#like not tired of them but i just don’t want to need to do stuff for them all the time and living in a flithy home and i don’t even have a

[leavemurph]

sometimes i get so upset thinking what if hotch wants to come back cuz like jack’s in college and he’s home all the time, he’d need something to do?? and the fact that the writers still didn’t use this one excuse to bring him back to emily is just… ugh.

a few comments here and there about his life while he was gone, laughing with old friends who are still friends no matter what, teasing him cuz he tries to call his son and gets constantly ignored with the “dad, please, i’m busy”. then jj’s like, oh yeah, i get it, teenagers gonna be teenagers, and emily’s kinda feeling left out? but it’s cool. it’s just that time’s passing and she doesn’t have that for herself, which is strange, since she always thought she would. but then again, time sucks, this job takes so much, and yeah, maybe it’s too late.

no kids, nope, well, she’s busy. really busy. this thought keeps looping in her head, and a few situations end up making her rethink it, over and over—did i do this on purpose? did i avoid making any decisions that could’ve taken me down that path because, deep down, i felt like i didn’t deserve it?

hotch finds her in her office, asks if she’s okay because she seems so distracted all the time. of course, she doesn’t say anything, she’s not big on venting, but she does ask him if he ever thought about what it’d be like if they’d made it differently all those years ago.

he’s… confused at first, mostly because he’s not sure if this is her way of allowing them to talk about all the stuff they never said, couldn’t say, or were too scared to. so he asks, what do you mean? emily’s tired of dancing around it, they’re older now, more mature, there’s not much left to lose, so she just says, “you knew how i felt about you. that’s fine. i know how you felt about me.” hotch gives her a small smile, and she gets it. she really gets it. “i can’t believe i even considered going with you. like, a part of me really wanted to, so badly. i talked to you about work every day, told you things you didn’t even want to hear, didn’t care. and i kept hoping, hoping that one day you’d ask me to, or even just… i don’t know, say you missed me. my god, i would’ve dropped everything, run off into witness protection. with you. with jack.”

“emily.” hotch looks genuinely surprised, and maybe it’s because she’s holding back tears. “you had all these things here, things you built for yourself. look at you now.”

“right,” she mutters, waving it off with a comment about their previous case, because why get into that now? it’s a waste of time.

aaand…

they kiss for the first time on new year’s, in their natural habitat—at work, of course. everyone but emily is ready to party, but at midnight, hotch brings her a glass of champagne while she’s scribbling reports. she looks up and says, “are you guys going out? i’m gonna have to pass this time, i’m so busy,”

and he laughs because, “you sound like me ten years ago,” while gently coaxing her out of her chair. she tries not to freak out, laughing nervously, rolling her neck to release the tension from hours of sitting and staring at fine print. hotch brushes her hair back, studying her face, and she lets out a deep sigh, touching her tongue to the corner of her mouth. “a little nervous?” he asks, a smile tugging at his lips. “still the same tell, huh? some things never change.”

“i really can’t go with you guys,” she insists, eying his lips, almost on the edge of feeling butterflies for the first time in over a decade.

“heard you the first time. so i’ll be your first new year’s kiss, and then i’ll get out of your hair.” okay, butterflies all the way down to her toes. she barely nods, just a slight movement, before he leans in and kisses her. it’s the best kiss she’s ever had, hands down. my god, she can’t stop thinking about it.

he literally left her to do her job and went out partying with the others. he’s learned to live more than she has over these years, and honestly, it’s not bad. it’s not terrible. it’s nice.

their relationship grows through little moments scattered throughout the season—tender touches, good morning kisses, emily jumping out of bed late, the looks they share. they talk about the moments they’ve lived, the times they wanted to say something and didn’t, or do something and held back. “do you remember that time we…?”

the first time emily faces any life-threatening situation, hotch’s immediate reaction when he sees her getting her cheek stitched up is: “that was really brave of you to do.”

“hotch,” she winces, frowning through the pain as the stitch hurts. “really?”

“okay, what, are you out of your mind? didn’t you wait for backup?”

“that’s much better, thank you. and, no, it’d be too late.”

“almost died,” he crosses his arms, and emily is doing everything she can not to bite her nails. “i’m gonna need you to marry me. is that okay with you?”

and emily’s like, “what?”

“you heard me right. i want you, and i want to do this, all of it. you’ve always wanted kids, and you’ve been thinking about it, don’t lie to me, and it’s not too late. and we’re gonna do it, you and i. there’s surrogacy, adoption… we can—”

yeahh…. so.

gimme gimme.

bye.

