#it was all very deliberate..

[dazzelmethat]

Crazy to me how well the ‘American dream’ worked as a commercial for immigration during the third (and largest) American immigration wave. Wave lasting from 1880 to 1930, all coming from areas of civil war or famine to act as a new lower class to elevate anyone in America that already knew English…

20 million Europeans and a hundred thousand Chinese people in that time. Would love to see some graphs tracking the third wave’s economic classes over 4 generations. If they actually did surpass the people who were already there to begin with (first and second wave) Such a thing would probably be really hard to get data for.

[bacchuschucklefuck]

we let the ocean drown out our voices/enjoying the bitterness/in the chaotic light, I close my eyes and see

[claraoswalds]

#mrs flood who are you: time lord edition

[scarycranegame]

the "pro" in proshipper actually stands for "professional". we're professional shippers, thank you very much, we have phds

[oathkeeper-of-tarth]

I have all the time in the world. How about you?

There is a theme to Aylin's threats and vows of vengeance that I've noticed and that I want to share.

Do what you will. I cannot prevent you. But you know as well as I, I will come for you. One day.

That one, for example, is for Balthazar, while she is imprisoned.

I cannot prevent you. But I can advise you. Be careful to whom you yoke your fate. One day, when he is severed from me, Ketheric will die. I will not. And when I am freed, I will remember whose recompense to claim.

Did you expect me to beg? To cry? To plead? For what. I accept my fate - for now. But the life of a divine is longer than you can fathom, Sharran. And this cold chapter will close, one day.

And those are for you, when you've yet to harm her, when she's still only warning you off. But then, if you choose to try to kill her, like so many before you:

Was it everything you hoped for? Was it sweet, Sharran, to murder a paladin of Selûne - her daughter - her sword? Congratulations - your mistress Shar will write your name on her hand. And I? I will come for you. When the time is right.

The next bit depends on your character's gender:

When your sons are grown and your beard is long and wiry; when you cannot hold your nightly water and your nose grows as long as your weary, weary days… When your daughters are grown and your chin sprouts whiskers dark - when your teeth are yellow as corn and your sleep grows short and your days are long and weary, so weary… When your children are grown and your eyes are weak; when your nose grows as long as your weary, weary days…

Ultimately, your fate will be the same:

That is when this immortal will visit you, Sharran. That is when I will show you what it is to be afraid.

All these long-term promises of one day, coupled with inevitability.

I find it so striking that most of Aylin's threats include her flaunting and flexing her immortality (as well as her flawless, long memory) over whoever has wronged her.

Present your weapon, soldier. Plunge it into the Nightsong. I cannot stop you. But know this: I never forget a face. HAH! Are you afraid, Sharran? Do you rattle and jump at the realisation that an immortal has your face emblazoned in her mind forevermore?

Everything is but a passing inconvenience to her, she claims, even a century of imprisonment and torment. Outlasting, outliving - that is simply what she does and what she chooses to intimidate with. Promising to wait until you are old and decrepit, until after you've experienced all the vagaries of age that she never will, leaving her sword hanging over your head throughout the entire miserable lifespan that she has permitted you to have.

Then, if you wrong her in a very heinous way, there's the extreme one of outliving not only you, but killing and extinguishing your entire bloodline in order to obliterate every trace of you from existence:

WHEN I AM FREE, I WILL DESTROY YOU! I WILL MURDER YOU, AND YOUR CHILDREN, AND THEIR CHILDREN BESIDE! I will rip this world apart, plank and beam, until every iota of your being is scalded by my light. This is my promise. This is my vow.

Over and over, Aylin builds her oaths of vengeance on the foundations of an utter, even proud, certainty that she will see her foe end, one way or another, due to her nature and the simple fact of her own endlessness. This is the well she keeps coming back to.

And I find all of this, this consistent insistence on it, so striking and ironic, because one of her other main emotional threads is being thoroughly enraptured by and devoted to and just so completely in love with a mortal. One who will age and die and pass into memory just like all the targets of her rage - if I think of Isobel when I re-read all of that dialogue up there, it seems to cut both ways so deeply. But then there's the extra element that every single one of these is spoken when she either knows or is (incorrectly) convinced that Isobel is dead. Isobel, who didn't get to grow old, and who is both an anchor to humanity and a very painful reminder of the truth of Aylin's situation being twofold.

Aylin will outlast what she hates, yes, but she will outlast what she loves as well.

[artbyblastweave]

After three chapters, one of my big takeaways is that Seek seems really conceptually interested in parents and parenting.

