#is important to the way i've learned to look at the world

[junedenim]

wrap my head around it all

a whole new thing

warnings: it's just fluff

word count: 3k

You're eating a bagel. He's drinking a cup of coffee. There's an ache that's been relieved. It feels this way whenever he comes home and he's been home for a month now but he still feels just how good this is, looking across at you as you scarf down a bagel so quickly he fears you'll choke.

"It isn't going anywhere." He chuckles at his own joke. He's ashamed of himself, you don't have to tell him.

And you know that. You wipe your hands on a napkin and throw your head back with a groan. "I'm so hungry."

He grins. "Do you want me to get you another one?"

You hum in thought, taking your time like you're concentrating on solving world hunger. Then, you sigh, your shoulders slumping as your hands return to what remains of your bagel. "No. I'll spoil lunch."

He chuckles and rests his head in the palm of his left hand. His gaze is soft and relaxed, focused on you. "I hate to break it to you but we're way past noon. That is your lunch."

You whine and rub the cream cheese off the corners of your mouth. "Fine. Then, I'm spoiling dinner. How would your parents like it if I didn't eat anything?"

He laughs at your worry and picks up his cup of coffee, dragging a sip from it. "I think they'll understand. Plus, I highly doubt you won't be hungry by dinner time."

Your shoulders slump as you chew the remains of your bagel. "I know, it's dreadful. This constant state of hunger I've been forced into."

"We all appreciate it," Alex assures, hiding his amusement from your frustration. "At least you're not retching every 20 minutes."

You lean back in your chair and drop the dirty napkin with the rest of your bagel's trash. "Small favours, huh?"

"Do you want me to get you another one?" Alex offers again. His attentiveness to you has only grown through the years. Perhaps, now, it's at an all-time high. But he likes being able to take care of you. It's the least he can do.

You shake your head. "No, I'd like to walk around a little now." It's cold, windy, and slightly raining. People are rushing into the cafe from the cold, but you want to walk around in it. He supposes there is where you lose him but he'll tighten his coat, put on a hat, and slip on some gloves if it's what you want. Besides, if it'll stop you complaining about how hot the cafe is then he can't complain.

He fixes the askew hat on your head and opens the door for you. As you two walk down the street, he places his hands in his pockets, forming a loop of his arms. You slip your arm through it, tugging him close, brushing your side up against his. "It's going to rain all week," Alex comments on the weather patterns.

"I like it when it rains." You are smiling through the gloom. In that smile, there's a lifetime of love and it is so strange that it feels so normal for him to feel this way. It was never a gradual thing. It was sudden the first time you talked to one another and he felt that he could reach out to you and you would never push him away. Silver lining is cheesy but all that tension he builds throughout his life is somehow relieved in the glimmer of your teeth.

The mundanity is the craziest. Everything felt like it had to be a big show of things. He had to slick back his hair and play make-believe in every moment but now, it's a sigh of relief. To come home to someone—to come home to you and not have to play pretend anymore. To roll out of bed and not have to decide who to play today, instead, decide where to go for breakfast.

Maybe it's getting older, but he thinks it lies in learning the importance of caring for someone else. He always has with his friends and family and past girlfriends but there's something different here. It's him relinquishing himself to that, allowing you to look after him. To wake up and find you've made coffee or come home and find you've bought him a new shirt. It's simple. Doing the laundry, cooking dinner, grocery shopping. It's so dull but in fact the greatest thing ever. That feeling has only grown as of late.

"Where are we walking to?" He asks.

You shrug and look over at him. "I don't know. We could...window shop or...," you think, tapping your finger on your chin, "go to the park or—"

"In the rain?" He questions, an eyebrow raised.

You smile and lean closer to him. Something you know gets him all twisted up around your finger, and you are willing to do anything you decide. "Why not?"

"Because I don't want to," he reasons, but the grin is already playing on his lips and light chuckles ripple through him as your lips grow closer and closer until you're hovering over his.

"Fine," you decide, shocking him.

"Really?"

"Yeah. I'm cold," you declare. You cuddle closer to him all pouty. It's the way you've been as of late whether the cold of winter or your hormones. "Let's go baby shopping."

"Baby shopping?"

"Yeah, we haven't really done it yet and we could look for cute itty bitty baby clothes," you reason.

The baby is new. Or rather the pregnancy. It's the reason for dinner with his parents. It wasn't planned but it wasn't unplanned. You'd been together for years, married for two, and, well, you, him, and baby makes three. 

You found out a couple of weeks ago. It's changed things for him with the whole caring thing. He's always cared, obviously, but now he finds himself interested in every little aspect of the pregnancy. He'd never thought he'd be that guy who reads the books and talks to your stomach (which you don't know about, he's too embarrassed to do it while you're awake), but things change and he'd never thought he'd be a father but here he is walking into a baby clothing store to buy clothes for his—well, your—baby. 

He still hasn't processed the whole "baby" part of things. He knows there will be a baby but he can't yet imagine having the baby. You being pregnant doesn't even quite feel real yet. You're barely showing and he only feels it might be real when he talks to it. That feels weird to call it it. But he's tried calling it he or she but that's a mouthful. You don't like him calling it it so he started calling it names. 

First, it was normal. "Mary," "John," "Elizabeth," "James," but you didn't like that either because the baby didn't have a name. The baby hasn't even developed that part of them yet. So, he calls it "tot," "bug," "pumpkin," and his personal favorite, "the fetus." You're not sure why but he makes him laugh. Maybe it's the boyish part of him that still thinks boobies are the coolest thing ever.

"Should we really buy clothes if we don't know the gender yet?" He asks as you search through the girlish items.

"A baby isn't modeling for the cover of Vogue. We just need to find an outfit to take the baby home in. A hat and a onesie." You pick up a cute pink one with little pink bows printed across it. "Look how cute and small this one is."

"What if it's a boy?"

You roll your eyes. "Real men wear pink, you know that better than anyone."

He chuckles. "Touché."

You point the onesie back and state, "Besides, we're probably going to have a girl anyway. My family is filled with girls."

"Well, my family has guys," Alex points out.

"What? You?" You laugh at him. "Yes, statistically your parents did have 100% guys."

"Shut up," he mutters as he comes closer and lands a kiss on you. There are the moments that count, that are embedded and embossed deep into his mind. They are small but mighty. It's right up there with shopping for a new shower curtain. It's stupid but it's real. Arguing over whether it should be flowers or ducks (he really wanted the ducks for some reason). You compromised with polka dots, not that that part matters much. It was more doing it with you. He doesn't know why other than it's fun and he loves you. 

You move further down the aisle, looking through bees, princesses, and truck designs. "The baby will be born in August. What screams August to you?"

"Sweat," he replies.

"Be serious," you urge him, your eyes staring strongly at him. He can feel the pupil blaze through him like a laser.

"I am," he says, "I think of sweating, the heat, sun."

"Aw," you coo as a smile grows on your lips. "Cute little suns and if we have a son then it'll be like son and sun. Get it?"

He smiles down at you, struggling to process all of this. "Yeah, I get it." A son, a daughter, a child. It knocks him off his feet. He gets hit with these waves. It's nerves but it's also excitement. The idea that a baby will be in that small onesie. A part of him will be in the world, running off, getting into nonsense. He has a few years until that. Hopefully, he'll catch up by then.

You buy the onesie with suns on it and leave after that. There will be plenty of time to spend plenty more money at the store but for now, you head to the bookstore next door. It's small with aching floors and dusty shelves. You're just trying to kill time until dinner and this seems like a good place to start.

You drag him by hand to the children's book section because despite it being another few years until the baby can read, but you like the idea of reading to the baby every night, even if they can't understand a word of what you're saying. Between Madeline and The Giving Tree, you say, "You know, these are the last couple of months of our lives, it'll be just the two of us."

He picks up Curious George, distracting himself by looking through the pictures. "You say that like you want me to panic."

"No," you assure him, placing your hands on his shoulder, giving them a squeeze. "This is such a special time in our lives. We'll never experience something like this again. Shopping for our baby, nervous, scared, anxious, happy, excited. And I get to do it all with you."

He shakes his head and puts Curious George back on the shelf, turning to you. "You really have a gift."

"What?" You ask eagerly.

Alex takes your hands off his shoulders and squeezes them. "Nothing. You just always know how to make me feel better."

"I know it's hard for you to believe but it goes both ways. I'm panicking too, you know? I have to push a whole human being out of me."

"I know. How selfish am I to be the one who's scared."

"No. It's perfectly reasonable. It's a life-changing thing that'll cry, poop, pee, and spit all over you. I guess, I just take comfort in knowing I have you to hold my hand."

He takes a deep breath and tries to let the stress go. "You're going make me cry next to Harold and the Purple Crayon."

"Well, this is my way of guilting you into changing all the diapers so it works out pretty good."