[tomorrowxtogether]

HUENINGKAI: “I learned to love myself thanks to MOA”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.13

He cleared out his favorite hoodies and learned how to handle Cubase with ease. While many things keep on changing, some things are forever constant: the music, the group, and MOA. They are the true passions of HUENINGKAI, whose confident tone reassures us of his commitment to forever.

You cleared out some of your hoodies and stuffed toys—what you called your “horcruxes.” HUENINGKAI: Well, the hoodies were way too small for me anyway. (laughs) I wanted to try out some new styles, too, so I cleared them out. I decided I needed to ditch the hoodies first and try something prettier, including buying some knit sweaters. I also felt I could do away with my old stuffed dolls and replaced them with some new fluffier ones. It’s hard the first time you get rid of stuff, but I found it gets easier after that.

You’ve made a lot of big changes in different areas. You’ve been keeping up with your exercise, even throughout the ACT: PROMISE world tour, forming the TXT Exercise Team and regularly taking “TXD” [today’s exercise done] photos. (laughs) HUENINGKAI: I always take TXD shots. I share them in our group chat. I started working out to boost my self-esteem since they say it helps, and it definitely helps keep my mind off things when all you can think about is how tiring it is! (laughs) You can’t help but lose weight if you box. It’s the only thing that makes me sweat as much as performing in concert. There’s someone on staff who’s been doing CrossFit for a long time, so I recently started too. My goal was never to bulk up and get these huge muscles in the first place but to have a slim build with lean muscles, so CrossFit seems like a good fit for me. And MOA, you don’t have to worry—I’m not going to overdo it. (laughs)

A lot of MOA were surprised the way you threw the guitar during the performance of “Growing Pain” on the ACT: PROMISE tour. HUENINGKAI: My image sure underwent a transformation. (laughs) I wanted to show how even someone like me, who’s usually so pure and soft, has some rock star inside him. I looked up different ways of capturing the idea of smashing up the stage. I initially thought about breaking the guitar, but I figured throwing it would be better. That was all I did early on in the tour, but by the time we took it to the US, I experimented a lot, throwing the pick and flipping my bangs back later on. I was happy I got to show off a different side of myself through all that.

You’ve always had a knack for playing instruments and like playing them for fun. How do feel now that your YouTube series HUENINGKAI Wants to Start a Band is over? HUENINGKAI: I love playing instruments and being in a band, so I was thrilled to be able to make it. Just holding an instrument in my hands makes me feel happy, and actually interacting with and jamming with a band felt like a quintessentially youthful experience. The whole thing was fun to shoot. It never felt like work to me. I approached it like I was going to hang out with a school band.

What do you think makes being in a band so uniquely appealing? HUENINGKAI: I think it comes down to the eye contact you make while playing together. I think chemistry’s the most important part of a band, and when you’re looking each other the eye and having a good time together, you feel fully united. I feel like rock has the power to make unforgettable memories for both the band playing and their audience. I heard MOA saying they’re interested in playing in bands now or want to get back into learning an instrument. HUENINGKAI Wants to Start a Band was a huge motivation for me, and it makes me happy thinking it planted the seeds for some great dreams among MOA. I hope they challenge themselves to pursue whatever they want and achieve their goals, whether that’s playing in a band or something else. Just the act of trying something new takes a lot of courage, and if they build up some experience, they can truly enjoy their youth.

What form did that sense of youthfulness take on when you were making the show? HUENINGKAI: It’s the kind of youthful experience you can only experience during your university years, full of excitement, sorrow, and happiness all mixed together. The song “Kitto Zutto” is actually supposed to be about how I felt filming the Yonsei University episode of HUENINGKAI Wants to Start a Band. I seem to remember working on it between filming episodes two and three. I tried to make the chord progression feel both bright and also have a refreshing, youthful vibe. The very first thing I made was the piano track, but it felt a bit bland, so I turned up the BPM and then it sounded great! The funny thing was that I tried to play at that higher BPM but my fingers couldn’t keep up. (laughs) Since it would’ve been a little bland with just the piano, I felt like it’d be nice to have a catchy melody, so I had a guitar riff repeat from the intro onward. That’s the main highlight of “Kitto Zutto.” The drums gradually build up the sound and create a sense of flow.

How do you think it compares to the first song you produced, “Dear Sputnik”? HUENINGKAI: I’ve grown so much since then. When I was working on “Dear Sputnik,” I didn’t know how to use Cubase, but I used it to make the song this time. It was easy and convenient once I got the hang of it and got better as I used it more and more. Actually, for “Dear Sputnik,” I created the basic structure, but I got a lot of help from other people since it was less than two years since I debuted. I really wanted to contribute a greater share after that, and I did contribute significantly more to “Kitto Zutto.” It’s the first on a path of hard work towards being able to make a song I can truly call my own.