You've got A, raised by parents whose superficial commitment to A's self-determination and self-identification are completely undercut by the invasive dystopian cyberware they use to control them, coupled with the (what I believe to be the) implication that the double edged sword of the post-scarcity future is that A's only reason to exist is that their parents wanted a child- spending their entire childhood being shot down any time they express interest in a career path that could give their life meaning outside of that. All of which feels like the logical terminal point of parenting as a vanity thing. Then you've got Winnifred, whose parents are vastly more involved, attentive, and invested- but in a way that goes hand in hand with a sometimes-uncomfortable spiritual and ideological investment, which in turn manifests as a regiment of full-body invasive modifications so that their child can perpetuate and participate in their culture and lifestyle.

Then you've got Orion, whose "birth" is his much more metaphorical escape from the cryopod (complete with associated womb imagery); out of the three he's arguably the most "liberated" from the context of the people who chose to create him or put him in this situation- popping out of his "womb" with imprinted skills and knowledge and only vague memories- but given the overall survival-horror nature of his situation that's not actually any kind of improvement. (It would frankly dovetail incredibly well with the theory I've seen that it's actually an Onboard who's taken control of a braindead human- total hands off parenting, he was put in this situation by entities that don't even realize he's alive.)

All of which is circling and circling around the central reality of parenting, which is that it's not just something that happens, it's a choice, any way you choose to go about it's a choice. And in our current context there's only really a couple ways to make that choice and they're all a few degrees off from each other anyway, so it fades into the background. But in a society with advanced enough technology that you've really got options, the fact that you're making any choice at all- and the resultant horrible consequences every possible choice will have for your kid- becomes way way more visible. Truly, a web serial aligned with my heartfelt belief that We Are Never Getting Out Of Here

[superm4ks]

max's best drive ever?

Not just Max's, but 1 of the best drives in the history of the sport, definitely 1 of the finest ever driven on the intermediate tire. The way he made those tires perform on a wet resurfaced track where theres no mercy found in the white line, no rubber to build on, no drs, no easy overtake, just better cornering, that natural ability to take turns as if the racing line was drawn in front of him that is so his and so so devastating. People watch Austria and Mexico and c recklessness where theres only strength, control and complete lack of fear. In races like todays tho, u get to admire those same hands command the same respect without any room for doubt that he knows, in fact, what hes doing. Any advantage the machines may provide will dwindle and nearly dissipate because in conditions like todays it truly comes down to who knows better. And Max knew better from the moment the lights turned green. I think six cars before the main straight, dispatched, turned to nothing. When conditions worsened and race control began to play wid outcomes he not only endured, he thrived. While others began to pit he trusted himself to stay out, and he wasnt the only one but he was the 1 who did it best. 8 years ago, Max went and found grip everywhere else, and today, in the same circuit, where there was literally no grip to be found, he simply found the better line. He read the race like his favorite book while others could barely color within the shapes. It was somewhat insane to watch tbh, that disparity between racers, not only found in overtakes like on Oscar and Esteban, so crucial and so similar in the way he just knew how to position the car to catch them completely off guard, but also like, the pace alone, the relentless onslaught of perfect lap after perfect lap, 9 consecutive I think, 17 in total. This was a drive that nearly eclipsed 2023, first shades of last year without Newey in the pit wall, in a car that did so badly in Mexico it was getting outpaced by an Haas in its strongest tire. He didnt just come out from p17, he came out of a 20 second penalty, a 5 second penalty during a delayed VSC, an hammer to his quali chances for a late red flag, community service for swearing, shameless questioning of his driving, his wheel, his credibility as a champion, not just his racing but his character, too. I think its the context of all that that rlly makes the best drive of his career so far, because this was his best possible answer, and the only one that matters. p17 to p1 wid a 20 second lead. Some will reminisce about Senna, some will notice that early corner entry and admit Schumacher himself wud have struggled even a few times, the other legend on track whos as good in the wet didnt have the setup nor the confidence to show it, but I think today was a result only Max Verstappen cud have accomplished

[rocketbirdie]

🎵bow wow wow, bow wow wow, he's a good boy who never stops~🎵

[adiradirim]

Sephardic Jews from Thessaloniki in their traditional costumes, in the city’s old cemetery, before the war // a contemporary photo that shows where the destroyed cemetery once was, which is now Greece's largest university, built partially on top of and with land and materials (particularly tombstones) stolen from the razed site.

