#is he trying to make it obvious hes a dude

[gaywineauntsstuff]

The bat family is split between Dog people and cat people and I refuse to elaborate

That’s a lie I love elaborating

Bruce:…cat person for obvious reasons I mean come on he’s had a will they won’t they with Selina Kyle for like 50 years atp

Dick: Dog person listen Dick likes cats but Dick is the one who sits on concerning thin ledges and moves like he has no bones cats he and cats are too similar. + dogs are more excitable, energetic and affectionate and after dealing with Bruce Wayne for damn near 2 decades you become allergic to any form of open communication and one must try to acclimate (like that girl on TikTok with the carrot allergy)

Jason: wants to be a dog person Is a cat person. He was always a cat person and but he lies and says he used to like dogs until he got blown up (he will not elaborate on what a dog or cat preference has to do with this he just likes bringing it up) he can barley keep his team from being arrested he is not bringing a dog along with him anywhere. He also just…isn’t their biggest fan like he’ll warm up to 1 dog and love em but doesn’t mean he likes all dogs

Tim: dog person. They’re useful, friendly and cute (they can be used to track peoples scents and he’s a professional stalker)

Damian: Damian Georg is an outlier and should not be counted

Steph: Cats because she got bit by a guard dog as a kid and now is a little more weary. Also she likes to have a cat napping on her lap when she does any sort of work bc then she’s stuck there and has to do the work bc she can’t wake up the cat. Also if Steph had a pet it would be a cat who looks eerily similar to her and I will not elaborate (for real this time)

Duke: Dog person, he seems like the type of dude to have 5 identical looking dogs and take them out on walks sequentially so that everyone thinks he’s been walking the same dog for 5 hours. Idk Duke started a cult he likes chaos, cat people don’t put effort into making peoples lives hell bc they don’t put effort into anything (except revenge)

Brought to you by I’m homesick at Uni and I can’t bring my cats and dogs over bc my building doesn’t allow it.

Baby pictures of the now adult cats enjoy

[neverpathia]

well, not for lack of trying

here's Barbie-fied long quiet. jk that's the voice of the smitten

and lineart because I always

dude I don't even swing that way but handsome men are the most frequent thing I've been posting on this blog thus far. I need to do something about that.

now, as always, time to ramble about this little guy

well literally any post about happily ever after will give you a pretty clear picture of his mentality. Smitty is a simp. push him too far and he'll go either enabler or yandere on you.

one thing is clear, though.

this guy is fucking delusional.

he falls in love with a princess he barely even knows. (no shit, Sherlock!) he falls in love with, well literally any iteration of the princess, really. (wow. what laudable powers of deductive reasoning. I am awed beyond words.)

well a pretty obvious thing about slay the princess is that it's quite a desperate situation. the long quiet is stressed and needs to cope. so the voices form to help, or at least act like perfectly unhelpful defense mechanisms. and smitten is one of those very perfectly-unhelpful-defense-mechanisms.

the smitten is still inherently superficial. i forgot where, but I once heard someone say that smitten is the part of the long quiet that still intrinsically yearns to reunite with the shifting mound. that could be the case. either way, the smitten is certainly the voice that cares the most about the mound. he's the one that's most aligned with her desires, or at least he believes he is.

however, I feel like it's more general than that. the smitten, above all, is the desire for connection.

but unlike the broken, he doesn't exactly offer 'unconditional' devotion. of course he wants safety. (no shit they all want safety have you seen the stakes of their fucking circumstances lately?) and of course he wants some control over the situation.

but friendly reminder that the smitten is fucking delusional. he want it? he got it.

the smitten is blind devotion, yes, but to a beneficial cause. the princess more often than not proves more trustworthy than the narrator (not to mention she's clearly more physically attractive like damn look at those big doe eyes she's so cute come on what's not to love. unless she's a mass of razor blades or a faceless abomination but we'll get to those later.)

shady man versus pretty princess. when forced to pick a side, it's initially pretty obvious who seems like the better, more heroic choice. she tugs at your heartstrings. she's just adorable, of course you feel attracted to her. and of course you're going to perceive a greater implied benefit from assisting her, especially compared to shady-man's vague threats.

he wants safety. he wants control, not necessarily over the princess or anyone exactly, but especially over this stressful inescapable scenario he's in. he wants to be free. he wants to have a purpose. and the best source of it all still seems to be the princess herself.

