed, shaking your head. “You haven’t been honest about anything. You haven’t given me a reason to believe any of this.”

“You think I’m lying? 

You moved your head again, harder this time. “That doesn’t make sense. You’re—you’re saying things that don’t make sense. I don’t understand.”

He took a slow, poising breath, his eyes never leaving yours. "What doesn't make sense to you?" 

"All of this," you replied, your voice quivering with frustration, "You, acting like you—like you actually care. Like you see me. People don’t just do that, not for someone like me. I don’t—" You cut yourself off, not sure how to finish the sentence, your thoughts spiraling.

It wasn’t just that you couldn’t believe him; it was that you didn’t know how to believe him. Your experiences had taught you to be wary, to always look for the catch, because there always was one.

Always.

Rafe's brows drawn together in something that almost looked like concern. "Someone like you?" he repeated, "What does that even mean?"

You swallowed, feeling your insecurities gripping down on your chest. "It means I’m not… like you. I don’t know how to talk to people, I don’t get things right all the time. People don’t notice me, and when they do, it’s usually because I’ve done something wrong, or because they want something from me. That’s just how it is."

He shook his head slowly. "That’s not how I see you."

You opened your mouth to argue, to say something—anything—to dismiss what he was saying, to protect yourself from the disappointment that was sure to come. But Rafe didn’t give you the chance. 

"You think I’m messing with you because you’re not like everyone else? Is that it? You think I’m playing some kind of game because you don’t fit into some stupid idea of who’s supposed to matter?" 

You wanted to pull away, to recoil into the safety of your doubts, but something in his voice, in the way he was looking at you, made you stop.

"I’m not going to pretend like I know everything about you," Rafe continued, no less serious. "But I know enough to know that I’m not bored. I don’t care if you don’t fit in with my world, or whatever you think that means. I like that you’re passionate about the things you care about. I like that you don’t put up with anyone’s shit—not even mine." A small, almost self-deprecating smile tugged at the corner of his lips. "I’ve spent enough time around fake people to know the difference."

You weren’t used to this—this kind of sincerity. It felt too real. And part of you still wanted to push it away, to reject it before it had a chance to hurt you. But another part of you—a much smaller, quieter part—was whispering that maybe he meant it.

"Why me?"

"Because you're you," he said simply, like it was the most obvious thing in the world. 

For a long, breathless moment, the two of you just stood there, the noise of the party fading into the background. Your mind was still processing everything, but there was something in the way he was looking at you, something that made you feel—just for a second—like maybe you could trust this.

You shook your head, "I’m not… I’m not good at this," you admitted, your voice uncertain. "At understanding what people mean, or knowing if they’re being serious or not. I don’t know how to read you."

Rafe’s eyes softened even more at your confession, and he took a deep breath, like he was trying to figure out how to make you believe him. "I get that," he said quietly. "And I’m not always great at this either. But I’m serious. I wouldn’t lie to you, especially not about this."

You wanted to believe him. More than anything, you wanted to believe him. But there was still that tiny voice of doubt in the back of your mind, reminding you of all the times you’d been wrong before, of all the times you’d trusted someone only to be let down.

You hesitated, your throat tight. "I don’t know if I can."

He didn’t push, didn’t demand anything from you. Instead, he just nodded slowly.

"That’s okay. You don’t have to believe me right now. But I’ll be here when you’re ready."

And with that, he stepped back, giving you the space you so desperately needed. He didn’t try to force anything, didn’t press for more. Instead, he just gave you a small, almost hopeful smile and turned, disappearing back into the crowd.

And as you stood there, your heart still pummeling into your ribs, you couldn’t help but wonder if you’d been wrong about him after all.

[triaelf9]

Just a lil post about Taash and how I'm feeling about how ppl are reacting to them as someone who relates to them very strongly not only on the gender journey front, but also on the mom-issues front.

Cut for length b/c of course this won't actually be a "little" post lol

So I hear a lot of "Taash is too young" "Taash acts like a child" "Taash is too brash" "Taash has wildly binary views of the world" "Taash is thinks their reality is the world's reality" etc etc etc

And I'm here to say that as someone who realized that non-binary was a thing later in life, grew up trying to be them, but society was not only unwelcoming to that, but openly hostile at points, with a mom who had totally different interests, who very much wanted to protect them from the outside world to a point where it left them unprepared to deal with nuances of the world, etc, a mom who thought they were "just doing their best" but was never meant to be a mom, and never wanted to be a mom, didn't have the tools for mom-hood, who wanted to protect their child, but had no real idea how, and how every comment turned into the mom trying to steer her kid the right way, but just came out as a dig or a "you're not good enough" remark, AND looking after your mom in a world that is wholly unsuited to her, that she can't really adapt to and fit into, and kinda becoming her mom to a point so that your life completely revolves around her until you leave home?

