#so its one of those multiple things can be true + different things can be true for different people + i acknowledge my own preferences

[wingedshadowfan]

this post has been met w/ a lot of support (endlessly grateful <3) but i'm aware i'm just in an echo chamber-y part of the internet bcuz i saw a video today of someone analyzing this scene in such a one-sided and way, i just had to comment on it.

they claimed:

caitlyn sees vi as lesser than: hot take lol, especially considering caitlyn is a character w/ almost no confirmation bias against zaunites however sheltered/uneducated abt their struggles she might be bcuz of her privilege. and before you pull up one of the 3 quotes you use to base that reading off of, let me debunk all of them.

her "why would i ever trust someone like you" (someone who got sentenced to 7+ years in prison as a teen with no record of their crimes and was moved to solitary confinement) which was at least partly in response to vi's own antagonistic attitude. sorry but i wouldn't trust vi either if i was alone in an unfamiliar place and situation and no one knew where i was like caitlyn was, and let's not forget caitlyn still let vi out (and fun fact she even forbid the use of that cell after she became commander) bcuz she believed she'd help her solve a crime so she did trust her and saved her ass multiple times at the expense of endangering herself

the convo with ekko where she refused to acknowledge enforcers were violent against zaunites (she obv didn't think zaunites deserved to be treated this way, quite the opposite - she didn't know this was a thing bcuz she believed enforcers were always protecting the innocent and that the world was just and beautiful aka baby's first realization she'd been brainwashed), and she still told ekko he can keep the gem if he deems fit and that the undercity needed healing (this is where vi fell in love w/ her btw)

the infamous "animals" quote: ignoring its contextuality and specifically caitlyn saying that now [that she's been personally hurt] she understands how easy it is to hate all zaunites - implying she didn't before (baby's first experience in understanding how prejudice works) and that she's battling those feelings - bcuz of the few ones who staged the attack and slaughtered a bunch of ppl, not bcuz of your average zaunite's characteristics or way of life. again, she's shown a desire to help and protect zaunites who were strangers to her multiple times before bffr.

and EVEN IF you somehow managed to prove to me that caitlyn has this insane prejudice against zaunites (which i don't believe at all), vi would still be an exception to that! caitlyn falls in love with her quickly, and wants to make it work (oil and water) despite their differences - i see no evidence in her words or behavior to believe she deems vi to be inferior to her, in fact, i believe she thinks vi is better than most, zaunites and topsiders alike

caitlyn is the one with greater capacity for violence: this is an interesting one bcuz i see how this can be true in general, but not in the breakup scene. in piltover's council room, miss decorated officer and leader of house kiramman has a greater capacity for violence against zaun through her name, privilege, money and subordinates in the form of armed enforcers invading zaun. and this is not bcuz she's more violent but bcuz she's got more resources she can take advantage of. that's... how privilege works. but in the vents, caitlyn who's almost just died again and is completely tweaking out that their mission failed, she let jinx get away, vi took the choice away from her after giving her the green light, etc, she does not have a greater capacity for violence than vi.

verbal violence: her words practically don't hurt vi at all imo (bcuz they're not jabs or insults, they're confirmed statements vi isn't ashamed of, "i thought you were different but you're not. it's her blood in your veins"), but vi's words ("what if you missed?", "then why are you the one acting like her?")? doubting/mistrusting her and comparing her to her mother's killer? that must hurt like a mf, caitlyn's arc and current mental state considered.

physical violence: caitlyn lashes out suddenly bcuz of vi pulling her back (she couldn't flee so she fought) and bcuz of vi's words. she hurts vi in the worst possible way she could've, but in any real fight, where vi would've anticipated being hit and defended herself, caitlyn would've eaten dirt. it's only circumstantial that she deals so much damage and it isn't after months of sparring with ambessa that she's able to drop vi.

violence/hurting the other wasn't the main goal of that altercation for either of them, it was something that just happened bcuz of a plethora of factors, none of which have to do with how vi and caitlyn truly feel abt each other.

caitlyn looks at vi with anger and contempt/caitlyn shoves her aside quickly, efficiently and coldly after vi did so much for her, caitlyn is brutal and cruel, leaving vi on her knees to rot in the vents: i didn't read any of her behavior that way, vi might've though - and maybe the truth is somewhere in the middle but here's what i got.

what vi did for caitlyn she did by choice and/or bcuz of guilt caitlyn isn't responsible for (i do agree caitlyn asked a lot of her but it's on vi for accepting instead of drawing boundaries). as far as i remember, caitlyn does not make eye contact with vi at all (so idk abt looking at vi with contempt lol) and i see how that can be interpreted as cold, quick and efficient. it's not. it's self preservation. it's bcuz eye contact is very important to caitlyn's character. it's how she understands and connects to people. it's safe to assume she's angry at vi but much more than that, evident in her words, she feels hurt, betrayed, disappointed and overwhelmed. she chooses not to look in vi's eyes, bcuz she wouldn't be able to bear it - she shuts herself off by choice, she doesn't want to connect in that moment, doesn't want to understand or be persuaded to stay (she knows vi has the capability of doing that), and it's not bcuz "contempt/the desire to shove her aside" are her true feelings for vi, it's bcuz caitlyn tried to remove herself from the situation but bcuz she's literally spiraling (please watch that scene again, ik caitlyn is really hard to interpret bcuz she doesn't scream, cry or blow things up, but this is her losing it in her own way), she snapped impulsively when she couldn't leave and put space between herself and vi

those are my two cents.

caitlyn grew up sheltered, she's privileged, uneducated and unaware of zaun struggles, zaun identity and generational trauma, zaun's history of oppression and piltover's of police violence. she's deeply in love with vi whom she sees as an equal (she sees all people as equals), is in the process of learning and relearning truths abt herself and the world, and in a time of immense trauma, stress and pressure, she lets her fear, anger, grief and guilt blind her to how vi really feels underneath her own guilt. she loses sight of what the right thing to do is. she commits violent acts, she makes bad choices. she's not violent or a bad person. she allows herself to be manipulated. she believes no amount of good will erase those mistakes. and she still tries to set things right and gives it her all.

some thoughts about the caitvi breakup scene

i saw ppl pointing out what looks like a tear running down caitlyn's nose after her and vi's fight w/ sevika and jinx (when she finally stops hitting the wall w/ her rifle and puts her forehead to it) and it could've been just sweat, but here's why i think it wasn't:

it's bcuz vi took the choice away from her.

we all know caitlyn's parents had been keeping her in a gilded cage since she was a child. we see this symbolically in her conversation with jayce when he gets kicked out of the academy after the explosion - he's outside in the rain, but she's within the gates of the kiramman estate, under an umbrella, protected, hidden. she tells him her parents don't allow her to talk to him anymore but she doesn't care. they're friends.

we know cassandra didn't approve of caitlyn's choice to become an enforcer either (we assume caitlyn had to fight for it and her family tried to stop her). even after that "win", her mother kept meddling and made sure caitlyn would always get safer tasks - out of harm's way and where she'd never be able to prove herself or do any actual good like she'd always wanted. her own coworkers make fun of her for being a kiramman and only "playing dress up" as an enforcer - a job she decided she wanted and had been working towards since she was a child, in order to help and protect people. she'd had to fight (not for the first time) to be placed on a case, in a real guard position, to be taken seriously.

caitlyn's choice and her agency - things she's barely been given in her own life, because of her parents, her name and how sheltered she'd grown up - she'd always had to fight for. she's had to fight to be able to choose, she's had to fight to defend her choices, and she's had to fight to prove herself over and over again.

then for the first time in her life, she didn't have to fight because vi (perhaps being swallowed by her own guilt for everything jinx had done to caitlyn) gave caitlyn the ability to choose what happens to jinx. unconditionally.

and caitlyn chose. vi agreed with her choice.

take the shot.

then vi took the choice away from her in the last possible moment, physically stopping her from shooting. (now, we can talk abt what that means to someone who's never been the stronger opponent in any physical altercation they've been a part of so far, but i won't)

this is the real reason caitlyn completely disassociates shuts down, not to mention the adrenaline after almost dying again bcuz sevika wasn't playing. caitlyn goes all out hitting the wall, lets out a single tear, refuses to look vi in the eyes and tells her, "i thought you were different but you're not"

she's yet another person who denies caitlyn the ability to make a choice in her life.

it's her blood in your veins.

vi's loyalties lie with the blood of someone who'd worked for silco in oppressing the undercity, lured and blown up caitlyn's coworkers, tried to kill caitlyn (and vi) multiple times, kidnapped her from her fucking bathroom, dressed her up against her will, kept her hostage for a full day in which she with almost 100% certainty tortured her, kept her as the only person gagged throughout the tea party, asked vi to kill her, then blew her mother up along with 4 more counselors and (allegedly) attacked their memorial. talk abt taking someone's freedom of choice away.

then why are you the one acting like her?

vi - not fully without reason - compares caitlyn to her worst fucking nightmare. a psychotic killer who's caused so much fear and trauma to caitlyn that she admitted jinx's smile is all she sees when she closes her eyes, up there w/ her own mother's lifeless eyes?? and yeah, vi has a point - caitlyn had indeed grown more violent and aggressive in her desparate pursuit for revenge. that doesn't mean it hurts caitlyn any less, especially when she'd been trying so hard to do the right thing (sending a squad to catch jinx instead of a full blown armed invasion, only her and vi having hextech, clearing the streets first), and vi knows this: she just automatically did what she does best - aimed for where it hurts the most. i think she even realizes she's overstepped but before she can do anything about it, caitlyn bites back reflexively and hits her with her rifle. there, in the place of the wound she once took care of herself.

the perfect storm.

the only question i have left is why everyone in this fandom keeps acting like caitlyn is the only one who hurt someone and vi is the only one who got hurt in that scene.

[elainsgirl]

I think one important way to tell what couple are the next MCs is which couple moves the plot forward. Elriel obviously are connected to every part of the main plot (and have always been). But I've been curious if I've missed something lately so I have been looking into gwynriel and elucien posts, to just listen and see what they think the plot of a gwynriel or elucien book would be. And there is just nothing, just like the past few years. Either nothing at all, or no consistency at all. Theories pointing in all directions, built on nothing, or straight up taking elriels clearly set up plot as gwynriels or eluciens. If I were wishing for gwynriel and elucien, this would seriously worry me. It should not be a mystery for readers to assume where the plot of the next book is going. But gwynriel and elucien truly have no consistent idea what their books would be about. Elriels have had a very reasonable and concistent canon based idea of the plot of an elriel book for years. Casual readers pick up on this too (see jordin sparks recently for example). New elriels come on here and have the same ideas of an elriel book without having interacted with the fandom before. Elriel is just so stable, clear, and reasonable. Truly obvious, as Sarah said.

I know this is a little pointless because we literally know Elains book is next, and Azriel is her only love interest. But out of curiosity, i wonder what is your idea of what gwynriels and eluciens think a gwynriel or elucien book would be about? I can't wrap my head around what they actually think.

Hey anon 🫶

I actually love this ask because after interacting with multiple antis across multiple platforms - your words are true. Antis do not have a clear set plot for their books. Different groups will say different things.

Generally, as a whole Elriels have always known the bond will play a role in Elaind’ book, especially given Azriels bonus. Elain choosing Az despite her mate will be the big moment. Finding a way to break the bond without Elain/Lucien having any repercussions. Allowing a new generation of faes to break their bonds if they’re unhappy with their mates and choose who to love of their own will. I know elriels have theorised the lore behind the cauldron and those theories have solidified after Hofas confirmed what we have thought to be true: Bonds can be corrupt and wrong -> Cauldron bonds are to match powerful faes = powerful offsprings: which makes sense why Lucien became Elains mate as Az was shot and weakened. I know lots of elriels including myself have theorised a two bond/two mate theory which is becoming more likely to happen in Elains’ book after confirmation that Az can scent eluciens unaccepted bond. As well as the fact that lots of elriels have always known that Elain and Az will be connected to the prison which will be explored in their book. Each sister has conquered a mountain so it stands to reason, Elain will as well. Elriels have agreed on a spy arc for Elain as it fits the foreshadowing given to us. So yeah, elriels have come together and have created a general outline of what Elains book will look like and its the same for almost every elriel.

As for antis, this is just what I have seen:

Elucien group 1: Gwynriel book > Elucien book. In Gwynriel book, Lucien finds out what happened between Elain and Azriel. Gets upset & distances himself from Elain. Elain has a vision of Koshei which means she will have too join Lucien and the B.O.E in going to Koshei’s lake. Cue forced proximity between lucien and elain, elain realises how stupid & mean she’s been so she grovels for Lucien. Him - being the good guy he is - chooses to forgive her and BAM they accept the bond and live happily ever after. Ofc AFTER they save Luciens girl bestie who he’s been living with happily. Through this, Elain will become happy as she is “depressed” in the Nc. Her besties will be Vassa and the man who made a r4pe joke about her Jurian.

Elucien group 2: Elain gets fed up with how the IC treat her, she is sick of them all and is heavily depressed in the NC. Plot filler and somehow Lucien ends up at Day. He realises his parentage, works on his powers. Elain represents the Nc and spends time at Day to strengthen the bond between NC and DC - this will happen through her throwing balls and attending them. Forced proximity between her and lucien, elain realises she’s so stupid for hurting him, grovels and then BAM they accept their bond and live happily ever after.

subgroup 2a - Helion dies in a BD initiated by Beron. BOOM, Lucien is crowned HL of Day and Elain HighLady.

Subgroup 2b - Elain and Lucien end up at spring. I don’t know why or how. They help Tam out. Make the Spring Court better. Tamlin dies and they’re crowned HLs of Spring.

I will say, more eluciens are solidifying on the lake plot (due to Sjms interest in a firebird retelling) they say elain will have a vision which will lead her there or it will be due to Papa’s bargain, so she will be the one to kill Koshei and free the women…definitely not the actual firebird in the series.

The issue with these two plots: Elain is not the focus, she is a side character to her own story. It ignores a Lot of canon and runs on assumptions instead. Elain’s character growth is her accepting the bond. Thats it.

Gwynriel. Idfk tbh. They change their tune a lot. So pre-hofas, Gwyn and Az were going to band together and reform Illyrian. Do what Rhys failed to do and ban wing clipping, spread the valkry agenda and help the women. Emerie would “guide” aka simply tag along and be present so this plot can’t be labelled for what it is: the white saviour trope. Anyways, the book would just be about Az healing. Someone suggested him seeing a therapist bcs Az having feelings for Elain was that bad and showed how unhinged his character was. So through this healing he would notice Gwyn, friends to lovers trope -> they fall in love and BANG!, plot twist, they’re ✨mates✨ bet you didn’t see that coming.

Post-Hofas, Nesta and Az will need Gwyn to do research on the 8 pointed star and made weapons. Gwyn is something special and allows her to use Gwydion. This somehow leads them too the prison where Gwyn and Az (sometimes Nesta is included) will revive the prison through song, healing - light & shadows. Dusk will be reborn, Nesta will be HL. Gwyn her first in command. The whole acosf gang leave the NC and move to Dusk where they live happily ever after. wait..I think I forgot a key point…oh yh. Somewhere between all of this: Elriel will end in a terrible kiss and both them agreeing they were idiots who were using each other to ignore how they truly felt and then…

BOING! Gwynriel are revealed to be mates. Suprise!

my humble opinion is that Gwynriels/Eluciens are more focused on the vibes, dynamic, tropes then the actual Plot. For example, They can say, “X” will happen but won’t be able to prove it so they never truly develop “X” it’s just an idea with loose- very loose- canon foundation. However, they can write multiple HCs based on tropes and the dynamic they want for the characters as thats how they maks their ships enticing and interesting. Honestly, there’s only a limited plot either ship has and its not based on foreshadowing more like connecting random pieces of info together instead of paying attention to the info the author connects together. I can do that with any ship as well. You can do it too. I also think antis just think Mass will do all the foreshadowing in one single book instead of pacing it out like she is known for.

With elriel - there is a solid plot that has been foreshadowed for 3 books. If I tell you “in Elains book, one subplot is her becoming a spy” I will be able to back that claim up with multiple canon information the author intentionally wrote in a way that leads you to believe this. Elriels are consistent- we aren’t divided on many things. We all have a general idea for the book. Many theories & plot ideas are the same. We aren’t unclear of what will happen in Elains book. The majority of us have Elain front and Centre. Focusing on her potential & growth as a character. We incorporate Azriel into Elains storyline. With antis, especially eluciens, Elain is weaved into Luciens main storyline.

