#just thinking how dark it is in relation to a lot of other first meetings in tolkien | Explore Tumblr posts and blogs

gyuuberryy · 3 months ago

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a love affair in colour

pairing: art tutor!jay x princess!reader

synopsis: as a princess exploring her artistic passions, you’re drawn to jay, your mesmerising art teacher whose lessons stir more than just creativity. what begins as a quest to master your craft quickly becomes a whirlwind of tension and forbidden desire. with every brushstroke and shared moment, the line between teacher and lover blurs. but when societal barriers and personal doubts threaten your connection, will you both find a way to embrace a future together, or will your love remain a beautiful but fleeting masterpiece?

genre: strangers to lovers, forbidden relationship, comfort

warnings: kissing, lots of tension, mentions of status difference, angst, a little suggestive

note: i used my experience in art to detail all the content related to it so bear with me if it seems a little modern, i don't know much about how they did art in the olden times. also jay just constantly raises my standards??? i love that man so much he's so husband material it hurts TT enjoy reading!

word count : 11.1k

royally yours masterlist | prev:heeseung | next: jake

if you liked it please reblog or comment to give me your feedback! <3

you’ve always been drawn to art. as a child, while other princesses were learning courtly etiquette or practising diplomacy, you were sneaking into the gardens to sketch the trees or hiding in your chambers, fingers stained with ink as you copied paintings from the castle’s grand halls. but those were mere indulgences, fleeting escapes from the rigid structure of royal life.

when your parents noticed your growing talent, they encouraged it—as a hobby, of course. something to amuse yourself with between diplomatic meetings, public appearances, and the pressures of royal expectations. but for you, art was never just a pastime. it was a passion. an escape. a way to express the parts of you that didn’t fit into the carefully curated image of a princess.

so, when you told your parents you wanted to pursue art seriously, it was met with initial resistance. a princess has duties, obligations, responsibilities. but you persisted, and eventually, they relented. if you were going to study art, they wanted the best for you. that’s how jay came to the palace—an accomplished artist in his own right, though he came from modest beginnings. he was hired to help you master the craft before your trip to paris, where you’d study under the finest artists in the world.

jay’s reputation preceded him. he was known not only for his skill but for his ability to bring out the best in his students. when he arrived at the palace, you were both eager and nervous, unsure of what to expect.

your first meeting was in the grand studio, a room that had once been your sanctuary. now, as you stand by the window, gazing out over the palace grounds, you feel the weight of what’s to come. you’re no longer a novice; this isn’t just a casual hobby. this is the beginning of something serious, something real. and the thought of it is both exhilarating and terrifying.

the door creaks open behind you, and you turn to see him—jay. he’s younger than you expected, though older than you by a few years. his clothes are simple, a stark contrast to the luxury of your surroundings, yet he wears them with a quiet confidence. his dark hair is tousled, as though he’s just come from a long day at work, and there’s a certain intensity in his eyes, a focus that makes your stomach flip.

“your highness,” he greets, bowing low.

“please, just my name,” you say quickly, hoping to dispel some of the formality that hangs between you. “if we’re to work together, there’s no need for titles.”

he straightens, and for a moment, you think you see a flicker of something—surprise? amusement?—in his expression, but it’s gone as quickly as it came. “very well,” he says simply. “shall we begin?”

you nod, feeling a mix of anticipation and nerves as you lead him to the easel set up near the window. it’s been prepared for your first lesson, a blank canvas stretched taut, waiting for the first stroke of charcoal or paint. you’ve done this before, hundreds of times, but never under the watchful eye of a teacher like jay.

“before we begin,” he says, setting his bag down on the table, “tell me why you want to do this. not because you have to—because you want to.”

his question catches you off guard. you’d expected him to dive straight into the technical aspects of drawing or painting, not to ask about your motivations. but there’s a seriousness in his tone that tells you he’s not just asking out of curiosity. he wants to understand. he wants to know you.

“i’ve always loved art,” you admit, folding your hands in front of you, feeling a little exposed. “it’s the one thing that’s mine. in a world where so much is decided for me, art is where i get to choose. it’s... freedom.”

jay nods slowly, as if weighing your words. “art is freedom,” he agrees quietly. “it’s expression. it’s telling the world who you are without saying a word. but it’s also discipline. and commitment. if you’re serious about this, i’ll push you. i’ll make sure you’re challenged. does that sound like something you’re ready for?”

your heart beats faster. his intensity is palpable, and it’s hard not to be swept up in it. “yes,” you say, though the word comes out softer than you intended. “i’m ready.”

he regards you for a moment longer, then reaches into his bag, pulling out a small sketchbook and a piece of charcoal. “we’ll start with something simple,” he says, handing you the charcoal. “i want you to draw me.”

you blink, surprised. “draw you?”

“it’s a good exercise,” he explains, moving to stand a little distance away. “if you can capture the essence of a person, you can draw anything.”

your fingers tighten around the charcoal as you sit at the easel, facing him. it feels strange, having him as the subject. his features are sharp, defined, but there’s something else—an intensity in his gaze that makes it hard to concentrate. you take a deep breath and begin to sketch, the sound of the charcoal scratching against the canvas the only sound in the room.

it’s not easy. his face is a study in contrasts—strong jawline, soft eyes, dark brows furrowed in concentration as he watches you work. you find yourself getting lost in the details, trying to capture the exact curve of his lips, the shadow beneath his cheekbone. but the more you focus, the more elusive it becomes.

“you’re overthinking it,” jay says suddenly, breaking the silence. he moves behind you, close enough that you can feel the warmth of his body, though he doesn’t touch you. “you’re focusing on the parts, not the whole. step back. see the bigger picture.”

you try to follow his advice, but his presence behind you is distracting, and the scent of him—earthy, with a hint of something fresh—fills your senses. your heart beats faster, though you try to ignore it.

jay steps closer, his breath warm against your ear. “here,” he says softly, reaching out to guide your hand. his fingers brush yours, sending a jolt through your body, and you almost drop the charcoal. “loosen your grip. let the lines flow.”

you do as he says, though your heart races at his nearness. his hand lingers over yours for a moment too long before he pulls away, but the connection between you doesn’t fade. the air feels charged, as if something unsaid hangs between you.

when you finish the sketch, it’s rough, imperfect, but there’s something there—a spark of life, of emotion. jay leans over your shoulder to examine it, his expression unreadable.

“better,” he says after a moment, his voice low and approving. “you’ve captured something real here.”

you look at the drawing again, trying to see what he sees, but all you can think about is the way his hand felt over yours, the way his voice seemed to wrap around you like a secret.

as he moves to gather his things, you realise that this is just the beginning. the first lesson. but already, something has shifted between you. something neither of you can name yet, but it’s there—in the shared glances, the lingering touches, the unspoken connection.

and as jay turns to leave, promising to return for your next lesson, you can’t help but wonder if this is really just about art—or if something far more dangerous has already begun.

the days following your first lesson with jay felt like a strange new rhythm. art had always been a deeply personal escape for you, something that existed in the quiet moments between royal duties, but now it had become something more. each session with jay stirred something inside you—not just the desire to improve, but a spark of something you couldn't quite name.

jay had been nothing but professional, his focus always on your craft. but beneath his calm demeanour, there was an undercurrent, a kind of intensity in the way he looked at you during your lessons. it was subtle, barely noticeable, but it was there, like the brushstrokes of a painting hidden beneath layers of paint.

today, as you enter the studio, you feel it more than ever. the room is bathed in soft light, the kind of glow that makes everything seem warmer, softer. jay is already there, setting up supplies on the table, his back to you. you watch him for a moment, your eyes tracing the broad lines of his shoulders, the way his hands move with such precision and care.

“good morning,” you say, finally breaking the silence. your voice comes out softer than you intended, the room swallowing the sound.

he turns, a brief smile crossing his face. “good morning.” there’s a hint of warmth in his tone, but as always, it’s controlled, measured. jay has never been one to show too much emotion, though lately, you’ve caught glimpses of something more.

“i thought we’d try something different today,” he says, gesturing to the large canvas in the corner of the room. “i want to work on your observation skills.”

you nod, intrigued. “what do you have in mind?”

instead of answering immediately, jay picks up a chair and places it in the centre of the room, angled toward the sunlight. he then takes his sketchbook and charcoal, positioning himself in front of the chair but far enough away that there’s space between you.

“i want you to sit,” he says simply, his eyes meeting yours for a moment before flickering away. “i’m going to sketch you.”

the request catches you off guard. “me? but... shouldn’t i be the one practising sketching?”

he smiles faintly, shaking his head. “today, i want you to feel what it’s like to be the subject. to understand how the artist sees you.” he glances at the canvas, and then back at you. “it’ll help you observe the world around you with more empathy, more connection.”

the thought of jay watching you, studying you so closely, makes your heart race. you’ve always been behind the canvas, never in front of it. to have his eyes on you, not just in passing but with the intention of capturing every detail—it feels strangely vulnerable.

but you trust him. there’s something about jay that puts you at ease, even when you’re unsure of yourself. so, you sit in the chair, adjusting your posture slightly, your hands resting in your lap.

“relax,” he says softly, his voice gentle. “you don’t have to pose. just be yourself.”

you try to do as he says, leaning back into the chair, though your heart is beating a little faster now. the room is quiet except for the faint scratch of his charcoal on the page, and you’re acutely aware of his gaze as it moves over you—your face, your hands, the way the light falls on your hair.

he works silently, his brow furrowed in concentration, and you find yourself watching him, trying to read the expression on his face. there’s a softness there that you hadn’t noticed before, a kind of careful attention that feels almost… tender.

for a while, neither of you speaks. you’re not sure how long has passed—minutes? hours? time seems to lose its meaning in this space, as if the world outside the studio doesn’t exist.

“so you want to pursue art huh?” jay’s voice breaks the silence, and you blink, surprised by the question.

“yes” you reply, shifting slightly in the chair.

he doesn’t look up from his sketch. “why did you choose art? out of everything you could have pursued?”

the question is one you’ve asked yourself many times. you think back to your childhood, to the afternoons spent sneaking away from your tutors to draw in the gardens, the way art always felt like a safe space in a world full of expectations.

“i think… it’s because art lets me be free,” you say slowly, choosing your words carefully. “in everything else, i’m the princess. i have to be perfect, poised, controlled. but with art, i can be messy. i can make mistakes. it’s mine.”

jay pauses, his hand hovering over the sketchbook for a moment before he continues. “freedom is important,” he says quietly. “especially for someone like you.”

there’s something in his tone, a weight to his words, and you wonder what he means by that. does he understand what it’s like to feel trapped by expectations? to want something more, something beyond the roles you’ve been given?

before you can ask, jay looks up, his eyes meeting yours for the first time since he started sketching. his gaze is intense, but not in a way that makes you uncomfortable. it’s more like he’s seeing you, really seeing you, in a way that no one else ever has.

“you have a natural grace,” he says softly, almost as if speaking to himself. “but it’s more than that. there’s something… untamed about you.”

your breath catches in your throat. no one has ever spoken to you like that before. not with such quiet certainty, as if they’ve seen beyond the surface of who you are.

you don’t know what to say. the air in the room feels heavier now, charged with something you can’t quite name. you shift in your seat, suddenly self-conscious under his gaze, but jay’s expression remains calm, thoughtful.

he tilts his head slightly, observing you with the same intensity he’s had since the beginning of the lesson. “there’s more to art than technique,” he says, his voice low. “it’s about connection. about understanding the person you’re drawing, not just how they look, but who they are.”

his words stir something inside you—a sense of being understood in a way you’ve never experienced before. you’re not just a princess in this room, not just another student. you’re you, with all your complexities and contradictions, and somehow, jay has seen that.

it makes you feel exposed in a way you hadn’t anticipated, and yet there’s a comfort in it, too. you’ve spent your whole life hiding parts of yourself, but with jay, it feels like you don’t have to.

finally, he sets the sketchbook aside, standing up and crossing the room to where you’re seated. he doesn’t hand you the sketch immediately, and for a moment, you wonder if he’s unsure about showing it to you.

“you can tell a lot about a person by how they draw,” he says quietly, standing in front of you now, his gaze unwavering. “but you can tell even more by how they let themselves be seen.”

your pulse quickens, the weight of his words settling deep within you. it’s not just about the sketch anymore—it’s about everything. the way you’ve been navigating these lessons, the way you’ve been letting him into your world, piece by piece.

he holds out the sketch to you, and when you take it, your fingers brush against his, a fleeting touch that lingers in your mind longer than it should.

the drawing is beautiful. he’s captured you in a way that feels both familiar and unfamiliar at the same time. there’s a softness to your expression, a quiet strength in the lines of your face, and yet… there’s something else. something deeper.

“it’s beautiful,” you whisper, tracing the lines with your fingertips. “i’ve never seen myself like this before.”

jay watches you carefully, his expression unreadable. “that’s because no one’s ever looked at you like this before.”

the words hit you like a gentle wave, their meaning sinking in slowly. you glance up at him, unsure of how to respond. there’s a new tension between you now, but it’s not the kind that comes from desire or rushed feelings. it’s deeper than that—a connection, a shared understanding that goes beyond mere attraction.

for a moment, you sit in silence, the sketch resting in your lap as the light from the window shifts slightly, casting long shadows across the room. you can feel the change in the air, but neither of you moves to break it.

and as jay steps back, giving you space, you realise that this—whatever it is—will take time to fully unfold. you’re not rushing toward anything, but there’s something between you now, something real and undeniable.

but for now, you’ll let it simmer. there’s no need to rush. not yet.

the days have passed like pages in a book, each art lesson with jay slowly building a tension that you feel in the very air of the studio. his presence is constant but controlled, his touch fleeting yet always careful. you’ve found yourself looking forward to these lessons more than you’d ever anticipated, though not only for the sake of art. something else draws you here each time, something that’s harder to admit even to yourself.

when you arrive at the studio today, the familiar scent of paint and canvas greets you, mingling with the crisp morning air. jay is there, of course, already preparing the materials, his back to you as he arranges brushes and bottles of linseed oil. the sun filters in through the tall windows, casting long beams across the room, turning everything into shades of gold. today feels different, though you can’t quite pinpoint why.

he turns as you approach, offering you a brief smile that doesn’t quite reach his eyes. "good morning," he says, his voice as calm and composed as ever, though you think you detect a slight hesitancy behind his words.

"good morning," you reply, your heart already beating a little faster. the last few lessons have been charged with a new energy, a subtle yet undeniable pull between the two of you. you've tried to keep your thoughts focused on the art, but with each session, it’s become harder.

jay steps over to the large canvas he’s set up for today’s lesson. "we’re going to work on technique," he explains, holding up a palette of mixed colours, the vibrant hues blending like a sunset in his hands. "i want you to feel the texture of the paint, how the brush moves against the canvas. it’s all about control and release."

you nod, though the concept seems easier said than done. painting has always been more of a challenge for you, especially when it comes to finding that balance. jay, however, has a way of guiding you through each step without ever making you feel inadequate.

"let’s start with the basics," he says, handing you a brush. his fingers brush against yours for the briefest moment, and you feel a spark travel up your arm, though you’re sure he doesn’t notice.

you position yourself in front of the canvas, trying to steady your breathing as you dip the brush into the paint. the first few strokes are tentative, careful. you focus on the movement of your hand, but your mind is distracted by the weight of jay’s presence behind you. it’s as if the air in the room has thickened, every sound, every movement, magnified.

jay watches in silence for a few moments, then steps closer, so close that you can feel the warmth of his body behind you. "here," he murmurs softly, his voice right beside your ear. "let me show you."

before you can respond, he places his hands lightly on your waist, adjusting your stance. the touch is firm but gentle, and it sends a shockwave through your body. your breath catches in your throat, and for a moment, you’re hyper-aware of every point of contact—his hands on your hips, the warmth of his chest just inches from your back.

"relax," he whispers, his voice low and calming, though you can hear a slight strain in it, like he’s carefully keeping something in check. "you’re too tense."

easier said than done. you can barely think straight with him so close, let alone concentrate on the canvas. but you try, forcing yourself to take a breath, to focus on the task at hand. jay doesn’t move away. instead, he steps even closer, his chest nearly brushing your back as he moves his hands from your waist to your arm, guiding your wrist as you hold the brush.

"feel the paint," he says, his breath warm against your ear. "don’t fight it. let it flow."

his hand wraps around yours, firm but careful, and he moves your arm in a slow, fluid motion. the brush glides across the canvas with ease, the paint spreading in smooth, even strokes. his touch is light but deliberate, and you find yourself following his lead, your body responding to the way he directs the movement.

"you’re doing well," he murmurs, and you can feel his breath against your neck, sending shivers down your spine. "just like that."

the room feels smaller, the air thicker, as if the space between you is shrinking with each passing second. you try to focus on the canvas, but it’s impossible with jay so close. his presence is overwhelming, consuming, and you’re acutely aware of every shift, every movement.

"you don’t need to force it," he continues, his voice barely above a whisper now, his lips dangerously close to your ear. "let the brush move with you."

you nod, though your throat is too dry to speak. the closeness between you is intoxicating, and you can feel the tension building with each breath you take. jay’s hand tightens slightly around yours, and for a moment, you wonder if he feels it too—the pull, the unspoken connection that seems to have grown stronger with each lesson.

he guides your hand in another slow stroke across the canvas, but this time, the brush slips slightly, leaving a streak of paint that’s a little too heavy. you let out a soft, frustrated sigh, but jay only chuckles, the sound low and warm.

"don’t worry about perfection," he says, his voice rumbling in your ear. "art isn’t about being perfect. it’s about feeling."

his hand lingers on yours a moment longer before he lets go, stepping back slightly. the sudden absence of his touch leaves you feeling off-balance, as if the ground beneath you has shifted. you exhale a breath you didn’t realise you were holding and lower the brush, your heart still racing.

"good," jay says, his voice a little more distant now as he moves back to the table. "you’re getting better. it’s all about control and release, but it takes time to find that balance."

you nod, though your mind is still reeling from the intensity of the moment. you’ve never felt so aware of your body, of your own reactions, as you do when jay is close like that. it’s as though he knows exactly how to touch you, how to guide you, without ever crossing the line—but just barely.

you place the brush down on the easel, turning to face him. jay is busy cleaning the palette, his face unreadable as he focuses on the task. but there’s something different about the way he holds himself, a tension in his posture that wasn’t there before.