Yeah. I get Taash. It's actually kinda freaky how, fantasy elements aside, I get Taash on a frightening level. (aside from the dragon stuff, we're both the same with that HELL YEAH DRAGONS)

Taash doesn't read young to me because I've always read young because of how I was raised. I didn't get the chance to figure myself out until I left home. I also had the benefit of being able to leave for college at a younger age, and got a chance to experience things away from my mom earlier. But seeing things in such a binary way, that's how it is when you're protected like that.

You don't want to admit how similar you are to how your mom sees the world, b/c she sees it in one way, and as you go through life, you get to learn differently. You come out of this situation INCREDIBLY judgmental at first. Why aren't THESE things conforming to MY reality. You come across as brash and childish. And when you get treated as such, it's triggering b/c that's how your mom treats you.

You hate how you look, you think you look like a freak b/c your mom is constantly commenting on your appearance. She does it out of love (she wants you to be healthy & not mocked by your peers) but she doesn't consider that constantly telling you not to look a certain way does damage. My self confidence only recovered in my thirties. I'm 4 days from my 38th birthday, and it took getting pregnant to finally be like "you know what, I don't hate myself & my body" which is MASSIVE for me.

So where do we get our self confidence? In things we enjoy, in hyperfocuses that we're good at. For me that's comics, naginata, fantasy & DA lore lol XD For Taash it's dragons, fighting, and working out. And when we falter there, it's devastating b/c it's the only way we can feel good about ourselves b/c our SELVES are disconnected and tucked away b/c they make us feel bad.

So I totally get how Taash reads to people. The autism aspects are more like my wife (who is autistic & has issues with social cues, while I'm HYPER AWARE of social stuff which fuels my anxiety b/c of the type of person my mom was and how I had to look after her), but I get it.

But it makes me sad when I hear people dunk on Taash as "bad writing" and "unrealistic" and "annoying" and it's like...is that how you see people like that? Is that how you see me and people like my wife? I feel like people aren't willing to look deeper so often (an issue with all the companions tbh & some day I'll have to get into my Davrin feels b/c BOY do I have them. Neve too, WHOOF) but I feel like if you do that in a game, I hope you don't do that irl.

anyway TLDR this is a Taash defense post b/c while they have a lot of issues, stuff they need to work out & have wrong opinions on stuff, they're growing, they're learning & they have to do it later than most. They're an incredibly complicated character with tons of nuance, and I can't wait to get deeper into their story and banter with companions in round 2 of my playthroughs, and then again in round 3

Sorry this is too long, and I'm sure not all of this was intended when they were written, but this is how it all clicked with me as someone who has lived a large portion of that stuff. Like, again, I'm nearly fucking FOURTY and I don't feel like I should be there yet b/c I started so far back. It ALSO doesn't help that ADHD wild child I was, I was held back in preschool b/c neurodivergence also makes a kid read younger, AND the choice to have me be the youngest in the class would have been a very bad one. So I'm older than most of my peers BUT I've always read younger, felt younger, and have had a sore spot when it comes to all that.

Thank you for coming to my Taash Talk, I'll be here all week to think about more stuff, including how their body makes them read as lady, and they're not sure how to feel about that, but they don't want to CHANGE it, but is it right?

ANYWHO this is why Taash is a fascinating character & deserves better than to be regulated to "annoying kid"

[thehmn]

It might simply be that I don’t frequent ADHD forums enough but I haven’t seen a whole lot of talk about learned social withdrawal.

As a child I made friends left and right but as we all turned into self-conscious teenagers it slowly became more and more difficult for me. Plain and simple, other people thought I was weird. For some reason I never got bullied which I think is related to something my teachers kept telling my parents “She’s such a sweet, bright child and we can tell she’s not malicious or trying to be disruptive on purpose but we can’t teach her anything”

Basically people couldn’t figure me out. I had good social skills with both children and adults, I had a good moral compass, i felt compassion and empathy for others and was willing to go against my friends if I felt they were being bullies, I taught myself English and my drawings showed good observation skills. Because of all that it was decided I should start school a year sooner than most kids and my parents were very proud. Unfortunately that’s probably one of the main reasons why I was never diagnosed with raging ADHD as a child. People soon realized I didn’t do well in a school setting but assumed it was because I “wasn’t done playing” and my ADHD symptoms were interpreted as childishness.

So as I got older my classmates started to distance themselves from me. They were always kind and friendly but they didn’t know how to deal with me and ever since then people have always been worryingly comfortable with calling me weird to my face. I get the impression it’s because they think it’s a choice on my part. To them I’m clearly of “normal intelligence” so I must be acting like this on purpose and my parents would repeatedly tell me to “just act normal” as a child when I told them I was struggling to make friends. I tried so damn hard but kept failing. I knew something had to be different about me and when I first heard about ADHD I thought “That’s me! That’s how I feel!” but my parents said that was impossible because I wasn’t hyperactive.

Because nobody wanted to help me I eventually learned to just stop trying to make friends and keep to myself. I was so tired of being told by friendly, well-meaning people that I was so weird and quirky and unique only for them to distance themselves once they realized it was permanent and not something I could turn on and off for parties. I always enjoyed being alone so it wasn’t a huge loss but it did feel incredibly lonely at times.