Alex then gets carried away by a Batman Lego set and despite the knowledge that it can't be anywhere near a child until it's no longer a choking hazard. Perhaps, it's more for Alex than the baby. He doesn't get it because he doesn't want to carry it around for the rest of the day but he's not saying he won't come back for it.

You leave with Harold and the Purple Crayon for memory's sake. The rain has stopped but the wind is still cold and the pavement is soaked wet with puddles. You huddle close together once again.

Alex asks, "Are you cool with the whole giving birth thing?"

You laugh at him. "I don't have much of a choice. Why? Do you want to try?"

"If I could, I would."

"No, you wouldn't, but I appreciate the sentiment. Besides, it's kind of cool. A special thing that only I get to experience. I mean, the thing is growing in me, that's crazy but cool."

"Yeah, the tot is a part of you."

You hum. "I want french fries."

He smiles. "Okay. I could go for a burger."

Fast food being on every corner does have its conveniences. McDonald's is warm, separating you from the world's chill. "My mother had short labours. How long was your mother in labour for?"

"I don't know. You can ask her at dinner."

"I'm definitely getting an epidural. I don't care if it slows the process down. You know I'm in pain from just a headache. I wouldn't survive natural labour."

"Good thing for modern medicine."

"If it was the 1800s you could just give me a bunch of morphine and knock me out."

"I'll tell them to have some ready for you."

You sit in a booth that is mildly sticky but he'll ignore it if it'll ease your feet. He bought the large fries with the intention of it being shared between the two of you but instead, you take it for yourself. He enjoys his burger.

"We should have gotten a Happy Meal," you joke, dipping the fry into the ketchup pile. 

He smiles because despite being freaked out 99% of the time, the 1%—the idea of doing things like this, buying a Happy Meal for his kid—outweighs it all. "Yeah, would've gotten a cool toy too."

"Well, as long as you eat your apple slices." You smile up at him and he blushes. He's been with you for so long and yet he still gets flushed under your gaze, lost in your eyes, falling in love over and over again. It's cheesy and cliche, but that doesn't make it untrue.

He steals a fry away and asks, "What should we name the tot?"

You shake your head. "No clue. Is it weird that that is what terrifies me the most?"

"No, they're going to carry it around with them for their whole life. It's the first major life decision we’ll make for them. Well, after, you know, making them."

You giggle at him with a mouthful of fries. "Yeah. If it's a boy should we name it after you?"

"God no." There doesn't need to be another Alex Turner in the world. That would make things far too confusing.

"What about for a middle name?"

"Nah, the kid is already getting my last name."

"Should we go away? Like a babymoon or whatever it's called?" You ask.

"Sure, if it's anything like our honeymoon." You went to Bora Bora. You didn't see much of Bora Bora. It was your hotel and the water pretty much of which Alex insisted on giving an equal show of things, which you'd be mildly embarrassed by if you weren't so turned on by it. Besides, you came back with no tan lines.

"Shut up," you wish upon him.

He laughs because he really is just a teenage boy who still finds sex to be funny. But it's a lovely sight to see with the crinkle by his eyes and the smile lines forming. You always like him like this. He can be moody and pensive a lot of the time. When he laughs, it feels like he fully lets go, if only for a moment. 

"Where would we go?" He asks.

"A cottage in the woods or something. I don't know. I might be too pregnant to fly by the time we do it."

"You're going to be so cute with a belly."

"Please don't turn into some pregnancy fetishist, Alex," you warn him.

And, no, he won't be going up to pregnant women on the street and asking to touch their bellies but there is something inherently attractive about you being pregnant. It's probably some biological design.

"I can't help it if I want to fuck you."

"Alex!" You scold looking around the McDonald's in shame. Much wilder things have been said in places like this but you still turn red whenever he gets suggestive, especially in this vulgar way like some need has overtaken him and he needs to have you right now. Like he'll take you on the red paint-chipped table. 

He chuckles and bites into his burger. So nonchalant in every way like nothing affects him. It's easy for him to be casual about these things. He's pretty sure a corner of his brain is thinking about things like that all the time. He's pretty sure he thinks of your boobs every night before bed and wakes up thinking about your ass. Again, he's pretty sure it's that inherent biological man thing.

"In a couple of months, you'll be so pumped full of hormones you'll want me to fuck you in the bathroom of this place."

You reach across the table and start smacking him but he just laughs more and more, getting a real kick of this. "Will you shut up?" Truthfully, you kind of want to go jump his bones now.

*

a/n: sigh, just a little something for now. trying to write more but my finals have been a bitch. but winter break is soon...

[doctorprofessorsong]

I've been waiting to really have some time to type out my thoughts about the Ody3, and now I have managed to sneak away, so here you go.

Doctor Odyssey is not being presented as a love triangle, but instead as a throuple. A basic tenet of polyamory for a lot of people is: one person cannot meet all my emotional and physical needs.

And to be crystal clear, that's also something the show has expressly outlined. The captain said it. Out loud. About a throuple. So it's not like this is unintentional.

With that, here's why this throuple story is balanced and conveying clearly that they each meet separate and important emotional needs (physically they've all said it was awesome so let's assume the sex is good)

Avery - Avery is an interesting character because she is very smart and largely defines herself by academic accomplishments. In fact, she is considering med school but doesn't have a burning need to be a doctor. She just feels like it's what she should do. This wars with her nature to pursue pleasure. She wants to see the world. She isn't interested in settling down. And she has a fear of commitment that stems from being hurt while envisioning a future where she has "fixed" herself and has kids and a spouse. She also froze her eggs, which takes commitment, but didn't say kids as her bucket lost goal.

Tristan - Tristan is all heart. He's touchy and feels deeply and openly and unapologetically. He openly loves, appreciates being wanted, and tbh is a himbo (honorific). He also is terrified of being left because of his mother who love bombed and abandoned him over and over again. He craves something stable while also being absolutely terrified of getting it and either losing it or losing his taste for it. He wants kids but isn’t willing to risk his heart unless he knows his partner is all in on him which is basically an impossibility at the front end of a relationship.

Max - Max is smart and he knows it. He loves learning new things with an enthusiasm most people don't appreciate. But that's both an attribute and a drawback for him because Max hides behind his knowledge when he's scared or hurt. Rather than be vulnerable, he falls into a pattern of professionalism and authority (earned or not). He longs to let his hair down, but stepping out of his self-imposed role is terrifying.

So knowing all that, let's look at them ttogether.

Max and Avery - these two absolutely thrive in an academic or cerebral challenge. They challenge each other and push each other intellectually. They are attracted to the other in part by those sexy brains. But they have no idea how to cross the divide on an emotional level. Avery has no clue how to tease Max out of his rigid walls (something she seems to acknowledge when asking Tristan to help with the throuple idea). And Max also can't figure that out. Also, Max encourages Avery's instinct to define herself by academic achievements (not purposely so much as because they are too alike here)

Max and Tristan - Max and Tristan have similar life goals but it's the way they connect emotionally that is the key to the balance for both characters. Tristan can reach Max, like he did in the mid season finale. He breaks the ice around Max's heart. Max, meanwhile, gives Tristan and stability and maturity he craves. And Max feels like he's a constant. He may retreat behind his walls and rules, but you get the feeling that if he lets that guard down, he would be a steady partner.

Avery and Tristan - these two like each other. They're close. They care about each other. Yet they didn't find a space without Max. I think it's because they are both too prone to having fun (Avery) and running away from commitment (both of them). Tristan has historically held Avery up as an idea while not seeing the person. Avery has either dismissed Tristan or recognized she isn't willing to give him the steady commitment he craves. They are GREAT for each other. They care about each other and support each other and connect so well. But neither of them is in a space where a healthy relationship can form on their own.

When you put them all together, you start to see both how they fulfill certain needs in each other but also how they fill in the gaps. No pairing stands alone. It's unbalanced. But together, they work so well.

Interestingly, we're shown that. They are best when they are together and on the same page. Things feel unbalanced when they aren't on screen together. Even when they work well together one on one, eventually coming together as a triad is like an emotional home base for them.

[miraculouslbcnreactions]

Do you think that Ms. Bustier is overhated?

Not particularly. I don't have any strong feelings about her, but she's clearly a terrible teacher who is in way over her head. I totally understand why she sets some people off. If she was a real person that I actually had to deal with, then she'd probably set me off, too, because she so perfectly encapsulates toxic positivity. If you're not familiar with that term, then here's a quick definition:

Toxic positivity is the act of avoiding, suppressing, or rejecting negative emotions or experiences. This may take the form of denying your own emotions or someone else denying your emotions, insisting on positive thinking instead. Although setting aside difficult emotions is sometimes necessary temporarily, denying negative feelings long term is harmful because it can prevent people from processing their emotions and overcoming their distress.