When you read the books w an unbiased lens, its clear which couple has a plot that moves the story forward and allows it to branch into other potential side stories, which again. Mass is known for.

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[lunar-years]

What do you think is the most character accurate fic you've ever read??

Ever read? That's an impossible question lmao. I have been reading fanfics since i was twelve. I have read fanfics I don't even remember 🫡

Obviously it's a subjective question to begin with but part of the fun of fanfic to me is exploring different avenues for characters according to different author's preferences and putting blorbos into incredibly un-canon Situations. But in a lot of those settings what is "in-character" is even more thrown asunder because it's so far removed from anything that would even remotely happen in canon.

I guess what I mean by that is a lot of the fics I read and love don't necessarily align with my personal ideas of/headcanons for a character, yet still remain "character accurate" in my esteem, if you will (I'm thinking, for example, of that one Gay!Roy fic which is EXCELLENT and incredibly in-character imo and yet I still don't personally think Roy The Character is gay. But even though that's generally not how I think of his sexuality I still liked exploring that alternative verse and still recognized that story's Roy as Roy. Does that make sense?)

ANYWAY. going to veer off the specific question and instead just list some miscellaneous recent(ish) favs (or at least ones I think were published after I made my last rec list):

Paperwork by @pghumfort (Roy/Jamie)

Tits Out! also by @pghumfort (Jamie/Keeley)

if anything could fall (it's the world that falls away from me) by scarlettroses (Roy/Jamie)

i came prepared for absolution (if you'd only ask) by scarlettroses (pre-relationship Roy/Jamie); I've definitely recommended this one before but it's SO good on character exploration, especially for Roy. really really complex and meaningful look into his brain. I love it.

I should know (what turns you on) by Dancey96 (Roy/Jamie/Keeley)

It's Fine With Me (if you wanna stay the night) by @shortcuts-make-long-delays (pre-relationship Roy/Jamie/Keeley)

screaming crying throwing up by @morethanslightly (Roy/Jamie/Keeley)

that four letter word by @izzyspussy (Roy/Jamie)

5 Times Phoebe Meddled in Uncle Roy's Love Life... by darkesky

An Invitation by Laurasaurus (Roy/Jamie, Roy/Jamie/Keeley, Roy/Keeley)

Not exactly Cyrano by @destinationtoast (Roy/Jamie/Keeley); I may have recommended this before but now it's finished!! go back and re-read it if you haven't finished it yet...it's so worth it!

Also the Gay Roy one I referenced earlier is so afraid that time will take it all from me by LikeAMovieIOnceSaw. Really such a lovely fic 💕

as always please read the tags and story descriptions and ratings before diving in to make sure they are right for you and your needs etc.

[lowkeyren]

in which : alhaitham speaks to you in 5 different languages, unaware that you understand every word he says.

wc 7.3k (pls give it a chance lol), academic rivals to lovers, unrequited hate, attempt at humor, college au, denial + pinning.. crazy ik, he falls first (and harder), tw stalking by a drunkard, a genius on paper but a total dumbass when it comes to crushes, lil smau at the end!, ft. sumeru gang. art by @/gamegatchihaja on x.

ps. translations ay nasa maliliit na titik, katulad neto!! ps. translations will be in small letters, like this!!

PROLOGUE: GOD I HATE THIS GUY! (DOES HE THINK IM STUPID?)

the semester is nearing its conclusion, and the imminent approach of finals marks the most critical period of the year; students rush through the halls, clutching their notes and textbooks like lifelines, while you pour every ounce of effort into your studies —not just for your grades, but also to surpass a certain arrogant scholar. 

alhaitham. 

the name tastes like spoiled milk on your tongue, a sour reminder of all the times he’s bested you, even if it’s just by a small margin, leaving you dumbfounded when the difference between your marks during the last exam was a mere 1%. 

you were groveling in front of your professor, “please, just round the marks up?” you could practically feel your dignity slipping away. and the worst part? you were so desperate that you started mentally calculating how many odd jobs you’d be willing to do just to sweeten the deal. 

(maybe you’ll help organize the office, run around the campus to buy him drinks every day, or even wipe down the windows of his car…)

disclaimer: he ultimately said no, but he did compliment your impeccable taste in coffee so, a win is a win? 

anyhow, alhaitham’s nonchalance only adds to your frustration, especially when he switches to a different language mid-conversation. it feels like he’s rubbing salt in your wounds, why of course you can understand him perfectly —after all, you aren’t majoring in linguistics for no reason, plus he's not the only one who’s fluent in multiple languages.

though you keep that to yourself, perhaps because the things he says in those languages, which he assumes you don’t understand, are far from innocent, unknowingly letting you have a glimpse into his true feelings. 

ACT I: WHOLEHEARTEDLY, I DETEST YOU. 

alhaitham would never fall in love —such irrational and illogical emotions held no value to him. 

that was what he always believed, but then he saw you. 

the way you laughed so unapologetically at cyno’s jokes, how you always stood firm by your beliefs, your refusal to compromise who you are; you were a breath of fresh air in a world that often felt stifling.

as much as he tries to act unfazed, he can't help the heat prickling his skin nor the way his composure falters just slightly in your presence. and when his heart raced for the first time in what felt like forever, he knew —he was completely, utterly screwed.

(“fix me, kaveh.” / “hah. who do you think i am, ‘y/n’?”)

when kaveh told him that he just had a simple “crush”, he nearly rolled his eyes so hard he thought they might get stuck there permanently.)

likewise, this ugly arrogant handsome bastard here, is one you’ll never fall in love with. 

he’s infuriating, completely insufferable, and yet there’s something about him, something hidden beneath that arrogance, that draws you in. the idea that you could ever fall for someone like him seems laughable, impossible even. he's exactly the kind of person you should avoid and you know better than to be charmed by someone like him. yet, there's that nagging feeling, deep down, that perhaps you’re not as immune to him as you think.

by some stroke of luck, you’re in the same major, same year, and even enrolled in the same lecture periods, which means you end up in the same place at the same time more often than not.

but you can’t deny that, in some twisted way, you admire him. his intellect is beyond impressive, even if it annoys you to admit it. so surely, in his eyes, you’re still inferior, and you often wonder if he even considers your ideas as worthy of attention.

(they are.)

ACT II: YOUR WATCHFUL EYES, I CAN’T IGNORE.

your pen glides across the pages as you jot down notes, fully absorbed in your studies, barely registering the faint sound of distant chatter.

unbeknownst to you, a group of students has gathered just outside the lecture hall, peeking in from the door with curious, amused expressions. they’re clearly there for you, exchanging glances and murmurs, waiting for the moment you step outside.

you don’t notice, but alhaitham, seated a few feet away, certainly does.

his eyes narrow slightly as he takes in the scene. he doesn’t say anything at first, but his jaw clenches ever so subtly. as you begin to pack up, you glance up to find him standing in front of you, his tall figure effectively blocking the group outside’s direct line of sight to you.

with a discreet glance over his shoulder, he shoots them a cold, unmistakable glare. they visibly shudder, seemingly getting the message as they awkwardly shuffle away. 

“what was that about?”

alhaitham leans against your desk, “nothing important,” his tone is dismissive, laced with irritation, his gaze still fixed on the now-empty doorway. 

you narrow your eyes, unimpressed. “really? you just scared them off for no reason?”

“just getting rid of some… distractions,” he says casually, turning his attention back towards you. you raise an eyebrow, clearly not believing his words. “distractions? they weren’t bothering me.” 

his expression remains impassive, “khi họ cứ để ý đến em như vậy… em thấy không phiền, còn tôi thì có.” “seeing them constantly paying attention to you… you're not bothered by it, but i am.”

“bởi vì cái cách mà em chú tâm hoàn toàn vào một việc gì đó…  nó quyến rũ vô cùng.” because the way you completely focus on something… is truly mesmerising.

you blink, feeling a momentary flush of confusion and surprise at the words slipping from his mouth. did he just—? but before you can fully process it, he continues.

“vậy nên tôi cũng không thể trách họ khi họ muốn nhìn em gần và lâu hơn được.” so i don’t blame them when they want to look at you closer and longer.

his words linger in the air, a moment passes before it clicks —he doesn’t think you understand. that’s why he’s speaking so… freely; letting slip things he’d never say outright in a language you both speak fluently.

“nhưng mà… chắc không ai trong số bọn họ có thể sánh ngang với tôi, em nhỉ?” but… none of them can compare to me, right?

your chest tightens as a surge of warmth courses through you. 

his detached attitude only fuels your irritation. but there’s also a certain satisfaction in knowing something he doesn’t: you’ve understood every single word he’s said.

feigning ignorance, you raise an eyebrow, meeting his gaze with what you hope is a neutral expression. "what are you going on about?" you ask.

his expression remains as stoic as ever, not a single crack in his mask. he simply shrugs, eyes still on you, "just telling you to focus more.”

your grip on the pen tightens, there's a part of you that wants to wipe that smug look off his face, to show him you're not as clueless as he assumes. but not yet —you’re curious to see just how far he’s willing to push.

"right," you mutter under your breath, tapping the pen against your notebook. "focus. got it."

he leans down slightly, one arm resting on the back of your chair while the other presses against the table, effectively caging you in.

"you're wasting time, finals are coming up." he takes a brief pause before continuing, "i wish you the best of luck, you’ll need it.”

your eyes snap up to him in a glare, “don’t you have somewhere to be?" you bite back.

alhaitham straightens, giving you a final glance before turning towards the door. “naturally, i have studying to do.”

“bởi vì tôi sẽ chứng minh cho em thấy rằng chỉ có tôi mới xứng tầm làm đối thủ học thuật của em, không một ai khác.” because i will prove to you that only i am worthy of being your rival, no one else.

why did he frame it as if it’s a privilege only he can claim? or is he trying to… flatter you?!

you shake your head, no way, that’s ridiculous. finals are coming up, there’s no time to dwell on whatever mind games he’s playing. though if the almighty alhaitham wants a rival, then you’ll show him exactly what it means to stand at the pinnacle.

ACT III: IN MY DREAMS, I SCORED HIGHER THAN YOU.

you’re tired, the kind of tired that seeps deep into your bones. every blink stretches longer than the last and you find it increasingly difficult to focus on the words in front of you. stifling a yawn, you feel the pull of sleep tugging at you, whispering sweet promises of rest.

there’s still time till your next class.

maybe you'll take a moment to close your eyes, just for a few seconds…

did you not get enough sleep last night, or did you stay up late studying again? alhaitham watches silently from across the room, his eyes narrowing as your head droops lower, your exhaustion becoming painfully obvious with each passing second. his gaze lingers on the way your pen pauses mid-sentence, the line on your notebook trailing off as your hand grows heavy.

he pushes himself up from his seat, and approaches your desk; he notices the sunlight streaming through the window, harsh and unrelenting, hitting right over the table where you’re sitting. he looks at you —eyes closed, with the faintest crease of discomfort on your brow.

without a word, he reaches out and slips the pen from your grip, the slight shift causing your fingers to twitch, but you don’t wake. 

for a fleeting second, he considers waking you. but then, as you shift again, settling more comfortably into your chair, he decides against it. what good would that do, anyway? you’d probably just brush him off and keep going until you collapse from sheer fatigue. typical.

instead, he adjusts his stance slightly, positioning himself just right to make sure the sunlight is fully blocked from your face, casting you in a cool shadow. 

you mumble something incoherent, and he can’t help but roll his eyes at your state. did you really think burning yourself out like this would help you focus?

“stubborn,” he mutters under his breath. 

you're always like this, pushing yourself past your limits, and while part of him respects your determination to outdo him, he won’t allow it to come at the expense of your health.

you stir from your slumber, lifting your head, your gaze lands on a familiar figure standing to the side of your table. his back turned, facing the sunlight that streams in from the window. 

alhaitham. 

he’s close, so close that his broad shoulders completely block out the sunlight from the window. the sight sends a rush of confusion through your already sleep-addled mind. did he… stand there the whole time? why? 

you shift slightly in your seat, your movement catching his attention. without turning, he speaks in that low, steady tone of his, “you’re awake.”

“alhaitham?” you murmur, your voice still thick with sleep.

he glances over his shoulder, just enough for you to catch a glimpse of the calm expression on his face. “you’ve been out for a while,” he comments, a hint of amusement in his voice. “i was starting to think you’d sleep through your next class.”

you rub the sleep from your eyes, “why didn’t you wake me up then?”

his shoulders shift slightly as he shrugs, still facing away from you. “you looked like you needed the rest. besides, it’s more entertaining to see how long you’d stay asleep.”

a flicker of annoyance courses through you as you roll your eyes, “oh, so you mean you care?”

he turns slightly, and you can see a hint of a smirk on his lips. “don’t read too much into it. i just prefer my competition functioning at their best.”

you wish you could roll your eyes harder because this man has an uncanny talent for grating on your nerves while somehow being insufferably charming at the same time.

“ah yes —because you need me to keep up with you,” you remark sarcastically.

“exactly.” you let out an exasperated sigh as you lean back in your chair. “you really think so highly of yourself, don’t you?”

“mushiro, kimi no koto o hijō ni takaku hyōka shiteiru yo.” if anything, i think highly of you. 

your brows knit together in surprise, and you can’t help but scoff. “what was that? i didn't catch it.”

“i said i won’t go easy on you.” oh, the audacity. he’s lying again, and he knows it.

the corners of your mouth twitch in disbelief as you scrutinise his expression. there’s that familiar glimmer in his eyes, a spark of mischief that tells you he’s enjoying this too much.

“whatever,” you retort, crossing your arms defiantly. “not like i want you to anyway.”

despite your words, you can't deny that his actions earlier were surprisingly endearing. you wonder how long he intends to keep this up. perhaps it’s time you let him know.

“ii ne, kimi ga iraira shite iru toki wa kawaiikara.” good, because you’re cute when you’re all riled up.

you feel a blush creep into your cheeks at his words, okay maybe you shouldn’t let him know. you instinctively look away, as if avoiding his gaze can help you regain your composure.

cute? what does he mean “cute”?! he thinks he can get away with calling you cute —well… well, there’s not much you can do about it, you’re not ready to confront him about this either.

the mere thought of asking him directly makes your stomach twist with a year’s worth of embarrassment. yet, as you try to refocus on the book in front of you, you find yourself biting your lip, struggling to suppress a smile that threatens to break free.

ACT IV: I WOKE UP TODAY, AND A DREAM CAME TRUE.

the hallway buzzes with excitement as students gather around the large announcement board, eager to see the results of their theses. you push through the crowd, heart pounding, the low hum of chatter filling your ears. 

when you reach the front, you quickly scan the list; the moment your eyes land on your name, your breath catches in your throat.

there it is, in bold red ink at the top of the board —a score higher than you’d ever hoped for, higher than his. and your name, on top of his.

alhaitham.

you glance over and spot him approaching the board, approaching you. his expression is, as always, unreadable. but you know him well enough by now to catch the slight pause in his movements, the brief moment where his eyes linger just a second too long on the board.

you try not to think too much about it as you collect your thesis, with alhaitham following closely behind, his fingers nearly grazing yours as you both sift through the stack of papers on the table.

you take in the glowing praise from your professor, each word making you feel like every all-nighter was worth it. you clutch the paper, resisting the urge to grin like an idiot. 

glancing sideways, you wait for him to say something, maybe some backhanded comment, but he remains silent. your eyes meet, and there’s a shift in his gaze as the usual sharpness in his eyes dulls ever so slightly, your smile lingering like the first light of dawn breaking through the night's embrace.

it’s subtle —just a flicker —but you catch how his gaze falters, softening, if only for a heartbeat. the edges of his stare blur, drawn to the warmth of your expression as though it’s something he hadn’t meant to witness, yet can’t look away from. 

at this moment,

"looks like i finally beat you," you say, not bothering to suppress the grin spreading across your face now.

he feels like

there’s no scowl, no sign of frustration —just the slightest raise of an eyebrow. “hmm. by a point.” he pauses, studying you for a second longer than necessary before returning his gaze to his paper. “enjoy it while it lasts.”

he's in heaven.

it’s as if he’s not bothered by the outcome at all. in fact, if anything, he seems... satisfied?

"hindi dapat ganito kalala ang epekto ng ngiti mo sa akin." your smile shouldn't affect me this badly.