because (the smitten is delusional) they're in love and she would never hurt him. because (the smitten is delusional) she only wants to make him happy.

no, the smitten is delusional due to what the idea of true love offers. (keep in mind: it's not like the broken's submission for the sake of safety. he's still trapped and he knows it, but to broken it's more like he's choosing torture over worse torture.)

the smitten seeks both protection and agency. love is the easiest escape. and this is why even when faced with, say, some terrifying hulking monstrous being that's only vaguely feminine, he tries at love. he clings to love. if he refuses to see anything else, then he can be safe and free and happy. if he's delusional then the reality beyond his little delusion doesn't need to exist. sound familiar? no, narrator, get the hell away.

the smitten requires the idea of love, the idea of affection, the idea of what true romantic connection is.

he's locked himself into believing this is the only way for him to get what he wants, even when all else doesn't align with this. he's locked himself into believing love is the only thing that will always matter and remain constant. because he is delusional.

because he needs to be delusional.

oh I love the little lovesick fucker and his fancy little words

now I don't think a lot of thought really went into his design. I just thought "oh he speaks like a Victorian writer and he's kind of a dandy" and went from there. honestly I kind of modelled him off a preexisting OC of mine and changed up the details and colour palette a bit. he kind of looks like a drag queen but if I'm going to be honest that's not a bad thing on him.

he and the broken are probably going to be the most feminine of my voices, and not just because they give themselves to love, which is always seen as a more 'feminine' concept. no, it's more like they're the voices that emotionally cling the most to the princess. just as they once were one, they yearn to be one again. even if it means casting aside what they were meant to be. even if it means giving themselves up for the sake of another. the long quiet is inherently masculine and it's everything the shifting mound is not. so the voices that most oppose the mound are going to be more masc, ceterus paribus. does that make sense?

also he was supposed to be the hottest voice

why is oppy still the hottest voice

[saturdaylemon]

Take all the time you need! And please ping me when you expand on those thoughts - if you don't mind.

Okay, back to designing.

I'm moderately opposed to making the Shades talk for previously mentioned reasons, but I could see giving "X speaks of Y" style summaries in the action popup. They're not really the people who died (or almost died), more like impression fossils. The lights are on, but nobody's home. We think.

The Ku Flame

Your idea for Hikari are a worthy inclusion, the only question is how. And the answer to that depends on how the fight works. If I were programming a game I'd be more inclined to do a mostly-standard boss fight with some extra narrative. If I were writing a fic, however, the 2v2 with Path Actions, Talents, and Latents all getting involved would be easier to pull off in that format. The quote would be something like "Ageha, you are relieved of duty!" In a more standard boss fight it fits better as "entering second phase" or maybe post-boss dialogue. In the 2v2 narrative puzzle it can be a Full Boost quote. It really only makes sense to say once; and maybe Ageha's Shade could seem to respond to it? You probably get prompted to activate Light's Radiance for the final blow.

Ageha's Shade shouldn't get minions. He was a general in life, but like you said, he's the last vestiges of the old Ku. He doesn't have an army anymore. On a side note I want this guy to yell "FIX BAYONETS" so bad but guns aren't available yet. Need to pick out a Boost message, a Boost Attack, regular moveset because it can't be all support... so everything. Definitely gets Rally Troops or a similar move by the same name though.

Tanzy was an aspiring playwright, but it seems she never published. In Giselle's troupe she served as director, so it could be fun (more fun in a standard boss fight where there are more characters) to let her Shade mess around with turn order. Like, oh, you were setting Hikari up to counter Ageha's shields off? Haha no the adds just got moved to the top of the round and used up the Vengeful Blade stacks, Ageha's Shade is shouting orders, and Tanzy's Shade is about to hand you your ass. Speaking of adds, the most obvious basis is the other troupe members... but Tanzy pretty conclusively left them behind. Another possibility is to reference her unpublished scripts with unfinished marionettes, or if we want to have some fun, give Tanzy's Shade the same minions as Arcanette. Tanzy begins praying.... -> BREAK HER SHADE NOW! If this is a 2v2, Ruinous Kick makes sense as the Boost Attack because that's half your dudes. In a more standard fight, the Boost Attack should be something a bit more powerful. Regular moveset has the summon, the turn rearrange, probably a buff or two, and maybe a physical attack that inflicts something.

