#is important to the way i've learned to look at the world

[honeytonedhottie]

honey's it girl magazine december edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the december catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. this months catalog has an article written by the LOVELY @osculum-frombee. i just wanna start off by saying THANK YOU all for supporting the magazine and my blog this year, this is theee it girls magazine and without further ado lets just get into it.

IMPORTANT ANNOUNCEMENT ;

hey everyone! recently its come to my attention that a lot of you guys are advising me to create a sub stack account and so i did. on substack there will be a paid subscription to read the it girls magazine, BUT there are some things i want to tell u guys about regarding this magazine...💬🎀

WHAT ABOUT THE MAGAZINE ON TUMBLR? ;

you will still get an amazing it-girls magazine every month on tumblr absolutely free! the only difference between the it girls magazine on tumblr and the it girls magazine on substack is that on substack the magazine will be exclusive and include the following...💬🎀

♡ early access

♡ downloadable issues

♡ subscriber shout-outs

♡ guest article opportunities if u want to write something for the magazine

♡ collaborations potentially 🙈

♡ longer articles in general so if u like the longer articles and if u wanna read more than the exclusive version is def for you

the it girls magazine on this platform will include the same content as the magazine on substack! except on substack it'll be more in depth and include perks mentioned above. its basically the magazine y'all get here, but upgraded ✨

WHY YOU SHOULD SUPPORT MY SUBSTACK ;

for just $5 a month, you’ll get all the extra goodies that make honeys it girls magazine even more special! think early access to issues, exclusive behind-the-scenes content, and fun extras like shopping guides and downloads. plus, your support means the world to me—it helps me keep creating the content you love and dream up even more cool stuff for you. it’s like joining our little vip club where you get all the insider perks and help the magazine grow! 💕

as of right now im still working out the kinks of my magazine on substack so for todays catalog you guys will be getting the exclusive version that way u guys can know what its like! if u have any questions at all ur welcome to ask in the comments/submit an ask. i hope to see you all there but until then enjoy the experience 💻🎀

ALL I WANT FOR CHRISTMAS IS TO BE GLAMOROUS ;

for this holiday season lets set the scene with "mariah carey’s “all i want for christmas is you”, your wearing a sparkly dress and looking as beautiful as you always do ✨ looking like the ultimate holiday dream! thats the energy that we wanna emulate during this holiday season and we’ll get more into that later on in this catalog. 

no but seriously, all i want for christmas is to be more fabulous and glamorous. as i was writing my christmas wishlist with my fluffy pink pen, i even made pink hot chocolate to set the mood (recipe will be shared later on) and i came to the realization that aside from the material aspects of a hyper feminine glamorous christmas, the vibe also needed to match. 

glamour is about the way that you carry yourself. so, while we’ll definitely be purchasing our holiday wishlists, make sure that we’re keeping up with our self care rituals and in fact, pampering ourselves more because we are FABULOUS and we should treat ourselves as such. now, lets unwrap all the ways you can dominate this season like the it girl you are. 

WHAT MADE YOU AN IT GIRL THIS YEAR ;

now that we’re in december i wanna track it back and do some reflection on our year just like we talked about in the november catalog. every it girl has her moments and im sure that this year has been full of them for you so just take a second to acknowledge your moments form the year. 

for me, my biggest moments this year include making the decision to take myself more seriously because, i feel like i take myself quite seriously already but i haven’t been applying myself giving myself my all like i KNOW i can so making that choice this year to truly step into myself was def my biggest moment. 

your it girl moments also dont have to be something necessarily ground-breaking, it can be as simple as you finding your signature scent (hint: if it smells like warm vanilla gourmand, it’s the one) or as ground breaking as reaching your health goals, getting on honor-roll for your school, or making big doll dollars! 💰💖💸 whatever it is, YOU did that. reflect and celebrate yourself. 

PINK HOT CHOCOLATE RECIPE ;

pink hot chocolate is the perfect winter drink! plus its super easy to make so im going to be giving the recipe here so that you can enjoy a cup of it while you continue reading the it girl magazine. put on ur hello kitty aprons and lets get straight into the recipe! you’ll need the following ; 

♡ 4 cups of milk ♡ 1/2 cups of white chocolate chips  ♡ 1 tablespoon of vanilla extract 

so what your gonna do is your gonna heat up 4 cups of milk in a pot and then add in ur white chocolate chips, mixing them together until smooth. then you’ll add the vanilla extract and the red food coloring and stir to distribute the color...💬🎀

i like to enjoy mine with whipped cream and pink and white mini marshmallows! now that you have your beverage we can continue on with the it girls magazine. 

HOLIDAY SELF CARE ROUTINE ;

one of my favorite things to do are over the top self care routines! i love to feel glamorous and girly and take good care of myself meticulously especially during winter break because its easy to just rot and fall into a lethargic haze so hopefully this holiday self care routine motivates you and gives you something to do if your bored.

use a holiday themed bath bomb from lush

use a deep conditioning hair mask, put your hair up and read a chic magazine (like this one, duh)

its all about the experience so light a yummy candle while your doing self care

use a foot scrub of brown sugar honey and lemon -> for extra glam paint ur nails

moisturize your body with a shimmery lotion so you sparkle like a holiday queen

bubble baths!!

WHAT THE IT GIRLS ARE LISTENING TO ;

one of my favorite releases this december has to be twice and megan thee stallions collar strategy! the song is so vibrant and bubbly and i absolutely loved the music video also. we can't talk about december music without talking about the queen of christmas herself miss mariah carey and her christmas album 'merry christmas' some songs from my christmas playlist are ->

♡ santa tell me - by ariana grande ♡ all i want for christmas is you - by mariah carey ♡ last christmas - by wham! ♡ doughnut - twice ♡ a nonsense christmas - sabrina carpenter ♡ december - ariana grande ♡ when christmas comes - by mariah carey and john legend

THE ADVICE COLUMN ;

Q ; “Hey, I recently bought almond oil but don’t know what to use it for. I have heard of using it for hair, skin, body, etc. but could you elaborate on it? Also if it’s ok with u could this be in your magazine which I love btw! Your the best!” 💬

A ; hi anonie! so almond oil is super duper versatile. you can use it in a hair mask for shine and hydration. you can add a couple drops to your body lotion for skin hydration. you can also mix it with sugar and make ur own homemade body scrub. from the research i did, its also great for cuticle care and soothing dry areas like elbows and knees. thanks for loving the magazine! 

DECEMBER TRENDS ;

i first wanna talk about the FASHION trends for december 2024 because it’s caught my eye. according to harpersbazzar “this season is all about daytime party clothes, o blood office attire, and updated english country classics.”

reoccurring themes in december fashion are all about finding ways to indulge in warmth and texture during the dark winter days. a texture that i’ve seen used a lot in december fashion is velvet and im going to talk about this a lot because it’s so super glamorous to me and resonates with me more as opposed to other textures that are trending like suede and corduroy.

velvet is so rich and perfect for december because of the cold weather. velvet to me just SCREAMS chic and luxurious. another texture i’ve always loved for the colder seasons is furs! miu mius first look from the fall 2024 fashion show set the stage for how popular chocolate browns are this month. chocolate brown is the chicest shade of cocoa ✨

december fashion also incorporates lots of layering because of the weather, but to master this you must layer FASHIONABLY. layering is so fun because we can really play with textures and colors. some tips to do this are as follows…💬🎀

mix textures to add dimension and interest

play around with proportions (for example big fur coat + tiny silky dress. or puffer jackets with a fashionable pair of jeans)

statement outerwear pieces!!

moving away from the fashion point of view on december trends, i wanna talk about the “can’t pay the mortgage” trend of december. so essentially you’d tell your significant other that you can’t pay the rent/mortgage, all while knowing that they have never payed for the mortgage. 

so naturally, the husbands after hearing this they’re confused and some even offended that their wife would even have to think about paying the mortgage. i think that this trend is really cute, and its a harmless prank and its really beautiful to see women in equitable relationships where they’re being taken care of and happy. I LOVE TO SEE WOMEN WINNN. 

HUNNY I CANT PAY THE MORTGAGE (BY THE LOVELY @osculum-frombee) ;

For December trends let’s go out with some advice that could better you in 2025, relationships. Let’s talk about love and expectations we all experience.

The perfect trend for this is the recent “Can’t pay the mortgage trend” where wives or partners tell their husbands they can’t pay the mortgage and see their reactions. This trend was originally done by 100% couples where the man paid all the bills in the household, or couples where the man paid half the bills (like the mortgage and perhaps something else) while the wife paid other bills but then 50/50 couples started participating in the trend and the differences in reaction was… shocking to say the least?

Reactions ;

The reactions betweeen the 50/50 men and the 100% men were obviously very different, but the question is just how different?...💬🎀

The men who paid most or all of the bills in the household almost immediately laughed or joked about their wife and how she doesn’t pay the bills anyway, some were confused and looked at their wife like “Babe..what?🤨” while some played along and pretend like they had no idea what they were going to do but reassured their wife they would handle it (my personal faves) 

While the 50/50 men would have a DRASTICALLY different reaction these men would either blank out or rage out at the idea their wife or girlfriend couldn’t handle it, the guys who blanked out asking their wife is she could take overtime or saying they didn’t know what to do while the ones who raged out went to cursing or degrading their wives. 

These reactions show perfectly what you do and DONT want in a relationship. The way your partner reacts and treats you is everything and there’s a difference between the way a provider would react and a stingy man would.

The trend isn’t about saying you should date a man who pays 100% of the bills if you don’t want to, or that all 50/50 men are trash. Like all things this requires PERSPECTIVE and knowing what  YOU personally WANT 

In times like this with the economy there are people out there who can’t do it with just one income alone, and that doesn’t mean you or your partner is a peice of crap for having to split the bills to make it...💬🎀

A provider man ;

You want to- no NEED to ensure that regardless of how much money your partner or you make, that whoever your dating is a provider man, who is more focused on taking care of you then you taking care of him, a problem solver who can save money for a rainy day, there are men out there who do 50/50 but ensure they take care of their partners, worship the ground they walk on and PROVIDE, do their best to take the stress off their partners shoulders while also taking care of household issues, men who put effort in emotionally and understand that relationships are a 2 way street, aren’t stingy about spending on their loved ones and treat their partners like the rare gemstone they are. THATS the type of man you want, whether  he be filthy rich with generational wealth or a man who gives it his all either way.

There are 50/50 men out there who save money and if their partner ever said they couldn’t do their part of the bills this month he would move mountains to ensure his partners stressed was alleviated and create a solution to the problem,  that could  be him working overtime or taking money out of the savings or covering that months expenses himself if he can, he wouldn’t yell or argue, or curse profanities , he would help and ensure they were taken care of. 

Emotional matters ;

There are men who may seem like the better choice, men who are rich and perfect on paper, but it’s not about how much money your partner has it’s how they react to the things they cannot buy. If you’re partner throws money and expensive bags at you without a second thought but when it comes to getting to know you and understand you, gaining your trust, talking through emotional issues and you trying to communicate to them they shun you out, get mad or dismissive then this isn’t the partner for you, wether you be man or women. You may think someone can buy things like your trust, effort, energy and genuine love but those are things that can’t ever be bought these things take experience, time spent with that person, arguments and makeups, it takes learning and growing to  trust that person to love them.  having a partner who doesn’t put effort in emotionally or mentally  isn’t having a partner at all it’s simply being occupied or “busied” by someone else who won’t put forth a real connection with you. 

What you want vs what you’re told to ;

I saw a video of a women saying her and her husband go 50/50 they use 1 salary for bills and expenses and use the other for savings, she said she likes it this way, she has her bachelors and her masters degree and chose not to quit working after becoming pregnant she listed points that were SO important

She mentioned how she liked having the fridge stocked, how she like vacationing whenever she wanted, she liked buying what she wanted and not struggling. The point I’m making is that it’s all about what you want and what feels right for you, but also about how your partner treats you. If you decide to  go 50/50 on the financial labor and are  with a man who doesn’t care about you or is very “dusty” you’re going to be unhappy and unfulfilled but its also the same if you’re dating a man who pays 100% yet still ignores every other need in a relationship like mental and emotional, youll be unfulfilled and unhappy. 

If you’re going 50/50 make sure you're dating a man who’s clean and willing and likes to help around the house, who can clean or cook and will put effort into all aspects of this relationship. If you want to work but be 100% taken care of and save the money you make or spend it freely it’s your life, if you want to be a stay at home mom or parent or just want to stay at home and be 100% taken care of it’s your life, if you want to have your fantasy “the way of the househusband” life where you work and pay all the bills and your husband stays at home, cooks and cleans and takes care of everything else than babygirl it’s your life and honestly rock it? 

It’s your life and it shouldn’t be curated to anyone else’s wants or expectations as long as you’re happy fulfilled, with a provider/ problem solver who will move mountains for you be happy. You’re not a roommate for going 50/50 when you’re truly loved and respected in your relationship and your partner  isn’t stingy. Whichever way you want your relationship to go make sure you find a partner who is on the same page and can give you that, don’t try to force a clown to be a king because then the entire kingdom will end up a circus, don’t chase or fight with a man who doesn’t want to give you what you want or doesn’t view you as worth it or cannot afford to, find a partner who is aligned in your ideas and values and is entirely pleased to provide you what it is you wish. 

The beauty of the trend ;

While some people do scrutinize women who are in a healthy 50/50 relationship or women who want to go to work and still be provided for. It’s not about that this trend is about showing women what’s possible, that providing 100% for a man will always lead to you being depleted and drained in every way possible, that the better and healthier relationship is out there and that there are men who would do anything to be with you and keep you and let their actions show as such not just financially but emotionally. Women have said that this trend has shown them their husbands or partners aren’t worth it and that it’s opened them up to a better way of living and has shown them their better off single than with a man who depletes them. 

This is about empowering women and I notice this trend goes hand in hand or is the sister to the “women in male fields trend” a trend that showcased women acting like men and talking about what they’d experienced with them, that trend was women saying they were done with that treatment and this trend is about showing women they can do better. 

Conclusion ;  

Going into 2025, focus on yourself- find out what it is you want. ��

And if there’s anything you take away from this segment let it be that: 

It’s about what you want 

50/50 doesn’t make either of you bad

Better is always out there

You are the love of your life 

Thank you for reading my first ever segment in the It girls magazine💕💖

WHICH HOLIDAY IT GIRL AM I? ; 

are y'all ready to discover what type of it girl you are this holiday season? take this quiz to figure out which festive vibe suits your personality. lets see how ur sleighing this season…💬🎀

1. your ideal holiday party look is:

a) a sparkling, gold sequin-covered dress that’s sure to steal the spotlight 

b) a chic velvet jumpsuit with fluffy details and elegant accessories 

c) a fluffy sweater with a touch of holiday glam — think sparkly headbands and cute socks 

d) a glamorous satin gown in red or emerald green, paired with glamorous makeup and red bottoms

2. what’s your go-to holiday drink?

a) sparkling champagne or a festive glittery mocktail 

b) a warm, spiced apple cider 

c) pink hot cocoa with extra marshmallows, topped with whipped cream 

d) a luxurious holiday latte with hints of peppermint or caramel 

3. your favorite way to spend christmas eve is:

a) attending lavish holiday parties, and kissing under mistletoes 

b) enjoying a candlelit dinner with close friends or family, and watching cozy christmas movies 

c) baking holiday cookies and wrapping gifts while sipping on hot chocolate

d) getting all glammed up for a special dinner and exchanging glamorous gifts with ur girls

4. when decorating for the holidays, you:

a) i go ALL out with sparkly lights, glittery ornaments and a chic color scheme for pinkmas 

b) elegant neutral decor with touches of greenery, its classic duh

c) a cozy vibe with diy ornaments, fairy lights, and plaid everything 

d) love classic red, green, and white with vintage-style baubles for a traditional yet glamorous feel 

5. what's your holiday music playlist vibe?

a) mariah carey’s “all i want for christmas is you” on repeat 

b) classic jazz and soft holiday tunes 

c) cozy acoustic christmas songs and christmas movie soundtracks 

d) holiday hits that make you want to dance like wham and micheal bublé 

6. what's your holiday beauty look?

a) bold red lips, highlighter that shines like snow, and glittery eyeshadow 

b) soft, glowing skin with a natural glam look — think minimal but chic 

c) a cozy but cute look with a bright red lip and simple, glowing skin 

d) smokey eyes, dramatic lashes, think holiday bimbo

7. your dream holiday getaway is:

a) a glamorous snowy cabin retreat with hot cocoa and a warm fire, and complete with an evening of glitzy christmas parties

b) a cozy winter escape in the mountains with scenic views and a fireplace 

c) a festive city escape, with christmas markets, hot chocolate, and cozy cafes 

d) a luxurious tropical resort, giving beachside holiday vibe

results:

mostly a’s: the sparkling diva ✨ you’re all about the glam and sparkle this holiday season! from dazzling sequins to luxurious accessories, you know how to shine brighter than the christmas lights. you love the glitz and glamour of the season and aren’t afraid to make a statement — just like the holiday parties you attend!

mostly b’s: the elegant sophisticate 🥂 you bring class and sophistication to everything you do this holiday season. whether it’s a cozy dinner or a quiet night by the fire, you exude an effortless elegance. this holiday season, you’ll be enjoying luxurious simplicity — think velvet, classic red lips, and timeless decor.

mostly c’s: the cozy glam girl 💖 you’re all about warmth, coziness, and making the season special in your own way. whether it’s baking cookies, wrapping gifts, or cuddling up with your favorite holiday movies, you embrace all things festive and chic. this holiday, it’s about combining comfort and glamour for the perfect holiday vibe!

mostly d’s: the classic glamazon 💅🏼 you’re the definition of classic holiday glamour! whether you’re rocking a satin gown or glamming up your beauty look, you always bring sophistication and style to the season. for you, it’s all about elegant traditions, bold accessories, and a glamorous holiday look that can’t be ignored.

