#like its an incredibly personal thing

[liuisi]

i feel. like there is a balance to strike between distinguishing what is actually scrupulousity and what is genuinely you feeling guilty because God is convicting you of something. like yeah theres a point where you're just making yourself miserable over things that hold no consequence because you're terrified of doing something wrong. but. i think. that if you can find good (scripture-supported) arguments for why this God wouldn't want you to do this thing, to then dismiss that as scrupulousity is just deliberately closing your eyes to it.

[mamawasatesttube]

BTW... PSA.... even if we arent mutuals if youre in my notes regularly theres a Very high chance i am still fond of you. yes im vaguing someones tags on the compliment the person u rbed this from post. but like. positive vaguing? THE POINT IS im weird abt following ppl but IM STILL SENDING U FOND VIBES...

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[le-fruit-de-la-passion]

Perhaps a Hot Take: I don't have anything against JayVik as a ship, but the amount of people in the fandom who use it as an opportunity to be openly racist and misogynistic towards Mel and Sky, and to feminize/infantilize Viktor as a disabled man make it REALLY hard to enjoy

[fleursdesmorts]

every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great

[bruciemilf]

Somebody tell me if this is a bad take, or if my love for Bruce is causing my objective brain to glitch, but-- something about advertising Batman, a hero who's very popular for being good with children, for being NURTURING with children, a bad father kinda defeats the whole purpose of what he's supposed to represent.

Batman is a protector; He protects people the world (and especially law enforcement) does not care about. That's literally the point of him.

Something about marketing " you can be incredibly violent to people you care about! And Its fine, because you care about them even if you abuse them, and that's what matters!" towards people, but especially men and young boys, is REALLY fucked up to me.

[fagulaa]

Something I really love about the Silt Verses is how, in a world of gods and monsters, how grounded Faulkner's trauma [and relationship with his father] is. Especially as the season moves on, and the stakes amp up [and up] its so unexpectedly piercing to be presented with this exploration of childhood abandonment/negligence, inter-generational trauma, the indignities and stress that comes with unexpected elder care/early onset Alzheimer's. You're so locked in to these grander, more abstract concepts that your defenses are down! Mine were, anyway. TSV is so good at cutting its grand, complex plotlines with simpler [but not shallower] gutpunches, and it just grounds the whole thing.

[xxplastic-cubexx]

so like do you think they made the plastic wheelchair ALONGSIDE the plastic prison as a Just In Case situation, only after they realized charles was going to be a frequent visitor, or both as in because they knew charles was going to be the only person visiting him during planning they decided to make him a chair ahead of time

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[lunar-years]

What do you think is the most character accurate fic you've ever read??

Ever read? That's an impossible question lmao. I have been reading fanfics since i was twelve. I have read fanfics I don't even remember 🫡

Obviously it's a subjective question to begin with but part of the fun of fanfic to me is exploring different avenues for characters according to different author's preferences and putting blorbos into incredibly un-canon Situations. But in a lot of those settings what is "in-character" is even more thrown asunder because it's so far removed from anything that would even remotely happen in canon.

I guess what I mean by that is a lot of the fics I read and love don't necessarily align with my personal ideas of/headcanons for a character, yet still remain "character accurate" in my esteem, if you will (I'm thinking, for example, of that one Gay!Roy fic which is EXCELLENT and incredibly in-character imo and yet I still don't personally think Roy The Character is gay. But even though that's generally not how I think of his sexuality I still liked exploring that alternative verse and still recognized that story's Roy as Roy. Does that make sense?)

ANYWAY. going to veer off the specific question and instead just list some miscellaneous recent(ish) favs (or at least ones I think were published after I made my last rec list):

Paperwork by @pghumfort (Roy/Jamie)

Tits Out! also by @pghumfort (Jamie/Keeley)

if anything could fall (it's the world that falls away from me) by scarlettroses (Roy/Jamie)

i came prepared for absolution (if you'd only ask) by scarlettroses (pre-relationship Roy/Jamie); I've definitely recommended this one before but it's SO good on character exploration, especially for Roy. really really complex and meaningful look into his brain. I love it.

