#like thanks i hate it can you not

[kindacreepy-kindaugly]

The urge to complain about the freaky fucking shit he sometimes says vs knowing that absolutely no one wants to hear that shit (I'd know cause I didn't either lmao would prefer to just bleach my brain rly)

(so much tmi here)

[aerequets]

(part 1)

(short comic) (you can otherwise search 'spy x pta' on my profile)

MY GOODNESS. it's been a hot minute since i posted the first part and i guess i just couldn't SHUT UP because this is FOURTEEN PAGES LONG. FOURTEEN. you can even see some pages where the linework is slightly different because i drew it like 6-ish weeks ago, that's how long this has been cooking. drawing in general has been hard lately because of time constraints, BUT i am so happy i finished this. this is like my fav project even tho it isnt as popular, but who cares!!!!! POPULAR IN MY HEART

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[lilybug-02]

Patience and responsibility....that's a promise....right?

Part 27 First || Previous || Next

--Full Series--

An exorcism? In my family-friendly Deltarune? It's more likely than you may think. The backgrounds here were very interesting! Much more complex than how I usually do them (especially that computer).

Player POV:

Feral energy.

[hilsonamore]

i don’t get people who don’t ship hilson because like- what more evidence would you want to convince you that they were in love with each other? Seriously, apart form the kiss and the canonical sex etc etc, what more is there? Love confessions? Done. Over-protectiveness? Done. Self-sacrifice? Done. Longing, loving stares? Done. Everyone else being aware of the tension between them? Done. Taking care of each other during difficult times? Done. Being silly and cute only around each other? Done. Always, even after the worst of scenarios have taken place, coming back together? Done. Literally not being able to function normally if the other is unwell/ there’s a rift in their relationship? Done. Being protective of each other when someone dares insult them? Done. Giving up their EVERYTHING just to be together? Done.

Like, WHAT MORE IS THERE?

[s1ck-pupp3t]

I love, Ms Paint. CHEERS!

OK real art dump over. Click MORE for Real dumb stuff

something something They faces killing me why nobody gaf. Its a Transparent .PNg! You can put them any where to Not Care About.

[brighteuphony]

I love Chiyo- and I kind of headcanon her as a Witch of the Woods (Sands???) archetype- a bitter old woman who has sacrificed too much, experienced and committed more atrocities than anyone can imagine, and who knows the truth about what lies in the hearts of men to live among the villages anymore.

In my AU she's got a pretty dark backstory. Back in time when Villages were just getting established, women weren't allowed to be shinobi in the same capacity as men. There was too much warring and death among the clans to risk women, so they were only ever allowed to serve as spies or medics. (Chiyo started off as a medic).

And like any military/fascist dictatorship, serving the state was more important than anything else- so women who were kunoichi were given missions to steal and return with powerful bloodlines. Even before villages, this was a common fear among clans (which is why so many of them have protective measures and inbreed/arrange matches very carefully).

Chiyo was one such woman, who took a X-rated mission in her youth because she was told it would 'serve her nation'. There was a powerful bloodline whose Kekkei Genkai could harden sand to something akin to Steel- something Suna very desperately wanted.

Chiyo succeeded in her mission, but despite the veneer of 'serving your nation', when she returned, she was considered, in her words, "Just another whore."

Then when her son didn't manifest the bloodline- it was worse, but Chiyo was happy because that meant her son was HERS. (This is when she met Enji, and he saved her son's life at great cost- so Chiyo owes him a blood/life debt.)

Then the war came, and they needed women to fight so now serving the nation meant something different, and Chiyo became a full fledged 'shinobi' and turned her healing towards poison and death- especially when she had to fight the Salamander.

Then she sealed Gaara and that was the atrocity straw that broke the camel's back and she dipped out Suna and retired to an oasis. She's still a healer, but adamantly refuses to serve shinobi.

Once again, thank you so much for these asks and all the support for this AU?

@youngpeacearbiter

[dreadark]

that ivan loves till is the most obvious thing about them

but. does ivan know that…?

the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself

because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"

but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—

surely this selfish wanting can’t be love

...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die

but ivan's feelings for till are all he still has of himself... to think of them as shallow...

I've seen this translated as "I should've been kinder" to him (till) or to her (sua)

but really, the one he should've been kinder to was himself

[pikhachu]

girls when their issues get dismissed as anxiety for the millionth time

[tubbytarchia]

I want to eat your art. Now. Gimme some nice big dog martyn and jimmy. Now.

P.S. IM NOT FORCING! PLS DO T THINK IM FORCING AHHHHHHHH *PANIC HUG*

The human anatomy really really sucks in this. I just gave up sorry dont look at it for too long

(Jimmy portrayed as Eurasier, a breed that requires lots of love and affection and gets easily depressed when holed up in one space, and is a relative of a dog bred specifically to give people warmth. Martyn is a Jack Russell Terrier, a breed that is often stubborn, mischievous and difficult to train)

[iamespecter]

HOLY SHIT I FOUND YOU!! I SAW YOUR FNAF ART LIKE A YEAR AGO ON PINTREST AND I WAS LIKE DAMN THATS PRETTY FUCKING AWSOME BUT FOR THE LIFE OF ME I COULDN'T FIND THE ARTIST BUT I JUST DID, ITS YOU!!

I have no idea which art of mine you found from pinterest but based on what you're implying I lowkey think it's this screenshot redraw I made for the FNAF movie lmao (which I hope I'm right)

Unfortunately you won't get much FNAF art from me nowadays anon, ever since Ruin disappointed me immensely I've just lost most of the hope I've been clinging onto for the franchise, now I'm just here... reminiscing, watching from the sidelines, and making a once-in-a-blue-moon art for it if I'm feeling extra

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[otrtbs]

here’s the thing. the absolute joy and wonder i feel whenever someone tells me they came across ahb! and are now taking an art history course / majoring in art next year / went to their local art museum for the first time in ages is exponential. when yall send me your favorite artworks and tell me about them or tell me you went to x museum to see x painting mentioned in ahb??? it’s just so so wonderful. because never did i think something i wrote out of love for art and love for art history would lead anyone else to research art or talk about it or seek it out for themselves and that’s so much more than i could ever imagine would come out of a very timid first attempt at creative writing/fandom involvement.

i wrote it out of love and y’all have all reciprocated that love tenfold and ran with it to talk about art and explore it and share it with me and those around you. and it’s just been a very special incredible thing that makes me emosh. :,)

[snailfen]

box gave up on her place in the game and drowned. after this, her corpse is dragged around, referred to as a male, treated like she's alive when no one sees that she isn't and no one ever finds out until suitcase finds her in the MeAfterlife, where she's decided to stay all this time despite there being an option to leave and live her life- saying that its not worth the risk to fight her way out because the only thing out there is a cruel, uncaring world where no matter if you do the right thing or not and stand up for yourself- you pay the price for it. this, too, is a trans allegory- (i am swiped off stage by a comically large cane)

[ofbreathandflame-archive]

With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.

The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.

There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.

It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'

Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.

I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.

You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.

Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.

[canisalbus]

I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.

.