"thank you," you say softly, breaking the silence that has settled between you. your voice sounds a little shaky, but you hope he doesn’t notice.

he glances up at you, his eyes meeting yours for a brief moment before flickering away. "it’s my job," he replies, but there’s something in his tone—something almost… uncertain.

the silence that follows is heavy, filled with the unspoken tension that has been growing between you for weeks. you can feel it in the way he looks at you, in the way his hands linger just a little too long when he helps you. it’s as though you’re both standing at the edge of something, but neither of you knows how to take the next step.

finally, jay sets the palette down and steps back, putting a little more distance between you. "we’ll keep working on this," he says, his voice returning to its usual composed tone. "you’re improving, but there’s still more to learn."

you nod, feeling a little breathless, though you’re not sure if it’s from the painting or from the closeness you just shared. "i’ll keep practising," you say, though the words feel almost trivial in the weight of the moment.

jay gives you a small smile, but it doesn’t quite reach his eyes. "good," he says softly, before turning back to his brushes. "we’ll pick up again tomorrow."

you linger for a moment, watching him as he carefully cleans the paint from his hands, his movements precise and controlled. and as you leave the studio, you can’t shake the feeling that something has changed between you, something that neither of you can ignore for much longer.

the pottery studio feels different today. the atmosphere is heavy, thick with anticipation, but you try to ignore it as you sit at the wheel, your hands already messy with clay. the wheel spins slowly beneath your fingers, but no matter how many times you’ve tried, the clay refuses to cooperate, collapsing into a lump before you can give it any real shape. you groan in frustration, watching another failed attempt crumble under your touch.

“take your time. it’s all about feeling the clay, not controlling it,” jay says softly from behind you, his voice calm but carrying that familiar undercurrent of something unspoken. he’s watching closely, his presence as steady as always, but today it feels more intense—like a subtle hum in the air that makes the space between you vibrate with tension.

you sigh, wiping your hands on your apron. "i don’t think i’m getting this at all," you mutter, staring down at the shapeless mound on the wheel. pottery has proven to be a far bigger challenge than painting—there’s something about the unpredictability of the clay that throws you off balance.

jay steps closer, his footsteps almost silent on the studio floor. "you’re too tense," he observes, his voice low and measured. "let me show you."

before you can respond, he’s already moving behind you. the air shifts as his body nears, and suddenly, you can feel the heat of him pressing close. he slides onto the bench behind you, his legs on either side of yours. the intimate position makes your heart race instantly, your pulse quickening in response to his proximity. his chest brushes your back, his breath warm on the side of your neck, and suddenly it’s hard to focus on anything other than how close he is.

he pauses his movements. “is it okay if i sit behind you like this? i may need to touch your hands as well.”

you nod at his soft words, “yes that’s alright.”

the studio feels smaller, the world outside forgotten as you’re enveloped by his presence. you can feel the solid warmth of his chest against your spine, the way his thighs gently cage yours. every point of contact feels electric, the tension simmering between you palpable.

“relax,” he murmurs, his voice almost a whisper, low and soothing. his breath brushes the shell of your ear, sending a shiver down your spine. “you’re trying too hard to control it. you have to let the clay respond to your touch.”

his hands move to cover yours, his fingers sliding over your clay-streaked knuckles. his touch is firm but gentle, guiding your hands to the wheel as it starts spinning once again. the sensation of his fingers wrapping around yours sends a ripple of awareness through your body, and for a moment, all you can focus on is the warmth of his skin, the weight of his hands over yours.

"feel the clay," jay instructs, his voice quiet but filled with intent. his breath is warm against your ear, and the proximity, the intimacy of the moment, makes it nearly impossible to concentrate. "it moves with you. let it guide you."

his hands press lightly against yours, directing your fingers as they glide over the surface of the clay. the wheel turns slowly beneath your palms, the soft texture of the clay smoothing out under the pressure. you try to focus on the task at hand, but the sensation of his body against yours—the gentle weight of his chest pressed to your back, his legs framing yours—is overwhelming. the world narrows down to the feel of his touch, the sound of his steady breath so close to your ear.

"you need to feel the shape," jay continues, his voice lower now, more intimate. his hands move with yours, guiding your fingers as they dip into the soft clay. his touch is deliberate, patient, and it feels like he’s not just teaching you pottery, but something deeper, something far more personal.

your hands move together as you both shape the clay, your fingers sliding inside the hollow of the vase. the action is slow, almost sensual, and the suggestiveness of the movement doesn’t escape you. the pressure of his fingers over yours, the way his hands direct yours in shaping the delicate interior, feels too intimate, too deliberate. the tension that has been building for weeks now feels almost unbearable.

your breath quickens, your heart hammering in your chest, and you can feel the heat rising to your cheeks. jay’s chest presses more firmly against your back as his hands guide you deeper into the clay, shaping it from within. his fingers dip, mirroring yours, and the act of molding the vase becomes something far more intimate than you could have ever anticipated.

"just like that," jay whispers, his voice huskier than before, his breath hot against your ear. his hands slow, his fingers lingering on yours as you move together. the wheel spins quietly, the clay yielding to your touch, but it’s hard to focus on the art when the closeness between you feels like it’s about to explode into something more.

you can feel every movement of his chest against your back, the rise and fall of his breath growing uneven. the heat of his body is overwhelming, making it nearly impossible to concentrate on the clay. your pulse is racing, and you’re certain he can feel the way your body trembles slightly under his touch.

suddenly, you realise you can feel his heart. it’s beating erratically against your spine, matching the rapid rhythm of your own. the awareness crashes over you like a wave—he’s feeling it too. the tension, the pull between you, it’s not just in your head. his hands tighten slightly over yours, his chest pressing more firmly against your back, and for a fleeting moment, it feels like the world is tilting.

you bite your lip, trying to keep your breathing steady, but it’s impossible with him so close, with the weight of his body grounding you while simultaneously setting you on fire. your fingers dip into the clay once more, but all you can feel is the warmth of his hands over yours, the way his presence fills every corner of your mind.

jay’s breath hitches, barely audible, but you hear it. you feel it. the tension between you has been simmering for weeks, and now it’s at a boiling point, undeniable and heavy.

after what feels like an eternity, jay finally pulls his hands away, the absence of his touch leaving you cold and disoriented. his chest moves away from your back, and he stands slowly, as if he, too, is struggling to shake off the intensity of the moment.

"good work," he says, his voice quieter than usual, almost strained. he steps away from the wheel, his hands clenching and unclenching as though he’s trying to regain his composure.

you remain seated, your hands still coated in clay, your heart still racing. the silence between you is thick with everything unsaid. you can still feel the echo of his hands on yours, the warmth of his body lingering against your skin.

finally, you glance over your shoulder, your eyes searching his face for some kind of answer, some indication of what he’s thinking. but jay’s expression is unreadable, his gaze fixed on the now-complete vase on the wheel.

"you did well," he repeats, though his tone is quieter, almost distant. there’s something unresolved in the air, something that neither of you dares to acknowledge aloud.

as you stand, your legs unsteady, you can’t help but feel that something between you has shifted irreversibly. the line you’ve both been walking for weeks feels dangerously close to being crossed, and the question now is whether either of you is ready to take that step.

the last day of your art lessons starts with a sense of melancholy that you try to push away. you know that this will be your final session with jay, and although you’ve learned more than you could have imagined, the thought of no longer spending time with him feels like a loss. he greets you at the studio with his usual warm smile, but there’s something different about him today—a lightness that wasn’t there before.

“we’re not staying inside today,” jay says, a mischievous glint in his eyes. “i figured we’ve done enough of that. you’ve been using my supplies, so i thought it’s time you get your own.”

you blink, surprised by the suggestion. “you mean we’re going shopping?”

he nods, a small smile playing on his lips. “you deserve your own tools. besides, i want to show you my favourite spots.”

the idea excites you more than you’d expected. it feels intimate, personal—like he’s sharing a part of himself with you outside the confines of the studio. and so, you follow him out into the bustling streets, the city alive with activity as you walk side by side, the sky overhead a muted grey that promises rain.

the first shop is a small, unassuming place tucked between two larger storefronts, and you wouldn’t have noticed it if jay hadn’t pointed it out. inside, it’s a treasure trove of art supplies—shelves stacked high with paints, brushes, and sketchpads of every kind. the scent of paper and wood fills the air, and you can’t help but feel a little like a child in a candy store, overwhelmed by the endless possibilities.

jay moves through the aisles with ease, clearly at home here. he picks up brushes, testing their weight in his hand before handing them to you to feel. “this one’s perfect for detail work,” he says, holding up a fine-tipped brush. “and this,” he adds, pulling out a thicker, more rugged one, ��is for broader strokes, more expression.”

you watch him as he speaks, his voice low and sure, and you find yourself more captivated by him than the tools he’s showing you. there’s something about the way his hands move with such confidence, the way he seems to understand the soul of each item, that draws you in. it’s a side of him you haven’t seen before, one that’s less restrained, more passionate.

he catches you staring, and a small smile tugs at the corners of his mouth. “what?”

you quickly look away, feeling heat rise to your cheeks. “nothing,” you mumble, pretending to examine the brushes in front of you.

but you can’t hide your growing admiration for him, and you suspect he knows it. he moves closer, his arm brushing lightly against yours as he reaches for a set of soft pastels. “try these,” he says, handing them to you. “i think they’ll suit your style.”

you take the pastels from him, your fingers brushing against his in the exchange, and for a moment, the air between you feels charged. you swallow hard, trying to focus on the colours in your hand rather than the way his touch lingers in your mind.

from there, you move to the next shop, a slightly larger one filled with canvases of all sizes and shapes. jay pulls you toward a display of stretched canvas frames, explaining the difference between cotton and linen, the various textures and how they interact with different mediums. he talks with such enthusiasm that you can’t help but smile, his passion contagious.

“pick a few,” he says, gesturing to the rows of canvases. “you’re going to need a variety if you want to keep experimenting.”

you nod, feeling a sense of freedom in the choice. as you select your canvases, jay hovers nearby, occasionally offering suggestions but mostly watching with a quiet intensity that makes your skin prickle. you wonder what he’s thinking, whether he’s just as aware of the subtle tension that’s been growing between you over the weeks.

the third shop is more modern, filled with high-end supplies—gorgeous palettes of oil paints in jewel tones, sleek metal easels, and handcrafted wooden boxes for storing brushes. it’s clear jay has saved the best for last, and as you wander the aisles together, he shows you some of his favourites, his voice soft and reverent as he talks about the craftsmanship behind each item.

“i’ve always wanted one of these,” you say, running your fingers over a beautiful wooden palette, its smooth surface gleaming under the soft light. “it’s almost too nice to use.”

jay grins, standing beside you as he watches you admire it. “you should get it,” he says, his voice warm. “every artist needs something that feels special, something that inspires them to create.”

his words send a shiver through you, and you glance at him, the closeness between you suddenly palpable. the quiet intimacy of the moment, standing together in the softly lit store, surrounded by the tools of your shared passion, feels heavy with something unspoken. you nod, slipping the palette into your basket, trying to shake the fluttering in your chest.

as you leave the last shop, your arms full of bags and supplies, the sky opens up, releasing a sudden torrent of rain. the drops fall fast and heavy, soaking you within moments. you yelp in surprise, pulling your hood over your head, but it’s no use—you’re drenched almost immediately.

jay laughs, a rich sound that cuts through the noise of the rain. “looks like we’re in for it!” he shouts over the downpour, his hair already dripping wet as he holds a hand out to catch the rain.

you can’t help but laugh, your spirits lifting despite the sudden storm. the two of you stand in the rain for a moment, looking at each other, before jay suddenly grabs your hand.

“come on!” he says, pulling you into a run.

you follow him, laughing breathlessly as you race through the rain-soaked streets, splashing through puddles and dodging other passersby who huddle under umbrellas and awnings. the bags of art supplies jostle against your sides, but you barely notice, too caught up in the exhilaration of running with him through the storm.

the rain comes down harder, drenching you completely, your clothes clinging to your body and your hair sticking to your face. but none of it matters—you’re both laughing, the world around you a blur as you sprint through the narrow streets, your hand still held tightly in his.

jay pulls you into a narrow alleyway, ducking under a stone archway for shelter. it’s barely enough to shield you from the rain, but you’re both out of breath, giggling uncontrollably as you lean against the cold stone walls.

you’re both soaked, your clothes dripping water onto the ground, but the warmth between you is undeniable. jay’s hair is plastered to his forehead, droplets sliding down his face as he looks at you, his chest rising and falling with each breath.

you can feel the heat radiating from his body, even through the dampness of your clothes. you’re pressed so close to him in the narrow space that you can feel the tension building, the awareness of every inch of space between you—or rather, the lack of it.

jay’s laughter fades as his eyes meet yours, and for a moment, the air between you shifts. his gaze softens, his usual playful demeanour replaced by something more serious, more intense. you’re both still, the rain beating down around you, but inside this tiny archway, it feels like time has slowed.

he reaches up, his fingers brushing a strand of wet hair from your face, and the simple gesture sends a shiver down your spine. his hand lingers by your cheek, and you can feel the warmth of his touch even through the coolness of the rain.

for a moment, neither of you say anything, the space between you heavy with everything that’s gone unsaid. you can feel your heart racing, your breath catching in your throat as his eyes drop to your lips for just a second, but it’s enough to make your pulse quicken.

then, without thinking, without hesitation, he leans in.

the kiss is slow at first—tentative, as though he’s testing the waters. his lips brush against yours softly, almost delicately, and for a moment, it feels like the world stops. the rain, the city, everything fades away, and all that exists is the warmth of his mouth on yours, the softness of his kiss.

your heart stutters, your body frozen for a split second before you kiss him back, your hands finding their way to his chest. the kiss deepens, and the tension that’s been building between you for weeks unravels in a rush of heat and longing. his hands slide to your waist, pulling you closer, and you respond in kind, pressing into him as though you can’t get close enough.

the rain falls around you, forgotten, as you lose yourself in the kiss. there’s a desperation to it, like neither of you knows when—or if—you’ll ever get this chance again. it’s intoxicating, overwhelming, and everything you’ve been holding back spills out in that single kiss.

when you finally pull away, breathless, jay rests his forehead against yours, his hands still holding you close as though he’s afraid to let go. you’re both panting, your chest heaving as you try to catch your breath, but you can’t seem to move, can’t seem to break the connection between you.

the kiss lingers in the air, an invisible thread still tying you to jay even as the rain continues to fall. his forehead rests against yours, his breath shallow and quick, matching the erratic rhythm of your heart. for a moment, everything feels right, the world outside forgotten, the storm cocooning you in your own little universe.

but then something shifts. you feel it in the way his grip on your waist tightens briefly before loosening, in the way his eyes darken, filled with a sorrow that cuts through the joy of the moment.

he pulls back, just a fraction, enough to put space between you but not enough to break the connection entirely. his gaze drops to the ground, as though he can’t bear to meet your eyes.

“we… we can’t,” jay whispers, his voice heavy with regret.

the words hit you like cold water, the warmth of the kiss suddenly feeling distant. “what do you mean?” your voice is soft, confused, almost pleading. you take a step closer, unwilling to let him slip away. “jay, what are you saying?”

he sighs, running a hand through his damp hair, his shoulders tense. “you know what i mean,” he says quietly. “you’re a princess. you belong to a world of crowns and thrones, and i… i’m just your art teacher.”

you shake your head, the rain beginning to soak through your clothes, but you hardly notice. “i don’t care about that! my parents wouldn’t either. jay, this—this connection we have, it’s real. you can’t just pretend it isn’t.”

his eyes finally meet yours, and for a moment, you see the same longing reflected in them. but then he looks away again, his jaw tightening. “maybe your parents wouldn’t care, but i do. i won’t let you throw away your life for me. you have responsibilities, a future. i can’t be the reason you turn your back on all of that.”

your heart aches at his words, at the way he’s trying to protect you even as it tears you both apart. you reach for his hand, holding it tightly. “you’re not asking me to give anything up. i’m telling you what i want. you. you’re what i want, jay.”

he looks at your hand in his, and for a second, he doesn’t move, as though he’s frozen between what he wants and what he believes is right. “you don’t understand,” he says quietly. “you’re used to a life of luxury. i can’t give you that. i won’t let you settle for less.”

the frustration bubbles up inside you, mixing with the hurt. “it’s not about that. it never was. do you really think any of that matters to me if i’m not happy?”

jay’s gaze softens, but the doubt lingers in his eyes, a shadow of the barriers between you. “i need time,” he says, his voice pained. “i need to think about this.”

you bite your lip, the tears you’ve been holding back threatening to spill. “take all the time you need. just… don’t take too long. please.”

he nods, his face filled with a mix of guilt and sorrow. then, like the gentleman he is, he steps closer, offering you his arm. “let me take you home,” he says softly, his voice carrying a tenderness that only deepens the ache in your chest.

the walk back to the palace is quiet, both of you wrapped in your own thoughts, the sound of the rain the only noise between you. his arm around yours feels protective, grounding, but it’s bittersweet knowing that he’s still holding a part of himself back.

when you finally reach the palace gates, jay pauses, turning to face you. the light from the lanterns casts a soft glow over his features, and for a moment, it feels like time stands still.

“goodnight, princess,” he says, his voice gentle, though there’s an unmistakable distance in his tone now.

you look up at him, wanting to say something—anything—to make him stay, to convince him that this is worth fighting for. but the words stick in your throat. instead, you nod, forcing a small smile despite the heaviness in your heart.