I should know (what turns you on) by Dancey96 (Roy/Jamie/Keeley)

It's Fine With Me (if you wanna stay the night) by @shortcuts-make-long-delays (pre-relationship Roy/Jamie/Keeley)

screaming crying throwing up by @morethanslightly (Roy/Jamie/Keeley)

that four letter word by @izzyspussy (Roy/Jamie)

5 Times Phoebe Meddled in Uncle Roy's Love Life... by darkesky

An Invitation by Laurasaurus (Roy/Jamie, Roy/Jamie/Keeley, Roy/Keeley)

Not exactly Cyrano by @destinationtoast (Roy/Jamie/Keeley); I may have recommended this before but now it's finished!! go back and re-read it if you haven't finished it yet...it's so worth it!

Also the Gay Roy one I referenced earlier is so afraid that time will take it all from me by LikeAMovieIOnceSaw. Really such a lovely fic 💕

as always please read the tags and story descriptions and ratings before diving in to make sure they are right for you and your needs etc.

[devotedlystrangewizard]

renheng is arguably too delicious for the average hoyoverse fan because when i found out one of the main characters is haunted by a spectre of his past who hates him so much entirely because he once loved and trusted him. and they watched the stars together. and they have matching bracers that they can sense each other through. and they were closer than any other two in their old friend group. and

[sendmyresignation]

i think there's really something to be said about how there has never been a record i've encountered where people wanted justification or excuse to refuse to acknowledge the intention and seriousness of the project itself like danger days by both defenders and haters. i find it so incredibly bizarre and strange and partially fascinating.

[conspicuous-clown-car]

what a morning,,,

here's a rant about the pressure community

I've been kinda lurking on pressure twitter for the past few weeks while all this shit went down and i just gotta say... jesus fuck.

I practically had a heart attack as soon as i opened my phone when i woke up and saw zeal was trying to sell pressure. Considering how he changed his profile last night to a strictly corporate one and then this? It seemed like a really hasty decision, and something serious was going on with him.

And yknow what, with all the hate being directed at him right now i don't blame him one fucking bit. I'd probably end up doing the same thing if i was in his shoes. Being autistic as well, i would just want to completely distance myself from this overwhelming bullshit. I think that's why he started to distance himself from the community in the first place (which unfortunately is kinda what led to some issues getting overlooked).

The tweet was deleted and pressure isn't for sale anymore thank GOD, but I'm honestly more worried about the actual people behind pressure than the game itself.

I agree that there's issues they need to fix, but its not an entirely black and white situation, and its pretty fucking complicated. With the sheer amount of people in the community its crazy to expect them to handle and manage everything themself, especially since they blew up in popularity in such a short amount of time, how the hell would they know how to deal with this???

Yes, there are certain things they need to actually address and take responsibility for that they sort of haven't, but attacking them to where it gets to this point isn't the fucking answer.

I wouldn't blame any of the devs if they never touch the game again, the way the community has treated them and has completely blown things out of proportion is insane. I feel like the main issue is the discord server itself but that's just me. From what I've seen its mostly just the community self cannibalizing, attacking each other, sending death threats, and doxxing people over shit that literally doesn't matter at all.

I'm not one to really delve into fandom drama, but this whole issue with certain possessive Sebastian fans and those who took it upon themselves to attack those fans is the stupidest fucking conflict I've ever seen in any fandom. Especially when this stuff reaches the people who work on the games who have nothing to do with it.

I agree that this is something the devs need to talk about head on with full transparency, no matter their feelings on it, because a main problem I've seen with them is lack of community management.

But again, y'all are forgetting the devs are REAL FUCKING PEOPLE, people who are bound to make mistakes, and get overwhelmed, and not know how to deal with suddenly having a giant fanbase. Harassing them and sending death threats is going way too fucking far and wont solve anything, because clearly all its done is made things worse.

Also god forbid they have boundaries and don't want to see certain things in the discord server. I'm not gonna get into the specifics, but as a queer trans person I think some of y'all are reading too much into the things they don't allow, seriously.

Reminder, I'm saying all this as someone who self-ships with Sebastian, and who's not entirely thrilled about him being canonically married. BUT PRIORITIZING A FICTIONAL CHARACTER OVER REAL PEOPLE????? THE FUCK IS WRONG WITH YALL???

And to the people I've seen disappointed in zeal's response to all this on twitter, I'm with you, not seeing whats happening in the community doesn't mean these problems don't exist. But think about the shit he's going through, put yourself in his shoes and genuinely try to understand how fucking overwhelming this whole situation is, for him and the rest of the team. Especially after what's happened in the past 24 hours.

Tangent, but am i the only one who's seen a drastic change in the way fandom communities operate in the past few years? Like after lockdown fandom spaces have gotten more and more hostile, and people are just being so fucking mean to each other over the most trivial shit??? Listen I Get being chronically online, because i am, but at a certain point you just gotta log the fuck off and touch some grass, man. christ.