Agnea's Boost quote is mostly babbled interrogatives.

The Crackridge Flame

Ori's Shade is weak to Polearm/Dagger/Bow/Fire. Guess why. (some kind of Light element attack because come on it's in her name) Stop the Presses! / So Tired: inflicts Speed Extremely Down Dear Diary: equivalent to the Merchant job's Rest. Name does not change after Ori's Shade is broken for the first time. Ori can't do this anymore. -> this is gonna hurt

The Final Night sounds like it should be the Boost Attack for Lucian's Shade, but it would also be really funny to have it be the weakest attack. We'd need to name Lucian's other works to name the Shade's attacks... think we could crib Nearer the Flame from the Stormlight Archive? Lucian retrieves a notebook.... -> this is gonna hurt slightly less

Temenos starts going through all of Lucian's works, trying to line them up with the Shade's attacks, and Osvald is experiencing the internal conflict between "not my SpIn, not my problem" and the knowledge that it is Very Much His Problem. Castti is probably in the background like "oh shit I have seen that girl before."

Osvald will offer to explode the person responsible even if you hit Crackridge after Flamechurch. There is no expiration date on Grandpa Blast.

The Toto'haha Flame

Hm, fair point. I figured Castti's usual Slightly Unhinged Boost quotes fit the emotional charge well enough, but this wouldn't be that long after Trousseau. The metaphorical wound is still raw. She could have a Boost quote demanding that the Apothecary's Shade get out of her way. It can't understand her, but she doesn't know that. We could give the apothecary a name, but it also works to leave him completely unknown. Just another cooling body.

Keep the Grotesque Monster's weaknesses (Axe/Bow/Ice/Light), mostly physical moveset since the Apothecary's Shade is handing out debuffs. Give it the Grotesque Monster's Piercing Cry, because if I heard someone like Petrichor start screaming out of nowhere I would be pretty freaked out. Petrichor gives off an ominous aura! -> Apply axe to face, repeat. Hunt the Weak: single target physical, damage increases with number of debuffs and afflictions on target. This is kind of a dark mirror of Drastic Measures, but it works.

Someone's Shade is passing out every negative effect in the game. Bow weakness works, maybe also Dagger and something else for game balance I dunno.

Ochette's Full Boost quote for this fight is "I can't forgive you!"

At some point Temenos makes the connection between some of Petrichor's comments and Roi's disappearance, promptly flips out.

The Flamechurch Flame

The design philosophy here is basically OKAY EVERYONE, PUT ON YOUR ARCANETTE HATS, TODAY WE ARE BEING MEAN TO TEMENOS! And part of that is making him watch two of the most important people in his life aid and protect their killer. So that's 3 and 4. 3 has the extra gutpunch of making him wait for the other shoe to drop.

Crick's Shade can keep his playable moveset. Weak to Sword/Staff/Dark. You know why. Crick is watching Temenos.... -> For a moment, a player could mistake this for a "skip a turn" message, maybe a hint that the people who left the Shades behind are still in there (this is intended to be perceived in-universe)... NOPE THAT'S THE BOOST MESSAGE. Also a callback to the Felvarg. Should we make Crick's Shade have a Boost Attack that sacrifices itself, or is that too limiting in Mean To Temenos potential?

Pontiff Jörg's Shade gets the Standard Cleric Weaknesses of Sword/Dagger/Axe/Dark. It has reason to use the Cleric moveset, but I was thinking we could nab something else from the Claude fight and give it Reflective Veil from the OT1 Cleric. Also, Lock Away. The move that prevents the target from recieving aid or items from any other party member. (And a slight nod to Whatever Was Up With Alpates.) Starts battle by using it on Temenos.

(Balance-wise, Temenos can break Crick with his base kit but not the Pontiff partially because this works with the story - Temenos hitting Crick's worldview with a metaphorical sledgehammer vs That's Your Dad - and partially because between Temenos' Latent and Throné turning into a protective blender it's probably fine.)