[merrybloomwrites]

It's Just a Game, But Really

Summary: When your brother starts dating Taylor Swift, you figure your wild dreams of dating Harry Styles are now definitely crushed. But some meddling from Jason, Travis, and Taylor may make some dreams come true after all.

Word Count: 3K

AN: This idea randomly popped into my head months ago and I couldn't get it out until I fully wrote it. I feel like this falls into the category of "Crack treated seriously" lol

Also, I understand this is niche, but as an Eagles fan (pls don't come for me) I've watched the entire Travis/Taylor relationship unfold and just thought this would be silly. Writing Jason and Travis was pretty fun too since I've been listening to their podcast for years and it was a cool challenge to write in their voices

Finally, I took creative liberty here and while I normally try to keep details as close to reality as possible, I've changed some things. So the Packers vs Eagles game that happened in Brazil now takes place in philly, and the Chiefs game on Christmas is now against Baltimore so it would be plausible to have the dinner scene in PA. None of this actually matters, this is fiction lol

Title from "So High School" by Taylor Swift

------------------------------------------------------------------------------

Growing up with two athletic brothers had been quite an experience. Hundreds of hours were spent at sporting events, often bundled up to watch them play ice hockey or attend the late season football games. In your family, it was important that everyone supported each other.

It went the other way as well. Your brothers attended every spring concert, theater performance, and dance recital you were in. They were your biggest fans, always cheering you on and bringing flowers to give you.

They also took time to learn about your interests. Instead of getting annoyed when Taylor Swift’s music would play through the house, they started listening.

Especially Travis.

He liked the music, and thought she seemed pretty cool. He didn’t admit it, but you guessed that maybe he had a bit of a celebrity crush on her.

Life continued to change as your brothers left for college, then moved to different cities when they got signed to two different NFL teams. You missed them, but it was great seeing them succeed.

Jason and Travis still made time for family, even when Jason got married and started a family of his own. You and Kylie became friends right away, and you immediately loved having another girl in the family. You couldn’t wait for it to be Travis’s turn to find someone. But preferably not through his dating show.

When Taylor Swift announced her Eras Tour, you desperately wanted to go. So you were highly disappointed when you weren’t able to get tickets.

And then Travis surprised you with tickets to her show in Kansas City. By this point you had moved in with Jason and Kylie near Philly, but Travis assured you that he’d take care of all the travel logistics to get you to the concert.

You flew in the night before, getting to spend the day with your brother before heading to the stadium. It was weird to be there for a concert, having attended numerous games there before. It was cool to see how it was transformed into something almost unrecognizable.

Being there with Travis meant getting to be seated with a great view in a cordoned off section. It also meant Chiefs fans coming close to the barrier to talk to him before the show. Watching your brother trade friendship bracelets with these people was a strange moment, one you never would have imagined happening.

Through all that, there was one bracelet he had that you noticed he wouldn’t trade. Taking a closer glance you see what’s written on it and give him a confused look.

“Travis, what in the world is this?” you ask.

“Friendship bracelet,” he answers simply, dodging your true question.

“Obviously. But why is your number on here? Who is this for?”

He laughs nervously but before you can press it further another fan comes up to say hi. You can’t help but wonder what his plan is for that bracelet, even though you have a pretty good idea who its intended recipient is.

The concert begins and you have a wonderful time, dancing and singing along, Travis just as excited beside you. As it ends, Travis speaks with one of the staff members, looking slightly disappointed but not too bothered. Once again you’re left wondering what that was all about.

It’s a couple weeks later and you’re listening to the latest episode of Travis and Jason’s podcast when they bring up Travis attending the concert. Sure enough, he confirms he was trying to get that bracelet with his number to Taylor, and you have to commend him on his creativity and optimism.

What you don’t expect is for Taylor to find out about that and get in touch with Travis. Now a year later, your brother is in a happy, committed relationship with Taylor Swift. She’s come to family dinners, you’ve been next to her during Chiefs games, and she’s made it so you could come to a number of concerts on her tour. You cannot believe that this has become your life. And you have to give your brother credit for his powers of manifestation.

One afternoon you’re hanging in the living room while Jason records the podcast in the basement. He calls out for you and you go down to see what’s going on.

He hands you a set of headphones so you can hear Travis as well, and fills you in on the topic.

“So,” Jason begins. “Fans are starting to give you credit for Travis and Taylor getting together. Do you think that’s fair to say?”

You laugh for a moment that this is why you’re called to speak on what should be a sports podcast, before answering, “I think that’s fair. I mean, he did the work but I would say my childhood Swiftie obsession planted the seed.”

Travis replies, “You don’t think I would have found out about her on my own?”

“Oh you totally would have. But I got the ball rolling ages ago. Timing is everything, what if you’d been too late?”

“Alright, I’ll give you that. We can say you had a hand in this.”

“So that means you owe me,” you say.

Jason chimes in, “Yea Trav, your turn to manifest for Y/N.”

“You want me to manifest a boyfriend for our little sister?” Travis questions.

“Oh, right, wait, don’t actually do that. I forgot, Y/N’s not allowed to date until she’s forty,” Jason says, leading you to roll your eyes at his overprotectiveness.

“Ok, but if I were to try, who would it be? Y/N, who’s your celebrity crush?” Travis asks.

There’s no way you’re answering that on camera, especially with who the answer actually is. You clench your teeth and lift your eyebrows before cheekily saying, “Oh, no, I cannot answer that on the pod. That’s uhm. That’d be messy.” You then shrug and laugh, trying to play all of this off as a bit.

While Travis tries to dig and get you to answer, it clicks for Jason and he says, “Wait, I think I know who it is. Is it, uhm-”

“Don’t you dare say anything!” you exclaim to shut him up.

“Alright, alright. I won’t spill your secrets.”

“Well at least tell it to me later,” Travis says, to which you reply, “Absolutely not. I’m afraid you may actually try to meddle.”

“Who, me? No way,” he replies only to be met with an unimpressed look from you.

The boys drop the subject and you head back upstairs as they finally talk about football again.

You assume that they’ve moved on, and you’re happy when they don’t bring up your celebrity crush again.

You’re even happier when Jason tells you he’s taking you to the season opener Eagles vs Packers game in Philly. You’re super excited to be able to experience an Eagles game alongside your brother. You’re also glad you can be there for him in case it’s hard for him to watch them play without him for the first time since his retirement.

What you’re unaware of is the plan that Jason and Travis had made behind your back.

“So now you’re on board with trying to set up our little sister?” Jason had questioned during a phone call a couple weeks prior.

“Yes. And I have a way of making it happen,” Travis had answered.

“And you want me to help Y/N meet and potentially date a popstar who happens to be your girlfriend's ex-boyfriend?”

“Yes.”

“And he’s a Packers fan?”

“Yea, that is the unfortunate part. And you’re not really helping them date. That’s all on them. But you could at least help her meet him at the game.”

“This is ridiculous,” Jason says. “But I’ll do it.”

And that’s how you find yourself walking through the tunnels of the Linc with Jason before the start of the game and bumping into Harry Styles.

“Hello, I’m Harry,” he says cheerfully, holding a hand out for you to shake.

Mustering up all of your chill, you smile in return while reaching out to clasp his hand and say, “I’m Y/N. It’s so nice to meet you, I’m a big fan.”

“Well, thank you for your support,” he says.

“You kids want a picture?” There are few times you want to kill your brother, but him butting in while you’re talking to Harry Styles is definitely one of them.

“That’s alright,” you say, trying not to impose on Harry too much. So you’re surprised when Harry says, “Of course, let’s get a photo!”

You stand next to him, and his arm wraps around your shoulder and you hope your expression doesn’t show how crazy fast your heart is beating while Jason takes the picture.

“It was so nice meeting you both, I’ll see you around!” Harry says as he walks away.

Before Jason can begin to tease you, you say, “Don’t even say a word.”

He listens to you and instead just laughs as you keep walking.

After some quick hellos to the stadium staff, you’re led up to a box.

“I thought we just had seats today?” You question.

“We did. But when I was talking to Mark he said we got upgraded.”

When you step into the box you’re once again surprised by the presence of Harry Styles.

“Okay, we are definitely in the wrong place,” you murmur to your brother.

“Oh good, you guys found us!” Harry says. You look to see who he’s talking to and get shocked to see it’s you and Jason. “There were some open spots so I asked if you two could join us,” he explains.

“Wow, thank you!” You manage to squeak out.

Suddenly you’re realizing what is about to happen. A four minute encounter in the hallway? Easy. An entire three hour football game? There’s no way you make it through without embarrassing yourself.

And yet, halftime comes and you’ve so far managed not to make a fool of yourself. In fact, you’re even impressed by your witty banter as the Eagles and Packers go back and forth taking the lead.

“So, I read about these botanical gardens nearby,” Harry says.

“Longwood?” You ask.

“Yea, have you ever been?”

“A couple times. I went with Jason, Kylie, and the kids earlier this summer. They’re really nice. If you’re thinking about going, I highly recommend.”

“I actually got a couple tickets for the fountain show tomorrow night. I was wondering if you’d like to go with me.”

Quickly processing that Harry is asking you to hang out with him, possibly go on a date with him, you reply, “I’d love to!”

“Fantastic! I can pick you up in the afternoon?”

“Sounds good to me, thank you.”

You exchange phone numbers and give Harry your address, still in disbelief that all of this is actually happening.

The game resumes, and as the Eagles make their comeback you can’t help but cheer and get wrapped up in the game. And even as Harry’s team starts losing, he still stays happy and continues to joke around with you.

When the game ends and the Eagles fans celebrate, you say to Harry, “I hope this doesn’t affect us hanging out tomorrow.”

“Not a chance, in fact I think that will cheer me up,” he says with a smile.

“Hey Y/N, I’ve gotta go talk to a couple people. You hanging here or coming with me?” Of course, there’s your brother interrupting again. And while you’d rather stay with Harry, you don't really want to be separated from Jason in the post-game chaos. So you say goodbye to Harry with the promise to see him the next day.

On your way back home you put up with the teasing from your brother.

You beg him to be on his best behavior when Harry picks you up the next day.

You know he won’t.

So it’s no surprise that he gives Harry “the talk”, telling him that if he hurts you at all then he’ll have to face two NFL players.

You’re hanging in the living room with Kylie and the kids while this happens, and when the two boys come back Kylie asks,”He wasn’t too scary, was he?”

“No,” Harry replies. “Just scary enough I’d say. Shall we get going?” He addresses this last question to you and you agree, more than happy to get out of the house before Jason takes his big brother role too seriously.

When Harry drives away he lets out a deep breath and you say, “You good?”

“Yea, just- Your brother is scary.”

You start to laugh at the fact that Jason managed to actually shake up Harry Styles. But you decide to help him out by saying, “He seems scary, but it’s mostly all talk. Unless you do something to hurt me. Then you should be scared.”

“Oh I feel so much better,” he says, laughing along now.

The two of you have a wonderful time together at the gardens, especially since Harry manages to somehow fly under the radar. The fountain show is fascinating, and you stand together, Harry’s arm around your waist sending butterflies through your belly.

It’s late when you get home, and he walks you to the door like a gentleman.

When he asks if he can kiss you, of course you say yes. He leans in for a soft kiss before saying goodnight, not leaving until you’ve made it safely inside.

Jason is waiting up for you, and as you tell him about your night you watch his gruff exterior fade away. He looks truly pleased by all you have to report and you’re glad that he seems to approve of Harry.

For the next couple of months, it all goes well. Your relationship with Harry flourishes. You get to see him more than expected since he starts working out of a studio in NYC, only two hours away from where you are.

There is one mild bump in the road, occurring on a Friday evening when Jason and Kylie are supposed to be out at a party with the girls.

You’d been planning on a quiet night home alone. But then Harry had surprised you by showing up at your front door, a bouquet of flowers in hand.

One thing led to another, and before you know it you’re both on the couch. You’re straddling his lap, his hands sliding under your shirt as the two of you make out.

As much as Harry had surprised you, Jason surprises you even more by suddenly coming home and walking right into the living room.

Harry notices him first, and in an effort to save this interaction he pushes you off of him, luckily managing to shift you to the open spot next to him on the couch.

There’s a moment of oppressively awkward silence as Jason stares at the two of you, speechless. Without saying a word he walks to the mud room and grabs the diaper bag that had clearly been left behind earlier.

As he passes through the room to leave he says, “You are adults. Just- don’t be stupid. There are enough kids in this house already.”

Without waiting for a reply he leaves the house. After another moment you and Harry break into nervous laughter.

The mood is pretty much ruined but you still have a nice night watching a movie together. Harry stays with you but has to leave at lunchtime the next day.

That afternoon Jason knocks on your bedroom door, asking if he can talk for a minute.

“Sure, what’s up?” You say, not expecting the conversation that follows.

“I just wanted to ask how things are going between you and Harry,” he says.

“Oh! Good! Yea, things are going well. I really like him,” you answer.

“And you’re being safe?”

“Oh my god, Jason! We are not having this conversation,” you say as your cheeks warm at the implication.

“Well you’re living in my house, I just, you know. I feel responsible for your well being.”

“I’m safe. Very safe. You don’t have to worry.” You hope your words will convince him to drop the topic.

“And you trust him? Cause I mean, he’s a big time Popstar. Bet he’s broken a fair number of hearts before.”

You find yourself needing to defend Harry and ask, “Have you had this conversation with Travis about Taylor?”

“Fair point,” he concedes. “I just don’t want you getting hurt. You’re sure about him?”

“I am.”

“Okay then. That’s what matters. I’m only looking out for you.”

“I know. But Harry and I are happy. I promise.”

With that smoothed over, the next few weeks continue drama free.

And then comes Christmas.

Due to scheduling, Harry had yet to meet Travis. You’ve talked to your brother about him, and you know Travis has talked about all of this with Taylor. So while you’ve been told that it’s no big deal that your boyfriend and your brother’s girlfriend are exes, you’re still a bit nervous for Christmas dinner.

It’s a late meal, since you have to wait for Travis to get there after the Chiefs vs Ravens game, and you spend the afternoon entertaining your nieces and helping prepare the food.

Finally Travis and Taylor arrive, and for a moment you can’t help but feel self conscious. The room is full of NFL players and international pop stars. You excuse yourself to the kitchen for a moment to collect yourself. When you walk back to the living room, Harry greets you with the biggest smile, and those feelings of self doubt melt away. Because those big accomplishments and accolades aren’t what matter to him. What he cares about is how kind you are, how fun and loving you are. He wraps an arm around your shoulders, pressing a kiss to your head and you blush knowing your whole family is watching.

But looking up at them you see nothing but support. Your mom is practically glowing seeing all her children with their significant others, and quickly organizes a family picture.

It takes some time to get all three of the little girls to cooperate, and by the time the photo is taken, dinner is ready.

There is something surreal at seeing Harry and Taylor pass the potatoes or bread basket, never having imagined this is how your life would turn out.

But that night, as you all agree to break the internet by posting the family picture, you know you wouldn’t want it any other way.