“—huh?” your mouth drops slightly open at his words; out of everything, you didn’t expect him to say that. it catches you off guard, making your heart race just a little faster. if you peer closely enough, you might catch a glimpse of the gentle arch of his lips, a ghost of a smile. 

the silence stretches on for a beat too long before he clears his throat and shifts his gaze away from you. “ang iyong ngiti ang pinakamagandang tanawin ng aking araw.”

your smile is the most beautiful sight of my day.

“what?” the word slips from your lips, barely a breath, a soft gasp that hangs in the air. it feels almost surreal and you wonder if you’ve misheard him.

each heartbeat thunders in your ears, a rhythm that matches the erratic flutter in your chest. why is he saying these things, what for in a different language…? there’s no way that he—

"—tulad mo na ang hinangad ko na ligawan, ngunit sa bawat ngiti mo, halip ay mas lalo akong nahulog para sayo." —like you, who i wish to court, but with every smile, i instead found myself falling for you. 

your breath hitches as your heart stumbles, the implications of his words washing over you like a wave. a rush of heat floods your cheeks, “what… did you say?”

his shoulders stiffen, and there’s a subtle tension in the way his fingers curl against the paper he’s holding. “see you tomorrow, [name],” he mutters, his voice low but hurried, and before you know it, he’s already walking away.

two strange things happened today: 

1. you finally beat your sworn enemy! 2. said enemy… complimented you? 

huh, it’s as if the words slipped out before he could catch them, as if he’s been holding them in for far too long, as if… you notice the way his neck reddens, even as he turns away.

behind the door, alhaitham lets out a quiet breath.

“gago… nagkamali ba ako?” stupid… did i make a mistake?

to his dismay, an annoyingly familiar voice cuts through the silence. kaveh, who had been waiting just down the hall, notices him standing there, a little too still. 

“oh, what do we have here?" there's a slight pause, followed by a raised eyebrow. "is that—no way, your face is red!” kaveh teases, amusement dancing in his eyes. “what happened there?" he leans in, clearly enjoying himself. "come on, spill the tea..!” 

"not a chance," alhaitham retorts, rolling his eyes and crossing his arms defensively.

just then, kaveh spots cyno and tighnari; grinning, he waves them over. “what’s going on? did alhaitham finally crack under pressure?”

alhaitham would rather reorganise the entire library than listen to kaveh recount what happened.

“i’m leaving.” 

"no, i'm afraid you're not getting out of this one.” cyno steps forward, blocking alhaitham’s path; and tighnari, who has been quietly observing till now, chimes in, “don’t leave us hanging.”

“you’re outnumbered.” 

alhaitham sighs and shakes his head. he hadn’t even thought it was physically possible for him, of all people, to do something as ridiculous as blushing —until today.

(on the other side of the door, their banter echoes through, and you can’t help but chuckle to yourself at alhaitham’s misery.)

ACT V: PLAUSIBLE DENIABILITY, YOU SAY? BUT EVERYONE CALLS IT FLIRTING.

“i think alhaitham likes [name].”

the whole table falls silent before kaveh dramatically slams his glass down on the table, causing a splash of alcohol to spill over the edge. “oh finally, it’s so obvious! have you all seen the way he looks at them?” 

across the table, tighnari taps his fingers absentmindedly on his notebook, his attention only half on kaveh’s (incoming) rant but clearly invested enough, as shown by the slight twitching of his ears, to be listening. 

cyno snickers, “you’re telling me the man who can dissect any philosophical argument can’t handle a little crush? that’s rich.”

kaveh waves a hand dismissively. “come on! remember that time they were partnered up for a project? he was so... uncharacteristically patient! i’d almost say it’s cute if it weren’t alhaitham we’re talking about!”

right, it’d be almost endearing —if it weren’t coming from the most stoic, intimidatingly aloof guy in the entire school. it’d be adorable —if it weren’t alhaitham, who instinctively covers the corner of your table with his hand when you drop your pencil, ensuring you won’t hit your head as you bend down to retrieve it.

oh, you don’t notice (of course not). but your friend dehya, sitting nearby, catches the whole scene out of the corner of her eye. she raises an eyebrow, nudging the girl beside her. 

(“candace, do you see that shit.” / “yeah.”)

“a soft spot for [name], you say? well, i’ve got a story of my own, too.” cyno glances around, ensuring no one else is within earshot, then lowers his voice conspiratorially.  “have you noticed? he doesn’t wear his earphones when he’s around them.”

kaveh pipes up, nodding eagerly.

“he’s got those earphones practically glued to his head, he doesn’t hear anything he doesn’t want to, and he certainly doesn’t talk unless he’s forced to. but around them?” cyno pauses, pretending to think for a while. “not once. he’ll put them away entirely, like he’s actually willing to be… present.”

sure it’s small, subtle, the kind of habit no one would pick up on unless they were looking closely. but to anyone who knew alhaitham well, it tells them more than words ever could. 

for him, actions speak louder than words, even if he often doesn’t realise the meaning behind his own gestures.

his earphones slide down, resting forgotten around his neck, all so he can be close enough to catch the delightful lilt of your laughter. his chair inches a fraction closer, seemingly by accident. a subtle upward twitch at the corner of his mouth, so fleeting and often passing so quickly if one weren’t paying attention.

for him, it’s a language without words.

dehya laughs softly. "for someone who supposedly ‘doesn’t like being bothered,’ he sure seems invested in whatever [name] has to say."

and what sealed their suspicions? 

definitely the time when kaveh complimented nilou’s new bracelet. he glanced over at the man beside him, nudging him lightly. “what do you think?”

alhaitham gave the bracelet a cursory glance, before replying, “it’s nice.” though his gaze flickered back; and almost absently, he added after a pause, “[name] has the same one too.”

oh… oh? well that was oddly specific. kaveh’s eyebrow quirked as he fought to suppress a grin.

alhaitham had noticed a detail seemingly insignificant about [name] —the kind of thing he never cared to show the slightest interest in when it came to anyone else.

the glint in nilou’s eyes seemed to mirror kaveh’s unspoken thoughts, silently agreeing with his suspicions.  

now they’re certain —100% sure, in fact —that alhaitham has a crush on you.

“well, speak of the devil… lovely seeing you here, alhaitham,” kaveh quips. tighnari, ever observant, gives him a pointed look. “your jacket’s missing.”

“someone took it,” alhaitham replies, his tone as composed as always, giving nothing away.

—nothing until you walked past. draped over your shoulders, unmistakable, is alhaitham’s jacket. you don’t notice the way every pair of eyes follows you, or the way kaveh barely stifles a triumphant laugh.

...make that 110%.

(translation: he means he borrowed his jacket because [name] was cold.)

ACT VI: IT’S YOU, WHO COMES TO MY RESCUE. 

the quiet night hangs heavy, the road empty and bathed in the dim glow of distant streetlights. you weave through the streets, but no matter how many twists and turns you take, that weirdo just won’t leave you alone.  

he’s been trailing behind you for blocks now, his persistence grating on your nerves, cornering you with endless “compliments” and invasive questions. you’ve tried to shake him off, but his determination far exceeds your patience.

"come on, just give me a chance," he insists, stepping closer, a little too close for comfort. you take a step back. the smell of alcohol reeks from his breath, and his grin is making your skin crawl. 

"i told you, i’m not interested," you say firmly, keeping your voice steady, but the panic was starting to creep in. you glance at the empty bottle in his hand —he’s definitely drunk out his mind.

“you sure?" he completely ignores your clear discomfort. "how about you just give me your number, yeah?" he slurs out.

"no, i have a boyfriend." you lie through your teeth, hoping that would be enough to make him back off.

unfortunately, he’s as insufferable as he is persistent.

he snorts dismissively, "yeah, right. a boyfriend? you’re just playing hard to get."

you sigh, you aren’t in the mood for this, not here, not now, and especially not with someone like him. "i already told you, i have a boyfriend," your voice now tinged with frustration. "so please, just leave me alone.”

"oh, don't be like that," he steps in front of you, blocking your way. "prove it. call your boyfriend. show me you’re not lying."

your heart races as the man reaches out for you, dodging his hand, you take the chance to look behind him for an escape. just then, you see an all-too-familiar figure in the distance. 

alhaitham. 

you barely manage to suppress a relieved sigh as you wave frantically in his direction. he spots you almost immediately and without hesitation, he rushes over.

"what, this your boyfriend?" the guy sneers with derision, still sounding a little too cocky for someone who was about to get a reality check.

alhaitham steps beside you, you can feel his eyes on you for just a brief moment, the faintest flicker of worry flashing across his face. it’s subtle, almost imperceptible, but you catch it—and it makes your chest tighten.

his voice is low, unmistakably carrying a warning, "yes, i’m their boyfriend. and if you don’t want things to escalate, i suggest you leave." 

the man’s face twists as anger flares in his bloodshot eyes. he takes a step forward, his grip tightening around the neck of the bottle, the glass slightly cracking. "you think you can tell me what to do?" he slurs, gaze wild and unfocused. “y-you think you’re some kind of saviour? *hic* a-and you! how… how dare you reject me?!”

alhaitham doesn’t move, his expression cold and unbothered, and that only seems to make the man angrier. his frustration boils over, and with a snarl, he clumsily swings the bottle in his hand, aggressively lurching towards your direction. 

the world seems to slow for a moment. though before you can even react, alhaitham pulls you firmly behind him with one swift motion, his other arm instinctively rising to shield the both of you from the blow. the sound of glass meeting his forearm is sharp and jarring —you can hear the high-pitched tinkle of glass scattering, the jagged shards bouncing off the pavement, and some skittering across the ground.

but he doesn’t even flinch, his stance unwavering as the man stumbles back, glass crunching underfoot. you’re still frozen from shock, your heart racing in your chest as you watch the scene unfold. 

“big mistake,” he starts, and the man visibly falters. “harassment, assault —keep this up, and you’ll regret every choice that brought you here tonight.”

the man shifts around, clearly disoriented. his eyes dart between you and alhaitham, but it’s clear that the fight’s already left him. “you— you can’t do this!” the man stammers, trying to regain some semblance of courage; unfortunately for him, the tremor in his voice is unmistakable. 

“do you really want to find out?” alhaitham asks, to which the man shakes his head vigorously. “get lost,” he mutters. the man, looking more pathetic than threatening now, quickly stumbles away, mumbling incoherent curses under his breath.

you’re breathless, still clutching the edge of his jacket, fingers trembling slightly as the adrenaline courses through you. 

"are you alright?"

you nod, forcing a small, unconvincing smile."yeah... i’m fine. thanks to you." 

alhaitham’s eyes narrow slightly, scanning you for any sign of injury. you follow his gaze instinctively, glancing down at yourself. that’s when you notice it —not on you, but on him.

streaks of red stain his forearm, where jagged shards of glass must have cut him during the confrontation. the gash bleeds steadily, a dark line of blood seeping through the fabric of his jacket.

"wait," you breathe, your heart sinking. "you're bleeding."

your stomach twists with guilt.

"why didn’t you say anything?" you exclaim.

he shakes his head, a dismissive gesture that does nothing to ease the knot forming in your stomach. "it’s nothing," he says, but the slight furrow in his brow and the tension in his jaw betray his words.

"nothing?" you fix him with a hard glare. "idiot… you just blocked a glass bottle with your arm, don’t try to downplay this."  

you grab his sleeve, tugging it gently but firmly, the fabric sliding beneath your fingers as you pull it up. “—and unless you think an infection is ‘nothing’, you’ll let me take care of this."  

"hold still," you murmur as you settle beside him on the couch, your supplies spread across the coffee table in front of you.

the scent of antiseptic fills the air as you take a disinfectant wipe and gently dab it against the gash. the sting of the alcohol makes him flinch slightly, but he doesn’t pull away. you mutter a soft apology, your movements slow and deliberate as you try to be as gentle as you can.

you open a tube of ointment, squeezing a small amount onto your finger before smoothing it carefully along the edges of the cut. the cool gel glides over his skin, and you can feel the tension in his arm ease ever so slightly under your touch.

“nǐ zhème guān xīn wǒ, huì ràng wǒ wù huì de.” if you care so much about me, i might misunderstand you.

your fingers pause briefly, the words catching you off guard. you glance up at him, but he only averts his gaze, his eyes remaining fixed on a distant spot beyond the room.

misunderstand? misunderstand what, exactly?

the bandage wraps securely around his arm as you smooth it into place. as you tuck the end of the bandage, his voice comes again, just as soft, but no less clear. 

“—wù huì nǐ duì wǒ yǒu gǎn jué.” "—misunderstand that you have feelings for me."

your brain short-circuits, and in your shock, your hands jerk. in turn, the bandage tightens way too much, causing him to wince and tense up. before you can apologise, he lets out a light chuckle. “suǒ yǐ nǐ dān xīn wǒ… nǐ shì bù shì gù yì ràng rén xīn dòng de?” “so you're worried about me… are you purposely trying to make my heart race?”

his words only make you more flustered, and you find yourself fumbling to fix the bandage. “i’m sorry! i didn’t mean to—”

his chuckle only grows softer, and you catch the glint of amusement in his eyes. “it’s fine.”

you quickly finish adjusting the bandage, trying to focus on anything other than how your heart is now racing. (ironically) 

“you seem flustered,” he comments casually, as if he isn’t the one who just made your head spin. “did i say something wrong?”

you shake your head quickly, hoping to hide the flush creeping up your neck. "no, not at all.”

his lips twitch into the faintest hint of a smirk.

"nǐ bù bì yǎn shì, wǒ xǐ huān nǐ hài xiū de yàng zǐ, tǐng kě ài de.” “you don’t have to hide it. i like seeing your flustered expression, it’s quite cute.”

(oh this bastard!!!!)

you try to speak, but the words get stuck in your throat. what do you say when someone’s teasing you so openly —and they think you don’t even realise it?

after a long moment, he stands, “it’s getting late, i should get going.” alhaitham gives you a small, almost imperceptible nod, his eyes meeting yours for a brief moment —and there it was, that trace of softness reserved only for you.

he heads toward the door, you watch him, feeling a strange sense of emptiness when he turns away.

“i’ll see you,” he pauses. "...and thank you for tending to me."

you watch him leave, the door clicking softly behind him, and the silence settles back into the room.

you blink, taking a deep breath. what a rollercoaster of a day. yawning, you turn to start tidying up, but your eyes land on something on the couch.

it’s his jacket, draped over the armrest. you notice a tear on the sleeve, just where his injured forearm had been. what truly catches your attention, however, is a folded piece of paper slipping out of the pocket. 

intrigued, you unfold it, revealing his neat, precise handwriting. 

ACT VII: THE SECRET I’VE ALWAYS KNOWN. 

To [Name],  I once believed you to be little more than a nuisance. A bright, well-meaning nuisance, no doubt, but a nuisance nonetheless. One who seemed intent only on striving for perfection, always seeking to best me at every turn, not out of malice but out of some earnest desire to prove your worth. In my arrogance, I mistook your relentless pursuit for a need for recognition, as if you sought my attention in some petty rivalry. Though very quickly, you made me think otherwise.  You saw the world differently, you also saw me differently. You didn’t treat me with the reverence others seemed to, nor did you shy away from challenging me. You refused to be seen as anything other than yourself; and that, in itself, was what made me admire you —what made me long to understand you more. Now, I find that I am standing with half a heart and an emptiness I never knew I could feel, because you showed me what it truly means to crave something more, something I never thought I deserved. You may think I’m a coward for not expressing my feelings more directly, perhaps you are right. I am a coward for fearing to lay bare the vulnerability of my heart. But even in my cowardice, know that my thoughts have always been of you.  If you have seen through my silence and hesitation, if you understand my actions when my words fail me, then perhaps you have already known this truth. I care for you, more deeply than I can fully express. Though I may never be able to say these things as openly as I wish, I’d like you to know that my actions have always been my confession. Even now, I’m still a coward for you. So please, if you decide to give me a chance, I’ll be waiting at nightfall. Helplessly,  Alhaitham. 

you absentmindedly trace the edges of the letter with your fingers while your eyes skim over his writing for the nth time, the ink seeming to blur together with your thoughts as you try to process everything. your fingers curl around the fabric of his jacket, a foolish smile creeping onto your face.

tomorrow’s nightfall feels impossibly far away, yet you can’t wait for it. 

alhaitham lays on his bed, his arm aches slightly from the injury, but it’s nothing he can’t ignore. plus, the bandage you had carefully wrapped around his arm is enough to keep the discomfort at bay. 