Things got a lot better when I became an adult, mostly because adults are generally more chill than teens so my ADHD behavior isn’t as embarrassing to them and ironically they’re often surprised to learn I don’t make friends easily. Unfortunately I learned to be withdrawn in my formative years so new friends are still a rarity. Before I really sat down and put my past into context I even started to wonder if I had autism despite not connecting with anything autistic people said about their experiences. I went as far as to be tested but wasn’t surprised when the diagnosis was negative because of course it was, I kinda already knew that. I was just looking for an explanation.

So while there can be overlap between ADHD and autism (I have just such a friend) my experience is also that oftentimes people with ADHD simply learn to stay away from social situations and entertain ourselves which ends up looking like autism to outsiders.

[bullywugprincess]

As an autistic person, I think some autistic people (and neurotypicals attempting to be good allies) are sometimes doing more harm than good with how insistent we are that autistic people are as capable of achievements as anyone else.

I’m feeling quite tired right now and writing this first go without thinking too much about how I’m wording it, so please bear with me while I explain how I mean that. Basically I just saw a post of a father saying his son is autistic and has struggled to get a job because of it, but he was a really polite, sweet young man, and because of his personality one employer overlooked his struggles and gave him his first job. The post was him showing pride in his sons hood personality and spirit, and half the comments were autistic people saying it was patronising and “of course he can get a job, autistic people can do normal things and achieve things like everyone else.”

And look. I get it. We’re tired of being treated like children. We’re tired of being the subject of “inspo porn”. We’re tired of people acting like we can’t do things just because we’re autistic. But I think a lot of autistic people who are more well adapted and low-needs (again please excuse my terming, I know we don’t use low functioning/high functioning labels anymore but I don’t know what the alternative is) get offended by people acknowledging that some autistic people DO struggle, whether it’s with making friends or academically or with getting and keeping a job. Statistically speaking 3 in 10 autistic adults are in full time employment, compared to 8 in 10 non-disabled adults. And yeah that statistics probably off because of how many people go through life undiagnosed, but the point still stands. Because of learning difficulties, problems with socialisation or being unable to cope in a work environment due to sensory and other issues, many autistic people are unable to work. I don’t know the situation of the son from the post, but it is clearly something he’s struggled with, and the dad is not being patronising by acknowledging that struggle and praising him for overcoming it. By responding to a post like that by saying “of course autistic people can get jobs”, you are doing what ableists do. You are implying that people who can’t work because of their autism are actually just not trying. You are making autistic people who feel really proud of themselves for getting a job despite the difficulties they face seem stupid for it. And, if you’re not careful, you become someone’s excuse to claim autistic people don’t deserve accommodation or disability allowance/benefits because “they don’t need it, autistic people are perfectly capable of getting jobs.”

Another thing to consider: think about that person who said “you’re autistic? But you don’t behave like my 7 year old nephew? That’s not what autism is.” By saying autistic people can do something because YOU can do it is setting a rigid view of What Autism Is. Which like. We’ve all established is bad.

Again I’d like to apologise for how badly worded and ramble-y this is but autism is a disability, and it effects everyone with it differently. Let’s not diminish other people’s struggles

[peepeepy]

a lot of people who've watched gravity falls think that stanford is unsympathetic or a bad character, and most of the people who dont think that think stanford is at least selfish and flawed, which i can't really refute, but it always made me feel so awful, and i never realized why until now.

if you look at stanford pines as an allegory for a child with a developmental disability like autism or a "gifted kid", then a lot of the pieces start to fall together.

⚠️spoilers for gravity falls, the website, and maybe a bit of the book of bill⚠️

stanford pines was born with an "extra finger", a symbol for a disability. for a while, everyone thought it was a flaw. he was teased and shunned by his peers,

but then, people began to notice his genius. it even says on thisisnotawebsitedotcom.com, when you enter "sixer" or "stanford", that he has a "hyper-ability", something many people will say about "gifted" autistic people.

as soon as people started to point this out, everything felt like it made sense to ford. as a person who grew up with autism, i can relate to feeling alienated from my peers, and wondering "why? why, in a world made for normal people, was i made wrong?"

that kind of thought can lead to a sort of delusion.. that maybe you were destined for something great. maybe you were different because one day you would use it to change the world. i believe this is the way ford felt when he was approached by bill

bill came to ford and told him everything he'd ever wanted to hear.. that this feeling was real. that he was destined for greatness. that he was better, smarter, more special than the ones who had shunned him.

bill told ford that building the portal would make him a hero, make people finally see him as more than an extra finger. the one problem?

bill was a liar.

he used ford's selfish thoughts to trick him into making a gateway that would end the world. he used the years of mockery, the alienation, the loneliness, and he came to ford when he was alone, trapped, with nowhere to go.

he offered ford the opportunity to get back at a world that was built to knock him down at every turn, a world full of people who would never understand him. he offered to make ford a god.

