#if we take out all the complicated emotions and feelings

[uncookedfeeler]

CITRUS I🍋

Yuna x Reader

Tags : 4k, light smut, incest,

Part 2??

Parenting is one of life's most transformative experiences. It is a journey filled with joy, growth, challenges and the commitment to raise and guide another human being. From the moment a child is born into the world, parents find themselves on a rollercoaster ride of endless new experiences, emotional highs and lows, and unwavering love.

Parents are caregivers, teachers and coaches, constantly trying to decipher their child's needs and feelings. While the joys of parenting are many, the challenges can be daunting. From sleepless nights with a newborn to the complexities of teenage rebellion, each stage of a child's development brings its own set of hurdles.

After more than fifty years on this planet, half of them with your wife, you're lucky enough to have a 20-year-old girl as your child. From day one she has been the ray of sunshine that lights up your life. She is the person you love most and will remain your most precious treasure until your last breath. But your relationship has changed a lot over the years. Your little princess has gone from being Daddy's little girl to a gorgeous woman who has been driving a wedge between you since she was a teenager. 

This distance has increased since she became a famous idol and now lives between the dormitory and your house, although she only stays when she wants to. 

As usual, you come home from work late in the evening and enter the lock code to get into your house. Unlike before, the lights are still out and the house is deserted. You leave your keys on the hall stand and walk into the living room, closing the SAS door behind you.

You sigh as you walk through the living room to your bedroom, the room a bit messy with some of your dirty clothes from the night before still on the tripod, you sit down on your bed to remove your tie and finally free your neck, your suit disappears and you put on more relaxed clothes. At the same time, your phone rings and you see the name of one of your colleagues on the display:

"Sorry to call so late, hope I'm not disturbing you?" says a soft voice at the other end of the line.

"Not at all, Mrs Bae, I just got home, what can I do for you?" you reply, laughing.

"The CEO wants to see you in his office tomorrow, he came by earlier but you already left, he said he wants to talk about the last contract you secured". 

"Ahahah, the old man already knows it seems, ok ok, noted I'll meet him tomorrow, have a good night Ms.Bae".

"You too, Director"

You put your phone on the bed before returning to the kitchen to prepare your meal and pour yourself a well-deserved beer. With your face still in the fridge, you hear the front door open and a familiar voice echo through the room with a simple "I'm home, I'm tired! "

You immediately know who it is and reply, "Welcome my darling, good to see you home, how was your day, are you hungry?"

Without answering, you see a young woman with red hair jumping onto the sofa. 

"Yuna, please take off your shoes before entering the house, and at least take off your jacket, it's quite warm in the house," you begin to reproach your only child.

"Daddy, please don't start, I've already lost my mind today with the girls, leave me alone!" the young woman cries in obvious annoyance.

The routine is back and you make the effort to take off her shoes while she is lying on her stomach on the sofa, you notice her outfit for the day, a black leather jacket hiding a nice white t-shirt and beige trousers, so you take the opportunity to complicate your princess. 

"That's a nice outfit, darling."

"Thank you," she replies, blushing.

You put the shoes down in the hallway next to yours and see her already absorbed in her phone, so you try to get the conversation going again:

"What happened to make my little Yuna so upset?" you say.

"I'm not 13 anymore, Dad, you can call me by my first name".

"Ah ah, sorry, Yuna".

"Those bitches stole my concept for the shoot, we had to choose a fruit and we had matching colour outfits, during the pre-shoot meeting we agreed and as luck would have it today they used their "maknae shoot last" rule and took my fruit!!! "

"Please don't shout, so what happened after that?" you try to calm her down.

"What do you think, I got to the shoot and all that was left were shitty concepts, seriously, who the fuck thinks it's sexy to have a lemon in the middle of a t-shirt, they're going to laugh so hard at me for the pictures, I'm so ashamed, I left right after the shoot," she says as she stands up and faces you.

You can see the sadness in her eyes and you want to hug her and tell her that everything will be fine, but now that she's looking at you, you realise that she probably forgot to take off the famous shirt and with great regret you put a big smile on your face, almost on the verge of tears.

"No, darling, I'm sure it's a great shirt," you reply with difficulty.

"PAPA!!!, WHY ARE YOU SNIGGERING?" the young idol cries before following your eyes to her T-shirt, her face falling as she finally realises the reason, you're so sorry, but the situation is really too funny.

As you wipe your eyes you see your princess's blood red eyes, tears streaming down her cheeks and she slaps you hard in the face "I FUCKING HATE YOU, JUST FUCKING DIE YOU AND MOM" before running into her room, 

For the second time in your life you feel that pain, the pain you feel when you hurt someone you love, just like your wife did 7 years ago. 

The pain on your cheek is almost non-existent, unlike the pain in your heart. You admit that Yuna has become very withdrawn since your wife's departure, and that your clumsiness with her has hurt her before, but never to this extent.

On the one hand, your authority has been challenged once again, and for the first time she's dared to raise a hand to you. On the other hand, there is a deep sadness that hurts you, but also makes you deeply regret your actions.

You hear your daughter's cries through the door and, with a feeble step, you knock on the door before entering.

"Baby....i'm so sorry" you see her lying on her bed, her head in her pillow, her crying stops when she raises her head and looks at you, her face is turned upside down, her make-up has run down her face. Seeing your child like that tears your heart out, even though you're responsible.

"Just go, just go like Mum, you don't even like me, do you? I'm ashamed of you, go and die," she said in a cold, mean tone.

"Baby... "Hearing these words from your little princess hurts and brings tears to your eyes, so you get down on your knees to continue your apology.

"Forgive me," you tell her as your tears begin to fall, Yuna continues to reject you and her words only drive nails into your feelings, you've surely done the irreparable and you decide to get up and leave her room.

You have ruined your last family relationship with the person who meant the most to you. 

"I'll bring you dinner later, just rest," you say in an emotionless tone as you grab the door handle to leave.

Your steps towards the living room are slow and your body heavy, only to suddenly hear someone running behind you, the door slamming against the wall, and feel your sweet daughter's body against your back as she tries to wrap her arms around you.

"PLEASE, DON'T LEAVE ME SORRY," the red one cries with all her hot tears.

You drop to your knees and take your only child in your arms and hold her close, her head is under your chin as she buries herself in your neck, you stroke her head with one hand while the other pats her back, her arms struggle to wrap around your waist but she clings tightly to you.

"I'm sorry darling, I'm sorry for everything, just let it go now, Daddy's here, I won't leave you, ever"

"Daddy, I'm sorry, I love you"

"I love you too, sweetheart"

You stay like this for many minutes before you plant a loving kiss on her forehead, a sign of your unconditional love for her. She's your treasure and the most important woman in your life.

Yuna's red eyes shine into yours and the young idol plants her lips on yours, the sensation is sweet and pleasant, you are morally in a dilemma, never in a million years would you have imagined kissing your daughter like this, but on the other hand you tell yourself that she's probably had too much rejection for today and is just trying to express her love for me. 

You allow your daughter to express her desires and she wraps her arms around your neck as you hold her kiss, her tongue meets yours in a first dance, the heat in the corridor rises as her body crashes against yours, you feel her small breasts against your chest and her perfume floods your nostrils.

"Yu..na," you try to stop her, tapping her shoulder as she literally tries to eat your lips.

The young idol slowly pulls back, leaving a trickle of drool between your two mouths. You see an incredibly sexy woman, her hair a mess, her breathing heavy and hot, her hands on your chest burning and her eyes devouring you like a hungry tigress.

"The redhead doesn't know what to say when she realises what she's done, her face turning scarlet as she rests her forehead on your shoulder.

"Don't worry, it's not your fault, are you tired?

She nods as you carry her to her room and tuck her into bed, one last kiss before sending your little princess off to dreamland.

"Good night, baby," you say to her as she seems to have gone far away.

.

.

.

The night was harder than expected, and after a light dinner you went to bed with your head still full of the events of the evening, a flurry of emotions running through your body and mind, and faster than you could have imagined, the morning light appeared through your window.

It's almost 7am and you're getting ready for a long day. As soon as you wake up, your body starts to show its age and it takes you a long time to get dressed and get out of your room and into the kitchen. You decide on a quick, simple breakfast of fried egg and rice, and with this morning's appointment, you'll be ready to go in no time, having filled up on vitamins for the day despite your fatigue. As you prepare this, you hear Yuna's bedroom door open and see your daughter come into the kitchen, still wearing her white T-shirt, but her beige trousers have been replaced by blue shorts.

"Morning dad," she says shyly.

"Hi honey, no schedule today?"

"Not this morning," she replies quickly, shaking her head.

Neither of you seem comfortable with the conversation and you do your best to avoid meeting her gaze and vice versa. You discreetly exchange glances and smiles, the redhead in front of you is beautiful and you find yourself ogling her.

You continue to prepare breakfast, making sure you have enough for your daughter. The only exchange you've had since is asking her if she wants a coffee, which she refuses. You see her hovering around the table as if she wants to talk, then she finally gets up and goes behind your back to the fridge.

Then you look back over your shoulder, feel Yuna's embrace around your waist as she buries her face in your back, feel the warmth of her breath again and put your hands on hers.

"Are you all right, darling?"

"I'm sorry dad, my head has been on fire since yesterday, my body has been on fire since I saw you this morning, I just wanted to tell you that I love you very much," she answers as she places kisses on your spine.

You feel the tenderness of her lips on your skin as Yuna gently lifts your work shirt, you say nothing, letting your daughter express her feelings as Yuna's gentle attacks send electric shocks down your back.

"Please look at me," she says as she forces you to turn around, pulling you by your hips until your bottom is resting on the edge of the kitchen counter, face to face with your daughter, who is staring at you for the first time this morning.

Her eyes were trembling and she asked you in a soft, frightened voice: "Tell me you love me, Daddy", while she pressed her body against yours. You felt her soft breasts against your chest and she put her hands on the back of your neck. Your daughter brings her lips to yours, her eyes closed, waiting for you to confirm your feelings.

At this point your morality as a father is the only obstacle standing in the way of this relationship, your daughter may not realise it but it is an immoral relationship waiting to happen, your daughter is still looking for a way to fill the hole in her heart, the love of her members doesn't seem to be working for her and now she is relying on you, her father, to give her what she needs, it is a difficult choice but you are letting yourself be swallowed by the devil, your daughter's happiness is what matters.

You cupped her cheek with one hand before pressing your lips to hers as Yuna melted under the pressure of her emotions, you rediscovered the sensation of love and laid your daughter on the counter while maintaining the kiss.

Your daughter is now sitting on the worktop, the difference in height bringing her face level with yours, she grabs the back of your hair to pull you towards her, her legs wrapped around your hips, your lips still locked as your tongues meet again.

When the seal is finally broken, both your breaths are heavy and noisy, each under the hypnosis of its own pleasure, while your eyes are full of sparkles and plunge into each other's. Your princess's eyes shed small tears, which you hastily wipe away with your finger before giving her a long kiss on the forehead.

Daddy, my heart is going to explode,' she says as she takes your hand to her breast with her t-shirt, the feeling is even better than you had imagined, her small breasts are firm and pleasant to touch, as you gently knead her breasts, the young woman makes little moans that express the pleasure she is receiving.

"Yuna... do you like what Daddy is doing?"

She nods "I want to feel your hand on my skin," she replies as she takes both your hands and places them under her t-shirt, right on her breasts.

"Do you like my lemons daddy? squeeze them hard please" Yuna's sexy face and her words echo in your brain as your hands work on her juicy fruit.

The tension in the room rises and you place your mouth on her little lemon, which you have been kneading for a few minutes, you attack her nipple with your tongue while you suck, hoping to suck something, you alternate your hands, now covered with little red spots, your daughter moans with pleasure and prevents you from withdrawing.

"Daddy, suck on them, play with my little lemons that you love so much, they're yours".

All this excitement had made you hot and a knot had formed in your trousers. Your lips left her two Susson-marked mounds and now attacked her defenceless neck, licking it from bottom to top, following her carotid artery and planting long kisses under her jaw, making her tremble before she gently pushed you away.

"Dad, let me take care of you too, I've been feeling your lump on my leg for a while now".

Your daughter begins to unbuckle your belt, then your trousers, until she can finally see your underpants and cock. Then your daughter puts her hand on the front of your briefs to rub your cock, and you see her other hand go down her shorts, probably to check the state of her briefs.

"I'm soaking wet, keep playing with my tits and come and touch me down there while I take care of you".

Your daughter's hand reaches through your shorts and grabs your cock to stroke it gently, on your side you slide one of your hands up her thigh to her panties and rub her slit directly against her skin, she's wet and you can feel a small bush above her entrance, you wiggle your fingers up and down, taking the opportunity to go back and kiss your princess who moans at your actions.