(originally, he had only planned to meet you, slip you the note, and be on his way. things didn’t go exactly to plan, but either way, he hopes you’ve read it by now.)

of all the possibilities, he’s never accounted for the one he’d be at mercy of his own emotions; he had always prided himself on his rationality, his restraint. but now? he’s reckless, absurd, foolish even —he can admit that to himself. but he finds he doesn’t care in the slightest.

for as much as he is a coward in your presence, he is just as much a fool in your absence.

ACT VIII: UNDER THE RAIN, I HAVE SOMETHING TO SAY. 

“alhaitham isn’t really an expressive person, so don’t worry if he comes off as distant or uninterested. it’s not that he doesn’t care, he just… shows it differently.”

ah well, ‘differently’ indeed.

“—most importantly, alhaitham doesn’t waste time on people he doesn’t care about, so you must mean a lot to him.”

maybe you didn’t mind how your heart raced when you heard that.

“don’t fuss over it [name], you’ll know when he’s in love.”

how so? 

if he was in love, what would it look like? would you be able to tell, or would it be just another one of those things you had to catch on to?

you wrapped the his jacket tighter around yourself, a faint smile tugging at your lips. it wasn’t the answers to those questions that mattered, but asking them in the first place —that was what made you realize you already knew all along.

the evening air is cool against your skin; a gentle breeze stirs the trees, their leaves rustling quietly, and your heart beats louder than ever, urging you forward.

in the distance, you spot him, standing still in the dim light. and without a second thought, you quicken your pace.

“haitham.”

the sound of your voice catches his attention as he turns to face you; you can’t help but notice how his gaze flickers down for just a moment, his eyes taking in on how his jacket looks on you, before meeting yours. 

his posture is unnervingly perfect, rigid almost to the point of stiffness …is he nervous?

“hey,” he finally says, clearing his throat. “there’s something i need to tell you… though you’ve probably already figured it out. you’ve always been sharp.” 

“i… ” he falters, and it’s the first time you see him hesitate. “i’m not sure how to put it… since i’m not exactly great at this.”

you tilt your head, subtly urging him to continue. 

“but you’ve managed to make me care about things i never thought i would. and now i can’t seem to stop thinking about it —about you.” his voice lowers, softer now, but there’s a rawness there that’s unmistakable.

“i’m telling you this now, because not saying it... doesn’t feel right anymore."

suddenly, you feel a soft mist that barely kisses your skin, a slight chill against your cheeks, then a few tiny drops,  until they start to gather in your hair, the beads of water slipping down the back of your neck, but you don't move. neither does he.

his hair is damp, sticking to his forehead, droplets trailing down his temple. his clothes cling to his frame, soaked by the rain, yet his attention remains solely on you.

“[name], i am irrevocably in love with you.”

you stand there, the rain falling relentlessly around you, the pitter-patter mirroring the frantic beat of your heart. the water trails down his face, but it’s hard to tell if it’s just the rain, or something else.

his lips part, as though he wants to say more, but the words seem caught in the storm, swallowed up by the downpour. the rain is cold, but his gaze? his gaze feels impossibly warm. 

it’s only when you feel the dampness of his jacket beneath your fingers, that the words finally come. “you don’t need to convince me of that.”

you take a step closer, and for a moment, the world outside seems to disappear.

“i’ve known,” you add. “but hearing you say it,” you pause, allowing yourself a small smile, “makes all the difference.”

reaching up, your fingers graze his damp skin as you gently push a wet strand of hair from his forehead, the warmth of your touch lingering against his cool skin. 

“'uhibuk aydan, alhaitham.” i love you too, alhaitham.

a single droplet slides down his cheek, tracing the line of his jaw before falling to the soaked fabric of his collar. another follows. and then another. his breath catches in his throat, and a shaky exhale leaves his mouth.

you wrap your arms around him, and he sinks into your embrace, his hair tickling your cheeks, as his chest rises and falls against yours.

“you’re gonna make me cry too, idiot,” you murmur, burying your face in his chest, your eyes glassy. “you really are a fool,” you tease softly, a slight smile playing on your lips. “but only for me.”

slowly, his hands rise, trembling slightly, until they cup your cheeks, gently stroking it. 

“la yujad 'ahad akhar 'urid 'an 'akun 'ahmaq min 'ajlihi.” there’s no one else i’d ever want to be a fool for.

his palms are surprisingly warm despite the weather. his thumb grazes your cheekbone as he leans in, and the world falls away —nothing but the warmth of his presence and the soft press of his lips against yours.

“this is my first time in ten years seeing this guy cry! can you believe it?!” kaveh whisper-shouts, peeking out from behind the shrub. 

nodding along, cyno agrees, poking his head out just right below the blond’s. “[name] is truly exceptional. though i must say, seeing alhaitham cry is quite tear-rifying.”

kaveh rolls his eyes in exasperation. “ugh, you and your puns.” he mutters under his breath while zooming in on his phone, which is currently recording the whole scene.

“quiet down, you two!” a voice hisses from behind them —tighnari, face flushed with panic. “they’re literally right there, and you’re making more noise than a herd of goats.”

“relax, we’re out of their line of sight anyway!” kaveh raises his phone higher, almost giddily, eyes glued to the screen. “and damn this is a good angle.”

tighnari exhales sharply, “you’re incorrigible.”

“look who’s talking,” cyno raises an eyebrow at tighnari… who’s also peeking out from behind the bush. (what a hypocrite)

…

“they kissed oh my g—” kaveh’s voice rises in disbelief, but cyno quickly covers his mouth with a swift hand. the three of them scramble to duck behind the bush just as you turn to glance in their direction.

(“is that… senior kaveh?” you squint your eyes, “cyno, and tighnari?” 

alhaitham clears his throat before glancing over at his friends with a deadpan expression. “yes and unfortunately, they’re very invested in my personal life. so please don’t mind them."

you laugh, finding the whole situation a bit too amusing. “not in the slightest, but i’m sure they’ll never let you hear the end of it.”)

EPILOGUE: IN EVERY LANGUAGE, I HEAR LOVE YOU.

“how long?”

you blink, feigning confusion. “how long what?”

alhaitham’s eyes narrow slightly, an expression you know well. “how long have you understood everything i’ve been saying?”

you bite back a smile and offer a small shrug, “...ever since you started?” 

his lips press into a thin line, and for a moment, you can’t tell if he’s upset or impressed. then, he sighs, almost amused. “and you let me embarrass myself all this time?”

“you were being honest,” you shrug, a smirk forming. “plus i knew you’d figure it out eventually.”

he huffs a quiet laugh, shaking his head. “may ideya ka ba kung ano ginawa mo?" do you have any idea what you’ve done?

"mas lalong umibig sakin?" made you fall in love with me even more?

you tease, but there’s a tenderness in your voice that softens the edge of your words.

“yes, and you really are insufferable,” he mutters with no malice. his tone is different now. softer. warmer, even.

you lean in slightly, a playful glint in your eyes. “that’s not what i heard you say before.” your fingers graze the skin of his cheek before you tenderly pinch it, giggling softly at the reaction you provoked.

in one smooth motion, he catches your hand before you can pull away and tugs you towards him, closing the distance between you in a heartbeat. you tilt your head back to meet alhaitham’s gaze.

you’ve often thought he’s the most-perfect boyfriend, undeniably handsome in every way —but there’s really just one flaw: his height.

“ugh, you’re too tall," you grumble, rubbing the back of your neck. "i’m having a neck sore just looking at you."

he quirks an eyebrow at your sudden words. “you could use a stepstool.” 

"or," you counter, "you could get on your knees and save me the trouble.”

he slowly lets out a breath, his lips curling ever so slightly. 

“'akida, 'antaziri hataa 'ashtari alkhatama.” sure, just wait till i buy the ring.

"wh—" 

he crosses his arms, "what’s wrong? isn’t that what people expect when someone gets on their knees?"

you roll your eyes, half-smiling. "fine, then i’ll eagerly wait for that day.”

his gaze softens as his hand reaches up, brushing a stray lock of hair from your face; his eyes drop to your lips for a moment, and you know what’s coming even before he speaks.

this fic was not sponsored by duolingo, but with the help of my beloved friends!! wouldn't have been possible w/o em please give them a round of applause xx

vietnamese — @https-sourlimes tagalog / filipino — @vxnuslogy arabic — @ughscara chinese, japanese — me! ty @mitsvriii for proofreading, love u all <3

and thank you for reading!!

MASTERLIST.

[rin-and-jade]

Heres a reminder for you that being dissociated isn't limited to the common misconception where you are frozen in place, incapable of doing anything or even thinking, or experiencing a significant time gap,, those things. (This is a very important post, read till bottom so im happy!)

And while its hard to spot the milder signs when you're dissociating, don't worry i got you covered by bringing awareness, im showing what those signs could look like:

Dazing/blanking out several times

Hands looking weird (depersonalization)

Surroundings also looking weird (derealization)

Feeling detached emotionally, physically, or both

Light-headedness

Less reactive in responding

Forget things more often

Unable to focus or keep concentration straight

And many more..!

When you have multiple of those signs at once, then chances are you are dissociating (extra note that it can also co-occur with derealization/depersonalization). While it can be caused by various factors, i would like to add that it may or may not get worse as time passes and no one wants that thing to snowball until it got too bad (remember, preventing now is better than dealing later) so having a few tips would help:

Grounding (sensory): listening to music, feeling different textures, paying attention to things in your surroundings, trying different fragrant or scents, have some snacks to occupy your senses

Grounding (physically): feel your chest as you breathe, get your body moving to redirect focus, splash some cold water, hold something you can squeeze (such as a stress ball)

Practice being mindful. As it can help you re-anchor back to reality faster, regulate better, building more resilience, increasing awareness of oneself's state

Sometimes we go do our day without giving a thought that were detached from reality, usually by going autopilot and scrolling through social medias without being aware (well, atleast for me) and forget lots of things while being dysregulated at the end. So by being aware of the mild signs and incorporating grounding skills im sure memory gaps and those funny aftermath stuffs won't be a problem anymore, have a good day peeps.

EDIT: I forgot to mention that another sign is your hearing feels muffled, that you can hear sounds feel more distant despite close, i thought it could be grouped with the “less reactive” before.

EDIT 2: It is true that sometimes these techniques will not work,, so it's recommended to create a peaceful environment in hopes of going away sooner when waiting it out. grab some videos to watch, put some of your favorite musics or cuddle your soft pillows (if any, pets) and stay comfy! Do not stress about it because it'll be counterproductive. Full explanation at here.

- j

[flying-fangirls]

Not to be an English major, but my genuine favorite part of Malevolent is how it handles its themes. Overall Malevolent tackles such profound and interesting ideas to chew on, but it's specifically the approach it takes to those ideas that really gets me going.

For example, one of the major themes across several seasons and characters is identity. The podcast asks pretty standard questions like "How do you define yourself?" and "How do others define you?" But it doesn't choose to stop there! It constantly expands on that idea, and it also asks things like "Which of those definitions is the 'real' you?" and "Are any of them right, are any of them wrong?" and "Is there even a singular definitive version of you?"

Malevolent works out from one idea and poses all these rich lines of discussion and questioning, and then just. Doesn't provide an answer! Or, at least, not a single, one-size-fits-all answer. Instead, it gives us multiple possibilities:

John's arc tells us that your identity is what you make— what you say, what you decide— and no one else's definition of you matters. Arthur's arc tells us that you can get stuck in a rigid, self-deprecating personal identity, so you need others' perspectives to help you see and love the real "you." Larson's story tells us that you do not have the right to selectively accept/deny parts of your identity and actions, and that others can see the whole of "you" whether or not you take accountability for it. Noel's story tells us that you can choose what parts of your past define you, and that leaving behind all the other versions of yourself can be beautiful and empowering. Kayne's story tells us that leaving behind other versions of yourself is akin to murder, killing off the pieces that you don't like and pretending like you've evolved past your own self. Yellow's arc tells us that your identity is fluid and can easily be influenced or manipulated by what others tell you, and by that point you've changed your own self-definition to something entirely new that can be just as true or untrue as the old you.

With all of these characters and with every other character throughout the show, we get a unique answer to the question "What is identity?" And if you look further at all the characters, you can break down their different arcs over the seasons and find even more answers just within that one character's development and story. And some of the answers we get correspond, and some of them contradict, and none of them are the right answer, and all of them are the right answer.

Malevolent takes one idea, and then it crafts an incredibly nuanced and humanistic exploration of said idea that adapts with respect to whatever situation or character it is applied to. And it uses this approach with all of its themes: identity, morality, guilt, grief, love, hope, etc.

Malevolent knows that life is messy, that people are complicated and contradictory and diverse and ever-changing, that no part of the universe or humanity can ever be explained or defined in a simple manner. Malevolent knows all that, and it wants to help us understand that too.

Malevolent shows us that nothing can ever be easily understood or answered, and it shows us that that fact is beautiful.

[quantummindclassicalheart]

I think Brennan did something interesting with the Porter and Gorgug scene in the last episode. Porter is by all appearances a competent Barbarian teacher. He understands the role of Rage and its mechanical combat benefits, and he even recognizes how Gorgug uses Rage to protect those he cares about. But he doesn't understand how multiclassing into a caster fits into that framework.

And it's true! In 5e you can't cast or concentrate on spells in a Rage. But-- Artificers work a little different than other casters! Alchemist Elixirs and Arcane Cannons aren't technically spells. Arcane Armor just works. And so does the Steel Defender.

Of any caster I think the Artificer is probably the best-suited to multiclass Barbarian because their key subclass features are largely not spells. But it also runs into the problem of requiring multiple high stats. Barbarians already want high STR and CON, and Artificers need INT for their spells and spell saves.

And so there's this narrative tension here. Brennan the DM obviously wants to let his player have fun with the character build-- embracing the creative artificer side of himself is a great character moment for Gorgug, bearer of the tin flower. Someone who has always channeled Rage to protect those he cares about but who has also been called to create and preserve beauty.

And yet mechanically, it's a difficult build. We didn't see Gorgug cast anything in the Night Yorb battle, as far as I recall? And in-universe, classes are a formally recognized thing that require approval. But Gorgug can't be the kind of Barbarian that Porter wants him to be. So he has to show that he can be a different kind of Barbarian-- one whose magic integrates and synergizes with his Rage rather than opposing it.

We see Gorgug still insecure about his homunculus and about the solar lasso, even though these are objectively impressive feats. So it's not a skill issue but an internal conflict-- it's only once Gorgug reconciles and synthesizes his magic with his Barbarian side that the in-world powers that be will recognize him for all of who he is.

[sttoru]

𝐌𝐄 𝐀𝐍𝐃 𝐌𝐘 𝐇𝐔𝐒𝐁𝐀𝐍𝐃 . . .

⟣ sypnosis. you’re fed up with your rich abusive husband and finally decide to hire a skilled assassin to get rid of him in secrecy. one night when you’re left alone in your penthouse, you invite the assassin named toji over to give him the money he’s demanded to accept the job. things turn for the worse when your husband comes home early that day and catches toji and you together.

⟣ note. eeek. never thought i’d be here to write this out but i did and it turned pretty detailed if i must say. hope u all enjoy and appreciate my hard work. feedback / comments are greatly appreciated ! if the fic does well, i can make an alternative ending that’s smutty :3 wc: 7.4k

⟣ tags. toji fushiguro x female reader. angst, comfort. themes include abuse. reader is in an abusive + toxic relationship with her husband. implied age gap with husband. implied size difference with toji. mentions of guns + blood + m.urder. knifes.