Read that definition and then look at this scene from Zombiezou:

Marinette: But Miss Bustier, it's so not fair! It was Chloé, pulling another...Chloé! And...I'm the one who's getting in trouble?! Miss Bustier: Of course you're not in trouble, don't worry! As the class representative, I want you to set a good example for your classmates. Don't give into feelings of anger. Try to forgive Chloé instead. Marinette: I don't get it... Chloé is the meanest person I've ever known. Miss Bustier: Come on... There are much worse people in Paris right now than Chloé Bourgeois. I'm sure people like Chloé are capable of great things. The problem is, they only think of themselves. They don't understand the meaning of love, and we can't force them to change. But perhaps we can show them by setting a good example. That's why Marinettes are so important in today's world; because they have a lot of love to give. I'm counting on you. Marinette: Yes, Miss Bustier.

This is toxic positivity in action. Marinette is told to set aside her extremely valid feelings as if anger is a terrible thing, but it isn't. All emotions have their place and ignoring them can do real harm, a lesson that Miraculous really struggles with. It seems to see "negative" emotions as bad and they're really not. What matters is how we express and address our emotions, not that we experience them. If you want to see a family friendly piece of media do this topic right, then go watch Pixar's Inside Out.

There's also the fact that Chloé is never punished for her actions in this episode. She ruined a gift that probably took Marinette hours and yet Miss Bustier puts the onus to fix things on Marinette, blaming the victim and doing nothing to actually fix the situation. Canon mildly complicates this with Chloé's father's willingness to meddle, making punishing her apparently impossible, but Miss Bustier doesn't even acknowledge that here. The stated logic is that you need to be nice to your bully and that will hopefully magically fix things, which is a terrible lesson that I don't want any kid to learn! What kind of logic is that?

I'll admit that I'm a big fan of "an eye for an eye leaves the whole world blind," but that doesn't mean that you should never acknowledge harm or fight back. It just means that you need to be measured in your responses and pick your battles wisely. If this episode was about that, then I'd be fine with it, but that's not the lesson here. There is no point where the wrong done to Marinette is even mildly acknowledged. Miss Bustier's initial reaction to seeing Marinette's ruined gift is:

Miss Bustier: Well, I think this present is wonderful. It'll be my new cosmetics bag! Then I'll be able to think of both of you every time I use it.

And we go straight from that to the toxic positivity.

Something is wrong with this woman. You shouldn't even take this approach with preschoolers! While I could see this being a good final solution to something like Chloé scribbling on Marinette's drawing, Chloé's behavior still needs to be addressed. She is still the one in the wrong here. The one whose behavior needs to change.

This is one of many cases where there are two paths to take with this character. The writers clearly want Miss Bustier to be a wonderful teacher, but they wrote a victim-blaming disaster who shouldn't be in charge of anyone. If you're ever adapting her, then it's up to you if you want to redesign her into her intended self or if you want to lean into the bad writing. I think both paths have merit because the writing is so bad that there is no way to make canon Caline work as a good teacher. She's too fundamentally flawed so you either acknowledge how awful she is or do a major overhaul where she's much less forgiving and actually acknowledges things like the Chloé problem.

[thehoneybeet]

B, W, Y for the ask game, if you wish 🤩!

Ali, all of these are wonderful!! Thanks for the ask (full alphabet here).

B: Any of your stories inspired by personal experience?

In plant me in your garden, the scene in which Draco explains how to ask for permission from the plants before taking their fruit is based on something a parent taught me when I was young. You could take it literally and see plants as sentient beings with some level of autonomy, or you could take it as a metaphor, a reminder to be present and hold space for gratitude when receiving things from nature.

This story as a whole was inspired by my own experience exploring and thinking about gender fluidity in a way that felt safe and transformative.

In everything is relative to you, one of Harry and Draco's past lives (the lesbian witch burning) was inspired by a past life regression of someone very close to me.

W: Do you like more general prompts, or more specific ones?

I see you gearing up for fth :) I love prompts that start with a story concept and also include certain tropes, elements, etc. that you love to read. I find it really fun to combine those things and try to fit them all in a (somewhat) coherent story. This challenge is why I love doing @hd-erised. I also find that it makes me write things I would never have thought of on my own, which makes the process much more interesting and enjoyable. That said, I can't guarantee I'll stick with every element in a specific prompt. If the prompt is extremely detailed (for example, outlining the plot) I think the prompter should take a stab at writing it themselves.

Y: A character you want to protect.

None of them. To me, this is the point of characters, that no matter the shit they've gone through, no real person is getting hurt. I find it compelling to read about characters who have experienced pain and dealt with it through some sort of catharsis. I love happy endings, but to me angst is more stimulating, emotionally complex and rewarding by the end of the story. And by definition that means no one is totally protected from being hurt.

In a completely different sense, I do want to protect certain characters from their limited and "ethically mean-spirited" portrayals in canon. Part of this is the joy of fandom, that we look at a character like Draco and not see someone irredeemable, but rather someone who's been on the wrong path and is struggling to change himself and how he engages with the world. Same with Harry--I almost think that allowing Harry to be truly hurt by the events of canon and process them in fic is kinder than pretending everything was fine, that he was straight, cis, etc. And having them love each other so completely obliterates this black and white idea that some people are Good People and some are Bad People and that's an unalterable fact. So I do want to protect them from that.

Thank you again for asking and would love to hear your answers to these as well 💕

[meirimerens]

the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:

P2 Layers glyphs take from the mongolian script:

while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)

the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)

some of the sigils also look either in part or fully inspired by Phags Pa script letters...

some look closer to the mongolian or vagindra (buryat) script

looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):

shaped and reshaped...

[blujayonthewing]

considering making art about the alternate timeline where juniper is a private tutor for a wealthy estate and not elaborating on why

[screambirdscreaming]

This is very well articulated and true to many people's experiences, BUT with the diagnostic landscape as it stands, I think its really dangerous to assume that children who *do* get diagnosed are treated any more kindly.

Many kids who are diagnosed are not actually given words to explain their experiences. Their needs are simply dismissed as "symptoms" they have to "work on" and "get past".

Some kids are actually diagnosed with "Oppositional Defiant Disorder" - whereupon ANY need they express - even those which would be treated as reasonable from undiagnosed or neurotypical children! - is pathologized as "defiance". And yes, this diagnosis is highly racialized.

Honestly, knowing that ODD exists as a diagnosis really forces a person to challenge their perspective on what diagnosis is and means. Yes, diagnosis *can* be a tool of understanding, a way of banding together around shared struggles and generating shared language, tools, and resources. But it can also be a tool of opression and social control. And it *is*, currently for many people, a tool which is used to opress them. Even if it is also currently, in other people's experience, a tool of solidarity and support.

I think people who have experienced adult diagnosis as a relief, a breakthrough, a finding of community and tools of understanding - are sometimes prone to projecting this experience onto an imagined experience of childhood diagnosis, without looking into what childhood diagnosis actually entails.

It shouldn't be surprising, given the way children are dismissed, corralled, managed, and expected to conform to adult expectations at all times - that childhood diagnosis lacks the experience of autonomy, self-realization, and support found by those seeking diagnosis on their own terms as adults.

And it's understandable for people to say, "I wish I'd had this experience [of finding a diagnosis as an adult] as a child." But you can't just say, "I wish I'd been diagnosed as a child", and expect it to mean that - without MAKING childhood diagnosis mean something completely different than it currently does.

And I do absolutely think that it's crucial to change childhood diagnosis to mean eduction *of parents and caregivers* about the diagnosis, to mean kids are given tools and resources to express their needs and to process their experiences, to mean kids are given access to the same sort of supportive community that adults find through diagnosis.

But I actually don't think that's the first step. I think the first step is to create a cultural shift where we LISTEN TO CHILDREN WHEN THEY EXPRESS THEIR NEEDS, IN THEIR OWN WAYS, ON THEIR OWN TERMS. In general. For all children.

Where adults take seriously kids who are upset over problems adults find absurd. Where adults are willing to make accommodations that kids request even if they don't understand why it matters. Where kids aren't ridiculed or shut down for asking for things that don't make sense. Where kids who say they're in pain are treated as if they're in pain, not as if they're trying to get out of something. Where kids who say they need to sit something out are allowed to sit something out. Where adults make an effort to understand what kids are trying to communicate, even if they cant "use their words".

It turns out that having been dismissed by adults over something that really mattered to you as a kid is a near universal experience. And I'm not saying it's not *worse* for neurodivergent kids. I'm just saying that it's treated as bizarrely normalized in childcare that kids won't come to adults with really serious issues, like abuse. That they'll try to hide it. Why? Because they've learned that adults don't really understand them, and won't try to understand them. That adults don't really listen.

