https://www.tumblr.com/justc2world/726840639190335488
My first thought seeing this and the Charlos tag was your 22/23 fic 😭 this really feels like your Charlos
I totally see it 😭❤️ The domesticity 🤌🏻 the comfort 🤌🏻🤌🏻
And I think I would write it in a fic tbh, but probably not that one - who knows though, we'll see!
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Season 9 Docm77 (+world eater!)
Doc just peacefully tending to his tomatoes while mass destruction happens in the background (this idea has been sitting on my to do list probably for a year, but it’s finally here!)
Also these are on the same page :3
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good news : i might try to draw some more again this month
bad news? : its mostly from trying to 10+ years later join the Equestria Daily NATG so its really just gonna be horses. might not share it all
also as mentioned this is drawn after the very very good picture from this post
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[Image ID: Full-body digital illustration of Adaire Ducarte and Hella Varal circa Winter in Hieron. They are bodily facing each other but looking toward the camera. End ID.]
part 1 of my mini series of drawing hieron guys. i still have c/w art in the works but i have GOT to get these guys out of my head and onto paper before i explode
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WAS NO ONE GOING TO TELL ME THERE WAS A FUCKING ME HOY MINOY EVENT IN THE MANGA???
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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i have not painted in... ~3 years. anyway here's a ferryman holding one of his many idols
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Shawn Levy on set for these scenes even though he didn’t direct either of the episodes… aka these must have been scenes he felt were important enough for him to be there, in person, so that he could make decisions as an executive producer hmmm
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“In order to get this, I had to survive this” trend on twitter.
10 years of hard work and im still cunty, bby.
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acrylic painting i did for my parents
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There's so much going on in this picture 💀
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a little update on what i've been doing in the sims lately! don't mind the huge walls of text for once i'm saying things in the post instead of the tags lmao
matthias's scars are very slowly coming along! i really love his left leg scar but can't really show all of it because i'd have to get him naked for that and it also wraps around his leg. um, but it starts at the side of his hip and carves down at an angle before abruptly following a steep line to the back of his calf. it looks gnarly which is exactly what i'm trying to achieve with matthias's scars! i'm also pretty pleased with the scars on his wrists and side, but the scar he has on the back of his right leg is... a little too crunchy? i don't know, it just looks weird. it's kind of hard to get the scars i'm making to look good on matthias's body. especially scars that're smaller or delicate... like the instant loss of quality makes me want to chew on exposed wires. but that's where i've left off on them! his arms and back are where he has the most damage but my god... it's SO difficult trying to get scars to look nice over his biceps and back muscles. also the hair ties i made for him look nice on his wrist <3
theo's apartment is also finally in the works. i've got the base layout finished and a general idea of what all the rooms are for. building and decorating isn't actually that daunting to me, surprisingly—instead, what's actually causing me a lot of grief is the realization that this is too big for theo to really be comfortable in. so, i was thinking, okay, that's fine, just get rid of three of the rooms and scale down the living area. only to pause and take into account the fact that theo's parents pay for this. they're controlling and also very big on appearance so i'm not sure they'd be fine with their son living in a shoebox—i mean, what would people say if word got to them that he doesn't even have a walk-in closet? like... that's the kind of people they are. but i wanted theo to feel comfortable in his apartment so now i'm feeling conflicted on how i want it to look. i'm definitely going to scale down the bedrooms and the living area... but it'll still feel too big to theo. there are just too many corners for him to ever fully let his guard down... which, hm... well, maybe that fits the story more anyway.
this is his general aesthetic for the interior btw... i want it to be brown, cream, and green all throughout the apartment with splashes of orange (this mix between his old dorm and his childhood home but with something new blending it together). i really wanted him to have stained glass windows in his kitchen and bathroom but couldn't find any </3 so sadly that's not happening. and i need to find a nice curio cabinet for his collection of bells... along with bells too lmao. but that's where i'm at so far! i'm seriously going to just sit here in build mode for hours just... trying to figure out how to make this place more comfortable for theo. like it's supposed to be where he feels safe but it's just too much rn.
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hii!! can we get some platonic fuuta amane interactions please? thabks !!!
Ahh yes, thank you so much for the request! I love them so much ;--; They've been making my brain go brrrr lately with T3 possibilities, though I decided to stay away from the drama for now. Here something sweet after T1 verdicts but before the attacks -- they're just hanging out :3
Yuno smiled down at Amane, finding her hunched over a table of craft supplies with Fuuta. The guilty verdict had hit them hard, so it was good to see them in better spirits. She tried to peer over her shoulder to see what they were working on. “Aw, what are you two up to?”