Thessaloniki or Salonika, once referred to as “the Jerusalem of the Balkans” due to its Ladino-speaking Jewish majority, saw roughly 96% of its Jewish population murdered during the Holocaust. This mass destruction extended to the city's Jewish cemetery, which had been the country's largest, established in the 15th century and housing hundreds of thousands of Jewish graves until its razing by city authorities who had long desired to repurpose the land and resented the inconvenience of Jewish presence. Despite its large-scale destruction during German occupation in 1942, which was initiated and carried out primarily by Thessaloniki authorities with Nazi consent and arrangement, some parts of the cemetery survived intact as late as 1947. Many tombstones were subsequently appropriated and used by city authorities and the Greek Orthodox Church. After the war, people were still carrying away Jewish gravestones each day and regularly looting the cemetery in search of valuables. The city's officials, led by their mayor, completed the cemetery's destruction and sold the tombstones to contractors for use as building materials in various projects; as such many were and are still found in various walls, roads, structures, and churches around the city. A 1992 commemorative book pictures Greek schoolgirls playing Hamlet with skulls and other bones they found in the cemetery.

“[T]he ‘rape’ of the cemetery escalated, marble flooded the market, and its price plummeted. Jewish tombstones were stacked up in mason’s yards and, with the permission of the director of antiquities of Macedonia and overseen by the metropolitan bishop and the municipality, used to pave roads, line latrines, and extend the sea walls; to construct pathways, patios, and walls in private and public spaces though out the city, in suburbs such as Panorama and Ampelokipi, and more than sixty kilometers away in beach towns in Halkidiki, where they decorated playgrounds, bars, and restaurants in hotels; to build a swimming pool – with Hebrew-letter inscription visible; to repair the St. Demetrius Church and other buildings...” Devin Naar, Jewish Salonica: Between the Ottoman Empire and Modern Greece

Most of the efforts to return found tombstones throughout the city are led by Jews, particularly Jacky Benmayor, the curator of the Jewish Museum and last Ladino speaker in Greece, who has personally recovered hundreds of tombstones including his own family's. Surviving Greek Jews never received compensation for the confiscation of the land under the destroyed cemetery, upon which now partially rests Greece's largest university, Aristotle University, which also used Jewish gravestones as building material for its long-coveted expansion finally made possible by the dispossession and annihilation of the city's Jews. In 2014, 72 years after the cemetery's destruction and appropriation, a small memorial was established on campus grounds to acknowledge the Jewish cemetery the school is built on and with; the ceremony just 10 years ago involved the first-ever acknowledgement of the atrocities and apology from a Thessaloniki mayor. The memorial has been vandalised multiple times since its establishment.

[kacievvbbbb]

Mihawk and the Red Haired Pirates

-Look I don't know what to tell you, Mihawk's epithet is literally Hawkeyes meaning he is world-renowned for his eyesight meaning that he'd probably make a good sharpshooter. And maybe Yasopp decides to test this theory with a little friendly competition. And after giving Mihawk a quick intro into how guns work, maybe Yasopp had to pull out every trick there is in the book to narrowly avoid losing to said Hawkeyes, who as it turns out is indeed very good at hitting targets and who had literally just learned how to cock a gun not even 30 minutes ago. But who's to say what actually happened, the day of November 25th at 2:35pm? Certainly not Yasopp, the record clearly shows he is undefeated.

-Once a year Ben and Mihawk go on a little trip just the two of them. They act like it's just so they can shit-talk Shanks but actually, they just go fishing somewhere in the middle of the ocean and drink horribly overpriced and fancy alcohol. Look Benn loves his crew, and would die for them but also if he doesn't get at least a week to himself once every year he'd kill them all himself. He deserves nice things and a little peace and fucking quiet and not being constantly inundated with the whims of a man child and Mihawk's the closest he's ever gonna get to a friend with taste, and he travels alone with a bunch of fancy wine. Sue the man. Mihawk who would rather nap is fine to let someone else sail his overgrown raft against the annoyingly ever-changing grandline for a week or two.