------------------------------------------------------------------------------

AN: I wrote the first half of this as the Eagles lost to the Commanders, thus breaking a 10 game win streak soooo that was a bummer.

I wrote the ending after watching the Eagles beat the Cowboys, so at least that turned back around!

I think this may be the silliest thing I’ve ever written.

[thehoneybeet]

B, W, Y for the ask game, if you wish 🤩!

Ali, all of these are wonderful!! Thanks for the ask (full alphabet here).

B: Any of your stories inspired by personal experience?

In plant me in your garden, the scene in which Draco explains how to ask for permission from the plants before taking their fruit is based on something a parent taught me when I was young. You could take it literally and see plants as sentient beings with some level of autonomy, or you could take it as a metaphor, a reminder to be present and hold space for gratitude when receiving things from nature.

This story as a whole was inspired by my own experience exploring and thinking about gender fluidity in a way that felt safe and transformative.

In everything is relative to you, one of Harry and Draco's past lives (the lesbian witch burning) was inspired by a past life regression of someone very close to me.

W: Do you like more general prompts, or more specific ones?

I see you gearing up for fth :) I love prompts that start with a story concept and also include certain tropes, elements, etc. that you love to read. I find it really fun to combine those things and try to fit them all in a (somewhat) coherent story. This challenge is why I love doing @hd-erised. I also find that it makes me write things I would never have thought of on my own, which makes the process much more interesting and enjoyable. That said, I can't guarantee I'll stick with every element in a specific prompt. If the prompt is extremely detailed (for example, outlining the plot) I think the prompter should take a stab at writing it themselves.

Y: A character you want to protect.

None of them. To me, this is the point of characters, that no matter the shit they've gone through, no real person is getting hurt. I find it compelling to read about characters who have experienced pain and dealt with it through some sort of catharsis. I love happy endings, but to me angst is more stimulating, emotionally complex and rewarding by the end of the story. And by definition that means no one is totally protected from being hurt.

In a completely different sense, I do want to protect certain characters from their limited and "ethically mean-spirited" portrayals in canon. Part of this is the joy of fandom, that we look at a character like Draco and not see someone irredeemable, but rather someone who's been on the wrong path and is struggling to change himself and how he engages with the world. Same with Harry--I almost think that allowing Harry to be truly hurt by the events of canon and process them in fic is kinder than pretending everything was fine, that he was straight, cis, etc. And having them love each other so completely obliterates this black and white idea that some people are Good People and some are Bad People and that's an unalterable fact. So I do want to protect them from that.

Thank you again for asking and would love to hear your answers to these as well 💕

[meirimerens]

the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:

P2 Layers glyphs take from the mongolian script:

while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)

the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)

some of the sigils also look either in part or fully inspired by Phags Pa script letters...

some look closer to the mongolian or vagindra (buryat) script

looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):

shaped and reshaped...

[blujayonthewing]

considering making art about the alternate timeline where juniper is a private tutor for a wealthy estate and not elaborating on why

[screambirdscreaming]

This is very well articulated and true to many people's experiences, BUT with the diagnostic landscape as it stands, I think its really dangerous to assume that children who *do* get diagnosed are treated any more kindly.

Many kids who are diagnosed are not actually given words to explain their experiences. Their needs are simply dismissed as "symptoms" they have to "work on" and "get past".

Some kids are actually diagnosed with "Oppositional Defiant Disorder" - whereupon ANY need they express - even those which would be treated as reasonable from undiagnosed or neurotypical children! - is pathologized as "defiance". And yes, this diagnosis is highly racialized.

Honestly, knowing that ODD exists as a diagnosis really forces a person to challenge their perspective on what diagnosis is and means. Yes, diagnosis *can* be a tool of understanding, a way of banding together around shared struggles and generating shared language, tools, and resources. But it can also be a tool of opression and social control. And it *is*, currently for many people, a tool which is used to opress them. Even if it is also currently, in other people's experience, a tool of solidarity and support.

I think people who have experienced adult diagnosis as a relief, a breakthrough, a finding of community and tools of understanding - are sometimes prone to projecting this experience onto an imagined experience of childhood diagnosis, without looking into what childhood diagnosis actually entails.

It shouldn't be surprising, given the way children are dismissed, corralled, managed, and expected to conform to adult expectations at all times - that childhood diagnosis lacks the experience of autonomy, self-realization, and support found by those seeking diagnosis on their own terms as adults.

And it's understandable for people to say, "I wish I'd had this experience [of finding a diagnosis as an adult] as a child." But you can't just say, "I wish I'd been diagnosed as a child", and expect it to mean that - without MAKING childhood diagnosis mean something completely different than it currently does.

And I do absolutely think that it's crucial to change childhood diagnosis to mean eduction *of parents and caregivers* about the diagnosis, to mean kids are given tools and resources to express their needs and to process their experiences, to mean kids are given access to the same sort of supportive community that adults find through diagnosis.

But I actually don't think that's the first step. I think the first step is to create a cultural shift where we LISTEN TO CHILDREN WHEN THEY EXPRESS THEIR NEEDS, IN THEIR OWN WAYS, ON THEIR OWN TERMS. In general. For all children.

Where adults take seriously kids who are upset over problems adults find absurd. Where adults are willing to make accommodations that kids request even if they don't understand why it matters. Where kids aren't ridiculed or shut down for asking for things that don't make sense. Where kids who say they're in pain are treated as if they're in pain, not as if they're trying to get out of something. Where kids who say they need to sit something out are allowed to sit something out. Where adults make an effort to understand what kids are trying to communicate, even if they cant "use their words".

It turns out that having been dismissed by adults over something that really mattered to you as a kid is a near universal experience. And I'm not saying it's not *worse* for neurodivergent kids. I'm just saying that it's treated as bizarrely normalized in childcare that kids won't come to adults with really serious issues, like abuse. That they'll try to hide it. Why? Because they've learned that adults don't really understand them, and won't try to understand them. That adults don't really listen.

And it's hard, actually - as an adult working with kids, they'll come to you with a concern that seems absolutely ridiculous. Like, their classmate was bragging about how he's going to borrow his uncle's helicopter and fly to the north pole to meet santa. And THEY know santa isn't real and that the north pole is very dangerous - but they think it's absolutely credible that the kid could steal the helicopter, and they're terrified he's gonna get hurt. And you can't laugh! Not even a tiny little bit! You have to treat absolutely seriously their concern, and work it through with them. Because to them it's not ridiculous. They don't have the perspective you do, about what's real and possible and plausible and what isn't. All they'll see is that you've dismissed their real fear - and after that, why would they come to you with anything else they're scared of?

So you have to meet them where they are. You have to treat their experiences and perspectives as genuine, even when they don't make sense to you. You have to work towards understanding their reality, and what they're trying to convey to you, and what they want you to do for them in response. Even if they don't know what they want you to do! They're coming to you as an adult who will fix a problem for them, but if you fix the problem your way and it turns out that's not actually what they wanted, they *still* learn that adults don't understand them and can't help them. You have to learn to unpack all your concepts of what goes on in kids heads, and really meet them where they are. As complex individuals whose ways of thinking and being are probably totally different from your own, regardless of whether they - or you - are neurodivergent.

And this unpacking goes beyond kids. Not only do we need to take kids seriously, we need to take each other seriously. We need to build a world where people are able to understand and respect that other people are different from them without having to know Why and How. Where you don't NEED a diagnosis to be allowed to exist in a way that is different from other people.

anyway I don't mean to detract from the conversation about how alienating and destructive it is to your ability to relate to yourself, to grow up neurodivergent and having your own experiences constantly denied to you. I just think that while we're at it, we may as well address the problem at the root.

[txttletale]

Saw a tweet that said something around:

"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"

I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.

i would simply respond that almost none of that is true.

'depleting the global power and water supply'

something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:

running a microwave for ten minutes is 133 watt-hours

gaming on your ps5 for an hour is 200 watt-hours

watching an hour of netflix is 800 watt-hours

and those are just domestic consumer electricty uses!

a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)

a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)

i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?

1-1.5%.

ah. well. nevertheless!

what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.

most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.

but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.

but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!

so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!

'stopping us from thinking or writing critically'

this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."

it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.

nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!

plagiarizing human artists

nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.

AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).

to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?

then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!

this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.

(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)

today's students are worried they won't have jobs because of AI tools

i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).

jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!

there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:

“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”

this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.

so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.

if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.

[astrosamara]

Astrology Observations #4

🩵Sun in 8th & 12th house are incredibly talented individuals with unique gifts to share with the world, but a lot of the time this potential is unseen to them and they can struggle a lot with their purpose. These people can also attract a lot of jealousy from people who don't want to see them win in life.

🩵So many Pisces suns I know radiate this effortlessly cool vibe and people naturally want to be around them. Unfortunately for Pisces, their energy gets depleted around people quickly and they require a lot of alone time or their vibe can turn sour fast.

🩵Earth suns, especially Capricorns, unfairly get labeled as being too boring and practical. These people can make great friends who are grounded and reliable though. This energy gets taken for granted in friendships I feel like.

🩵You might find yourself frequently getting crushes on people with their sun or moon in your 5th and 7th houses.

🩵Moon in 6th house are more sensitive than others to their environment and daily routines. They can struggle feeling grounded in their emotions, since their environment is so strongly connected to their inner world.

🩵Saturn in 1st can be insanely critical over their physical appearance. They might not take pictures of themselves very often, but when they do, they can obsess over how they look in them. I have this placement and I don't have that many pictures of myself when I was a teenager because I hated getting my picture taken. My entire day would be ruined if I saw a bad picture of myself.

🩵Venus in 1st is a placement I've always been jealous of, they just radiate feminine beauty and can have a strong interest and understanding of fashion. I've also noticed that there can be something unique about their beauty that really makes people notice them.

🩵Scorpio Venus can struggle a lot with limerence. They frequently mistake obsession for love. They might not even be interested in someone unless they feel like they're obsessed with them. Crushes in general can feel all consuming for them.

🩵Scorpio's are also great at hiding things from people and will only show a side of themselves that they want to portray. They understand the importance of keeping things private and will truly take their secrets to the grave.

🩵Pisces mercuries will blurt out the most random things in a group conversation that will leave everyone speechless and confused. I swear their minds are just tapped into a different dimension lol. Also incredibly funny.

🩵If you have any planets conjunct your chiron, there can be a great source of pain within the themes of this planet, but if you focus on healing this energy it can become a great source of power for you. I have chiron conjunct my mercury and I grew up extremely shy and afraid to use my voice. Now, I've found that journaling and writing about my pain has become incredibly therapeutic for me and it's strengthened my ability to communicate about my emotions.

🩵Mars in 6th house tend to be really passionate about trying to maintain a healthy lifestyle. They feel great when they prioritize their health and when they follow a schedule. I have this placement in Virgo and I can get so grouchy and irritable if I don't eat well and get some sort of movement in for the day.

🩵North node in 6th house can really struggle with being an active participant in their life. With their south node in the 12th house, they feel most comfortable observing other people's lives and blending into the background. Learning to embrace the spotlight and be seen by others will be very important for them in being on the right path.

🩵Sun in 1st house people can literally or metaphorically have a shine or glow to them. They radiate this light, warm, welcoming energy that makes people just want to look at them and be around them. Also, natural entertainers. They're meant for the spotlight in some way or another.

🩵Mars in 3rd house are constantly traveling and seeking adventure. They're always down to try new things or go somewhere new. I have a friend with this placement that is seemingly always traveling, in a new place, or trying a new hobby every time I talk to them. They don't like being stagnant.

[ladies-of-fortune]

Control your body language, control the world

Why is it so important?

Body language is everything. It’s the silent superpower that influences your success in every area of life. If you can't connect with people, progress becomes impossible. Whether it’s a first date, a job interview, or making friends, your body language does the heavy lifting. It’s not always what you know but who you know. Even if you have a one in a million idea, if no one likes you, it will stay stuck at zero.

We all unconsciously give off subtle signals that reveal our true thoughts and feelings. A mere twitch of someone’s face is all it takes to express displeasure. Mastering your own signals puts you in control of how others perceive you.

The resting bitch face conundrum

If your neutral expression looks angry, sad, or afraid, you have two options:

Adjust your behaviour to compensate - Put your energy into making sure your first impression negates the vibes your resting face gives off. Once you're on more comfortable terms, you can relax and people will know that expression is just your face.

Surgery - This is an option but it's a risky one. If you go down this route, I recommend getting a procedure to fix your mouth into a neutral position rather than a permanent smile. There's a chance you'll come out looking like the joker, and your range of emotions will be restricted.

Fake smiles are worse than not smiling

Please don't fake smile, it doesn't fool anyone. I've seen a fake smile directed at me that gave the distinct impression of an ape preparing to attack, and it's haunted me ever since. A genuine smile reaches your eyes and lights up your voice. It's an infectious, unconscious energy. If you can't muster a real smile, it's better to remain neutral and true to your emotions than have others detect a falsehood from you.

Be open with your body language

Don't mute your expressions and gestures. For some this may have arisen as a defence mechanism, but in adulthood it can make you appear unapproachable. Unlearning this takes time, but its worth it. Once you feel safe to express your true feelings, your authenticity will shine. Being yourself, regardless of others’ expectations, commands respect and attracts people who genuinely like you for you.

(Of course, being authentic doesn’t mean being a public menace. There’s a line.)

Win people over with your body language

Lean in slightly during conversations to show interest.

Nod or smile occasionally while the other person talks to encourage them to keep speaking.

Use your hands when you speak to display enthusiasm.

Don’t hide your hands—it makes people subconsciously think you’re up to something shady.

Maintain good eye contact. Too little, and you seem disinterested; too much, and you risk coming off as intense. Strike a balance by aiming for natural, consistent eye contact about 70% of the time, and break away occasionally to keep it casual.

Respect personal space. Standing too close can make people uncomfortable, while standing too far might seem aloof. Aim for about an arm’s length of distance and adjust based on the other person’s comfort level.

Learn to read others

Once you master your own body language, you can start picking up on what others are saying without words. Spot their tells, mirror their movements and like magic, you’ll become “one of them.” Without quite knowing why, people will feel comfortable around you. This makes any requests or difficult conversations you'll have with them in the future much easier.

Context is key

Body language isn’t one-size-fits-all. What works in a casual setting may not translate in a formal one. Leaning back in a chair might show relaxation with friends but could come across as disengaged in a job interview. Similarly, an enthusiastic wave is great for greeting friends but may seem unfocused in a serious business meeting.

Tailor your approach to the environment and the people you’re interacting with. A little adaptability goes a long way in ensuring your body language sends the message you want it to send.

[felassan]

Dragon Age Day 2024 – Developer Reddit AMA (Q&A session) – compilation post

Introduction: “Happy Dragon Age Day! John Epler and Corinne Busche are here to answer your questions for the next ~2 hours. Looking forward to chatting with everyone. We won't be able to get to all questions, but hoping to get to a good mix!”

I gathered the questions and answers from the AMA together in this post, as the AMA has now concluded. The rest of this post is under a cut due to spoilers and length.

Q: "If you could’ve developed DLC, what — and/or where — would you have wanted to explore? Would it have been a new locale with a complementary, self-contained story or something that adds to the main plot and teases the future?"

Corinne Busche: "On the gameplay side, I had a thought about adding a new class option, which is directly related to the environments and story. I've always wanted to revisit the Bard, and I've long felt in the context of Veilguard the best way to handle player-controlled blood magic would have been to build a unique 'Blood Mage' class for it."

Q: "Can we look forward to more lore-supplementary material, for example World of Thedas vol.3?"

John Epler: "With all of the lore reveals in DATV, another World of Thedas is something we'd absolutely love to do. That said, they're complex beasts and require a lot of work from a lot of people, so I can't really promise anything, but it's something we're interested in, at least."

Q: "1. How exactly did Solas's blood magic manipulation of Rook work? Did he only alter Rook's perception to make them think that Varric was still around, or did the blood magic actively prevent Rook from reacting to Varric in a way that would have given up the ruse to the other characters? 2. What is the state of Southern Thedas after the events of DAV?"

John: "Solas' magic caused Rook to see Varric when he wasn't there. Originally, of course, Solas wanted Varric to keep Rook more off-balance - but the thing about the Fade is that things don't always work the way you expect or want them to. As for the state of Southern Thedas - it's been pretty radically altered. The balance of power has shifted, but even those who rode out the storm of the Gods' blight better than others are still reluctant to start anything as the whole place is in rough shape."