“what is a successful marriage?”

that is one of the many questions that keep you up at night. you’ve laid awake for hours on end ever since you’ve married your husband, in search for reasonable answers. you’ve got many of them sorted out, however that specific question is one left unanswered.

it is very subjective—many can vary about the concrete answer. but one thing you know for sure is that your marriage is the exact opposite of what ‘successful’ means.

you were so full of yourself. you didn’t realise that your pride would also be your downfall one day; you’d constantly brag about having a rich husband who gets you everything you wanted. you were too blinded by love—or actually—by his money to notice the real him. the real, twisted and manipulative face of the man you were determined to marry.

his name was daisuke. from the yamamoto family. a family known in japan for its generational wealth and the many buildings and famous corporations it owns. you’ve worked at one of those companies and had met daisuke whilst he was on a visit. you’ve heard about his image by the public; sweet, caring and apparently wouldn’t hurt a fly.

unfortunately, the true him matched none of those descriptions. the true him only you—his wife—came face to face with at your shared home. you remember when it started. when daisuke began to turn into a nasty, abusive man whose anger is never restrainable.

your dating years were nothing but a dream. or, maybe you were too gullible to notice the signs and red flags your then boyfriend was showing. his love bombing, the manipulation, the gaslighting—you didn’t know better. if you complained about a minor thing that he had done, daisuke would apologise by sending you lots of money and presents. toxic, isn’t it?

but you didn’t care. you were happy and content with that being your compensation. the money was the evildoer that made you lose all your morals. the teenage you who said that you’ll never put up with a man’s disrespect was long forgotten.

even now, 4 years later, you put up with his verbal and physical abuse just to continue staying in that big mansion you live in. to continue getting everything paid for you. to continue getting lots of money by doing nothing but be his wife—his trophy wife, at this point.

it’s an easy life; ‘all i have to do is get through his abuse and it’ll be just fine’, you tell yourself that every night. it’s the only thing keeping you sane—a coping mechanism of some kind.

however lately, daisuke’s never skipped a day without being abusive towards you. he’d enter your home yelling and shouting, complains about the tiniest speck of dust in the house (which is not even your fault, it’s the maids’), reminds you how worthless you are in his eyes and the list goes on. he sometimes gets physical and throws stuff at you, causing multiple bruises and cuts to appear on your body after he’s done having his daily tantrum.

he might even kill you one day. it’s scary to think about; if he would, he easily could. he could one day just decide to be done with you and stick a knife in your body, leave you to bleed out and then order one of his men to get rid of your corpse. just like his family does to whoever stands in their way of success. you don’t want to discover how many people your husband has killed.

daisuke can easily get away with murder after all—the law is nothing but a thing to exist to keep the common citizens in the government’s control. to the rich, it’s like those rules don’t exist. court? justice? the so called independent judge? nothing money can’t buy. after all, money is power. money is innocence.

after four years of sticking with that rich man, you were getting tired. you were staying with him for his wealth, but was it actually worth it? besides, if daisuke hates you so much, why wouldn’t he divorce you instead? you don’t have anything going for you. except for your looks and youth, probably. that’s the main reason why daisuke coaxed you into marrying him—to show you off during events or parties. a complete and utter trophy wife you are.

you’ve been going to sketchy bars lately to let off some steam. you weren’t even there to drink alcohol. the sole reason for attending pubs was to forget about your own situation. you’d get weird stares since you’re always alone, sitting in that one spot in the far corner, no one wanting to come up to you because of that gloomy aura you’re emitting. and because you’re always dressed modestly from head to toe—not an ounce of skin showing. it was all the opposite of what most people would normally look and act like in bars.

‘what is normal?’ also a subjective question. society has turned it into an objective one, however.

“good day, miss.” a deep voice had interrupted your thoughts one day whilst you were doing your usual routine; sit near the bar counter, get a non-alcoholic drink, stare at the table for hours and question your purpose in life before going home to the reason of your problems.

a man, probably in his late 30’s or early 40’s, sat next to you on an available stool. he nonchalantly ordered a drink before making small talk. it was a nice change of pace for some reason. you had asked him his name. it was shiu.

that stranger had kept you company for hours until a call from your husband made you snap back to reality; you had to be home as soon as possible. judging by daisuke’s tone, you were in big trouble.

you remember how shiu outed his concern for your well-being by pointing out the bruises on your arm which you didn’t even know were showing.

you dismissed his worries with a fake smile and told him it was nothing, quickly pulling your sleeve back down. shiu seemed to let the topic go, but before parting ways with you, he handed you his business card. you didn’t know what it was for—what kind of services he could offer;

“call that number if you need someone to get rid of your problems,” was all you got before the mysterious man walked away. you couldn’t shake off the emphasis on the word ‘rid’. it sent a shiver down your spine.

that sentence of shiu’s echoed in your ears as tears streamed down your cheek after you arrived home. you were in your personal bathroom, hands shaking as you put a bag of ice on your fresh bruise, the small red and blue-ish area stinging. once again—you couldn’t avoid your husband’s wrath.

after having slept for a mere two hours that day in your bathtub, you’ve awoken to an empty house. daisuke was gone for work. luckily for you.

you hastily grabbed the business card in your purse and dialled the number. staring at the card, you’d think it was some kind of house cleaning service. that’s the kind of vibe it gave. little did you know that it was far from that.

a few rings later and you heard the same familiar deep voice in your ear; “good morning. with shiu kong.”

your heart was beating in your throat as you couldn’t gather the right words to say. maybe it was due to the little voice in the back of your head that warned you for something—you couldn’t pinpoint what the specific cause was just yet.

you answered eventually, “hi. uhm, you said i could call this number if i needed someone to get rid of my problems.” you pause and inhale deeply, “wh-what if my problem was.. a person? would you…” your voice trailed off, but the implication could not be missed by anyone if they heard the tone you used.

shiu seemed to recognise your voice, though stayed silent for a second or two at your request. when he replied, it sounded like he had expected you to ask him this—like he’s heard this many times before; “certainly.”

that’s when you realised what you’ve gotten yourself involved with. you were sweating and you had trouble breathing as you realised that.. this was your chance. to get rid of that man called your husband. your abuser.

you had decided to take on that opportunity and that’s how you ended up getting a phone call from an anonymous number right after your talk with shiu. the agent hadn’t told you anything other than the name of the person who’d contact you; ‘toji’, and said that he’d help you further.

you stared at the ‘no caller ID’ on your screen. this was him: the person who’d help you get rid of your problem. you gulped before sliding your thumb across your mobile to answer the call.

“hi, good m—”

“location.”

the husky male voice cut through your introduction and got straight to the point. your lips were parted to answer the man whom you guessed was ‘toji’, but your breath got caught in your throat for a second. do you just randomly give your address to a stranger? was that okay to do? you didn’t know—no, you didn’t care. if you got killed in the process or something similar, that’d be way better than to live another day in hell with your husband.

you dropped your address after some hesitation and toji just added a quick, ‘be there in an hour or so,’ before hanging up on you.

fast forward to 50 minutes later and you were pacing back and forth in your living room, trying to breathe properly and not have a second panic attack. daisuke wouldn’t be home until noon, so at least he won’t see whoever will enter your mansion in a few minutes. and if there’s a possibility that you get killed by this stranger, you’re sure that your husband would be more than happy that the job was done for him.

a loud tune. the sound of your doorbell. normally, you’d find the short melody relaxing, but now it sounded like something out of a nightmare. you made your way to your intercom and looked at the small screen—seeing a tall black-haired man with a compressed shirt and beige baggy pants standing near the gates. that must be toji—the man you talked to an hour ago.

he must be confident in his abilities since he didn’t cover up his identity at all when coming all the way over here.

you press a button and the gates open with a buzz. toji disappears from the little screen as he enters your front yard. the screen fades to black and you’re left alone with a sense of dread in your stomach. that only lasted for a couple seconds since the doorbell of your front door goes off.

“c-coming!” your voice cracks. you make your way over to the entrance of your home and breathe in. you open the doors slightly, peeking through the gap at the tall, intimidating man standing before you.

toji was kicking a rock to the side whilst waiting and looked up when you opened the doors. he seemed laidback, as if this was nothing but child’s play to him, “took ya long enough.”

you were appalled as toji simply barged into your home like he owned it. his strong, masculine cologne wafted through the air as he passed you by without giving you a second to process his intrusion.

your shaky eyes followed his bulky figure—the muscles that bulged through his shirt, which tensed every now and then. his aura was no joke either; it was horrifying to someone whom didn’t even know who he was or what he exactly did for a living.

“phewww,” the dark-haired man let out a low whistle as his eyes scanned the interior of the entrance hall, shamelessly touching a few expensive looking decorations, inspecting the material, “pretty damn rich, ain’t ya? this y’r daddy’s money?”

you shake your head and close the door behind you, staying there in case you needed to run. you are still wary of this situation, even when you had been the one that started this all.

“h-husband’s.” your voice was a quiet whisper. toji raised an eyebrow and turned his attention towards you. his eyes scanned you from head to toe. you looked pretty young. a fragile little thing, is how he described you in his head.

“husband? you?” toji chuckles dryly, before stepping closer to you, his body towering over yours. he lowers his head and stares at you from up close, his hands in his pockets whilst wordlessly looking at you.

you swallowed a bit of saliva and glanced back at the big man whom belittled you twice in just a couple seconds. you fumbled with the sleeve of your hoodie as the silence grew deafening—the only sound being your own soft yet shallow breathing.

your fingers scratched at the bruises under the fabric of your clothes, causing the cloth to slightly crinkle and glide up a few centrimeters with each rub before coming back down once your fingers stop. the instant you start touching those bruises, the itching just wouldn’t stop.

toji noticed this and looked down at your arm. his eyes caught a small glimpse of a wound on your wrist, but he didn’t seem to comment on it. with a sniff, he straightened his back and cocked his head to the right—face cold again as he glared at you;

“do ya know what kinda stuff i do?” his voice was booming, the deepness to it making you shiver. you press your lips together and search for answer, only to find nothing;

“n-no, i mean—“ your itching increases the more nervous you felt, “th-the man who directed me to you said you’d explain things further. all i know is that you can get rid of uhm— a problem of mine.”

toji scoffs and mutters something incomprehensible under his breath about his ‘stupid agent letting him do all the work’ before turning around. he lazily walks ahead as if he had all the time he needed in the world. once arrived in your living room, the man plops down on your couch, spreads his legs and leans back against the cushions. he really acted like he owns this place.

“i’m not the type to beat around the bush, little lady,” toji starts whilst his eyes follow you as you nervously sat on the chair next to the sofa, “so i’m gonna get straight into it. and if ya back down after this or get too scared ‘n call the cops, unfortunately, y’r pretty ass gotta go.”

toji swipes a thumb across his neck to indicate what that latter meant; killed. you’re gonna get killed if you learn his real identity and decide to expose it to anyone, especially the police. you blinked your tears away whilst thinking of that possibility and shook your head, putting on a determined face. you need to take responsibilities for your actions. you were the one who started this.

“all right. i promise that i won’t back down.” you reply after getting yourself together. toji’s eyes had left yours for a second to look around the grand living room—as if inspecting for something—before settling back on you. he quickly exhales through his nose; leaning his head on his hand while his piercing gaze burned holes in your skin,

“i’m an assassin.” toji says in a bored tone. he’s done this little introduction to his job so many times before to clients who hire him in for the first time, “i kill people in exchange for money. so, ya basically hired me to get rid of someone ‘nd i’m here to collect the money and information i need to finish the job. got that?”

there it was. the confirmation you needed and got without an ounce of hesitation coming from the man in front of you. you had expected this outcome (from the many you created in your head), of course, thus you weren’t that surprised. yet the fact that you actually have a hitman in your house, someone who can easily kill your husband, still makes you nervous.

“yes, thank you.” you eventually replied and nodded, taking a deep breath to calm your nerves. you looked up at toji and this time it wasn’t in a nervous way. this time it was in a determined way. toji notices this change and the scarred corner of his lip curled into a smirk.

“how much. . . money do you want for this job?” you go straight to the point. the dark-haired man grins whilst scanning your figure up and down shamelessly, enjoying the confident look on you. it suited you better.

“depends. who is it that i gotta kill?” toji asks, using his thumb to crack his index finger. you look around as if anyone could hear you. you were sure that no one was there with you, no maids no bodyguards no husband, yet your anxiety was still at its peak.

“my husband.” you reply quietly and point at the big picture frame on the wall near the chimney. it was a picture of daisuke and you. you seemed happy there, but it was all for show. that photoshoot was simply for his benefit, “daisuke. daisuke yamamoto.”

toji raises his eyebrow and stares at the picture. he’s heard of that name before. it was mentioned many times in the articles he reads. the assassin stands up with a grunt and walks to the chimney, letting out a small hum like he was thinking about it. not about if he could get the job done—no, his pride told him he easily could—but about the amount of money he wanted to get out of this.

there was a silence before toji turns around on his heels and walks over to the couch again, plopping down on the soft cushions whilst propping his feet on the table in front of him, “around seven million yen will do.”

that was about 50.000 dollars.

your jaw slightly dropped. it’s not like you haven’t seen nor heard of such big numbers before, it’s just that it was a little unexpected. but then again; nothing you can’t afford. with your husband’s money. the same money that ruined your life, is going to be used as a weapon to save it.

daisuke’s own money is going to be the death of him. and you’re the one to guarantee that.

“all right. i can get you that in cash.” you nod idly. your mind was clearly somewhere else—trying to remember the password to daisuke’s safe that was situated in a hidden room near his office. you recently found out that he keeps most cash, gold and other valuable pieces there, away from your sight. he was bad at hiding that fact from you, however.

one night, he came home drunk and it ended up with him confessing to you that he ‘won’t ever let a gold digger like you near his money again’ and proceeded to spill that he ‘has a secret safe which you won’t ever get your hands on’. eventually, you did. after a bit of snooping around, you easily found the hidden room behind a bookcase.

those fat stacks of money in there definitely add up to more than seven million yen. you’re sure of it. the only obstacle in your way is gathering that money. most of the time, daisuke locks his office before leaving home—or if he doesn’t—his maids will be in there cleaning.

“it will take me some time, but…” your voice trails off as a pensive look falls on your face. you bite your bottom lip and try to figure out something—a plan. toji catches your attention again by letting out a deep sigh. he dismissively waves your worries away with one hand;

“tha’s fine, lady. i need some time to prepare for this job too—it ain’t an easy one after all.” the assassin comments whilst scratching the scar near his lips, also seemingly deep in thought about his own plan, “bet he got lots of guards on his ass, too. tch.”

there was another thought in the back of toji’s mind that bothered him. normally, he’d be pissed off if his client didn’t prepare any kind of money beforehand. maybe some compensation bills, or at least a little thing he can have before they give him the full amount.

but with you, he seems not to mind. he wouldn’t be mad if he left this place empty handed for the time being. maybe he actually feels pity for your situation. or was it something else?

toji scoffs at his wandering mind and inwardly tells himself to shut up about such dumb stuff. getting his money is what’s most important to him. if you die afterwards, he wouldn’t care.

that’s what he tells himself.

“anyways. you should gimme all ya know about him. y’re his wife, right? ya should know his routine ‘n stuff that i can work with.” toji speaks up after the ten seconds of silence. you nod at his question—he wanted every single piece of information about your husband, so you’ll give him everything. no details excluded.

you pull out your phone and show toji pictures you took from daisuke’s computer in secrecy. pictures of his daily schedule for the upcoming month. your prior intention by taking those was to know when to be back home or when to avoid him, but they could be useful for this as well.

you continue to explain when and where daisuke holds his breaks, where his main office is located, the bodyguards that accompany him every day and when they leave him alone— all the information you gathered.

toji can’t help but be amazed by your memory. and the fact that you can recall everything, small or big, about your husband. it certainly did make his job easier; now he doesn’t have to pry out more hints on daisuke himself.

of course, you had your reasons for knowing all the miniscule facts about daisuke. it’s how you managed to survive those four years of marriage.

“good. tha’s enough.” toji nods and stands up with a grunt, stretching his arms—the muscles retracting. you couldn’t help but stare at them; he must have gone through a lot of training to become an assassin. a skilled one at that.

“before i go,” toji continues as he walks past you without looking back, heading straight for the exit of the living room, “you should delete all cctv footage that ya got going on ‘round here. i’ll take care of further evidence, yeah?”

toji moves his index finger in a circle, pointing at all corners in the house. he doesn’t want to risk anything, “i’ll call ya once i get things sorted out. then i’ll get to work when ya hand me the money.”

you nod and make a mental note for yourself to do that immediately once toji’s gone. you still had an hour or two before your husband would return. you don’t think he checks the cctv footage often (otherwise he’d have caught you sneaking into his office before), but it’ll be a big problem if he actually does and sees a random man in his home.