-Wouldn't it be cute if Mihawk learned a lot of his fancier cooking techniques from Roux? Like he knew how to cook to survive but watching Roux is how he learned to like properly dice vegetables and that eating fish prepared the same way three times a day is not infact a life he would like to lead. This was of course less cute to Lucky Roux who in the beginning had no clue what was happening and only felt the weight of Mihawk's otherworldly stare on the back of his neck as he handled knives. (he defiantly for at least a little bit, thought Mihawk had a knife fetish. which, he's not entirely wrong)

-To Building Snake (who I just learned is the RHP's navigator) Mihawk might as well be a modern-day miracle. In his eyes, Mihawk's sailing is proof that god exists, because only divine intervention can explain how this man ever gets anywhere never mind on time or early even. Building Snake is pretty sure he owns neither a map nor a log pose and he has never actually seen the sails of Mihawk's pretend ship unfurled or in use. Actually, he has never seen Mihawk do anything but sit menacingly on the throne in the middle of the boat, which why? If you think about it for even a second longer that 2 minutes how Mihawk "sails" anywhere breaks every law of physics and somehow even the concept of geography. Building Snake would like to dissect him and study him under a microscope but knows the boss would disapprove.

[marisatomay]

Gotta say it sucks ass that WGA managed to hold the line for MONTHS until they got a truly great contract but SAG has a bunch of A Listers using their clout not to bully the studios to at minimum come back to the table but to “express their discontent with the guild” and actors going on panels and shows and comic cons to not promote their struck work which happens to be premiering right then *wink* and actors just so happening to have their publicist announce they’re in the same town where their struck film is premiering at the town’s film festival because they “just love movies so much” or whatever and they allowed deep confusion and discontent to sow in their ranks by not properly explaining the interim agreements to their members and just allowing the trades to set the narrative there and

[aflawedfashion]

I feel like that episode was missing at least five minutes worth of story at the end because they're hiding something they want to explore next week. They just don't want to reveal it now.

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣

[danykindaforgotaboutdre]

The problem with jayvik

In a vacuum, there is no problem with jayvik. I like jayvik, I think their dynamic is interesting, I think they have chemistry (I think all of the characters have good chemistry with each other, actually), I think their relationship can be interpreted all sorts of ways. I think they're neat.

I also like Meljay, in fact I prefer Meljay, they have more layers that I'm personally invested in peeling back. I love how you don't know Mel's intentions at first, so the first impulse when they get together is to regard it with suspicion. But then, he lets himself be vulnerable with her and they're just open hearted and good to each other from then on. There's no trick, they just earnestly care and see the best in one another. Contrary to popular belief, Mel may have had an ulterior motive for nearly everything else, but she never had one for loving Jayce, that part was always true and good even if you can't see it at first.

I also like Meljayvik, I think Jayce and Viktor have a complicated relationship and she's never shown the slightest sign of being in any way resentful or spiteful over it. Nor is she given any reason to be whatsoever. She supports Jayce fully in his perfectly understandable preoccupation with Viktor's wellness.

But the problem with jayvik, or at least a particularly loud section of their fandom is, they badly want her to be resentful and spiteful. They want her to feel hurt and betrayed, they frame whatever jayvik have going on as cheating on this woman he never actually cared about, and that's supposed to be good, that's supposed to be a W for their ship. What is actually gained from this? Why is discussing Mel even necessary to enjoy this pairing (yes, erasing her is also a problem in the fandom but believe it or not, there's a way to talk about jayvik that doesn't involve doing either, and it's really not that hard).

Also, why does Jayce choosing Viktor have to be because he's gay? (fellas is it gay to chow down on a beautiful woman's coochie?) Why can't he just choose him regardless of whether he likes women or not? Why the insecurity? Is it because if you let yourself believe he actually likes women, you have to also admit that he chose Mel for no other reason than being attracted to her? I get it, they're jokes, haha, it's not that deep, but unfortunately when the same stupid patterns emerge around every woman and especially every Black woman in fictional media who "gets in the way" of fanon, it is that deep, it's annoying af actually.

[eddiewithcat]

cannot explain but

did anyone else get super “just make sure that you’re following your heart, not christopher’s okay?” vibes

…from maddie’s “and if there is something you need to tell eddie.. you will. just, in your own time” ?????

because they hold the same amount of weight for entirely different reasons, yet they both talk about the confusion of feelings…

[nyaa]

what got you so into pulling slight pranks like the pictures actually being gifs stuff

short answer is last year when I came back to tumlr for awhile i made this gif for that yugioh reblog

and people started commenting in the tags about how they felt they were losing their minds not realizing it was a gif at first so I got really into the idea of how I could play with the website itself as a medium to illicit a distorted perception of things. not out of malice. It a sort of vicarious thing for me.

You know when you were really young (before internet access) and playing a weird video game and u didn’t know why things were happening the way they were because you hadn’t quite grasped the concept of game development, or like whether or not something was a glitch or intentional (I played a lot of majoras mask and morrowind as a young kid) that’s kinda the feeling I like to bristle against.