#like tragic i have so many feelings about them?????

[loopyn3]

Great God Grove spoilers/character discussion ahead!

And some spoiler-y doodles

About Hector because of course it’s about him.

His entire arc is just so melancholic and tragic,

If I may, I’ve been taking a sort of deeper look into his mental goop so-to-speak, and I feel like his jealousy/anger surrounding King can be read in a lot of different contexts. It almost seems like it didn’t stop at simply King being the hot new thing and him being nervous he’d lose his place, but more so the idea that King didn’t have to change all that much about herself to be as deified as she seems. From what we know she’s very confident with herself, her God form even being pretty faithful to how she looks as a human(mentioned in the art book which you should totally go buy, it’s so lovely seeing all the concept art and the commentary is such a treat :]).

Meanwhile it’s kind of implied that Hector really had to claw his way up the spire, working tirelessly to help people, yes, but also to earn his place amongst the gods. He’s stressed out of his mind, he’s always working- I really can’t imagine he was all that stable to begin with in terms of self-identity/worth.

Plus, most if not all his relationships seem to be tied to this one purpose. I can’t imagine the thought of “if I fail I won’t have anything or anybody to go back to.�� hasn’t crossed his mind AT LEAST once.

I reblogged a post showing screenshots of Robart and Peeps talking about how, as a human, he tended to act concerningly selflessly, almost seeming desperate. That really doesn’t come across as a normal reaction to just wanting to do good by people, at least not in a ‘normal’ capacity.

Hector, to me at least, comes across as a very self-critical guy. He’s always striving to do good by others… but also to be praised and adored by them. I can only imagine after so many years of toiling away, feeling that pressure building more and more to do well, spending years of his life hoping that he’ll be voted in that he’s sort of lost a piece of himself to this whole process? Something something ship of Theseus.

There’s this thing that happens when a project consumes your life, when it almost seems like your entire life’s purpose is built around this one thing that, once it’s done, it really doesn’t feel like you’ve accomplished anything. What’s left is this sort of numb emptiness, the absence of said purpose.

What are you supposed to do, then? Now that it’s over? Is there anything left for you to do?

Did you even have a purpose in the first place?

So you desperately grasp for new projects, trying to find anything to fill that ever present void that just seems to never go away no matter how many sleepless nights you spend working and working and working-

Or maybe I’m reading too deep into it teehee

Point is, Hector is just so important he is my reason to wake up in the morning he means so much to me asjfkkfksfc ;;;;;

[idkplzhalp]

Hi guys, here's a long nerdy ramble about my Caroline Portal 2 x Miss Pauling TF2 au/headcanons because I've had thoughts about them for years and TF2 comic 7 awakened it in me again to expand on it further. (This is huge I'm so sorry but I gotta keep my title of biggest CaroPauling shipper and I need to spread my truths). I tried to jam as many facts/reasoning as I could into it because I am Portal lore queen and canon info is so important to me to incorporate.

To start this, both are a bit queercoded (GLaDOS subtext of liking Chell + Pauling lesbian confirmation/subtext) therefore it's nice because they absolutely would get along, relate to each other, and being established as queer makes them fit like puzzle pieces together in my head.

(^ I think Valve artists should keep drawing Caroline so I can continue editing their comic versions together, lol, this is all I got)

I think Pauling after comic 7 should go to work at Aperture Science (since presumably she drops the australium down a trench and is living her life, based on the turkey she sends for the Christmas party- shes made the choice to stop Admins cycle and not be cruel like her) and now lives with Caroline as they run Aperture together being sapphics in loveeee. Also we know Pauling is still unmarried then because she keeps the Ms. term instead of Mrs. on the little card from the turkey (also it's the same last name, obviously). Therefore. Cue Caroline entering the scene, because she's not married either (at least not to Cave).

They could've met during the time of TF2 in 1968 because of the Wheatley Ap-Sap, so maybe they met and got along and then Pauling later remembered Aperture after dumping the australium and was like "Hey this is close enough to working for the Administrator". Like maybe after dumping it, she was left wandering a bit trying to find a place to live and sees a billboard for Aperture which motivates her to go there. She could work as an assistant/bodyguard to Caroline, especially in Caroline's time as CEO, or be taught by her how to work in the lab.

When Cave dies, Pauling could be sad because she knows Caroline could've had similar attachments to him that Pauling did for Admin. So she's A) trying to comfort Caroline while she mourns and B) reliving her own grief from Admin. Maybe trying to convince Caroline to break her own cycle of how Aperture is run or work with her to stop GLaDOS..