And it's hard, actually - as an adult working with kids, they'll come to you with a concern that seems absolutely ridiculous. Like, their classmate was bragging about how he's going to borrow his uncle's helicopter and fly to the north pole to meet santa. And THEY know santa isn't real and that the north pole is very dangerous - but they think it's absolutely credible that the kid could steal the helicopter, and they're terrified he's gonna get hurt. And you can't laugh! Not even a tiny little bit! You have to treat absolutely seriously their concern, and work it through with them. Because to them it's not ridiculous. They don't have the perspective you do, about what's real and possible and plausible and what isn't. All they'll see is that you've dismissed their real fear - and after that, why would they come to you with anything else they're scared of?

So you have to meet them where they are. You have to treat their experiences and perspectives as genuine, even when they don't make sense to you. You have to work towards understanding their reality, and what they're trying to convey to you, and what they want you to do for them in response. Even if they don't know what they want you to do! They're coming to you as an adult who will fix a problem for them, but if you fix the problem your way and it turns out that's not actually what they wanted, they *still* learn that adults don't understand them and can't help them. You have to learn to unpack all your concepts of what goes on in kids heads, and really meet them where they are. As complex individuals whose ways of thinking and being are probably totally different from your own, regardless of whether they - or you - are neurodivergent.

And this unpacking goes beyond kids. Not only do we need to take kids seriously, we need to take each other seriously. We need to build a world where people are able to understand and respect that other people are different from them without having to know Why and How. Where you don't NEED a diagnosis to be allowed to exist in a way that is different from other people.

anyway I don't mean to detract from the conversation about how alienating and destructive it is to your ability to relate to yourself, to grow up neurodivergent and having your own experiences constantly denied to you. I just think that while we're at it, we may as well address the problem at the root.

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[txttletale]

Saw a tweet that said something around:

"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"

I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.

i would simply respond that almost none of that is true.

'depleting the global power and water supply'

something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:

running a microwave for ten minutes is 133 watt-hours

gaming on your ps5 for an hour is 200 watt-hours

watching an hour of netflix is 800 watt-hours

and those are just domestic consumer electricty uses!

a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)

a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)

i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?

1-1.5%.

ah. well. nevertheless!

what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.

most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.

but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.

but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!

so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!

'stopping us from thinking or writing critically'

this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."

it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.

nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!

plagiarizing human artists

nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.

AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).

to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?

then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!

this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.

(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)

today's students are worried they won't have jobs because of AI tools

i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).

jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!

there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:

“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”

this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.

so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.

if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.

[starlightomatic]

Someone sent me an ask about how to avoid antisemitism when talking about what's happening in Palestine, but Tumblr ate it. This is a really important question, because we don't want to fight one oppression while enabling another; we don't want to accidentally foment the conditions that lead to antisemitic violence, and we also don't want to shy away from speaking about Gaza for fear that we're doing so.

Here are my thoughts.

There are a lot of unconscious antisemitic beliefs that people hold, that they may not be consciously aware of. They may have learned these from parents, peers, or society at large. Like any bigotry, a huge part of not being harmful in bigoted ways comes down to learning what unconscious bigotry looks like within you and learning how it is expressed.

Antisemitism is very old, and there are a lot of tropes and beliefs that have developed through the years. Many of these are alive and well, though they may be subtle enough that people don't realize they're carrying them. However, they show up in the way that people speak, especially about Israel and Palestine. Here are some:

1. Jews are overwhelmingly wealthy

2. Jews control the world

3. Jews control a given country (eg the US)

4. Jews are not oppressed

5. Jews are some of the most privileged people in society; more than non-Jewish white people. Jews are white people but even more so.

6. Jews are whiny and complain about their nonexistent oppression too much

7. Jews are sneaky, deceptive, and untrustworthy. They don't speak sincerely or plainly; they have an ulterior motive and are trying to get one over on you.

8. Jews are greedy

9. Jews are really powerful

10. Jews undermine and destabilize movements and countries. (This one connects to 3, 7, and 8).

11. Jews are inherently guilty; a good Jew needs to apologize for being Jewish

12. Jews are bloodthirsty and desire violence against non-Jews

13. A Jew is from somewhere else, and does not belong in the place that they are.

14. Jews sap resources from the country they are in and funnel them into their own communities/interests. They are a vampire-like parasite on the societies they live in.

How do these get expressed in the movement? Here are some examples (these are paraphrases and combinations of various things I've seen):

Example A:

"American Jews are complaining about oppression while living in their NYC apartments and taking Ubers. It's ridiculous, so much privilege and entitlement." This one's got 1, 4, 5, 6, and 7.

1: Assumes wealth. Plenty of us can't afford NYC apartments or Ubers!

4, 5, and 6: self-explanatory.

7: Belief that on some level, fear of antisemitism can't really be sincere; we must be talking about it for some other purpose, eg to distract from "real" issues.

Example B:

"The US is funding this genocide because of the influence of Israel and Israel's interests, and the Jewish lobbyists." Employs 3 and 9.

3: The US is doing this because of its own interests; if anything, the US wants to be able to use Israel as a pawn.

9: Imagines Jewish lobbyists as powerful enough to drive US policy. Also forgets how dramatically the US dwarfs Israel in size, money, and power; imagines it's the other way around.

Example C:

"These Israeli first responders are lying about finding mutilated and sexually abused bodies after October 7th. This Israeli girl who was held hostage is lying about having talked to fellow hostages who were sexually assaulted. This Israeli first responder is lying about children having been killed on October 7th."

This is 4, 6, and mainly 7.

7 because it assumes that these people are telling these lies for some nefarious purpose: to garner false sympathy, or worse, to manufacture support for genocide. It cannot be because they are actually telling the truth.

Example D:

"It's suspect if someone talks too much about antisemitism. Or if they correct my misinformation. They are probably a crypto-Zionist. In fact, all of these Jewish tumblr bloggers are crypto-Zionists."

(The first part of this I haven't heard said; but rather it's the unspoken attitude I'm frequently presented with.)

This one has 4, 5, 6, 7 and 10. Mostly 7 and 10.

Beliefs that our goal is to derail pro-Palestine organizing by sewing Zionist beliefs in the movement. That we would be capable of such (9). That it's impossible that we're sincere and we're concerned both about what's happening in Gaza and the everpresent, intangible potent threat of imminent antisemitic violence.

Example E:

"What everpresent threat of imminent antisemitic violence? You're either delusional, too privileged to understand how oppressed you aren't, or lying to some sinister purpose."

The first two (delusional and too privileged) often comes from other Jews, who, yes, can be antisemitic too.

This one has: 4, 5, 6, 7, and 9.

Example F:

"As a Jew I know I am responsible for what's happening in Gaza, and I need to call in my people who deny our privilege and who think they're unsafe."

1, 4, 5, 6, 11. Shades of 10.

Example G:

"Israel is invading Gaza for oil."

8. Also this isn't true.

Example H:

"No Israeli is a civilian. All settlers are guilty, and need to leave."

Technically, it is possible for someone to hold this belief consistently for all settlers worldwide due to stringent decolonial beliefs. However, it frequently is applied only to Israelis. In such an iteration, I think it contains 10, 11, 12, and 13.

Which leads to my next point: Double standards. If something doesn't invoke a particular trope, but views Jewish or Israeli actions more harshly than we'd view the equivalent in any other place or people, to me that's suspect.

For example, relating to the above, if we believe that Truth and Reconciliation is the answer in the US and Canada, but in Israel the answer would be forced displacement of the Jewish population, that would be antisemitic.

Also, if we're able to hold nuance around the idea of refugees to the US and Canada, and understand that they're simultaneously taking part in colonialism while also arriving under duress because they need a place to live, we can extend the same nuance to the idea of Jewish refugees (Holocaust survivors, SWANA Jews, Ethiopian Jews, etc) who have come to Israel.

And, going back to example A, is there any other marginalized group we would say is not actually oppressed because members of it live in NYC and take Ubers? No? Then, it's antisemitic when you say it about Jews.

I also think misinformation about Jewish history and identity is antisemitic. For example, lines of thought that deny our ancestral, historical, cultural, and liturgical connections to the land of Israel/Palestine. One false belief I see a lot is Khazar Theory, popularized by the quack Shlomo Sand. This states that Ashkenazi Jews do not have ancestral origins in what's now Israel/Palestine, but rather descend from a mass conversion of Turkic peoples in the Kingdom of Kazaria. It is not, in fact, true.

Something else along these lines is back-defining origins and land-connection through current events. For example, a white gentile ex-friend of mine shared a post stating that because the IDF, as well as settler extremists, destroy Palestinian olive trees (an egregious act, in my opinion, as well as against Jewish law), this means we are not native to the land. While I understand the term native is complex and this might have been an attempt to denote our positionality as colonizer in a colonizer-indigenous dynamic, the framing of the post led me to believe that, actually, the post was using these actions to prove that we do not actually originate from the land.

