#james wise

[closetofcuriosities]

Twin Peaks (1990-2017)

[esqueletosgays]

TWIN PEAKS: FIRE WALK WITH ME (1992)

Director: David Lynch Cinematography: Ron Garcia

[loveridden1999]

[hotch-girl]

CHRISTOPHER MOLTISANTI-ISMS

THE SOPRANOS (1999 — 2007)

[too-many-rooks]

we were friends, once.

[the-vroom-f1]

I really think the Williams team hasn't realized how much of their treatment towards Logan has lost them a lot of good will among fans. Like take his lap of legends, so much work went in to that, (from Logan, Williams Alumni, and the team behind it), was such a big opportunity, and really could have had generated some much needed good pr for the team and Logan, especially with the team and their treatment of Logan. Yet they allowed it to be overshadowed by the Alex announcement, like really you couldn't have waited at least a few days?

The moment Logan leaves I can see a lot of fans, just not interacting with Williams content anymore. As much as we talk about Alex and James Vowles being the ones who are restructuring/rebuilding Williams you can't forget Logan has also been a major face of that movement. All of their new era content, like their podcasts and interviews, Logan has played a major part in and I think a lot of fans will have a bad taste in their mouth watching once he leaves on such bad terms. Because realistically Logan has the perfect personality for that type of content and it will be nearly impossible to replace him there, its why he and Alex work together so well, they can match the energy and tangents.

Then you have to take into account of them Americans and drive to survive people. They get a lot of hate for either liking the sport at all or how they get into it. Logan is their driver, if you look at social media beyond Instagram comments you will find so much support for him. It is one thing to drop Logan as a driver because he's under-preforming (though I have thoughts about That to) but to go from saying you are going to do everything to help logan to publicly flirting with new drivers? Thats just rude. And now Williams are shutting themselves off from these markets/fan bases. I'm sorry but realistically Logan is leaving F1 and Americans will no longer have a home driver to root for and they will blame Williams for that so people will not stick around.

TLDR; Williams by being dicks have shot themselves in the foot next year publicity wise

[ihatebrainstorm]

[Medicine]

"The Caduceus. Commonly mixed up with the Rod of Asclepius."

Guys I think it'd be really funny if Pharma and Ratchet had the same voice

[deswhomst]

people who say james/regulus would never do this or that in regards to jegulus treat falling in love as if it’s a logical and thought-out process when it’s not. it’s not this smart decision a person makes so much as something that just happens to them. also love truly does make you do insane things!!! especially initial stage love. so to me james would do this and regulus would do that, not bc it’s true to their character or whatever but bc you often don’t control your emotions and feelings as much as they control you when it comes to all this.

[a-most-beloved-fool]

For the ask prompt game...

Spirk #17 to distract

"Report," Kirk ordered. The word buzzed low against Spock's ear, quiet and audibly tense.

"Less than two minutes until they reach our location, Captain," Spock replied promptly. "Commander Scott will need at least another eight before the transporter is operable again." His voice was equally hush, despite their perceived solitude. He had seen carelessness take far too many lives during his time in Starfleet; he would not allow it to take his captain as well - and, illogically, Spock could not quite dispense of the phantom sensation of eyes on the back of his neck.

"We'll need to bluff it," Kirk decided, looking grim.

His gaze was strangely intense against Spock, full of rioting emotion, and, almost, Spock wished to look away. He did not. Instead, he nodded, holding steady eye contact.

The odds, Spock knew, that Kirk's gambit - whatever it may be - would succeed were... poor. The guards had, after all, seen their faces. But Kirk would keep fighting right until the bitter end, and Spock, of course, would be right beside him.

Solemn, he vowed, "I shall follow your lead," though he knew Kirk would not have doubted it. Still, the unnecessary words were well worth the way the tension around Kirk's eyes melted away, the somber set of his mouth slipping instead into a golden-edged smile.

Almost wonderingly, a soft chuckle fell from those lips, incongruous in their surroundings and entirely treasured. "What would I do without you?" Kirk asked, reaching up to exert gentle pressure on Spock's bicep.

I pray you never need find out, Spock made to say, getting only so far as drawing in breath before the sound of distant footsteps drew them both from their quiet moment, snuffing the words before they could take shape. "Eighteen seconds," he said instead, after rapidly adjusting his calculations. Faster than anticipated.

Kirk nodded, some unreadable emotion hiding in the soft crease between his brows.

"Forgive me, Mr. Spock," Kirk said softly, and Spock did not have time to question what he meant before Kirk was pulling him down by his shirt, dragging their lips together with great urgency.

Quite suddenly, Spock found that his mind was entirely blank. Strange heat flickered through his whole form, and his universe narrowed to only Kirk, all soft and human-warm, who was pressed flush to his chest and kissing him.

One, then two seconds stuttered by in which Spock thought no thoughts at all, struck utterly motionless in the face of such unexpected attentions. He only felt, swept away by the sensation of pliant lips against his own and warm fingers stroking through his hair, gently mussing.

The very first thought to break to the surface was simply, Jim. A wave of emotion flooded in with it, astonishment and affection sweeping over him in such quantities that he felt nearly lightheaded.

The second was, We will be caught, and Spock jolted as something near to panic rose up inside his gullet, urging him to take Jim into his arms and run.

The third, however, was not his own; it was pressed into his katra from the outside by Jim's careful fingers, his clever mind slipping easily past Spock's shields. Play along, he said, projecting deliberate calm through their connection. Still, Jim was unpracticed in telepathic arts, and beneath that false serenity Spock could feel a tangle of guilt and determination, bitter and writhing.

The truth came to Spock in one fell swoop.

Jim's gambit... was this.

His lips and his hands, which pressed themselves so tenderly to Spock's skin, were not for him.