Amane returned her smile. “Fuuta is teaching me to misbehave.”
His face twitched in horror. “Oi, you can’t just go around saying that!” He looked frantically at Yuno. “We’re just folding paper planes.”
Amane lifted her chin. “You said in middle school, you made them to throw in class.”
“I said my friends made them to throw in class. And it’s not like I’m telling you to throw them. I was just making them because there’s nothing better to do in this damned place. You were the one that said it looked fun and sat down to annoy me!”
Fuuta huffed at the accusation as Yuno walked away, laughing. He returned to the design he was folding. He hadn’t been giving an explicit step-by-step for each, but Amane was keeping up just fine. They each had a small pile of various plane designs they were adding to.
Running a finger along a new crease, he gave Amane a sideways look. “Though, you could stand to misbehave a little bit.”
“I did.” She reached forward to mimic the fold on her own plane. “That is why I’m here.”
“Eh? I don’t mean you should commit crimes!” He scowled. “I’m talking about normal kid stuff, nothing against the law. Like staying out too late, driving your teacher crazy, funny vandalism–”
“--Vandalism is against the law.”
“Oh come on, it’s harmless! Don’t even try to argue that a little graffiti is comparable to what got you here.” He rolled his eyes. “So? What about that other stuff?”
She shook her head. With neither disappointment nor pride, she said, “I never left my home at night. And my teachers were far too strict.”
“Aw, it’s the strict ones that are the most fun to prank!” He pointed to Amane, adopting the most persuasive voice he could manage. “You gotta do some of these things, or you’ll turn out with a stick up your ass. Like Kotoko, or Mikoto. Or a weirdo like Kazui and Mahiru. Shidou’s more or less normal, and he’s the type of guy to break some rules now and then.”
“And you?” She raised her eyebrows at him, feigning innocence. “I take it you turned out perfectly because you misbehaved as a child?”
“Hey, I never said I was a shining role model or anything. But I mean it. If you stay like this, you’ll grow up to be a boring loser, another cog in the wheel.”
“It is an honor to be a part of something bigger than yourself, to find belonging, and purpose.”
“Tch, don’t be such a pain!”
“I wasn’t.”
“You know that’s not what I was talking about!”
“What were you talking about, then?” She gave him the same expression as before, and wondered if could hide her genuine confusion.
“Don’t play dumb. I know working in a group is a good thing, but you don’t want to kill yourself for leaders that don’t give a shit about you. That’s a major issue in this country, you know? In government, and corporations, and all that. That’s not belonging, that’s just exploitation.”
Amane stayed silent.
Oblivious to the emotions flashing across her lowered eyes, he nudged her in annoyance. “And the best way to break from that is to loosen up a bit. So have a little fun now and then, jeez!”
She picked her creation off the table. She turned it over in her hands. It had come out perfectly sharp and clean. “I’m having fun now.”
Fuuta, preparing to argue with whatever she said, blinked. “O-oh.”
“At school, my favorite activities included choir practice and the arts. It has been difficult to sing here without accompaniment, so I am grateful to have the opportunity for crafts.” She looked at him earnestly. “Despite your past of disobedience,” she smirked, “I always enjoy your company.”
His expression twisted up, but he couldn’t hide the reddening of his ears. “What do I care if a brat like you likes my company?”
She smiled. “I’m not a brat. As established, I am very well-behaved.”
“That’s even worse!”
“Tell me about this plane, Fuuta.”
After sufficiently rolling his eyes and sighing, he agreed. He started explaining what made these planes different from the last: how they compared on speed, accuracy, and length of flight. It didn’t really matter if they were just going to toss them around here or the panopticon later, he thought it would be helpful to teach her anyway. Maybe if she ever was inclined, she’d remember which ones were best for pinpointing a teacher’s back, or a warden’s…
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There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.
the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss
KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question
the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance
the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it
the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word
KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame
Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush
(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)
again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”
It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.
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How muscular are you looking for? Also what kind of lighting? Maybe me or someone has an appropriate friend/associate for a mini photo shoot?
Probably like swimmer/runner sort of build. I hate to impose on anyone, but if someone's up to the task I'd hardly refuse. I'm sure I'd come up with something to give them as thanks! I'll be able to figure something out, but good references make everything easier, so here, if anyone wants to take a shot, this is what I'm thinking:
I only need back references, so pants can stay on! Direct top lighting gives deep light/dark contrast, which is what I'm tentatively planning on.
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