“goodnight, jay.”

he gives you a final, lingering glance before turning and walking away, the rain continuing to fall as his figure disappears into the night. you stand there for a long time, watching him go, your heart aching with every step he takes.

as you finally turn and walk inside, the warmth of the palace feels stifling compared to the cool rain outside. the emptiness left in jay’s wake presses down on you, and the realisation that you might not see him again for a while hits you like a blow.

in the days that follow, the quiet is suffocating. you try to fill your time with painting, with other lessons and royal duties, but nothing seems to lift the weight pressing on your chest. each moment stretches on, and the palace, usually filled with the comfort of familiarity, now feels hollow without him.

your parents notice your change in mood but don’t pry, their knowing glances suggesting they’re aware that something more than art is on your mind. still, you keep jay’s name on the tip of your tongue, unable to speak it without feeling the ache of uncertainty.

and so, you wait. you wait for a letter, for a word from him—anything to tell you that he hasn’t let go, that he’s still thinking about you as much as you are about him. but with each passing day, the silence only grows louder, the doubt harder to ignore.

what if he doesn’t come back? what if he decides you aren’t worth the risk?

the thought makes your heart tighten painfully. you sit in your art studio, staring at an unfinished painting, the brush limp in your hand, as you wonder if jay is fighting the same battle within himself.

it feels like an eternity has passed since that rainy day, since that kiss that felt like the world shifted. and now, all you can do is hope that he finds his way back to you before it’s too late.

the days stretch long and quiet after that night in the rain, and the distance between you and jay feels more unbearable with each passing moment. you keep replaying his words, the look in his eyes, the way he had kissed you—like he wanted to hold on forever but didn’t know if he should.

you throw yourself into your art, hoping the colours and brushstrokes will distract you from the weight of his absence. but the empty space he’s left behind is hard to ignore, especially as you finish the final piece you’d been working on for weeks—a vibrant painting of a parisian street, your future awaiting you there.

paris. the word itself sounds like a dream. the trip is supposed to happen soon—your long-awaited opportunity to study art in the heart of a city known for its creativity and beauty. it’s everything you’ve worked toward, yet now the thought of leaving without jay feels hollow.

what was once the pinnacle of your aspirations now feels incomplete. you had imagined this adventure, this new chapter of your life, and pictured jay being a part of it. but now, with his silence lingering between you, you’re uncertain of whether he’ll still be there when it begins.

sitting at your desk, you stare down at the blank parchment, the quill hovering in your hand. you haven’t spoken to jay since he walked away that night, but you can’t bear to leave for paris without reaching out, without giving him one last chance to understand how much he means to you.

the words come slowly at first, but then they start to pour out, your emotions and thoughts spilling onto the page.

dear jay, it feels strange writing to you after all this time—after all the moments we shared that now seem so far away. i’ve been thinking about what you said that night, about how we come from different worlds, about the future you think i deserve. but you need to know that none of it matters to me if you’re not a part of it. i’ve wanted this trip to paris for as long as i can remember, to learn from the best, to immerse myself in art and culture. it’s something i’ve dreamed about for years. and yet, now, as the day of my departure gets closer, all i can think about is you. i don’t want to go to paris and leave you behind, wondering what could have been. you’re as much a part of my passion for art as any paintbrush or canvas. you’ve shown me new ways to see the world, to express myself, and i’ll always be grateful for that. but more than that, you’ve become someone i can’t imagine my life without. i know you think i’m giving up too much, that i’m risking my future. but my future isn’t just about royal duties or titles. it’s about choosing the life i want—and i choose you, jay. i wish you could see that. paris is calling, but so are you. i can only hope that when you think of me, it’s with the same longing that fills every moment of my days without you. i hope that when you think of our time together, you’ll realise that this isn’t about status or sacrifice—it’s about love. i’ll be leaving soon after my birthday, but before i go, i need to know: will you come with me? or will i have to leave you behind? with love, [your name]

after sealing the letter, your heart is heavy with both hope and fear. you send it to jay, knowing that the next move is his. each day that passes without a response stretches the wait longer, the ache of uncertainty growing.

you try to stay busy with preparations for your trip, packing supplies and finishing your artwork. your parents notice the change in you—the excitement for paris dimmed by something you can’t quite bring yourself to share with them yet. they ask if you’re nervous, if you’re ready for the adventure, and you smile, telling them what they want to hear. but deep down, all you want is to hear from jay.

paris is just around the corner, but so is the decision you’re waiting for—the choice that could change everything.

the ballroom is a swirl of colour and laughter, filled with nobles, artists, and well-wishers all gathered to celebrate your birthday. the chandeliers above glitter like stars, casting a golden glow over the elegant space, and the music weaves through the conversations like a living thing, light and joyous. your parents spared no expense for this occasion, not only to mark your birthday but also to celebrate the upcoming adventure to paris.

it’s your birthday ball, but your mind is elsewhere, your heart tugged toward a memory that refuses to leave. you stand in front of your painting, the centrepiece of the night, hanging proudly on display for all to see. nobles and artists alike gather around it, marvelling at the vivid colours and delicate brushstrokes. you nod and smile politely as they offer praise, but inside, your thoughts are distant, wandering to a day not long ago when everything felt simpler.

the painting is of the marketplace—a bustling, lively scene full of energy and warmth. it’s the day you and jay had gone shopping together for art supplies, the day you let yourselves be ordinary, blending in with the crowds. the colours are bright and rich, capturing the vibrant chaos of the market: vendors calling out, the smell of freshly baked bread, the sound of coins clinking and people bartering for goods. in the corner of the canvas, nestled in the shadows of an alley, is a small, quiet space. it’s where you and jay had shared a moment away from the crowd, a stolen minute of peace amidst the noise, where the world had seemed to slow just for the two of you.

every brushstroke is infused with that memory—the warmth of the sun on your skin, the soft brush of his hand as he reached for yours, the unspoken connection that had blossomed between you in that hidden corner of the market. it was a day that felt like freedom, a glimpse of something more, something forbidden but undeniably real.

“your highness, it’s simply breathtaking,” someone says beside you, pulling you momentarily back to the present. a noblewoman in an exquisite gown stands at your side, her eyes wide with admiration as she gazes at the painting. “the light, the detail… it feels as though i’m standing there in the market myself.”

you nod and smile, offering a polite thank you, but her words barely register. all you can think about is him.

the weight of his absence has been heavy, pulling at your heart with every passing day, each one more difficult than the last. and now, on the night of your birthday, as you prepare to embark on a new chapter, all you can think about is the chapter you left unfinished.

you glance at the painting again, tracing the familiar lines of the marketplace, the hidden alley. that was the moment you knew there was something between you and jay, something more than just student and teacher, more than just friendship. it was the moment you allowed yourself to hope. but now, standing here alone, you wonder if that hope was misplaced.

and then, through the hum of voices and the soft strains of music, you hear it—a voice that sends a jolt through your entire body.

“you captured it perfectly.”

the sound of his voice makes the air around you seem to freeze. your heart skips a beat, your breath catching in your throat. slowly, you turn toward the source, and there he is—jay, standing just a few steps away, his eyes locked on the painting, his expression a mixture of awe and something deeper, something raw.

for a moment, you’re not sure if you’re dreaming. after weeks of waiting, of wondering, here he is, standing before you, his presence filling the space that had felt so empty without him. he looks different tonight—still himself, but dressed in a way that blends with the formality of the event. yet, there’s something in his posture, in the way his dark eyes flicker between you and the painting, that betrays the turmoil he’s been carrying.

“jay,” you whisper, your voice barely audible. but he hears you, as he always does.

he takes a step closer, his gaze shifting to meet yours, and for a moment, the world around you disappears. the ballroom, the guests, the music—it all fades into the background, leaving only the two of you in this fragile, suspended moment.

his eyes soften as they take you in, and there’s a vulnerability in his expression that you hadn’t seen before, something that makes your heart ache even more. “you remembered,” he says quietly, gesturing toward the painting. “the marketplace. that day.”

you nod, your throat tightening. “how could i forget? it was…” you pause, searching for the right words, but nothing seems adequate. “it was perfect.”

jay’s gaze lingers on the painting, as though seeing the memory play out all over again. his lips part, but no words come. instead, he takes another step toward you, his presence so close now that you can feel the pull between you—the unspoken tension that had simmered just beneath the surface for so long.

“i’ve been thinking about that day,” he says, his voice low and rough. “about us.”

your heart hammers in your chest. “and?”

his eyes flicker with a mix of emotions—regret, longing, and something you can’t quite place. “i thought i could stay away. that it would be easier, safer, for both of us. but i couldn’t.” his voice wavers, just slightly, and the vulnerability in it makes your pulse race. “not tonight.”

you swallow, your chest tight with the weight of everything left unsaid. the distance between you feels unbearably small, but also impossibly vast. he’s here. after all this time, he’s finally here. but the question still lingers, heavy in the air between you: what happens now?

just as you open your mouth to speak, to ask the questions that have been burning inside you for weeks, jay steps closer, his eyes locked on yours. the noise of the ballroom fades even further into the background, until all that’s left is him. and in that moment, with his gaze so full of emotion, you know that nothing has been forgotten. every stolen glance, every brush of hands, every whispered word—it’s all still there, between you, as real and undeniable as ever.

the night may be full of celebrations, but the only thing that matters is this: jay is here, and nothing will ever be the same again.

the grand ballroom continues to pulse with life around you, but the world feels quiet in the cocoon of jay’s presence. you haven’t even fully processed the fact that he’s here, standing in front of you after weeks of silence. his eyes—deep and full of an emotion you’ve longed to see—are fixed on you, as though he’s drinking in the sight of you, afraid to blink in case you disappear.

the weight of his absence, the unanswered letter, the uncertainty—it all rushes to the surface, but you force yourself to stay grounded in the moment. you open your mouth to speak, to ask the questions burning in your chest, but before you can, jay takes a step closer.

“you never stopped painting,” he says quietly, nodding toward the marketplace painting, his voice filled with a mix of awe and relief. “you’ve grown even more since i left.”

his words are a gentle balm to the ache in your heart, but they only skim the surface of what you truly want to know. you swallow hard, the emotions too thick in your throat to speak.

your breath hitches. “why didn’t you respond to my letter, jay?”

there’s a beat of silence before he looks away, the rawness of his feelings flickering across his face. “because i didn’t know if i was strong enough to walk away again,” he admits. “and i wasn’t sure if i could give you the life you deserve.”

“after everything we’ve been through, you still think i care about that?” you whisper, your voice trembling with the weight of all the unspoken words. “i just wanted you, jay. that’s all i’ve ever wanted.”

his jaw tightens, and he takes another step forward, closing the distance between you until his presence is overwhelming. “i couldn’t respond, because i knew that if i did, i wouldn’t be able to stop myself from coming back to you. and once i did, i’d never want to leave. but you… you have paris, you have a future.”

“and i want you to be part of that future,” you say, your voice stronger now. “i’ve had weeks to think about this, jay. i’m leaving soon, and i need to know where we stand before i go. please, just tell me how you feel.”

jay’s eyes flash with a storm of emotions—hesitation, fear, and something deeper, something that has been bubbling just beneath the surface. he reaches out slowly, his fingers brushing yours, the touch sending warmth rushing up your arm. “i’m terrified,” he admits in a voice so soft it makes your heart ache. “i’ve never felt like this about anyone before, and i don’t want to ruin it.”

“you won’t,” you say, stepping closer until your hands are fully entwined, your pulse quickening as his warmth floods your senses. “i don’t care about titles, status, or what anyone else thinks. you make me feel alive, jay. that’s all i need.”

his grip tightens on your hand, and for a moment, it seems like he’s grappling with the depth of what you’re offering. his breath comes in shallow, uneven bursts, as though he’s trying to hold himself together.

“i don’t want you to sacrifice everything for me,” he says, his voice thick with emotion. “you’re a princess, destined for greatness, for a life most people can only dream of. i’m just... a man who paints.”

you step even closer, until there’s barely any space between you. “and that’s enough for me. more than enough.”

for a split second, he looks at you as though he can’t believe you’re real. but then, before you can say anything more, he steps forward, pulling you into his arms in one swift motion. the warmth of his body against yours is overwhelming, but in the best way, and as his arms wrap around you, holding you tightly, you feel the tension that’s been building between you melt away.

“i’m so sorry,” he whispers, his breath warm against your ear as he holds you close. “for leaving. for making you wait.”

you close your eyes, leaning into him, your heart swelling with the relief of finally having him here. “you’re here now,” you murmur against his shoulder. “that’s all that matters.”

he pulls back just enough to look at you, his hands resting gently on your arms as his dark eyes meet yours. and in them, you see everything—the love he’s been holding back, the fear, the hope. “i love you,” he says, his voice thick with emotion. “i’ve loved you since the first day we met, and i’ve been fighting it ever since. but i don’t want to fight it anymore.”

your heart swells at his words, the weight of them settling deep in your chest. “i love you, too,” you whisper, feeling a rush of warmth spread through you as you say the words out loud for the first time. “i always have.”

the smile that spreads across jay’s face is like sunlight breaking through clouds, and before you know it, he’s lifting you off the ground, spinning you around in a burst of joy and laughter. the world around you spins with him, but you don’t care—because for the first time in what feels like forever, everything is right. everything is exactly how it’s supposed to be.

when he finally sets you back down, your feet touching the ground once more, his hands stay on your waist, grounding you in the moment. his eyes, full of love and warmth, search yours, and for a second, neither of you speak. you don’t need to. the silence is filled with everything you’ve both been waiting for.

“i want to be with you,” he says softly, brushing a strand of hair behind your ear. “but i don’t want you to lose yourself for me.”

you smile, shaking your head. “i’m not losing anything. i’m gaining everything i’ve ever wanted.”

jay’s hand finds yours, his thumb brushing over your knuckles as he looks at you, his gaze full of the future. “paris,” he says, a small smile tugging at the corner of his lips. “you’re still going?”

you nod, your heart racing at the thought of what’s to come. “i am. and i want you to come with me.”

he hesitates, just for a moment, as though the reality of what you’re asking is still sinking in. but then, his smile grows, and he nods, his grip on your hand tightening just slightly. “i’ll come with you. we’ll go together.”

your heart leaps at his words, the hope you’d been holding onto finally blossoming into something real. paris—together. it’s everything you’d dreamed of, everything you hadn’t dared to believe could happen. but now, standing here with jay, it’s all within reach.

“we’ll see the world,” he says, his voice soft but filled with excitement. “we’ll paint, we’ll live, we’ll—”

“we’ll be happy,” you finish for him, your smile widening as you lean into his touch.

he nods, his forehead resting gently against yours. “yes. we’ll be happy.”

and in that moment, as the ballroom buzzes with life around you, as the painting of your shared memory hangs on the wall behind you, you know it’s true. you and jay—together, free, and full of love. the world is yours, waiting to be explored. and with him by your side, you know that this is only the beginning.

as you stand there, wrapped in each other’s arms, the future stretches out before you like a blank canvas, waiting for you to fill it with all the colours of your love, your passion, and the adventures you’ll share. together, you’ll paint a life full of beauty, one brushstroke at a time.

and as the night fades and the dawn of a new chapter begins, you know—this is your happily ever after.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

taglist: @punchbug9-blog @firstclassjaylee @capri-cuntz @addictedtohobi @jaysfavoritegirl @yuniesluv @isa942572 @academiq @missychief1404 //the ones in bold could not be tagged for some reason. im so sorry guys tumblr is acting up :(

#౨ৎ 𝓐dy writes🪄#enhypen #enhypen imagines #enhypen oneshots #enhypen fics #enhypen x reader #jay #jay park #jay x reader #jay imagines #jay fics #jay oneshots #kpop fics #enhypen royal au #jongseong park #jay enhypen

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tinydefector · 9 months ago

Text

Human's effects

More a silly little thing that I had to write out.

Warnings: talks about sex, xenophilia, kinks

Word count: 3k

Masterlist

Human Effects 2 - characters

Request are open

____

There were a lot of things that fascinated the cybertronians over humans. Their size, body types, skin tones and those soft they are.

So many of them become so fascinated over the fact that such small and fragile creatures don't have plating to protect themselves but only wear soft fabrics.

And it slowly leads a lot of Cybertronians to realising they were Xenophiles.

A list of kinks and fetishes cybertronians discovered from it.

-size kink

-skin fetish

- hair pulling

- silk and ribbon play

- cum inflation

-breeding

-pet play

- vore

-fluid play and consumption

- spiking warming

- Heart and spark syncing

- new spike and Valve modifications to test on their human lover

There's originally a lot of unknowns about humans, and cybertronians are rather intrigued, for one the first times the a lot of the crew of lost light had encountered them was on black market and high priced pets, and companions.

There were exceptions such as Perceptor, Ratchet and Megatron who had been around humans before but for a lot of the bots this was their first time seeing them. that is until they are assigned a human communications, relations Ambassador/ liaison.

But after the black market incident it had led a lot of bots into research over humans. And it just spirals more with them discovering some rather dark history with cybertronians keeping humans as playthings. And finding out their ‘interface equipment’ isn't that different from their own, just more organic and smaller.

A late night of drinking at swerve slowly devolved into conversation over their local human. Brainstorm sits nursing his drink of engex while he and others of the ship chat away. "So does it fascinate anyone else over the fact that humans don't have natural plating or any kind of protection for their squishy form?" He brings up, he himself had fallen down the rabbit hole of human porn but didn't quite know how to breach the subject with anyone else.

"Oh Primus, look who decided to join us, thought you were holding up with your Conjunx Chrome!" Swerve said with a chuckle, placing more drinks down. He hopped up onto one of the bar stools and leaned in eagerly, His attention flicks to Brainstorm. "You bring up a good point, Brainstorm," Swerve replied.

"Those squishy humans are really something else, ain't they? No armour, no defences - I'd be scared outta my circuits if I was just soft protoform all the time!, like i’m so surprised squishy hasn't been stepped on yet"

Rodimus nodded in agreement. "Yet they've managed to survive just fine so far. There's obviously more to them than meets the eye. Like i've seen some of the things our ambassador can do like the strange stretching"

"I dunno," Skids chimed in. "Seems pretty fraggin' reckless if you ask me. One good shot and it lights out!"

Rewind shuddered. "Ugh, don't remind me. Just thinking about all those organics and tubes and who knows what else squishing around in there makes my fuel tank turn." He made a dramatic churning sound effect.

Riptide laughed. "I saw a nature documentary once about these hairless ape creatures the humans evolved from. Now THOSE guys were squishy."

“What in Primus have you been watching?!”

“some old earth docs that Percy’s has, bots got a lot of info on Terra and the planet's history” The bots shared a collective laugh at the image. Swerve took a swig of his energon. "Frag, maybe there's something to be said about living on the edge like that! Sure keeps things interesting, its still strange that they are somehow one of the top predators of their planet yet are smaller than half the things they eat"

Brainstorm goes quiet for a moment. "Have you seen how flexible they are?"

Swerve nearly spit out his energon. "Whoa hey, I don't need those kinds of vivid imagery floatin' around my processor thank you very much!, keep the squishy interface vids to yourself" he said, waving his hands animatedly.

"You have to admit, the way those fleshbags can contort themselves is pretty impressive," Skids added. "Must come in handy for.. maintenance." He waggled his optical ridges suggestively.

Brainstorm nodded pensively. "Indeed. Their non-metal structure allows for feats we could never replicate by ourselves." He took a sip of his energon. "Always makes me curious what other evolutionary adaptations they've developed to compensate for such vulnerability. The potential for scientific discovery is endlessly fascinating with their species and ancestors."

Riptide shrugged. "As long as they don't expect ME to try any of their bone-breaking yoga moves," he laughed. "This chassis is meant for tough stuff, not Twister!"

"You think they would be soft, you know if you interface with one?" Brainstorm asked while downing his drink, the engex was slowly going to his processor loosening his lips.

"Oh don't give me that look I know for a fact you all have thought about doing with a human at least once! Rodimus I know for a fact you eye them up everytime our little liaison walks past you" He calls out Rodimus.

Rodimus nearly choked on his energon in an attempt to look innocent. "Wh-what? That's not - I never -" he sputtered in protest, flustered optics darting around at the other bots.

Brainstorm smirked as Rodimus squirmed uncomfortably on the stool. "Oh please, don't try to deny it, Captain. You're about as subtle as a combiner in a supply closet."

"Roddy's got the hots for squishy, who knew!" Swerve giggled uncontrollably.

Skids nudged Riptide playfully. "Hey, maybe we got a xenophiliac on the ship!"

"Alright alright, knock it off you glitches," Rodimus growled, though the blue flush across his face said otherwise. "I was just... curious, that's all. They ARE a strange species."

Swerve tried to contain his laughter. "Ohhh I bet you are more than curious, if you catch my drift!, wanna get up close and personal" More raucous peals of laughter from the group.

Brainstorm stroked his chin in thought. "They do feel intriguingly delicate. I wonder if their flexible frames would be more pleasurable to interface with than our own rigid forms..."