Throné uses her "Sorry, but I won't hold back!" Max Boosting quote for this fight, but even using the same voice clip it's meant to come off in a slightly different light. (You ever think about how her HP Thief bark is a sarcastic "You're too kind." and her "healed by Temenos" bark is a much more genuine "You're too kind, Temenos"? Because I have.) Temenos tries to talk himself out of a breakdown when Max Boosting. He fails. Possibly devolving from "keep it together, that isn't really him" early in the fight to beaten-dog whimpering in the second phase.

2v2 narrative puzzle ramble One reason I'm more inclined to use this for a fic is that the Journey For The Dawn locks you out of your daytime Path Actions. Sun's not rising. In writing, there's less trouble with carving out an exception in the game mechanics. The idea I had was that the Shade battles would yank the corresponding travelers into a sort of dream space where it isn't day exclusive or night. Kind of like a cross between Temenos' "The truth lies in the flame" Detective Vision thing and whatever was going on while Hikari duked it out with his shadow. (Said shadow: "Not me this time. I'm not touching that with a ten-foot pole.") From the outside, the two fighting appear to be asleep standing up, twitching and mumbling as if caught in a particularly vivid dream. Temenos "Commitment to the bit" Mistral sees two people snap out of that trance for the first time and immediately goes "Welcome back. ^_^" Throné may or may not be winding up to smack him.

This also works with having both the Arcanette fight and the Shade fight at Flamechurch. Arcanette certainly looks like she could cast Spell of Really Bad Trip. Basically Throné and Temenos are in the Terrible, Horrible, No Good, Very Bad Boss Fight while everyone else is trying very hard to kill Arcanette with hammers.

Back to Path Actions, I still don't know how all of those would work. Going down the list

Agnea: Entreat to get "Tanzy" to show you her journal works, Allure doesn't. Both these people have chosen their paths. Hikari: Challenge is a little redundant but potentially serviceable, Bribe less so.

Partitio: Purchase and Hire could both work for trying to coax "Ori" back to the land of the living. Purchasing a paper moreso. Osvald: Trying to get at Lucian's notes fits Scrutinize or Mug, although Mug is again redundant. Let him see that!

Ochette: Provoke is already happening, especially with Petrichor's Shade dropping everything to focus Ochette down if she summons one of the Creatures of Legend. Befriend is... not happening. Petrichor can starve. (Party pretty sure this is the first time they're heard Ochette curse.) Castti: Inquiring to get the unknown apothecary's name so the party can effectively lay him to rest is kind of sweet. In that vein, Soothe has already been done with Malaya and also believe her she's trying!

Temenos: Guide has also been done already, and Coerce is not only kind of already happening but isn't going to work on Shades. Sorry, Temenos, no chances to say goodbye for you. Throné: Stealing in combat is already part of the Thief kit (also pickpocketing Temenos' family in front of him is Not Cool Dude). Ambush is OP in anything resembling an actual fight, so that's another no.

So we're 4/16, 5.5/16 with partial credit included. Unless you have better ideas. Still wish to subscribe to your newsletter.

Latent Powers, Talents, and EX Skills though...

All Together Now... probably not. Dance Session maybe. Song of Hope a more positive maybe Learned Skills would be great if this were Jin Mei's Shade. See Light's Radiance prompt above.

Hilarious though Negotiate Schedule may be, nothing of Partitio's really works here. Teach... maybe?

Indomitable Beast into Beastly Fangs looks fun. Or Indomitable Beast into Provoke Beasts. Get her ass, fellas! Concoct has potential for showing the Apothecary's Shade how it's done... except it's mindless.

Moonlight Judgement: hehehe. Could have it not proc at the start of battle, wait until Temenos pulls himself together enough to effectively fight the Shades. This works better in the Arcanette + Shades version of the fight. Prayer for Plenty and Heavenly Shine both have story potential. Blessing of Darkness: "Consider the following: mine's better." Veil of Darkness is also good here.

Took "standard class weaknesses" from the Dolcinea fight with Love's Marionette, for the record.

Things about Octopath Traveler 2 that I think about WAY too much 2/????

Under the cut for late game spoilers, loose and speculative nonsense

So the four sacred flames and their connections with the gods connected to each one.

