#im so sorry about that im still experimenting

[possibly-evil]

I WAS SO MAD WHEN I FOUND OUT AHGHHHHH

they're literally just trying to milk the money out of musicals because the movie industry just found out that people pay money to watch people sing and dance. you would think that after they did a bad job with mean girls (and dare I even say the dear Evan Hansen movie) that they'd know better than trying to make it tolerable to people who don't like musicals. they're just trying to stretch Wicked over two movies so that they can make money. They should realize that what musical lovers really want is to give things the Hamilton treatment. record a show, put it on your streaming service. We don't want new plot, we want the shows that we love available to watch. That's why bootlegging is so popular (wicked reference).

my mom made a good point about this, saying that they want to make it appeal to a larger audience. they did this with mean girls by not advertising it as a musical movie. what they don't realize is that by trying to find a halfway point, you're making it worse for both parties. either make it a musical or don't. It's not that hard.

(also im still sour that they made mean girls more pop-music-y. We wanted a musical, not a Disney kids show. they also took out meet the plastics, which enraged me. It's such a good introduction to their characters, and they just dulled it down to regina's part.)

the movie to musical to movie pipeline is growing. I've heard that they're going to make a back to the future movie musical. I haven't even seen the new musical or even listened to the soundtrack, but I can confirm that they're going to make it so much worse than both the original and the musical. please stop trying to do this. you're not appealing to musical lovers, you're making them mad. let me say this again, we want MUSICALS, NOT MOIVES.

one of the best experiences I had with a 'movie' musical was when I went to see a recording of the waitress musical in theaters. this was a limited time event, were you could watch a recorded preformance at the cinema. it was perfect. This was target to musical fans and musical fans only, so they didn't try to change it. This is what we want.

holy crap didn't even realize that I went on a rant

sorry im mad today lol

Wicked Movie is going to make a trillion dollars its opening weekend and everyone will leave the theater the angriest they’ve ever been in their lives because no one except for me and my beloved mutuals knows that despite having runtime longer than the whole stage musical it is a Part One that only covers the first act

[komoriiis]

May i pls request fem!reader x sevika? I've been fallen for her since 3 years ago and after her scenes in ep 2 i was so in awe and giddy i need to read more of her 😭🤲

𝐒𝐄𝐕𝐈𝐊𝐀 ( 𝐀𝐑𝐂𝐀𝐍𝐄 ) — 𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐃𝐀𝐓𝐈𝐍𝐆 𝐇𝐂𝐒

˚୨୧⋆｡˚ ⋆ 𝖕𝖔𝖘𝖙 𝖙𝖞𝖕𝖊 :: bullet points / short drabble

˚ ୨୧⋆｡˚ ⋆ 𝖋𝖗𝖔𝖒 𝐤𝖔𝖗𝖎 :: im absolutely in love with sevika too so this was really good timing!! ive been wanting to write for her and viktor for the longest time :3 i hope youre okay with me doing general hcs, i didnt know if you wanted anything specific so i just did this 😋 also, sorry if she turned out ooc, this is my first time writing for arcane characters 😓

[ masterlists ]

ᥫ᭡ sevika will be the most protective gf ever—anywhere you go, she’ll always be 2 steps behind looking out for you!

ᥫ᭡ its not that she doesn’t think you can take care of yourself, but its just who she is. she gets worried, especially if you’re wandering around in the undercity

ᥫ᭡ she will 100% be your biggest hype woman. whenever you wear something new for date night, you can see her pupils dilating when looking at you with a small smirk on her face

ᥫ᭡ rather than hand holding i think she would be someone to wrap her arms around your waist, almost possessive in a way. when shes not doing that though, she would want you to have a hand holding onto her biceps

ᥫ᭡ will never ever let you tag along with anything work related. shes pretty dead set on separating you with her dirty work, for your safety

ᥫ᭡ some nights when it gets bad, she just wants you to hold her. don’t say anything. don’t ask her questions. just be with her until the next morning

ᥫ᭡ she loves to bring you back little trinkets or accessories from her missions that she thinks you’ll like / will look good on you. she would never admit it, but her heart always skips a beat when she sees you wearing something that she got for you herself

ᥫ᭡ lives for teasing/banter arguments. she finds it so hot when youre all riled up and mad at her, because she knows that she’ll make it up to you later anyways ( WHAAAT 😦 )

ᥫ᭡ she has insane mood swings on her period. one time, she accidentally snapped at you while you were trying to tell her about your day, and she felt so incredibly shitty for like 2 months

ᥫ᭡ sometimes, she gets nightmares of you dying in her arms due to an enforcer attack. its a reoccurring dream, and whenever she jolts awake in a cold sweat, you reassure her that you’re still there. you’re alive, and you’re not going anywhere anytime soon.