Q: "When looking back on DAV, is there any part you wish that you could have spent more time on?"

John: "For me, it's about the Antaam and their split from the rest of the Qunari. There are elements of that story in both the Crows content and in Taash's personal quest, but in a dream world, having the Ben Hassrath as an additional faction (albeit, one you don't know if you can trust) would've been nice."

Corinne: "And for myself, I certainly share some of the desires the community has. Going deeper on romances, and more choices to import. I love our choices and consequences in the game already and maybe we could've added a few more on the scale of the Minrathous/Treviso choice, that significantly alter the remainder of the game. I think we learned how to make that work within our gameflow and content structure, so I look forward to being able to lean in on these beats more heavily. That said, no artist or creator is ever going to be completely content with their work, and even so when I take a step back and look at the game as a whole, I'm extremely proud of what were able to accomplish."

Q: "Can we get confirmation on what happened to the other Evanuris? Will we get any more lore? Shame we didn't hear a whole lot about them besides essentially being behind the previous Blights."

John: "We haven't been SUPER specific about this, but at best the other Evanuris are a shadow of their former selves, and at worst they're dead. The death of their Archdemons, particularly when they were still trapped in the Fade, caused enough magical feedback that it broke their minds and bodies. A couple may have survived as shells, but they aren't in the same state as Ghilan'nain and Elgar'nan."

Q: "Will we get at least anything post launch that via free updates that further expands some story elements? Will rook continue to be the main protagonist going further??"

Corinne: "We've been continuing to improve upon the game post-launch through various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content. Whether Rook will return in the future, well it's just too early to say :)"

Q: "The marketing for the game claimed that choices not imported from prior games wouldn't be overridden. However, certain dialogue from characters like Harding seemed to establish certain canon events from previous games that were not locked in. Is the intention that a hard canon is being established from DATV forward?"

John: "Ultimately, there's still no intention for there to be a hard canon going forward. These games have been going on for 15 years, though, and with all of the previous games to remember, as well as developing this one, there are absolutely places where we unintentionally suggested there was a hard canon (the one I've seen specifically is that Isabela is always assumed to have joined Hawke's party). I'd say those are oversights and not part of a deliberate strategy. While there are definitely some smaller decisions we will likely never revisit, I want to keep those other choices alive and relevant in the future, and with the state of Thedas the way it is at the end of DATV, I don't really think there's a way forward that DOESN'T involve bringing some of those bigger choices back to the forefront."

Q: "Was there anything at risk of being cut from the game that you fought tooth and nail to keep in?"

Corinne: "Oh, absolutely. There are always those things in game dev that are at risk due to scope and deadlines. There were 3 big ones that immeadiately come to mind: The Transmog feature, the Lords of Fortune Hall of Valor, and Haunts questline. I'll throw in Photo Mode as well, but that was one that we always knew we'd like to do, and had to dig deep to find the time and resources for it."

Q: "Is it set in stone that we will not be getting DLC?"

Corinne: "Correct, our focus was to tell a complete story with the release of Veilguard. Beyond the quality of life improvements and a couple new armor sets we're doing to support the game, we won't have any new story or gameplay content coming to the game."

Q: "Are there any plans to try and increase character saves on console to more than 3?"

Corinne: "This is something we've investigated, but because this touches our save file architecture there are no plans at this time to increase the limit."

Q: "Are you planning to make another Dragon Age after this one ?"

Corinne: "There are so many more stories yet to be told, and threats to defend against, within Thedas, but that's all we can say for now as we don't have anything new to announce."

Q: "With the polarizing nature of this iteration of Dragon Age, how did the media attention affect the team as a whole and the morale leading into and post launch?"

Corinne: "This is a tough one to answer, because it's so personal and specific to each member of the team. So let me say this, we've seen that with each Dragon Age release there has been a passionate, and sometimes polarized, response. When you consider how invested the players are, the nature of reinvention in the franchise, and the commitment to inclusivity, it makes a lot of sense to see the broad array of reactions. What I can say is that the team is really proud of what they have built, and the positive critical reception it's received. Within the team, we've been sharing all of the wonderful letters, fan art, and anecdotes from the players, and listening closely to the constructive criticism. That's really where we focus our attention."

Q: "Could you comment on current logic of Lucanis romance? Him leaving PC because of a certain choice does not make sense, because right after that he picks up the romance arc with Neve, who did exactly same choice. Was it intentional, or are we dealing with a broken plot flag or oversight?"

Corinne: "Lucanis is a deeply passionate individual, and rightly or wrongly, can't overlook that it was Rook's decision as the leader of the Veilguard to support Minrathous, when so many lives were bound to be lost in Treviso. It hasn't dimmed his passions, which is why he ultimately still pursues Neve, but it does come at the cost of the fledgling romance with Rook. As with all people, Lucanis is complex in the way he internalizes his experiences, and this is one he couldn't look past."

Q: "Are there any comics or books planned that are set after the events of DAV?"

John: "Ancilliary media is always tricky but personally I'd love to do more in that space. I think the ending of DATV leaves the world pretty well open to a number of different stories and exploring how the dynamics of Thedas have changed after the events of DATV is, IMO, a really fun path to go down."

Q: "Can we see Sandal in the future Game/DLC?"

Corinne: "That's an interesting possibility to explore. Especially given what we've learned in Harding's quest line and the awakening of her powers through her connection to the Titans. It's a really fascinating side of lore, but like we've mentioned already we don't have any new story content coming to the game or anything further to announce."

Q: "I want to give a shout out to John, Corinne, and Trick in particular. What a great group of people who clearly love this series! Would love to know about their canon Rooks/romances and their playthroughs" 

Corinne: "At this point I've done so many playthroughs it's difficult to keep them all straight! If there was one that I'd say is my "canon" however, I'd say it would be my Shadow Dragon Qunari Rogue, named 'Rin'. She was a Veil Ranger who was always a bit quick on the draw, chose to save Minrathous, selected Maevaris for Archon, and romanced her one true love: Taash! Ultimately Rin and Taash agreed that Taash should honor their life as a Rivani, before we defeated the gods, redeemed Solas, and sent him off into the fade to be with his own true love: The Inquisitor. <3"

John: "Qunari mage Rook who's romancing Harding. He's the handsomest Qunari in Thedas, and that's a burden he bears every day. I'd also just add that while I appreciate the kind words, a game like this couldn't come together without a tremendous number of people, far more than are active on social media. So shout out to the whole team for the hard work they've done."

Q: "Can we hope to see something related to Awakened Darkspawn in the future that the franchise has? (As in prequels or new instalments.)"

Corinne: "Difficult to say. I've always been a fan of the rare cases of Awakened Darkspawn, but if they were to turn up, it would need to be because they were right for the story."

Q: "My question is - what are your plans for upcoming patches? Do you expect that they'll mainly be bug fixes, or is there a possibility that there could be content patches? And if so, any chance for more interaction between Rook and the companions, since that's top of many of our wishlists for the game right now? (Lucanis in particular for me :) but every one of us has their own favorites!)"

Corinne: "I'm so glad you enjoyed it!! I believe we've responded to another question about the post launch plans, but let me include some of that information here as well. We're currently focused on various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content."

Q: "Where does Andraste and the Maker fit into the world of Thedas given all that was revealed during Trespasser and Veilguard. We obviously know the whole story about the Evanuris and their role in shaping the world as it is, the Black City, the Blight, etc. Is The Maker just a human mythology that sprang up to explain this? Does The Maker still exist?"

John: "That's a weighty question. I do think there are some questions we should never (and likely will never) answer completely - I think the moment you reveal everything there is to know about a fantasy universe, you start to lose some of the mystery that brought people into it in the first place."

Q: "Are you going to add new armor or skins as you added the Mass Effect one?"

Corinne: "We actually just dropped the new Hawke-inspired armor, face paint, and body paint, as of today in celebration of Dragon Age Day!! Really hope you enjoy! I know for me personally, it's going to be my go-to transmog armor from now on."

Q: "What features/storylines were left on the cutting room floor? Followup if you're feeling generous: How was the development of Veilguard viewed internally, and was the majority of the studio satisfied with the time given to develop the game?"

Corinne: "Tightening up content and making cuts is a tough but typical part of game development. A few of the biggest cuts we had to make were trimming down the Faction story arcs, and letting go of a few explorable spaces. There were also a few areas, like blighted Weisshaupt that we could've returned to and explore. In both cases however, I believe we rightly opted to let go of these quests and areas in favor of increased focus on the quality of the existing Faction quests and exploration areas and shipping a high quality performing experience."

Q: "After reading the Dragon Age: The Veilguard book I noticed the jurassic tortoises didn't make the cut into the game, they were also teased in the initial teaser trailer from a few years ago. Any particular reason they were cut?"

John: "It's less about them getting cut and more that they just never moved far enough ahead to be a part of the game with full animation sets (combat, locomotion, etc)"

Q: "Is there any hope that you'll be announcing official mod tools, or a toolset like Dragon Age: Origins?"

Corinne: "No, we don't have any plans for official mod support."

Q: "My question is >! where does Solas/where do Solas and the Inquisitor go off to at the end if he’s redeemed? Back into the prison he made or just the fade in general?"

John: "We're leaving that ambiguous on purpose, but given that the Fade is shaped by dreams and thoughts, I think it's fair to say that the section of the Fade that Solas and the Inquisitor end up in is a lot nicer than the Fade that Solas gets trapped in with the other two endings."

Q: "How do you think Veilguard sets up the future of the franchise? Where would you like to take it from here?"

Corinne: "I'm sure it won't surprise you when I say we riff on this topic a lot! What really captures my imagination now that we've resolved some of the mysteries pertaining to the blight and the Elven gods, is exploring the aftermath of this crisis in a deeply destabilized Thedas. As you can imagine, given a blight of this magnitude, and the revelations of the Elven gods, it's going to have long lasting geo-political implications, and there will be those eager to take advantage of the situation. Not to mention, there is so much yet to explore in the nature of the the Dwarves and Qunari, and their relationship to the Titans and Dragons respectively."

John: "To riff on what Corinne is saying - I think, for myself, I'd love to look at taking it down from 'end of the world' to 'the world is changing, how do you adapt and react'. The balance of power has changed, and the Sword of Damocles that is the Evanuris and the Blight is no longer hanging over the world. What does that look like? Who's on top now? And with all the revelations brought up in DATV, what does that look like for the Dwarves, or the Qunari?"

Q: "1) I've seen people that they believe Andraste was a vessel for Mythal because of a comment Morrigan makes about a previous vessel falling in love with an Almarri Chieftain. Is this the case or was she talking about Flemeth? 2. About the Executors, is their manipulation more on the level of leaking information to select people to guide events, or is it more along the lines of "Loghain suspects that Cailan wants to ally with Orlais, let's stoke his hatred by having him see/hear events that remind him of what they did." 3. Lastly, are there any plans to let us visit Kal Sharok proper in any future games? It was great getting a small glimpse of the Dwarves from there and see an outpost but would love to see the actual city!"

John: "I think I'm going to have to keep the first question a mystery for everyone. :) For the second, it varies. The Executors are very mysterious and, more importantly, incredibly risk averse. They attempt to manipulate events in the most subtle way they can manage. Sometimes that means leaving a particularly inflammatory document on the right desk. Sometimes it means stoking existing fears and doubts. Not everything they try is successful, in part because of how unwilling they are to put themselves at risk. For Loghain, it would have been incredibly subtle. He's smart, strong willed and, in his own way, loyal to Ferelden to a fault. For others, it would've been different. I'd love to do more with Kal Sharok as there are some interesting stories still to tell that involve them, but we don't have anything to announce as it relates to future games."

Q: "If you could make one of the faction leaders a party member in the next game, who would you choose?"

Corinne: "For me, it would absolutely be Evka and Antoine (you have to bring them as a couple, right???). They've come to have place in my heart, and I would love to know what the future of the Wardens looks like. That said, a couple of runners up: Maevaris Tilani, and a reprised companion role for Isabela, would make me very excited!"

Q: "Did you expect so many players to be so thirsty over Emmrich? He is the best player in the game for me, thank you for his lovely presence."

Corinne: "I mean, we definitely had our suspicions. Within the dev team, we are also fans of the game, and what we found was that some of us were very drawn to, and quite vocal about, our resident necromancer. There's something so endearing about his gentle demeanor and that juxtaposition of necromancy as a force for good and reverence, that makes him really compelling."

Q: "I wanted to start out by saying I love this game, but one of my major questions is: What happened with the Lords of Fortune? They have significantly less content and reactivity than the other factions with Rook not even commenting on things that they would already know like Isabela explaining what "Pulling a Barv" is. Similarly, the Lords don't have a theme for the Lighthouse OR colorways or even a real faction quest line like the others have. Were they intended to be a different faction (a qunari/tal vashoth one maybe) and it got swapped late? Where they just added late when time/budget was already running low? Was it determined that fewer players would pick that faction so less resources were allocated? I feel like there's a reason as to why since the difference between playing as a Lord and playing as any other faction feels really extreme."

Corinne: "We always knew that some of the factions needed to have a larger presence in the overall story than others, so when we approached our content planning, we took that into account. They are inherently assymetrical. That said, I think there is a lot of interesting material to now work with in regards to the Lords of Fortune and the Rivain Coast if that's right for another story."

Q: "What was the motivation behind writing the Inquisitior's missives and the ultimate fate of southern Thedas? Is that an area you are likely to revisit in future games? T his question is the result of a lot of discussion that's been had in the fandom as of late and one to which there's no definite answer, but I'm curious: as developers and writers, what features and qualities do you believe make up Dragon Age's core identity?"

Corinne: "Around the time we approached Alpha, we realized that this blight, and the impact of the gods on all of Thedas was so much bigger than what the player would see in the north. We felt this was a natural opportunity to have the Inquisitor serve as that connection to the events happening in the South, to show that the entirety of Thedas was impacted, and the Inquisitor was not one to stand idly by. Sometimes I daydream about exploring the parallel adventures of the Inquisitor in the south while these events are unfolding in the north. That could be a really fascinating tale and perspective. Regarding Dragon Age's core identity. Well, that's a big question and one that will mean different things to different people. I can tell you that internally we've always stood-by the mantra that 'Dragon Age is an experience about people'. That is to say, the setting serves as an opportunity to really explore the depths and motivations of characters during times of crisis, joy, and companionship. Another that I reflect on frequently is how Dragon Age has become a franchise where each game has been different in its approach, and while it can make these titles challenging to develop, it also creates an opportunity to keep the franchise fresh."

Q: "What was the reasoning behind only making Dock Town an explorable area in Minrathous, rather than a combination of areas of the city, such as where the upper class lives?" [I think this comment was edited at some point after posting hence some of the answer below seeming unrelated]

John: "Given the state of Thedas at the end of DATV, Minrathous has become the diplomatic hub for the entire continent. While we could, to some degree, avoid references to the Divine and Ferelden's leader by virtue of this game taking place in Northern Thedas, I don't think that would be possible (or satisfying) going forward. There will, as always, be some choices that we won't reference, but others are, I think, going to be required to tell a coherent story in the future. Focus, more than anything. We originally had a few areas in Minrathous but rather than spread our resources thinly across multiple areas, we chose to focus on Dock Town and make sure it felt coherent and cohesive, as well as doing our best to stamp out any bugs we found. If we ever revisit Minrathous (which I'd love to do), I think we'd spend more time in the other districts. Both Harding and Davrin have specific, non-quantum reasons for being willing to sacrifice everything to stop the gods. For Davrin, he saw Weisshaupt fall - and he had his own opportunity to heroically sacrifice himself taken away. For Harding, she's been on this quest for nearly a decade, and she saw Varric, her friend and mentor, fall. Neve/Lucanis could have worked in either slot but that multiplies the complexity even further - and Neve already was earmarked for the wards."

Q: "During development, did you plan for a cameo of any companion from previous games that ultimately got scrapped? If so, may I ask who? And on this topic, has an appearance of the Hero of Ferelden on the table at any point? Is there a reason they haven't appeared since Origins?"

Corinne: "Thank you so much for the kind words! Glad you enjoyed! While not a companion, for a long while Charter had a role in the game. Ultimately we felt this wasn't the best fit and decided to move away from her appearance. In some cases, the opposite was true, where we added former Companions. Bringing back Isabela was a relatively late call, but we did feel we had the right role for her to fill within the Lords of Fortune. I often think about the role the Hero of Ferelden might play. It's a challenging one due to the choices the player may have made, not to mention how we handle giving them a voice that matches player expectation given they were a silent protaganist. But I do think there is something there, and I would like to explore it, if we can find the right story to tell."