When you had just debuted and you were on Section TV, you said, “Ever since I was a trainee, my one goal has been to make and perform songs that can move people.” To what degree have you achieved your goal? HUENINGKAI: With “Dear Sputnik,” 30%—“Kitto Zutto,” 60%. Right from when I was first writing “Kitto Zutto,” I was thinking about how fun it would be to sing it with MOA in concert. Nothing makes me feel more fulfilled than when I see MOA enjoying a song I produced. When I performed those songs in concert, I went around in front of the audience on the moving stage and could see MOA up close and personal. They all looked so happy. I’m glad I made these songs that MOA can really get into singing along with and that we can touch their hearts with. I think singing them together gives them their final touches. I want to keep making and performing songs that everyone will love and can make them feel happy when they listen to them.

In many ways, the past year has been an excellent showcase of how you’ve grown musically. You really got people talking when you were on Lee Mujin Service and when you performed “BETELGEUSE” on the Nippon TV show THE MUSIC DAY. HUENINGKAI: I got lots of messages from people I know. (laughs) It’s the first time so many people have reached out to me like that. I was grateful but there was something indescribable about it because I feel like I’m still in the process of finding my own voice. I’ve tried singing with something more like rock vocals, and even though I don’t have difficulty hitting high notes, I’ve been thinking carefully about how to make them sound even better. I’d like to find vocals that are a little more unique to me. Obviously being a good singer is important, but I feel like sometimes that individuality is even more important.

You’ve always been a kind person, but you seem pretty strict with yourself. HUENINGKAI: Only when I feel like I’ve perfected a skill can I say that I’ve truly made it mine. I’m sort of a worrier so I practice on my own outside normal rehearsal time. Our new single “Over The Moon” is hard. (laughs) My feeling is, if you want to dance well during live shows, it starts with singing perfectly before you ever even stand up. And when I’m performing onstage, I just think, Just do it like we practiced. I might just end up making mistakes if I try to go beyond that.

I guess “Over The Moon” would’ve been hard since it’s more about making it feel romantic than unfolding a clear sense of progression. HUENINGKAI: It’s not a sad song, but it doesn’t exactly feel cheerful either, so I was aiming for a kind of longing middle ground. I start out singing softly to MOA, almost like a whisper, then add in a touch more of that longing in the chorus. I see “Over The Moon” as me removing the gravelly vocals from “0X1=LOVESONG (I Know I Love You)” featuring Seori and keeping it light.

When watching “Over The Moon,” it reminded me of “9 and Three Quarters (Run Away).” HUENINGKAI: Exactly! It’s got the same ear-tapping move on the line “whisper me my name” as in “9 and Three Quarters (Run Away),” so I ended up watching our old performances for the first time in a while. My image back with “9 and Three Quarters (Run Away)” was meant to evoke the excitement of school days, while in “Over The Moon,” I tried to convey something a little more mature, like a university student.

You also came across as mature the way you led the older members in the 144th episode of TO DO X TXT, “Abandoned Stars,” even though you’re the youngest in the group. HUENINGKAI: That’s probably the most they’ve ever needed me. (laughs) It was scary at first, but I helped them because I felt like they wouldn’t even be able to go in if it weren’t for me. And anyway, it was less scary the second time around. I guess it’s because I’m a levelheaded person. They were clinging to me so desperately I thought my clothes would come off. (laughs) That was a first. But on the inside I was actually kind of glad and thinking about how much they need me.

You also paid YEONJUN a visit when he was shooting the music video for “GGUM.” HUENINGKAI: YEONJUN was the first one of us to do a solo project, and since I wanted to show my support and express my gratitude anyway, I brought some dakgangjeong we could eat together. (laughs) But most of all, I really wanted to learn from him. The stage presence he had as he sang from start to finish all by himself, and watching how naturally he ad-libbed towards the end, was all pretty amazing. (laughs) His solo was a good experience for us, too.

You’ve always emphasized in interviews how you want to be dependable for the rest of the group. What does trustworthiness mean to you? HUENINGKAI: Teamwork. The greater the trust between us, the stronger our group becomes. As a member of a kind of team, it’s always my hope that the other members can continuously rely on me. That’s what being a team is, after all.

And honesty is crucial for mutual trust, of course. In an interview with W Korea, when asked what it takes for a group to last a long time, you said, “Teamwork. Being open with each other about feelings.” HUENINGKAI: I actually never used to talk much about my feelings. I thought things would just work out over time, but now I talk things over with the people I’m close to, like the other members, my family, and the protocol team, no matter what it is. I really listen to their feedback, too. It just feels better that way. But it’s not at all easy to open up about what you’re feeling inside, of course. You can never just be like that from day one. So I just started slowly, and now I’m more open than I was last year.