"Have you seen videos of them, they stretch a lot, like a lot, like I know human skin is resilient but i didn't think they were that resilient " Brainstorm states remembering some of the videos he had seen online. Other bots peak up intrigued.

Swerve choked again as his fuel tank nearly turned inside out. "Brainstorm! That's... more than I needed to visualise, thank you very much."

Skids seemed a bit less phased. "Fleshbags gettin' their twist on, huh? Can't say I'm not curious now."

Even Rodimus seemed intrigued despite his earlier protests. "Resilient is an understatement. I've seen some of the contortions that humans can do - it's astounding that their protoforms don't tear apart."

Brainstorm nodded enthusiastically. "Precisely! With the right lubrication and technique, I hypothesise an interface with a limber human form would provide entirely novel sensory data."

Riptide shifted uncomfortably. "Not sure I'm ready to dive into the fleshy deep end just yet.”

Swerve shot him a sly grin. "Aw c'mon Rip, live a little! Where's your sense of adventure?"

Rodimus tried to steer the subject elsewhere. "Let's maybe change topics before someone needs a wipe down. Or Primus forbid, Magnus overhears you lot"

"I hope I did not hear what my processor just heard" Ultra Magnus states while staring down at the group of drinking mechs. A Lot of bots in the bar snicker at the group getting in trouble.

"Come on Sir, get that wrench out of you aft, join us!" Skids called out.

Swerve let out an audible squeak at Ultra Magnus's stern tone, almost dropping his engex in panic. "U-Um, Magnus sir! Fancy seeing you here. We were just, uh, discussing..."

He shot desperate optics at the others for help, but they all seemed to shrink down in their seats under Magnus's disapproving glare.

Rodimus flashed an uneasy grin. "Just having a friendly debate about alien species, you know how it is. Brainstorm was bringing up some, er, interesting biological points..."

Ultra Magnus sighed wearily. "I'd rather not know the details, thank you. Some topics are best left undiscussed in public."

The whole bar erupted into laughter at the group's misfortune. "Ah lay off em Magnus!" one patron called out. "They're just havin' fun!"

Another bot piped up. "Yeah, loosen up that rusty chassis and join us! One drink won't hurt."

Magnus scowled, unamused. But as the encouragement grew louder, he glanced around hesitantly...

Swerve spotted an opening. "C'mon Magnus, live a little! I'll even give you a two-for-one special." He flashed a hopeful grin.

The enforcer grumbled but his resolve was cracking. Against his better judgement, he pulled up a stool. "One drink." Swerve whooped and poured him a double.

They cheer as Magnus sits down to drink with them. Skids speak up. "So brainstorm you saying you'd hook up with a fleshy, get nice and personal with a human" he calls out with a laugh.

Brainstorm leaned forward eagerly. "Why of course! The pursuit of scientific knowledge knows no boundaries. Though upon further review, direct interfacing with an organic might require certain, ah, safety protocols."

Skids peered at him suspiciously. "Exactly what kind of 'research' are you plannin' on doing Brainy?"

Swerve nudged Riptide with a smirk. "I'll bet ya 20 shanix Brainstorm's just trying to find an excuse to get jiggy with the humies!"

Riptide snorted. "No way, I ain't takin' THAT bet!"

Rodimus dropped his face in his palms with a groan. "can we PLEASE stop picturing Brainstorm fragging humans?"

Ultra Magnus coughed on his engex, catching the comment he'd really rather not have heard.

But Brainstorm paid them no mind, lost in scientific contemplation. "The human capacity for sensory input and feedback would provide a rich study on cross-species interface protocol adaptability..."

"INTERFACE PROTOCOLS?!" Swerve shrieked. The table erupted into howls of laughter at Magnus's deeply uncomfortable expression. It was going to be a LONG night indeed.

“Primus Brainstorm you kinky fragger”

"Fine then everyone servo up if your not at least somewhat curious or thought about it at least once" Brainstorm calls out to all of Swerve's bars patrons

"Oooh, Brainstorm's putting us all on the spot!" Swerve giggled with gleeful mischief. He raised his servo without hesitation.

Skids was quick to follow suit, slamming his half-empty glass down. "Frag it, I'll admit it! Those soft squishy bodies got me wonderin' what else they're good for."

To everyone's surprise, Rodimus sheepishly lifted a servo as well, avoiding optic contact with Ultra Magnus. Riptide shrugged and joined in the show of servos, if only to blend in.

The majority of bots in the bar started raising their hands amid roars of laughter and drunken encouragement. Only a select few hesitated, shooting nervous glances at Magnus.

The enforcement officer's expression cycled through outrage, resignation and back to outrage as his gaze swept over the forest of raised servos. "I cannot condone such deviant interest in alien biologies," he protested, voice stiff.

But as more servos stayed stubbornly aloft, Magnus sagged with a weary sigh. After a long moment, he slowly, begrudgingly raised one massive hand as well.

The bar erupted into ear-splitting cheers. Swerve howled with glee, banging his fists on the counter. "Look's like we've all got a bit of xenophile in us after all! Even you, Magnus my mech!"

Magnus buried his faceplate in his servos as Brainstorm cackled maniacally. Once the bar settles back down its Swerve who speaks up with a smirk on his faceplate. "So... which one of you charming mechs are gonna be the first to try and get our lovely Liaison?" He teases.

Rodimus sputtered into his drink at Swerve's question, flushing brighter. "W-what? I never said anything about actually doing anything!, it's all just fantasies Swerve!" he protested in a hissed tone.

Skids rubbed his chin thoughtfully. "Hmm, well they do have a cute lil' figure. Bet they'd be a wild ride..."

Swerve grinned slyly at Rodimus. "Aw c'mon Captain, don't tell me you ain't thought about it at least once! I bet they'd be real fun to break in, get all soft and pliable..."

Rodimus smacked Swerve upside the helm. "Knock it off!" He shot a pleading glance at Ultra Magnus as if begging for rescue.

But unexpectedly, Brainstorm was the one who spoke up. "While the organic's flexibility is intriguing, directly interfacing could introduce unknown health risks or cultural taboos. Outside the fact our people have kept humans as pets and companions in the past. A more ethical approach would be gaining consent for strictly observational research."

Riptide frowned. "Not sure the liaison would go for that either Storm"

Swerve sighed dreamily. "Just imagine wrapping those soft squishy bits all around you though... bet they'd feel amazing..."

"SWERVE." Magnus's warning tone silenced the cheeky bartender immediately. He turned back to Rodimus with a sigh. "Despite certain... Curiosities, directly engaging an organics such a manner would be unwise, dangerous even, not to mention our form are much larger and could harm a human."

Rewind nodded gratefully at Magnus, relieved the subject was shifting. But the mischievous glint in Swerve's optic suggested his teasing wasn't over yet. It was going to be a long night indeed.

"Relax Mags I'm just riling these drunk mech up. Unless you're interested in our sweet little ambassador" he teases, making other bots choke on their drinks.

Ultra Magnus's icy glare could have frozen Swerve's energon. "Need I remind you this conversation is highly inappropriate and unprofessional," he said sternly.

But to everyone's surprise, Rodimus let out an undignified snort of laughter. "As if Magnus would ever break protocol like that! He'd probably recite the entire Autobot code of conduct while fragging."

The whole bar erupted in howls of mirth at the mental image.

Swerve was nearly rolling on the floor. "Can you imagine?! 'Paragraph 3, subsection B clearly states interfacing with sentient aliens requires prior diplomatic clearance forms in triplicate!'" he cried in a mockingly stiff voice.

Skids were wiping away fuel tears. "Primus if MR. RULES AND REGS ever broke the rules, it'd be one for the history archives!"

Riptide jabbed Skids in the side. "Ten shanix says he'd have them memorising regulations the whole time!"

"Twenty shanix says they'd run screaming first!" Swerve shot back.

The bets and ribbing escalated as more mechs joined in. Across the table, Rodimus shoved Magnus playfully. "C'mon Magnus, live on the wild side for once!"

Magnus's rumbling huff was the only response. Watching his rigid commander finally loosening up filled Swerve with delight. Somehow, some way, he'd find a way to get Magnus to break protocol yet! It was shaping up to be the best night ever.

"Ohhh let's make this fun. I list some bots and you say if you think they would hook up with a human" Riptide states. "Rung, Drift and Ratchet" he calls out the names.

Swerve let out a dramatic gasp. "Ooh spicy!"

"Rung is definitely curious but way too professional. Might let loose over a couple cubes of engex though!"

Skids broke into hysterics at Riptide's suggestions. "Rung and a HUMAN?! Rung doesn't even touch his OWN interface panel!"

Rodimus snorted. "Can you imagine? 'My dear, it seems you're experiencing some psychological interfacing blockers. Please, tell me how that makes you feel.'"

"Drift guy's definitely intrigued by other species, if you know what I mean. Plus he's artsy so he'd probably appreciate the 'aesthetic'." Swerve responds

"Drift might go for it, he's open to new experiences," Rodimus mused with a grin.

Brainstorm nodded thoughtfully. "Indeed, his spiritual philosophies suggest an openness to cultural exchange that others may lack. I think if he and ratchet weren't together its something he might try"

"Ratchet. bah! As if that grumpy old rust-bucket would try anything so illogical. Unless she's a doctor too and starts quoting his favourite protocols... then all bets are off!" Skids laughed.

"Ratchet? Nah, too much of a hard aft. He'd just bitch about human biohazards the whole time," Swerve giggled.

"Well if Drift was interested I'm pretty sure that mecn could get ratchet to do anything with the bat of his optics" Rodimus remarks.

The table erupted in raucous laughter. Swerve took a playful bow. "Alright bring on the next victims!"

Riptide rubbed his chin thoughtfully. "Hmm, how about...Tailgate, Cyclonus, and Whirl?"

Swerve cackled wickedly. "Tailgate would be way too nervous but he'd try for his Conjunx Cyclonus. Cyclonus would 100% use his broody vibes to charm her pants off but only for Tailgate. And Whirl? He doesn't interface, he destroys! So that liaison better watch her interfacing ports around that lunatic!"

Chromedome interjects stroked his chin thoughtfully. "Tailgate would be way too nervous and shy, I think. He'd probably short-circuit just from holding hands!"

Riptide nodded. "Cyclonus has always struck me as the kinky type. Wonder if he's into those squishy bits like Brainstorm thinks..."

"Whirl would frag anything that moves," Rodimus interjected with a grimace. "But I don't think an organic would survive the experience!"

Brainstorm stroked his chin. "Indeed, Whirl's interfacing protocol subroutines seem rather...enthusiastic. Consent might be a fleeting concept. Better to observe from a safe distance."

Swerve shuddered. "Ugh, don't make me picture that psycho getting 'friendly' with a human! I'm tryna keep my fuel down y'know."

The names continue being dropped.

" First Aid! I don't know if the medic-bot's got it in him to break the rules. But I betcha if he did, he'd be real gentle and caring-like. He'd have them feelin' better than new in no time!"

Skids grinned devilishly. "Yeah but would they feel better? Aid's so straight and narrow I bet he'd put em in stasis lock from boredom!"

"Now Perceptor on the other hand..." Swerve tapped his chin thoughtfully. "Bookish type, but you know there's a passionate scientist in there waiting to experiment. Think he'd go slow and methodical, really take his time 'exploring the specimen'."

"his thirst for organic sciences might overpower his good sense," Rewind remarks.

“optimus prime, Prowl and bumblebee ” Chromedome interjects with his own inquiries.

Swerve pretended to wipe away exhaust fumes. "Primus help me, this is gonna be good... Optimus Prime is obviously Mister Morality himself, but you know he's got a secret wild side under all that virtue signalling. Just imagine how freaky he could get with some alien nookie!"

The bar erupted in incredulous, drunken laughter and cheers. Swerve grinned impishly.

"As for Prowl, I'm telling you that stick up his tailpipe is begging to come out and play. One roll in the berth with a naughty fleshy and he'd loosen up reeeal nice!"

"And Bee? He's a sweet kid, but you know what they say, it's always the quiet ones! Between his cute lil' face and that tight chassis, he'd have the human lining up to frag that glitch right into stasis!"

The bar absolutely lost it, bots falling over each other in drunken hysterics. Even Mirage was struggling not to fall off his chair. Swerve took an exaggerated bow as his audience howled.

"Thank you, thank you! I'll be here all cycle! Now who's ready for the next round?" More shouts and clanking glasses answered his call. It was shaping up to be the wildest night at Swerve's yet!

Magnus dropping Megatron's name that really sent them over the edge.

"Megatron?! With the liaison?!" Rodimus howled with laughter, nearly spitting out his drink. "That's the funniest thing I've heard all cycle!"

But Swerve wasn't done. "Megatron? Now THAT'S an image! 'You pathetic fleshbag, you DARE try to mount the great Megatron?! Grovel before my interface array!'"

Magnus adds more information which makes everyone surprised " He and the ambassador are rather close" He states

Rewind speaks up from Chromedome’s side. "Y'know... they do have a certain chemistry. I'll bet under all that scowling and chipped armour there's a softie just waitin' for the right tender touch to melt his spark. And they have got sass to spare bet they could handle Megatron's brooding and snarl!"

"Twenty shanix says he'd have them trembling and beggin' for mercy in no time flat!" Skids bet eagerly.

"You're on!" crowed Riptide. "But I still think Perceptor's the real dark horse..."

#transformers #rodimus #transformers x human #megatron #transformers idw #transformers x reader #transformers lost light #transformers megatron #mtmte swerve #chromedome #mtmte rewind #ultra magnus #valveplug

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discordantwritings · 1 year ago

Text

Our Precious Assistant (Cross Guild x Reader)

Part 1 / Part 2 / Part 3 / Part 4 / Part 4.5

Warnings: 18+ NO MINORS. gn afab reader, exhibitionism, slight voyeurism, dom/ sub dynamics, dom! Mihawk, dom! Crocodile, sub! Buggy, sub! Reader, oral sex, facefucking, PiV sex, spit roasting, creampie, aftercare is important guys, Mihawk and Crocodile are mean to Buggy but in a consensual way, not beta read

Word count: 5.7k

Summary: You’re the assistant to the leaders of The Cross Guild, and after one night of overhearing them having sexual relations, you can’t help but notice their affections towards each other, and eventually… you?

Note: the cross guild can use me any day

Being the executive assistant to three of the most dangerous men in the world was terrifying.

At first.

But after one year of working with them, you’ve grown desensitized to their presence. You see them at their best and their worst. And working for them you see a lot of worsts.

Sir Crocodile is the one you interact the most with since he deals with most of the money and bounties. He works hard and barely rests, which leads him to a short temper. At first every time he glared at you you were sure his hook was about to take you out but now you know when that happens he just needs a nap. You’ve managed to mitigate a lot of employee deaths by planning his appointments around when you know his mood will be bad. And even over time you’ve learned that if you stand firm with him, he respects you more. Never in a million years did you expect that a former warlord of the sea would appreciate you draping a blanket over him when he falls asleep at his desk. You often have to stop yourself from thinking about how peaceful he looks when he actually manages to sleep.

Dracule Mihawk was easier to work with than Sir Crocodile, demanding less of you on a daily basis, but that’s not to say it’s been easy. Being a solitary man he doesn’t interact well with anyone under him (or over him for that matter) so you’re often left to smooth over meetings and negotiations. You don’t talk with him often but when you do he is always polite, if a bit short. Nothing gets past him and it’s worked out in your favor more times than not. He recognizes your work and once when he caught you sneaking a peak at his library he let you borrow the book you were after. When you tried to return it once you were done he told you to keep it. The book sits on your nightstand and helps you remember on the hard days why you stick with the job.

And Buggy?

Well. He’s Buggy. You’ve had the best and the worst times with him. It became clear after only a few months of working with The Cross Guild that Buggy wasn’t actually the one in charge. Between the way Mihawk and Crocodile treated him and how incredibly incompetent he could be led you to put the pieces together on the real power structure. Now that isn’t to say Buggy was a failure all time, quite the opposite actually. Despite how under qualified he was he pulled off the showmanship of the roll quite well and out of all of the leaders he was far and away the best with people. While you didn’t interact with him as much as you did Sir Crocodile he often went out of his way to be around you. He gets bored easily and it often falls on you when there aren’t any of his crew members in the immediate vicinity. As much as it derails your work you find yourself glad for the company. You think it’s because you do actually respect him and sometimes in The Cross Guild that’s hard to come by.

It wasn’t until recently a few things about the relationship between the leaders of the guild clicked for you. You knew the had extended meetings behind doors and on more than a few occasions you’d seen Mihawk or Crocodile laying into Buggy but it wasn’t until you had to come back to the office late one night when it all became crystal clear how their dynamic worked.

You had forgotten some paperwork that you needed to work on so you slipped back into the office after dark when you thought everyone else had gone home. When you got to your desk however, the door to Sir Crocodile’s office was cracked and light spilled out. It wasn’t strange, you knew he pushed himself to work late hours. Normally you encourage him to cut it short so you made your way over to the door and where about to knock when-

“Croc- Please-“ Buggy’s voice was pained and you almost rush in to defend him but a loud moan stops you dead in your tracks.

“I don’t think you’re sorry enough clown.” Crocodile’s voice is sharp and clearly pissed, but there’s an edge to it that you’ve never heard. You almost manage to back away from the door when a third voice speaks up.

“You’re right Crocodile, he really should be apologizing better. He certainly could be putting his mouth to better use.” Mihawk sounds almost bored, but the filth that left his mouth made your blood run hot.

“I’ll do anything- you know I will!” Buggy pleads.

Crocodile chuckles. “Oh, we know you will. You’re always so eager to get on your knees for us, aren’t you.”

The sounds of a zipper being pulled jolt through you and that’s enough to get you to run out of the office as quietly as you can. You pray to whatever gods are above that they didn’t hear you because no matter how fond of you they were- this was too much for anyone to know.

Ever since then you’ve noticed things. Face paint on Crocodile’s collar, stolen glances between Mihawk and Crocodile, or Buggy actually blushing when Crocodile threatened to knock his head off. It felt crazy to know that your bosses were in some kind of polyamorous relationship but no matter how much you want to tell anyone you didn’t. Not even for fear of your job- it was just what you felt was right. But you had to admit thoughts about what the three of them do together creeped into your mind often. It was embarrassing but some nights you got off to imagining what it would be like to be a part of something like that.

Well not something like that. Exactly that. Those three powerful men that you’ve grown fond of. But it was a pipe dream. You kept those thoughts in the darkest recesses of your mind where not even Mihawk’s observation haki could detect them.

But then things kept happening.

It started off easy to ignore. You would see Buggy blushing as you walked into Crocodile or Mihawk’s office, or Mihawk pulling away from Crocodile’s desk quickly as you passed by the door. But when you walked into Mihawk’s office and saw Buggy on his lap there wasn’t much you could do but quickly throw his requested papers on his desk and hurry away, face flushed.