If Caroline still gets uploaded to GLaDOS, then have Pauling either A) put in stasis and then later during the co-op tests where they free the humans, GLaDOS tests her and is like "WAIT my wife,,, a woman who wont kill me,, I want her" and now Pauling gets to hang out in GLaDOS' chamber while they test other people, B) keeps the australium to protect it and uses that to live forever alongside GLaDOS, or C) is uploaded into a core, it could be the core in The Lab core calibration game that's late and ran to get to the slingshot test since Pauling and that core share a voice actress (Ashly Burch)! It could be that she has less in-depth functions because we know when a person is uploaded to a smaller computer, they don't retain all their memories or full functionality unless they are then switched to a larger mainframe like GLaDOS/CaveDOS (ex: Cave in Aperture Desk Job, unless we want Lego Dimensions Cave core or Cave cube to count too, which contradicts this). So we could make things tragic and have Pauling not remember anything from her human life/GLaDOS could be unsatisfied because we know she more often has romantic feelings for humans (Chell or if including Lego Dimensions then Batman (from the Jonathan Coulton interview on the end song)) and they're now trying to fix it so they fit together again. Maybe GLaDOS gives Pauling GLaDOS' old mainframe seen in co-op mode.

Though Pauling would have to deal with the personality shift from Caroline to GLaDOS and maybe is scared of her because it reminds her of Admin, although GLaDOS wouldn't be as abusive to her and maybe it adds something because of how almost in love/obsessed Pauling was with Admin (trying to stay with her for so long/thinking Admin isn't that bad/trailing her no matter what). It could be complex because Pauling is fighting memories of past trauma with Admin while trying to maintain her relationship with GLaDOS. Maybe Pauling could bring out Caroline's personality more? Pauling is also a bit like Chell (ex: very determined fighter) therefore I'm just gonna say that's GLaDOS' type aha.

Back to the human versions now. Because Pauling got a first name reveal, Flo, we could have Caroline take on her last name, since we don't know Caroline's last name already. Lesbian marriage solving a name crisis 💀. Caroline Pauling doesn't sound that bad!

I think these two would just work really well together since they've had similar experiences and could support eachother/understand eachother like they haven't had before. To me they're both neurodivergant so I feel they could bond over their interests/teach eachother cool stuff. Like Caroline teaches Pauling science and Pauling teaches her about weaponry. Also they could do the activities that Pauling listed doing with friends "skating, look at gun catalogs". Because of that I used to headcanon that Pauling rollerskates and Caroline ice-skates so they do those together. Also Gargoyles and Gravel! They'd dress up as a wizard and witch together when playing or something haha. Also the assistants clipboard of the year conference Pauling goes to with Bidwell, she could go with Caroline and Greg and they all fight over office supplies as they should be. Maybe Caroline teaches Pauling how to bake!

I think working at Aperture, Caroline either wasn't able to defend herself verbally or wasn't listened to, not really being considered or appreciated by the other employees. She's considered modest so I think she was likely conditioned to not appreciate what she did. She's brilliant and incredibly intelligent but being a woman in that position during that time, she was probably ignored by anyone who wasn't Cave a lot. So I'd like to think if she wasn't being listened to and Cave wasn't around, Pauling could swoop in and tell those people off since she's really blunt and will tell things how it is (like in the tough break update when the guy flirted with her and she told him to leave because she was getting people killed for money), and is now a scary guard dog privilege to Caroline, even if Pauling is still a tiny anxious woman and Caroline can probably fend for herself lol.

Uhhhhh and heck, let's send Cave's other assistant Greg to go help Bidwell and Reddy in running Mann Co. That could be really funny to see, I feel they'd all get along. They're slightly more rational than Hale so I think it would be interesting to see what they do with this insane company!

Okay I'm done now, pls tag me in any CaroPauling posts you see because I'm saving them all to my phone to look at them lovingly, I have a collection lol <3.

[prideblades]

every day goes by I think about how Byakuya really is the most tender person but very few see it because he's nobility and upholds an unfair and unjust system because it is his birthright duty.

[firestarter91]

Can I dare admit I’ve never managed to finish The Student Prince, 😳I know it's probably the most popular and top rated fic for many on AO3 and I see so many fans raving about it but I've never been able to get on with it.

There are no gays in football - seriously you don't need to even like football to enjoy this story, it's a really entertaining read.