ᥫ᭡ sevika finds it adorable when you give her little nicknames. “vika”, “sevi” , “baby” , and “big mama” ( hehe ) are her favorites

ᥫ᭡ tries to have a date night at least once every two weeks. of course she would like it if it happened more often, but with her schedule its just not possible. when you two do go on dates though, she makes sure to go all out and make it the most enjoyable experience for you

ᥫ᭡ her coworkers are so surprised at how soft she has gotten because of you. she has something to fight for other than zaun now, and once they get their promised land then she’ll finally settle down with you and live through the rest with you by her side

𝟐𝟎𝟐𝟒 © 𝐚𝐥𝐥 𝐰𝐨𝐫𝐤𝐬 𝐛𝐞𝐥𝐨𝐧𝐠 𝐭𝐨 𝐤𝐨𝐦𝐨𝐫𝐢𝐢𝐢𝐬. 𝐩𝐥𝐞𝐚𝐬𝐞 𝐝𝐨 𝐧𝐨𝐭 𝐫𝐞𝐩𝐨𝐬𝐭 𝐨𝐫 𝐜𝐨𝐩𝐲 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐰𝐨𝐫𝐤𝐬 !

[cattordi]

2. the new neighbor 🥥

a/n 𓇼 hello again! enjoy and i hope yall get the oth reference at the end

summary 𓇼 after returning to the obx, you rent the cameron’s guest house; forcing you into close proximity with your ex boyfriend— rafe.

pairings 𓇼 pogue!reader x exbf!rafecameron

warnings 𓇼 not proofread, alcohol, angst, suggestive thoughts, “drunk” driving

˚⋆𓇼˚⊹ 𖦹 ⁺｡° ˚⋆𓇼˚⊹ 𖦹 ⁺｡° ˚⋆𓇼˚⊹ 𖦹

“maybe you still love her” topper says as he grabs his 9-iron. after your small argument, you went on your run and rafe was destined to distract himself.

now it’s 12, rafe is on his 6th beer and drunkenly playing golf with his best friend, topper.

“i definitely don’t love her anymore. that ship sailed the second she fucking left me.” rafe groans, sitting on the golf cart, “i don’t think i could ever love her again. let alone any woman.”

“that’s what i said about sarah,” topper begins before swinging, “now im with ruthie and im happy.”

rafe rolls his eyes, “you’re happy. not happier.”

“and you’re just sad.” topper shrugs, walks over, and drives the golf cart to find his ball, “you need to find someone or something that makes you happy because you’ve been in this slump for too long. it’s getting hard to watch.”

rafe rolls his eyes again, and takes a sip of his beer; but his mind keeps wandering back to you. he missed you. he could deny it to everyone else but deep down he knew.

he’d found out about your arrival when rose told your dad you’d settled in nicely. rafe stormed out of the house the moment he heard, mainly disappointed his family didn’t mention your coming to stay with them.

after that, he planned to stay as far away from you as he could, avoiding you at all cost, even if that meant moving out, but that quickly went out the window.

when he heard you getting water, he originally thought it was wheezie and he was coming downstairs to tell her to quiet it down. he hadn’t expected it to be you.

the way your hair went down your back, the way all his shirts fit you, the way your ass fit in every pair of pants, the way you smelled.

he’d missed you and never thought he’d be able to experience those things again, but the anger he felt when he saw you.. it was unimaginable.

he wanted you out of his life just as much as he wanted you in it.

𓇼

“jj put me down!” you scream as jj runs at you, picks you up, and jumps off the deck into the lake. quickly, you both resurface, and he’s laughing.

“sorry y/n. i’ve just missed you.”

after your run, you and sarah drove over to “the cut”, the south side of kildare island; where you’re from.

your parents were never the richest, but they always made it work. you adored that about them. no matter what the circumstances were, they made it happen.

“i’ve missed you too j” you admit, moving your hair out of your face.

you’d met “the core four” or jj, kie, john b, and pope in middle school. you’d had ever class with pope, and eventually you joined their clique. they quickly became your best friends.

“how was new york? plan on going back?”

“trying to get rid of her already j?” kie begins as she walks towards the dock, “she just got back.”

“never baby.” jj mumbles as he swims over towards the dock, pulling himself up. seeing them together makes you smile, considering jj has always liked kie.

“i got drinks!” a voice yells from the chateau, john b’s house.

the three of you look up to see john b with two brown unlabeled bags, sarah following closely beside him, and pope and cleo walking hand in hand towards the dock.

kie and jj run over excitedly as you get out of the water. the sight of the three couples makes your heart heavy.

your feelings for rafe were still so strong, but the breakup was for the best, and you strongly believed so.

𓇼

around 10pm, you and sarah head back to tanneyhill, both of you slightly drunk but sober enough to drive.

once you make it back, sarah quickly goes up to her room, telling you goodnight.

you smile as she leaves, and walks towards the guest house.