and ford refused

he refused, even in a world that had done nothing but tear him down, to hurt others just to feel better about himself. he only had a few people who had ever cared for him, and yet, he was willing to destroy his life's work to save everyone who had made him miserable.

remember, he fully intended to stay trapped in the portal for all of eternity. that's why he was so frustrated when stanley brought him back. what we saw as a heroic act from stanley, ford saw as stanley refusing the sacrifice he had made to save him. he didn't thank stanley because nobody thanked him. no one thanked him for his hard work or sacrifice or his years of suffering just to protect stanley.

that, of course, led to this scene, which many people saw as stanford's most frustrating moment.

i think this post sums up really well why stanford, in this dire moment, would choose to insult his brother. because stanley was being selfish, too. stanley refused to help save the world, save his brother, all because ford never said "thank you."

they were both selfish. everyone is. they didn't fight because they were bad people, but because they both saw things from their own perspective. they were each hopelessly lonely without each other, but both too prideful to admit it.

in the end, they make up, and both follow their true dream. not money, not fame, just staying together.

stanford pines is not a bad, unsympathetic character. he is a complex, misdirected, "gifted" child. his only flaw was not seeing that he wasn't alone. his family was right there to support him the whole time.

[bunni-v1]

hii, can I request "First Years Finding Out Your A Girl" with sebek and ortho please?

Ortho and Sebek Find out You’re a Girl?!?!?! (NOT CLICKBAIT!!!)

TW: Swearing (as usual lol); Ortho being creepy; Misogyny mention <3; Reader goes by she/her and is biologically female; Book 6 spoilers (very light, but still there); Bunni hasn't read Book 7 and therefore doesn't know what they're talking about :)

Info: Ortho x Reader; Sebek x Reader; Fem!Reader; Platonic

🍓Hi. If you’ve read the first part of this, I copy pasted the intro. Not because I’m lazy or anything (I’m a little lazy, but I’m a full-time college student who also has a part-time job, so I think I can be excused.) It’s mostly because… It’s a good intro. If people are just discovering this stuff then they can read it, but if you’ve read the first part you can just skip to the good good yk. Anyway, long-ass babble session, but I didn’t include Ortho and Sebek initially because they’re kind of new to the First year group so idk. Felt weird including them. Also, I haven’t read book seven so Sebek I bullshit a lot lol. Anyway, they’re here now, and I absolutely ADORE Ortho, so sorry if my favoritism shows.

First Years

Second Years

Third Years

Dorm Leaders

-Okay so, I know we’re all wondering, how the hell do you get away with hiding your gender for so damn long?

-Firstly, those ceremonial robes do great at hiding the figure. The only tell would maybe be your hair, but feminine men aren’t unwelcome at Nightraven College, so you mostly get a few questioning stares and that’s it.

-Secondly, Crowley wants to save his own fucking ass. He already has to hide from the press that he has a MAGICLESS student from ANOTHER DIMENSION here, he doesn’t need the fact that you are a woman ALSO on his plate. So, obviously, he helps you hide your gender from others.

-Grim knows, of course, and he keeps his mouth shut for a few yummy cans of tuna (and threats of being expelled from Crowley <3)

-Even when you were just a janitor, he couldn’t have the rumor that he put a “helpless” young woman to work. (Like it wouldn’t be expected.)

-So how do you two do it?

-Baggy ass uniform. Crowley gave you at least three sizes too big.

-Your figure is completely hidden. Sure, you look completely homeless, but at least you’re hidden.

-For your voice, you simply deepen it. After some point, you blackmail Crowley into giving you a potion to help with it, since it's so taxing on your voice. (Or maybe your voice is naturally deep!)

-Sam provides you (for an unfairly pretty penny (not too different from your original world…)) any feminine hygiene products you might need.

-Honestly, you’re set for being cared for, but it’s the adjustment period that’s the hardest part. 

-Truly, it’s very jarring to suddenly be thrown into both a magical world and be isolated in a man's world with nowhere to hide.

-At least in your world you had other women who could understand your struggles. Here though? You’re completely alone.

-You notice how… messy some of these guys could be. How some of them smell… really rancid. -How rough they were with you and each other.

-Honestly, it’s kinda eye-opening. The way men show affection to each other is oddly refreshing to watch and experience!

-Ace and Deuce specifically are a good… trial run.

-That’s not what we’re here to talk about though…

-For the most part, it's incredibly easy to hide yourself for the first while on campus. Everyone on campus is so self-absorbed that they don’t bother questioning you.

-Your only real risk factor is Savannaclaw, but it's easy to avoid those guys (minus Jack, of course).

-However, you can only hide your gender for so long… It’s mentally draining to keep up this facade all the time around people you care about.

-So… how do they find out?

Ortho 

-Okay, so Ortho is a little creepy weirdo. He’s a highly advanced robot who likely has autism, and loves his big brother a whole fucking lot. 