Yuna's technique isn't the best, but who can blame her, the poor thing is fighting against her own body and the way she arched her back as you delicately knocked on her pussy door, freeing her lips from your kiss, the young idol expressed with volume what she was feeling,

♥Hmm....♥Ah....Papa, continue ♥Hmm, ah....♥

Your daughter's moans are like music to your ears and she quickly lets you know that her orgasm is coming as your fingers begin to penetrate her pussy from the inside, you feel little spasms running down her body and her pussy dripping with wetness, as you pull your fingers out you see the deception in her eyes before devouring her with your mouth, forcing her to let go of your cock in the process. 

Your cock is extremely hard after Yuna's work but your pleasure is not your priority as your tongue slides up and down your daughter's slit, her juices are delicious and you suck them in to capture the taste of her naughty hole in your memory. Her grip on your thin hair is powerful and she blocks your head with her legs as you finally hear the release.

"Daddy, I'm going to come, it's happening, da..." before she can finish her own sentence, stopped by her pleasure, Yuna comes all over your now wet face and falls onto her back on the worktop.

"Are you OK, sweetie?" you ask her, a little worried as she suddenly falls backwards, the pressure of her legs freeing you and you see a close-up of your daughter lying on her back in front of you, her face red and wrung out, her hair falling in the air on the other side of the table, her breasts exposed and marked by your many hickeys and her pretty pink pussy that you've just finished devouring.

You grab both her hands and pull her towards you so that she's at your full height, then you take her in your arms as if you were comforting a small child.

"You're so hard daddy, you can do it if you want to," she says with a little hesitation and tired eyes, then you notice that your cock is at the same height as her pussy.

The choice seems obvious but at the same time you don't want to take it lightly and spoil the moment, the lack of time and place is not what you want to give your princess who is offering herself to you so you shake your head in refusal then plant a long kiss on her lips.

"Not now baby, another time," you reply as you start to pull away from her, only to feel her hand holding you back.

"At least let me make you feel better, I want to make you feel better too," she says as she grabs your cock and starts to jerk it like before.

"Do you like it when I rub your naughty cock? Why does a father turn on his daughter so much?" Yuna tries to be provocative to arouse you, but the tone is off and her lack of experience is glaring, you just smile under your daughter's true words.

Your orgasm builds as Yuna experiments with your cock, trying to give you as much pleasure as possible. You put your hands on her tits again and play with them, which doesn't seem to bother her, far from it.

.

.

"Daddy?"

.

.

"Yes, sweetie?

.

.

"You know ... if you want my lemons to give you their juice, you'll have to give me yours first," she said, pointing to her pussy.

The image crosses your mind, the image of a father and daughter kissing the fruit of their forbidden love, a father giving his love to his daughter and a daughter giving birth to that love, your excitement and shame explode as your cock comes to paint the lower part of your daughter's body, her pussy and thighs marked by your essence.

I'm sorry, I'll clean you up,' you say, looking for something to wipe your cum-filled daughter with.

"It's OK, I'll do it myself,' she says as she scoops up the white liquid and brings it to her mouth.

Any young man would have been revitalised to see such a beautiful woman collecting cum on her body, but your cock is now in a less than glorious state and you pull up your trousers, taking care to get dressed.

"It's almost time darling, I have to go," you tell her as you haven't eaten or slept well, it's going to be a long day.

"Wait," she replies as she approaches you, still naked, "don't forget my goodbye kiss," as she presses her lips hard against yours, then whispers, "we'll continue tonight, I love you.

Your body and mind may be in bad shape, but knowing your princess will be there for you tonight fills your heart with a feeling you've been missing.

Later, in your car on the way to work, you get a notification that someone you're following has just started a live stream, obviously it's Yuna, she's the only one you follow, you pick up the stream on the way, but enough to hear your daughter say

My favourite fruit? mhhhhhhhhhh that's a good question, I'll go with lemon, it's a sweet fruit like me and TMI, but my dad loves lemons'.

______________________________________________________________

[callsigns-haze]

His Shadow: Chp 6

masterlist part 1 part 2 part 3 part 4 part 5

Azriel, secretly juggling his responsibilities and personal life, maintains a hidden relationship with YN, who works at a pleasure house in the Hewn City. She was his light, his love, his passion. Yet being his darkest secret is a hard role because life in the Hewn as a young female isn't the easiest as the two of you hold an even dark secret yet to be told...

Pairing: Azriel x reader

This series contains mature themes: Explicit depictions of violence, including physical and emotional. Themes of secrecy. Descriptions of difficult relationships, including strained familial and romantic dynamics. Mature sexual content. Themes of power, control, and manipulation within complex interpersonal relationships. Discussions of parenthood and the challenges associated with it, including postpartum experiences.

The morning sun filtered through the thin curtains of their apartment, casting a warm, golden hue across the room. The soft light highlighted the simple, yet cozy space they had made their own—a sanctuary that was their little world, hidden from the eyes of everyone else. Knox was still asleep in his crib, his tiny chest rising and falling in a steady rhythm, blissfully unaware of the tension building between his parents.

YN stood near the window, her back turned to Azriel, arms crossed over her chest. Her posture was stiff, her shoulders tense as she stared out at the city, her reflection barely visible in the glass. Azriel could feel the frustration radiating off her in waves, and he knew that this conversation was inevitable. He just hadn’t expected it to happen so soon.

He had taken the week off, needing to be with his family, needing to be with her. After overhearing Cassian and Mor talk about their little spying expedition on YN, he had made the decision quickly, without hesitation. But now, as he watched YN’s back, he wondered if he had acted too impulsively.

“Why did you do it, Azriel?” YN’s voice broke the silence, cutting through the stillness of the morning. It was calm, but there was an edge to it—one that Azriel recognized all too well. She was holding back, trying to keep her emotions in check, but he knew she was upset. “Why did you take the week off?”

Azriel let out a slow breath, his wings rustling slightly as he stepped closer to her. “I wanted to be here with you and Knox,” he answered, keeping his voice steady. “After everything that’s happened, I thought you could use the support. I wanted to make sure you both were safe.”

She turned around to face him, her eyes flashing with a mix of anger and something else—something that looked a lot like hurt. “Safe?” she repeated, her tone incredulous. “Azriel, we’re not in immediate danger. You’re acting like I can’t take care of myself and our son without you hovering over us.”

“That’s not what I’m doing,” Azriel replied quickly, though he knew that wasn’t entirely true. He was protective—maybe too protective, especially now that their lives were more complicated than ever. He crossed the distance between them, his hands reaching out to take hers, but she stepped back, putting more space between them.

“Isn’t it?” she shot back, her voice rising slightly. “You’re here because you don’t trust me to handle things on my own. You’re here because you think you need to shield us from everything—even from your own family. But Azriel, I can’t live like this. We can’t live like this, constantly looking over our shoulders, constantly hiding.”

Her words hit him hard, and he knew she was right. But it didn’t change the fact that he felt this deep, unrelenting need to protect her, to protect Knox, to be there every moment in case something went wrong. The thought of losing them—of anything happening to them—was more than he could bear.

“YN, I’m not trying to smother you,” he said, his voice softer now, tinged with the desperation he felt. “I just… I need to be sure. After what happened yesterday, after knowing they were watching you—I can’t just leave you both alone and hope everything will be fine.”

Her eyes softened slightly at his words, the anger ebbing away, replaced by a sadness that made Azriel’s heart ache. She took a deep breath, closing her eyes for a moment as if trying to gather her thoughts before she spoke again.

“Azriel,” she said more gently, “I understand why you feel the way you do. I do. But this… this isn’t sustainable. We can’t keep living in fear, can’t keep reacting to what might happen. We need to trust each other, trust that we can handle things—even when you’re not here.”

Azriel’s shoulders sagged slightly, the weight of her words pressing down on him. He knew she was right, but it was so hard to let go of that instinct, the one that told him he needed to be there every moment to protect them. He had been living on the edge for so long, constantly aware of the dangers lurking in the shadows, that he didn’t know how to step back and just… breathe.

“I do trust you,” he said finally, his voice rough with emotion. “I trust you more than anyone, YN. But I’ve spent centuries living in a world where letting your guard down, even for a moment, can cost you everything. I’m sorry if I’m overbearing—I just can’t lose you. I can’t lose our son.”

YN’s expression softened further, the tension in her posture easing slightly as she stepped closer to him. She reached out, her hand resting against his chest, right over his heart. “You won’t lose us,” she said firmly, looking up at him with a gaze full of determination. “But you have to let us live, Azriel. We can’t keep hiding in the shadows like this. I need you to believe that we can handle this—together.”

Azriel closed his eyes, leaning into her touch as he absorbed her words. She was right, of course. YN had always been strong, far stronger than he sometimes gave her credit for. And Knox—he was still so small, but Azriel knew his son would grow up to be just as strong. They didn’t need him to shield them from the world; they needed him to stand beside them, to be their partner, not their protector.

“I’m sorry,” he whispered, opening his eyes to meet hers. “I’ll try to do better. I promise.”

She smiled at him then, a small but genuine smile that made the tightness in his chest ease just a little. “That’s all I ask,” she said softly, her hand moving up to cup his cheek. “We’re in this together, Azriel. Always.”

He leaned down, pressing a kiss to her forehead, the simple act grounding him, reminding him of what truly mattered. “Always,” he echoed, his voice filled with a quiet resolve.

They stood there for a moment, wrapped in each other’s presence, the tension between them slowly dissipating. Outside, the sun continued to rise, bathing the room in warmth and light, as if to remind them that there was still hope, still a future to be had, as long as they faced it together.

In the crib beside them, Knox let out a small whimper, his tiny wings fluttering as he stirred from his sleep. YN pulled back from Azriel with a soft laugh, her eyes sparkling with affection as she turned to their son. “Looks like someone’s awake,” she murmured, moving over to the crib to pick Knox up.

Azriel watched her, his heart swelling with love as she cradled their son in her arms. Knox blinked up at her, his small mouth forming a perfect little ‘O’ as he looked between his parents. Azriel stepped closer, wrapping an arm around YN’s waist as he leaned down to press a gentle kiss to Knox’s head.

“We’ll be okay,” YN said quietly, more to herself than to him, as she rocked Knox gently in her arms. But Azriel heard the conviction in her voice, the belief that they would find a way through this—together. And for the first time in a long while, he allowed himself to believe it too.

---

River House was alive with activity as the Inner Circle gathered in the spacious sitting room. Sunlight streamed through the high windows, casting warm pools of light across the room’s plush furniture. Cassian was sprawled in one of the armchairs, his wings half-draped over the sides, while Rhys sat opposite him, leaning casually against the backrest of a couch. Mor and Feyre were nearby, quietly sipping their tea, and Amren was perched on the window sill, her sharp eyes watching everyone with mild disinterest.

As usual, the meeting started casually, with updates on Velaris, news from the courts, and the usual banter. But something was different this morning, an undercurrent of curiosity running through the group. Azriel’s absence was becoming more noticeable, especially given his sudden declaration of taking a week off—a rare occurrence.

"So, does anyone else find it weird that Azriel's taking a week off?" Cassian said, breaking the silence. He shifted in his seat, his brow furrowed with a mix of concern and confusion. “I can’t remember the last time that happened. Not without a reason.”

Rhys’s violet eyes flickered with amusement, but there was a hint of curiosity as well. "It’s not like him," he admitted, his voice smooth. "Azriel rarely takes time for himself. He’s always working, always looking for the next mission or lead. But a whole week off? That’s new."

Mor nodded in agreement, her lips quirking in a small smile. “Maybe he finally realized he needs a break,” she said with a light laugh. “Even shadowsingers need to recharge once in a while.”

Feyre glanced at Rhys, her brow arched in thought. "He didn't seem like anything was wrong the last time I saw him. Do you think something’s going on that he’s not telling us?"

Cassian sat up straighter, rubbing a hand across the back of his neck. “I wouldn’t be surprised. You know how secretive he can be. But a whole week off? Something doesn’t add up.”

"Maybe he met someone," Mor suggested, her eyes gleaming mischievously. “Maybe there’s a secret lover involved, and he’s just been keeping it from us.”

At that, Cassian snorted, his wings shifting behind him as he chuckled. "Azriel? Keeping a secret lover from us? That sounds about right, actually. He’s good at hiding things.”

Rhys tilted his head, a slight frown creasing his brow. “He’s been acting strange lately. Not just with the time off, but before that too. More secretive than usual. And those late-night disappearances…”

Feyre leaned forward, her curiosity piqued. “Do you think he’s hiding something serious?”

Rhys let out a thoughtful hum, his fingers drumming lightly on the armrest of the couch. “Could be. Azriel’s not one to share things unless it’s absolutely necessary. If something’s bothering him, he’ll bury it deep.”