“y/n!” a deep voice says from behind you and you automatically know it’s rafe.

you turn around, sternly. “hm?”

he’s wearing a dark blue polo shirt and khaki shorts. his longer hair he had when you two dated was now replaced by a buzz cut and you couldn’t lie: he looked good.

“where ‘ave you been?” he ask, stumbling over his words.

“i was with sarah down in figure 8.” you start, stepping towards him slightly amused, “are you drunk rafe?”

“i had like 1,” he begins counting on his fingers, “2,3,4,4…9 drinks maybe.”

“hm” you grab his hand, “cmon”

you drag him into his house, immediately heading upstairs to his room. upon entering, you immediately notice how dark it is. not because of the lights being off but because of his blue walls.

“your walls…” you stutter and turn the lights on.

“yup.” rafe says and he sounds as sober as ever.

“why’d you paint them?”

“got ‘ired of the white.” he groans as he flops down onto his bed; quickly drifting off.

you rummage through his drawers, grabbing a tshirt and shorts, and slowly changed his clothes. after you do your best to tuck him into bed, trying not to wake up.

once done you turn off his lights and walk towards the door. just as you open it rafe says, “y/n?”

“yeah?”

“i hate you.” he says coldly, and turns over, his back facing you.

[fraternum-momentum]

(if this was already asked im so sorry! i cant with tumblrs search thingy) hii!!! i havent drawn in ""my style"" in years, but your art has inspired me to try again. do you have any tips on how to develop it and become more consistent? much love and thanks <3333

hello !!! dw i don't think this has been asked beforee so ur good :3

imo you can't really brute force developing your own style. i think it slowly develops over time the more media you consume and get inspired by ! (i mean, i'm still trying to find my style so yk,,)

in my case, i tend to gravitate towards more semi-realistic styles, so i would need to develop my fundamentals (gestures, anatomy, line of action, etc, etc..) first as a base point. i would say learning your fundamentals is important even if you want your style to be super cartoony bc it really does help when it comes to deciding which parts you want to exaggerate and stylize and stuff. (it may be boring for some people but i promise u it rlly does help a lot !!!)

btw ur anatomy doesn't have to be perfect on the get go when u want to try stylizing 😭 shit even my anatomy was p bad before i started drawing in my 'style' so dont be discouraged !

@/atie1225 @/jasminjaegerart @/quietgom @/AmiThompson_h

ok when it comes to stylizing what i find helpful is copying certain aspects of an art style i like. ur not stealing their whole thing btw !! but u should try to analyze what parts of someone's style that you like !

like for example, i like how Alfons Mucha does hair, so i implement it in how i draw. i remember i liked how Ken Wakui does noses bc its simple enough, so that's what i currently do, i liked the nose bridge lines thing from mha and jjba so i added it to my drawings, and so on and so forth

obv these arent all my influences, there's probably thousands of artists i like, shows i've watched, comics and manga i've read that influenced me etc etc and our art styles are just a mish mash of all of that ! it's actually super cool to see how different people draw depending on what influenced them so ykkk

as for consistency don't be afraid to use your own art as references ! shit even i have a couple of my drawings in my inspo board because of how much i like them and sometimes i would look over and try to remember how i did those LMFAO

but idkkk i don't think you have to strictly adhere to your style. imo experimenting is good and seeing how it changes over time is super cool ! so you shouldn't stress urself out about that :3 eventually you'll develop the habit of sticking to your style, it just takes a bit of time !!

i think that's all, i hope this helps :3

heres the drawing by itself bc i kinda like it

[i-like-forcefem]

i have a feeling i know what you're going to say but, do you think its weird for me as a singlet to be into forceplural? im friends with a number of systems, and i know there's difficulties i'm not privy to, but it just seems,,, nice

Not at all cutie!!!

And it is nice!!! Being a system means you’re never alone, when times get rough you have someone else who can step in and control your body for you

Plus from my observations: everyone is a lot more plural then they’re letting on! I believe anyone could unrepress their plurality! Including you!

As far as I know every single plural person has doubts about not really being plural, and after deepening myself into hypnosis, I think the most important thing if you want to be plural is to just let yourselves be

Each plural experience is different, we personally always still feel like “Me”, but the lense through which we see the world, how respond to situations, and how our emotions feel is different from headmate to headmate

But when we notice such a shift in lenses, feeling like what we did before is suddenly not interesting before, or all of a sudden we’re a lot more active then we ever really are, then just take a second and think “wait am I the host?” If not, pick out a name for yourself!!! Start a simply plural! Talk about it with your friends!

Sorry that this is all so rambley! But we also started out as simply “wanting to be plural” before realising that “hey those couple days were we felt on cloud 9 and acted so so differently from ever before are a little suspicious” and that led to me picking out my name, and before we knew it we were a merry band of 5! And then I absorbed the host!!!