Destroying Palestinian olive trees is an act of great violence against the land, against the Palestinian people, and against our own history, culture, and religious traditions. However, it does not change the historical fact of our origins or ancestry, nor the fact the our religious traditions are deeply intertwined with the seasons, climate, and agriculture of Israel-Palestine, even when that puts them out of sync with the seasons and climate of wherever we live in Diaspora.

I hope this is helpful. This is a really hard time for so many of us, and I know it can feel like derailing to focus on antisemitism right now, and to focus on the potential of future violence when the people of Gaza are experiencing actual extreme levels of violence right now. But if we truly believe that none of us are free until all of us are free, then fighting antisemitism has to be part of our collective liberation. We cannot and should not fight genocide by engaging in oppression. Speaking up for Gaza and Palestine does not have to mean fomenting conditions that put Jews in danger of bigotry and violence. The world we're building is one where seeing your trees destroyed, or your family killed, or your home receding into the distance as you are forced to leave is but a distant memory. For Palestinians, and for Jews, and for everybody on this Earth.

[astrosamara]

Astrology Observations #4

🩵Sun in 8th & 12th house are incredibly talented individuals with unique gifts to share with the world, but a lot of the time this potential is unseen to them and they can struggle a lot with their purpose. These people can also attract a lot of jealousy from people who don't want to see them win in life.

🩵So many Pisces suns I know radiate this effortlessly cool vibe and people naturally want to be around them. Unfortunately for Pisces, their energy gets depleted around people quickly and they require a lot of alone time or their vibe can turn sour fast.

🩵Earth suns, especially Capricorns, unfairly get labeled as being too boring and practical. These people can make great friends who are grounded and reliable though. This energy gets taken for granted in friendships I feel like.

🩵You might find yourself frequently getting crushes on people with their sun or moon in your 5th and 7th houses.

🩵Moon in 6th house are more sensitive than others to their environment and daily routines. They can struggle feeling grounded in their emotions, since their environment is so strongly connected to their inner world.

🩵Saturn in 1st can be insanely critical over their physical appearance. They might not take pictures of themselves very often, but when they do, they can obsess over how they look in them. I have this placement and I don't have that many pictures of myself when I was a teenager because I hated getting my picture taken. My entire day would be ruined if I saw a bad picture of myself.

🩵Venus in 1st is a placement I've always been jealous of, they just radiate feminine beauty and can have a strong interest and understanding of fashion. I've also noticed that there can be something unique about their beauty that really makes people notice them.

🩵Scorpio Venus can struggle a lot with limerence. They frequently mistake obsession for love. They might not even be interested in someone unless they feel like they're obsessed with them. Crushes in general can feel all consuming for them.

🩵Scorpio's are also great at hiding things from people and will only show a side of themselves that they want to portray. They understand the importance of keeping things private and will truly take their secrets to the grave.

🩵Pisces mercuries will blurt out the most random things in a group conversation that will leave everyone speechless and confused. I swear their minds are just tapped into a different dimension lol. Also incredibly funny.

🩵If you have any planets conjunct your chiron, there can be a great source of pain within the themes of this planet, but if you focus on healing this energy it can become a great source of power for you. I have chiron conjunct my mercury and I grew up extremely shy and afraid to use my voice. Now, I've found that journaling and writing about my pain has become incredibly therapeutic for me and it's strengthened my ability to communicate about my emotions.

🩵Mars in 6th house tend to be really passionate about trying to maintain a healthy lifestyle. They feel great when they prioritize their health and when they follow a schedule. I have this placement in Virgo and I can get so grouchy and irritable if I don't eat well and get some sort of movement in for the day.

🩵North node in 6th house can really struggle with being an active participant in their life. With their south node in the 12th house, they feel most comfortable observing other people's lives and blending into the background. Learning to embrace the spotlight and be seen by others will be very important for them in being on the right path.

🩵Sun in 1st house people can literally or metaphorically have a shine or glow to them. They radiate this light, warm, welcoming energy that makes people just want to look at them and be around them. Also, natural entertainers. They're meant for the spotlight in some way or another.

🩵Mars in 3rd house are constantly traveling and seeking adventure. They're always down to try new things or go somewhere new. I have a friend with this placement that is seemingly always traveling, in a new place, or trying a new hobby every time I talk to them. They don't like being stagnant.

[headspace-hotel]

okay. so.

i'm reading this book The Origins of the Modern World by Robert Marks

and even from the beginning i was getting this weird feeling from it. I'm always really wary of books that are broad overviews of history that claim to explore big theory-of-everything explanations for very broad phenomena, because history is unbelievably complex and there is so much disagreement between historians about everything.

But anyway I come to this section (in the first chapter)

This writer's opinion is that the Americas seemed so abundant when English settlers first arrived because the Native Americans had been mostly killed, and as a result, the wildlife increased greatly in numbers and forests overtook the farms, creating what appeared to be a natural paradise.

I'm immediately suspicious of this paragraph because arguing that the mass death of Native Americans was good for nature seems really contradictory to the research I've explored, on top of being just...disgusting.

But it doesn't sound right in regards to how ecosystems work either. If populations of animals had recently exploded after millennia of being limited by a major predator, it would cause the plants to be overwhelmed by the herbivore populations. The land would be stripped barren and eroded, and soon the animals would be weak and starving.

So I thought to myself, huh, a citation. I will look at the citation and see what it says.

It's a book called Changes in the Land by William Cronon, who seems to be one of the most important and respected guys in his field. I thought, I have to find this book. So I did, I found the book, and spent like an hour reading through it.

And what I discovered, is that Cronon's book directly contradicts what Marks says in the paragraph that cites Cronon?!

So basically this entire book, Changes in the Land, is a detailed exploration of how the arrival of English settlers, the decline of Native American populations, and the slow transition to European farming and land use practices caused increasing degradation to the ecosystem, beginning very early on in colonization.

Changes in the Land quotes a great array of documents from the colonial period where settlers observed the soil becoming depleted, animals disappearing, and the climate itself becoming more hostile even in the 1600's. It's actually a really fascinating book.

Cronon tells us that Native Americans created lush and abundant conditions for wild animals by causing a "mosaic" of habitats, with different areas representing various stages of ecological succession. With this great diversity in habitats, and lots of transitional "edges" between them, the prosperity of the animal life was maximized. This was intentional, and really a type of farming.

The book essentially explains how European settlers couldn't recognize Native American life ways as "agriculture," they thought the land was just supernaturally abundant all by itself because of its inherent nature, and yet almost immediately after settlers came, the abundance of the land degraded and vanished. The settlers cut down vast amounts of trees, which caused erosion, which destroyed the river and stream ecosystems and starved the soil of nutrients. Destruction of forest caused less rain, and more extreme temperatures. It became a vicious cycle where the settlers had to abuse the land more and more just to survive.

The spiral pulled in Native American communities too, forcing them to turn to more exploitative means of survival like the fur trade, (which depleted the beaver population, which caused the decline of beaver ponds, which harmed the whole forest). It describes how the changing ecosystems left Native Americans with no choice but to turn to European practices for survival, which in turn depleted the land even further.

Even I was surprised to learn just how early on environmental disaster set in, and the incredible extent of it. English farming practices literally reshaped the map of New Haven between the 17th and 18th centuries:

To return to Marks, though...Marks' statement in the excerpt, where he says the "abundance" of animals continued throughout the 19th century, is blatantly false according to the source HE CITES.

Deer were becoming scarce in New England by the 1690's. It was so bad by 1718 that deer hunting was forbidden for 3 years at that time, and by 1800, deer were almost extirpated from New England. The book explains on another page that wild turkeys became so rare that a farmer's manual from the time said their domesticated turkeys were from Turkey—settlers had no opportunity to see a wild turkey and no idea they existed.

Marks is supporting his statement using a source entirely dedicated to contradicting the exact thing he's saying! It's unbelievable.

How does this happen? Did Marks just have his own opinion and insert a famous book that seemed to be on the subject as support, without reading it?

I'm thinking now of all the times I've read a book and seen a citation on a statement and unconsciously thought "oh, well it seems there is evidence, so it must be reliable" when actually, something like this was happening. The array of ways misinformation can be propagated and never be found out is terrifying.

[astrobydalia]

Astro knowledge pt. 2

work by astrobydalia

Cancer rules hotels, motels, etc. Hotels are all about hospitality, making people feel welcomed, comfortable, provide for basic needs like a bed, food, etc. Of course this will differ based on quality and the kind of place but in general places designated to provide shelter and a place to stay are ruled by Cancer

When I learned this it made a lot of sense cause my mom has Groom in Cancer and 7th house ruler in the 4th house and she met her fs at a hotel. I know a couple who has Cancer ASC in their composite chart and they met at a hotel

Jupiter is a very unpredictable planet and a negative manifestation of it is that it can make things grow uncontrollably without reliable results. Jupiter can give blessings yes but it does not guarantee success. Those blessings are just opportunities but it's up to you what to do with them.