You posted a letter on weverse for the fifth anniversary of your debut, and in it you talked about how you’ve always been careful to hide your feelings away because you didn’t like to talk about them. What made you decide to open up to MOA? HUENINGKAI: I never wanted to let MOA know when I was having a hard time. I always wanted to show them the good sides only. But the longer we were together, the closer we became, and I realized that also talking about those things was the right way to further develop the relationship. That’s why I was honest and open in what I wrote on weverse on March 4. I resolved to be more honest and open from then on.

It takes a lot of courage to be open like that. How did you find it in you to find the courage? HUENINGKAI: It’s all thanks to MOA’s love. Every time MOA opens up through their fan letters or in person, I can sense their love. The phrase, “my youth is TOMORROW X TOGETHER,” is beautiful, and hearing, “I’ll love you completely for who you are, no matter what—I love you so much,” absolutely fills me with strength. All these people around me were showing me love, but I felt like I didn’t love myself. I learned to love myself thanks to MOA.

It’s clear that you have an immense amount of love toward MOA, too, like when you said, “It may have been hard doing what it took to debut, but I could do it all again 100 times if it meant I could be with MOA.” HUENINGKAI: I wanted to show them just how much I love them. There were a lot of times I felt like giving up before I debuted, but MOA helped me forget all about it. I know what it means to find happiness as an idol thanks to them. I think MOA is what’s made TOMORROW X TOGETHER whole.

[bibuckaroo]

absolutely hilarious to me that that side of the fandom think the buddie side is the delusional one because of the tim interview when the man himself CLEARLY stated that he had NEVER seen the fandom behaving this badly in all of his years working in the business and the only difference from all the other years to this one is the bt fandom, like genuinely lol.

he also stated about people coming to talk to him and using what he said when there are prints out there of their fandom doing this, like it’s not all of them obviously, just like there are parts of the buddie fandom who can be disrespectful too, but as someone who recently joined the fandom and saw the comings and goings through the years, i can safely say when a fandom is being too much on the disrespectful side and i saw that behavior way more on that side, honestly.

[ahalliance]

how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another

[transmechanicus]

I’m allowed one (1) vent of the colossal amounts of pressure my body and mind are under per month and i usually do my best to bury it in the early hours of the morning, so now that i’ve provided this valuable and important context:

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[rickety-house]

guiiwgghauaiauagguaiaghjjghjjjhhhh

this didn’t fit in the hashtags but donr rb or comment I’m just screaming to myself atm I’ll probably delete this shit tomorrow goodnigjt fuck everything live vs kill

[cross-d-a]

I don’t get them too often anymore but I got one of those “hope this gets updated soon” comments in my inbox which like/ I get it. I want my fav fics too update too. But it was especially annoying and depressing bc I’m already frustrated with myself for not writing much/not updating any of my fic this weekend after I Finally got back into a better writing habit. And it was just. Not a pleasant weekend all around for mental health or personal accomplishments. So like. Yeah. Idk

[barley-st-band]

hey does anyone know how we’re supposed to survive it all. asking for a friend

[forgotten-daydreamer]

Took twice the max dose of melatonin before the final revision for tomorrow’s exam, I’m shitting my pants and I genuinely don’t know anything as thoroughly as I should but if I sleep less than 4 hrs before it I just know I’m gonna do even worse somehow

[livvyofthelake]

crazy things happening in redacted land. horrific era remember i can’t speak about it directly i can only make vague hints and sort of make little jokes and jests. i don’t know how i’ll ever get my fyp back to normal when all this is over for me wow. oh well that’s a problem for another day. anyway. crazyyyy things happening in redacted land!!!

[emilygaming]

I have so many things to do tomorrow and I’m already exhausted and it’s only the night before.

[babsaros]

i figured this week was gonna cause a meltdown, i just hoped i’d make it til friday :/

[thesunshookwithjoy]

(extremely long tag rant)

[lilgynt]

there’s no way to express that people keep randomly reaching out to me to talk daily and at length and keep pushing for my space in my life and i really don’t need or more importantly WANT that politely there’s no good way to say that politely

[calico-kiwi]

i hate periods 🔥 🔥 🔥 (<this is me trying to burn mine so it is gone forever)

[yuttikkele]

I uhhhhh think the next art joke should be “making your OCs happy and fulfilled” instead of “my only job as a creator is to traumatize my OCs because they’re boring without it”