-(Side note: Can a robot, child, or thing have autism? Does that mean Idia programmed Ortho to be autistic? How silly of him.)

-It’s my personal head cannon that Idia DECKED this kid out in as much high-tech gear as he could get his hands on. 

-He’s equipped with some of the most complex medical features, therefore he has access to a database of all students at NRC’s medical files. (This is not legal, but he does not care for the law.)

-“But Bunni, what does that have to do with the prefect?” Well, Ortho is ALSO equipped with the latest medical scanner on the market.

-Think like Baymax, yeah? He can scan everyone one time and know every piece of medical knowledge readily available.

-Well, Ortho, the sweet little creep he is, automatically scans the medical information of any new person he sees/meets into his database — just in case it may come in handy.

-So, before he even KNOWS you. Before he speaks a single word to you, he knows you’re biologically a female.

-He scanned you without thinking and just shrugged his shoulders at it.

-You’re not from here, and you got thrown into this, so you being a woman doesn’t really matter too much to you being at NRC. 

-It honestly could’ve been anyone getting stuck here, so why should he question it?

-However, he notices that you are referred to with exclusively “male” pronouns, so he marks in your file that you are trans and moves on. 

-Again, who cares? He’s a magical robot guy based on his brother's dead brother. Who was he to judge?

-When he finally ACTUALLY gets to interact with you after being welcomed into the first-year squad, he’s very respectful of your gender.

-You are a man to him, therefore he refers to you with exclusively masculine pronouns.

-However, everyone in your little group already knows, and they assume that Ortho knows. So when they speak about you, they use feminine pronouns.

-Ortho, sweet as he is, immediately questions everyone as to why they’re misgendering you.

-Protective of the people he cares for at heart, he doesn’t like the idea that your so-called closest friends are misgendering you behind your back.

-Doesn’t believe them completely when they explain, so he goes to you because you’re the only one who knows who you really are.

-“Prefect!”

“Hey, Ortho! What’s up? Miss me?”

“Of course I do, but I have a very important question.”

“Sure, what do ya need?”

“Are you a woman?”

-At this point 90% of your friends know, but there is a handful that doesn’t… and you can’t be having that.

-You, of course, assure Ortho that you are not only a woman, but that your friends are not misgendering you behind your back.

-Relieved, he takes several of your friends off a hit list and removes the trans man label on your medical chart.

-Asks why you hid your gender in the first place.

-Promptly adds Crowley to a hit list (again).

-Ortho, out of EVERYONE at NRC, has absolutely zero behavior changes toward you. 

-He’s equally protective as he was before, he spends the same amount of time with you as usual, he doesn’t suddenly have some weird crush on you, and he’s still trying to set you up with Idia.

-Honestly, everyone should take notes from Ortho. He’s the best at this whole thing.

Sebek

-On the other hand… do not take notes from Sebek! He sucks at this! He sucks really badly!

-Out of all the first years, Sebek is not only the least close to you, but he is also incredibly mean. So you just… feel no obligation to tell him.

-In fact, you kind of… sort of… actively leave him out of the loop for a really long time.

-I mean, it's not an unreasonable thing to do. He is constantly berating you and putting you down for being human. You have no idea how he feels about women and you don’t want to find out first hand.

-In all honesty, he is the only person (other than Azul and the twins) that you’re really scared of finding out, and take extra precautions to ensure he doesn’t find out.

-However, you attend NRC, and nothing ever goes your way at NRC.

-Despite every precaution you take to keep your gender under lock and key, you overlook one thing.

-Malleus Draconia.

-His complete and total lack of social awareness is your downfall here. He finds out, and despite everything telling him to keep his mouth shut… he doesn’t. Because of course, he doesn’t.

-At this point, you’ve gone through most of your misadventures, and most — if not all — of your friends know you’re a girl.

-Hell, even Silver knows now. Everyone BUT Sebek knows.

-And he finds out because Malleus casually mentions it over dinner. Not even directly about your gender, he just uses she/her pronouns.

-Sebek, being Sebek, respectfully asks Malleus if he meant to say he. Malleus, of course, says no without a second thought.

-The shock and horror on Silver and Lilia’s faces was enough to be further confirmation.

-And Sebek’s world shatters.

-He was completely left out of the loop and also has a moral conflict now.

-As much shit, as I gave Sebek (as everyone gives Sebek) he RESPECTS women. His queen is a woman, and his mother is a woman. 

-In his eyes, women are some of the strongest people around. Regardless of if they’re human or not.

-You, on top of being a human from another realm who had successfully quelled several of the strangest students at NRC’s OVERBLOTS and came out on top, was also a woman.

-If that wasn’t strength, he didn’t know what it was.

-However, his bias against humans strongly clashes with his respect for women in this case.

-And it just… messes with his head. 

-He doesn’t treat you worse, in fact, he’s just… really awkward around you now.

-He doesn’t know if he should apologize or berate you for being a human, so he just stays stiff and glares at you.

-It's honestly more scary than him constantly talking down to you.