Mor crossed her arms, glancing between Rhys and Cassian. “Do you think it has to do with the place we went to in the Hewn City? The woman—YN—she seemed close to him. Could it be related?”

Rhys’s eyes darkened for a moment, as if recalling the encounter at the pleasure house. “Possibly. He did seem more… comfortable there than usual. And she did say something about going back after maternity leave. Perhaps Azriel’s more involved in her life than we thought.”

Cassian shifted, his expression turning more serious. "You think he's involved with her?"

"It’s possible," Rhys said slowly. "But Azriel’s careful. If he’s keeping something from us, it’s for a reason."

Amren, who had been silently observing the conversation, finally spoke, her voice dry and laced with boredom. “Whatever it is, he’ll tell you when he’s ready. No point in speculating about his private life.”

Mor glanced at Amren, then back at the others. “Still, it wouldn’t hurt to keep an eye on things. If he’s tangled up in something, we should know. Especially if it affects us or the missions we’re planning.”

Rhys gave a slow nod, his gaze flicking toward the window as if he were already piecing things together in his mind. “Agreed. But we give him space. Azriel’s earned that much.”

Cassian leaned back in his chair, his eyes thoughtful. “Yeah, but if he disappears again, I’m dragging him back here myself.”

The group shared a small laugh, but the lingering tension remained. Azriel’s absence weighed on them more than they were willing to admit, and the mystery of his sudden break gnawed at their collective curiosity.

As the conversation lulled, Rhys’s gaze turned distant, his thoughts clearly elsewhere. He could sense there was more to this story than what met the eye. Something was going on with Azriel—something deeper than just taking time off.

But for now, they would wait. And watch.

---

YN walked into the pleasure home, the familiar scent of incense and low hum of conversation filling the air. She had grown accustomed to the atmosphere over the years—the darkened rooms, the hushed voices, the hidden glances exchanged between patrons and the workers. Tonight, though, something felt different. Her nerves were on edge, her mind still unsettled by the feeling that she was being watched the other day at the market.

As she adjusted her black silk dress, ensuring it clung to her in all the right places, she pushed those thoughts aside. She had work to do, and there was no room for distractions. She glanced around the room, scanning the faces of the patrons lounging in their seats, drinks in hand and their eyes on the stage where the night's entertainment had just begun.

And then she saw them.

At one of the booths near the back, sitting comfortably as if they belonged, were Rhysand and Cassian. But this time, they weren’t alone. Their partners, Nesta and Feyre, were with them. The sight of the group made YN pause for a split second, her breath catching in her throat as recognition hit her. It was them—she had felt their presence before. They were the ones who had been following her at the market just the day before.

She played it cool, forcing a neutral expression onto her face as she straightened her posture. Whatever they were doing here, she wasn’t going to let them know that she had figured it out. She was already too involved in the tangled mess of Azriel’s secrets, and the last thing she needed was to attract more attention from his friends. Especially Feyre and Nesta. If they even had the faintest idea about her connection to Azriel, things could go downhill fast.

With a calm smile plastered on her face, she made her way toward their table. Her heart raced beneath her composed exterior, but she kept her movements steady, her steps measured and graceful as she approached the group.

"Good evening," YN greeted them, her voice smooth and professional as she came to a stop by their table. "What can I get for you tonight?"

Rhysand, ever the picture of charm and elegance, offered her a polite smile. His violet eyes met hers briefly, but there was a flicker of something beneath the surface—curiosity, perhaps, or maybe suspicion. Cassian leaned back in his chair, his arm draped casually over Nesta’s shoulders, while Feyre, sitting next to Rhys, regarded YN with an air of quiet observation.

“We’ll start with a round of drinks,” Rhys said, his tone casual, but YN could feel the weight of his gaze on her, as if he were sizing her up. “Something strong.”

YN nodded, jotting down the order even though she didn’t need to. She had memorized the menu long ago. “I’ll be right back with that.”

She turned on her heel and walked away, her mind racing as she made her way to the bar. It was no coincidence that they were here again, especially after what happened at the market. Rhys and Cassian had come to the pleasure home with Azriel once before, and now this was their third visit in such a short time. It couldn’t be a casual night out—it had to be something more.

Harvey, her bartender friend, raised an eyebrow as she approached. "You okay?" he asked quietly, noticing the tension in her shoulders.

YN forced a smile, shaking her head slightly. "Fine. Just...unexpected company," she muttered as she handed him the drink order. Her mind was spinning with questions, but she knew better than to discuss anything in the open.

As Harvey prepared the drinks, YN leaned against the bar, trying to steady herself. She had to stay calm, keep up the act. If Rhysand and the others were here for information, she couldn’t afford to give anything away. Not about herself, not about Azriel. Not about Knox. They still had no idea about her and Azriel, and she intended to keep it that way.

After a few minutes, Harvey slid the tray of drinks toward her, and YN lifted it carefully, balancing it in her hands as she returned to the table. She felt their eyes on her as she approached, but she kept her expression neutral, her smile practiced and professional.

"Here you go," she said, setting the drinks down in front of them. She noticed how Feyre’s eyes lingered on her for a moment longer than necessary, as if trying to place her.

"Thanks," Cassian said, his voice gruff but polite. Nesta glanced up at YN briefly before turning her attention back to her drink, uninterested in the small talk.

As YN set the last glass down in front of Rhys, she caught his gaze again. His expression was calm, unreadable, but she could sense the questions lurking beneath the surface. She had been in enough rooms with men like him to know when someone was trying to figure out a puzzle—and tonight, she was the puzzle.

Before anyone could say anything further, YN gave them a small nod and turned to leave, her pulse quickening as she walked away. She had to be careful now. Whatever game they were playing, she was already too deep in it. And with Azriel out on his week off, the last thing she needed was for his inner circle to find out about Knox—or their relationship.

As she walked back toward the bar, she allowed herself a moment to breathe. They were watching her, but she had survived worse. She just had to keep her head down, play her part, and hope that they wouldn’t dig too deep.

But the nagging thought wouldn’t leave her: Why were they here again? And what, exactly, were they hoping to find out?

YN stepped through the door of their small apartment, her body aching from the weight of the day. Exhaustion clung to her like a second skin, and her mind raced with endless thoughts—who had been spying on her, why the Inner Circle kept showing up, and what it all meant for her and Azriel. She had kept her cool at the pleasure house, but the constant pressure of pretending everything was normal while being watched was wearing her down.

The familiar warmth of home wrapped around her as she shut the door quietly behind her, but the tension in her body refused to ease. She dropped her bag on the floor, her gaze flicking to the couch where Azriel sat, barefoot and bare-chested, with only a pair of loose sweatpants hanging low on his hips. He was leaning back, a book resting in his hands, though the moment she entered, his golden-brown eyes were on her, sensing her frustration without needing to ask.

“Rough night?” Azriel asked softly, his voice a low rumble that sent a shiver down her spine. He closed the book and set it aside, his attention fully on her.

YN gave a small nod, too tired to speak. The weight of everything pressed down on her, making her feel like she could collapse right there in the doorway. Her shoulders slumped, and Azriel immediately got up, moving toward her with a fluid grace that belied the exhaustion she knew he carried too.

He reached for her gently, his hands sliding under her shirt, lifting it over her head in one smooth motion. The cool air hit her skin, but it wasn’t the chill that made her shiver. It was the way Azriel’s hands worked with such care, as though she were made of something fragile, even though he knew better than anyone that she wasn’t.

When he unclasped her bra and slid it off her shoulders, YN let out a long, shaky breath. Azriel’s presence was grounding, his hands firm yet tender as he guided her to the couch. He sat down first, pulling her with him until she was lying against his chest, her legs draped over his as she settled into his warmth. The steady rise and fall of his breathing was the only sound in the room for a moment, and YN could feel some of the tension in her body begin to melt away.

But she still felt overwhelmed—by the spying, by the uncertainty, by the weight of the past few days.

Azriel knew. He always did. His calloused hands moved to the scars on her back, the ridged lines that traced where her wings had been brutally clipped when she was only nine years old. It had been a trauma that never left her, not in all the years since. Even though she had healed, those scars still carried memories she couldn’t shake. And Azriel knew how much they haunted her.

His fingers brushed lightly over the scars, tracing the familiar pattern as he began to massage the tense muscles beneath. The pressure was just enough to ease the knots that had formed in her back, and YN couldn’t help the soft sigh that escaped her lips. He always knew how to take the pain away—both the physical and the emotional.

"Talk to me," Azriel murmured, his voice a quiet invitation. "What happened?"

YN closed her eyes, letting the warmth of his body and the soothing motions of his hands carry her for a moment. “I think they’re watching me,” she whispered, her voice barely audible. “I recognized Rhys and Cassian at the pleasure house tonight, and... they’ve been following me. I know it.”

Azriel’s hands paused briefly before continuing their gentle rhythm. He didn’t ask who “they” were—he didn’t need to. He had already suspected the Inner Circle’s involvement, though hearing it confirmed made his chest tighten.

“I’ll take care of it,” he promised quietly, his voice steady and unwavering. “You don’t have to worry about them.”

But that wasn’t the only thing gnawing at YN. There was more—the weight of being watched, the fear that their secret might be exposed. The fear that her past, her clipped wings, her life at the pleasure house, and everything she had built with Azriel and Knox would come crashing down.

“They don’t know about us, about Knox,” YN continued, her voice trembling slightly as she curled in closer to Azriel. “But if they keep following me... I’m scared they’ll find out.”

Azriel’s arms tightened around her, pulling her flush against his chest. His lips pressed a soft kiss to the top of her head, a silent reassurance. “They won’t,” he murmured, his breath warm against her hair. “I won’t let anything happen to you or Knox. You’re both safe.”

YN buried her face against his chest, the steady beat of his heart calming the storm inside her. She believed him—she always did. Azriel had been her anchor, her protector, the one person who had stood by her when no one else would. But even with his promises, the weight of everything still felt like too much.

His hands continued to work at the knots in her back, his fingers gentle yet firm, easing the tension from her muscles. YN let out a shaky breath, feeling her body slowly relax under his touch. She closed her eyes, allowing herself to sink deeper into the safety of Azriel’s arms, the familiar scent of him wrapping around her like a cocoon.

For a few moments, it was just them—their shared silence, the unspoken bond between them. Azriel’s hands never stopped moving, soothing the aches and pains that had built up inside her. His presence was her sanctuary, the one place she felt truly at peace.

And for now, that was enough.

Let me know if you'd wish to be tagged! Comments and reblogs are really appreciated!

There's three more chapters left and I think I might make a sequel but not with the mmc you think it is.... But the drama unfolds in the next chapter

[distort-opia]

*bursts through your window at 4AM wearing bloodied Hamlet costume* Hey Tort beloved i got you a whole chicken and an egg for breakfast:

Batman VS. Bruce Wayne— which one, in your opinion, is the person and which one is the persona? Realistically, when hell breaks loose on a good god abiding gotham day, which one could Bruce lose and still have his identity remain somewhat intact? I know different comics and media take complete separate parts of him as what makes him, but which one do you think makes Bruce Wayne who he is at heart?

Hi! You're not the first person to ask, so I'll put these two together. Thank you for the hearty breakfast and please accept these cakes as apology for how delayed this answer is (you and Anon both).

To be honest, I consider the question of "which one is real, which one is fake" as a bit overdone... and needlessly complicated. Especially because many times when people bring up the debate, they're thinking of "Brucie Wayne" and "Batman", with arguments of Batman being the real personality seemingly always correct and almost obvious. This oversimplifies things, because there's "Brucie Wayne", there's Batman, and then there's just Bruce.

Is the persona of "Brucie Wayne", the ditzy womanizing playboy with half a braincell, fake? Yes, absolutely. That one's a mask which serves the purpose of hiding the existence of Batman. But is that the same as Bruce Wayne, the man we see joke around with Alfred in the Cave, interact honestly with Dick and the Family and Talia and Selina and so many others-- the human underneath Batman? No, it isn't. That Bruce Wayne is very real. And Batman is not a separate persona or a mask, it's just another facet of the same person, borne out of Bruce Wayne's trauma. Batman is so many things... a coping mechanism, a way to commit suicide, the fantasy of who Bruce would like to be; but he's got roots within Bruce to such a fundamental extent that calling him a mask, or a persona, feels wrong to me. Batman is both the worst and the best of Bruce Wayne. There's no separating them... no matter how badly Bruce would like to make it that way.