After that it was noticing Buggy’s shoes under Crocodile’s desk when he called you in for a report. Then being asked to stay late and catching Crocodile and Mihawk share a kiss through a wide open door.

You wouldn’t acknowledge the incidents, and they didn’t either, so you were left flustered and confused almost every day. As if seeing them together wasn’t bad enough- it got worse.

Attention started to be directed towards you. You didn’t notice at first, Buggy’s clinging attitude was nothing new and you almost thought nothing of it when he was more touchy than normal. Then Mihawk invited you to stay after work to have a drink with him. You refused- but almost immediately were faced with Crocodile asking you to help him in his office with some more paperwork. Working close at his desk together shouldn’t have been as intimate as it was but you could see him stealing glances at you throughout the night.

Then came the pet names.

Buggy waltzing around your desk calling you star, dear, angel, and any other cheesy ones he could pull out. You hate how much you reacted to them, doing your best to act annoying and praying that he never saw the blush creeping up your neck. Mihawk and Crocodile were more subtle though. Mihawk tagging on darlings at the ends of his requests, Crocodile calling you sweetheart after you deliver paperwork to him. It was almost too much to take on a daily basis, sending you home flustered and now occasionally sexually frustrated.

But you never allowed yourself to think that any of them, let alone all three of them, would want something with you. You knew for a fact they were all in a relationship of some sorts and maybe this was their fun- being cruel to the person they all had easy access to. But you couldn’t stop your heart from soaring at every pet name and every touch or glance they would throw your way. You’d think about quitting- but you couldn’t leave them. As much as you hate it you care about the three of them too much.

But that might all stop today. Earlier in the day Crocodile approached you and said he needed you to stay after for a meeting and your blood ran cold. This was it. You’re getting fired.

You spent all day anxious, subtly packing up your belongings in preparation for the worst. When the time rolled around you knocked on the large door to Sir Crocodile’s office.

“Come in.” His gruff voice answered, and you slowly opened the door to reveal all three leaders of The Cross Guild. Crocodile behind his desk, Mihawk at one of the chairs across from him, and Buggy stationed on a couch along one of the far walls.

You weren’t being fired. You were being killed.

Your fear was clear to all three of them and Mihawk cast an annoyed glance at Crocodile. “I told you this was not a good idea.”

Crocodile rolled his eyes. “And what did you propose? Keep doing Buggy’s plan?”

“Hey!” Buggy sat up on the couch, offended. “I thought we could be a lot more flashy!”

Glares from both Mihawk and Crocodile made him sink back into the couch without another word. Mihawk looks back to you and gestures for you to sit down in the other chair at Crocodile’s desk. Scared and a bit confused you quickly sit.

“I’m sorry.” You speak up, trying to be ahead of this whole thing. “I should have been more careful with your privacy and it’s my fault and I understand why you want to let me go.”

Crocodile, Mihawk, and Buggy all share confused looks before Buggy breaks out in a laugh.

“You’re not being fired.” Crocodile speaks up, leaning over his desk. “And you haven’t been mishandling our privacy.”

“Except on that first night.” Buggy chimes in from the couch. “Not that that was a bad thing!”

Your eyes dart between all three of them, now properly confused. “I don’t understand…”

Mihawk sighs. “We noticed when you accidentally overheard us in this office.”

Of course. You were stupid to think they didn’t.

“But after that and some discussion we thought you might be interested.” Mihawk says it so casually you almost don’t register the words. They thought what?

“It was Buggy’s idea to get bold with our affections to see if you were interested as well but like most of the clown’s plans it was clearly poorly thought out.” Crocodile speaks from behind the desk, filing in the gaps.

“Honestly I think it was just an excuse to be the little exhibitionist he is.” Mihawk comments with glance towards Buggy.

“Hey, hey, maybe there was some self fulfillment there but! You all liked it and we clearly saw they liked us too. Didn’t ya dear?” Buggy leans on the couch to smile and wave at you and it’s only about now where everything is finally sinking in.

“Oh.” You’re sure your entire body is blushing, all the anxious energy now turning into something different.

“So we are sorry if this has all been too convoluted for you. I thought we should make a formal request.” Crocodile gets up from his desk and walks around it, towering over your seat. “Would you think about being a part of our relationship?”

“If you don’t we will forget this ever happened and there will be no more sexual run ins with any of us.” Mihawk adds as he too gets closer, his hand on the arm of your chair.

“And of course, take your time.” Crocodile mentions from above, taking a long drag of his cigar.

“But also could you not because I’m really excited to-“ Buggy is once again cut off by the looks of the two former warlords. But now understanding their dynamic you guess he probably riles them up like this on purpose. The line between fear and arousal is pretty thin, as you are learning right now.

“I can’t say I’m not interested.” You speak up and see Buggy beaming from across the room. “But I just- I’ve never been in a relationship like this.”

Mihawk’s hand glides from the arm of the chair to the outside of your thigh. “Neither had we before this. It’s not easy all the time but we make it work.”

It’s hard to ignore how much of an effect the small touch has on your body and you shift in your chair. “And you all really like me?”

“Yes.” All three of them answer at once, bringing a huge smile to your face. They rarely agree on anything but seeing them so automatically in sync for the answer- it douses a lot of your worries.

“So how would this work exactly?” You ball your hands in your lap, unable to look any of them in the eye directly.

“You would be ours.” Crocodile leans back on his desk to get more in your line of sight. “We go on dates occasionally. We share a bed when we are all in one place.”

“Due to our positions we can’t be as public as we would want to be. But that would be for your safety.” Mihawk’s thumb is drawing small circles on your thigh.

“But that doesn’t mean we won’t occasionally smother you at work.” Buggy bounces off the couch and moves over behind your chair. “Or at least I will.”

“You mean you don’t already?” You turn slightly to smile up at him and he returns your grin tenfold.

“And of course we would love to have you join us in our sexual endeavors.” Crocodile’s large hand creeps under your chin and pulls it over so you’re looking him in the eyes. “If you’ll have us.”

You melt under his touch and a small moan leaves you when Mihawk’s hand slides ever so closer inwards. Buggy’s hands land on your shoulder a gently rub and you are overwhelmed in the best way.

“I’ll have you. All of you.” At your words Buggy’s arms come around and hug you from behind and you can’t help but laugh a bit at his enthusiasm. “So what’s next?”

“If it’s not too fast you’ll come back to our room. Now.” The authority Crocodile exudes makes you nod your head quickly. You don’t know if you would be able to function properly if at least one of them didn’t take you to bed tonight.

Buggy tightens his hug before releasing you and bouncing to the door. Mihawk retracts his hand from your thigh but holds it out for you to help you stand. You take his hand and lace your fingers through it as you turn to the door, Crocodile bringing up the rear.

It’s a whirlwind getting back to their place- which you learn is Crocodile’s originally. None of them kiss you yet but their hands wander. Mihawk never lets go of your hand and squeezes it as Crocodile keeps a guiding hand on your lower back. Buggy’s detached hands are a bit braver, sneaking around your waist and hips and thighs. He gives your ass a light slap as you walk into the bedroom and it’s your turn to whip around and glare at him. There’s no malice behind it though and he waves at you as the offending hand snaps back onto his arm.

Turning back and looking around the room it is more distinctly Crocodile’s than anything from the simple and modern decor with his signature emerald green as accents. The other two have snuck their way in here though. You notice a large vanity mirror with makeup strewn around it and the bed is covered in dark plush fabrics. Despite being mismatched with the rest of the room it makes it more human, and you appreciate that as you slowly make your way over to the almost comically oversized bed.

Turning, you sit yourself on the edge of the bed and look up at the three men. “So, how do we start this?”

Buggy goes to walk towards you but is stopped by Crocodile’s arm. Mihawk and Crocodile share a glance and communicate something without words. Crocodile drags Buggy off to a large loveseat not too far from the bed as Mihawk approaches you.

“We’ll start off gentle, how about that?” Mihawk says as he crowds your space, looking down at you with those striking eyes.

“Hey- you never started gentle with me-“ Buggy’s voice is cut off and when you look over Crocodile has a fist full of blue hair and is harshly pulling his head up. He’s violently pulled into a kiss with Crocodile that you see the clown melt into, the gloved hands going to Crocodile’s knees to stabilize himself. You could watch them make out for hours but your gaze is gently pulled back to Mihawk with his hand on your chin.

“There will be plenty of time to watch. But I have to get you relaxed.” Mihawk grabs your waist and easily hoists you further into the bed, laying you down. He crawls over you, one hand stabilizing himself as another wanders up over your hips, waist, bust, and the finally resting gently around the side of your neck. Using his grip he brings you up and pulls you into a kiss.

Just as promised he starts off gentle, letting you set the pace. His lips are soft and you can taste his favorite wine. Breaking away to catch your breath you loop one arm around his shoulders and slide your mouth next to his ear.

“I appreciate this but-“ You lightly bite at his earlobe. “I don’t want you to be too gentle with me.”

When you retreat back to look at the swordsman’s face you see his eyes blown out, only a slim amber ring left. “I’d knew you’d be wonderful for us.”

He dives into another kiss, this time fully dominating it. His tongue presses against your lips and you let him in easily, letting him take over completely. Mihawk’s calloused hand comes around the front of your neck and he doesn’t squeeze but the thrill of it being there sends chills down your spine.

Eventually that hand sneaks down to your shirt, lightly squeezing one of your breasts before it moves down to the hem of your shirt. Fingers play with the edge before they slip under and push your shirt up as he travels back to your chest. You lean up and he allows you to break away from the kiss as you finish pulling your shirt up and over your head, throwing it somewhere on the floor. Mihawk wastes no time and unclasps your bra as you are doing so, and he pitches the garment far away as well.

Sitting up slightly the former warlord allows both his hands to wander your chest, earning small gasps from you as he squeezes and cups your breasts. He leans back down and kisses down your neck before replacing one of his hands with his mouth, kissing under your breast first before placing an open mouth kiss to your nipple. You bring your hand up to stifle a moan but from across the room a voice chastises you.

“Be loud love, we want to hear you over here.” Crocodile’s voice reminds you of his presence and you look back over his direction and are rewarded with a lewd image.

Crocodile sits wide in the seat, a cigar lit as he watches you and Mihawk. His pants are opened just enough for Buggy to work his cock, one hand on the base and his mouth covering the rest. Crocodile’s grip is strong on the clown’s hair as he forces Buggy’s head down. Seeing Crocodile so composed as he uses Buggy turns you on much more than you ever thought it would and you can feel how wet all of this is making of you.

You’re snapped back to Mihawk as he lightly bites at your nipple and this time you don’t muffle your moan. A hand wanders down your stomach and to your pants where deft fingers unbutton and unzip them quickly. After a harsh bite to the plush of your breast, definitely leaving a bruise, he leans back and brings both hands to the waistband of your pants.

“Lift your hips for me.” You obey his words and he takes off your pants and underwear in one go, and you shudder at the sudden coolness. One hand lays on your hip and another goes to your thigh. Gently he pushes your thighs open and he groans at what he sees.

“All this already?” His fingers skate down to your entrance and he pulls his fingers over it, collecting your slick. Bringing his fingers up to his mouth you watch slack jawed as he licks them clean. “I think I’ll have to taste more.”

Pushing himself back he kisses the insides of your thighs and you moan as he gets closer and closer to where you want him to be. One of your hands fists into the sheets and you bring the other gently to Mihawk’s head, tangling your fingers in his hair.

Finally his mouth reaches your folds and you buck up against him but he quickly brings a hand up to hold you down. With just one hand he’s able to pin your body and that sends another flood of warmth to your core. After another second, making sure you’ll stay still, he finally dives in fully.

His tongue flattens and draws up across your opening and up to your clit where it stops. He presses a kiss to it that makes you gasp before his tongue travels back down and dips inside of you. The hand in his hair grip hard and you’re afraid for a second he’ll stop again but he just moans in appreciation. His nose rubs against your clit and you throw your head back, again getting a glance of Buggy and Crocodile.

Buggy was still kneeling at Crocodile’s feet but he wasn’t blowing him anymore. Instead Crocodile’s own hand was on his dick, gripping the base and slowly tugging as he locked eyes with you. You were finally able to see just how big he was and for a second you got concerned with how that would ever possibly fit inside you. Your eyes went down to Buggy and you could barely make out him softly whining and it took a second before you looked even lower and realized his pants were off. One of his detached hands was steadily pumping a finger into himself and his face was nestled on Crocodile’s thigh. The sight cause you to try and buck into Mihawk’s mouth against but you were powerless and all you could do was writhe and whine against his mouth.

Mihawk’s excellent skills were quickly bringing you to the edge and he could sense it. Pulling away for only a second he called out to Buggy. “Clown, come put your hands to good use.”

You saw the unoccupied glove hand fly over and hover by Mihawk and when he dove in to give attention to your clit the gloved hand when close by, easily slipping two fingers into you. Almost immediately you’re thrown over the edge and scream in pleasure.

The world is fuzzy for a few seconds and when you come back to your body you realize neither of them have stopped their movements. So sensitive from your orgasm you loudly moaned and gripped Mihawk even harder.

Peering up at you he breaks away for a second. “You can give us one more, can’t you darling?”

Buggy’s fingers curl inside you and Mihawk lightly nips at your sensitive clit and you’re cumming again, a deep groan leaving your body as pleasure washes over you again.

Finally the mouth and hand retreat and it takes you a bit before you focus back on the world around you. When you do you see Crocodile, naked and stroking his cock right above you. You sit up and look to him for direction, earning you a sly smile.

“You’re already so obedient aren’t you.” His hand comes up and fingers gently thread in your hair as he pulls you closer to his dick. “Want to show me how good you can be?”

“Yes sir.” You say, looking up at him through your eyelashes.

That earns you a moan from him and he drags you closer, the tip of his cock pressing against your lips. Obediently you open your mouth and let him press himself further in as he guides your head. You take a deep breath through your nose as you push yourself further feeling his dick fill up your mouth and into your throat. When your nose is finally up against his pelvis he moans deep in his chest and lets himself sit there for a moment. Tears prick at the edges of your eyes but it’s worth it for this feeling.

You can only hold like this for so long, and you have to let him slide out of your mouth. You hold your mouth open for him though, thick strings of your saliva connecting him to you.

“Fuck, you’re good.” He praises, the hand in your hair gently petting you for a second before gripping again. “Gonna let me use your mouth more?”

Knowing he loved it the first time you respond with the simple, “yes sir.”

He plunges immediately back into your mouth and all you can do is focus on your breathing as he fucks your face relentlessly. You know you’re dripping onto the bed as you rub against the sheets for any sort of friction. It isn’t long before you feel Crocodile’s cock twitch in your mouth and you assume he is going to cum down your throat but to your surprise he pulls away.

You look up at him, slightly disappointed, tears and spit covering your face. His hand reaches down and wipes away some of the spit.

“I’m not going to waste my load in your mouth tonight sweetheart, there will be plenty of time for that later.” His promise sends a thrill through you and suddenly you are joined in the bed by Buggy.

When you turn to him he looks just as fucked out as you are, his face paint smeared and bruises along his neck. Buggy’s eyes dart up to Crocodiles and you can’t see what’s exchanged but in a flash Buggy is on you, kissing you.

He’s eager and it fills you with new energy as you ramp up to match him. Hands wander every inch of your body, never stopping for too long.

“Been wanting to touch you for so long.” He whispers in between feverish kisses. “So soft…”

He gropes your boobs and ass with detached hands and you gasp into his mouth, giving him the opportunity to snake his tongue in. You give into him but it’s short lived as soon Mihawk is dragging him off of you.

“Hey!” He protests, his hands still full of your body.

“You’ll have your fun.” Mihawk chides. Buggy sulks a bit but brightens up when you cover the hand on your tit with your own and squeeze.

Crocodile’s hands join Buggy’s on your body and you feel him maneuvering you so you’re laying on your stomach, ass to him. Buggy is on your side and Mihawk is in front of you, now naked like everyone else. Now it’s his cock at your mouth. Not as big as Crocodile’s but slender and curved.

“Think you can take two of us at once?” Mihawk asks, hand gently petting you.

“Yes, please.” You moan, embarrassment having left you long ago.

“You’re so perfect darling. Now open up.” You immediately obey the swordsman and he lets his tip sit on your tongue, lightly dragging it barely into your mouth and out.

You’re about to lean forward to take more of him but something presses against your entrance and your head snaps around to see Crocodile lining himself up with you. Mihawk’s hand is in your hair again as he brings your mouth back to his dick.

You feel Crocodile’s cock push into your cunt and you moan at the intrusion. Taking advantage of that Mihawk slips himself down into your mouth further, causing you to almost choke. He seems to enjoy that, lightly thrusting in at the noise.

Crocodile moves slow and you’re thankful for the time to adjust to his size. As you get into rhythm with Mihawk you realize Buggy is stroking your back, gently soothing you. Needing him to be included you reach your hand out and find his thigh, slowly reaching up until you find the base of his dick. You can’t see it but it’s heavy in your hand as you slowly begin to pump him in time with Mihawk’s thrusts into your mouth.

With one final push Crocodile has bottomed out and you feel his hips against your ass. He pauses for a second and leans down, pressing hot kisses to your back while you finally adjust to his full size. It’s not too long however before he’s upright again, and his hand goes to the base of your back as he starts slowly thrusting in and out of you.

Your senses are overwhelmed by pleasure and every moan you release is muffled by Mihawk’s dick and he picks up the pace, loving the way you feel around him. You focus on keeping a steady pace with Buggy and let the rest of your body be used by the two other powerful men.

It’s Crocodile who falters first, his thrusts becoming faster and irregular as he grips your hips firmly and pushes you down with every thrust. You feel him shudder and he reaches over and replaces Mihawk’s hand in your hair with his own, pulling you up off of him.

“Where do you want me to cum, tell me.” He demands, not slowing down at all.

“Inside.” You manage, voice wrecked.

He pulls you into a heated kiss before pushing you back down and doubling his efforts. His hand flies down to your clit as he helps you to reach your peak with him. You cum quickly from his touch and that send him over the edge too, burying himself deep and unloading into you.

Crocodile slowly pulls out of you and you can feel his cum seeping out. You feel his large fingers at your entrance and he pushes some of his seed back into you.

“Take a look Hawkeyes.” Crocodile voice was gruff.

You didn’t even register that Mihawk had walked around behind you until you heard his voice. “Fuck that’s a picture. Buggy, flip them around.”

Suddenly Buggy’s hands were on your waist, flipping you over as directed. You finally get a good look at him and he’s kneeling next to you, dick bright red and leaking. Reaching over you go to continue your earlier work with him but your hand it caught by Mihawk’s.

“He doesn’t cum until the end.” He informs you. “Don’t worry, he likes it that way.”

A bright red creeps up Buggy’s neck that confirms that fact. And you can’t help but flash him a smile.

“Think you can still take me?” Your attention is brought back to Mihawk as he drags his length over your entrance, coating it in yours and Crocodile’s cum.

You nod eagerly, desperate to please and be filled up again.