I don’t know if I’m going anywhere with that, except to say just go for it!!! I believe in you! (And even if you have absolutely no experiences you could call being plural, well just make a tulpa!!! That’s how we started before releasing I was here!)

[cut-aare]

Traumatized protags my beloved

[aroaceleovaldez]

It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.

Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.

[a-dauntless-daffodil]

vaggie, miss "im not used to fighting with long hair" who's out of practice actually battling someone or really stabbing ppl...

...still had the arm and hand strength, the REFLEXES, to do a bare handed blade catch on a SWORD, who's user had been doing an aerial dive with it aimed at vaggie's FACE

then sling around and THROW her opponent with it

i know she wants a peaceful-ish life with charlie, but i really wouldn't mind seeing her getting into just a FEW more fights >:D

also also side note: carmilla was able to eff her up earlier so easily bc vaggie fought like an exorcist, no thought to getting hurt or personal defense, the headspace of 'i can't get killed! wheee! DIE DIE DIE' that got that other exorcist killed

and the main advice vaggie got from carmilla was take advantage of that sure, but first and more importantly, defend yourself better

which kinda plays into the whole "be out for love thing" too

aka the fight isn't important, it's what you're fighting to still have Afterwards that matters- the people you love, having a life with them

(the hotel, the hazbins, charlie)

carmilla doesn't send vaggie off with a 'you're ready to go kill angels'. she's only satisfied and ends their little lesson / sparring match when she can say "you might just survive this"

feels like she wasn't teaching vaggie to take out angels. she was reminding her and showing her how NOT to get KILLED

so it's just so nice seeing vaggie blocking, dodging, and grappling lute later. how good she is at focusing on avoiding or neutralizing those attacks aimed at her. how Seriously she takes them

binding lute's both lute's arms and wedging them into her own body so lute's sword CAN'T be angled towards her

the way this shot emphasis's the THREAT of the sword hanging over vaggie

and how her flash-fast recovery and block shows she's READY for it

dodging, not attacking

she's not in this for blood or vengeance, this lady is trying to stay the fuck alive. she's got things and people to live for

things like the idea of mercy. that thing both her and charlie show their enemies, people who came down to hell for murder and spent this fight trying to kill them and got damn close to doing it.

and sure there's a pretty big tone difference between charlie's "Whoa whoa dad. He's had enough" and vaggie's "No, live. Live knowing that you only do because I let you" but both end at the same place, with someone who hates them still getting a second chance

(UNLESS ITS NIFFTY WITH THE ANGELIC BLAAADE)

and vaggie wants that second chance too. she wants a life with charlie, and fights hard so she can stick around for it

epic fail, lute... have you considered getting a hobby...?

[sleepyvinegar]

their swagless looks and autistic personalities have captivated me 🥹🫀

[princeyam]

finally posting my piece for @sheikzine ⭐️ i drew sheik from retro studios canceled sheik game!

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[blossoms-phan]

this is so incredibly real like i am a dannie to my fucking core that man has entranced me since i was like 11 years old and i will never, EVER get over how how genuinely gorgeous he is in real life. I literally felt the breath get knocked out of me when they ran out for preshow like they’re just SO pretty but dan with his hair and freckles and earring and the way his smile is LITERALLY like staring directly into the sun and the way he moves his body and adjusts his pants and bendy man flirty energy arms out in the boxing outfit everything about sister daniel god I am obsessed with him

[yakny]

COME ON BABY, DON'T FEAR THE REAPER

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[neolxzr]

you know aira as a mixed race character could have been made SO much more interesting with this story if it was written. like the exact opposite of how it was written

so aira in japan was often assumed to be a foreigner because he's blonde and (supposedly) racially ambiguous looking. this bothered him because he didn't like people assuming that he was so much different from them when, in reality, he had pretty much the same childhood as any other japanese kid.

but imagine for this story, they travel to france but instead of immediately being mistaken for a local for some reason (how white is this boy supposed to look), he's instead ALSO assumed to be a foreigner while in france. he doesn't dress like a local, he's not speaking french, and his group of friends is a lot more obviously not white than he is. this should make him happy, right? since they're not assuming he's something he isn't, like they did at home. but it makes him instead just feel really... othered. if he doesn't fit in japan and he doesn't fit in in france, then where does he fit in? why is he too much of something for one group of people, but not enough of it for the other?

but does this not make him even more fit to stand at the side of alkaloid, the unit who's united by their shared experience of being othered? so maybe its alright if a lot of the people around him don't make him feel like he belongs. because he's already found where he's supposed to be.

[louieshalo]

demiromantic asexual riz gukgak save me… save me demi/ace riz who can’t distinguish his romantic feelings for fabian from his platonic ones