Brand and Sealticge to the Ku Flame

Alephan and Bifelgan to the Crackridge Flame

Dohter and Draefendi to the Toto'haha Flame

And Aelfric and Aeber to the Flameschurch Flame

Going to go ahead and put it out there, that my head canon is that the Moonshade order successfully completed the sacrifices line out in the Book of Night in this manner: Pontiff Jorg (Cleric, Temenos chapter 1), unnamed apothecary in Canalbrine (Temenos Chapter 2), scholar in Canalbrine (who's name I don't remember, also from Temenos Chapter 2) Tanzy (dancer/Sealticge aligned), Petrichor (Hunter), Ageha (Warrior), Ori (merchant), and Crick (Thief, as mentioned in some dialogue in Stormhail about his background).

I feel like, in a lot of ways, these flames would have been great spots for boss fights. I feel like, for a game like Octopath Traveler 2, just getting to relight the flames with ease was a bit too easy. There's a couple of different routes I personally would have taken with them.

Option 1 (least favorite) - the party fights a shadow creature of some type (excluding in Flameschurch because there is already a boss fight there). Alternatively, remix the chosen travelers' final chapter boss fight.

Option 2 - the party fights the shadows of the sacrifices associated with that flames gods (so Ku would be Ageha and Tanzy, Crackridge would be Ori and the scholar from Temenos Chapter 2, Toto'haha would be Petrichor and that unnamed apothecary from Temenos's Chapter 2, and Flameschurch (after Arcanette), would be Crick and the Pontiff (not a fun fight for Temenos especially)). Standard boss fights would be cool, but you could go a step further and have it a two on two fight with the chosen travelers against those shadows where path actions and skills came into play in defeating the shadows. Also makes the relighting of the flames a bit more personal. You've got potential either way with this option for some really cool character exploration and thematic resolution. This one is probably my personal favorite.

Option 3 - the party (or just the chosen travelers for that flame) fight the gods themselves (as a test). There's a few ways to do this too: 1. fight images of the gods. 2. the statues of the gods by the flames come to life and you fight those, not dissimilar to Osvald's chapter 4 fight with the Golem. 3. You fight a being of combined powers of the two gods, a strange and otherworldly combination of Alephan and Bifelgan for example, staff and scales in hand, plying magic and calling allies, making it rain in leaves as easily as flashes of magic lightning, or Brand and Sealticge (which I think would look something akin to Hinoekagura). This is also a personal favorite just to see how when faced with the gods, our travelers might act, when within the world itself the gods are mostly pretty hands off. The situation with Vide is an urgent one, and I think the gods would be willing to test their chosen in the final hour to make sure that they are truly ready.

I just think it would have been neat

[sheepthatgobaa]

Thought about the fabsnap profiles and an idea popped into my head

[carnivalcarriondiscarded]

i've been asked multiple times for Awake Barnaby so instead you get messy lights out Laughingstock doodles

[gradient-jeremy-asks]

I didn’t mean to draw sm 💀

[jasontoddenthusiastt]

BFTC isn’t really a case of terrible characterization for Jason so much as it was a terrible case of victim blaming. Like yeah, some of the things Jason did were a bit extreme compared to his “better” appearances, but that’s nothing new and pretty much true of many stories that aren’t utrh or lost days. The bad parts are are also definitely exaggerated by fans.

The story isn’t centered on Jason. Of course every other character’s description of Jason would be knee-jerk dismissive and misunderstanding, since (again) the intention was to make Jason out to be the cartoony bad guy villain. But if you look past the layers of grime they added, the bare bones of his characterization are not entirely incorrect. It’s a biased story in which their intended criticisms of Jason’s morals often fell short, so to compensate they deliberately cranked up his motivations to be more extreme and unrealistic (but one which, nonetheless got Jason’s overall thoughts and goals relatively consistent with stories that portrayed him accurately).

Yes, him shooting Damian was out of character, but granted we’re all in agreement that it was a true case of “bad writing decision”, I don’t think it’s hard to look past. The only other bit people probably complain about (which felt iffy at worst) was him being “a bit enthusiastic” at times in trying to convince Dick to become another lethal Batman (you can just as easily say Jason wouldn’t have been personally invested enough to have acted in the way he did). I don’t care though because he was probably doing it for shits and giggles, and it was funny watching him push their buttons on his spare time while being excellent at his job. Same old ‘none of them deny that he’s effective, they just can’t get behind the killing’ conflict.