The swordsman easily slips into you and he wastes no time, roughly thrusting into you. You cry out from the feeling, overwhelmed and fucked out from your previous three orgasms. Buggy is right there besides you, gently running his fingers through your hair and whispering praise about how good you looked and how well you’ve been taking them. It’s all enough to send you quickly to the edge and it’s clear Mihawk is right there with you.

“Can I-“ His voice is cut off when you clench around him.

“Yes, inside, please Mihawk.” Your pleading sends him over and his fingers dig into your thighs as he cums inside you. You’re not far after him, Buggy’s helpful hand going between your legs to give you the final push.

Mihawk pulls out and you are full, cum gushing out of you. The swordsman stops and stares at your fucked out cunt in appreciation before Buggy stands next to him to look as well. Mihawk pulls Buggy into a kiss and when he breaks away he gives Buggy a small nod before walking away.

“Hey I’m not gonna push you love.” His hand is pumping up and down on his length fast. “Just wanna cum on you, can I do that, please babe?”

The desperation in his voice is clear and you nod, no longer having a voice to use.

“Fuck, thank you, you’re perfect, just like that-“ His words are quick and dissolve into unintelligible as he works himself faster before spilling himself onto your folds with a loud moan.

You finally allowed your body to relax, sinking into the bed, exhaustion overtaking your body. Crocodile comes back into view and he gently cleans you up with a wash cloth, pressing a kiss to your knee when he’s done. Mihawk comes to your side and helps you properly into bed, under the covers. Buggy is at your side almost immediately, arms wrapping around you as his face settles into the crook of your neck. It’s not long until Crocodile joins you on your other side and you allow yourself to snuggle up into his chest. You vaguely notice Mihawk climb into bed on the other side of Crocodile as sleep starts to take you.

Crocodile presses a kiss to your forehead right before you fall asleep.

“We love you.”

#one piece x reader #one piece x you #crocodile x reader #dracule mihawk x reader #mihawk x reader #sir crocodile x reader #x reader #buggy x reader #buggy the clown x reader #cross guild x reader #the cross guild x reader #discordantwritings

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hermetiqa · 4 months ago

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When and where will you meet your twin flame?

Reminder: it doesn't matter if you saw this reading a day or a week or a month or a year after posting this. My readings are timeless. You'll see this when you're meant to see this and receive your message.

MDNI.

Close your eyes and take a deep breath before picking a pile. If you feel drawn to more than one pile, it's alright, you may take the piles that you're drawn to. What's important is to take it how it resonates and leave what doesn't.

PAID READINGS | TIP JAR | FEEDBACK | MASTERLIST

PLEASE HELP IF YOU CAN

NOTE: Please feel free to give me a feedback on my asks about the reading! I would highly appreciate it and it'll be a huge help for me to improve as a reader.

Pile 1

I feel like you'll meet your twin flame when you already let go of your karmic relationship. You might be in a karmic relationship right now and it's toxic but it's a healthy relationship in disguise. So it could be near. But if you're not, then you might go through a karmic relationship first before meeting your twin flame. It's like your partner is telling you that they'll change when in reality, they don't and won't. This relationship is causing you so much anxiety and sleepless nights, and right now, you don't know what to do. You're confused about which path to take, whether you should break up with them or not because you're seeing so much potential in this relationship. But in reality, you're just too focused on this relationship that you don't see other relationships that you have, which is why you don't realize it's actually toxic and they're not the one for you. You have to let this relationship go first before meeting your twin flame. You might meet your twin flame in your workplace or someplace formal or a café/place you can eat near your workplace where you're wearing a blouse, trousers, heels, and blouse. I'm seeing a white long sleeves blouse, light brown trousers, light brown blazer that matches the trousers, black heels/shoes, black thin belt, and black handbag. I'm getting strong feminine energy from you so you might be the divine feminine. When you meet, it'll be too fast and too intense. You might have some disagreements when it comes to your opinions on some things, simply because you want to challenge each other, especially on an intellectual level. You'll both be intellectually inclined and connected deeply and you'll both feel like you're the one for each other when you meet. You'll need some strength on this one because your insecurities and dark sides will come out and you'll have to face them eventually.

Pile 2

As I was about to do this reading for you, Pile 2, I accidentally said "need" instead of "meet" and then there it hits me. I feel like you'll meet your twin flame in times of need. This is when you have to take the risk in making decisions. You'll be in a situation where the whole situation depends on your decision. My phone just automatically switches to dark mode so you might meet them at night. I'm seeing a bar where you might be drinking a lot because you're really stressed and frustrated and don't know what to do. You can't make a decision. You can't think straight. Then your twin flame will suddenly just come up and approach you and ask you if you're okay because apparently, they've been noticing you for quite a while in that bar. I feel like you might or might not be into alcohol right now, but if you're not, the time will come that you'll be influenced by people to be into alcohol and you might need to drink on some occasions. I feel like your twin flame will lend you some ear so you can talk about what's bothering you, which I feel like it could be related to your family, and then you'll refuse. But eventually, you'll open up to your twin flame because their presence is comforting already. Your twin flame will give you some advice and words that you really need to hear. There's this sudden strike of curiosity when you meet. You'll be interested in each other so much that you don't want the night to end. You might end up coming home to either of your own place, and you might do something sexual there because the attraction will be so strong that you might not be able to control it. Then the rest is history.

Pile 3

I feel like you're going to meet your twin flame when you feel like your life is falling apart and you want to start over. You might be moving out to your new place and you'll encounter them in the streets, specifically in front of a university or a church. I'm seeing that you might be carrying a huge box that contains your stuff, especially the ones that you use for work or studies (if you're still studying, specifically at university, taking master's). It'll be a sunny day and this could be during summertime because I'm seeing so much sweat here and they're holding a huge cup of iced coffee. You'll catch their attention because you'll walk past by each other and their eyes will follow you walk past them. I feel like they'll have the courage to approach you, talk to you, and ask you if you need some help. I feel like they'll do this in a good timing too, they'll try to "empathize" with you, they'll do their best to feel what you're feeling at the moment before approaching you because they're scared that you might take it negatively and just turn them down. I feel like your twin flame could be a professor at a university and there's a significant age gap between you, at least 5-6 years. When you meet your twin flame, you might decline their offer to help because you're confident that you can do it on your own. So they'll walk away and accept your decision, but eventually they'll come back and act like they're just heading out to grab some food. Then they'll see you there. But in reality, this is actually their way of approaching you again because they've been overthinking about your encounter and they're bothered that you didn't get to know each other, and they're really interested in you. So they thought of pretending to grab some food and walked your way on purpose, when in fact, the food they'll be grabbing is on the other street. You might notice this and realize eventually that they're doing this for you. You just have the "feeling" that they are so you accepted their offer this time.

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gatorbites-imagines · 1 year ago

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Hello!

I've been getting very into DC again, from all the comics I had in my attic.

So i would like to request a "meeting the batfam" like think.

Being Bruce's new boyfriend and meeting the kids and how would they react.

Have a nice day! (You're the only think keeping me from commiting a crime/jk)

Bruce Wayne x male reader

Headcanons

Ive been on a kick lately of making half-god characters, so reader is the son of a god, hehe ^^

You were the son of Ares, a half god, and the son of a god most feared, and that the Justice league had fought many times.

So, by relation, many people didn’t trust you when they learned about your parentage. Had you been any crueler of a person, that might have driven you down a path where you followed in your fathers’ footsteps, but you weren’t.

You ended up inheriting many of his powers, even gaining his clairvoyance and precognition in dreams. Said dreams had been your first sign that you were more than just your average person, as you foresaw many of the larger disasters around the world.

There ends up being a sense of duty in your heart as your dreams keep warning you about an invasion of earth, becoming more and more detailed every night. It reaches a point where you think you are going mad.

As a last-ditch effort, you end up in Gotham, where you spend days trying to find any of the bats, just trying to find somebody to believe you. In the end, you stumble across Bruce, who probably thinks you are on something because of the less than put together state you are in.

That is until you spill everything you have been dreaming about, and how its all happened, and how this dream keeps haunting you every night.

Bruce of course listens to everything you have to say, and takes you as seriously as anything else he would. He keeps your warning in mind and gets prepared, and when your precognition comes to pass, he is ready.

From then in, Bruce passes by your place every now and then, as you end up moving to Gotham as Batman is the only hero you feel takes you seriously.

Hes the one to help you figure out your true parentage, and gets you in contact with some people who can help you deal with your new developing powers. You two end up bonding a lot, and over time, fall in love.

You both make each other feel like a full person and like you are understood. The relationship is kept quiet on Bruces end, not because he doesn’t trust his family or anything, but because he just wants to keep it to himself for a bit.

It does get a bit hard to hide the hand shaped bruises on his hips or torso when your godly strength slips out, but Bruce has lived with worse aches and bruises in his life, so its not something people notice.

You never went out of your way to become a hero, even with your godly powers. You are happy living your life and being together with Bruce, much of your stress gone since you know Bruce will believe you when it comes to your dreams.

When the day finally comes where you go to meet his family, you can’t help but feel a little nervous. Sure, you’ve met them in passing as their vigilante alter egos, when they’ve followed Bruce during his meetings with you, but this will be as Bruces lover.

Bruce is endeared by how hard you want to make a good impression, how you fuss with your hair and your clothes to be most presentable. When you ask him if you need to bring a gift or something, he just laughs a little and kisses your forehead, telling you to stop worrying as he’s sure they’ll love you.

The family all know Bruce is bringing his lover that night for family dinner, but they all don’t know who it is, even Alfred is in the dark.

They are all a bit on edge, as Bruce doesn’t have the best track record when it comes to partners. And since he didn’t tell them a name, they assume its not the people he’s normally been with, like Selina or Talia.

Imagine their surprise when Bruce arrives with you on his arm, from your civilian clothes to your sheepish smile, to you looking downright nervous to meet them as you clearly want to make a good first impression.

It might take a bit for any of them to recognize you, as only a few of them might have met you in passing, but you probably end up telling them during dinner when they ask how you and Bruce met.

I can’t see them being against you more than they would any other partner, especially when you go out of your way to use your dreams and abilities to help as many people as possible.

Cass is most likely the one to warm up to you first, as she can easily read that you are a good person who loves Bruce very much, and Cass’s approval makes the others become less tense and more open to the idea of you.

Alfred is also happy that Bruce has found someone who isn’t a criminal or assassin for once, even though they all know you could punch a guy to smithereens if you wanted too, thanks to your godly strength.

But your personality makes it clear that’s not something you want to do, so that gives you extra points in their books. They most likely use their knowledge from Diana and her parentage when it comes to you, incase you end up doing something a little too godly without realizing.

They’ve all been around many different kinds of people and beings, so I don’t think anything you do put them off. They’ll all just need time to warm up to you, and see with their own eyes that you truly do love Bruce, and that Bruce loves you back just as much.

It would take a while, as they were all trained by Bruce and are all suspicious of anybody and take forever to trust. It starts to make you think they’ll never like you, even when Bruce tells you they will, they just need time.

You know you’ve gained their trust when they start showing up in your apartment, be it after patrol, during the day, or any other time, they’re likely to just appear. This also means you end up learning a lot more first aid than you thought you’d ever need.

The last to trust you is Damian, but you can tell you scored a win when he demands you learn self-defense, as your form is horrible, and he drags you down to the cave to walk you through the basics.

Bruce feels like his heart could burst with love when he sees his family accepting you, and he couldn’t be any happier. The batfam is pretty damn happy too, as Bruce starts taking care of himself because of you.

Can’t have a date if he hasn’t slept in days, or if he’s covered in bruises or has broken bones. You probably end up spending a lot of time at the manor too, since Bruce can’t just go into town to spend time in your apartment during the day, or else the paparazzi would find out about the relationship almost immediately.

So, all in all, his kids would like you quite a lot after they got enough time to learn what kinda person you were, and what your morals were. They might even start seeing you as a safe person to go too when they need someone to talk too or just need some company.

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showtoonzfan · 1 year ago

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Now that the episode is out officially, here’s my rant review of Oops!

PROS:

- Fizz and Ozzie were adorable and I honestly love them. Despite the sex jokes, you can tell they love each other for who they are OUTSIDE of sex. While I did wish we would have seen more, (like how Ozzie took him in and fell in love) they’re still adorable to watch. They’re the better version of Stolitz, can the show be about them instead?

- Brandon’s voice acting holy shit, he really knows how to sound like he’s in tears or is broken. As much as I hate the character and feel no sympathy, he displayed genuine and broken emotion very well.

- Alex Brightman Alex Brightman

Okay that’s it. Moving on to the Cons. Bear with me, it’s a lot and I go back and forth a bit. 😭

CONS:

So for a quick short summary, this episode:

- Once again puts more focus on the filler plot rather than actually focusing on the relationships between the characters, so all we're left with is a 10 second clip of Fizz being burned while the rest of the episode is surrounded on sex jokes/petty bickering and Stolas and Ozzie sitting around.

- Completely erases what made Blitz and Fizz's dynamic interesting in the first place because it retcons it with a dumb miscommunication trope about how Fizz actually wanted to see Blitz and Blitz tried reaching out to him. Not only does this feel like a cheap attempt to make Blitz out to be sweet/sympathetic and NOT the one in the wrong so Fizz can suck up to him, but this also makes no sense within the narrative.

- Has Fizz forgive Blitz despite him being the last person anyone would think would forgive him. (So honestly ruins Fizz himself because it turned him into a soft boy who's forgiving compared to the asshole he was in Ozzie's) All because Viv would sell her whole soul before she even remotely considers painting characters like Blitz and Stolas out to be the one's in the wrong.

- Takes Stolas out of the hospital completely, erasing all the drama/tension Western Energy had and proves that that episode was utterly pointless.

- Turns Striker from an interesting complex villain to a Saturday morning cartoon goon.

- Proves to us that Crimson is just a flat tool and gives us more prove that the world building rules Viv set up in season 1 legit don't matter.

-Ruins Blitz/Barbie's feud now because now you're making Barbie look like the one in the wrong since the fire was an accident. God forbid a female characters emotions in this show are justified.

But if you want my more in depth rants, it’s under the cut! (There’s a lot so bear with me lol)

- As usual WAAY too many sex jokes and swearing. It gets annoying and repetitive at times and some of them distract from the main plot. There’s a long and I mean LONNG dragged out joke of Fizz talking about Ozzie’s dick, then later saying he’s hard when Striker has a gun to his head, as well as Blitz making a joke about him and Fizz making out once they hug. Again, Viv can’t be serious for 2 seconds without an unfunny shitty gag. I genuinely wonder if Hazbin is ganna be like this, where a character is in a life threatening situation or a deep dark serious scene happens only for the next scene to be sex related.

- This is one of those “shit happens because the plot demands it” and it shows. Crimson and Striker COINCIDENTLY meet up with each other, and Fizz and Blitz just so HAPPEN to be in the same exact area they are. Viv wonders why we call her shit a fanfic and this is what we mean, when she creates wild wacky plots and focuses more on THAT rather than the actual character writing. This entire episode hinges on a useless poorly last minute planned kidnapping plot that didn’t need to happen. Also way to once again make the characters idiots so the plot can happen, cause Fizz KNOWS Ozzie worries for him and that the Greed Ring is dangerous, yet purposefully puts the spotlight on him.

- Stolas did NOT need to be in this episode. The plot completely ignores the fact that he was in the hospital the last time we saw him, and he’s only here for Stolitz banter. You’d think that a character admitting they have feelings for someone would be a big deal but he just flat out says it and it’s so underwhelming and feels half assed with no weight to it. Fan comics have made more dedication to this than Viv has. We're supposed to believe him too despite the show failing to actually SHOW us this. Same for Blitz ranting about how “nice” Stolas has been to him, laughing at his jokes and liking his posts…hey Viv, can we actually SEE that on screen so it’s more believable? Or are you only determined to show them sexually flirting? 😑

- Once again Viv felt the need to shove a B plot into this episode and this one sucks because it’s just two characters sitting and doing fucking nothing. It felt like Viv had no idea what to do with Stolas and Ozzie, and I refuse to believe that Ozzie just sat there knowing Fizz was in danger. If anything he would have said “fuck the paperwork” and went to save Fizz himself. Way to show that gif of Ozzie getting mad as a sneak peak to get fans excited, only to see that Ozzie spends the rest of the episode sitting in a dark room LMAO what a let down.

- Ozzie is weirdly chill and cool with Stolas and it’s something I don’t get. While he did say that Stolas had the real “spirit of Lust” in S1E7, it still gave you the impression that he was also more poking fun at Stolas rather than respecting him. The whole point of House of Asmodeous was that Ozzie outs him and publicly embarrassed him. Stolas literally was intimidated just by Asmodeous’s mere name, and hid his face around him. It seemed like Stolas certainly didn’t want someone like Ozzie to know about his private life especially since they’re both part of the Ars Goetia. Now here Ozzie is just cool with him and it feels like a missed opportunity for their dynamic.

- Stolas confessing his feelings about Blitz also makes…no sense narrative wise. I thought the whole point of The Circus and the ending to Western Energy was that he was realizing that Blitz didn’t like him that way and was finally waking up. I thought that’s why he was doing this whole crystal deal in the first place, so he can let Blitz go, yet the show keeps flip flopping and insisting that these two love each other and are good for each other. It’s really making you realize how this season and the previous stuff set up is becoming nonsense because the writers retcon EVERY damn episode. Also….why the hell is Stolas telling Ozzie his feelings for Blitz? Out of all people, why is it Ozzie, the person who outed Stolas and embarrassed him. Why is Stolas even respectful of Ozzie? He has no reason to, and he’s not under the impression that he’s dating Fizz either. I get that he needs the crystal but mentioning his love for Blitz makes no sense.

- Striker and Crimson teaming up to kidnap Blitz and Fizz was such an ass puller last minute decision. It feels overwhelming and underwhelming at the same time, more because it feels like Viv has no idea what to do with these two villain characters other than give them something evil to do to start the plot. Also…why…are they working together? It feels so random.

- Striker’s character especially is all over the place. First he’s working for Stella, then he’s painted as the best assassin in hell, and now he’s…looking for more work I guess and working for Crimson? Why? Does this guy even have a motive anymore? It feels like his character is just dangling around until Viv wants to use him for another wattpad kidnap plot and it ESPECIALLY shows when Striker escapes for the THIRD fucking time. Can this character/storyline actually GO somewhere or are you just going to keep introducing him and have him run away. 🤦🏽‍♀️

— How did Crimson not know who Striker is despite him being labeled as “the most popular assassin in hell”, and how the hell does Crimson know Ozzie and know all the information about him being in a relationship with Fizz?? Oh right because we needed the plot to happen somehow. Still, even if Crimson did know that Ozzie was the "weakest" and loved Fizz, (which….what about Beezlebub?)) he still should have known he was playing with fire. I get that he's supposed to be evil and intimidating but how could he have predicted that Ozzie would actually stand down and fill out the paperwork? He could have immediately came there and killed Crimson for all he knew. It's just distracting how..not planned this shit was.