Nobody moves nobody gets hurt by Leandra is wonderful, I love Arthur in this one especially, I grew so protective of him, there's quite a bit of teenage angst in this one in the first part but it all comes good at the end. Check out their other stories here.

I've still got to read Arcane Asylum.

Currently reading And like the cycle of the year, we begin again, it’s really good, only on chapter 8 but it’s so well done, and engages the reader immediately. I don't really read many "Arthur returns" stories but this captured me from the start - better yet they’ve done three other parts to it which I can’t wait to dive into. That’s my further reading done for the holidays right there. 😊

Piggybacking shamelessly off these recs to add another writer I thoroughly recommend - anything by horsecrazy. So funny, sexy with spots of angst here and there thankfully no tragic endings (I've had enough of all that) and most importantly the writing feels very true to Merlin and Arthur.

I especially love their modern Merthur, reading these it's just as I imagine them behaving if they were transported from the show into modern life, because they can't have the exact same dynamic but they still need to feel like them if that makes sense. They're usually total idiots in love even if they don't realise it to start off with and I lap it up, also the side characters (Morgana, Gwaine, Gwen etc) are all equally brilliantly done.

Hello, I would love to get all your Merthur fic recs/bookmarks 👉🏽👈🏽 I have been scouring AO3 but I’m sure I’m missing some really good ones!!

oh hiii! omg okay well i haven't read merthur fics in quite a bit of time, so these fics are mostly all very old, but here we go! also i've mostly read modern aus, i hope that's your thing hehe.

we are all diamonds by footloose

the student prince by fayjay

hotel camelot by orphan account

awake by cori lannam

The One Where Their (Mother) Tongues Get Acquainted by emjayelle

And like the cycle of the year, we begin again by katherynefromphilly

there are no gays in football by malu_3

This Silly Ol' Dance Is Perfect for Two by slantedknitting

nobody moves, nobody gets hurt by leandra

a summer in delphi by rotrude

Arcane Asylum by newkate

also: please read the warnings and tags properly, some of these fics have ao3 archive warnings and deal with heavy subjects/tropes

[sigsfigs]

never thought i would be without you

i wish you love

i wish you well

i wish you roses

while you can still smell them

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[r0zzk1ll]

"this man, is weird.. CRAZY weird.." "he was always very bright.."

[dontcallpanic]

I love these points SO, So much! I was sat here going yes, yes, exactly! Yes!

Poor Derek not knowing how to get a house or a safe space - that really got me actually and I was wondering if it was also linked to not wanting to have too many good things. So if he has a house or a space he likes, when he inevitably looses it (in his mind) that feels so much worse than somewhere he doesn't care about so much being destroyed. Imagine getting to the point where he restored the Hale House and then it got torn down again... Ffffddd

Also Fuji your point about him having to take out Peter to protect Scott makes so much sense! But also oh god imagine having to be in that position where you have to kill your last remaining family member (from his perspective) to protect this guy that keeps getting you arrested and blaming you for literally everything! I was also wondering about it becoming one of those goals you get fixated on. Like yeah if I can only just get through X or if I can just get more powerful, if I can get stronger, if I can get better, then I can fix it all, then the problem will go away, then I can protect everyone.

Oh also - did you know there are more F's to the trauma response list - some of which I think also fit Derek. They're Fight, Flight, Freeze, Fuck, Friend and Flop. It's to take into account how we often have to play nice, or fuck or play along with perpetrators just to survive. To account for the fact that behaviour can externally look like one thing but internally the motivations are /extremely/ different. And again we don't get a choice in what our brain will select. It's just whatever it decides is our best chance of survival. And again it's definitely not going to look well adjusted, because it's not exactly a well adjusted situation. It's already deeply fucked up.

Oh and Derek having to show that he's useful just to be allowed to exist always breaks my heart. You put this SO Well. Being useful I would guess feels safe to him. You can also see him doing the needing people/pack but being so terrified of loosing them or hurting them that he pushes them away first pattern that you would totally do if you had been through all that. And then throws his own body and life around like some kind of wrecking ball because neither things are of high value in his mind.

Also your line about pleading with Stiles and Scott to stay alive by saying how useful he is totally broke me. You're spot on with that and it's just tragic.