Because Bruce has struggled (and still does) a lot, both with admitting to himself that there's more to him than the existence of Batman, and with maintaining a balance between the many personas he wears. "Batman is the real one, Bruce Wayne is fake" is something Bruce desperately wanted to believe and make real himself, in multiple stories. This is where this long-standing fandom belief probably stems from: from Bruce having convinced himself that "Bruce Wayne" is dead, and that there isn't anything left to him but Batman. Hell, Bruce has literally tried to "kill" Bruce Wayne and only be Batman in Bruce Wayne, Murderer? and Bruce Wayne, Fugitive; this is probably the story arc that dealt with this divide in Bruce's psyche in the most depth, I absolutely recommend giving it a read.

However, the more important thing is the why. Why this constant struggle? And it's a simple reason... maintaining ties to his humanity versus giving himself over entirely to the Vow. Batman was forged out of Bruce's pain, and is a response to loss. Batman is how Bruce channels his emotions into purpose. Batman will always want to never go through the loss of loved ones again, and the simplest solution to that is to never care again. Never have romantic relationships, maintain a distance from all the people in his life. But humans can't live like that. Bruce can't live like that, he needs grounding by the many relationships he does have, despite how much the side of him that's Batman pulls in the other direction. That's why Bruce Wayne, Fugitive ends like this:

And the thing is, we keep having the same story, over and over. Bruce nearly being consumed by Batman, and then finding his way back, most of the time with the help of his Family.

Here's another instance:

Batman: Legends of the Dark Knight #140

And another one, which so beautifully illustrates how Batman and Bruce Wayne are the same, but also how Batman contains a suicidal and self-destructive side of Bruce too:

Batman: Ego

(Lol. Yeah this is your life, man.)

But you could find an equal number of examples in which Bruce declares that "Bruce Wayne" is useless and disposable, and that Batman is the only thing that matters (e.g., Robin 1993 #125). Because again, this is comics. There's no finality in sight, no traditional ending that everything we read is heading towards. Bruce will keep doing this dance, will keep having to learn how to balance these two sides of himself. Most recently this happened in Zdarsky's Batman run, with the conflict between Bruce and the Batman of Zur-en-Arrh... but don't even get me started on that utter disappointment.

Actually though, @psalmsofpsychosis, this part of your question is quite interesting: "Realistically, when hell breaks loose on a good god abiding gotham day, which one could Bruce lose and still have his identity remain somewhat intact?" Because there have been times of crisis in which this has happened, in comics. And what Bruce did is probably not what you'd expect. This answer got long enough though, so I'm putting the rest under the cut.

Bruce has gone through a lot. There's been many catastrophic-level events he's dealt with. And at first glance, you'd think that he'd consistently fall back on Batman, if that's who he "really" is. But when his will genuinely breaks, that isn't what always happens. In Batman: Cult, a story that takes place towards the end of Bruce's first decade as Batman, after Jason became Robin, shows that Bruce can give up:

Batman: The Cult

Bruce abandons Gotham, and with it, Batman. Obviously, he eventually comes back. But it had to be Jason dragging him around for half this issue just to make him fight, just to make him function. (Much earlier than this, in Going Sane, he also considered just leaving Batman behind. But that story is deeply intertwined with Joker's identity as much as his, so I'm just mentioning it.)

And then Barbara gets shot, Jason dies, Bane goes after Batman in the Knightfall arc... it's just one thing after the other for the poor guy. Knightfall and its continuations are very extensive and many things happen, but after Bruce's spine is broken, he leaves Jean-Paul Valley in the role of Batman. And even after Bruce's injuries get healed, making a previously proclaimed goal of becoming Batman again much easier, he tells Tim that he doesn't want to come back. That he wants to stay retired, and "rejoin humanity":

Batman: Knightquest

Tim has to tell him of a crime that Azrael as Batman did, which is impossible to ignore... and Bruce has to confront Jean-Paul and see the truth of him having gone mad himself, before he decides to retrain and "become worthy" of his Batman identity once more.

Then, in a much bigger and well-known storyline that follows the Cataclysm event, Batman disappears for months. No Man's Land starts with a world in which Bruce has been away in Monaco trying to be someone else, instead of in Gotham, being Batman and taking control of the wrecked city which had been abandoned by all. Oh he comes back, but still...

No Man's Land: Ground Zero

So. Batman isn't his "real" identity, it isn't the core of him. Many times, he's wanted to run away and leave Batman behind, just like in some stories he was ready to completely destroy the "Bruce Wayne" identity and only be Batman. But in times of crisis, he repeatedly tried to leave and find happiness outside of Gotham and carrying the mantle of Batman... without succeeding.

Sometimes, Bruce hates Batman, and tries to run away. And other times, Batman hates Bruce, and tries to destroy him. It's a constant give-and-take, and neither facet of him has managed to succeed so far, because Bruce is Batman. There's no one without the other.

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[possessed-nia]

me: well yeah i like kissing you after you smoke a cig can't do anything about it my bf: damn, you are weird, people usually hate that me: *:･ﾟ✧o(〃＾▽＾〃)o*:･ﾟ✧

[camgoloud]

he still has his tonsils. by the way if you even care

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[rawliverandgoronspice]

.

not sure it's my post to make particularly, but I do fucking hate how the concept of white guilt gets weaponized within white people ingroups to throw at each other in order to goad each other into emotional passivity, detachement and inaction, it's just so extremely not what the concept is about initially and is actually still an extension of white guilt it turns out!!! as it's still reacting to that idea and concerned by trying to sever oneself from its perceived effects, regardless of what those are and what they do and what bigger picture they exist in!!!! anyway.

[whomturgled]

i have so many feelings and i hate it

[sick-as-a-dog]

×

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[in-class-daydreams]

Imagine ex-husband Gojo doing things for his new love interests that you begged him for while you were married.

After a joint meeting between the sister schools, you overheard Suguru asking him who he was texting during the meeting.

Satoru replied, "Just letting my date know I'll be a bit late tonight since we ran long here. Todo can yap, huh?"

"Seriously!" Their voices faded as they walked down the hall.

You stood just outside the meeting room watching the corner the disappeared around. If you had to pinpoint the number one reason your marriage failed - more than clan pressure, more than the strain of being young parents, more than back to back to back missions - it would be the fact that Satoru can't communicate for shit.

Part of it wasn't his fault. His brain just didn't work like that. An inconvenient side effect of limitless is that everything makes sense in your head, but it's hard for a person with the gift to explain their thoughts to others.

So the no-call, no-shows to dinners was technically a side effect of limitless, as was his inability to articulate his feelings like an adult or the fact that he would just do things without even telling you there was a problem in the first place.

"Quit doing that with your face, brat." Sukuna emerges from the meeting room. He's out of his Ryomen form at the moment, as he usually is during meetings so that he can actually fit in his chair. "How long are you gonna let what he does affect you?"

"It doesn't!" you insist.

Sukuna rolls his eyes. "If that helps you sleep at night."

Imagine reminding yourself that you can't be mad at him.

You're seeing other people now, too. Hell, you've been divorced for over a decade, it's insanity that you care at all.

It's just. You never doubted his love for you. Not for a second, not even now that your marriage failed and you largely raised your son on your own.

"Mom?"

Maybe your divorce was his motivation to be better. You're not sure. But if he's capable of change, capable of being attentive and communicative, why couldn't he change for you all those years ago?

"Mom."

Could it be that you were his childhood companion and he loved you, but he was never in love with you? Was his love for you less than your love for him?

You hardly notice your son calling out to you until he springs into action. "Mom!" Sen nudges you away from the stove to turn of the burner. When did smoke fill the kitchen? The roux you were trying to make was burnt to a crisp, stuck to the pan and emanating an unpleasant smell.

Sen gently pries your hands off the handle and drops the ruined pan in the sink to soak. Then he makes sure the burner's off before turning to you with a conflicted expression.

He may have inherited a hybrid of both your and Satoru's personal brands of emotional stuntedness, but he could put two and two together between how distracted you've been and the rumors of Satoru dating again - What with it being huge news among jujutsu society (aka power hungry clans with eligible daughters.) Your son had his own complicated feelings regarding his father and as much as he'd prefer Satoru stay away from you, it hurt him to see you like this.

Though, watching you try to keep a stiff upper lip for his sake during the divorce is the reason he doesn't want his father anywhere near you.

"I'm sorry, sweetheart." You wipe your hands on a dish towel. "I wasn't paying attention. Hang tight while I make you something else."

He could kill Satoru right now. But you wouldn't like that, so he won't.

"Mama, I--" He shuts his mouth. You've been protecting him from the details of the divorce his whole life. What did he know about comforting you? But while he may not have been able to protect you then, he can sure as hell try now.

"Mama, why don't I take you out to dinner? My treat."

Imagine that Sen decides he needs to stop having ideas.

He brought you to a local okonomiyaki that you've been going to since he was little to the point where the owners knew you well and liked to give you little extras from the kitchen. Today's treat was a side of pickled radish.

It was your happy little hideaway. Away from jujutsu and clans and curses and your broken home.

Sen insisted on cooking the okonomiyaki for you, saying that, "My treats means I'll take care of everything!" The weak smile you gave him made his heart soar.

You giggle while he jokes around and tells you about school like how Hikari fell asleep for 45 minutes out of an hour long test and still got a better score than him. Hearing about your son and his happy school days always made you feel better.

Sen was ready to give himself a pat on the back for cheering you up when he hears the front bell jungle and a woman's laughter carries over.

"Fancy places are like that, though!" the woman laughs. "They give a bite of food per plate."

Then a familiar voice replies, "Yeah, but it was good, wasn't it? And now we get to fill up at a cute place like this."

Even though he's the one facing the door and not you, the look on your face tells Sen all he needs to know. What breaks his heart is that you've sunk lower into your seat to make yourself smaller.

Sen could kill his father right now.

Hooray, angst!

Click [here] to keep up with ex-husband Gojo and his estranged family | Ask stuff about Sen and the fam [here]

[pucksandpower]

Changing Lanes

Charles Leclerc x Horner!Reader

Summary: Charles Leclerc always thought he would spend the rest of his career racing in red. But you make him see that he deserves better than false promises and unrequited love

“Took you long enough,” you say, lounging casually on the small leather couch in Charles’ driver’s room, your fingertips tracing intricate patterns on the cushion beside you.

Charles raises an eyebrow, letting out a dry laugh as he kicks off his shoes. “Every single time I see you, Y/N, you always have something to say.”

You linger on him. “Is it my fault you had to chat with the entire paddock before coming here?”

He smirks, crossing the room. “It’s called being polite. Something you could learn from.”

“Polite?” You scoff, feigning innocence. “Oh, like how Ferrari celebrated that P3 like it was a win? That kind of polite?”

Charles stiffens but he keeps his cool. “We take what we can get.”

You tilt your head, eyes narrowing. “Starting on pole and settling for P3? Charles, you deserve better.”

“I know,” he sighs, avoiding your gaze. “But this is racing. Sometimes it just doesn’t go your way.”

You lean in closer, your voice dropping an octave. “It could, though. If you were with a team that actually valued you, that gave you a car worthy of your talent.”

He looks up, meeting your gaze with a challenge. “You mean Red Bull?”

A coy smile plays on your lips. “It’s not a secret that Dad wants you. And imagine … you, in a competitive car, and me, right by your side as your race engineer.”

Charles’ eyes dart to your lips then back up to your eyes. “Tempting,” he murmurs, leaning in just a fraction closer. “But is this for the team or for you?”

“Can’t it be both?” You whisper back.

His breath hitches and he pulls back slightly. “This isn’t just about racing, is it?”

You hesitate. “I see how they treat you. How they let you down time and time again. But with us ... with me ... it would be different.”

He looks conflicted. “It’s not that simple.”

“Why not?” You press. “With Red Bull, you’d have support, a competitive car, and … me.”

Charles sighs, running a hand through his hair. “It’s not just about what happens on track. It’s about the politics, the contracts, the media ... it’s all complicated.”

“You make it sound like an impossible puzzle,” you say, tracing circles on his wrist. You gaze locks with his, trying to convey everything you feel.

“It might be.”

You lean in, lips just inches from his. “Then let’s solve it together.”

He hesitates, searching your eyes. “You’re playing a dangerous game, Y/N.”

You smirk, confidence oozing from every pore. “Isn’t that what racing’s all about?”

Charles chuckles softly, the tension in the room slowly melting away. “You always have an answer for everything.”

“It’s the Horner in me,” you retort with a smug smile. “Besides, aren’t you tired of being just another pawn in Ferrari’s game?”

“It’s not easy. To just switch teams, to give up on something you’ve worked for your entire life.”

You reach up, tucking a stray lock of hair behind his ear. “Who says you’re giving up? You’d be making a choice. A choice to be somewhere you’re valued. Somewhere you have a real shot at the championship. With people who truly care about you and actions that reflect that.”

He closes his eyes for a moment, taking a deep breath. “It’s not just about the racing. There are so many other factors.”

“Like what?”

He opens his eyes, meeting yours. “Like us.”