- Fuck this episode for calling Striker a supremacist. It makes no sense?? Viv is trying SO hard to villainize him despite him being the one in the right and it pisses me off. He has every right to be mad at the upper class, he’s part of the lower class that we’re said Hell takes advantage of, but god forbid we call out Rich and powerful Stolas because that would mean he’s a b-bad person and we can’t have that complex morality! This is so not a “eat the rich” story and it shows bc Vivzie is rich as hell. Striker as a character deserves so much better man. Congrats writers, you had an interesting character and motive set up for him, now he’s nothing but a silly goon that you might as well kill off already cause you clearly don’t care about him. Crimson meanwhile is just a piece of paper, a boring plot device I could give less of a shit about. I thought his motive was to go after Moxxie, now he’s just doing fuck whatever because this show desperately wants a bad guy for their filler fanfic plots.

- We get more world building issues, Ozzie and Fizz are so determined to hide their relationship for obvious reasons, but then at the end of the episode just say “fuck it, no one would dare tell anyway”. So now they’re being open about their relationship and lmao I told y’all the newspaper scene of Ozzie being called out for being a hypocrite wouldn’t go anywhere. Even if Ozzie did threaten his workers to not tell, they can’t be so sure that someone wouldn’t see or snitch, it’s kinda a retcon too cause they were pretty lovey dovey in Ozzie’s. Still, it makes the characters look dumb and it makes the rules Viv set up for Hell once again not mean anything.

- We finally get to see Fizz’s backstory in action and it’s executed in the most underwhelming way possible. It’s literally a fucking 10 second clip of what went down, and rather than experiencing the event for ourselves, it’s in flashback mode but with Fizz’s voice talking over it. That’s it. I’ve seen fan comics/fanart that built this shit up better than Viv did, that actually took the slow time and dedication it needed, and here it feels like such an afterthought, like Viv could care less. Maybe if this actually was a character driven show like Viv claims, Stolas, Striker, and Crimson would be taken out of the picture and then that would leave us with PLENTY time to actually explore and develop Blitz/Fizz, bc most of this episode is just them pettily bickering and Stolas and Ozzie sitting around. But nah, we gatta have our fanfic kidnapping plot. Same goes for the reveal of Blitzo’s mom dying in the same fire. Glad to know that she got the same treatment Moxxie’s mom did, where we don’t even know her and yet we’re supposed to feel moved and care about her death. You nailed that one Viv. 👍

- I predicted that this episode would victimize Blitz and have the fire incident be an accident, (because Viv is a pussy writer and can’t make her characters actually do bad things like god forbid) but I never thought they’d actually have the balls to have Fizz forgive Blitz immediately in the same episode and pull the “actually turns out that horrible thing you did to me helped me in a way”- trope. Biggest flaw of the episode, fuck you Viv. I was actually going to applaud Blitz for taking accountability, but then the dialogue reminds you that an abuser wrote this, and he shifts his apology to “okay but I lost something too see so it’s not all about you” as if he’s fucking dismissing Fizz’s trauma and making it about himself. “I love flawed characters” my fucking ass. I would have smacked a bitch if I was Fizz because Blitzo loosing his mother in the fire too isn’t an excuse?? Fizz lost his fucking ARMS AND LEGS, and at the end of the day Blitzo STILL KNEW HE WAS HELPLESS IN THE FIRE BUT LEFT HIM BEHIND. He could have gotten help and came back, but didn’t. If this were a good show Fizz would have threw that apology back in Blitzo’s face and said “I don’t care if it was an accident or not, you still left me there and then proceeded to loathe me for years”. This is why Helluva will never be Bojack cause at least characters in that show who got treated horribly by him knew when to say “no, fuck you.”

- The episode retcons again, this time they make it out to be that Blitz TRIED contacting Fizz the years they were apart but no one would let him see him. Then they say that Fizz actually WANTED to see Blitz but assumed he didn’t want to, so their entire feud was solely because of miscommunication?? Number one, show don’t fucking tell omg. And number two, that makes ZERO sense. Blitz talked badly about Fizz in Loo Loo Land, and when they finally reunited in Ozzie’s, it was clear they fucking loathed each other. You got the impression that Blitz was petty and jealous just because Fizz was more popular, and Fizz not only loathed him for the accident, but liked to rub in his face about how much of a big shot he was. They literally do that in this episode too, so the episode is literally contradicting itself. Blitz and Fizz had multiple chances to meet up with each other, you can’t just say “oh they couldn’t because no one would let them”- So which is it? Did they hate each other because of bad blood, petty drama, or that they thought the other didn’t want to see them? Pick ONE Viv and stick to it, but she never does. Their feud was interesting and now you ruined it just to have some sweet happy ending. “Adult mature show” my ass lol.

-Bottom line is Fizz shouldn’t have forgave Blitz so easily, or forgave him period. I find it funny how he says “it’s hard to just forgive you” and then he literally does lol. I feel so bad for Fizz fans, him and Blitz’s feud was honestly interesting, so to see all of this go down in a half-assed piss poor way as if this was Care Bears is….wow. The fan interpretations had more thought and care put into this storyline but what else is new lol.

- I’m really tired of these shitty annoying songs. If you’re going to get Broadway actors, please put effort into your songwriting and actually have them sing something good, not something that’s literally nonsense. This Fizz song sounds like it took less than a minute to write and Sam Haft was just thinking of anything he could think of at the top of his head. Also Why the fuck are Striker and Crimson just STANDING there while Fizz sings. They look like idiots, just SHOOT them omg. If this were a funny show, Fizz would have started his first note and Crimson just rolls his eyes and pulls his gun out.

- Fizz and Ozzie kill the lawyer but not…Crimson? Despite Fizz knowing what ring he’s in and even Ozzie knowing what he looks like? Same for Blitz, he doesn’t try to make sure Striker is dead. I get that the plot demands for these two to still be around, but there’s a way to keep them alive without making the main characters look like fucking idiots. Also Stolas just leaves without doing or contributing anything to the plot yay.

- Fizz: “Let him have it, you could say he’s earned it”— Uhm….Nope. Blitz did NOT earn shit. He didn’t even earn Fizz’s forgiveness. Last time I checked, the moment Blitz cried and said it was an accident, Fizz forgave him, knowing he didn’t mean it. What effort did Blitz do to “earn” that as well as the crystal? Because he saved Fizz and didn’t leave him behind for the SECOND time near the end?? Cause if so than the bar is extremely low. That’s the bare minimum, just because Blitz cried and felt bad about it doesn’t mean he should be let off the hook Viv. I hate this so much, what a shitty conclusion, it feels forced just so Blitz can have the crystal and just so the writers can once again paint him as the one in the right. It’s almost insulting that they make it seem like Fizz was in the wrong for assuming Blitz starting the fire too, same for Barbie.

God what a shitty day it is to be a Fizz fan, I’m sorry. The episode did NOT do him justice. Fizzarolli deserved better than that half assed gaslighting apology for someone who lost their arms and legs man, and I’m tired of the show letting every character suck up to Blitz and Stolas for their horrible treatment just because they feel bad. Not only that but the episode (as most recent HB episodes) was a huge time waster. Everyone was really hoping for an in depth walkthrough of his character/backstory but again, when he’s not with Ozzie, the rest/most of his screen time is dedicated to him being helpless and pointlessly arguing with Blitz, plus a long dragged out nonsense song that didn’t need to happen. It felt like SO much time was wasted when we could have used the runtime we have to dive deeper and see more, like….again it would have been nice to see Fizz’s life AFTER the accident and how he became well known as well as how he fell in love with Ozzie, but his backstory is briefly scratched upon in a single scene and that’s it, all because Viv wanted this filler plot and wanted to dedicate more time to THAT rather than actual character expansion/development, something we could have got had you took out Stolas and Ozzie’s B plot and Striker and Crimson.

Viv is so on her way to murder/ruin every character that isn’t Blitz and Stolas and I won’t be here to watch further. I’ll check out the Mammon music video thing but that’s it man, this show is going off the rails, Adding Fizz to the character adoption list!

#vivziepop critical #spindlehorse critical #helluva boss critical #helluva boss critique #helluva boss criticism #helluva critical #anti vivziepop #helluva boss #fizzaroiii #fizzaroli helluva boss #helluva boss oops #helluva boss review #vivziepop criticism

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ravens-two · 8 months ago

Text

PAC: Your Next Romantic Relationship

This reading includes:

the person you'll be dating next

The extended reading includes:

when and how you'll meet this person

what the relationship will be like

any 18+ messages

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone. Also, this content is 18+ only!

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Who are you dating next

Eight of Cups, Moon, Tarragon - Regeneration

The first thing I'm getting for this person is that they could be a scientist or work in research, maybe even as a teacher. They seem like really deep thinkers and people who are very well-read or that tend to read a lot. Besides spending a lot of time and energy on their work - that seems to be their passion - they also look like they really enjoy traveling. Some of them may have to travel for work (and now I'm seeing that some are archeologists or something like that), but most seem to travel for pleasure. No matter what your next person is someone who has travelled a lot and has seen a lot of the world - and even if they haven't travelled "that much" it could be that you haven't travelled much at all so that's why it seems so much.

Your person is also a very deep thinker. I'm getting something very specific about them which is that they like to get to the depth of any subject. Let's say that you're talking about your favourite dishes, your person wants to get to the bottom of the subject, they want to analyze why you love those dishes, the memories you have of them, how hard or easy they are to cook, then they may get into the culinary arts in general or the history of food or something like that. Do you know what I mean? Once you start talking about something with them it's like they unravel the subject as if it were a ball of yarn.

Your person seems to be an introvert. They don't really like crowds and tend not to go out or party too much, they prefer to keep to their friend group or to small groups in general. I feel that this is also related to how much and how deeply they like to talk, it's better suited for smaller groups. For some of you it might also surprise you that this person is more spiritual than you thought. They might not practice anything in particular (including religion), but they very much believe in something bigger than them and are very open to the spiritual side of things. This is also someone who has been through a lot and has had to reinvent themselves multiple times. I feel like your person is very wise and has a lot of life experience specifically because of this - they've just been through so much shit that would have broken down any other person.

When it comes to their appearance I'm seeing pale skin - and depending on skin tone you can even see their veins - and dark hair. Mostly black and brown hair, but I'm also seeing red (dyed I think). In general, they seem to be taller and leaner. Even for the men they don't like they are very muscled. I'm also seeing that some of them have dark circles under their eyes. So what I just heard was that they "look a bit like a fucked up Tim Burton character come to life" lol. I do think that they are good-looking but in that Timothée Chalamet type of way. Also, I think that your person has huge eyes!

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Pile 2

Who are you dating next

Three of Wands, Strength, Marigold - Positivity

The first thing I'm seeing for this pile is tanned skin and defined muscles. Your person looks like they spend the whole day under the sun. I'm literally seeing them wet as if they had just come out of water. An interesting detail I just got is that they have body hair, especially for the men they seem to have hair on their chest and tights. I feel like for most of you this person has really dark eyes, the lightest color I can see here is a darker shade of hazel eyes. No matter what they have warm and very expressive eyes. It's the type of eyes that you feel safe just looking at them, honestly.

Speaking of warmth and safety I think that your person just radiates those vibes, especially if they're a man. They seem/are someone who's reliable and handy, basically someone who you can call at any time of day or night and you know that they'll find some way to help you. They also seem the type of person who really cares about the safety of your friends, not just yours. This is very specific to some of you, it doesn't really apply to everyone, but your person also has a bit of a himbo energy. Like they have a really good heart, very good looking and strong looking too, but not much going on in their pretty head. But, again, this is just for some of you! For most of you this is someone who is pretty smart and very aware of the current political/social climate.

One of the main things I'm seeing is that your person is very hopeful and definitely an optimist. They try to cheer you up whenever they feel like you're feeling down or when you need just an extra push of motivation. The thing that keeps coming up though is that isn't just for you it's for your friends, their friends, the people around you two. It makes me think of those guys who only want to buy a drink to the girl they're interested in instead of the whole group and it's the polar opposite of that. If you're hanging out with your person and your friends, your person will make sure to treat your friends well and make them feel welcomed.

For some reason I feel like your person might be a firefighter or EMT, I'm not sure why, but it seems like more of a physical/manual type of work. This person doesn't look like they're sitting behind a desk the whole day. They might work the night shift too. No matter what they do, their work is a source of satisfaction for them and their "way to contribute to society" so it's important that their work aligns with their values. This person has a bleeding heart and they're always trying to help whenever they can. They might do volunteer work or community work of some kind, but this is someone who really cares about their community and the world around them. A bit random, but your person might cry very easily, just like watching a commercial or something like that. It seems that they are very emotional. A bit like pile 1 in that sense, but I also feel that your person has been through a lot and that's exactly what made them kinder and made them worry more about the people around them. Very, very specific but I think that hunger and poverty is something that really "hurts" them if that makes sense. It would be the thing that they would just erase if they could.

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Pile 3

Who are you dating next

Sun, World, Sweet corn - Ritual

Okay, the first thing I'm seeing is that your person loves eating and cooking and feeding people to be honest. They see meals almost as a sacred ritual that helps to create stronger bonds with other people. I feel like they're really good cooks, especially because they have a good palate. Your person also seems like the type of person that is really close to their family, like calling/texting them every day, sharing a meal together every weekend, that kind of stuff.

This person might have OCD or something like that, but their daily rituals seem very important to them. They are someone who loves routine and feel a bit anxious when things don't go as they had planned. Honestly, that seems to be the biggest issue for them they get really disappointed/annoyed when they plan something and it doesn't happen, even in simple things. Let's say that you two plan to go watch a movie and eat popcorn, but when you get there there ins't popcorn. Well your person is devastated. It's only for a couple of moments, but yeah it really hits them strong.

With the Sun and the World though, this is a very successful and hard-working person, but also someone who is very happy go lucky. Like they genuinely believe that life is beautiful and a miracle and they will romanticize even the smallest things. They seem like the type of person who will just tell you "it's going to be fine" even in the face of something absolutely tragic and that couldn't possibly "be fine" (somehow they may end up being right though).

They seem to have a very child-like and radiant personality too if that makes sense. In a way it's because they really attract other people's attention just for being themselves, but also because they just seem so genuinely happy and joyful. When they laugh it makes other people want to laugh as well. You may get an instinct to protect them at times, because it seems that they are too innocent for this harsh world. They're definitely dreamers and they think that even the smallest action can change the world. They have strong beliefs about what they think is wrong with the world and what should be changed.

When it comes to appearance I'm seeing blonde or light brown hair, maybe even some ginger here too or maybe a brass tone. In general, I'm seeing really long hair, especially for the women, and mostly wavy or curly. Although I think that the shorter your person's hair is the curlier it is. For their eyes I also lighter eyes here, even the brown eyes are more of a honey shade. The most striking thing though is that your person - no matter what they look like - is very beautiful. They get other people's attention precisely because of how physically striking they are. I feel like they tend to be very symmetrical and their bodies are very good looking too. It seems that they tend to be taller and curvier, both men and women.

check out the extended reading on patreon

Pile 4

Who are you dating next

Two of Wands, Ten of Wands, Peppermint - Success

While doing the reading for this pile "Ocean Eyes" suddenly came up so I really feel like your person is probably going to have blue or green eyes, maybe even hazel too. I also feel like their eyes have this very emotional quality to them, it's like you could get lost them in them because they're so expressive. Honestly, I get a very big Ian Somerhalder vibe here like with the dark hair and very light eyes and that contrast. I think that in general your person is a person of contrasts, of light and dark and even contradictions.

Do you know that Walt Whitman's poem "Do I contradict myself? / Very well then I contradict myself / (I am large I contain multitudes)"? I think that they really embody these lines. I'm also getting Fernando Pessoa's "I am nothing. / I shall never be anything. / I cannot even wish to be anything. / Apart from this, I have within me all the dreams in the world." Your person is very, very poetic pile 4. Maybe they're into literature (especially the classics) or they really love reading/writing poetry. This person is very deep, but again, filled with contradictions. They are hard to understand because they seem to be many things all at once. It's a very Gemini energy to be honest.

Apart from this your person is also very successful. They may come from money or they worked really hard until they got to where they are. No matter what though they dedicate a lot of their time to their work, to the point that they can't even rest properly because they can't take their mind off work. Some of them might also have some personal project or a business that they feel very passionate about and are just waiting for the right time to "launch" it. They're someone who makes a lot of plans, but not like in pile 3, more in the sense of making a plan to break down the steps that they need to take. This is for organization not control, if that makes sense. They also seem to really enjoy traveling, but either don't have much time for it or they end up getting tired in the middle of their trip. They feel like the type of person who has wanderlust, but also gets homesick easily.

They are introverts for sure, and although this doesn't mean that they're antisocial it really does feel like they spend more time at home or by themselves. To me this feels more like they never really get the company that they crave. They really need mental stimulation, and the people around them can't really offer them that. Something that's coming up is that they might struggle with the little demon and angel on their shoulders sometimes. I feel like the little devil sometimes really wants them to cause some mischief or chaos and they try to control this. Honestly, what I'm getting from this is that they may annoy you on purpose, for their own amusement. I don't think that this is toxic, it's more meaningless stuff that will make you laugh rather than really annoy you.

What I can tell you pile 4 is that your person is very, very unique. I think you'll know it's them as soon as you meet them because you'll think that you've never met someone like this.

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#tarot #pac reading #pick a card #tarot reading #pac #pick a pile #next relationship tarot #love tarot reading #love pick a card reading

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strangefa11 · 1 month ago

Note

This question may have a more obvious answer because I don't remember a lot of TMA.

How did Tim and Danny end up in Jon and Martin's care? What was their adjustment period like?

Furthermore, what was Jon and Martin's adjustment period like after ending up somewhere new? Do either of them have any of powers from their previous life?

Sorry if these are too much. I just really like your AU 😅

it’s not too much at all!! This did turn out super long though so there’re some details I had to skip… oops… but anyway I tried to go in chronological order. I hope this answers your questions tl;dr at the end :3

Okok so after MAG 200 Jon and Martin arrive somewhere else along with the fears. Their bodies come with them, so still have all their scars and marks (and also Jon is bleeding out lol). The somewhere else they end up in is similar to their original universe in some ways but also very different in others, for instance the Magnus Institute doesn’t exist. Because of the differences the fears also manifest differently than they used to, almost exclusively as (mostly) physical monsters rather than the more insidious metaphysical presence that they have in the podcast. Also no Leitners but I think that’s more because the fears only just arrived so they haven’t had time to appear yet (hint hint).

Jmart still have their connections to their entities as well as their abilities but those are also different, they focus more on the physical aspects of the entities as well. Jon isn’t omniscient anymore, he still Knows things occasionally but in general his abilities are a little more related to watching than archiving (the reason for that is an explanation all on its own so I’ll skip it for now in the interest of not making this TOO long). He also heals from being stabbed pretty immediately but I think that’s more of a one time thing than a consistent ability afterwards.