Q: "If an elf were to, say, exist in the Fade for an extended period of time, would they regain the elven magic (if not already a mage) and immortality? 👀 And if, hypothetically, they one day returned to the physical realm, would those qualities persist? (Tried to be as unspoil-y as possible!)"

John: "I think, at this point, no one really knows what's going to happen to an elf who spends an extended time in the Fade. In part because the Elves of today and the Elves of Solas' past are not really the same at all. But also, the Fade has changed since Solas was a spirit. So while he may have theories, he can't say anything for certain."

Q: "Throughout the game there are many hints at a new storyline involving the past of the Qun, The Devouring Storm, and the involvement of The Executors. In what capacity can we expect this new narrative thread to be explored (novels, comics, next game)?"

John: "I think that if these story elements aren't at the core of any new material, they're at the very least going to exist on the periphery. The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

Q: "I was wondering what happened to the forgotten one and why was he scared of the eye does that mean something or is it just him say that he is scared of going back into the fade"

John: "When Anaris is defeated, he's sent back to the Void. What's there isn't something anyone really knows, but if you read the other Codex entries scattered around Arlathan, it's clear that Anaris has touched something far darker and more dangerous than he expected, and now it has his scent, so to speak."

Q: "Compared to previous installments, Dragon Age: The Veilguard makes an effort to de-centralize the moral complexities of Thedas (i.e. the softening of the Antivan Crows, the lack of slavery seen in Tevinter, etc), instead focusing on choices based on character arcs instead of politics and/or morals. Is this shift an intentional one? If so, should we expect these kinds of character choices to be the new standard for Dragon Age games?"

John: "What worked for DATV isn't necessarily what's going to work for the future. Particularly with Thedas left in the state it's in - the balance of power has shifted dramatically. The South is suffering and the North isn't doing much better. Even those who may have forgotten past prejudices and put aside their differences in the name of stopping the gods are now being faced with a very different world than when they began this fight."

Q: "What other player choices from Inquisition and/or Origins & DA2 would you have liked to have implemented if you had more time and resources? Also, what characters would you have wanted to bring back?"

John: "Well of Sorrows. I think that's the biggest one - and we had some ideas for what we wanted to do with it. Unfortunately, making games is rarely a straight line endeavour, and some of the challenges we ran into required us to scrap that choice. I'd have liked to do more with the Divine as well, though with how little we touched on Andrasteism in this game I think it would've been a bigger challenge than expected. I think Fenris is the easy answer, but it's also the real one. Given his history, his relationship with Dorian and Mae could've been fun to explore, particularly depending on how you left him in DA2. That said, the challenge always does come down to 'quantum' - if a character could be dead, you can't make them load bearing, so they end up relegated to a cameo."

Q: "Is there a canon reason (maybe in some supplemental stories) that explains what happened to Fen'Harel's agents? Are some of the Dalish clans still working for Solas? What are the Arishok and the rest of the Qunari doing while the Antaam are conquering parts of Thedas? Does their absence in veilguard imply that they secretly approve of their actions or are planning on using them to their benefit? The faction of crows we interact with is very heroic and often puts aside their role as assassins in order to protect Treviso's citizens. Does their altruism create fiction between them and the other factions, who might see them as weaker or idealistic? What are some of the other factions like?"

John: "Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf. There are Dalish clans who are sympathetic to his goals, but even there, there's an understanding that he's too dangerous to have a more formal connection with, and that he will, ultimately, sacrifice them to his own ends if necessary. The Antaam no longer recognize the authority of the Arishok. Part of why they've split into warring factions of warlords is that they felt his adherence to the Qun (which he still adheres to, even now) was holding them back, so they organized what I'd describe as less of a coup and more of a 'choosing to ignore his orders' and launched their own attack on the mainland. Absolutely. I don't recall if this exchange made it into the final game, so apologies if not, but it's very clear that the faction of Crows you interact with is the 'idealists' of the bunch. The rest of the Crows, on the other hand, are far more pragmatic and willing to work with whoever emerges on top of the pile. Illario's far more representative of the average Antivan Crow than either Teia or Viago, and it's only Caterina that kept him in check this long."

Q: "What led to the player Quanari appearance compared to the Antaam, who look like Quanari from the previous game. Was it an armor modeling issue or just a design choice?"

Corinne: "To be honest, it's both. First let me say that when you have a character creator with the breadth of sliders and options for both head and body, that does create some constraints that you need to work within. We felt this was ultimately a good trade-off for the player, to ensure they could get the full range of face and body sliders that the other lineages were afforded. Also, we viewed the player-created Qunari as a continuation of the style of player-created Qunari in Dragon Age: Inquisition, which in both games, differ from some of the other forms of Qunari we've seen."

Q: "Having reviewed some of the game files, I'm curious about what the "dreamer" mechanics would've looked like? Would there have been dreamers on every map? Would it have just been a dialogue or would we have been able to see/experience the memories/dreams the dreamers are stuck in?"

Corinne: "We explored the idea of Dreamers at several points in developement. I believe the instance you're referring to was a mechanic in which you could encouter a Dreamer in the world, and then also encounter their corresponding consiousness in the Crossroads. We would have used this as a way to encourage a "back-and-forth" set of optional quests and mysteries to encourage exploration and discovery. Ultimately we abandoned the concept because mechanically the Crossroads Gates and corresponding Champions were providing a similar experience in driving the player from the Crossroads, out into the world, and then back to the Crossroads again."

Q: "The hair physics in the game are incredible. When did the studio commit to improving the hair options/physics, and was there any conversation/debate over that? Bad hair has been a staple of the franchise, so this was a delightful change to see."

Corinne: "Thank you so much! We heard the fans loud and clear, when it comes to character customization, that we needed to step up our hair game. This tech was something our engineers, character artists, and technical animators were all deeply passionate about (as you can tell!). So all of that combined it was a relatively early decision to invest in."

Q: "Some of the companions’ questlines left me craving more lore! For example, how did Valta end up as the Oracle and how does her gift differ from Harding’s? How did Zara manage to get Lucanis possessed as a rogue? Are there any other Forgotten Ones like Anaris actively trying to make their way back to the world? In short, might these questions be answered in the next Dragon Age game or additional media, or are they purposefully left open?"

Corinne: "I'm so glad these stories have their hooks in you! We have to leave some threads to tug on for future stories. ;-)"

Q: "(Spoilery question) Do elves or dwarves exist beyond Thedas?"

John: "That's a great question - and it's actually one that Bellara herself asks. I think 'what lies beyond the sea' is one of the most interesting spaces to explore in Dragon Age and whether the same people exist there is something that... well, I have some ideas, but I don't want to get into spoilers."

Q: "What happened to red lyrium? It feels like it was all but forgotten after DAI, even though it is blighted lyrium, and it felt like it would have made perfect sense to dig into its lore and workings a bit more since Ghilan'nain is the mother of the blight, and now knowing what the ancient elves did to the titans for lyrium.Red lyrium caused a lot of grief over the games that feels is just up in the air now, I'm curious if it was written out for the sake of a different narrative. Sortof connected to my previous question, if red lyrium is now not so significant in the lore/missing from it, why did the two gods need a specifically red lyrium dagger after losing Solas' purified red lyrium idol one? How does one purify something/someone of the blight itself?"

John: "Red lyrium is still present in DATV - it's how Ghilan'nain and Elgar'nan are able to craft their dagger, after all, and it ties directly into Harding's personal quest - but at a certain point it felt like it wasn't serving much of a purpose 'out in the world', so to speak, that the Blight wasn't already serving. It made a lot more sense in DAI, where you had the Red Templars who were directly using it to gain power, but without them in the picture, we chose to lighten the emphasis on it for DATV. Particularly in a game where the connection and threat of the Blight is so much more immediate, with the gods out in the world."

Q: "How did you get the hair physics to do all that?"

John: "A lot of tremendous work from character art, programming, tech art and tech animation. I'm sure I'm missing some groups but, yeah, the hair really is incredible. I've been on DA since DAO and I recall the (fair) critiques we got of our hair post-DAI. It was incredible to see it come together."

Q: "Where does Emmrich sleep? He’s the only one without a bed in his room lol"

John: "He sleeps standing up, like a horse."

Q: "which of the three/four endings do you find the most thematically satisfying? in regard to solas and/or rook (because i’m not sure the answer is the same for both!) & why isn’t rook invited to the book club?? sorry this is my villain origin story, why is my beloved emmrich enabling this social ostracism. does rook canonically hate to read?"

Corinne: "As a Solavellan, I personally love the Redeem ending with the Inquisitor/Solas romance variant. I cried my eyes out at the end of Trespasser, and now that they can finally be together to know the joys of their love makes me so happy."

John: "I'm a big fan of Outsmart, largely because I think there's something deeply satisfying in outsmarting someone who is very confident about their cleverness and spends a lot of the game reminding you of it. That said, I will admit that the Solavellan ending is deeply moving, even for someone who, at one point, wanted to fight Solas like a Yakuza boss. As for why Rook's not invited - it's entirely an attempt to avoid forcing roleplay on a character that may not fit your idea of Rook. Some people's Rooks may not have the connection to the team that would let the book club make complete sense. That said, I totally get why people wish their Rook could be involved."

Q: "TLDR: ll some classes be buffed? Iirc in an interview corinne (i think? I dont remember where or who), said shield toss got nerfed cuz it was waaaay too strong. Having playing the game now with pretty much all classes, will there be some balancing changes? I definetely dont want shield toss to be nerfed again, i love it soooo much, but its definetely waaaaaay above everything else i managed to build so far."

Corinne: "We're definitely monitoring class balance, and have generally taken the stance of "buff not nerf". That said, we're finding pretty good viability for all of the specializations, with the right supporting skills, gear, and companion builds. So in terms of priority that's lead us to largely focus on addressing properties on skills and gear that were not functioning as intended. I don't want to dismiss your feedback here though - I'll take a moment to dig deeper into our Veil Ranger data and see how those builds are comparing specifically. Glad you're enjoying the shield toss builds. That playstyle was definitely one that we were very excited about supporting!"

Q: "Why did Assan have to die with Davrin in the Ghilan'nain choice?"

Corinne: "Turlum is a powerful bond. There was simply no way Assan would have given up on Davrin so easily. Hope is a powerful force when it comes to the people you love, and sometimes we risk everything for it."

Q: "Something that has me confused. When Bellara/Neve are blighted but help use the blight to stop Elgarnan and at the end when all the blight in the area died and they were cured of the blight. How did they get cured? Is the blight itself now curable? Also, how did Solas manage to cure the red lyrium idol of the blight so he could have it back to it being the normal lyroum dagger?"

John: "When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure. But without that power behind it, it's less dangerous and deadly than it's ever been before. So while it isn't generally 'curable', it's less of a short-term death sentence than it has been previously. As for how Solas cleansed the idol - another ritual. This one was much smaller scale, but a lot more dangerous."

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Q: "I have just one very important question: what are your thoughts on Solas and Rook as a pairing? Their chemistry and interactions were a highlight in the game for me personally and I need to be able to sass and then kiss that egghead."

Corinne: "Oh gosh, you and me both! I'm not sure any of us could have anticipated how notable that chemistry turned out. And what excites me is how this relationship is something that could be developed even further."

Q: "I was wondering if it would be possible to see Cassandra in Nevarra interacting with Emmerich or Zevran in Antiva interacting with Lucanis? I understand that there a danger of turning any game into a cameo fest that would only appeal to old school fans but I did miss them. Especially as we had Isabella and Dorian in Rivain and Tevinter. To make the question a little more general what are the chances of seeing pre veilguard companions in any future iteration of dragonage?"

John: "I think the joy of the kind of 'fresh start' that the end of The Veilguard gives us is that, if we do make another game, we're no longer spending so much of the early game not only onboarding players into a new story, but also onboarding some of them (namely, those who didn't play DAI or don't remember it) into the story that leads up to this story. And part of what that allows you is more opportunity for returning characters who are meaningful, because their past is less likely to be narratively load bearing to the story. People who recognize them will have a moment of recollection, and people who don't won't be any more confused by the experience."

Q: "How did Jowin achieve the rank of First Warden? Was he ever deserving of the kind of respect Davrin seemed to have for him?"

John: "By the time you meet Jowin in DATV, he's become a political creature more than anything else. Which makes sense - after what happened to the Order in Origins, I think there was an internal realization that they had to spend more time making nice with the leaders of the various countries so no one would ever do to them again what Loghain did back then. But he didn't get that position entirely due to his connections. He was a fearsome warrior and a brave Warden in his own right, saving people and winning against impossible odds time and time again. He's older, though, and is still fighting the last war in his mind. Internally, we always described him as the general who was a brilliant tactician back in his time, but war has changed so dramatically and he refuses to keep up. I think he was deserving of that respect, though - and if you choose to talk him down (which very few of you seem to have done) you'll get a glimpse of the man he used to be."

Q: "If Solas ritual succeeded, what would have happened to the elves? And to the human? The art book make it look like they just drop dead but solas dialogs don't seems to go in that direction"

John: "I think the reality is that even Solas couldn't properly answer that question. In his mind, there would be some pain and suffering, for sure, as everyone adjusted to the raw magic now pouring into the world and the demons everywhere, but eventually everyone would live surrounded by magic and possibility. Immortality would be possible as well, and you can't make a world saving omelette without breaking a few eggs. I also think Solas is a gifted liar to everyone, including himself. Deep down he knew that the ritual was going to result in large scale casualties, but he saw it as an acceptable price to pay to fix what he saw as his mistake."

Q: "Unlike the last game, there were 2 fewer Companions, a rouge, and a warrior less, if it was up to you what sort of characters would fill up those two spots? and also if you could have a character from earlier games temporarily join you for a single quest who would you choose? with the exception of Bioware games which RPG game is your favorite"

Corinne: "Oh gosh, well I'll answer some of questions 1 & 2 together... I would have loved to bring back Fenris, either as a cameo or to fill that Warrior slot. As for the Rogue role, I do think something akin to the Saboteur Specialization would have been an interesting style for a Companion. Favorite RPG outside of BioWare games, well I'll give you three in order: Baldur's Gate 3, then Xenogears, followed by FFXII."

Q: "What happens to the lighthouse and the crossroads after the end of the game? Do the Veiljumpers claim it?"

Corinne: "Good question! I actually daydream about this one a lot! Does Rook, assuming they survived, continue to reside there given what they'd been through with Solas? Is stewardship returned to the Elven people? One thing has always been true for me: The Lighthouse existing as it does is intrinsically linked to the Caretaker, and I doubt we've seen the last of them."

Q: "My questions are mainly centered around the game's lore. Dragon Age Veilguard seems to have established a very elf centric past for the world as well as the races populating the world. Current state of the Titans, the Blight, the Old Gods, and some other things I may be forgetting, they all have links and origins to the Evanuris and the rest of the elves. In future installments, can we hope for other races to get more attention with respect to this? Because right now, it feels that most of the biggest mysteries of the universe as well as circumstances leading to the present state of the world, are a result of the elves... T o me, the magic system in Veilguard felt very different from the other games in the series. When Bellara mentioned stuff like 'recalibrate the matrices', 'readjusting energy flow', etc., it felt more scifi than fantasy. None of the past Dragon Age games had this kind of talk and it felt too big a leap for going from Southern Thedas to the North, especially considering none of the Northern characters in past Dragon Age games spoke like this either. This was one of the few instances in the game that felt immersion breaking to me. Can you guys help reconcile Veilguard's magic system with the magic of the past games?"

John: "I do agree that the elves have had their place in the sun at this point. We're never going to stop telling stories about the elves, but I think there are plenty of interesting stories to tell in Thedas where the Evanuris are tertiary characters at most. I think that's a fair reaction, but I'll answer the question in two parts. First - Bellara assumes she knows everything about magic. She probably knows more about the way ELVEN magic works better than anyone else in the world who isn't an Evanuris - but that doesn't mean she actually knows how magic itself works. The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep. Bellara and Emmrich get into this a little bit in their banter, but so much of the rest of the world - the magic of death that the Mourn Watch wield, for example, or the magic of the deep Fade that Bellara feels when she does some of her experiments in the lighthouse - is not the same as Elven magic. Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right."