-However, once the two of you actually befriend one another, he apologizes to you. For everything, and explains where he’s coming from. Why he acted the way he did, how he really feels about you, and all that sweet shit.

-Afterwards, he is genuinely the best at keeping your secret (if he even needs to at this point).

-If there is anyone you can trust to keep his stupid mouth shut at NRC, it's Sebek. 

-His honor and pride force him into silence when it comes to secrets he promises to keep.

-In fact, if anyone is on your trail about it, he’s the first one to jump in the way and scare them off/shut them down.

[weemietime]

https://www.tumblr.com/weemietime/767670429687152640?source=share

I suppose it was easy for me to fall into the Hamasnik trap due to my habit of black and white thinking, which I wish I could blame on my autism, my ocd, or my horrible mental state, but I’m just incredibly stupid lol. But yeah, I was very much a hamasnik myself.

For some reason my mind refused to accept or recognise the nuance of a history that I wasn't even well versed on in the first place. I also think that the constant reductionism presented to me played a part. There’s a lot of reductionism that goes on within the Hamasnik circles, and it goes hand in hand with anti intellectualism. Statements like “this isn’t complex! How can you see these videos of these Palestinian children (videos that I later found out were actually from Syria, but I couldn’t tell, I just ate it up) and think that Israel/Palestine is complex!”

The whole thing of blocking everyone who has a different opinion or ideology (the ideology in question being Zionism, or at least what hamasniks consider to be Zionism) from you and refusing to follow certain news channels because they’ve shown sympathy for those who have a different ideology from you, refusing to read certain books from authors who have expressed empathy for those same people, all of this together effectively creates an echo chamber of the same opinions and views being regurgitated over and over and over again constantly.

Then sprinkle in constant videos of people dying and blood everywhere, videos that you don’t even know where the people are from, whether they be from Gaza, from Syria, Lebanon, or Yemen, but it doesn’t matter because they speak Arabic so it MUST be about the Gazans specifically according to the Hamasnik group you’re apart of, all of these videos you’re being told to constantly watch over and over again because according to the Hamasnik cult you’re in, “if you look away from the violence even ONCE, you’re complicit in genocide! You’re personally responsible for genocide if you look away! The people in Gaza never get a mental health break or comfort so why should you?”

That very same rhetoric is the reason why a lot of you Jewish people can’t find yourself able to escape on fandom spaces and shit like that, the antisemitism you encounter in spaces you thought you were safe in? Yeah it’s because these people are being told that they have to constantly talk about what’s going on in every single space they’re in and that they can’t look away because if they do, they’re considered complicit in the killing of Gazans so they have to let everyone else know the same.

There are a lot of people who are purposefully antisemitic, don’t get me wrong, this isn’t me excusing anyone. I’m just saying that a number of these people genuinely believe that they’re doing something for the greater good by constantly being antisemitic. They don’t consider themselves antisemitic because the echo chamber they’re in has convinced them that Jewish people aren’t experiencing anything, that Jewish people are fine. That it’s the “big bad” that they’re hurting, not the Jews. It’s the “big and scary Zionists!” At least that’s what happened in my case. Constantly told that if I took a break even once, the blood of the Gazans, the blood of every. single. person in Gaza, would be on my own two hands.

You might not believe me, but when you’ve trapped a person in an echo chamber like that, it’s very easy to convince them that an entire country is evil, that every single Israeli is wicked and corrupt and should die and that anyone who expresses an ounce of empathy for them is a “Zionist” and should die as well.

You could’ve told me anything a few months ago. Absolutely anything bad about Israelis and I would’ve believed you. Because I’d scroll social media and see videos of children dying, people being beaten, buildings being destroyed, everything. Then I’d scroll some more and see videos of Israelis doing everyday things, videos of people having fun, videos of people eating, etc, and I found it so unfair that they (according to hamasnik rhetoric) were living in absolute peace while Palestinians are dying right next to them. Then I’d scroll some more and see videos of the IDF (I actually don’t even know if the videos were even of the IDF or not, but as I said, you could’ve told me anything and I’d have believed you. I genuinely believed that it was the IDF) shooting people, beating people, etc. And I was told to look at these videos everyday, every hour, every minute, every second. A lot of the Hamasnik mouthpieces take advantage of the average westerner’s inability to understand Arabic or Hebrew, so there’s a lot of mistranslated videos of Israelis saying they want every Arab dead, a lot of mistranslated Al Jazeera videos of people in Amsterdam for example, saying “يهودي قذر" (dirty Jew) with the wrong captions on and then us non Arabic speaking cult trapped people are none the wiser to what that means because we refuse to engage with any sources that won’t fit our narrative, because we’re complicit in death if we step outside the narrative.

I don’t believe that Zionists should die, but I did. I don’t believe that the hostages should suffer, but I did. I truly believed the worst of things, and perpetuated horrible antisemitism, because I genuinely believed that I was doing good. I found myself justifying unspeakable acts, and saying unspeakable things, things that I would have whole heartedly condemned prior, because I genuinely thought I was doing something right. For example, prior to me falling into that cultish trap, I would’ve wholeheartedly condemned saying a slur coined by David fucking Duke. But after? As I said, I was doing and saying unspeakable things.