Astrologically, the key to success is Saturn. That's why success is so hard to obtain and it's a symbol of status or accomplishment. And yes this applies to whatever it is you consider success. Saturn is not about obtaining success in itself, it's about growth, the way we feel accomplished and successful as humans is when we feel like we've grown and flourished overtime. That's why it doesn't matter what your definition of success is, in order to get it you need to mature and go through sacrifices and lessons related to your Saturn placement.

MC/10th house = what success means to you Saturn = also related to what success means to you, but it can specifically tell you how to get it

Moon is related to wealth that's why it is exalted in Taurus!

Moon in a man's chart indicates his wife because Moon symbolizes the divine feminine. Venus is important too but ultimately a man will commit to a woman that satisfies his Moon energy. That's why it is often said that men marry someone like their moms or the way a man treats his mom is how he's gonna treat his wife

5th house rules your creative endeavors and the 11th house rules your public/clients/fanbase/etc. That's also why 11th house is related to money you make in your career (2nd from 10th). If you wanna have your own business you gotta look at both the 5th and 11th houses

Something I don't see people mention much (maybe because its obvious) is that Libra energy makes things to be balanced in itself because Libra is all about avoiding any extremes. Libra makes this to be on the "elevated" or positive side but always keeping it moderate. For example, if you have Libra ruling your money houses your income could be averagely decent, like you could make good money (cause, Venus) but you're not insanely rich either or it does not appear that you are (cause Libra also rule appearances).

Aquarius rules heavy cold winds (you know like those very heavy and erratic winds), that’s why it also rules over airports and planes. I've also seen astrologers say that back in the day, Aquarius used to rule over sailing of bigger boats which also needed heavier winds in order to move

We all know Leo rules inner child. One thing about children is that when you're a kid you kinda don't have a concept of others being their own person and having completely different lives (that's something Aquarius brings awareness to, that's why its the humanitarian), but rather kids tend to assume everyone lives the same way as they do. That's what happens with Leo astrologically, they tend to not understand or fathom or be interested in things that go beyond them or their experience. Their own perspective of life is their whole world and what they will project on everything much like the Sun project its own light into the world. In the case of very unhealthy Leo energy this can go as far as actively minimizing other's experiences and perspectives. When Leo does try to understand others, they have a tendency to circle it back to something they can relate to or is relevant to them or they can understand

There's also another side of Leo that rules teenage years since that’s the period of our lives where we are finding our identity/expression and also where we start to become more interested in romance and sex

In composite, the ASC is how the relationship started and how it generally comes across as but the 7th house is the dynamic the two people have between them, how they actually interact with each other

Both Aquarius and Pisces are the last two of the zodiac wheel and both relate to themes of evolving as human and elevating spiritually but because of this, these signs are the hardest to develop healthily and many people fail to do so. That's why you see many Aquarius and Pisces placements with a god complex or huge entitlement cause both share this sentiment of feeling 'different', more elevated or special than everyone else

Venus finds fall in Virgo bc Venus is a sex goddess, she rules abundance, sensuality, pleasure and indulgence. Virgo on the other hand is the virgin, she's minimalistic, cerebral and modest, she’s too much of a “prude” for Venus.

Since Pisces is the most empathetic sign, its opposite Virgo is one of the most unkind signs unfortunately. Pisces wants to find the beauty in all things and people (Venus exaltation) while Virgo wants to find the flaws and everything that is wrong and needs to be improved or fixed. Pisces is about accepting the "soul" of things while Virgo is attached to an idea of how things should be. That's also why Venus finds falls in Virgo because Venus is related to kindness (this does not mean Virgo Venus people are inherently unkind, this can manifest in any unhealthy virgo placement, it's just an astrological explanation)

Domicile/exaltation is not always positive. When a sign exalts a planet it means that it can enhance both its positive AND negative qualities. That's why exalted mars can manifest as toxic masculinity or why exalted Venus can manifest as textbook enabling behaviour. On the flip side, planets are its fall/debilitation are challenging placements because the positive qualities of the planet are weakened but at the same time its negative qualities can be neutralized. For example, Mercury debilitated can be less prone to pointless rambles and have a more focused intellectual approach, debilitated Venus can be less compliant, etc

The energy that rules horror astrologically is Pisces/12th house/Neptune, we usually associate it just with dreams and idolization but it actually has a creepy and twisted side to it. Neptune is all about blurring the boundaries of reality including what we judge to be good or bad (Virgo). It rules over dreams AND nightmares. Not only that but Neptune energy does not understand the difference between a dream and a nightmare. This characteristic can range from blindness to red flags all the way to having rather morbid fascinations.

Following the above, the association of 12th house with nightmares is also explained by Saturn finding its joy is this house (the so called 'bad spirit', the never-ending burdens that come to haunt you). However, as I explained earlier in the post, Saturn is the key to success so this means Saturn is the key to help you achieve your dreams (12th house)

Pisces/Neptune energy rules spirituality but at its lowest it can also be the most superficial and vain sign (again, the negative side of Venus exaltation) because Pisces also rules illusions and idolization. It can focus so much on portraying an ideal image that it does not dive deep within, wants to escape reality and live a fake ideal

In terms of performance, Leo is theoretically better at sex than Scorpio

How to read the chart of a Nation + some observations

Sun signifies the characteristic of the rulers and it also symbolizes what that country is all about if that makes sense. For example USA is Cancer Sun and they've always been known for they patriotism and how they're very attached to their past as a nation.

Moon represents the people (civilians, population, the society). The energy you will likely experience by actually spending enough time there and start integrating yourself with the people. For example New York has Aries Moon and a relative of mine who used to live there once told me jokingly "with all the hustle and normalized criminality sometimes it feels like a war zone here"

Ascendant is the general national identity they present, the first thing that comes to mind when you think about that place. I've also noticed the stereotypes of a nation a lot of times relate to its ASC. For example Canada (Toronto) is Libra ASC and they’re known for being polite and nice to everyone. Japan (Tokyo) has Virgo ASC and their known for being super diligent and clean (think Marie Kondo). USA (nation) is Sagittarius ASC and they’re known for being loud, entitled, optimistic, multicultural, a massive country, cowboys and country music, etc.

work by astrobydalia

[yandere-sins]

Monstober - Day 3: Alien

I've read so much alien romance by now—it's a good way to incorporate monsters ngl—I feel like I have seen it all. And yet, there is just something about it that I will never tire of ♥

Prompt: Day 3: Alien | Otherworldly // Uncanny Valley // Space Warnings: Yandere, Violence (Threats, (Alien) Blood Mention, Killing (of aliens), Getting cut), Abduction & being auctioned off situation, Belittling of Humans, Alien Manipulation

"And next up: A very rare pet of the type "human"! Directly imported from their home planet, "Earth," to be loved and cared for! Bidding starts at one million GSC!"

You felt terribly exposed without your clothes, merciless, harsh lights burning down on you, and no shade to hide in. Even with your arms tightly wrapped around your body, legs tugged in and crossed over, you still felt the stares of the creatures below, even if you couldn't see them. Their hungry growls and huffs echoed all around you while the price kept rising.

The lanky stature of the monster that hosted this auction paced back and forth on the edge of the stage, asking for participation and making this deal worthwhile. The creature looked like a humanoid cricket, with spindly legs, four arms, and three fingers on each hand that it kept pointing left and right.

"Four million GSC! Four-point-five million GSC! Do I hear five? Five million, thank you!"

You couldn't help the tears filling your eyes as you listened to the worth of your self, something you never had a say in determining. Even with your father swearing up and down that he adored and cherished you more than his own life, you knew that his gambling addiction would one day ruin everything you loved. You just didn't think he'd go as far as to sell you—to aliens nonetheless.

On earth, you had thought you had seen it all—highs and lows, in person or on television. But in your cell on the spaceship that flew you through the cosmos, you learned you knew nothing. You were a tiny speck in this endless design, and it left you feeling empty and meaningless.

You met quite a few species back when you were waiting for the auction to take place. Humanoids, insectoids, and some completely unexplainable. You learned that most aliens sold themselves to wealthier species to live a better life, not so much concerned with pride or shame as humans were. Thus, the existence of an enslaved human caused quite a ruckus in the galaxy. You had yet to learn the worth of GSC—the currency beyond your planet—but apparently, one million was akin to a yearly income here.

"Twenty-five million GSC! What an amazing price for a priceless pet! At this point, it will only be fair if you lovely participants know what you're getting into!"