You blink, taken aback. “What do you mean?”

“If I come to Red Bull … if I work with you … it changes everything. Our relationship. Our dynamic. Everything.”

You take a moment, absorbing his words. “We can handle it. We’re strong enough.”

He gives you a sad smile. “I wish I had your confidence.”

You cup his cheek, your thumb stroking his skin. “You have me. Together, we can face anything.”

Charles looks at you for a long moment, his emotions raw and exposed. Finally, he speaks. “I’ll think about it. But whatever I decide … know that it’s not just about racing. I refuse to give you up.”

“Just promise me one thing.”

He raises an eyebrow. “What?”

You lean in, your lips brushing his ear. “Never settle for less than you deserve.”

He smiles, capturing your lips in a soft, lingering kiss. “Same goes for you, Y/N Horner.”

***

“I still can’t believe they forgot to remove the radiator blank,” you murmur, your fingers softly tracing patterns on Charles’ bare chest as he lies next to you in his São Paulo hotel. The dim light from the bedside lamp paints soft shadows on his face, emphasizing the frustration in his eyes.

Charles sighs heavily, turning his head to look at you. “Neither can I. Another race, another issue. I don’t even know why I’m surprised anymore.”

You lean in closer, lips brushing against his ear. “You don’t deserve this, Charles. You’re better than this. Better than them.”

He chuckles humorlessly, eyes closing. “It seems like it’s one thing after another.”

“Come to Red Bull,” you whisper, fingertips dancing down his arm. “You know it’s the right move.”

He opens his eyes, looking deep into yours. “Y/N, we talked about this.”

You press a gentle kiss on his jaw, speaking against his skin. “Hear me out. If McLaren overtakes Ferrari in the Constructors’ standings, you can activate your exit clause. You could leave them, Charles.”

Charles swallows hard, feeling the warmth of your breath on his neck. “And if they don’t?”

“Then we’ll buy you out,” you say confidently, trailing kisses down his collarbone. “Dad’s already spoken about it. We want you. I want you.”

Charles’ breath catches as your hands explore his torso but he tries to focus. “Equal status with Max?”

“Of course,” you assure him, pressing your body flush against his. “You and Max, racing side by side. Just think of the possibilities.”

He groans, both from your touch and the tempting offer. “A car designed by Adrian Newey ...”

You nod, “With plenty of oversteer, just how you like it. No more one-sided compromises.”

He laughs softly. “You’ve thought of everything, haven’t you?”

You smirk, lips hovering over his. “Always. And instead of Xavi, you’d hear my voice on the other end of the radio, guiding you, supporting you.”

Charles captures your lips with his, deepening the kiss before pulling back. “You’re making it very hard to think.”

“That’s the point,” you whisper with a playful grin, your hands tugging at his waistband.

He bites his lip, trying to resist your charms. “But Y/N ... it’s not just about the racing. It’s ... it’s us. What happens to us?”

You cup his cheek, gazing deep into his eyes. “We fight together, we win together. Every podium, every championship, we celebrate together.”

He closes his eyes, taking a deep breath. “You make it sound so perfect.”

“It can be,” you promise, pressing soft kisses on his eyelids. “With Red Bull, you’d have everything you’ve ever dreamed of. And me.”

Charles smiles, caressing your cheek. “You’re very persuasive, you know?”

You grin. “It’s one of my many talents.”

He chuckles, capturing your lips once more. “I’ll think about it.”

“Whatever you decide, I’ll still be by your side.”

He smiles, pulling you closer. “I know. And that’s what makes this decision so hard.”

***

“Absolutely unbelievable,” your father mutters, watching the replay of Ferrari’s disastrous double stack. “You would think they’ve never done a pit stop before.”

You nod, equally shocked. But your attention shifts as the familiar figure of your favorite Monegasque storms into the Red Bull garage, his helmet still on and visor obscuring his face. You can feel the fury emanating from him.

“Charles?” You question hesitantly.

He doesn’t respond to you but instead turns to your father, “Christian, can we talk? Now. Somewhere private.”

Christian looks taken aback by the intensity in Charles’ voice but nods. “Of course.”

Charles glances at you. “You too, Y/N. Please.”

You follow, the weight of the moment heavy on your shoulders. Once inside the small office, Charles finally removes his helmet, revealing eyes red from restrained tears. He takes a moment, collecting himself before he speaks.

“I can’t do this anymore,” Charles exhales. “Every single time I think they’ve hit rock bottom, they find a new low. Today was the last straw.”

You approach him, gently placing a hand on his arm. “Charles, I’m so sorry.”

Your father is equally sympathetic. “That was hard to watch. I can’t even imagine what it felt like.”

Charles closes his eyes, taking a deep breath. “It’s not just today. It’s everything. I gave them everything. I wanted to win with them. For my father. For Jules.”

You swallow hard, emotions swirling. “They would be so incredibly proud of you. No matter what.”

He blinks back tears, voice strained. “I wanted to drive that red car to the top for them. But I can’t keep sacrificing myself for a team that clearly does not value me in return.”

Your father speaks up, “Charles, if you’re thinking of a change ... Red Bull is ready to welcome you with open arms.”

Charles looks up, locking eyes with him. “I know. And as much as Ferrari has been my dream, my home, I can’t do this anymore. I want to be with a team that values me. I want to join Red Bull.”

You’re taken aback by his sudden declaration but the look in his eyes tells you that he’s made up his mind. “Charles,” you whisper, stepping closer. “Are you absolutely sure?”

“It’s hard,” he admits. “But this is where my heart is telling me to go.”

Your father gives the two of you a moment, leaving the office to give you privacy.

Charles takes a shaky breath, pulling you close. “I never imagined leaving Ferrari. But after everything, I know it’s the right decision.”

You wrap your arms around him, resting your forehead against his. “They will be so proud of you, Charles. No matter what colors you wear or what car you drive.”

He smiles weakly. “Thank you. I really needed to hear that.”

You pull back slightly, searching his eyes. “This is a big step. I don’t want you to regret anything. Are you still sure?”

He nods, determination in his gaze. “More than I’ve ever been.”

You smile, pressing a soft kiss to his lips. “Then welcome to Red Bull.”

***

“I have to tell Ferrari,” Charles straightens, determination evident in his eyes. “I just need to get it over with. Will you come with me?”

“Of course.“

Charles grabs your hand, pulling you towards his driver’s room. “Wait here,” he says, going in and returning moments later with his Ferrari jacket. He places it over your Red Bull team polo, attempting to keep your allegiance concealed for now. You both then proceed to the debrief room where the Ferrari team is waiting.

Fred Vasseur begins his speech the moment you both enter, “This wasn’t how we wanted to end the year but looking ahead to next season—”

Charles cuts him off, “Actually, there won’t be a next season. Not for me.”

The room falls into a tense silence, all eyes on the driver who has given them his heart and soul.

“What do you mean?”

Charles takes a deep breath, “I’ve decided to leave Ferrari.”

Gasps fill the room. Fred’s eyes land on you, finally noticing the Red Bull logo peeking out from under the jacket you’re borrowing. “And you bring her, of all people, here to tell us this?”

Charles squares his shoulders. “Y/N is here because I asked her to be. This decision is mine and mine alone.”

Xavi stands up, “After everything we’ve done for you! This is how you repay us?”

You can’t hold back any longer. “Everything you’ve done? You mean the countless strategy mistakes, the endless car issues, the complete lack of support?”

Another team member cuts in, “This is not your place, Y/N!”

“It is today,” you retort. “I’m here to support my new driver.”

Charles’ voice shakes but he speaks with conviction, “I gave everything for this team. I bled Ferrari red. But I can’t keep doing this. Not when it’s clear that my effort and commitment is not matched in return.”

Fred’s voice softens. “Charles, we’ve had our challenges but we can overcome them together.”

Charles shakes his head, tears threatening to spill. “I’ve made up my mind. I’m joining Red Bull. My manager will send over the necessary legal paperwork as soon as possible.”

The room is filled with murmurs, disbelief evident on every face. Charles takes one last look around, his eyes filled with pain, and turns to leave.

You follow closely, feeling the weight of every step as you exit the debrief room.

The second you’re around the corner, Charles breaks down. He rests his forehead against the wall, tears rolling down his face silently. “I didn’t ... I didn’t think it would hurt this much.”

You pull him close and try to find the right words. “It was never going to be easy. But you did what you had to. For yourself. For your future.”

He turns to look at you, eyes red-rimmed but determined. “I just wanted to make them proud.”

You cup his cheek, wiping away a tear with your thumb. “They would be proud of you. Not for the badge you wear or the car you drive but for the man you’ve become.”

Charles takes a shaky breath, pulling you into a tight embrace. The two of you stand there for a moment, finding solace in each other’s presence.

When he finally pulls away, he manages a weak smile. “Thank you. For standing by me.”

You squeeze his hand. “Always.”

***

***

***

Charles stands in front of the massive two-story trophy wall at the Red Bull Racing factory in Milton Keynes, eyes wide with wonder. “Ferrari would never do something so ... gaudy.”

You smirk, sidling up next to him. “And yet, you love it.”

“I do,” he laughs. “It’s … different.”

You lean in, whispering conspiratorially, “Well, Ferrari hasn’t had all that much to exhibit in the last two decades. Not for lack of trying from the drivers, of course.”

He playfully nudges you with his elbow, a grin tugging at the corner of his mouth. “Cheeky.”

The two of you walk further into the factory. “So,” Charles draws out, “I was wondering if you could recommend a good real estate agent in the area.”

You raise an eyebrow in confusion. “Why would you need an agent when I have a perfectly good apartment we can share?”

“Really? Are you sure? I just … I wasn’t sure if you would want that and I don’t want to pressure you.”

You roll your eyes affectionately. “Of course I do, Charles. It’s not even a question.”

He smiles, the weight of the decision to move seeming a little lighter now. “Thank you.”

You wink, taking his hand. “Come on, let me show you around.”

As you guide him through the factory, he’s like a kid in a candy store, eyes wide with wonder and curiosity. “This place is incredible,” he murmurs, running a hand along a piece of machinery.

You grin, pulling him towards the simulator room. “Wait until you see this.”

He steps inside, eyes immediately drawn to the impressive simulator setup. “Wow.”

You gesture for him to sit down, watching as he takes a seat, adjusting the settings. “Ready for your first sim run in the RB20?”

He nods eagerly, “Let’s do it.”

As he starts the simulation, you watch closely, monitoring the data and providing feedback. The two of you work seamlessly together, the connection between race engineer and driver already forming and growing.

After several runs, Charles steps out of the simulator, a huge grin on his face. “That was incredible! The car feels amazing.”

You smile. “I’m glad you think so. The team has put a lot of work into it.”

He pulls you into a hug, burying his face in your hair. “I can’t wait to get on track with you on the other side of the radio.”

You pull back, looking into his eyes. “Me too. We’re going to do great things together. I know it.”

He nods. “I know we will too.”

***

“I have to admit,” Charles says, eyes scanning the paddock, “I’m thankful that Mercedes and McLaren are between our motorhome and Ferrari’s. Makes things less ... awkward.”

You glance towards the distant red of the mobile Ferrari building, understanding the sentiment. “Must be weird being so close and yet so far.”

He nods, a hint of melancholy in his gaze as he looks at the place he called home for so long. “It’s bittersweet.”

Pulling him from his thoughts, you nudge him playfully. “Come on, Mr. Pole-Sitter. We have a race to prep for.”

Charles smirks, playfully rolling his eyes. “Always so professional, Miss Horner.”

You grin. “Only when it counts.”

The atmosphere in the Red Bull garage is electric. Mechanics and engineers hustle around, getting everything ready. The RB20 sits gleaming, waiting for its moment to shine.

Charles adjusts his gloves, taking a deep breath. “Feels different,” he admits, looking at you. “Being here, in this car, with this team. But a good kind of different.”

You lean in, placing a reassuring hand on his arm. “You’ve got this. It’s just another race.”

He smiles. “Easy for you to say. You’re not the one in the hot seat.”

“True, but I’ll be with you every step of the way. Just listen to my voice and trust me.”

“I always do.”

As he gets into the car, you lean in closer to his helmet, your lips touching it’s hard shell. “And Charles? Stay safe out there.”

He looks at you and winks. “I’ll come back to you.”

The race begins with a burst of energy. Charles takes off from pole, holding his position as the field jockeys for placement behind him.

“Good start,” you say through the radio, your voice calm and composed. “Keep it steady.”

“Copy.”

The race is intense, with Charles and Max battling for the lead, their cars dancing on the edge of perfection. The radio chatter between the two of you flows naturally, filled with technical details, strategy adjustments, and the occasional personal quip.

“Feeling the heat from Max?” You tease after a particularly close call between the two Red Bulls.