Looking past the fact that Jason still had a valid point, the “he’s the bad guy” plot falls apart for other obvious reasons, which happen in the 3rd issue. It’s kind of hard to focus on how much of a bitch Jason’s being when the other characters are written in an infinitely more problematic way (which ends up happening in most “hate Jason” stories). Not only did they heavily imply Jason is a victim of SA, but the way Dick/the batfamily treats Jason about this is … horrible. Arguing that this was a case of character assassination for Bruce and Dick would be more realistic than using this story to claim Jason is a Bad Person™.

Even though Bruce does have a bad track record with his perspective on victims of SA.

Hey. Maybe listen to the living person begging you to turn it off.

Geez. I wonder why he never felt safe enough to confide in Bruce or any of the rest of them. Implying that enduring what he did made him “broken beyond repair”, that he needs to be “fixed”, and saying verbatim, “you are my greatest failure”, not “I failed you greatly”. Then deciding on behalf of Jason that a bunch of people who weren’t involved in what happened to him should all know about this so they can decide what should be done. And everyone agrees with this garbage. Unbelievable.

Aka, any sort of healing he may have tried to accomplish was ruined by you lot. When exactly am I supposed to see that Jason was evil all along.

The story collapses in on itself in the third issue because where Dick is supposed to be at his prime within the arc, he just sort of rambles about how Jason was a shitty victim and then awkwardly shifts to talking about personal growth and coming to accept his own heroic destiny.

I do resent this, but not because “Jason sucks here”. Jason’s “bad portrayal” pales in comparison to the problematic mindsets given to the other characters (namely Dick) which were framed as good-natured intentions and “tough love”. As for people who describe this as “vilifying Jason to prop up Dick” … I don’t really know what to make of that.

[dollypopup]

y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!

like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.

and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye

you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .

when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?

if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self

and that's that on that

[gildedmuse]

So, I've heard a lot of negative press about the movie Wasih, which, hey cool. I wasn't keen on watching but it came up and why not.

Here is my issue. I was lead it wasn't good for the following reasons:

Wish Girl: Shouldn't we grant every wish ever no matter what!?

Evil Dude: Um, that's insane. Do you know how many wishes are straight up murder?

So I was kind of surprised when it ACTUALLY went much more like:

Wish Girl: So this is where you keep every wishes or every single one of our citizens over the age of 18, huh?

Evil Dude: Yeah, preeeetty much. Oh but, careful there. Haha, you see, because some of them suck so we can't risk those getting out....

Wish Girl: Getting out? You mean you won't grant them ever?

Evil Dude: GRANT them? Are you crazy? Look at this one! This loser wants to INSPIRE people with MUSIC! IMAGINE the carnage of I granted that sort of insanity!

Wish Girl: I'm sorry are none of these like, "I really want to murder my husband?" How is that the evilest example you could manage?

Evil Dude: Inspiring music? Do you WANT to live in communist China!?

Wish Girl: I don't know about this Communism or China.... but.... like.... when people give you their wishes, they're trusting you.

Evil Dude: And I'm doing my part by not just destroying them on sight.

Wish Girl: You don't understand! They're TRUSTING you, not just with their dreams but with who they ARE. When you remove their wishes, you're removing PART of who they are! People, they forget their dreams. Your dreams, your goals, a huge part of who you are! I'm not asking you to grant every wish.... I just don't think people should lose a piece of themselves, not even knowing it's gone.

Wish Girl: If you don't want to use your magic that's fine. Why not let them at least strive to bring their dreams to reality the old fashion way?

Evil Dude: Well yeah but you know.... hypothetical badness!

Wish Girl: ..... Give them back.

Evil Dude: I'm sorry, what?

Wish Girl: Just give them back. Like, okay, you don't want to make this guy a rockstar but right now he doesn't even remember he likes music! Give! It! Back!

I mean, how is that evil? It's less a "grant every dream always!" More a "let people think and dream what they want". Her initials reaction isn't a free dream for everyone!!!" It's "people should know their own goals, they shouldn't be stolen away."

Why ya'll trying to pretend the dude who is taking people's hopes/dreams/personalities and choosing which ones get to happen and which are ERASED FROM THE MIND OF THE INDIVIDUAL FOREVER is the good guy?

Is media literacy just a joke?