At this, you finally raised your head again, bracing your eyes against the painful light as the thumping of steps closed in on you. A three-fingered hand reached out for your arm, and as green and gnarly as it was, its movements were fast and precise. You cowered away but weren't as quick and nimble, and the fingers were large enough to wrap around your upper arm, yanking you back.

Without any warning, a small claw emerged from one of the alien's free hands, cutting you right above its own fingers around your flesh that held you in place. You gasped but the creature hummed approvingly before it dabbed a white tissue to the wound, soaking up the blood. Unnecessarily harsh, the monster discarded your arm again, making sure to let you know how much you really meant to it with all its actions—nothing.

You were simply a means to an end. One that would hopefully bring lots of money.

If not for the precarious state, you should have been angry. Angry at your father, angry at the world—the whole galaxy even! How dare they sell you like a piece of meat with no regard for your well-being and wishes! Sure, they weren't used to the pridefulness of a race they deemed weak yet untouchable by the laws of their organization. But the way they treated you, abused you, and disregarded all of your self as if you truly were a mindless animal only seeking food and shelter to simply survive was beyond insulting!

You were still a human! The superior race on your planet. You still had intelligence and empathy and deserved so much more than their belittling treatment!

But here, you were nothing. The alien disappeared with the sample of your blood, and you saw it bend down at the edge of the stage, leaving you to assume it was passing the tissue to someone else, who, in turn, probably gave it to the patrons of this establishment. The crowd suddenly erupted in a heated cacophony of sounds. More groans and huffs spread through the masses, and the alien auctioneer clapped his four hands together as more offers were yelled into the room.

You were just a piece of meat. One to purchase and show off, play with, ruin, break, and then force to be the good pet that they paid millions for. At this point, you were pretty sure that they wouldn't stop and keep your dignity intact. That no one here truly cared whether you'd be happy or scared or embarrassed.

"Fifty-three million! Sixty-four! Do I hear sixty-five—Seventy million GSC!"

The enthusiastic grunts and murmurs made you sick to the stomach, and you hunched over, cowering in your position. Maybe they were right; perhaps you really were just an expensive piece of meat.

You hadn't given the future too much thought yet, too afraid of the present after you were kidnapped and shipped to space. But what if, despite them calling you "pet", you'd actually be killed and eaten? What if once you weren't new, weren't special anymore, you'd simply be discarded, ending up on the streets of an alien planet where you were at the mercy of those creatures? What would you do if they were all hulking, strong beasts that could throw you around like a ragdoll, hurting you, abusing you?

Or worse... Oh god, you could think of so many more things they could do, and yet you were too afraid to form the thoughts in your head.

There were so many cruel ideas in your head as you sat there, hunched over, despair filling your body and mind. You had to do something, had to get away. Pride was one thing, but survival was the most primal need you had in you. And as much as you wished for it all to be over, how could you possible achieve this? How could you, a simple human make them stop tormenting you? Secretly, you had already accepted their superiority; it had been this way since the old ages. Masses made you humans strong, but you alone? No chance.

"Do you wish to end all of this?"

Your ragged breath came to a halt, your head slowly turning to the side from where the voice came. There was no explaining what you were looking at, those humanoid features so similar to humans, yet somehow their features were sharper, elongated, cheekbones too high to be real, the nose too slim to look functional. The creature's body was lean and tall, its torso almost entirely in view from above the stage. You examined them for a long time, their blue skin standing out against the harsh lights. You spied the flick of a tail behind them every so often, sleek with a puff of hair at the end. And despite being so different, somehow, they scared you less than the aliens you had seen on your journey here.

"S-Sir, with all due respect, you're not supposed to approach them without them being restrained."

The auctioneer called out to them, stepping in front of you and blocking the line of sight unsuccessfully with its spindly, insectoid legs. You shuddered at the thought of going back into the restraints you had woken up in after being knocked out and readied for shipment. "What if they attack you or get filth all over you? These creatures are known to spit," he added more quietly, hoping to appease the one standing in front of the stage, their tail flicking more often now. Was it annoyance that crossed their features? Or did the light blind you to see the truth?

The creature's gaze lingered on you for a while longer, their eyes drilling into you from between the gaps in the legs before their head snapped upwards rapidly, lips parting in a menacing grimace. "Let them speak," they growled, and the auctioneer jumped back, sputtering before moving to the side.

Only now did you notice the deadly silence in the hall, and you slowly unfurled from your hunched-over position, looking up. But not without your arms tightening around you, shielding you a little from being exposed.

The alien's head fell back down, facing forward, the movement much gentler, less frightening—intentional. Their dark blue gaze softened, no pupils but swirls of lighter blues and purples swaying in them. And then they smiled, and it almost seemed comforting, if there weren't two rows of spiked teeth. One of their hands raised from below the stage—another uncanny feature as their arms were just too long—and the other settled on the stage tapping on it, beckoning you closer.

When the other arm emerged, it held a smooth kind of fabric in it, maybe a coat or a rag, but the dark blue color glistened in the direct light made you assume it was something better than a poor person's rag as they spread it out on the edge of the stage, pushing it in your direction as far as possible.

"It's okay now," they purred, and a sudden relief washed over you, their words sinking into you like a warm hug and reassuring backrub would, your jaw unclenching and shoulders sinking. Something about them calmed you, and although your brain was telling you to be extra careful, you couldn't help but feel connected to them. Hesitantly but curious, you inched closer, fingertips reaching for the fabric. Part of you expected the creature to pull it away from you the moment you attempted anything, but they didn't move, didn't even breathe. It was unnerving how still they could be, still like a trick of your mind, an illusion, but the soft fabric beneath your hand was very real, and you tugged at it warily.

It followed your pull, and soon enough, you pressed it to your chest, covering up your naked body. Greed settled in as you reached for more with your other hand, spreading the blue around you, the fabric seemingly never-ending, at least not until you had utterly cocooned yourself in it, nothing but your face and a few strands of your hair still looking out of it.

It had this grounding smell that enveloped you like a second layer of fabric, sweet and earthy, but also reminded you of the ocean you used to visit at home. Your heart ached as you took another deep breath, unwilling to part with the memory.

You couldn't help a shuddering breath from escaping as you looked back up at the creature. So much closer to them now, their size was even more towering, yet you didn't hesitate to look into these intriguing eyes of theirs, the swirls now creating pools of depth inside of them with how fast they were circling, looking as if they were entirely fixated on you.

"Thank you," you muttered, genuinely grateful for the help.

"My pleasure," they replied, their long-limbed arm reaching out, catching the loose strands of hair and twirling them in their fingertips. You felt like you needed to recoil, but for some reason, you didn't move, completely at peace with the creature touching you, their skin smelling much like the fabric around you. "Now, about my question. Do you wish to end all of this?"

It was a strangely phrased, hard-to-interpret question, but you didn't wreck your head before agreeing with a nod. You did want all of this to end; you didn't want to be a pet to some strange creature that was paying a lump sum just to own you. They were all the same greedy monsters that your father was: heartless and unsympathetic. Why would you not want to end this damned situation?

"Wonderful, but I'll have you know that that power comes at a price," they chuckled, hand falling from your hair to your cheek. A large palm cupped your face, thumb splitting off to caress your lower lip, pressing against it, their gaze fixating on the plumpness jumping back in place after being fondled. Then, their hand slid further down, unwrapping your neck from the fabric and slipping around your throat to the thumping spot of your puls that it wrapped around.

"Are you willing to pay that price?"

"B-But Sir! Please..." someone whimpered from beside you, but it was nearly impossible to break eye contact with the alien before you and acknowledge whoever was speaking. They had a mesmerizing aura to themselves, the swirls captivating your attention, and you felt ashamed to say they fascinated you. It felt wrong, yet... right. Was it supposed to feel that way?

"What's the price?" you mumbled, a part of you still a good human, aware that nothing came for cheap and everything should be in equal value.

"Mhm," the creature hummed thoughtfully, but not appalled by your question, their thin lips curving into a grin similar to that of a human but more foxish and uncanny.

"Your life to do what I please with, in exchange for..."

They made another thoughtful sound before the rumble in their chest turned into a purr. Their lips split into that menacing smile from before, many sharp teeth creating pristinely white rows, and you knew they thought themselves on the winning side. You felt their grip around your throat tighten, and with an unexpected yank, you were pulled forward, just a breath away from their face.

"How about every life that dares to look at you with appalling intentions? Every soul, or the equivalent in their respective race, in this room, calling you a mere pet? Every alien that touched you as if you were an object of their possession? Anyone that has ever or will in the future harm you? Would that be enough, little human? Do you require more from me? It shall be yours. Your life in my hands in exchange for everything you could want—and my coat."

You tightened the fabric around your body, a waft of the sweet scent you smelled before tingling your nostrils. It was a damn good coat, and an even better offer.