“will do. thank you.” you reply to toji and get up to politely see him out of your house. that’s when the realisation kicked in; your husband will be killed by this man right here in front of you. goosebumps appeared on your skin—not from fright. but from… happiness?

this stranger will end years of torment for you. yes, it’s his job. he’ll probably disappear after he’s got the money and completed your request, and yet, you can’t help but be extremely thankful.

without thinking, you reach out and grab onto toji’s wrist to stop him from moving. the assassin doesn’t stiff or tense up by this sudden touch. in fact, he’s already sensed it coming and allowed it.

toji’s actually more surprised by the fact that his mind and body allowed you to touch him. if it were anyone else, he’d probably have avoided their touch, broken their hand or worse—cut it off.

he moves his head to the side and looks at you from his peripherals, though not fully turning to you yet. he doesn’t speak up either; he’s waiting on you to go first.

your heart was somehow starting to beat even faster. you bit your lip and mentally cursed yourself out for pulling such an action; you could’ve just waited to show your gratitude through the phone.

well, either way, there was no going back now so you might as well spill your words of gratitude right this moment. you took a deep breath and parted your lips, ready to talk, but was then interrupted by your biggest nightmare.

a familiar, chilling voice. your heart drops. your body freezes.

“i knew it.”

a looming figure stood near the entrace to the living room. you recognised him instantly, as did your body, which went into an almost paralysed state. your mouth went dry, your hands started shaking and your eyes widened to the point you weren’t blinking anymore.

your husband, daisuke, appeared out of thin air in front of toji and you. his gaze was solely focused on the way your fingers were curled around toji’s wrist. to top it off, he had only heard the last bits of your conversation: something about deleting cctv and money. his brain hadn’t heard the entirety of it—he had already taken wrong conclusions in his head.

daisuke’s veins were on the verge of popping as he took two big steps towards you—you taking two steps back in response.

“i knew you were cheating on me, you fuckin’ slut.” daisuke spits with his finger pointed right at you. he was ignoring toji’s presence for the time being. he had to deal with you first;

“i work my ass off all day and night to provide for you and this is how you repay me? by inviting a random dude over whilst i’m gone? ungrateful bitch.”

two insults in a row; one more and daisuke’s putting his hands on you. it always went like that. your mind felt like it was emptied, but you somehow felt relieved that your husband didn’t seem to know the real reason of why toji had come over. daisuke really thought you were just cheating on him, and that your words of ‘deleting all cctv footage’ was to hide that infidelity.

“it’s n-not.. like that, daisuke.” you try to soothe the raging man in front of you, but your attempts were futile. he was just three quick steps away from resorting to physical violence.

toji, in the meantime, had stepped off to the side. you were only his client, thus there was no need to interrupt a couple’s ‘dispute’. you weren’t anyone dear or special to him—just a client. a stranger that owes him money to perform a job.

the assassin leans against a nearby wall, crossing his arms over his chest whilst watching the scene unfold. it was unfortunate that toji’s target was right there in front of him; he could just kill him right now. get the job done and over with. but, once again, toji only got to work if he had the money. he only assassinates when his skills are paid for. not any earlier and not any later. those were his morals—the rules he lives by.

if toji wanted to, he could simply walk away and let you handle this stuff by yourself. daisuke accusing him of being your ‘thing on the side’ didn’t bother him. as long as your husband doesn’t know his real identity, he’s fine with whatever accusations that get thrown at him.

but, for some reason—the same reason from earlier—his body was yelling at him to stay. toji sighs; he knows he won’t ever win a battle against his heart’s needs. he decides to stay.

daisuke still doesn’t seem to care about this; all the man wants is to out his anger and accuse you of things he now has enough ‘evidence’ for. he was seething and fuming at this revelation.

“god knows what else you’ve done behind my back. i bet he isn’t the only one you’ve fucke—“

“stop! i’m not cheating,” you finally yell back. it was the first time in a while that you had gathered the strength to do so. it felt good now that you had stuck up for yourself, but you knew how this would end for you—probably on the floor. crying.

despite all of that, you decided to keep on going. it’s now or never: all you have to do is make up a lie, probably withstand daisuke’s anger again and hope it doesn’t kill you. just this once; all you have to do is survive this once and then you’ll be freed from him.

you’ll give toji his money and he will do the job for you. just a few more days—

“he’s.. he’s my friend’s husband. i invited them both over and he just arrived earlier than expected.” you quickly made up. it sounded a little convincing to you. toji’s low snicker of amusement in the back confirmed that it maybe was the opposite of convincing.

daisuke scoffs at the pathetic attempt of hiding your ‘infidelity’. with another step forward, he raises his voice a notch; “yeah, right! what a pathetic excuse.”

a second step—you were waiting on that third curse. that third swear word that would set hell loose in this house, “do you really think you can fool me with that? huh?!”

it hadn’t happened yet. you still had time to think of a plan to perhaps escape this situation. your eyes flickered over to toji, although it didn’t seem like he’d be of any help. of course, he’s just an outsider after all. a stranger whom you just met today.

assassins have already disregarded their heart emotions the moment they decided to go down the path of killing for a living. you wouldn’t even blame toji for not stepping in. you’re also but a stranger to him.

toji could see the glimmer of hope in your eyes when you looked at him. or maybe it was a call for help. a desperate look. he can’t tell the difference. though, what he can tell, is that there was a gnawing feeling in the pits of his stomach. a gut feeling that told him it’d be smart to interfere.

but there’s his rational thoughts that tell him to not get involved—to avoid any more trouble than needed. besides, what other benefits would it bring him if he did? toji doesn’t want to be seen as a hero or saviour by anyone.

his jaw clenches as the time ticks. only a couple seconds left before the cold-hearted assassin has to make a decision.

daisuke’s patience was running low. the tension was increasing and could burst at any given moment now. one wrong move and you’re done—

one wrong breath could result in the worst possible outcome.

your silence spoke volumes to daisuke. the way you held your head low, your eyes that flickered from the floor to the ceiling, your fingers that nervously fumbled with your clothes and your bottom lip that trembled unstoppably. that pissed him off.

everything about you pissed him off. daisuke didn’t see any benefits of having you around anymore. he hadn’t for the long time, however didn’t know how he’d get rid of you.

divorce? no, he’ll have to give some of his earnings to you. kick you out? a possibility, but that would ruin his reputation. blackmail? that option was now the best choice. he’s caught you with another man after all. with camera evidence.

but, daisuke wouldn’t be satisfied with that outcome. his rage was blinding him—more than usual. he has to make you learn your lesson. in a way that will have you begging for your life to be spared.

and thus, the last step was made. the deciding hands were raised—aimed for your neck. the final curse had left his lips;

“come here. i’ll show you how whores like you should be treated.”

killing intent. it was the first time you’ve seen daisuke’s gaze darken that much, his demeanour emotionless yet full of rage. you close your eyes and expect for the worse.

“tha’s enough.”

everything went blank to you. it was silent, your vision was black, your hands were above your head, your heart felt like it wasn’t beating anymore—had you met your end? had you already been murdered?

in that same instant, you could feel drops of liquid splatter on your face. a faint ringing sound in your ears—it sounded like fireworks had been set off. a loud ‘pop’ sound.

something hit the ground right after. it wasn’t your body since that someone or something landed right at your feet.

after that: utter silence.

you gathered all your strength once more and slowly opened your eyelids. your vision was a bit blurry, though the first shape you could make out was one of a man on the ground. and not just any man—it was the man whom you hated most. at your feet.

you would’ve never thought of seeing that image before. of your husband laying at your feet; both literally and figuratively. a red liquid gushed out of his head and soaked into your shoes.

a normal wife would’ve let out a blood hurling scream at the sight of her lover laying lifelessly near her. a normal wife with a healthy relationship, that is.

you did let out a scream at the sight of your husband laying lifelessly near your feet. but that wasn’t done out of panic for your husband’s life—or due to the pain you were in to see him dead.

it was purely because you hadn’t seen a corpse before.

“d-daisuke..?”

a normal wife would’ve called out her husband’s name in a futile attempt that he’d answer back. that all of it was a dream. that her beloved wasn’t dead.

your reason wasn’t anything close to that. you called out that name in hopes he wouldn’t answer back. that all of it wasn’t a dream. that your abuser was dead.

it was real. you were glad, yet extremely disturbed by the fact that there was a corpse at your feet. you didn’t want to see all of it happening—that wasn’t part of the plan.

you stumble back a bit, hands clutching onto the chair you bumped into as you did your best to avoid the gruesome scene before your eyes. you just wished someone would clean the mess as soon as possible.

it’s then that your gaze fell on the other person present in the room; the man who was standing with a gun in his hand. toji scratched his head with the barrel, cold eyes looking down at the corpse with a faintly visible disgusted expression.

the assassin clicks his tongue as he walks towards the lifeless body and puts the sole of his shoe on daisuke’s cheek as if he was stepping on a pile of dirt, moving the head back and forth to check for any possible ounce of life in there.

there was none. the soul had left its body almost instantly after that bullet went through his brain. toji sighs; this time at himself for acting irrationally, “should’ve tortured you to death for tryin’ to put y’r hands on that lady instead of givin’ you the easy way out.”

with a harsh kick to the head on the floor, toji gathers some of his saliva on his tongue before spitting on the man. doubling the disrespect; “consider yourself lucky.”

toji cocked his head to the right. that’s where he spotted you with a familiar look on your face. the expression of someone who just went through a traumatic experience. he’s seen many people react like you when facing a near death experience or when witnessing somebody die before them.

usually, he’d tell them ‘it’s normal, get used to it’ and leave it at that. this was different. it felt different with you.

“are you okay?” the words slipped out of toji’s mouth before he could hold them back. his tone was a mixture of genuine concern and confusion. the latter was due to his own state of mind at the moment.

you didn’t answer, but you put your hands on your mouth as if you were going to puke any moment now. your vision was getting blurry with tears, head spinning and body feeling numb and weird.

toji hesitates before stepping towards you. his hands reached out to hold you, though he stopped them. he’d figured you wouldn’t be comfortable with him touching you in any way or form. he just killed someone in front of you—

it’s not like you cared that it was your husband. that much was clear. you sniff and glance up at toji with such a relieved yet devastated expression that his arms instinctively wrapped around you and pulled you into his warm embrace.

it was an awkward hug since toji doesn’t really know the basics of comforting someone. he was a bit stiff, but you didn’t show any discomfort due to that fact. instead, you clung onto his body and left tear stains on his black shirt.

“shhh, shh. it’s fine. it’s okay.” toji whispers, whilst his big hands indecisively move around, trying to find a spot to rest on. one eventually lands on the back of your head whilst the other starts to slowly rub up and down your spine, “it’s over, yeah? all of it—it’s over.”

toji doesn’t have a clue about the exact details of what your life was like. why you asked him to kill your (now ex-)husband was none of his business. all he knew was that he was going to get paid for it, so he didn’t care what the reason was.

it wasn’t like he hadn’t noticed the scars and bruises on your body throughout your conversation either—but that as well—was none of his business. assassins do their job without any further questions. there was no need to have personal connections or relations with their clients.

yet, toji was going against those unspoken rules once more. all because of you. for you.

“thank y—you.” your voice was weak as you speak up. it sounded hoarse and tired, though the sense of gratitude was undeniably there, “thank you, thank you, thank you.”

a series of ‘thank you’s’ leave your lips whilst your body and mind were still trying to recover from the whole ordeal. toji was trying his best to keep by your side until you calmed down. that’s the least he could do—after the fact that he singlehandedly got rid of the main problem in your life.

“no need to thank me, lady.” the dark-haired man whispers, allowing you to mess up his shirt with your tears and tugs, “i did what i had to do.”

toji didn’t actually have to do what he did. he never does his job before he’s guaranteed the money. however this time, it was a different story. he did it without thinking. he had to. his body was telling him to move—and in a flash—it was done.

he tries to tell himself that it’s just him slacking off. that he isn’t possibly starting to care about another person. he shouldn’t; those complicated emotions would stand in his way. and yet. . .

“c’mere.”

toji lifts you up bridal style while you keep quivering against his shoulder. his hands had a tight grip on your body, his eyes a sharp gaze on the mess he created. with a sigh, he takes you upstairs to a random room—kicking the door open.

toji carefully puts you back on your feet and guides you to sit on the edge of the kingsized bed. he absentmindedly brushes a few strands of your hair back after wiping some more tears away from your face;

“i know it’s a lot to take in,” toji kneels down before you, looking up with an unreadable expression whilst wiping the tears from your cheeks. his warm palms make contact with your skin and it’s like you’ve forgotten all about what just happened, “but is it okay if ya stay here while i go take care of the rest? i’ll come back once i’m done.”

toji has his own ways of cleaning up after he’s done a job and most likely wants to put one of those techniques to use before any maid or guard comes to check in on the house situation. you sniffle and hiccup afterwards, trying to form a verbal response through your broken sobs, but to no avail.

you simply nod and lean into toji’s calloused hands—such rough and masculine hands—ones that were meant to protect instead of hurt you. you weren’t able to trust men after your marriage, however this one in front of you was unlike any other. even if he may not seem like it on the outside.

his touch was gentle yet firm. the pads of his thumbs swiped the wet skin under your lower eyelashes and you could’ve sworn toji’s gaze had softened for a split second before he caught himself.

he had to stand up, get rid of the mess and leave the place before he got too attached to you. the assassin cannot make such a grave mistake.

“i promise,” toji speaks up after a bit again, standing up after giving you a soft pat against your shoulder, “you’re fine. i’ll be back—ya have my word.”

there he goes; making promises he knows he probably can’t keep. ‘i’ll be back’, will he? he can’t. for your own safety. he has to treat you as just another client. none of what he did in this house could be spoken of anymore.

he slipped up this once. it needn’t to happen again. money. he does his jobs for money—when he obtains the money. he doesn’t kill his targets for the sake of others, for the protection of others.

he doesn’t kill for love.

toji wishes that all of this had never happened, because he knows that his heart will lead him back to you at the end of the day. he knows he won’t leave once he cleans up the mess downstairs. he’ll come right back to you.

and you have faith in that. you trust this stranger whom had practically saved your life with just one shot.

“i don’t know how to repay you.. thank you.” you manage to mutter through shallow breaths. you stare at the back of toji’s head as he makes his way to the door. he stops in his tracks to reply to your comment.

he stands still at the doorway and looks over his shoulder at you—the scarred corner of his lips twitching;

“prepare the money. tha’s how you can repay me.” toji replies and you don’t know if he’s joking or being serious because of that little grin on his face. a breathy chuckle follows and then the assassin disappears.

the door closes and you’re left alone in this space. left alone in the silence of the home that had treated you as its prisoner. you remember how your husband used to lock you up in your bedroom whenever you had done something to piss him off; taking away your freedom by keeping you in a room.

now it’s yours—your life is yours. you’ve fully gained your freedom back and can decide what to do for yourself. it seems like a foreign situation, a foreign world, a foreign concept; you can now actually do whatever your heart desires. without any restraints.

“what is a successful marriage?”

well, to you, it’s one with a satisfactory ending.

🏷️ : @satoruhour @squicksquak @omgeto @xmintpie @cursingtoji @obsidiannero @elmoees @x1aosg1rl @fushironi @ceceher @ajax1230 @toji-is-hot @jayugh @rinshoe @sligerate @satoryaa @luveblad3 @happystrawberrytyrant @ezraiix

[olderthannetfic]

hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused

--

A big factor in LJ's greatness is timing and nostalgia.

It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.

LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.

I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.

People often remember this phase but not the early days of suckitude.

This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.

There are people who talk about Tumblr the way my cohort talks about LJ...

And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.

Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.

What life phase you hit a site at matters.

--

With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.

The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)

Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.

Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.

But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.

--

The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.

On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.

--

But could we use Tumblr pretty much how we used LJ?

We could.

I do.

--

The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:

Heavily text-based

It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.

You could follow the discussion

Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.

The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"

All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.

On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.

(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)

It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.

--

These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.

For me... yeah, Tumblr functions almost exactly like LJ.

Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.

People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.

--

So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.

Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.

We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.

--

Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.

The missing piece is people.

When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.

--

Threaded comments are different and better.

LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.

A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.

--

So by all means, people, weigh in about what made LJ great or how the culture felt at the time...

But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.

[robin-evry]

𝐈𝐅 𝐘𝐔𝐔 𝐖𝐀𝐒 𝐀 𝐃𝐑𝐀𝐆𝐎𝐍 🐉🐉

A dragon is a magical legendary creature that appears in the folklore of multiple cultures worldwide. The Oriental Dragon (also known as the Eastern Dragon) is another one of the world's most commonly known dragons. They are found in folklore, mythology, and religion all throughout East Asia. These dragons all symbolize different things, varying depending on the culture and folklore.

( English is not my first language)

I imagine dragon!yuu having a serpentine since Eastern dragons, also known as Chinese or Asian dragons, typically have long, sinuous bodies, resembling a snake with limbs. their length can vary greatly depending on the context and depiction. While there isn't a standard measurement for these mythical creatures, they are often portrayed as being significantly long, sometimes hundreds of feet in length.