I would watch videos from Hamasniks everyday, perpetuate antisemitism everyday, go to sleep and dream about that stuff, and wake up and do it all again, first thing in the morning. A vicious cycle.

And unknowingly somewhere else around the world, some Jewish or Israeli person would wake up, witness antisemitism everyday, witness people wishing the worst upon the hostages, the Jews, the Israelis, the Zionists, everyday, go to sleep terrified for what’s happening to their people, and wake up and see it all again first thing in the morning. Another vicious cycle.

I wish I had a better answer for you, I do. An answer that’s more digestible and less disturbing. I wish I could undo everything that I’ve said and done to the people I’ve hurt whether that be in real life or online. I truly am sorry, and I wish that an apology would fix everything, but it won’t. I wish that all the pain I inflicted on all the Jewish people and Israeli people could be taken away and that I would feel that pain tenfold.

If it’s any consolation or solace, I hate myself more than any of you combined. There is nobody who hates me more than me at this current moment in time and I absolutely do deserve every ounce of pain inflicted upon me, whether it be mental or physical. If you wish death upon me, just know that I do agree with you, but unfortunately previous attempts have failed.

I deleted all of my old posts from that period of time to avoid people getting hurt by them anymore, but I think I’ve done too much damage for me to be a good ally, so I just say nothing now, but I truly do wish the best for all of you and I wish that all of this would stop and that the hostages will be found, hopefully alive.

My apologies for writing a whole Bible in your asks, I truly didn’t mean to.

TLDR - reductionism and anti-intellectualism combined with trapping yourself in an echo chamber of regurgitated rhetoric and constantly regurgitating said rhetoric is a quick way to find yourself dabbling in extremism.

To avoid falling into a trap such as this, avoid generalisations of races, ethnic groups, and the like, look for nuance, try hear people out even when you don’t understand them, instead of blocking them (this is in reference to me blocking every single person who opposed my hamasnik ideology at the time. You should probably block hamasniks, they tend to harass Jewish people a lot), and remember that if someone tells you that a whole war isn’t complex, they’re lying. It absolutely is.

I hope you've been able to see the other responses your other ask has gotten as well! Truly, you aren't someone who I hate. Personally, I do forgive you. Other people may not, and that's their right. But I know first-hand what it's like to be radicalized and to not only commit to extreme rhetoric but also extreme actions. I've learned to have compassion for myself, and I hope that with time you will undergo a similar process.

Someone else said it, "you can't hate yourself into being a better person." All of us, as beings, grow with love and kindness. War is hard it's horrific, and hellish. You're constantly exposed to this violent imagery, this extreme rhetoric, and your whole friend groups are getting in on it. I understand exactly how it happens, and I do have sympathy for it.

To me, the most important part of your story isn't the worst shit you've ever done. It's this part. The part where you learn how to be better, and so you do better, and reach out across the divides and bridge those gaps that have formed. That is a very human story.

[alexthebordercollie]

Ford's autism

K so I don't think I need to defend the interpretation Ford is on the spectrum. People make jokes about him being autistic all the time. We all see it. What I want to do here is sort of connect together some character details and examine them through the lense of my own autistic experiences.

I wanna start with his hands. It's an observation I've seen from multiple people that Ford is insecure about his hands and often hides them behind his back or in his pockets. And yeah, he is obviously insecure about them. He even mentions his six fingers at times when they aren't really relevant to anything. It just showcases the space this physical deviation of his takes up in his mind. And yes, it makes sense that he's insecure about them because he was bullied for them growing up. I want to add to this observation.

Ford would have been bullied regardless.

The problem was never really his hands. When you're on the spectrum people around you can tell that you're weird. Uncanny. Something is different and feels wrong about you to NT people, especially kids. They will pick any shallow superficial thing they can find as an excuse to bully you and justify the sense of revulsion they feel around you but can't articulate. If Ford had been born with normal hands they just would have made fun of him for something else, it would have been his glasses, or the movies he liked, or hell maybe some good old-fashioned antisemitism. Literally, any excuse they could find.

I know growing up I tried for years to change the things about me that I was made fun of for and it never made things any better. The bullying never stopped. "Fixing" things about myself didn't work because the thing that was actually "broken" was something fundamental to who I am. That realization as a kid was soul-crushing. That there was nothing I could do that would ever make me "normal", that would ever make people like me. I felt like an alien born on the wrong planet.

Ford continues to latch onto his hands as a sore spot because they're something simple and obvious he can point to as an excuse for why he's so outcast. He probably knows by this point that the hands aren't actually the problem. I'd argue this journal entry and his comment about "another failed social interaction" shows that he's aware his hands aren't actually the problem. But, it is a lot easier to fixate on those than to dwell directly on that sinking feeling that at the core of you're being you are fundamentally weird, wrong, unlovable. Ford's a genius. If his polydactyly bothered him that much he could have removed the extra digits. The hands aren't the problem, they're a symbol of a more fundamental kind of pain.