Q: "I need to know about companion approval! I understand how companion bond rank works as it is well explained and visible in-game, but I cannot seem to find a good explanation for approval. Are the two linked? What effect does approval/disapproval have in the game? Is there something I'm missing in-game where current approval level is visible and I just haven't found it yet? PS: Spellblade Supremacy"

Corinne: "Yes! They are linked! Approval does contribute a small-to-moderate amount of progress towards your Bond. Disapproval is a small negative, but it's important to note that your Bond cannot de-level. Overall however, the surest way to advance your Bond is by helping the Companions with their personal quests. Also, really glad you enjoyed Spellblade as much as we did! The gameplay team really outdid themselves with that Specialization."

Q: "I'm mostly wondering if/how the griffons can be saved as a species since there's only one surviving clutch. It seems like a lack of genetic diversity would doom them to re-extinction, but I'm hoping there's a lore-friendly way to overcome that."

John: "It's funny you say that because I keep thinking the exact same thing. I can't remember exactly how much genetic diversity you need to have to make a species viable but I am sure it's more than just the clutch of eggs you saved from the Gloom Howler. But in a setting with as much magic and mystery as Dragon Age, I think that's probably the least of the problems the Griffons are going to face going forward."

Q: "With the ending showing a cured Neve/Bellara is that implying that the Blight outside of the Fade has been cured? If so, do Wardens no longer hear the calling, and what does that mean for the Kal-Sharok dwarves? Especially curious about this since DA:I implied the HoF was searching for a cure to the calling. In the concept art book it seemed like there were plans to show us more of Minrathous/Tevinter than just Dock Town. Curious to know what changed and if we will ever have an opportunity to return to other areas of the city?"

John: "The Blight is forever changed. It's less perilous and less virulent than it was before, and whatever motive force was coming through the Veil to empower it at the end of the game has been severed. That said, it still exists in some form, and not everyone is going to be cured in the same way. Beyond that - the Wardens no longer hear the whisper of the Calling, but right at the edges of perception, they're hearing something. What is it? Great question. With how long this game's been in development, there are things that have come and gone over time as we shift the project's scope and direction from one type of game to another. Originally we did have more of Minrathous built out for the player, but we chose to focus on making Dock Town feel meaningfully full of content instead of creating more areas just to put nothing in them. I will say that, for me, I want to revisit Minrathous in the future. I don't think we gave it enough time and there are multiple other stories that can be told both in it and with it. Particularly with the way the game ends, its importance in the world has only gone up, as it's become the diplomatic hub of Thedas, and thus a place of even greater importance in the world."

Q: "Maybe someone else can answer this question but why does Mythal’s essence relieve Solas of his guilt in the romanced Inquisitor ending when in his memories, she’s objecting to what he’s doing? Since winged dragons are female, does that mean the Archdemons/Old Gods are female? I noticed they’re labeled as male on the wiki and was unsure if it’s not updated or Old God followers assumed or were told they were male. I understand if this might pose as a logistical nightmare but would the devs consider polyamorous and/or open relationships instead of monogamy if they haven’t already? Given how diverse sexuality is in Thedas, I’m surprised there aren’t more instances of poly/open relationships. I miss going to brothels too"

John: "People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now. Correct, all Archdemons are female. Elgar'nan, of course, doesn't really care what reality is, only what HIS reality is, and so he's quite happy to see Lusacan as simply being an extension of himself and, thus, male. Something about Elgar'nan that we only really show in the ending is that he is, in truth, just as scarred and blighted as Ghilan'nain, but he uses a portion of his magic to always look handsome and regal, because his ego really is that big. Polyamory is something we've talked about doing before, and it's something that I know the writing team was into, but rather than simply turning it into a 'you can have multiple romances' toggle we wanted to be sure we did it respectfully and properly."

Q: "Does Solas know about the Executors and will he ever appear again in future games (similar to Morrigan)? Was there ever a point that the Inquisitor was considered as the main or secondary protagonist for this game? It was interesting to have a person with no knowledge about Solas–a cunning, ancient elven god–try to track him down especially when that anonymity did not work in their favor anyway (Solas knew about Rook for a year prior to meeting). Was 'rook' initially an alias for the Inquisitor, which they'd utilize to stay under the radar in the north, away from Solas' agents eyes and able to track him down because they knew him well (ex-companion/friend/lover)? Like was this idea ever discussed at the table or suggested by writers but trunked for xyz reasons? Idon't know if Trick Weekes will see this but I just wanted to tell them thank you for writing Solas-- in a HEA ending, what do you think they're upto in the prison? (besides the obvious)"

John: "Solas knows more about the Executors than he's let on - in fact, he knows more about the Executors than any other living being, including the other Evanuris (though I suppose they're not technically living beings anymore). But even he isn't entirely sure what they're up to or who they actually are. Their paths have crossed before, though - beyond the Tevinter Nights story that they briefly show up in. As to whether he appears again - I think it's fair to say Solas' story is done, at least for now. Even back in early development, the protagonist for this game was always going to be someone other than the Inquisitor. I don't recall if, in those early days, we ever discussed the possibility of bringing them back - the struggle with having the same protagonist game after game is that you really do paint yourself into a corner. Either it becomes prohibitively expensive to account for branching, or you ultimately underserve the very people you're bringing them back for. Rook was always the protagonist, though in very early days Rook had a number of other potential monikers including Shrike and a number of other bird names that I do not remember."

Q: "Why aren’t the Tranquil ever mentioned or depicted in the game? Correct me if I’m wrong but I’m pretty sure the word tranquil isn’t used even once. Have they been retconned? During development was there ever a conversation about potentially including a Solas wins ending? Where he succeeds in tearing down the Veil either because you let him or because you fail to stop him? I know I’d be curious to see what Thedas would look like afterward."

John: "Tranquility still exists. While not unheard of in Tevinter, the reality is that it's a far more common punishment in Southern Thedas than it ever was in Tevinter. In Tevinter, in particular, it's used more of a tool of political vengeance - but generally, only against a mage who is utterly without allies or political power. All the Tevinter mages you encounter in DATV, including Maevaris, still have some clout and subjecting them to the rite would be a huge expenditure of political capital for very little gain. Better to leave them alive and stripped of their formal authority. We had a few conversations about some non-standard game over endings, actually - anywhere from 'player takes too long in the Prologue' to an out-and-out 'yeah you know what I think I'll help Solas' conversation choice early on. What we released in the game I'm happy with though, as there are already multiple different endings you can get depending on your choices in the game."

Q: "Any chance we're going to get any behind-the-scenes content? I CRAVE a high-quality video clip of Zach doing mocap for Assan."

Corinne: "You never know! We do enjoy sharing new content from the game on our social channels so follow along in case something pops up."

Q: "What was your favourite region/area to work on (whether that be writing quests, level design, or any aspect)?"

Corinne: "For me, it was definitely Arlathan Forest. The team had so much fun with the exploration, the environmental storytelling, and the strange magic manifesting in the area. In particular I remember the first time I saw people that had been twisted into trees showing up in the area, I was taken back by the inventiveness of the team in capturing that beauty in horror. I must say, I also found the sightlines in the area absolutely gorgeous. It was really fun to watch it develop."

Q: "What are these called? [link]"

John: "Tadpoles is the name we use internally."

Q: "are telemetry surprising you in any regard?"

Corinne: "The biggest surprise for me in the telemetry is that the Save Minrathous/Treviso choice is basically split 50/50. We were all anticipating that saving Treviso would be the clear winner, but I'm happy to see it's not so cut and dry."

Q: "Did you ever thought that players would be addicted to having Rook barrel through crates and chests? There should be an Achievement for non stop barrel rolls lol."

Corinne: "Oh 100% yes! In fact, originally wide-spread destructibles weren't really planned for as a part of the game. We found with our particular take on combat that it just felt reaaaally good to smash the few destructibles that we did have. I think I spent the better part of a year putting in constant requests to make more and more things smash and break apart - not to mention the ability to roll through them! I'm glad to see I'm not alone in my obsession. Let's go break things!!"

Q: "1) Was there any plan with Radonis during concept period? 2) What more about Neve's family can you share? 3) Is there a parallel in the way Solas sacrificed the world to restore the elven world and Celene burned Halamshiral to save Orlais from a civil war? (Trick Weekes p l e a s e)"

Corinne: "At one point we did toy with having Radonis make an actual appearance in the game. In fact, if Minrathous falls to the Venatori, we had discussed having his execution on display, but we ultimately chose not to pursue this."

John: "For Neve, I'll have to ask Neve's writer, as I don't recall off the top of my head. For the question about Solas - I think it's less a direct parallel and more that Dragon Age is a series where major players sometimes have to make incredibly difficult decisions that may NOT necessarily be the best decision, but it's the best for them at the time - true for both Solas and Celene."

Q: "I just want to know... do the other companions also think Davrin's a hunk? Do you think there are companions who were rooting for a Rook x Companion romance as it was happening?"

John: "I think the different companions have different relationships with Davrin. Bellara, for example, sees him as almost a big brother - someone who she has a unique connection that she doesn't share with the other companions. Neve sees him as a fellow professional, who hunts monsters in much the same way as she does, just that his monsters are a lot more literal. As for who's rooting for a romance - I think Bellara is just excited whenever people get together. She's a huge romantic and a believer in happy ever after, so she's going to fully support whoever of her friends get together."

Q: "Please humor my newfound Nevarran cuisine obsession - it seems, based on the menu at the Lords of Fortune bar, that Nevarra is majority vegetarian ("want it Nevarran-style? Ask to leave off the meat!" or something like that), and we know Emmrich is a vegetarian. But Emmrich also reveals his father was a poor butcher. So, my questions - Who is eating the meat produced by Nevarran butchers if Nevarra is vegetarian enough that other countries equate Nevarran = veggie? Do butchers largely cater to non-Nevarran immigrants or visitors? Are the Mortalitasi/Mourn Watch entirely vegetarian (would make sense, just because of being put off by being around corpses all day, and their reverence for said corpses)"

John: "While Nevarra is a primarily vegetarian country, that doesn't mean everyone who lives there is a vegetarian. Nevarra attracts plenty of students and scholars from around the world, given its unique connection to the Necropolis and the specific magic tutelage that the Mourn Watch offers. With that in mind, its cuisine is going to be pretty broad across a number of different cultures and regions - and for some of those cuisines, meat is absolutely a very big part of it."

Q: "My biggest question is this: if Solas had been released by Mythal before Inquisition started, would he have let go of his plan? Was service to her all that was motivating him? Or would he have decided to continue with his plan until the inquisition showed him that the modern world mattered?"

John: "The latter, I think. It took the confluence of everything that's happened to him in the time since he woke back up to get him to where he needed to be for the Redeem ending. Guilt and regret motivate Solas."

Q: "When I’m writing, I tend to listen to music that goes along with it. Did any of the Devs have songs they listened to that they felt tied into the game or the characters?"

John: "I can't speak to the other writers necessarily, but for Bellara I listened to a LOT of Aphex Twin. There's something about the ambient weirdness that really worked for me as I was writing her character (to the point that one of their songs is my most listened song in 2024)."

Q: "Are rivalry paths abandoned for Bioware games? What made you design approval/bond in a way that only goes up?"

Corinne: "Oh definitely not! Rivalry will continue to have a role when the story calls for it. In the case of Veilguard, we conceived of this threat being so large, that your companions would commit no matter the cost. This afforded us some unique opportunities, like being able to tie the progression of the Companions to your relationship with them."

Q: "What are you as a team most proud of and are there any plans for a NG+ Update ?"

Corinne: "Gosh, there are so many ways I could answer this. And I think the answer would differ depending on who on the team you were to ask. So let me just say this: The creation of any game of this scope, with a team this large, is kind of miraculous when you consider all the knowledge, coordination, discussion, and expertise required. So broadly speaking, what I'm most proud of is the way the team came together to pivot and be true to BioWare's roots of creating great single-player party-based RPGs, and delivered such quality and stablity. I'm also quite proud of how player-first the effort was; Everything from being Steam native, to no Denuvo, to no micro transactions. We mustn't take for granted what monumental task it was to make this happen. There are individual features and experiences that I know we are all proud of as well. The character creator, for example, was a really big one for us. We've long sought to put the control over player-characters in the hands of the fans, and this is the game where the team believes we've best done that. In fact, it was central to one of our creative pillars "Be who you want to be". As for NG+, that's something we discussed, but at this point we don't have any plans to support it."

Q: "Can you go into more detail of Spite’s role in Rook and Lucanis’s romance? Did you expect everyone to want to romance Vorgoth?"

John: "Spite gives Lucanis and Rook privacy whenever they're being intimate. This was, I'm sure you'll be surprised to hear, a consistent topic of discussion as we planned out some of our romance scenes - is Spite watching? But no, he wanders off and reads a book (or whatever demons do for fun). At this point I am not surprised about anyone y'all want to romance. Sentient fog bank? Sure"

Q: "Looking further, what parts of Thedas you personally want to explore more (regardless if that will or will not be implemented in the future games)? Maybe specific time periods?"

John: "I don't think it's any secret that I find the idea of 'what lies across the sea' to be fascinating. It shows up a lot in Bellara's content - what happened in the parts of the world that weren't Thedas? But Kal-Sharok is another place I'd love to spend more time in. It has a very unique relationship to dwarven culture, and particularly in a post-DATV world, it feels like it'd be super interesting to get more time with them."

Q: "What made you decide to remove greatswords as an option? It's one of The fantasy weapons. Why did you choose to have a "convergent" design, gameplay wise, of classes? What i mean is that all classes have a melee option, a "parry" of sorts, amd a ranged option, with warriors throwing a nonexistent shield when 2h. Usually, in an rpg, different classes have different capabilities and limits, to make them feel more diverse. What made you choose otherwise?"

Corinne: "Originally when we concieved the 2-handed weapon stance for Warrior we did want to include Greatswords. We moved away from it largely because the movement set when swinging a large blade diverges quite a bit from what you'd see with an axe or a hammer. Ultimately we felt, given the number of bespoke animations and transitions it would take, that the time is better invested in other areas of the experience. Regarding the classes, we opted for a unified control scheme and baseline set of actions each could take (e.g. every class having a ranged attack for example) for several reasons: 1. In knowing that each class has a similar core set of actions, it allowed to better design the encounters, levels, and missions with a greater level of variety. If Warrior, for example, had no ranged attack, a large number of the missions would have much more egregious constraints on what we expect the player to do. 2. It allowed us significantly more space to play with the types of builds and breath of the skill tree. We're all very proud of how this played out in practice, and in our view created a high degree of divergence. 3. Given the real-time nature of the gameplay, it's a benefit to lean into the muscle memory the players have already established on prior playthroughs"

Q: "Hi I'm non-binary and the ability to be non-binary in this game was really special and made me feel seen in a way no game has before. In addition---TAASH! "NUFF SAID. Love em! My question is: how did you get so much past censors in 2024? How did you deal with localization? Was EA supportive of the push for more representation? Do you think we can see more diverse companions like Taash and our own player character in the future in Bioware games? I am a little worried about the backlash to Taash and the player character, especially right now. It is scary to think about going backwards after you've just achieved this amazing thing for video games. Thank you so much for making me feel so loved playing a video game, this game gives me so much hope and joy for being a trans gamer and nerd and person. I know there's a lot of hate but for me it means the world."

Corinne: "I'm so glad Taash meant so much to you, and so many others! There are two mantras we often refer to within the team: 1. We believe stories are better when they reflect a large variety of relatable experiences. 2. Games can be a reflection of the teams that make them. Taash's journey and support we had in bringing it to life, was something everyone on the team wanted to do and was invested in. It was a story and experience we wanted to tell that made sense in this time and place. I wont lie, it wasn't easy. This is a delicate subject, deserving of respect, that is deeply personal to so many. We didn't want to mess it up, especially for those it would mean the most to. We were fortunate to have a lot of support through internal and external partners to ensure we were handling this story with care, and of course the talented writing and experience of Trick Weekes. It lead to a lot of edits, localization challenges, and some rewrites. But as the old adage goes, nothing worth having comes easy."

Q: "If Solas is bald because the ancient elves just go bald during their immortal lifespans, then why does Elgar’nan have hair?"

John: "I think maybe it's more accurate to say that Solas lost hair because of stress. Elgar'nan, on the other hand, doesn't feel stress - he makes other people feel stress. And, honestly, Elgar'nan is incredibly vain. Something that doesn't show up until the end game is that he's also very vain. The reason he doesn't look blighted and corrupted throughout the game is he uses a portion of his magic to remain looking the way he does."

Q: "In the DAI trespasser DLC elves saw the crossroads different from the other races. Why was that not the case in this game?"