They are covered in fish-like scales, which can vary in color and size depending on the dragon's type and environment. Scales often have a shimmering quality. The underbelly is usually a different color or texture from the rest of the body, often smoother and softer.

Plus their stomach Highly adaptable, capable of digesting almost anything. In some legends, dragons have a second stomach for storing treasure.

Once a month they tend to shed their dried skin into a new lighter and shinier one than before, and they can use the leftover skin to sell for money.

In their human form, I imagine them being able to hide their dragon features from the school. But they can still show their dragon features in human form. Basically its similar to Dan heng and his imbibitor lunae form from HSR

I also imagine them not revealing others about their true identity much later in the storyline, maybe during Leona overblot dragon!yuu reveal their true identity because it takes place in an area that is full of sand.

Before the reveal of their true identity, students and staff believe that dragon!yuu is only able to water magic or they excel at water magic so they use it more often then other forms of magic.

Dragon!yuu are able to use some ancient magic that allows them to control and create space, they use a spell to create their own realm to stay at by putting a symbol on a door or just put a spell on an object that can open as a door like a suitcase, or teapot to build their realm in.

It's basically like the teapot in genshin. A living space for the traveler, inside the teapot is a realm, where dragon!yuu sleeps it's basically a mansion and a large lake nearby, the mansion is newly built for grim or the first year if they want to sleep in the teapot.

Some students would definitely sneak for dragon!yuu help since dragons in some cultures bring good luck and protection, so they have been trying to take advantage of these abilities. Specifically Azul.

Azul would definitely try to convince dragon!yuu to give up their power and give it to him, since dragons in eastern culture are portrayed as very wise, and it's gonna be more complicated.

Since eastern dragons are portrayed as being more connected to water and weather, dragon!yuu would have the ability to manipulate the weather so when they feel down a bit it will start to rain.

I imagine dragon!yuu would be interested in the history of twisted wonderland, Mr trein most favorite students. You can find them browsing the libraries for history. And be interested in collecting items by doing this basically they're preserving those items. In their teapot or a room in ramshackle there's an entire room filled with ancient artifacts, And there's one specific shelf that holds items they received In twisted wonderland, so if they're leaving twisted wonderland the memories of NRC would be preserved in these items.

Dragon!yuu also have the talents of engineering, Crowley commission dragon yuu to create a device that allows them to control the weather,Sometimes dragon!yuu have trouble sleeping so they also create a device that releases a special mist that helps anyone to have a blissful sleep and helps whoever is struggling with sleep.

[gibbearish]

so this post has been made unrebloggable now (shocker) but ive been feeling the need to address it since i saw it on my dash multiple times, so let's explore how lying on the internet works. more specifically, how blending truth, lies, and omissions to whip uninvolved people into anger works, because i think this is an excellent example and that pointing out the misinformation and the tactics used to spread it here is important, both in correcting the specific falsities but also in helping recognize similar tactics in the future.

so here we have several things that are technically true: staff has been very openly shitty to trans women for a long time and them banning predstrogen is clearly part of that, there is currently a movement regarding discussing transmisandry/transandrophobia, transmisogyny and transphobes sending transphobic asks is by far nothing new, and baeddel is/was a slur. however, among all of this are half-truths, unprovable speculation, or outright lies made to make you believe these events are originating specifically from transmascs.

firstly, the transandrophobia movement has been drastically misrepresented here in the same way it has been for the whole argument, "they're just trans MRAs" has been repeated so many times now that i'm gonna be hearing it in my dreams when i'm 80. i can understand not being willing to address the nuance of that whole discourse in one post that isn't directly focused on that, i'm certainly not, but in this example it's not unwillingness to address a complicated topic, it's a deliberate misrepresentation to frame one side of the discussion as The Evil Bad Ones That Can't Be Trusted. additionally, this post IS about that discourse and is just pretending it isn't to mislead a wider audience, so refusing to address it at all beyond this brief mention is deliberately misleading people about the goals of the group because They're The Other Side Of The Discourse. "transmisogynists" is used as a buzzword here, it doesn't actually refer to Anyone Who Hates Transfemmes, it refers to Transmascs Who Discuss Transmasc-Specific Oppression Using A Word They Coined To Point Out That Queer Spaces Have A Big Problem With Masculinity and just. doesn't tell you that's what it means, relying on the structure and framing of the post to create the Transmisogynist = Transmasc association in the audience's head so op doesn't have to say it outright (and of course the implied Transmasc = Transmisogynist association that follows because creating THAT association is the Actual Point of this post). the mentions of transmascs in this post are designed to look like afterthoughts, op says "typically those who espouse transandrophobia" to make it look like they're saying there's other people they're referring to here too, but almost everything in this post draws from the transandrophobia discourse. some random cis transphobe in texas has never heard the term baeddel in their entire life much less used it in a debate about transphobia, this is an intercommunity argument through and through, but op is trying to mask the fact that they're just referring to "transmascs who disagree with me specifically" and make it look like it's part of a wider trend. and again, i'm not going to go into the nuances of transandrophobia here, but i highly recommend reading some of the theory on it by @nothorses (x) and @genderkoolaid (x) because the "theyre just trans MRAs" argument kinda just collapses under its own weight as soon as you look into it even a smidgen. i've linked a couple broad overviews there but they both discuss it frequently and in-depth, specifically nothorses has a pinned post linking to many different discussion threads that i would recommend checking out if you do want to learn more about what the actual conversation surrounding these words is.

so, after framing the movement this way, they go on to say that the reason predstrogen was banned wasn't /just/ because staff has a long and established hate boner for trans women, but because the transandrophobia movement was teaming up with TERFs to mass-report her and other transfemmes, and implies that this is part of a deliberate conspiracy between Transandrophobia Truthers™, TERFs, and staff. you'll notice that there are no, say, screenshots of transmascs saying theyre deliberately reporting her or of that they're working with TERFs, behind-the-scenes lists of people who reported a certain account, or any evidence for this beyond "she was a trans woman, they're trans men who hate trans women, she got banned, so these must be related". which i find especially funny now given that photomatt has continued melting down about this since it happened and made it pretty clear it yknow. was just part of staffs ongoing hate campaign against trans women that has been going on much longer than the transandrophobia debate? and that maybe the fact that The Literal CEO is having a personal meltdown about this might explain where that could be coming from or at least why it's been allowed to continue for so long, moreso than any individual users reporting someone could? but i digress.

who reported what account is completely unprovable as a casual user unless people directly admit they did it, so to bring it up like this begs the question of what actual reasoning they have for saying it beyond trying to tie a current display of bigotry into an unrelated discourse. that's not to say it's impossible people who discuss transandrophobia were wrongfully reporting her, because again, thats something we have no way of knowing, and the internet is a shit place so i wouldn't be surprised. but given the circumstances and the rest of the lies here, i have my doubts about this being an actual yknow. Thing That Happened rather than just another lie to make people mad at transmascs. now one could make the argument that op wasn't saying transmascs are /deliberately/ teaming up with TERFs/staff, that "teaming up" was just a poor choice of words to refer to multiple groups who happen to have the same goals in mind at the same time but aren't actually coordinating with one another, but given the deliberate misinformative slant of the rest of the post and the overall phrasing in this section, i have trouble extending that grace. regardless, however, that doesn't change that who is reporting who isn't something verifiable, so stating it here as a confirmed fact is disingenuous at the absolute best, and a lie chosen specifically because it's unprovable at worst. if op /does/ have proof that transmascs have been teaming up with TERFs to get trans women banned, not including that with this post is just uhhhhh dumb, and if op /doesn't/ have proof then Why Would You Go Around Telling People That's What Happened Unless You Were Lying To Them On Purpose With Ulterior Motives.

next, op goes on to discuss the rise of the term baeddel. now as i said before, the truth here is that it certainly was a slur and certainly can still be used as one, again the internet is a shit place so i would be a fool if i tried to say "no one is using this as a slur". however, this is once again a drastic misrepresentation of the situation. baeddel's rising use is due to certain trans women reclaiming it and aligning themselves with the original group's politics, namely that femininity is good and masculinity is bad (aka terfism 101), with the added caveat that by abandoning femininity for masculinity, transmascs are evil and betraying devine womanhood and their community by putting more Evil Manhood into the world. of course that in turn is a drastic oversimplification of their politics and i highly recommend checking out this post with an actual in-depth exploration of the history (and without my added flavor), but the important part to note here is that this is not a term transmascs just Started Using one day because they hate transfems so very much as is implied here, its use is directly tied to a group of people saying "hello, here is what i am, and here is what this word means about what i believe," so others went "ok, these specific beliefs are called this." bringing up the fact that it historically was a slur is misdirection here, when you look closer this is almost a 1 to 1 translation of TERFs crying that TERF and radfem are slurs because People Don't Like Their Politics And Therefore Them, so the name for their politics is used negatively, so therefore it's a slur. that argument just has a little more oomph behind it this time because It Was A Slur Originally. and again, that isnt to say no one is now using it as a slur, the rate of decay for online discourse is ridiculous so it being boiled down to and used as "evil transfemme" has certainly already happened, but to act like /every/ use of it is a slur is literally just a lie, when you self-identify with a term based on your shared politics with the original group then you do not get to claim everyone using that term to describe those politics is doing so exclusively to attack you. also this part is entirely speculation but given that op's url is basically just. baeddel switched around to dae bel, i would hazard a guess that they perhaps are indeed aware of the origins of its re-use? but again, that's entirely unprovable and based just on wordplay, but like. given the Everything here i wouldn't be surprised. now, there's definitely an argument to be made about calling users baeddels based just off of their politics when they don't personally self-identify with it, if that constitutes calling someone a slur and if TIRF should be used instead, but crucially, that is not the argument being made here. the argument being made is "ANY AND ALL use of this term is calling someone a slur," and that literally just Isn't The Case.

finally, to tie the whole post off, op reminds us 1) if you hear anything bad about any trans woman ever, it's probably a lie to make her look bad, and 2) if you hear anyone say anything about transandrophobia, disregard everything else they have to say because they hate trans women. not "be critical of the things you see or get sent" or "be on the lookout for things following a certain pattern," a unilateral "anything bad is probably fake and anyone who uses the bad words is probably evil." that is not something someone does if they are genuinely trying to raise awareness of an ongoing trend, that is what someone does when they want you to turn your brain off and be mad at a group no matter what they say.

so yeah, in summary, do be critical of the things you see and be on the lookout for certain patterns, because sometimes people will just Lie to you. or, sometimes people will tell you portions of the truth while leaving out crucial bits so that you'll come to the conclusion they want without anyone being able to say they lied to you without typing up a thirty paragraph long hell post. transmisogyny is absolutely a problem on this site and there are 100% valuable conversations to be had about it and its presence within the trans community, but this post is not that. this post uses real transmisogyny and the wrongful termination of a trans woman's account as set dressing to say that it was all because of evil transmascs who run the trans community behind the scenes conspiring to take out transfemmes, so you should ignore anything they have to say because All of it is secretly motivated by transmisogyny. they're never discussing transandrophobia because it's something that actually effects them, they're doing it to hurt trans women by saying they have it worse. they're never telling you about shitty things a trans woman did to spread awareness, they're lying to make her look bad, or even if it's true they're only talking about it as part of a hate campaign because she's trans, they wouldn't care otherwise. they're never using a specific term because People Use That Term For Themselves, they're calling someone a slur because they hate trans women. there's always an explanation you can think up that ties it back to transmisogyny, and op says that instead of assessing all of what someone says and the context behind it to determine if that's what's happening, you should assume transmisogyny is the answer and refuse to engage any further as soon as you see a word you've been told is bad.

this post is discourse recruitment masquerading as a public service announcement that doesn't offer you any routes to actually learn more about what's going on, it just tells you Here's What's Happening, Here's Who's Evil And Should Be Ignored, And If You Disagree You're Also Evil And Should Be Ignored. content of the actual post aside, i think anything framed that way should be taken with a MASSIVE grain of salt and this would have raised my alarm bells even if i wasn't already pretty familiar with the arguments, people who genuinely want you to know something just because it's good to know will give you options to learn more or encourage you to actually use your critical thinking to assess things, not tell you to sit down and shut up and ignore anyone who disagrees with them.

anyways i guess tldr

[physicallyimprobable]

what's the 3-dimensional number thing?

Well I'm glad you asked! For those confused, this is referring to my claim that "my favorite multiplication equation is 3 × 5 = 15 because it's the reason you can't make a three-dimensional number system" from back in this post. Now, this is gonna be a bit of a journey, so buckle up.

Part One: Numbers in Space

First of all, what do I mean by a three-dimensional number system? We say that the complex numbers are two-dimensional, and that the quaternions are four-dimensional, but what do we mean by these things? There's a few potential answers to this question, but for our purposes we'll take the following narrative:

Complex numbers can be written in the form (a+bi), where a and b are real numbers. For the variable-averse, this just means we have things like (3+6i) and (5-2i) and (-8+3i). Some amount of "units" (that is, ones), and some amount of i's.

Most people are happy to stop here and say "well, there's two numbers that you're using, so that's two dimensions, ho hum". I think that's underselling it, though, since there's something nontrivial and super cool happening here. See, each complex number has an "absolute value", which is its distance from zero. If you imagine "3+6i" to mean "three meters East and six meters North", then the distance to that point will be 6.708 meters. We say the absolute value of (3+6i), which is written like |3+6i|, is equal to 6.708. Similarly, interpreting "5-2i" to mean "five meters East and two meters South" we get that |5-2i| = 5.385.

The neat thing about this is that absolute values multiply really nicely. For example, the two numbers above multiply to give (3+6i) × (5-2i) = (27+24i) which has a length of 36.124. What's impressive is that this length is the product of our original lengths: 36.124 = 6.708 × 5.385. (Okay technically this is not true due to rounding but for the full values it is true.)

This is what we're going to say is necessary to for a number system to accurately represent a space. You need the numbers to have lengths corresponding to actual lengths in space, and you need those lengths to be "multiplicative", which just means it does the thing we just saw. (That is, when you multiply two numbers, their lengths are multiplied as well.)

There's still of course the question of what "actual lengths in space" means, but we can just use the usual Euclidean method of measurement. So, |3+6i| = √(3²+6²) and |5-2i| = √(5²+2²). This extends directly to the quaternions, which are written as (a+bi+cj+dk) for real numbers a, b, c, d. (Don't worry about what j and k mean if you don't know; it turns out not to really matter here.) The length of the quaternion 4+3i-7j+4k can be calculated like |4+3i-7j+4k| = √(4²+3²+7²+4²) = 9.486 and similarly for other points in "four-dimensional space". These are the kinds of number systems we're looking for.

[To be explicit, for those who know the words: What we are looking for is a vector algebra over the real numbers with a prescribed basis under which the Euclidean norm is multiplicative and the integer lattice forms a subring.]

Part Two: Sums of Squares

Now for something completely different. Have you ever thought about which numbers are the sum of two perfect squares? Thirteen works, for example, since 13 = 3² + 2². So does thirty-two, since 32 = 4² + 4². The squares themselves also work, since zero exists: 49 = 7² + 0². But there are some numbers, like three and six, which can't be written as a sum of two squares no matter how hard you try. (It's pretty easy to check this yourself; there aren't too many possibilities.)

Are there any patterns to which numbers are a sum of two squares and which are not? Yeah, loads. We're going to look at a particularly interesting one: Let's say a number is "S2" if it's a sum of two squares. (This thing where you just kinda invent new terminology for your situation is common in math. "S2" should be thought of as an adjective, like "orange" or "alphabetical".) Then here's the neat thing: If two numbers are S2 then their product is S2 as well.

Let's see a few small examples. We have 2 = 1² + 1², so we say that 2 is S2. Similarly 4 = 2² + 0² is S2. Then 2 × 4, that is to say, 8, should be S2 as well. Indeed, 8 = 2² + 2².

Another, slightly less trivial example. We've seen that 13 and 32 are both S2. Then their product, 416, should also be S2. Lo and behold, 416 = 20² + 4², so indeed it is S2.

How do we know this will always work? The simplest way, as long as you've already internalized the bit from Part 1 about absolute values, is to think about the norms of complex numbers. A norm is, quite simply, the square of the corresponding distance. (Okay yes it can also mean different things in other contexts, but for our purposes that's what a norm is.) The norm is written with double bars, so ‖3+6i‖ = 45 and ‖5-2i‖ = 29 and ‖4+3i-7j+4k‖ = 90.