Charles laughs breathlessly. “Just keeping things interesting for the fans.”

The race continues at a blistering pace, with Charles and Max pushing each other to the limit. But through it all, Charles remains in the lead, with you guiding him from the pit wall.

“Final lap,” you inform. “Bring it home.”

He nods, pushing the car to its limit. The cheers of the crowd grow louder as he crosses the finish line, securing his first victory with Red Bull.

“Amazing job, Charles! I knew you could do it!”

He lets out a whoop of joy. “Yes! Thank you, team. Thank you, Y/N. I couldn’t have done it without you all.”

The two of you celebrate the victory, and as the rose water sprays and the cheers of the crowd fill the air, you know that this is just the beginning of an incredible journey together.

***

“You’re sure about the medium tyres, Y/N?” Charles asks nervously as he looks at the other cars lining up. “Everyone else is starting on softs.”

You nod confidently, tapping the race strategy on your clipboard. “Yes. The upside of using the mediums is it gives us flexibility. We can extend our first stint if needed, especially with possible rain on the forecast. While everyone else has to pit early for hards and then again for inters when the rain starts, we’ll only have to pit once. Trust me.”

He inhales deeply, trying to quell the unease bubbling inside. “I do trust you. It’s just ... Ferrari ... the strategies there ...”

“I know,” you interrupt softly, understanding the trauma and distrust years with Ferrari had instilled in him. “But this isn’t Ferrari. It’s Red Bull and we work differently. I’ve got your back.”

“Alright,” he looks into your eyes, finding assurance and conviction there, “let’s do this.”

The race begins, and Charles holds his ground well on the medium tyres, though the drivers running softs initially show quicker pace. But as predicted, the clouds soon darken and the threat of rain becomes increasingly evident.

“Stay focused,” you guide through the radio. “Remember the plan.”

He pushes on, expertly handling the streets of Monaco. The cars around him begin to lose grip and one by one they dive into the pits for hard tyres.

Charles keeps lapping. He moves up the order.

“You’re doing great,” you encourage. “Stick to the plan. We’re right on schedule.”

However, as the first raindrops begin to fall, panic sets in among the other teams on the grid. Those who just pitted for hard tyres are forced to pit again for intermediate tyres, losing precious time.

“Now,” you command, “Box this lap.”

He follows your instruction, driving into the pits, and with a flawless stop by his Red Bull crew, re-emerges in the lead.

The rain continues but Charles navigates the treacherous streets of Monaco expertly, maintaining his lead. When the chequered flag waves, it’s Charles who crosses the line first and finally claims victory at his home Grand Prix.

Tears of joy and relief pour from Charles’ eyes as he takes in the moment. “Thank you,” he says over the radio, voice choked with emotion. “I can’t believe it. We did it in Monaco!”

You smile, tears in your own eyes. “We did. I told you to trust me, didn’t I?”

He laughs, the sound full of pure joy. “You did. And I’m so glad I did. Thank you for everything.”

As he steps out of the car and jumps on its nose, arms spread wide, the crowd roars in approval, their prince finally crowned in his home race.

Then he rushes to the barriers and jumps into the cheering crowd of dark blue waiting for him. When his sweaty lips find yours surrounded by the celebrating Red Bull team, you take a moment to whisper a promise, “This is just the beginning. It will only get better from here.”

***

The season flies by in a blur of champagne showers. Heading into the Italian Grand Prix, Charles find himself leading the Drivers’ Championship with Max nipping at his heels.

“I’m not sure I can do this,” Charles confesses, staring out at the Autodromo Nazionale Monza. “This was home. I don’t know how they will react now that I’m no longer wearing red.”

You rest a reassuring hand on his shoulder, squeezing gently. “Many fans support the driver, not just the color he wears.”

He takes a deep breath and looks over the crowd. “The Tifosi are different. They bleed Ferrari red. I’m afraid they will see me only as a traitor.”

“You gave them your all,” you counter. “They’ve seen the struggles. They know why you left. They understand. Trust in them and in yourself.”

As the two of you make your way towards the paddock, the familiar chorus of cheers fills the air. But instead of the jeers and boos he feared, a chant begins to rise among the crowd of red: “Charles! Charles! Charles!”

Charles stops in his tracks. “They’re ... they’re cheering for me.”

You nod, a smile playing on your lips. “Told you.”

He’s soon swarmed by a group of fans, all clamoring for autographs, photos, and just a moment of his time. It’s clear that the bond between Charles and the Tifosi remains unbroken.

An older fan steps forward, his Ferrari cap worn with age. “You are still Il Predestinato. We wish it ended differently but we have eyes. We watched the races. We know why you left. No matter what team you drive for, you always have our hearts.”

Charles blinks back tears, deeply touched. “Grazie,” he whispers and claps the fan’s weathered hands in thanks.

Another fan, a young girl with a homemade sign that reads Once a Tifosi, Always a Tifosi, shyly approaches. “We still love you, Charles,” she says.

He kneels down to give her a gentle hug. “Thank you,” he murmurs, taking off his Red Bull cap and placing it on her head.

As the day goes on, the support from the Tifosi only grows. They cheer for him during practice, during qualifying, and every time he appears in front of the stands.

It’s clear that the bond between Charles and the Tifosi is as strong as ever.

That evening, as the two of you sit in the garage looking over data, Charles reflects on his day. “I was so afraid,” he admits. “Afraid of being rejected, of losing their love. But today ... today was incredible.”

You close the analytics. “The Tifosi love you. Not because of the car you drive or the colors you wear but because of who you are. Just like I do.”

He nods slowly. “It’s overwhelming. Monza has always been special to me. To feel this level of love and support ... it’s more than I ever expected.”

You lean closer, resting your head on his shoulder. “They see your passion. They see how much you give on and off the track. Anyone who does not love and respect you for that needs to reconsider.”

He exhales slowly, “I just ... I wanted to make them proud, to win for them in red and bring glory back to Maranello. But knowing they still support me no matter what ... it means everything.”

You look up into his eyes. “And they always will. Because they know you always gave and will continue to give your best. They love you because they are loved in return.”

He laughs, pulling you into a tight hug. “Thank you,” he murmurs into your hair. “For always being my rock, especially in moments like these.”

“Now let’s go out there tomorrow and win.”

***

“Vegas, baby!” Charles shouts, swinging an arm around your shoulders, both of you holding champagne glasses that have been refilled one too many times.

You giggle, distinctly feeling all of the alcohol you’ve consumed. “We won! We did it!”

Charles laughs, pulling you closer. “We did! And do you know what people do when they’re in love and win in Vegas?”

You think about it for a moment, a mischievous glint appearing in your eyes. “Get ... married?”

Charles nods enthusiastically. “Exactly! Y/N Horner, will you marry me tonight?”

You don’t hesitate, “Hell yes!”

The two of you, in your drunken stupor, begin your mission to find a wedding chapel. However, before you can get very far, Max spots you and quickly catches on to what you’re planning.

“Whoa, whoa, whoa!” Max exclaims, grabbing Charles by the shoulder. “Where do you think you’re going with Y/N?”

Charles replies with a sloppy grin, “To make her Mrs. Leclerc!”

Max bursts into laughter, trying to play the voice of reason. “Mate, as much fun as that sounds, I think you might want to sleep on that idea.”

But you’re not having it. “No, Max! We’re in love and it’s Vegas. We’re doing it!”

Before the conversation can escalate further, your father joins the fray, looking both amused and concerned. “What on earth is going on here?”

Max chuckles, “Your daughter and Charles here have some ... ambitious plans for the evening.”

You pout and stumble slightly, “Daddy, we want to get married! Right now!”

Your father’s eyebrows shoot up. “Married? Tonight? Seriously?”

Charles nods with absolute seriousness, though his precarious swaying contradicts his tone. “Christian, I love your daughter. And we won. In Vegas. So ... wedding?”

Your father places a firm hand on his driver’s shoulder. “Listen, Charles, I have no doubt about your feelings for Y/N. But my baby girl deserves the world. When and if you ever decide to propose, I expect you to get down on one knee, stone-cold sober, and ask her properly.”

Charles blinks, processing the words. “But ... Vegas?”

You laugh and go to hug your father, almost falling over in the process. “He’s right. Let’s just enjoy tonight. And if we still feel like getting married in the morning, we can discuss it then.”

Max smirks, “Trust me, you’ll thank us in the morning. If you can even remember this conversation, that is.”

***

“Charles,” you begin, your voice echoing in his helmet, “The team has made the call. You and Max are free to race. No team orders.”

There’s a pause on the other end. “Understood. May the best man win.”

The tension in the garage skyrockets as soon as the lights go out. It’s evident that this is going to be an epic battle from the very first turn. Max and Charles swap places multiple times, pushing their cars to the very edge of their limits.

“Breathe,” you remind him calmly as the laps go by, “Don’t loose sight of the race as a whole. There’s a championship at stake.”

The entire race is a blur of overtakes, pit strategies, and nail-biting moments. The two Red Bull cars battle wheel-to-wheel lap after lap. One side of the garage against the other.

Coming into the final laps, Charles is right on Max’s tail — the championship hanging in the balance between them.

You know there’s not much you can do to guide him anymore … it’s all up to Charles.

“Last lap,” you try to sound composed despite the pounding of your heart. “You can do this.”

The cheers and gasps of the crowd are deafening as Charles makes his move, taking the inside line and overtaking Max on the penultimate turn.

“Push now! Just a few more corners.”

As Charles crosses the finish line, the enormity of the moment crashes over both of you.

“Charles Leclerc,” you scream over the radio as tears stream down your face, “you are the World Champion!”

“Yeeeesssss! Yes! Yes! I ... I can’t believe it. This is ... thank you, everyone. To the entire Red Bull team, you’ve given me the chance to chase and achieve my dreams. To my friends, my family, to every single person who’s been by my side, believed in me, and supported me … thank you. And Y/N, you’ve been my rock and my oxygen. Without you, this wouldn’t have been possible. Thank you! Thank you. Thank you so much!”

***

“Whew! That was a lot of rose water!” Charles laughs, wiping the bubbly liquid from his eyes.

You chuckle and try to wring out your hair. “You didn’t have to drench me, you know!”

Charles grins cheekily. “It’s a special occasion, after all. Both of us on this podium? It’s a dream!”

Then suddenly, he turns serious and signals to his brother in the crowd below, who throws him a small leather box. Charles catches it and promptly lowers himself down on one knee in front of you, making the crowd fall into a stunned silence.

“I tried this in Vegas,” he starts with a laugh, “But I might have been too drunk and missed a few pretty important steps.”

Charles takes a deep breath and his eyes lock onto yours, saying everything that words would never be sufficient to. “Y/N, being on this podium with you, winning the World Championship, it’s the pinnacle of my career. But what we have ... it’s the pinnacle of my life. I can’t imagine going on this journey with anyone else, facing the highs, the lows, the in-betweens. Will you marry me?”

Tears flow steadily down your cheeks and you nod with a fervor that would make bobbleheads jealous, “Yes! There’s no one else I’d want to spend forever with.”

The crowd erupts into cheers and applause, the deafening roar echoing around the Yas Marina Circuit. Max gives a loud whistle, his face lit up with a big grin next to you on the podium stage.

Charles rises to his feet and pulls you close, attacking your lips as the crowd goes wild.

“Promise me we won’t head to a chapel right after this race?” You joke, sniffling and giggling at the same time.

Charles laughs, looking slightly sheepish. “I promise, mainly because I’m too young to die and your father would definitely kill me if I even thought about pulling the stunt we tried in Vegas again. You deserve a fairytale wedding.”

You press your face against his chest, feeling the rhythm of his heartbeat as fireworks explode overhead. “All I need for my fairytale is you.”

[thewriteadviceforwriters]

Master Dialogue Writing Techniques for Engaging Fiction (For Writers)

(Beware, long post!)

As fiction writers, we all know that effective dialogue is essential for bringing our stories and characters to life. After all, the way our protagonists, antagonists, and supporting players speak to one another is one of the primary ways readers get to know them on a deep, intimate level. Dialogue reveals personality, uncovers motivation, and propels the narrative forward in a way that felt narration simply can't match.

But nailing natural, compelling dialogue is easier said than done. It's a craft that takes serious skill to master, requiring writers to have a keen ear for authentic speech patterns, a nimble handle on subtext and implication, and the ability to strike that delicate balance between being true to real-world conversation while also keeping things snappy, dynamic, and laser-focused on the story at hand.

If you're someone who struggles with crafting dialogue that truly sings, never fear. In this in-depth guide, I'm going to dive deep into the techniques and best practices that will help you elevate your dialogue writing to new heights. By the end, you'll have a toolbox full of strategies to ensure that every exchange between your characters is as gripping, revealing, and unforgettable as possible.