Martin’s abilities are mostly more specifically centred around fog and physical isolation than emotional distance. They're also a lot weaker than Jon’s (another explanation I’ll save for later lol)

They manage to get themselves together and get jobs and a home etc etc the specifics of all that don't really matter. They meet Tim a few years later while he's being chased by a monster (I think it's probably a Dark monster). They save him (Jon melts it or something).

Through talking to Tim they learn a few things 1) he’s definitely the somewhere else version of their Tim Stoker 2) he’s in foster care with his brother 3) he encountered the monster after sneaking out. After learning these things Jmart naturally do the responsible adult thing and help him sneak back into the house after making him promise not to sneak out again.

Obviously Tim wants to know more about the monster that tried to eat him so after some convincing they tell him he can visit them at the library Martin works at.

Tim starts visiting them semi-regularly, sometimes Danny comes along. Jmart tell him a little about the fears but not about their past at first. Eventually they learn from Tim that the foster home isn't great. It’s not outright abusive but the couple is very conservative christian and it’s just not a good fit. Tim doesn’t want to move, though, because he’s worried he and Danny will be separated.

They don't actually adopt Tim and Danny until after they’ve already gotten to know them fairly well, and they start with fostering them. So the adjustment period is a little more natural. I will say they definitely get to know and bond with Tim a lot faster than Danny. Danny definitely follows Tim’s lead though so he’s more inclined to trust them when he sees that his big brother likes them.

There’s a bunch more I could say about the specifics of the fear mechanics in the new world and the details of Tim and Danny’s history but this is already way longer than I planned so I’m gonna cut it here for now :’)

TL;DR: The fears are a little different in the new universe but Jmart do still have their fear abilities, they rescue Tim from a monster and eventually adopt him and Danny from their less than ideal foster home.

#stay somewhere else #jonathan sims #martin blackwood #tim stoker #danny stoker #the magnus archives #nonsense #strange answers

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moonastro · 1 year ago

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left to right(top)-> 1,2

left to right(bottom)-> 3,4

°DO NOT take this as literal, take everything with a grain of salt as this is purely and intendedly for entertainment purposes.

°don't be afraid to give feedback and opinions about this post(as i would entirely appreciate it).

FUTURE SPOUSE PAC

PILE 1-

Designated message= "look at me, look at me now".

-may have significant hands that other people notice. soft/beautiful/veiny/big/skinny etc. Could potentially use their hands a lot when talking or when carrying out daily tasks.

-i see that you are destined to unite but will take some time for you two to meet. When you do meet its going to bring everything you have dreamed of into your life.

-might be quite unfamiliar with emotions. may feel numb a lot or may not know how to handle emotions. Which may be from the fact that they carry a lot of emotional luggage that they just store. When they meet you you'll be able to guide them how to release those unnecessary emotions in a healthy way.

-the divine is LITERALLY guiding them towards you. like a magnet.

-i see a lot of people gossiping about them.😯

-in the eyes of others, they are very happy/witty/extraverted, when they are alone they might act differently.

-they are not in tune with their emotions which might be what they need to be working on in order to move forward. may be a life lesson for them???

-they may lack being independent. they follow other peoples footsteps which leads them not knowing who they are.

APPEARANCE

-definitely have curly/long hair.

-may like flowy/baggy light clothes.

-may wear bracelets/accessories.

-has a thing for flowers. may love the smell or likes flowers in general.

PILE 2-

Designated message= "tell me you love me". "love me love me say that you love me".

-gosh, very clingy.(applies to some, take what resonates).

-very funny. comedian kind of funny. Will make you laugh a lot.

-may be insecure, is afraid to ask for help from others.

-very introverted.

-yup, hides from the world but wants to see it and travel. may have tendencies to escape current lifestyle.

-is very emotional (lol opposite from pile 1).

-has definitely been through a lot, very transformative life experiences which made them lose trust in others. Scorpio/8h energy

-is very stubborn and wants to do their own thing.

-i see them dreaming a lot. definitely prefers night over day. which may also make them have an interest in stars/astronomy/astrology.

APPEARANCE

-short hair.

-may have a significant pet or has a lot of animals. loves animals??

-has some type of scar/birthmark on the face or head.

-dark features, ex, dark hair, dark eyes.

-sharp jawline.

PILE 3-

-Ooo love this pile ahhh. First thing that came up was success. very successful career. very reliable and VERY well known in workplace. business owner vibes.

-may speak multiple languages or may live in a different country. also travel quite often.

-they are definitely financially secure. They are literally up there with their money gains.

-can prioritise too much time on the job so could mean that they have no social life (some).

-you guys have already met or are going to meet very very soon.

-i see too much luggage and thoughts about work. may have mental health issues related from the fact.

-very tired individual. works too much. when meeting you they will definitely shine more as they will realise what they needed was you.😊aww

-may have Pisces placements. especially moon/mars.

-they might think that they don't need anybody because they have the standard dream life. that's not the case though.

-whenever you'll meet you'll definitely be the one to spark their life for sure.

-i see you two getting ice-cream/carnivals laughing A LOT. (i heard 'summer rain' so may meet in summer or when raining or you get the gist).

APPEARANCE

-have HUGE eyes. sleepy eyes. (some).

-muscular arms/chest.

-hairy (some).

-very tall, i see a huge height difference (some).

-is quite feminine/pure. not in a literal sense but may like accessories or clothes that may not be seen as masculine.

PILE 4-

18+

-very sexual couple.

-you are literally going to be thirsty for each other lol. may be into food play.

-they have high standards so they are not the one to choose anybody.

-very protective. oof take whatever ima say next with a grain of salt, they may become possessive in a not so cutesy way.

-check out pile 1 if you felt drawn to it as it may resonate to some.

-they literally will worship you. my gawd. you will be a literal goddess to them uhhh. want money? here. want new shoes? take my card. want to travel? lets go. That's going to be their mindset towards you. After meeting you they'll feel like its their job to protect and take care of you which again be careful as it may bring an unhealthy obsessions over you.

-they find it hard to communicate on a deeper level with others.

-yup, very into health and fitness. may be into strict diets like being keto/vegan etc.

APPEARANCE

-BIG. are gym freaks so you know how that turns out to be.

-plump lips

-may have a tooth gap (some)

-deep voice/significant voice.

That's it!! 🤍

Thanks so much for reading. i sincerely appreciate your time.🏵️

Feel free to give feedback and simply interact with this post however you'd like.⭐

#tarotcommunity #future spouse #pick a card tarot #pick a card #pac reading #tarotblr #intuitive readings #tarot #tarot deck #tarot reading #tarot pac #tarot cards #fs #pac

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ineffable-suffering · 1 year ago

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Re: "You go too fast for me, Crowley", because I think I finally figured out the real meaning behind that line

Naturally, this line of all lines, the most line of them all, is constantly circling around my rotten brain like a moth around a flame.

In addition, though, there's always been another Good Omen's line/exchange that has kept bothering me again lately. And literally until just about five minutes ago, I had never thought of relating them back to each other.

Now, five minutes later, I have and I think I just ... figured it out.

In case you were wondering: The second line that wouldn't leave my head is what Aziraphale says to Crowley during their clandestine meeting at St. James' Park in 1862 when Crowley asks him for Holy Water:

A: "I'm not bringing you a suicide pill, Crowley!"

And here's what bugs me about this: Why did Aziraphale, without a breath of hesitation, immediately assume Crowley wanted the Holy Water to commit suicide if things ever went wrong?

That's ... such a dark assumption to make. Especially because that is absolutely not what Crowley wanted it for, as he literally says himself:

C: "That's not what I want it for, just insurance."

And what does Aziraphale reply?

A: "I'm not an idiot, Crowley!"

Because he firmly, firmly believes that Crowley is asking him to bring him the Holy Water as a foolproof method of taking his own life in case Heaven and Hell ever find out about them.

To this day, that conversation gives me chills whenever I think about it. We so rarely get see what genuine emotions and thoughts for and about Crowley Aziraphale keeps neatly tucked away behind that tightly buttoned waistcoat of his. This moment in 1862 is one of the very rare ones where his façade slips a little – and the peak we get isn't a fun one. It's a very dark, scared and vulnerable one.

What am I on about and how does this all relate to the infamous "You go too fast for me, Crowley"-line? Let's look at it under the cut.

(Word count: 2560 | Reading time: ~10 min. | TW: mentions of suicide)

Like I mentioned up above, it always struck me to my core that Aziraphale very clearly immediately assumes Crowley wants the Holy Water for possible suicide. Not only is that a very dark and upsetting thought, it also poses the question: Why? Why is that the first place Aziraphale's mind goes to?

Crowley says at the very beginning of their conversation:

C: "We have a lot in common, you and me."

He's definitely referring to their (very mutual) relationship Arrangement and the fact that they both find themselves kept apart and watched by their respective head offices, not allowing them to ever misstep and give themselves away.

After bickering around a little like they do, Crowley asks his favour – and he makes it very clear in a quiet and serious voice that:

C: "This is something else. [...] For if it all goes wrong."

He's not just talking about Heaven or Hell finding out about some silly frivolous miracles, no. He's talking about them finding out about their Arrangement, their relationship. The worst of all worst case scenarios.

So bad, in fact, that he doesn't even ask his favour out loud but instead decided to write it down.

Aziraphale's reaction is ... severe.

We immediately see his face drop as, he too, realizes that this is all of a sudden a very serious conversation indeed. And he immediately and vigorously denies Crowley's request because he thinks it to be one for a suicide pill.

To understand how he could arrive at that lightning-quick (and also wrong) conclusion, we have to try and understand how Aziraphale sees Crowley and the threat that the angel himself as well as their relationship poses to Crowley.

Crowley can, at times, be a very self-deprecating and cynical character. He's without a doubt carrying a lot of trauma and unspoken fears and emotions with him at all times. Aziraphale at this point in their relationship probably has a good notion of what those are – but he doesn't know the whole depth of it because they've never been able to speak freely enough and Crowley has seemingly decided to keep many-a things to himself, still. They both tread the waters of plausible deniability very well.

So, to jump to the conclusion of Crowley entertaining suicidal thoughts in the face of unavoidable danger is ... quite a violent jump. And remember: "[...] underneath it all, Crowley was an optimist. If there was one rock-hard certainty that had sustained him through the bad times then it was utter surety that the universe would look after him."

So, what is it that Aziraphale does know that would drive him to such a drastic conclusion when, in reality, secret optimist Crowley only ever wanted the Holy Water to protect himself against Hell to come out safe on the other end of things?

2500 BC, Land of Uz: A: "That [going along with Heaven/Hell as far as you can] sounds, um ..." C: "Lonely? Yeah." A: "But you said it wasn‘t." C: "I‘m a demon. I lied."

After Crowley helps Aziraphale out in Edinburgh in 1827, Crowley is immediately sucked back down to Hell We don't know what exactly happened after that or just how long Crowley was gone. We also don't know if Crowley ever told Aziraphale what happened, once he returned. What we and Aziraphale do know, is that Crowley ends up asking him for Holy Water, out of the blue, only a couple of decades later.

1601, The Globe: A: "But if Hell finds out [about the Arrangement], they won't just be angry. They'll destroy you." (additionally, later in time, C: "My lot does not send rude notes.")

Ergo: It's very clear that Aziraphale seems to have put two and two together with his own angel math by what he has a) witnessed himself and b) what Crowley has said himself which equals: In going against Hell, Crowley has felt incredibly lonely before he had Aziraphale by his side and if Heaven and Hell were to ever find out about them, Hell's punishment would be a whole lot worse than Heaven's.

He thinks Hell would destroy Crowley.

So when Crowley, who so rarely says how he really feels and one of the few times he did, told Aziraphale he was lonely, says he wants the Holy Water, the immediate conclusion Aziraphale comes to is: He wants it as an emergency exit. In case things go pear-shaped. He wants it to escape whatever dreadful punishment Hell would have in stock for such a lonely traitor. He wants it as a suicide pill.

For Aziraphale to not even entertain the thought or believe that Crowley does indeed only want the Holy Water as a means of self-defense is, again, absolutely heartbreaking. Because it tells us a thing or two just how scared and desperate Aziraphale thinks Crowley to be. Something along the lines of: "If I myself am already so immensely terrified of Hell's punishment for Crowley, how terrified must Crowley be."

I think a whole lot of this is also very, very strong projection and shows us how Aziraphale himself feels about all of it. How scared he is for himself and Crowley. Of what would be done to them.

A: „Out of the question! Do you know what trouble I'd be in if they knew I‘d been ... fraternizing?“

He knows they would both suffer immense consequences and that Crowley‘s still would be worse. If anything, in a dark and twisted way, it shows that Aziraphale himself has definitely entertained the idea of suicide as a concept, at least. Maybe not for himself or Crowley, yet, but remember, he‘s awfully fond of Shakespeare‘s Hamlet.

A: „To be or not to be? Buck up, Hamlet!“

Yeah, buck up indeed. (By the way, there's a great meta by @greenthena on why Aziraphale likes Hamlet so much that kind of plays into my point a little. You can read it here).

And again, who knows what Aziraphale might have actually witnessed of Hell's cruel ways already in the past (Edinburgh of 1827, or at other times) that made him arrive at the conclusion that, ultimately, suicide would be the less painful choice for Crowley when faced with Hell's consequence for their relationship.

I told you this was gonna take a bit of a darker turn. So, here we are. At the turn. It doesn't get much lighter from here on out, I'm afraid.

Because all of this gives "You go too fast for me, Crowley" a whole new devastating meaning.

Personally, I always found it a teensy bit difficult to relate that line back to Aziraphale implying that Crowley was trying to push their relationship a little too fast for him.

Deducing that as the meaning of "You goo to fast for me" after we were shown in the montage of S1E3 that Aziraphale, from circa 1941 on, was undoubtedly fully aware of just how madly in love he was with Crowley, has always felt odd to me. And it continued to feel even odder after we got the whole story of 1941 in S2.

Because if that minisode showed us anything, it's that if you let Aziraphale take over the metaphorical wheel for about five minutes, "too fast" doesn't even match the astronomical speed with which he crashes head first into 15th base. Forget the hand holding and kissing, let's go straight to you shooting me on the first date I planned for us!

And they say romance is dead.

Now look, of course, Aziraphale is still keeping most of his romantic feelings and longing bottled up out of fear that Heaven and Hell could find out about them and have Crowley destroyed. We've established that this very big fear of his is the driving factor behind him never trying to overstep that invisible line.

But still, those feelings? They're there. Oh, Hell, they are t-h-e-r-e.

Our angel is a master of self-delusion but not even he is holy enough to deny the fact that, if he could, he'd want nothing more than to lock that demon down and elope together into their happily-ever-after.

So, when Aziraphale finally budges and hands over the Holy Water to Crowley in 1967, I've always had a hard time believing that that line coming from Mr. "I guess there's something to be said for shades of grey" himself actually meant: "I'm not ready yet, you want to go faster than I do."

Because really, apart from trying to convince Aziraphale of the Arrangement and rescuing him from every silly, coincidental predicament the angel has gotten himself into over the millennia, what exactly is it that Crowley did here to "go too fast"? Hell, he's been at it at the pace of a snail ever since, very well knowing that Aziraphale would take a lot of gentle nudging and lunch temptations invitations to agree with the Arrangement.

All Crowley does in that moment in the car is offer Aziraphale a lift, anywhere he wants to go. And yes, that is code their little dance, that is how he shows his love for Aziraphale. But Aziraphale has never before deemed that an issue or seen it as a too-fast progression of their relationship. He even suggests another date himself two seconds later, saying:

A: "Perhaps we could go for a picknick one day. Dine at the Ritz."

So, what, one sentence later he suddenly wants to hit the breaks again? After he literally looked like this the last time Crowley drove (literally way too fast) through burning London?

Nah, I'm not buying it.

Instead, here's what I think Aziraphale really means with this line that changed us all (and I'm sorry, but I'm about to one-up the sadness of the 1862 meeting):

I think Aziraphale is referring to what he thinks is the reason Crowley wants the Holy Water for.

Suicide.

And boy-fucking-howdy, does that change the game.

Because if we assume that Aziraphale, all throughout the one-century-long Holy Water standoff, thought Crowley wanted it as a quick, ahem, Escape From Everything, what I think Aziraphale really means with "You go too fast for me" is this:

To him, Crowley is asking the most cruel deed of him to bring him the one thing that could take Crowley away from Aziraphale for good. For ever. In case things go pear shaped. In case Hell finds out about them and comes after Crowley.

To Aziraphale, Crowley is asking him to load the bullet into his gun for the time it won't be a trick. So he can escape before Hell gets to him.

More devestatingly, I think Aziraphale even understands where that notion comes from. Aziraphale knows how dangerous their relationship is. And Hell does not send rude notes. So, I think after pondering on it for a good millennia, part of him has come to understand why Crowley would want an emergency exit.

Which is absolutely fucking heartbreaking.

Especially because that's not even what Crowley was thinking when he made his request. He truly only wanted it as a defense. But Aziraphale doesn't believe or fully realize that. Aziraphale believes the Holy Water is a suicide pill and to some extent even understands why Crowley might want that.

And yet, despite (wrongly, but well) understanding Crowley's intentions, Aziraphale is still deeply upset and terrified at the thought of Crowley taking his own life should they ever get caught. Which explains his extreme reaction all the way back at their clandestine meeting at St. James' Park.

Aziraphale assuming Crowley's way out of the most pear-shaped situation of them all would be suicide also means that Aziraphale would be the one who'd be ... well, left behind.

He recognises that choosing death over possible eternal punishment is maybe somewhat of an understandable choice. And yet, it's a choice that, to him, Crowley has made without him. Seemingly way before their first talk about it.

Aziraphale thinks Crowley seems to have made up his mind about his escape plan without him in it.

He thinks that if they were caught, Crowley would want some Holy Water around to quickly chug before he would be at Hell's mercy and that would be it.

Crowley would, for the first time ever, really leave. Not just for Alpha Centauri. But actually leave. Escape and run away to a point of no return. For good. Without Aziraphale. To a place where Aziraphale couldn't follow him, no matter how fast he tried to run himself.

It goes a little something like:

"If they found out about us, you would choose to go where I couldn't follow. And you're asking me to pave the road for you to walk there. Without me ever being able to get a say in walking alongside you. You want to go to places where I could never join you. You'd run away without me and I understand why but you didn't even give me a chance to catch up. You go too fast for me, Crowley."

F*ck, man. I think I need to lie down.

Y'know what else that gives new meaning to?

Alright, that's it, I'm out. Enough sad meta-ing for the day. See you all around once I've stopped slipping further into the void, folks. :')

#good omens #good omens meta #my own meta #good omens season 2 #good omens 2 #gos2 #go2 #good omens s2 #crowley #aziraphale #ineffable husbands #you goo too fast for me crowley #aziraphale is master of projection #i made myself sad with this #The Arrangement #holy water #im gonna go read fluff now bye

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