John: "The Caretaker gets into it a little bit, but while the Crossroads in Trespasser were 'peaceful', the Crossroads in DATV are under assault by the gods."

Q: "If you could start DAI or DATV again, what would you change/add/remove? Could you share with us the most emotionally difficult moment to achieve in DATV? And the easiest? Favorite moment?"

Corinne: "One of the most difficult moments to land was actually the prologue. It sets up a lot of context for the player, and evokes a lot of big feelings. We did many revisions on it before we found the right balance of pacing, information, and tension. In my experience, prologues always are among your most reworked content"

John: "Absolutely the Varric twist. There's always a balance of trying to leave hints for the players while not having them guess the ultimate end game of it, and it's INCREDIBLY hard to make that judgment yourself, because you KNOW what's coming, and all you can see is 'how could anyone NOT get that this is coming?' But I'm happy with how it was received and how it landed. The actual conversation with Varric at the end, though - that one was a gut punch."

Q: "So… does Bianca know?"

John: "Yeah. Harding would have gotten word to her."

Q: "I'm curious to know two things, both Solas related: -What happened to his followers? Presumably they weren't /just/ following him and were on board with the revolution that he represented. -What was his plan past making a new prison and transferring the two Evanuris? It sounds like still an eventual tearing down of the Veil but how was he actually mitigating the risks across Thedas? (Presumably with that network of followers)"

John: "Essentially that. Keep the Evanuris imprisoned, tear down the Veil, and then Solas was CERTAIN everything would get better, even if some people had to, tragically, die. One of Solas' defining characteristics, of course, is that he overestimates how successful his plans are going to be (if you listen carefully to the argument between Solas and Varric in the prologue, Varric makes this exact point - everything Solas has tried ended in disaster, so why wouldn't this as well?) As to mitigating the risks - he had a few things going on, but as to how effective they would've been, I think it's safe to say that it wouldn't have worked as well as he'd hoped."

Conclusion: "We've answered everything we can for now, thank you all so much for your questions and the love for Dragon Age!"

[source]

[astrobydalia]

Astro knowledge pt. 2

work by astrobydalia

Cancer rules hotels, motels, etc. Hotels are all about hospitality, making people feel welcomed, comfortable, provide for basic needs like a bed, food, etc. Of course this will differ based on quality and the kind of place but in general places designated to provide shelter and a place to stay are ruled by Cancer

When I learned this it made a lot of sense cause my mom has Groom in Cancer and 7th house ruler in the 4th house and she met her fs at a hotel. I know a couple who has Cancer ASC in their composite chart and they met at a hotel

Jupiter is a very unpredictable planet and a negative manifestation of it is that it can make things grow uncontrollably without reliable results. Jupiter can give blessings yes but it does not guarantee success. Those blessings are just opportunities but it's up to you what to do with them.

Astrologically, the key to success is Saturn. That's why success is so hard to obtain and it's a symbol of status or accomplishment. And yes this applies to whatever it is you consider success. Saturn is not about obtaining success in itself, it's about growth, the way we feel accomplished and successful as humans is when we feel like we've grown and flourished overtime. That's why it doesn't matter what your definition of success is, in order to get it you need to mature and go through sacrifices and lessons related to your Saturn placement.

MC/10th house = what success means to you Saturn = also related to what success means to you, but it can specifically tell you how to get it

Moon is related to wealth that's why it is exalted in Taurus!

Moon in a man's chart indicates his wife because Moon symbolizes the divine feminine. Venus is important too but ultimately a man will commit to a woman that satisfies his Moon energy. That's why it is often said that men marry someone like their moms or the way a man treats his mom is how he's gonna treat his wife

5th house rules your creative endeavors and the 11th house rules your public/clients/fanbase/etc. That's also why 11th house is related to money you make in your career (2nd from 10th). If you wanna have your own business you gotta look at both the 5th and 11th houses

Something I don't see people mention much (maybe because its obvious) is that Libra energy makes things to be balanced in itself because Libra is all about avoiding any extremes. Libra makes this to be on the "elevated" or positive side but always keeping it moderate. For example, if you have Libra ruling your money houses your income could be averagely decent, like you could make good money (cause, Venus) but you're not insanely rich either or it does not appear that you are (cause Libra also rule appearances).

Aquarius rules heavy cold winds (you know like those very heavy and erratic winds), that’s why it also rules over airports and planes. I've also seen astrologers say that back in the day, Aquarius used to rule over sailing of bigger boats which also needed heavier winds in order to move

We all know Leo rules inner child. One thing about children is that when you're a kid you kinda don't have a concept of others being their own person and having completely different lives (that's something Aquarius brings awareness to, that's why its the humanitarian), but rather kids tend to assume everyone lives the same way as they do. That's what happens with Leo astrologically, they tend to not understand or fathom or be interested in things that go beyond them or their experience. Their own perspective of life is their whole world and what they will project on everything much like the Sun project its own light into the world. In the case of very unhealthy Leo energy this can go as far as actively minimizing other's experiences and perspectives. When Leo does try to understand others, they have a tendency to circle it back to something they can relate to or is relevant to them or they can understand

There's also another side of Leo that rules teenage years since that’s the period of our lives where we are finding our identity/expression and also where we start to become more interested in romance and sex

In composite, the ASC is how the relationship started and how it generally comes across as but the 7th house is the dynamic the two people have between them, how they actually interact with each other

Both Aquarius and Pisces are the last two of the zodiac wheel and both relate to themes of evolving as human and elevating spiritually but because of this, these signs are the hardest to develop healthily and many people fail to do so. That's why you see many Aquarius and Pisces placements with a god complex or huge entitlement cause both share this sentiment of feeling 'different', more elevated or special than everyone else

Venus finds fall in Virgo bc Venus is a sex goddess, she rules abundance, sensuality, pleasure and indulgence. Virgo on the other hand is the virgin, she's minimalistic, cerebral and modest, she’s too much of a “prude” for Venus.

Since Pisces is the most empathetic sign, its opposite Virgo is one of the most unkind signs unfortunately. Pisces wants to find the beauty in all things and people (Venus exaltation) while Virgo wants to find the flaws and everything that is wrong and needs to be improved or fixed. Pisces is about accepting the "soul" of things while Virgo is attached to an idea of how things should be. That's also why Venus finds falls in Virgo because Venus is related to kindness (this does not mean Virgo Venus people are inherently unkind, this can manifest in any unhealthy virgo placement, it's just an astrological explanation)

Domicile/exaltation is not always positive. When a sign exalts a planet it means that it can enhance both its positive AND negative qualities. That's why exalted mars can manifest as toxic masculinity or why exalted Venus can manifest as textbook enabling behaviour. On the flip side, planets are its fall/debilitation are challenging placements because the positive qualities of the planet are weakened but at the same time its negative qualities can be neutralized. For example, Mercury debilitated can be less prone to pointless rambles and have a more focused intellectual approach, debilitated Venus can be less compliant, etc

The energy that rules horror astrologically is Pisces/12th house/Neptune, we usually associate it just with dreams and idolization but it actually has a creepy and twisted side to it. Neptune is all about blurring the boundaries of reality including what we judge to be good or bad (Virgo). It rules over dreams AND nightmares. Not only that but Neptune energy does not understand the difference between a dream and a nightmare. This characteristic can range from blindness to red flags all the way to having rather morbid fascinations.

Following the above, the association of 12th house with nightmares is also explained by Saturn finding its joy is this house (the so called 'bad spirit', the never-ending burdens that come to haunt you). However, as I explained earlier in the post, Saturn is the key to success so this means Saturn is the key to help you achieve your dreams (12th house)

Pisces/Neptune energy rules spirituality but at its lowest it can also be the most superficial and vain sign (again, the negative side of Venus exaltation) because Pisces also rules illusions and idolization. It can focus so much on portraying an ideal image that it does not dive deep within, wants to escape reality and live a fake ideal

In terms of performance, Leo is theoretically better at sex than Scorpio

How to read the chart of a Nation + some observations

Sun signifies the characteristic of the rulers and it also symbolizes what that country is all about if that makes sense. For example USA is Cancer Sun and they've always been known for they patriotism and how they're very attached to their past as a nation.

Moon represents the people (civilians, population, the society). The energy you will likely experience by actually spending enough time there and start integrating yourself with the people. For example New York has Aries Moon and a relative of mine who used to live there once told me jokingly "with all the hustle and normalized criminality sometimes it feels like a war zone here"

Ascendant is the general national identity they present, the first thing that comes to mind when you think about that place. I've also noticed the stereotypes of a nation a lot of times relate to its ASC. For example Canada (Toronto) is Libra ASC and they’re known for being polite and nice to everyone. Japan (Tokyo) has Virgo ASC and their known for being super diligent and clean (think Marie Kondo). USA (nation) is Sagittarius ASC and they’re known for being loud, entitled, optimistic, multicultural, a massive country, cowboys and country music, etc.

work by astrobydalia

[yandere-sins]

Monstober - Day 3: Alien

I've read so much alien romance by now—it's a good way to incorporate monsters ngl—I feel like I have seen it all. And yet, there is just something about it that I will never tire of ♥

Prompt: Day 3: Alien | Otherworldly // Uncanny Valley // Space Warnings: Yandere, Violence (Threats, (Alien) Blood Mention, Killing (of aliens), Getting cut), Abduction & being auctioned off situation, Belittling of Humans, Alien Manipulation

"And next up: A very rare pet of the type "human"! Directly imported from their home planet, "Earth," to be loved and cared for! Bidding starts at one million GSC!"

You felt terribly exposed without your clothes, merciless, harsh lights burning down on you, and no shade to hide in. Even with your arms tightly wrapped around your body, legs tugged in and crossed over, you still felt the stares of the creatures below, even if you couldn't see them. Their hungry growls and huffs echoed all around you while the price kept rising.

The lanky stature of the monster that hosted this auction paced back and forth on the edge of the stage, asking for participation and making this deal worthwhile. The creature looked like a humanoid cricket, with spindly legs, four arms, and three fingers on each hand that it kept pointing left and right.

"Four million GSC! Four-point-five million GSC! Do I hear five? Five million, thank you!"

You couldn't help the tears filling your eyes as you listened to the worth of your self, something you never had a say in determining. Even with your father swearing up and down that he adored and cherished you more than his own life, you knew that his gambling addiction would one day ruin everything you loved. You just didn't think he'd go as far as to sell you—to aliens nonetheless.

On earth, you had thought you had seen it all—highs and lows, in person or on television. But in your cell on the spaceship that flew you through the cosmos, you learned you knew nothing. You were a tiny speck in this endless design, and it left you feeling empty and meaningless.

You met quite a few species back when you were waiting for the auction to take place. Humanoids, insectoids, and some completely unexplainable. You learned that most aliens sold themselves to wealthier species to live a better life, not so much concerned with pride or shame as humans were. Thus, the existence of an enslaved human caused quite a ruckus in the galaxy. You had yet to learn the worth of GSC—the currency beyond your planet—but apparently, one million was akin to a yearly income here.

"Twenty-five million GSC! What an amazing price for a priceless pet! At this point, it will only be fair if you lovely participants know what you're getting into!"

At this, you finally raised your head again, bracing your eyes against the painful light as the thumping of steps closed in on you. A three-fingered hand reached out for your arm, and as green and gnarly as it was, its movements were fast and precise. You cowered away but weren't as quick and nimble, and the fingers were large enough to wrap around your upper arm, yanking you back.

Without any warning, a small claw emerged from one of the alien's free hands, cutting you right above its own fingers around your flesh that held you in place. You gasped but the creature hummed approvingly before it dabbed a white tissue to the wound, soaking up the blood. Unnecessarily harsh, the monster discarded your arm again, making sure to let you know how much you really meant to it with all its actions—nothing.

You were simply a means to an end. One that would hopefully bring lots of money.

If not for the precarious state, you should have been angry. Angry at your father, angry at the world—the whole galaxy even! How dare they sell you like a piece of meat with no regard for your well-being and wishes! Sure, they weren't used to the pridefulness of a race they deemed weak yet untouchable by the laws of their organization. But the way they treated you, abused you, and disregarded all of your self as if you truly were a mindless animal only seeking food and shelter to simply survive was beyond insulting!

You were still a human! The superior race on your planet. You still had intelligence and empathy and deserved so much more than their belittling treatment!

But here, you were nothing. The alien disappeared with the sample of your blood, and you saw it bend down at the edge of the stage, leaving you to assume it was passing the tissue to someone else, who, in turn, probably gave it to the patrons of this establishment. The crowd suddenly erupted in a heated cacophony of sounds. More groans and huffs spread through the masses, and the alien auctioneer clapped his four hands together as more offers were yelled into the room.

You were just a piece of meat. One to purchase and show off, play with, ruin, break, and then force to be the good pet that they paid millions for. At this point, you were pretty sure that they wouldn't stop and keep your dignity intact. That no one here truly cared whether you'd be happy or scared or embarrassed.

"Fifty-three million! Sixty-four! Do I hear sixty-five—Seventy million GSC!"

The enthusiastic grunts and murmurs made you sick to the stomach, and you hunched over, cowering in your position. Maybe they were right; perhaps you really were just an expensive piece of meat.

You hadn't given the future too much thought yet, too afraid of the present after you were kidnapped and shipped to space. But what if, despite them calling you "pet", you'd actually be killed and eaten? What if once you weren't new, weren't special anymore, you'd simply be discarded, ending up on the streets of an alien planet where you were at the mercy of those creatures? What would you do if they were all hulking, strong beasts that could throw you around like a ragdoll, hurting you, abusing you?

Or worse... Oh god, you could think of so many more things they could do, and yet you were too afraid to form the thoughts in your head.

There were so many cruel ideas in your head as you sat there, hunched over, despair filling your body and mind. You had to do something, had to get away. Pride was one thing, but survival was the most primal need you had in you. And as much as you wished for it all to be over, how could you possible achieve this? How could you, a simple human make them stop tormenting you? Secretly, you had already accepted their superiority; it had been this way since the old ages. Masses made you humans strong, but you alone? No chance.

"Do you wish to end all of this?"

Your ragged breath came to a halt, your head slowly turning to the side from where the voice came. There was no explaining what you were looking at, those humanoid features so similar to humans, yet somehow their features were sharper, elongated, cheekbones too high to be real, the nose too slim to look functional. The creature's body was lean and tall, its torso almost entirely in view from above the stage. You examined them for a long time, their blue skin standing out against the harsh lights. You spied the flick of a tail behind them every so often, sleek with a puff of hair at the end. And despite being so different, somehow, they scared you less than the aliens you had seen on your journey here.

"S-Sir, with all due respect, you're not supposed to approach them without them being restrained."

The auctioneer called out to them, stepping in front of you and blocking the line of sight unsuccessfully with its spindly, insectoid legs. You shuddered at the thought of going back into the restraints you had woken up in after being knocked out and readied for shipment. "What if they attack you or get filth all over you? These creatures are known to spit," he added more quietly, hoping to appease the one standing in front of the stage, their tail flicking more often now. Was it annoyance that crossed their features? Or did the light blind you to see the truth?

The creature's gaze lingered on you for a while longer, their eyes drilling into you from between the gaps in the legs before their head snapped upwards rapidly, lips parting in a menacing grimace. "Let them speak," they growled, and the auctioneer jumped back, sputtering before moving to the side.

Only now did you notice the deadly silence in the hall, and you slowly unfurled from your hunched-over position, looking up. But not without your arms tightening around you, shielding you a little from being exposed.

The alien's head fell back down, facing forward, the movement much gentler, less frightening—intentional. Their dark blue gaze softened, no pupils but swirls of lighter blues and purples swaying in them. And then they smiled, and it almost seemed comforting, if there weren't two rows of spiked teeth. One of their hands raised from below the stage—another uncanny feature as their arms were just too long—and the other settled on the stage tapping on it, beckoning you closer.

When the other arm emerged, it held a smooth kind of fabric in it, maybe a coat or a rag, but the dark blue color glistened in the direct light made you assume it was something better than a poor person's rag as they spread it out on the edge of the stage, pushing it in your direction as far as possible.

"It's okay now," they purred, and a sudden relief washed over you, their words sinking into you like a warm hug and reassuring backrub would, your jaw unclenching and shoulders sinking. Something about them calmed you, and although your brain was telling you to be extra careful, you couldn't help but feel connected to them. Hesitantly but curious, you inched closer, fingertips reaching for the fabric. Part of you expected the creature to pull it away from you the moment you attempted anything, but they didn't move, didn't even breathe. It was unnerving how still they could be, still like a trick of your mind, an illusion, but the soft fabric beneath your hand was very real, and you tugged at it warily.