I really hope the devs take a break, they need it. I was excited about the update that was supposed to come out this month but I don't think it will now, and I honestly don't think we deserve it.

TL;DR: Pressure fandom, do better. Speaking from both points of view, no matter the various mistakes the dev team has made, the majority of this is on y'all.

And lastly, I'd honestly rather keep pressure exactly the way it is with no updates and no new stuff ever again than for it to turn into roblox slop like most of the games that are sold off on that platform.

[aromanticasterisms]

no but actually. the parallels to other Twins in different nations of teyvat in relation to the traveler and their desire to reunite with their own sibling makes me a little bit bonkers. like.

diluc and kaeya as what the traveler has and fears, after we will be reunited [separation born from conflict that seemingly cannot be mended; they both care for each other but ultimately their opposing ideals mean they cannot be at each other's side in the same way that they used to, and no longer have the close bond they once did]

ei and makoto as what the abyss sibling experienced [a crushing loss not just of one's twin but the last remaining friend they had and the safety and security of their nation, coming out the other side traumatized, cold and jaded and making decisions that will ultimately hurt the people they claim to want to protect for the sake of an unattainable goal]

and lyney and lynette as what the traveler and the abyss twin used to have before they were separated [never apart for long, home is wherever we are together], what the traveler wants [their separation brief and quickly amended, continuing to be inseparable after they reunite], and also the choice they'll have to make [the twins being together in an organization the traveler inherently doesn't trust - does the traveler want to be by their sibling's side badly enough to throw their lot in with the abyss, and turn their back on everyone else they've met on their journey so far?]

[youssefguedira]

K or N for Joe and/or Nicky

K. On the edge of consciousness.

Yusuf wakes slowly, so slowly that he can’t see and isn’t even sure he can open his eyes, only half-sure he still has eyes, and that’s how he knows there’s something very, very wrong. He can’t move, can’t hear, can’t even smell anything. He doesn’t remember exactly what happened to him, but every part of him is burning, and he’s fairly sure the weird aching sensation in his head is his skull knitting itself back together, which. He really, really didn’t need to know what that feels like. 

There’s a scraping in his chest when he breathes in, but at least he’s breathing. 

Where is he? He could be anywhere. He could be in the middle of the street, could have been dragged away from the fighting from someone who had seen him breathing through a wound that should have killed him immediately. When he wakes, what will he find? Will they have taken his weapon? How long has he been dead? 

Will Nicolò be able to find him, if they are separated? Will he even try?

Slowly but steadily, he starts to hear something: a high pitched whistling that sounds like it’s coming from deep inside his own head. The darkness begins to lift, leaving flickering amber lights across his vision, and a shadow in front of him. 

There’s a voice, too, one that sharpens into words as Yusuf’s hearing begins to return. He doesn’t understand their meaning, but the cadence of them and the voice itself is familiar. 

“Are you awake?” Nicolò asks softly, switching to Arabic. 

Yusuf tries to make a sound in response. Whether it’s audible he doesn’t know, because the only noise he can really make is a rasping exhale, but Nicolò hushes him anyway.

“Do not… you can be slow,” Nicolò says. He’s more comfortable with the sounds of the language now, but still doesn’t always string sentences together well. “We are safe. I am here.”

He’s made aware of where his hand is by the feeling of Nicolò reaching for it. Yusuf manages to make an actual sound this time, but still can’t form words. Nicolò squeezes his hand gently. 

“I am here,” he says again. 

Eventually, Yusuf’s skull seems to piece itself back together fully, and his vision sharpens, letting him see that they’re backed into the corner of the two remaining intact walls of a house ravaged by fire, Nicolò crouched in front of him with his sword in hand. There’s a trail of blood leading to where Yusuf is lying now, and a section of the room that has collapsed. He can piece together enough. Nicolò would have had to drag him over here.

This time, he manages to make a sound, even if he can’t quite form words. Nicolò looks down at him over his shoulder, and there is blood on his face and in his hair, and only then does Yusuf notice the bodies in the room. 

“Okay?” Nicolò asks. 

Yusuf manages to nod, and it sends a spike of pain along his spine. Nicolò turns slightly to look at him properly. 

“You are almost done, I think,” he says. “You did not… you were asleep for a long time. I did not know if…”

“Nicolò,” Yusuf finally manages, hoarse.

“Rest,” Nicolò says. “I am here.”

(letter asks)