I'm genuinely staggered by the lack of empathy and understanding but I was also thinking about what Pdxtrent said about him being one of the best representations of trauma in media (and I totally agree) and in a really awful way it kind of makes sense that he wouldn't get a lot of empathy or sympathy because real life survivors get treated this way all the time too. His response feels so True to life, it garners a true to life response from many people. Especially because he doesn't play the victim (and I love that for him) most people/survivors dont - actually! Again, you can't always tell motivations just by watching someone's outward behaviour - although you can obviously get a good idea, but there's also a whole internal world driving that behaviour that you can't see. I feel that this is where Derek is at - and at least past of the reason why he's deeply misunderstood.

There's also something there about the extreme expectations placed on young adults but that might be for another time!

Derek Hale has PTSD. I think people tend to forget that he wasn't an ass for the hell of it. He put up a rough asshole front to protect himself. He has the ugly symptoms of PTSD. Does it excuse some of his actions? No. But he does deserve some understanding and empathy.

No matter what age you see him as, he just isn't a 'grown ass man'. He had no idea how to take care of himself. He was still mentally that 15 year old who lost everything and was traumatized beyond reason.

Derek continuously kept being kicked while he was down. The poor guy couldn't catch a break. Like have a heart y'all. He was never a villain. An antagonist at one point, yes. Villain, no.

Trauma literally rewires your brain, and that poor kid got enough trauma before the first episode. Derek needed lots of therapy, he needed friends, and he needed a pack.

Derek could literally trust no one. Not because he didn't want to, but because he couldn't. He tried his best with what he had, which wasn't much, and he fucked up at times. But he kept trying to do and be better.

[hiraganasakura]

Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

[rainbowberriesandcookies]

Pain is being an ulquihime shipper but having to block/avoid most of them because they are weirdly anti-Orihime, anti-bleach ending, or "anti how Kubo wrote Orihime" even though she's one of the most consistently and well-written female characters in Shounen as well as the fact that they try to make Ulquiorra care more about Orihime than he actually did in the manga or even god forbid try to say that Ulquiorra cared more about Orihime than Ichigo did.

[worstloki]

been thinking of Loki as a vengeful ghost/demon that tries to kill Thor after dying on Jotunheim except instead of killing Thor straightup Thor's on a quest following a trail of weird clues and strange happenings across multiple realms sort of? so Loki is just leading him around not showing himself but very much heartbroken in the distance about how Thor just 'moved on'. Meanwhile on Thor's end it's very evident in how Thor handles quests once Loki is gone that he still follows all the advice and suggestions Loki made, and tries to consider what Loki would have done when he does things.

[grapejuicegay]

Okay, friend

[the-acid-pear]

Yesterday I was replaying Deltarune and I was going really insane about it picking up on things I missed on my first playthrough and something that fucked me up hard was this line here

The little ellipsis at the end, almost like you can hear the regret on their voice. Voice of an ad who is realizing maybe they fucked up on this one. But it also made me think of... The possibility of this being a reaction to Spamton's actions.

Because I don't think this was an automatic thing, I feel like their drifting off was gradual. Sure, their jealousy had won them over (I'd have killed the guy or myself if I was them so I don't even blame them) but Spamton was too getting busier and busier the more famous he got, and as they say, that never stopped. He only kept getting bigger, until it all came crashing down. And when it did it was one of them who tried to go find him, after all that.

But I digress, let's focus on the original quote from my favorite sigma enby themselves, Pink Addison. There's obviously not only the regret to it, but feeling like they were abandoned too. Both parties lost a lot and the real tragedy is just how easily it could've have been avoided! Or rather, how beyond their control it was...

But I'll get off topic if I keep speaking so I'll leave it at that. The sheer tragedy that there is to everyone involved just makes me insane. Like I said in a post previous to this; you cannot trace down a good guy or a bad guy in this tale, it's just desperate people taking awful decisions and living to regret their actions.

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[cloudbends]

Oh god. OH GOD.

[ilovemylawyer]

i love the EVIL part of EVILIVE btw. i find fucked up, unnameable unobtainable obsessive life-ending love extremely romantic and delicious. it’s the way things are in the evilive world! things are messy! and bad! and i love it! i (at least currently!!!) do not plan on writing anything pure fluff happiness because that is not something that i wish to extract from this show.. it isn’t there! i have no interest in erasing these harsh realities of evilive in my fics. happy lalala is not fun for me to write, and i won’t do it without a heavy underlying feeling of uneasiness and uncertainty and dread and despair and inevitable death. i like pain :/ and half of this couple is one of the most greedy selfish motherfuckers i have ever come to know and he’s oh so beautiful. so i am sorry if you finished evilive and wanted some kind of fix-it happy gays but i am NOTTTTTTTT the guy for that.