It followed your pull, and soon enough, you pressed it to your chest, covering up your naked body. Greed settled in as you reached for more with your other hand, spreading the blue around you, the fabric seemingly never-ending, at least not until you had utterly cocooned yourself in it, nothing but your face and a few strands of your hair still looking out of it.

It had this grounding smell that enveloped you like a second layer of fabric, sweet and earthy, but also reminded you of the ocean you used to visit at home. Your heart ached as you took another deep breath, unwilling to part with the memory.

You couldn't help a shuddering breath from escaping as you looked back up at the creature. So much closer to them now, their size was even more towering, yet you didn't hesitate to look into these intriguing eyes of theirs, the swirls now creating pools of depth inside of them with how fast they were circling, looking as if they were entirely fixated on you.

"Thank you," you muttered, genuinely grateful for the help.

"My pleasure," they replied, their long-limbed arm reaching out, catching the loose strands of hair and twirling them in their fingertips. You felt like you needed to recoil, but for some reason, you didn't move, completely at peace with the creature touching you, their skin smelling much like the fabric around you. "Now, about my question. Do you wish to end all of this?"

It was a strangely phrased, hard-to-interpret question, but you didn't wreck your head before agreeing with a nod. You did want all of this to end; you didn't want to be a pet to some strange creature that was paying a lump sum just to own you. They were all the same greedy monsters that your father was: heartless and unsympathetic. Why would you not want to end this damned situation?

"Wonderful, but I'll have you know that that power comes at a price," they chuckled, hand falling from your hair to your cheek. A large palm cupped your face, thumb splitting off to caress your lower lip, pressing against it, their gaze fixating on the plumpness jumping back in place after being fondled. Then, their hand slid further down, unwrapping your neck from the fabric and slipping around your throat to the thumping spot of your puls that it wrapped around.

"Are you willing to pay that price?"

"B-But Sir! Please..." someone whimpered from beside you, but it was nearly impossible to break eye contact with the alien before you and acknowledge whoever was speaking. They had a mesmerizing aura to themselves, the swirls captivating your attention, and you felt ashamed to say they fascinated you. It felt wrong, yet... right. Was it supposed to feel that way?

"What's the price?" you mumbled, a part of you still a good human, aware that nothing came for cheap and everything should be in equal value.

"Mhm," the creature hummed thoughtfully, but not appalled by your question, their thin lips curving into a grin similar to that of a human but more foxish and uncanny.

"Your life to do what I please with, in exchange for..."

They made another thoughtful sound before the rumble in their chest turned into a purr. Their lips split into that menacing smile from before, many sharp teeth creating pristinely white rows, and you knew they thought themselves on the winning side. You felt their grip around your throat tighten, and with an unexpected yank, you were pulled forward, just a breath away from their face.

"How about every life that dares to look at you with appalling intentions? Every soul, or the equivalent in their respective race, in this room, calling you a mere pet? Every alien that touched you as if you were an object of their possession? Anyone that has ever or will in the future harm you? Would that be enough, little human? Do you require more from me? It shall be yours. Your life in my hands in exchange for everything you could want—and my coat."

You tightened the fabric around your body, a waft of the sweet scent you smelled before tingling your nostrils. It was a damn good coat, and an even better offer.

Somehow, it bothered you less to hear you'd still be sold like a slave—although perhaps better a slave than a pet. At least it would be on your terms, right? Or the alien's... Your head felt dizzy as you thought about it. If this was the promise, you could live with it. You'd at least get out of this situation and live to see another day. And you were so angry at these creatures around you, your father, everything! Why should you care about them? Right, you shouldn't. You should... agree. Take the deal and be done with it. Dealing with one alien was better than all the others.

"Do you swear to keep your promise?" you asked, and the creature sighed blissfully, nodding their head before resting their forehead to yours. Tension that you hadn't realized had been there before left their body, and you noticed their free hand creeping up on stage, closer to your bundled-up form.

"I swear," they uttered solemnly, and you nodded in acknowledgment.

"So do I."

"S-Sir! You cannot disrupt this auction as you please! There are rules on the Galactic Space Hub that prohibit direct selling of wares and—"

The sound of squashing flesh interrupted the auctioneer's speech, and your eyes widened—as did the creature's cheeky grin. You felt something hot and wet splatter on your coat but didn't realize what it was until it hit the alien in front of you on the face. Your head slowly turned with hesitant movements, but their free hand reached up, keeping your face forward instead while hushing you.

"Don't look," they chuckled, and chaos erupted in all forms of sounds around you. Neighing, squawking, and the occasional grunts were to be heard everywhere. You couldn't ignore the squashing, sputtering sounds of fluids and flesh being cut open, your body shivering with not even the coat being able to keep you warm all of a sudden as you came to a realization of what kind of deal you had made.

"Shh, shh," the alien hushed, bringing a hand up to their own face to wipe away the alien guts that had splattered them. With a flick of their wrist, they returned the arm to your back and wrapped it around you. "Just keep looking at me, don't look at them. It's your turn to keep your promise and not to disobey my orders. I hope you remember your part of the deal and spare yourself the misery."

Pulling you off the stage, you were cradled against their chest, flat and tight under what looked oddly similar to a vest and dress shirt from earth, intricate patterns decorating the seams. The curiosity of any human wanted you to look and witness the devastation that had taken place, but you couldn't tear yourself away from this strange, otherworldly creature, their command seemingly effective.

"Your Majesty, it is done. What do you wish to do now?"

"Hm," the creature hummed, leaning forward a little more, lips almost brushing yours. You held your breath, fingers clawing into their shoulders. You tensed in their hold as they carried you out of the harsh spotlight, shrouding you in the darkness that had once given privacy to the aliens trying to buy you for their own pleasure. But nothing more than silence was left now, and it was an eery one, paired with many pungent yet alluring smells around you.

"Ready my ship," the alien ordered, and you felt hypnotized by their eyes paired with their smell so close to you now. Tempted, almost, to have a taste of their lips, see if they tasted the same as they smelled. "Sent a fleet ahead of us and tell the court I am finally coming home."

They grinned again, and you should have recoiled from the sharp teeth shining in the darkness. Their whole body seemed glowing even outside of the light.

"And tell them I bring back my blood mate, my newly betrothed, and prepare for the harvest."

You gasped as you heard the creature announce their plans, pushing away from them and managing to tear away from their hypnotic gaze. No one said anything about your blood! What were their intentions? What did they want with your blood? How much blood did they want? You thought this would merely end in you being a companion, rather than a mere pet, but it seemed you had been entirely wrong.

"Ah, ah," they chuckled. "Remember, it's the price you promised to pay. My kind values clean bloodlines above all else. Imagine how hard it was to find one of your kind that matched mine? Otherwise I would have never been allowed the pleasure to keep one of you, be with one of you. You are simply perfect. Interesting, "fun". Exactly what I want in a blood mate!"

"What?" you winced, feeling a strange sense of betrayal. "Why me then? Why a human? Why not one of your own kind? O-Or the others!"

"Your kind is the most interesting of them all," they explained. "I can't wait to uncover all these emotions you are feeling, one after the other. I must know all about what it's like to feel "pain" and "happiness". You have no idea how boring these other species are, no matter what I do to them. I'm not wasting my time copulating with those simpletons. I want something more from my mate. Something they can't give me, but you can."

Their explanation sounded threatening even when they smiled throughout it, their intentions becoming awfully clear, and you squirmed in their arms that only seemed to tighten the more you moved. You fell for it like a fool! you thought, scolding yourself inwardly for not being more careful. You trusted the creature even though you knew better! None of those aliens would have treated you well! None of them had good intentions!

And you might have just fallen for the worst of them all—a curious one.

"Now, now," they tutted, a hand wrapping around your neck from behind, squeezing until you gasped for air.

"It's time to hold up your end of the bargain, as will I, always."

[lemon-lime-behavior]

Do you have any tips for drawing noses? Sorry this is out of nowhere but I'm wanting to improve on my art, specifically the faces, and it's always the nose I find myself struggling most with.

I really struggle w making it fit the face if that makes sense? Every time I try to add it it just throws the whole face off, especially the eyes, not to mention how to make different nose types and the angles </33

I love your art style so bad, it's so smooth and satisfying to look at and the way you draw noses like it's nbd (and anatomy in general like damn) baffles me so I was just wondering if you maybe had any tricks or not, Ty either way for sharing your art in the first place <33

@extravagav Well I can try! First off thank you very much, I often feel like I still have a very long way to go in regards to proportions and anatomy so I really appreciate your kind words <3

Hokay, so, noses. I do love noses. To start off when it comes to drawing noses I'm afraid I'm going to have to give you the most annoying advice in the world which is just to practice a lot. Find a lot of pictures of noses in a bunch of different shapes from a bunch of different angles and just draw them until your brain melts out of your ears. Pay particular attention though to the nose as a 3D object!

It's of course trickier to do than I'm making it out to be but the more you practice at imagining the nose as a 3d physical form the easier it becomes to make a nose model in your mind that you can rotate like a microwave.

This is my personal very very basic understanding of the nose's construction:

it's like three circles and a taco shell.

Okay so now that you've got a basic understanding of the nose's construction, how to put it in the middle of the god-dang face??

So the funky thing about noses is that they tend to change shape the least out of all our facial features when we're making expressions. Our eyes change shape, our mouths move, our eyebrows, our cheeks, our jaws, they all go all over the place. the nose, however, tends to be pretty stationary and doesn't deform much (save in one important way I'll get to later). So because of all this, and here's my biggest piece of advice when it comes to making the nose fit in the face, I like to draw the nose first! I do a very loose head construction, draw the nose, and then sort of "hang" the rest of the features off of it:

Two very different expressions, same nose!

Now when it comes to noses interacting specifically with the eyes the greatest thing to remember is that the part of the nose that sits between the eyes sticks out farther than you might think, and will likely be obscuring one of them, the extent of which depending a lot on the angle and how pronounced the nose bridge is.

for someone with a pretty flat nose bridge you'll be able to see most of the eye except in a more extreme angle, while someone with a protruding ridge might obscure the eye entirely. but the nose will likely be interacting with at least one eye if we're not facing the character head on. Really making your brain think in 3d is gonna most helpful here.

Finally! The nose being expressive! So the main way the nose plays in to expression is by wrinkling. the muscles that pull up your top lip and the muscles that pull down the middle of your forehead are almost all connected to the nose, so the nose tends to develop a lot of wrinkles whenever brows are furrowed or teeth are bared.

Adding those wrinkles can add a lot of impact in the expression! And not just angry ones neither:

Sooooooooooooooo yeah! noses! They're weird and they come in all sorts of shapes and sizes and they can do a lot to add character to a face and they can also make you want to tear your hair out in big clumps! I'm still learning myself when it comes to noses (and most other things) and I'm faaaar from a master at it, but I hope I've been able to provide at least a little bit of help. If you do use my advice going forward please let me know! Good luck!!!!! (And here's all my nose "headcanons" for the strawhats. The ones who actually have human noses, anyway):

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[firestorm09890]

there's a part of canto vi I've been thinking about since it came out, and it doesn't actually have anything to do with Heathcliff.

this

She is bitter as fuck and as time goes on she's getting worse at keeping it down. Sinclair's the one who started it, by talking about how sad it is that they'd never get to see color, and Rodya starts to get a little irritated over it (yeah, sure, pity the Backstreets folk and their poor miserable little lives, privileged nest boy), but she's obviously trying not to straight up call Sinclair a privileged nest boy because she doesn't want to. But then Yi Sang and Ishmael join in on talking about how sad this place is with no color and she just can't keep her opinion down.

But that makes the atmosphere tense, and she hates a tense atmosphere, so she changes the subject and her tone, not giving a damn about how obvious it is. also, haha, ice and cold references.

And actually, this doesn't really have much evidence to support it, but I wonder if she holds a higher level of resentment for Sinclair in particular.

Canto II had some discussion about how Rodya wishes she was special (and while I think what Sonya said about her killing the tax collector just to feel special is absolute bullshit, I do also think there is some truth to her wanting to feel special), and introduced us to the concept of The Sign in a way that was vague and more like foreshadowing than actually introducing it. Then Canto III was all about The Sign, and how special Sinclair is, and since then we've had people talking about signs and stars and a new birth of the world and it's all stuff Rodya doesn't get to be part of.

I don't think she wants to hold resentment for Sinclair, and she especially never wants him to know, but going back after all this time and rereading this one interaction with him in Canto II felt pretty jarring.

the more important part of this is the way it feels like she's making a joke at Heathcliff's expense, for being poor, like even though she's also from the Backstreets she feels she's "above" it.

She absolutely does not feel this way.

On my way to find the first passage, I reread some other interesting stuff:

Once again, there's the harsh juxtaposition between casual, fun-loving Rodya, and tired, poor man's advocate Rodya. Almost everyone on the team speaks through the lens of a Nest dweller (I have to wonder if learning that Heathcliff was apparently raised in a mansion made her even more bitter), and the way she's so short with her mention of the Sweepers makes me think she's thinking about how painfully obvious it would have been to any other Backstreets dweller. And then, right after, dropping back into her casual voice, and Sinclair revealing that Rodya used the fucked up Backstreets creature to tease him...

Other obvious moments of Rodya being bitter as hell about rich people include this part of S.E.A.

and this part of her observation logs on Spiral of Contempt (actually, nearly everything in that log that isn't about the physical abnormality has to do with how much she hates how rich people look down upon the poor)

Hong Lu's canto comes after Don's, and then after his is Ryōshū's, who, based on her source material, probably served one of the most awful, contemptuous rich people the sinners have access to, and I really hope at some point here Rodya gets to snap in a big way

...hey so I wrote this entire post at 1 in the morning and then saved it to drafts because I didn't want to post something at 1 in the morning. the Timekilling Time trailer came out about two hours later, featuring both Rodya... and the long-awaited return of the Yurodiviye. so now it's past 3 in the morning for me but I'm posting it now anyway because ohohoho seeing the Yurodiviye again has given me SO much energy

I have a feeling all this is going to be very relevant extremely soon

[honeytonedhottie]

hyper femininity⋆.ೃ࿔*:･🎀

im super excited to write this post because my relationship with my femininity has been something that i remember rly well and im super grateful for. i feel like embracing my hyper femininity has made me grow and glow so i wanna share ways that i embraces and strengthened my femininity 🎀

TRUST UR GUT AND INTUITION ;

we have gut feelings for a REASON. most of the times when we have gut feelings about someone or a situation we are nine times out of ten RIGHT. something that i've learned to do is listen to my body and my gut intuition more.

and to add onto this, TRUST UR OWN JUDGEMENT. a lot of the time we are used to being preached to about how we should feel and respond to certain things, and something important to always prioritize is discernment.

but please trust ur gut and trust ur own principles and judgement because no one knows u better then you. at the end of the day u know whats best for u and u are responsible for doing whats best for u so dont put that responsibility/power in the hands of others.

HAVE WOMEN TO LOOK UP TO ;

having women that u look up to is so so good for u because it gives u a role model. some women that are my role models include ; kimora lee simmons, jang wonyoung, bella hadid, megan thee stallion, jia song, alexa demie, paris hilton, and SO much more.

also having lots of female friends, watching female influencers etc i think all contribute to my girlyness. my absolute favorite female influencer is manifestelle because shes so smart and wise and AMAZING to listen to.

BUILD A STRONG SELF CONCEPT ;

know ur worth and own it. as a woman, make sure that u keep company that uplifts you and keeps ur confidence high because in this world everyone is so obsessed with "humbling" women.

do lots of confidence and self concept work to the point where absolutely NOTHING can phase u because ur so secure within urself and ur femininity. confidence is important for everything but especially important for women.

BE SOFT ;

being super in tune with and aware of my emotions has helped my femininity bcuz i used to have a bad habit of repression because i thought that being sensitive was something that i had to be ashamed of. but i learned that its NOT true and i learned to embrace it through doing lots of journalling and shadow work.

SELF EXPRESSION ;

i found that my femininity was strengthened when i allowed myself to express and be creative. doing things like dancing, song writing, journalling, keeping a blog etc has just been so good for my girlyness as a whole.

being able to express urself in how u speak and advocate for urself is also immensely important because no one is gonna speak FOR you so u need to speak for you and express urself clearly. you can do so by starting to practice saying no and saying when u like something and when u dont like something.