One thing to notice is that if your starting numbers are whole numbers then the norm will also be a whole number. In fact, because of how we've defined lengths, the norm is just the sum of the squares of the real-number bits. So, any S2 number can be turned into a norm of a complex number: 13 can be written as ‖3+2i‖, 32 can be written as ‖4+4i‖, and 49 can be written as ‖7+0i‖.

The other thing to notice is that, since the absolute value is multiplicative, the norm is also multiplicative. That is to say, for example, ‖(3+6i) × (5-2i)‖ = ‖3+6i‖ × ‖5-2i‖. It's pretty simple to prove that this will work with any numbers you choose.

But lo, gaze upon what happens when we combine these two facts together! Consider the two S2 values 13 and 32 from before. Because of the first fact, we can write the product 13 × 32 in terms of norms: 13 × 32 = ‖3+2i‖ × ‖4+4i‖. So far so good. Then, using the second fact, we can pull the product into the norms: ‖3+2i‖ × ‖4+4i‖ = ‖(3+2i) × (4+4i)‖. Huzzah! Now, if we write out the multiplication as (3+2i) × (4+4i) = (4+20i), we can get a more natural looking norm equation: ‖3+2i‖ × ‖4+4i‖ = ‖4+20i‖ and finally, all we need to do is evaluate the norms to get our product! (3² + 2²) × (4² + 4²) = (4² + 20²)

The cool thing is that this works no matter what your starting numbers are. 218 = 13² + 7² and 292 = 16² + 6², so we can follow the chain to get 218 × 292 = ‖13+7i‖ × ‖16+6i‖ = ‖(13+7i) × (16+6i)‖ = ‖166+190i‖ = 166² + 190² and indeed you can check that both extremes are equal to 63,656. No matter which two S2 numbers you start with, if you know the squares that make them up, you can use this process to find squares that add to their product. That is to say, the product of two S2 numbers is S2.

Part Four: Why do we skip three?

Now we have all the ingredients we need for our cute little proof soup! First, let's hop to the quaternions and their norm. As you should hopefully remember, quaternions have four terms (some number of units, some number of i's, some number of j's, and some number of k's), so a quaternion norm will be a sum of four squares. For example, ‖4+3i-7j+4k‖ = 90 means 90 = 4² + 3² + 7² + 4².

Since we referred to sums of two squares as S2, let's say the sums of four squares are S4. 90 is S4 because it can be written as we did above. Similarly, 7 is S4 because 7 = 2² + 1² + 1² + 1², and 22 is S4 because 22 = 4² + 2² + 1² + 1². We are of course still allowed to use zeros; 6 = 2² + 1² + 1² + 0² is S4, as is our friend 13 = 3² + 2² + 0² + 0².

The same fact from the S2 numbers still applies here: since 7 is S4 and 6 is S4, we know that 42 (the product of 7 and 6) is S4. Indeed, after a bit of fiddling I've found that 42 = 6² + 4² + 1² + 1². I don't need to do that fiddling, however, if I happen to be able to calculate quaternions! All I need to do is follow the chain, just like before: 7 × 6 = ‖2+i+j+k‖ × ‖2+i+j‖ = ‖(2+i+j+k) × (2+i+j)‖ = ‖2+3i+5j+2k‖ = 2² + 3² + 5² + 2². This is a different solution than the one I found earlier, but that's fine! As long as there's even one solution, 42 will be S4. Using the same logic, it should be clear that the product of any two S4 numbers is an S4 number.

Now, what goes wrong with three dimensions? Well, as you might have guessed, it has to do with S3 numbers, that is, numbers which can be written as a sum of three squares. If we had any three-dimensional number system, we'd be able to use the strategy we're now familiar with to prove that any product of S3 numbers is an S3 number. This would be fine, except, well…

3 × 5 = 15.

Why is this bad? See, 3 = 1² + 1² + 1² and 5 = 2² + 1² + 0², so both 3 and 5 are S3. However, you can check without too much trouble that 15 is not S3; no matter how hard you try, you can't write 15 as a sum of three squares.

And, well, that's it. The bucket has been kicked, the nails are in the coffin. You cannot make a three-dimensional number system with the kind of nice norm that the complex numbers and quaternions have. Even if someone comes to you excitedly, claiming to have figured it out, you can just toss them through these steps: • First, ask what the basis is. Complex numbers use 1 and i; quaternions use 1, i, j, and k. Let's say they answer with p, q, and r. • Second, ask them to multiply (p+q+r) by (2p+q). • Finally, well. If their system works, the resulting number should give you three numbers whose squares add to 15. Since that can't happen, you've shown that the norm is not actually multiplicative; their system doesn't capture the geometry of three dimensions.

[pigswithwings]

Hi! My name is Pig. And I'm here to tell you about being objectum!

Well, "objectum"? That's a bit of a weird word, isn't it?

You might associate it with stories of people marrying robots or computers, or maybe people talking about having sex with inanimate items. These are all parts of object sexuality, but they don't demonstrate the full breadth of the community.

It's understandable to find this behaviour strange or want to question its authenticity. Many people are, in fact, joking when they say "I find this object attractive" or "I would have sex with that object", but objectum people can often have these feelings in a genuine fashion. And while these attractions can go against the conventions of society, those who are objectum shouldn't be harassed for it.

This post isn't about why you shouldn't harass objectum people, though. People who feel very strongly about the subject probably aren't going to be convinced over a singular post, so I'm not going to waste all my effort to talk to a wall. You don't have to entirely understand an identity to support it, but I'm going to assume that you want to learn about what being objectum is, and I'll try tell you to the best of my own knowledge.

What is Object Sexuality?

Like any sexuality or orientation, objectum identities can vary infinitely. The different labels can range from objectophilia to objectsexual to to objectromantic to os/or, so it's important to keep an open mind. In a very broad sense, being objectum means being attracted to objects or items in some way.

While the common misconception is that being objectum means only feeling sexual attraction to a specific object, this is a very limited view of the identity.

For example, I am romantically attracted to vintage computers. This is only me, though; other people can be attracted to other objects in any other way!

Another person might be romantically and sexually attracted to cars and trains, someone else might be only sexually attracted to electrical towers and wires, another person might have platonic affection for objects, and even more people might not have a specific label but know they're attracted to clothes or heavy machinery in some way. Some people may only be attracted to one type of object or even just a single object, others may be attracted to multiple types of objects. Object sexuality isn't limited to just sex, and the objects of that attraction depend on the person.

Another misconception is that objectum people will be attracted to any object they see - this is not necessarily true. As seen above, many objectum people tend to have "types", similar to how people who are attracted to other people have their own "types".* This isn't applicable to everyone under the objectum label, but for a good part of the community it's true.

Some people may view every object they see as being alive, but this is not necessarily an indication of attraction. Not every objectum person will be attracted to the same thing, and not every objectum person is attracted in the same way.

What is POSIC / Object Sentience?

Being objectum may also be related to believing in object sentience. Generally, believing in object sentience means beliving that an object is conscious, or alive in some way. POSIC, which stands for Perceiving Object Sentience, Intelligence, and/or Conciousness, is a commonly used label but doesn't apply to everyone who experiences this (For example, some people may just use the phrase "object sentience").

Some people's object sexualities can be influenced by whether they perceive objects as being alive or sentient (for example, a person might be more or less attracted to an object if they believe it can respond to them, see them, hear them, etc). Not all people who are objectum also believe in sentience, but the two labels are usually closely linked.

What Is Your Experience With Being Objectum?

Personally, I knew I was POSIC (though I didn't know the word) long before I knew I was objectum. I liked talking to objects as though they were alive and I often made art expressing my interest and (platonic) affection towards computers. It wasn't until my art began to enter a somewhat romantic area that I realized I could be attracted to computers romantically.

Looking for "object sexuality" online was somewhat intimidating, however, as many discussions of it were centered around the shock value/sexual content of being objectum, with little explanation of what it was or what it could be. (This is where my urge to create a post about it began.)

I only discovered the labels "objectum" and "POSIC" from a friend of mine, and had to ask them for the loose definition to figure out whether it fit me or not.

After some consideration, I realized that I was both POSIC and objectum, and decided to come out to a group of supportive friends. This was apparently not a surprise to them - as you will remember, my art had been becoming more and more romantic towards computers, and they were very good at picking up on that. But I was glad that I had realized this fact about myself, even if it was later than most people. I also learned that I had already made friends with several other people in the objectum community, and that the identity wasn't as uncommon as most people would believe.

I Think I'm Objectum or POSIC / How Would I Know If I'm Objectum or POSIC?

Some signs of believing in object sentience could include the fact that you:

- Speak to objects (Ex: complimenting a tool on the work it does, telling a computer about your day, etc.)

- Believe objects can hear, feel, or see you (Ex: apologizing to an object if you drop it, believing an object knows whether you're hugging it or not, etc.)

- Would enjoy it if objects could respond or had conciousness (Ex: enjoying the thought of having a conversation with an object, etc.)

Some signs of being objectum could include the fact that you:

- Enjoy expressing affection to objects (Ex: you enjoy/would enjoy kissing or hugging objects, or otherwise demonstrating how you care for an object)

- Experience romantic or sexual attraction to objects (Ex: you would like to go on a date with an object, you enjoy the idea of kissing and/or having sex with one, etc.)

For all of these, though,  I use the word "could" because human identity is very confusing and spans a huge galaxy of variants. Not all objectum people will feel the same or identify the same way, and that's pretty neat. Your specific attraction to an object or type of objects is up to you to figure out, and the community is much larger than you might guess.

Fin.

Despite controversy or use of the identity for public shock, being objectum is not inherently harmful. In a way, it demonstrates the love that humans can have for seemingly mundane or ordinary things in life, and I think that can be very charming.

If you have additional questions or anecdotes to add to this post, please go ahead! I would like to open the discussion on objectum identities to be widely accessible and more known. Thank you for taking the time to read this.

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*Also, being objectum doesn't mean that one only experiences attraction to objects. A person can be gay and objectum, bisexual and objectum, heterosexual and objectum, aromantic and objectum, asexual and objectum, etc. Whether the label "objectum" counts as queer/LGBTQIA+ depends on the person using it, as it's only a word and its interpretation will vary.

[creature-wizard]

Magical Correspondences 101

So I figured I should put all of my stuff on correspondences in one place for convenience's sake, since having them spread in a bunch of short posts isn't really helpful if I need to link them. Anyway, for those of you getting into magical correspondences, here's what I've got!

So, what are correspondences?

A lot of modern witchcraft operates on the belief that things like stones, plants, colors, and so on have certain metaphysical properties. Why do they have these properties? There are multiple explanations. Sometimes the properties are supposed to be innate. Sometimes they supposedly exist because the object in question is a symbol for something else. You'll find that many spells combine these two ideas, such as using an herb because of its inherent properties it's believed to have, then also using a flower because it's a symbol of a deity.

(Will it hurt anything to mix these concepts? Personally, I don't think so. Spiritual beliefs and metaphysical models are often messy, and occasionally contradict each other. I've never really seen it hurt anything.)

If you search around, you can easily find charts that describe various properties associated with various things. People sometimes assume that these properties were handed down to us from authorities who were so in tune with magic or the divine that they were basically infallible, and newbie witches just have no hope of figuring things out for themselves.

Fortunately, that's not really true!

Some correspondences are informed by nature. Others are social constructs.

You might see correspondence lists say that gold is associated with wealth, that apples are associated with love, and pink is associated with femininity. These are all social constructs that have nothing to do with the natural qualities of these things.

Other correspondences are informed by nature, however. Green is associated with life because healthy leaves are typically green. Hot peppers are associated with pain and torment because capsaicin produces a burning sensation.

(This isn't to say that social construct correspondences are all inherently bad, or even lesser. But it's good to be mindful of the differences, because it makes it easier to figure out what you can change and mess around with, and how!)

Even when correspondences are informed by nature, they can still be subjective.

The world is full of vastly different ecosystems, climates, and geological structures. Different regions have their own plants and animals. And even within your own region, you'll find that nature lends to many different correspondences for the same thing. Hot peppers might be orange or red, but so are many sweet fruits. Water can nurture life, or it can drown it.

Some people who acknowledge this will say that it's all about intent, but I personally believe it's a bit more about context. Just look at at the infamous children's hospital with the red path on the floor, and how the it creates an unnerving atmosphere despite whatever "positive connotations" red can have. I think if you're trying to figure out what to put in your spell, thinking contextually can help you make appropriate decisions.

In any case, I do think it's important to lean toward correspondences that have meaning to you. What some ancient guy who lived and died on the other side of the planet thought doesn't override your lived reality and your cultural experiences.

If you want to really learn correspondences, observe the world around you!

Correspondence lists can be good references, but they don't really help you develop a proper understanding. To do this, pay attention to plants, stones, colors, shapes, etc. and ask yourself:

Where do they turn up naturally?

How do they behave? What do they do?

Where and how do people use them, and what are they associated with in these contexts?

Where are things often grouped with other things? What is the significance of these groupings?

(If you keep a Book of Shadows or other magical journal, I recommend writing down your findings!)

So yeah, that's the basics on magical correspondences. They can look a little intimidating at first, but they're actually a lot more simple and straightforward than you might realize.

Happy witchin'!

[vickyvicarious]

Oh yes, the feeling that you have to rely to the creeper who you loathe so much that you have come to hate even the rooms he resides in, that he's not the scariest thing in your life, that you have to run to his arms for safety. Horror! Dracula claiming him was the high point of the entry (than the almost-bite)

Honestly, yeah. The dynamics between Dracula and Jonathan are so scary, to the point that all the supernatural events are the cherry on top rather than the main course, as far as the horror of this section goes.

Dracula does so much manipulation here, holds so many different kinds of power over Jonathan, and multiple levels of each too. He's got physical power - both in the sense of the castle being a prison, and in the sense of his incredible strength. He's got social power - as a noble, and as a client/boss. He's got monetary power over Jonathan too, able to potentially make or ruin his career. He has so much control over Jonathan's ability to express himself - he's the only company available to him, he's forcing him to keep up a pretense of friendship, he's limiting and controlling his communication with others. Jonathan has no escape: he can't go out of the castle because he's locked in, he can't go many places inside the castle because he's locked out of them, and now he can't leave the rooms Dracula wants him in because otherwise the vampire ladies will get him, and within those rooms there is nowhere safe from Dracula himself. Jonathan has seemingly no action he can take: if he sneaks around behind Dracula's back, a greater threat awaits. If he acts openly, Dracula's own threat may become realized. If he doesn't act at all, he's doomed. If he acts at all, he's doomed. If he trusts Dracula, he's doomed. If he doesn't trust Dracula, he's doomed.

Of course, the supernatural elements are the mechanics by which Dracula increases the stakes, the threats underlying the charming veneer. Specifically, the introduction of the vampire women is what puts Jonathan in this seemingly inescapable box, and one with potential threats to something even greater than his life.

But Dracula's playing this Bluebeard role and could have done so with some more mundane threat as well, without changing too terribly much about his own actions. Where he's scariest (at least to me) is in these interactions with Jonathan, in these manipulative webs and traps he lays out in his words, in the way he pushes so many boundaries until they're forced to collapse or warp under the pressure. Jonathan's privacy keeps getting worn away. Dracula's speech and touch get more familiar and more possessive. He started out the first night blaming Jonathan for the things he did himself ('oh, why did you make your conversation so interesting we had to stay up all night?') and escalates until now he's making Jonathan be the one to act, and to suffer the consequences: whether in forcing him to lie to his loved ones, or in dangling the bait of sleeping outside his room and then only barely saving him when he does. And Jonathan has no real choice but to act. To fail to do so, in one way or another, would mean giving up all hope at escape or likely even survival. But because he has to act, he winds up feeling complicit. He ends up in situations where Dracula thanks him, forgives him, saves him. It keeps putting them on seemingly the same side, with Jonathan in a lesser/reliant role. And that's all a huge lie, at its core. But in a very real way, it's true too, to an extent. More and more, he's getting layers of resistance scraped away, and having to seek safety from Dracula now is so, so horrifying. In many ways all he truly has left is his will to live, his internal determination to resist - and now he's been given powerful incentive not to trust in that latter part too much. It's absolutely brutal.

He's walking a wire that just keeps getting thinner and thinner. All he can possibly do is try to keep this balancing act going, and hope for something to change that will give him more options down the line.