The Fundamentals of Effective Dialogue

Before we get into the more advanced nuances of dialogue writing, let's start by covering some of the foundational principles that all great fictional conversations are built upon:

Reveal Character One of the primary functions of dialogue is to give readers a window into who your characters are as people. The way they speak — their word choices, their tone, their body language, their turns of phrase — should provide vivid insight into their personalities, backgrounds, values, quirks, and emotional states.

Think about how much you can glean about someone just from how they communicate in real life. Do they use a lot of slang and shorthand? Are they verbose and flowery with their language? Do they struggle to make eye contact or fail to respond directly to questions? All of these subtle linguistic cues are powerful tools for crafting multi-dimensional characters.

Drive the Plot Forward While revelations about character are crucial, you also want to ensure that your dialogue is constantly pushing the story itself forward. Each exchange should feel purposeful, moving the narrative along by introducing new information, triggering plot points, creating conflict, or prompting characters to make pivotal decisions.

Dialogue that feels aimless or extraneous will ultimately bore readers and detract from the forward momentum of your story. Every line should have a clear intent or function, whether it's uncovering a hidden truth, setting up a future complication, or escalating the tension in a high-stakes moment.

Establish Distinct Voices In a story featuring multiple characters, it's crucial that each person has a clearly defined and differentiated way of speaking. Readers should be able to tell who's talking just from the rhythm, diction, and personality of the dialogue, without any additional context clues.

This doesn't mean every character has to have an over-the-top, hyper-stylized way of communicating. In fact, the most effective character voices often feel grounded and natural. But there should still be distinct markers — whether it's word choice, sentence structure, tone, or speech patterns — that make each person's voice instantly recognizable.

Convey Subtext While the literal words being spoken are important, great dialogue also traffics heavily in subtext — the unspoken emotional undercurrents, power dynamics, and hidden agendas that simmer beneath the surface of a conversation.

The most compelling exchanges happen when characters are communicating on multiple levels simultaneously. Perhaps they're saying one thing out loud while their body language and tone convey a completely different sentiment. Or maybe they're engaged in a subtle war of wits, trading verbal jabs that reveal deeper wells of resentment, attraction, or vulnerability.

Mastering the art of subtext is key to creating dialogue that feels layered, lifelike, and imbued with dramatic tension.

Strategies for Writing Snappy, Realistic Dialogue

Now that we've covered the foundational principles, let's dive into some specific techniques and best practices that will take your dialogue writing to the next level:

Omit Unnecessary Details One of the biggest mistakes many writers make with dialogue is bogging it down with too much extraneous information. In real life, people rarely speak in perfectly composed, grammatically correct full sentences. We stumble over our words, interrupt each other, trail off mid-thought, and pack our speech with filler words like "um," "uh," and "you know."

While you don't want to go overboard with mimicking that messiness, you should aim to strip your dialogue of any overly formal or expository language. Stick to the essentials — the core thoughts, feelings, and information being exchanged — and let the subtext and character voices do the heavy lifting. Your readers will fill in the gaps and appreciate the authenticity.

Master the Art of Subtext As mentioned earlier, crafting dialogue that's rich in subtext is one of the keys to making it feel gripping and lifelike. Think about how much is often left unsaid in real-world conversations, with people dancing around sensitive topics, conveying hidden agendas, or engaging in subtle power struggles.

To layer that sense of unspoken tension into your own dialogue, consider techniques like:

• Having characters contradict themselves or say one thing while their body language says another

• Utilizing loaded pauses, interruptions, and moments of uncomfortable silence

• Injecting subtle sarcasm, skepticism, or implication into a character's word choices

• Allowing characters to talk past each other, missing the unspoken point of what the other person is really saying

The more you can imbue your dialogue with that layered, emotionally-charged subtext, the more it will resonate with readers on a deeper level.

Establish Distinct Voices As mentioned earlier, ensuring that each of your characters has a clearly defined and differentiated speaking voice is crucial for great dialogue. But how exactly do you go about accomplishing that?

One effective strategy is to give each person a unique set of verbal tics, idioms, or speech patterns. Maybe one character is prone to long-winded, flowery metaphors, while another speaks in clipped, efficiency-minded sentences. Perhaps your protagonist has a habit of ending statements with questioning upticks, while the sarcastic best friend always punctuates their barbs with an eye roll.

You can also play with differences in diction, syntax, and even accent/dialect to further distinguish how your characters communicate. The key is to really get to know the unique personality, background, and psychology of each person — then let those elements shine through in how they express themselves.

Lean Into Conflict and Confrontation When it comes to crafting gripping dialogue, conflict is your friend. The most compelling exchanges often arise from characters butting heads, engaging in verbal sparring matches, or working through deep-seated tensions and disagreements.

Conflict allows you to showcase the high stakes, unresolved needs, and deeper emotional currents that are driving your characters. It forces them to make bold choices, reveals aspects of their personalities that might not otherwise surface, and generates the kind of dramatic tension that will really hook your readers.

Of course, you'll want to avoid making every single dialogue scene a full-blown argument. But learning to sprinkle in well-placed moments of friction, confrontation, and clashing agendas is a surefire way to elevate the energy and impact of your character interactions.

Read Your Dialogue Out Loud One of the most valuable tricks for ensuring your dialogue sounds natural and lifelike is to read it aloud as you're writing. Hearing the words out loud will quickly expose any clunky phrasing, overly formal grammar, or inauthentic rhythms that would otherwise go unnoticed on the page.

Pay close attention to how the dialogue rolls off your tongue. Does it have a smooth, conversational flow? Or does it feel stilted and unnatural? Are your characters' unique voices shining through clearly? Are there any spots where the back-and-forth starts to drag or feel repetitive?

Actively listening to your dialogue — and making adjustments based on how it sounds in the real world — is an essential part of the writing process. It's one of the best ways to refine and polish those character interactions until they feel truly alive.

Hopefully, this can help you all!

The key is to always keep your focus on authenticity. Ask yourself: how would real people actually speak?

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[twoyara]

About how men rape women with “consent”

This post is not mine, but one radfem woman from our community. She works as a sexologist and shared her experience in her work. If you too are a sexologist, or even better, have some statistics on this topic, please share your experiences or links. ---------------------------------------------------------- "When I first started working, I discovered that many men had never experienced the need to refuse intimacy with a regular partner. That is, a man in counseling complains that his partner often refuses him, he attributes her refusals to personal dislike and faded feelings, and when he tries to turn the situation around and remember when he himself had to refuse her, he does not understand what we are talking about. Because he has never had to - he responds to the initiative of his partner every time and considers it a sign of love and attraction on his part.

I heard this very often, I couldn't catch the lie and at the same time I couldn't interpret it. They are not robots, after all, to be available 24/7 at all hours of the day and night?

One day a client in a session literally opened my eyes with one phrase.

She said: “I CAN SEE WHEN HE'S NOT UP TO IT.”

That's the secret. The notorious emotional service. Subsequently, and many other women have confirmed this in a targeted survey: when the desire for intimacy arises, a woman assesses her partner's condition BEFORE taking the initiative. If she sees that her partner is tired, sick, in a bad mood, or preoccupied with something, she does not consider it appropriate to offer sex. I have also heard from many women that in a situation when she can not clearly assess the state of the partner, she prefers to flirt, as if casually get naked, as if accidentally do something that usually arouses the partner. If there is no reaction to this, the woman usually refuses to take the initiative and solves her problems on her own, without forcing the partner to conflict and feel guilty.

Men don't want their partners all the time - it's just that no one gets in their underwear when it's inappropriate. No one forces them to think about sex when they don't want to think about it.

Men themselves don't usually check against anything but their own erections.

They don't care when to offer sex to a woman(the following is a real and far from complete list):

Who is asleep (well, seriously, I don't know any woman who would ever think of waking up a sleeping partner to satisfy her sexually);

who's back from her 24-hour shift;

who just finished cooking a holiday dinner for ten people;

who has a high fever;

who's been vomiting all day;

who is eight months pregnant with a complicated pregnancy;

who has undergone a termination of pregnancy that day;

who is in the terminal stages of cancer;

who's just had a pet die;

returning from the funeral of a beloved grandmother;

waiting for a call from the NICU where their (mutual!) child is (“Let's get a little loose while we wait”) - and so on and so forth.

It may seem like it's a matter of cognitive distortion, that they just don't get it….. But they do. I asked one of them once: does he really think that a person in such a state can want sex? Yes, it is clear that they don't want to, he replied, but I'm just in case - maybe it will work out. I asked him how he would react if it didn't work out, and he admitted that he would be hurt and angry. And that's another “secret” - why it does burn out. Because refusal will inevitably lead to conflict, and a woman often does not have the strength not only for sex, but also for an argument. When he offered sex, she basically can not get out of the situation without damage - either to be raped, or to deal with his tantrums and offenses. And unfortunately, sometimes the first one turns out to be the lesser harm."

[norrizzandpia]

Heyy, hope you’re having a good day.

Don’t know if your requests are open but I really wanted to ask something. Could you write Oscar with baby fever, but like a lot, to the point that Lando knows about it and makes fun of him, and he is always trying to convince reader that they are ready to have a baby and how he would love to see her pregnant and obviously showing all the time vídeos o cute babies. Then to make it a little longer you could make some embarrassing moment of this baby fever, like Oscar getting flustered (or more lol) when seeing reader with a baby or like zac listening him saying some weird stuff, something like that yk. Then after months she accept. (If you are felling writing a little angst, you could write in the same one or another part, they trying to get pregnant but they can’t and Oscar gets very frustrated and ends up venting with Lando or so and little time later they discovered she is pregnant just to end in a cute way).

If you like the idea and decide to write it, feel free to make any changes you desire, I love your writing and I’m sure you’ll make my idea a thousand time better. Thank you <3

It is CRIMINAL how long it took me to answer this superb request.

Let’s Have A Baby, Baby (OP81)

Summary: There is nothing Oscar wants more than for Y/n to get pregnant with his kid, and everyone knows it.

Warnings: sexual conversations, language, Oscar has no filter at all, an extremely graphic and sexual conversation that has Zak traumatized (pray for him), tooth rotting fluff idk where any of this came from

Note: i didn’t put any angst in this because THIS WAS TOO CUTE TO ADD ANYTHING BAD THIS COUPLE DESERVES EVERY BIT OF HAPPINESS AND MORE WITHOUT ANY COMPLICATIONS I MEAN IT.

How do you tell someone having a child at the ripe age of 22 is not a good idea?

Y/n sat at the end of the bed, watching Oscar pace back and forth as he rambled about how much he wanted to get her pregnant.

“Baby, you’d look so pretty. Please? You know how good the sex would be.” He turned toward her, eyes holding hers as he looked at her with his persuasive doe eyes.

Y/n groaned as her head fell back, “Osc, the sex is already good. Why do we need to add a child to the mix?”

Oscar fell to the floor, kneeling in front of her with his hands resting on her knees as he tilted his head, “Because it’ll be fun! And you could dress them up in little clothes and…” He trailed off, his eyes shifting toward the floor before meeting hers once more, “We’d be a family.”

Y/n’s lip pouted out, emotions running strong in her body as her boyfriend held her hands so tightly, “Oscar,” She rubbed lightly over his cheekbone, “I would love to be a family with you, make a family with you, but I just don’t think I’m ready for that right now. Your career is just taking off and I’ve just barely started to figure out what I want to do with the degree I just earned. It’s not the right time.”

Oscar sighed, head lulling forward and into her lap, “Fine. I guess you’re right.”

Y/n smiled softly and folded forward, planting a kiss into his hair as she scratched at his scalp. “This doesn’t mean I don’t ever want kids, you know?”

He gave a small smile into her lap before looking up at her, “I know. I think I’m just a bit crazed with baby fever right now. You’re right. It’s not a good time to have a whole ass kid now.”

Y/n giggled, “Glad we’re on the same page.”

Oscar stood up, moving to sit beside her on the bed. His arm hooked around her waist, pulling her into him and kissing her hair quickly as he murmured, “I still think you’d look good pregnant. With my kid, to be precise.”

—

“Y/n, are you seeing this?!” Oscar exclaimed as he shoved his phone in his girlfriend’s face. The TikTok he was showing her was of a little girl giggling continuously as, from what Y/n could gather, the child’s father tickled her stomach.

She blushed, “Yes, very cute, baby.”

Oscar rolled his eyes, “Exactly. Baby. I want a baby.”

“Mate…” Lando said with exhaustion, his head lulling back onto the couch he was sprawled out on. The McLaren crew members off to the side, getting coffees from the hospitality center, snickered.

Oscar’s head snapped to his teammate, “What? You’re just jealous you don’t have a girlfriend to have a kid with.”