Somehow, it bothered you less to hear you'd still be sold like a slave—although perhaps better a slave than a pet. At least it would be on your terms, right? Or the alien's... Your head felt dizzy as you thought about it. If this was the promise, you could live with it. You'd at least get out of this situation and live to see another day. And you were so angry at these creatures around you, your father, everything! Why should you care about them? Right, you shouldn't. You should... agree. Take the deal and be done with it. Dealing with one alien was better than all the others.

"Do you swear to keep your promise?" you asked, and the creature sighed blissfully, nodding their head before resting their forehead to yours. Tension that you hadn't realized had been there before left their body, and you noticed their free hand creeping up on stage, closer to your bundled-up form.

"I swear," they uttered solemnly, and you nodded in acknowledgment.

"So do I."

"S-Sir! You cannot disrupt this auction as you please! There are rules on the Galactic Space Hub that prohibit direct selling of wares and—"

The sound of squashing flesh interrupted the auctioneer's speech, and your eyes widened—as did the creature's cheeky grin. You felt something hot and wet splatter on your coat but didn't realize what it was until it hit the alien in front of you on the face. Your head slowly turned with hesitant movements, but their free hand reached up, keeping your face forward instead while hushing you.

"Don't look," they chuckled, and chaos erupted in all forms of sounds around you. Neighing, squawking, and the occasional grunts were to be heard everywhere. You couldn't ignore the squashing, sputtering sounds of fluids and flesh being cut open, your body shivering with not even the coat being able to keep you warm all of a sudden as you came to a realization of what kind of deal you had made.

"Shh, shh," the alien hushed, bringing a hand up to their own face to wipe away the alien guts that had splattered them. With a flick of their wrist, they returned the arm to your back and wrapped it around you. "Just keep looking at me, don't look at them. It's your turn to keep your promise and not to disobey my orders. I hope you remember your part of the deal and spare yourself the misery."

Pulling you off the stage, you were cradled against their chest, flat and tight under what looked oddly similar to a vest and dress shirt from earth, intricate patterns decorating the seams. The curiosity of any human wanted you to look and witness the devastation that had taken place, but you couldn't tear yourself away from this strange, otherworldly creature, their command seemingly effective.

"Your Majesty, it is done. What do you wish to do now?"

"Hm," the creature hummed, leaning forward a little more, lips almost brushing yours. You held your breath, fingers clawing into their shoulders. You tensed in their hold as they carried you out of the harsh spotlight, shrouding you in the darkness that had once given privacy to the aliens trying to buy you for their own pleasure. But nothing more than silence was left now, and it was an eery one, paired with many pungent yet alluring smells around you.

"Ready my ship," the alien ordered, and you felt hypnotized by their eyes paired with their smell so close to you now. Tempted, almost, to have a taste of their lips, see if they tasted the same as they smelled. "Sent a fleet ahead of us and tell the court I am finally coming home."

They grinned again, and you should have recoiled from the sharp teeth shining in the darkness. Their whole body seemed glowing even outside of the light.

"And tell them I bring back my blood mate, my newly betrothed, and prepare for the harvest."

You gasped as you heard the creature announce their plans, pushing away from them and managing to tear away from their hypnotic gaze. No one said anything about your blood! What were their intentions? What did they want with your blood? How much blood did they want? You thought this would merely end in you being a companion, rather than a mere pet, but it seemed you had been entirely wrong.

"Ah, ah," they chuckled. "Remember, it's the price you promised to pay. My kind values clean bloodlines above all else. Imagine how hard it was to find one of your kind that matched mine? Otherwise I would have never been allowed the pleasure to keep one of you, be with one of you. You are simply perfect. Interesting, "fun". Exactly what I want in a blood mate!"

"What?" you winced, feeling a strange sense of betrayal. "Why me then? Why a human? Why not one of your own kind? O-Or the others!"

"Your kind is the most interesting of them all," they explained. "I can't wait to uncover all these emotions you are feeling, one after the other. I must know all about what it's like to feel "pain" and "happiness". You have no idea how boring these other species are, no matter what I do to them. I'm not wasting my time copulating with those simpletons. I want something more from my mate. Something they can't give me, but you can."

Their explanation sounded threatening even when they smiled throughout it, their intentions becoming awfully clear, and you squirmed in their arms that only seemed to tighten the more you moved. You fell for it like a fool! you thought, scolding yourself inwardly for not being more careful. You trusted the creature even though you knew better! None of those aliens would have treated you well! None of them had good intentions!

And you might have just fallen for the worst of them all—a curious one.

"Now, now," they tutted, a hand wrapping around your neck from behind, squeezing until you gasped for air.

"It's time to hold up your end of the bargain, as will I, always."

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[barcaatthemoon]

in your corner || barcelona x teen!reader ||

the team shows up to your graduation when your parents don't.

it didn't feel right sitting in the back of a taxi. you should have been riding to your graduation with your family, but they had deemed your brother's track meet more important. they believed that one day, he'd be an olympian, despite the fact that you already were. it had always been like that in your family though, your brother's accomplishments outshining yours no matter the difference.

today, you graduated from school, which you had attended while also easing your way into soccer full time. anybody else would have thought that was a marvel in and of itself except for your parents. because it was you, they only questioned why you weren't top of your class. any bit of excellence on your part looked like the pinnacle of mediocracy in your parents' eyes.

in hindsight, yelling at them to just forget about you was not your best idea. it was why after this, you were packing up your things and moving them into a new apartment. there had been an opening in bruna's building, so you took it. you could easily afford the apartment with your salary at the club, especially not that you'd be getting starter time.

the taxi came to a stop, and you were careful in picking your facial expression for the day. this was a happy day, and you couldn't let your peers know how disappointed you were about your parents abandoning you. you kept a happy face on during the ceremony, one that was fake until you looked out into the crowd while you accepted your diploma to see your teammates.

it was unmistakablely every single one of them sitting there, including girls who you had briefly played with on the b and youth teams. your heart swelled with joy, and for the first time that day, your tears were happy ones. suddenly, you couldn't wait for the ceremony to end so you could go see them. each of those girls had become like family for you, and it was your first taste of what family was supposed to be like. they were your support system, always cheering you on no matter what endeavor you pursued.

"no more homework!" mapi exclaimed as she scooped you up into a hug. you laughed as she spun you around and around. her least favorite part of every practice was when alexia made you sit with vicky while you studied or finished up your school work. in mapi's mind, that was always during prime goofing off time. "come on, my mami wants pictures."

you let yourself get pushed around for several sets of pictures with your teammates. none of them mentioned the absence of your parents, most likely thanks to a briefing from alexia and patri. slowly, they all began to shuffle out and disperse, leaving you to catch a ride with aitana and keira for lunch. it was a team thing, so more of the girls would be there, but keira had quickly claimed the spot to drive you there.

"i'm proud of you kiddo," keira said as she wrapped her arm around your shoulders. there had been a lot of changes during the season, and while the change scared you, keira had been like your rock. she was the biggest help to you learning english and solidifying your spot in one of the best midfields in the world. "i've got a surprise for you when we get to the restaurant."

"a surprise?" you perked up instantly. it was somewhat childish, but you loved surprises. usually, they were good when it came to your teammates. you knew that keira would never do anything to hurt you, having taken you under her wing like you were her child. both of your english teammates had, but lucy had departed from spain a couple weeks ago.

you had been more than a bit bummed out by the news, but you understood. lucy had done what she felt she needed to at barcelona. you were also going to be on your way out temporarily. you had spoken with your coaches and management about going to college, and they had signed off on you taking a gap year to play the next season before you went off to america. you were committed to a school, but you had yet to tell your teammates which one.

lunch was nice, despite the fact that you couldn't focus because you kept trying to figure out what keira's surprise was. it wasn't until you noticed several of your teammates filming you that you got a bit nervous. luckily, you didn't have to wait too long after the cameras were brought out. alexia mentioned something about dessert, and when you turned around expecting to see the waiter, you saw lucy standing there in a tarheels shirt.

"i didn't tell anybody," you mumbled, unaware of how they could have known where you were going.

"sorry that i missed your graduation, but i'm so proud of you. i can't wait to watch you next year in carolina," lucy said as she wrapped one arm around you. the little plate with a slice of cake was set in front of you, but you didn't pay it any mind. you wrapped your arms around lucy's body in a tight hug. "score some goals for me, okay?"

"i'll try for more than what i score against you." everybody at the table laughed at your joke, except for lucy, who knew that you were serious. she could be the best in the world, and you'd still managed to get one or two past her. the whole team would work to make sure that you did. they wanted the world to know how good you were, which lucy knew would make for an interesting champion's league with her new team.

"we'll see about that," lucy mumbled as she pressed a kiss to the top of your head. you glanced around you at your teammates and friends surrounding you. it was the happiest that you'd ever been, but something told you that there was only going to be more to come with them in your life.