Looking at it through this context also makes the gloves Fiddleford gives him an extra sweet gift given what they represent. A kind of wholehearted acceptance of who Ford is and even a willingness to adapt to his unique needs just to show him love and affection. I think something that hurts me so much about their relationship is that Ford had someone who very clearly loved him as is and would have never wanted him to be someone or something else, and Ford was too stubborn to fully appreciate that.

The same is true of Stanely by the by. He never had a problem with his brother being weird. Another relationship with someone who loved Ford as is but who Ford took for granted. He needs these kinds of relationships in his life. People who embrace and accept him for the weirdo he is. He needs them desperately, which gets me to my next point.

Ford's ego. So it's also a common observation that Ford has a massive ego. He's kind of an ass, to put it mildly. But I have had someone in conversation frame it like the pressure to prove themselves was just on Stanley and Ford just spent his whole life being hyped up and told he was hot shit. This isn't true, or at least it's a flattening of his experiences.

Ford was praised for his genius. This is true. But his own father only gave a shit when said genius showed signs of netting material gains for the family. It only mattered cause Ford could be useful. Furthermore, this genius never netted him social acceptance from his peers growing up. He was still a bullied, weirdo, loser most of his childhood. Add that seeing Stanley kicked out would have drilled into Ford's head that if he couldn't make something out of himself his family wouldn't want him either. Stan was an unspoken threat of what this family does to failures.

Gonna bring up my own personal experiences again. Having set the stage for how it feels growing up on the spectrum. That feeling of alienness that you can't really explain. I loved to write and draw from a very young age. Moreover, as I got older I realized that when I drew, people were nice to me. The only time I got social acceptance was when people were admiring or praising me for my art. So I did it more and more, I devoted myself feverishly to my art. I loved it anyway and would have hyper-fixated on it regardless but the positive reinforcement turned art from something I loved to a need. I NEEDED to be an artist. I needed to be the best at my school. I needed all eyes on my work because it was the only way I could make friends. The only way I could prove that I had value. That I deserved a place in society.

I see that in Ford. I see his ego not as shallow narcissism but as an overwhelming need to prove his value as a person. To be loved and accepted and believing that no one will want him if he isn't brilliant. If he doesn't change the world. If he isn't useful. This is also why he couldn't bring himself to destroy his research even knowing it was the safest and most responsible option. Burning down everything he worked for would mean finally giving up on the fantasy of ever being accepted or valuable.

The sad thing is he's so single-mindedly fixated on this personal goal of proving his worth to the world that when people do come along that love him unconditionally he takes them for granted. These people are statistical anomalies in his life. Nice to have around, but not enough to fix the bigger problem. They aren't reflective of society at large. They aren't enough to prove that he, personally, is loveable. Just that on occasion he meets another weirdo. For a while it's nice. Like a campfire in a barren tundra. But he has to keep moving, he can't stay. Warmer lands are ahead if he can just get to them. If he can just keep moving.

This also is why Ford was so susceptible to Bill. Bill told Ford what he wanted to hear. That he was destined for greatness. That, the fundamental wrongness he felt all his life was something incredible other people just couldn't see. Bill promised Ford exactly what he wanted, but not what he actually needed. Ford never needed the world at large to accept him. He just needed a few good people.

I also think his chemistry with Bill was connected to his autistic experiences as well. Bill is literally an alien. There's no pressure to mask around him. To try and "act normal". Ford can just be himself with Bill and not have to think about it. And sure, he could be himself around Fiddleford, but Fidds is still human. The anxieties of human social expectations are still present. Like when Fidds get him a gift for the holidays and Ford feels a bit guilty that it didn't even occur to him to do the same. He doesn't have to think about these social nuances with Bill.

That said I'm sure Bill isn't what his world would have considered neurotypical anyway. Not that Ford would know that. But Bill was also a strange freak in his own society. Just as outcast, possibly more so. I think Bill sees a bit of his own experiences reflected in Ford. I think he relates to him on a level. Not that he would ever admit it outright due to his own ego. I think Bill's fixation on him after the breakup also stems from Ford rejecting the path that Bill chose for himself. Bill still lives with some sort of deeply repressed guilt for what he did. Imagine how validating it would have been to see someone else like him burn their own world to the ground for the same reasons Bill did. But no, Ford's a better man than him, and Bill can't stand it.

Ok, I don't know how to end this long-ass monologue so I'm gonna call it here I guess. I just wanted to spill some thoughts of mine about Ford as a character. If anyone else wants to add to this with other examinations of Ford's character through this lense go right ahead. I'm just saying as an autistic person myself I understand every choice Ford made. I could relate to why he did the things he did even if I know those were mistakes and even acknowledging that he's kind of an asshole. Ford is a strange man who makes an eerie amount of sense to me.