“Oscar!” Y/n yelled, hitting his arm as a warning while Lando just keeled over in laughter.

His face was red as he got out, “Oscah! Who taught you to talk like that?!”

Oscar just smiled, “You.”

Lando leaned back, gasping for breath as he came down, “Does that mean I can be its uncle?”

Oscar shook his head, “I’m thinking godfather.”

Y/n scoffed, “We are not having a child! Stop dreaming of something that is not going to be happening for a few more years.”

Oscar shot her a quick glance with a grin, “Just wait till I give you a preview of what having a kid could let us do and I’m sure your mind will change.”

Lando’s mouth fell open, “I need to be removed from the country after hearing that come out of your mouth.”

“Oscar, there is something mentally wrong with you.” Y/n hit his arm once more, shooting him a warning look.

He sidled up to her, “Think a baby could fix that?”

Y/n groaned and Lando laughed, “OSCAR!”

—

“Y/n! Oscar! Do you guys think you could watch Mila while Sav, Ollie, and I all go for a walk on the paddock?” Lando asked hesitantly, eyeing Oscar with his niece in his arms.

From the way they were staring at each other, Y/n knew Oscar had put Lando up to this. Nonetheless, she smiled, “Sure!”

Oscar beamed.

Y/n took Mila from Lando’s arms, turning to Oscar as Mila stared after her uncle as he walked away. A shy child, Y/n knew Mila would do well with a bit of childish conversation.

“Mila, who’s your favorite? Uncle Lala or Oscar?” Y/n smiled, pinching Mila’s cheeks to draw a few giggles from the little girl.

Mila squealed, “Uncle Lala!! Lala!”

Y/n’s heart warmed at the way the cute child screaming the sweetest nickname. Oscar looked down at his girlfriend and, in his delusions, their child.

He cocked his head, “You fall into the role quite well.”

His comment went ignored by his girlfriend as she continued poking Mila lightly, laughing along with the young girl as her head fell into Y/n’s chest from the tickling.

Y/n smiled up at him before turning around, wandering off into the McLaren garage with Mila still tucked under her arm. Oscar wished he could take a picture. Save it for later. He loved everything before his eyes.

When he was done getting lost in fairy land, he jogged in the direction his girlfriend had taken. What he found was a sight so dear to his heart. Y/n in conversation with Mark, a sleeping Mila in her arms. Part of the reason why he loved the image so much was how comfortable Y/n looked, how Mila laid against her body so easily and how Y/n swayed as if it was second nature.

He wished she could see what he saw.

Mark nodded at him as he came to stand next to Y/n, pulling her into him by the waist and trying to decipher the topic of conversation. “You’re talking about Otmar leaving Alpine?”

“Yeah, good riddance.” Y/n sighed, hand rubbing up and down Mila’s back.

Oscar squeezed her hip softly, “I want to leave that man in my past.”

Mark rolled his eyes, “Don’t we all.”

“There isn’t any corner of the world he could be that is too far from us.” Oscar murmured, face grimacing at the thought of the horrid man.

Y/n laughed and kissed his shoulder, “It’s okay, Osc. You don’t have to deal with him anymore.”

Mark nodded along, eyes entranced with the picture in front of him. He knew Oscar yearned for kid with Y/n, but it had never looked so real before. The boy he had watched grow up, helped fight for, had all of a sudden grown into a man who pushed for children with his girlfriend. Mark knew Oscar was still young, too young for kids, but it still felt a bit odd to see him as someone’s father. It was sobering to see Oscar, his girlfriend, and a child all at once, in a position that made them look like a family. Truthfully, a part of him felt at peace to know the war was over. Oscar had found a seat, a team that prioritized him, and a person who loved him wholly. There was no need to worry about Oscar anymore. What was he to do now?

“Can I take a picture of you two really quick?” Mark asked, a question so surprising Oscar and Y/n shared a strange look.

“Sure?” Y/n said, not fully understanding the reason behind his request.

Mark moved back an inch, position his camera as Y/n and Oscar smiled. Y/n leaned her head against his shoulder while Mila stayed in her arms, still asleep against her body. He turned his camera around to show the couple what he had just captured and Y/n’s heart squeezed. Oscar almost screamed and ripped his hair out. He wanted what this picture implied so badly. With her.

He kept his composure, “We look cute, no?”

Y/n hesitated, a lingering grin on her face as she stared down at the image. Though, her smile lengthened and she tilted her head, “Can you send that to me?”

—

Oscar was in rare form. From the moment he had woken up, he was making suggestive comments in Y/n’s ear. To put it shortly, he was horny for the woman by his side. When Oscar got like this, he became impulsive and threw caution to the wind. Therefore, Y/n wasn’t surprised when he started rambling to her in the middle of the McLaren garage.

“All I’m saying is that you would look damn good carrying my kid.” He giggled, hand dangerously low on her back.

“Oscar…” She whispered, eyes darting around them in an effort to show him how public he was making their conversation.

He shook his head, “No one can hear what I’m saying. They’re too wrapped up in their work. They don’t know that I’m telling you how good it would feel to fuck you raw.”

She blushed, “Oscar,” She tried once more, though her voice was beginning to lose his edge.

His hand brushed her hair out of the way, leaning down to whisper in her ear, “Do you like that idea? Like the thought of me coming inside of you? Like the thought of everyone knowing you’re mine because you’re carrying my child?”

Her hand brushed up against his abs as she turned to look at him, his eyes boring down into hers. “Oscar, you are working.”

“So? We can go try for one right now, love. Just say the word.”

She tried to hold her composure, “Oscar, you are so bold.”

He kissed her softly, “Yeah? Or am I just attracted to the idea of seeing my cum leak out of you? I’d fuck it back into you with my fingers. Make sure it takes.”

Y/n rolled her eyes, but her insides clenched together.

He tried once more, “I can tell you want it. I can feel your skin getting hotter under my hands,” He brushed his fingers against the skin peeking out from her crop top, “I could be feeling you cum around my bare cock too.”

She opened her mouth to respond, but a loud throat clearing stopped her.

Oscar froze, Y/n paled.

The couple turned their heads slowly behind them, Zak side glancing them from his place inches away from them. Oscar opened his mouth to apologize, but Zak put up his hand.

“I never want to talk about this ever again.” He said, his voice so sharp it could cut ice.

Oscar’s hand flew to his mouth, “Zak, I’m so incredibly sorry. That wasn’t meant to be hear-”

Zak shook his head, “Oscar, I don’t care what the hell you do on your free time. Hell! I think it’s endearing how much you want to have kids with your girlfriend. But, I swear to God,” His eyes closed as he took a deep breath, “If I have to hear you talk about doing anything physical with your girlfriend, I will give you a bad car.”

Oscar nodded shortly, “Understood. I’m so sorry.”

Zak grimaced and shivered before giving the couple one last glance. A whisper loud enough for them to hear, “I’m so unsettled.”

Oscar turned back to his girlfriend. The woman so horrified, she refused to look at him.

He tilted his head, “It’s not that bad?”

Y/n snapped her head up at him. Her gaze fiery, it turned Oscar on. “You will never speak to me when we are near Zak, yeah?”

She walked away before he could respond.

“Y/n, that’s insane!” He screamed as he ran after her.

Lando chuckled to himself at the scene. Not knowing what Oscar had said, but inferring from the way Zak stared at a trash can like he was five seconds from vomiting into it.

—

Oscar stared down at Y/n as they laid in bed together, post-sex haze slowly depleting. His hand pushed tangled hair out of her face as he laid small kisses on her face, “I love you,” He whispered.

She smiled softly, “I love you too.”

From the way his eyes softened, Y/n’s being found peace. When she was younger, she had been so convinced she would never find love, never find a man who wanted to love her. Part of her wished she could go back in time and show her 16 year old self a picture of Oscar, detailing the man she would later find. Even though they fought and he got her so annoyed sometimes, he would always live to show her that what she had thought was unrealistic in love, was completely attainable. She had loved romcoms, yearning for that kind of feeling for someone else, but she was always lectured on how impossible that was. Oscar was the living counter argument to that statement. From the way he looked at her to the delicate nature of how he held her hand, she was secure in his love for her. A child was a lot, but a child was also a statement of forever. She wanted forever with Oscar, he did too. She wanted to share something so intimate with him beyond sex and vulnerability.

She wanted a kid with him.

In the silence of the night, she lightly spoke the words, “I think I’m ready for a baby.”

A year later and the sentence finally met his ears. Oscar stared at the wall behind her for a moment before letting his gaze fall to her.

“What?” Is all he could find within himself. The woman and the words of his dreams, finally a reality.

She giggled, “I’m ready to try for kids, Osc.”

His hands flew to cradle her face. He shook her head lightly as tears flooded his vision. His voice broke, “What?”

He couldn’t begin to muster another syllable, the staring was all his body could take. He wanted to memorize the twinkle in her eye as she completed his world. He wanted to think back on this moment and remember the way her hand felt against his rapidly beating heart, the way his hands got lost in her hair, the smell of her faded perfume, and the sincerity in her words.

He kissed her lips, soft and gentle as tears fell from his eyes. When they pulled back, she laughed and wiped the wetness on his cheeks, “Why are you crying, baby?”

His mouth opened and closed before speaking, “Because we’re having a kid… and I’ve found you, found the person I know the rest of my life was meant to be shared with. I think I’m just…” He trailed off, trying to find his words amongst all the things swirling around in his body, “I always knew I would be proud of myself if I got into F1, achieved a seat in the sport. I thought that would be the greatest achievement of my life, the most proud I would’ve ever been of myself. But, that’s not true because, in this moment, I am so much more proud of myself for being worthy enough of you and having a kid with you than getting a seat in Formula 1. I never thought about who I would settle down with, but now that I know it’s you, I can’t believe it was ever something that wasn’t on my mind. You are everything I ever think about. The life awaiting us and whatever tries to ruin our plans, I want it all. You are the beginning and end of my life.”

Y/n’s eyes were teary by the end of his confession, feeling as if she was drowning in the love of the moment.

When they kissed again, it felt more solidifying. Solidifying in that tomorrow, when they were filled with energy again, they would try for a baby. Solidifying that sometime, whether that was five years in the future or next week, a positive pregnancy test would sit brightly on the counter of their bathroom, affirming the forever they already knew was in store.

—

(ONE MONTH LATER)

How do you tell someone they’re 23 and going to be a dad?

Y/n snuck through the McLaren building at the Australian Grand Prix. Lando was in tow behind her as well as Mark and Oscar’s family, all eight of them tiptoeing toward Oscar’s room with large smiles.

Y/n clutched the pregnancy test in her hands, palms sweating heavily moments before she presented Oscar with news that would send him into sobs. No doubt.

“That one,” Lando whispered, pointing toward a black door at the end of the hallway. When they reached it, Y/n turned back.

“Who’s recording?” She asked quietly as Mark smiled and shoved his phone out in front of him.

Y/n giggled, “Screenager,” before sending him a playful glance, her teasing out of love.

With another look to the group, her knuckles rapped on the door.

“One sec!” Oscar’s voice yelled, a few moments passing before he was flinging the door open with a smile. That smile, however, soon fell slightly at the sight of everyone he ever loved standing before him.

“Oh, no. What have I done?” He asked, face dropping as he made eye contact with his beaming mother. “What’s going on?” He asked, slightly confused at the manic faces of his family and closet friend.

“Oscar,” Y/n whispered, his attention drawing to her immediately.

His head cocked to the side, “Baby, what’s going on?”

Y/n smiled, “A baby.”

His confusion grew, “What do you mean ‘a baby’?”

“Oscar…” She said once more, hands shifting in their grasp.

In the tone of her voice, he found happiness.

“No,” He whispered.

Her hands came to rest between their bodies, the pregnancy test on clear display, “Yes,”

A very concerning scream erupted from Oscar before be flung himself into the arms of his girlfriend and, therefore, everyone behind her. There was loud squeals and laughter before Oscar pulled back.

“THERE’S GOING TO BE A BABY?!” He screamed, the volume bouncing off the walls and most likely down to the garage.

Y/n nodded, “OUR BABY!”

Another scream that Lando would have to make fun of Oscar for later. The couple hugged each other tightly, jumping and down in the most giddy way. Truly embarrassing for Oscar, according to Lando, but the Brit also knew how much his friend had pleaded for this.

It was clear in the way he choked back tears; clear in the way he held Y/n; clear in the way he stuffed the pregnancy test into his pocket, mumbling to himself about wanting to put it in a scrapbook for their first child.

Maybe the moment could have been left to just Oscar and Y/n, but, as they all conversed excitedly about nine months in the future, Oscar found everything he ever needed.

Formula 1 was a bonus.

This was his dream.

Y/n and Baby 1 were his drea-

Y/n and Baby 1 were his reality.