It was not love which had drawn his captain into his arms, but mere utility. Jim had realized what Spock had not: though they could not hide themselves, they could, perhaps, distract from themselves.

Two men attempting to look inconspicuous would only draw suspicion. Two men locked in a romantic embrace, however, may be overlooked - or even deliberately ignored. Few were comfortable with looking closely at the private passions of strangers, and fewer still would see reason to. Those searching for them, Spock hoped, would not. There would be no logic in halting an escape attempt solely for a kiss, after all.

Therefore, in order to escape unnoticed, they must be convincing.

They must seem, to any observers, to be completely and entirely immersed in one another, with no care for anything going on in their surroundings, and no fear of discovery.

Two lives, purchased with a kiss.

It was entirely logical, then, for Spock to part his lips, inviting Jim's tongue to dip inside of the wet cave of his mouth and meeting it with his own. If a groan rumbled deep within his chest, it could surely only help their cause; there was no need to swallow it down.

This disguise would, Spock observed as Jim's tongue flicked gently at his mouth, be far easier to maintain than it had any right to be.

It was a terribly simple matter for a man in love to behave as though he were a man in love.

The difficult part, then, would be remembering that it was a ruse. Already, heat bubbled deep within Spock, aching want suffusing his every neuron. Every faint brush of flesh sent golden tendrils of telepathic energy sparking across his skin, and it was all Spock could manage to hold himself back from pressing hungry fingers to Jim's meldpoints and sinking into that wonderfully enticing mind.

Instead, Spock slipped a hand beneath the hem of Jim's shirt, rucking up the cloth until he was tracing patterns across a smooth expanse of golden skin. He flexed his hand, allowing his nails to scratch carefully along Jim's spine, and did not permit himself to consider reaching upwards, to Jim's face - or worse: downwards, beyond the waistband of his pants.

He wondered if Jim would have chosen this, had he known how very much Spock wanted.

Perhaps it was selfish of Spock to allow it.

Still, he could not force himself away - not when Jim's life was at stake. The kiss was his lifeline, and so the kiss must remain.

The touch of their minds, however, did nothing to aid Jim. It was solely for Spock's benefit, taken from Jim without his knowledge or intent.

That, Spock could end.

If Jim was to unknowingly place himself into the hands of someone who wanted more than he would wish to give, then Spock would take it upon himself to be his protector - even if the one he must protect against was himself.

And so, Spock opened himself to every offered touch, and girded his mind against every stray thought, until not a single wisp of golden energy could find its way past his defenses.

When Jim's thigh nudged its way between Spock's legs, Spock spread his stance wider, allowing him to press closer, and did not let himself feel. His hands grasped and squeezed at the soft flesh beneath them, drawing quiet gasps from a pink-flushed throat, and no pleasant hum buzzed against his fingertips, carrying with it the flavor of human emotion. Jim nipped at his lips and pet at his hair, and Spock pressed every scrap of yearning deep down within himself to where they couldn't emerge.

Eyes closed and spirit aching, Spock kissed him.

_____________

from this ask game

[uhuraborealis]

based on one post i cant find about how vulcans and humans have kinda opposite meanings for red and green

(no text ver under the cut)

[olliegolliegee]

drarry is the little bitch version of jegulus

[swiftzeldas]

we're the same?

anya taylor-joy and james mcavoy as casey cooke and kevin wendell crumb

split (2016) // glass (2019)

[that1notetaker]

@wixenforever @jundsthoughts Hello, I come with concept art ideas to get the NottPott AuI mentioned rolling, although Im not quite sure how to, yet. Can you feel the worldbuilding?

Also: I listened Into The Unknown for two hours straight because I realized it matches the exact vibes for a scene I have in mind.

[llovelymoonn]

on november

james clerk maxwell lines written under the conviction that it is not wise to read mathematics in november after one's fire is out \\ mary shelley frankenstein \\ maggie stiefvater the scorpio races (via @metamorphesque) \\ anna akhmatova rosary \\ emily dickinson in a letter to elizabeth holland early november 1865 (via @flowerytale) \\ l.m. montgomery anne of green gables

kofi

[squid-bunny-msi]

Hear me out: Jimmy art concept where his 2013 era is being a demon that became an angel after his comeback 💔💔💔

[renatapatata]

I really enjoyed Cinderella’s Castle but I keep thinking that there was something missing? The scenography and acting was top tier - I don’t think anyone is going to dispute that, and I realized that what feels lacking is the songs that progress the story or rather, give us backstory on our characters. By that I mean characters like Tadius and the Prince, who get singing roles but I don’t really learn much about them through said songs. I’m thinking of how in Twisted, which is also a fairytale musical that took a well known story and changed it up - we still got solo songs for most of the characters, Jasmine, Aladdin and Achmed that helped us understand their character motivations more and made the story feel more rounded as a result. I think CC’s song repertoire is on the small side in comparison to other Starkid shows (CC has 9 if you count Watch + it’s reprise i think/other recent shows have like 14 songs for example) and it feels like the show left me with a lot of unanswered questions that could have been elaborated upon more if not through song… like yess give me troll stepsisters lament or Tadius singing about his fate and yearning for Ella or his feelings about the crown, and maybe a song wherein we learn more about the Prince so he gets more characteristics other than Horny and Gross - cuz whilst i liked his depiction i also felt like his characterization was a bit too one note and if Tadius was supposed to make up for what the Prince was lacking, then it felt kinda weird that we didn’t know much more bout him either. And what if we had gotten a song by the Faerie queen where we learned if she felt anything deeper regarding Ella’s mother’s attempts at making offerings and in turn learned more about Ella’s mother and the Faerie queen through that? I’m just saying CC left me wanting to know more about this world that we’d gotten a glimpse into!