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[rigaudon]

The airbnb we're staying at has extremely cursed wall geometry in the basement. (And also makes me feel like a giant)

[toddtakefive]

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage

[linoguy]

twice’s stylists for jeongyeon drive me nuts but what’s new 🚬 I’ve made this post before but if they stopped trying to distract from or hide her weight they would realize that her weight actually doesn’t make her less attractive but More attractive and that by trying to hide it to begin with, they bring even more attention to it despite all their attempts, even though it’s not a bad thing to begin with

[alchemiclee]

been looking in tags for a few days now to see if anyone else found the whole high cloud quintet and related story to be a bit.....poorly written, nonsensical, contradictory, full of plot holes and loose ends, etc. apparently i'm not the only one. (and i'm not even talking about shipping stuff, because any time I saw someone mad about bad writing, someone always replies to be homophobic and laugh about failed ships. weirdos.) it could have been so good but was thrown into the garbage for the most part (IF you noticed all the plot holes and contradiction. if not, then it's a fine enough story tbh. I expect most people to see it on surface level and not read all the little hidden lore bits and try to piece it together like my autistic brain did. which is ok! enjoy it if you liked it and ignore me 😆)

[cacw]

i do still stand by this and it's kind of upsetting me they don't hate him but they really obviously dislike him and his place in the story

[fruitsofhell]

[still talking about this but i feel like this would be lost if it was just a reblog addendum]

For real my greatest regret with my time in this fandom is not finding enough people who talk about Kirby STORIES nor doing that enough myself. Like its always kinda just between "ah my adorable and/or tragic blorbos" and "MOST FUCKED UP KIRBY LORE!" as I've complained about 100 billion times now, but I really wanna talk about the evolution of the series' storytelling under Kumazaki's direction more and how you can really feel them finding their footing on What Kirby "Lore" Means.

Ever since Robobot the games have tackled more direct themes and science fantasy tropes and it's also when it's really started coming into it's own. Return to Dreamland and Triple Deluxe and wonderful but you can see where the team holding back on detail and leaning into more cliche platformer-y things didn't let them reach full potential. Robobot and KatFL on the other hand excel at the more sci-fi themeing because they really let that more out there stuff absorb into the fabric of the gameplay and visuals, and while I've touched on KSA not being as lush as those other two, it makes up for it with sheer volume of content in the end. Evil cults are more fantasy than sci-fi so it didn't have ideas as extreme as those other two to latch onto, but it could still be more purposeful with the levels in the middle yknow. But still, the writing of the Jamba and the design of Void Termina have a lot packed into them that make it work once you unpack it.

RTDL and Tripluxe you can maybe say theres like a theme of greed in a nebulous sense, but it is genuinely fluffy platformer fair with an interesting villain thrown in at the end, Robobot, KSA, and KatFL are like actual great sci-fantasy stories wrapped up in fairytale-like bow. RTDL and Tripluxe become good when you fill in blanks*, but the last 3 just Are Good, Straight Up*.

*I know some of you people out there think pause screens are supplementary but it is literally The Game's Text, so I mean good with the pause screens.

Like Kirby "Lore" HAS gone from What If There Was A Platformer Villain But Really Fucked Up to actual really cool commentaries on imperialism/industrialization, bonds and religion, and life. I think its really fucking cool and what actually has kept me a Kirby fan. I can find a platformer that gets really complicated the more you look into it's flavor text, or one with cute character designs, or sad moments, but you don't find one so often that like cares. That really cares about the characters and the world and stuff, but about saying something confidently. Kirby storytelling may not come off as confident to people because it's not overt, but the confidence is in the details that surround and support those ideas that in any other series would just be pedantic "lore".

Like Robobot doesn't have "lore" about Susie and Haltmann, it has a backstory complimenting a power struggle in the plot's climax that ties into the idea of imperialism being a cannibalistic pursuit. Star Allies doesnt have "lore" about doomsday cults and gods, it has a story about how real bonds and connections can form even in dark places and its important to cherish those and not let circumstances corrupt them (or something, it has been a whilehgjh). And KatFL doesnt have "lore" about ooooo all the humans are dead this IS THE DAHKEST KIRBY GAME!! Its fucking aboyut how animals and joy and whimsy will reinherit the earth!

im justfuskdgs WHOS DOING THE KIRBY LITERARY ANALYSIS?? Where are they? They have to be out there im so fr ghsf