#if this doesn’t apply to you move on but it does exist

[gloriousfoxkryptonite]

Honestly? A fundamental part of supporting the queers and the lgbtqia involves not hating any gender tbh. It’s so easy to fall into since they’re not the marginalized group, but you HAVE to take the step back. Yes a lot of them suck for individual and socialized reasons but like. Being a man itself is fine

Dont give into the terf mindset tbh

I couldn't have said it better myself.

[giddlygoat]

Hey about the ghost Luigi au. But. Would he fade with time? Or would he be forced to watch everyone’s lives continue without him? Would he be forced to watch his friends and brother die? Cause that’s angsty as hell my dude

oh, he’s in it for the long haul. i think after time has done its damage, he would go from being inconsolable to a long period of complete and utter shutdown. who knows, maybe he takes to scaring folks in the end. at some point, that becomes the only thing a ghost can really offer, right? when connection is that temporary it loses its meaning. the only way he can touch the real world anymore is through fear.

or you know, he could fulfill his dying wish and ascend to the afterlife. i want him to have a happy ending in one universe or another

[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[deadsetobsessions]

Danny’s Wayne adoption bait. The guy that owns the bodega knows it. Everyone and their mothers knows it. Danny, on the other hand, had no clue. To be fair, he had just crash landed in this dimension a week ago and his back was still sore from the weird design the car had.

(It’s only three weeks of homelessness later does Danny realize that he crash landed on the Batmobile. Whoops. Oh well. He’ll blame it on Clockwork if the vigilante asks after repair costs.)

(Bruce, on the other hand, is scouring the streets for this kid the car cams caught- oddly static filled footage- because his mind jumped to the worst case scenarios: a suicidal meta or a meta being threatened or a meta in a trafficking scheme or even worse all three at once and Bruce just can’t because there is a child in danger, he doesn’t have time to sleep.)

Danny rubbed at his back, eyes going watery at the memory. Sure, his wounds have healed over by now but the- heh- phantom pain is no joke. He shuddered, huddling closer to his threadbare hoodie. His only saving grace from getting jumped while walking the streets of Gotham at night is his invisibility and intangibility. Also, he’s floating, so “walking” doesn’t apply to him.

He’s gotta check on the kid he saved yesterday from a mugging, so Danny hurried along to the depilated apartment complex the kid was squatting in. Turning visible and tangible as he turns the corner, Danny glanced around for Amy.

“Danny!”

“Hey, kiddo. Doing alright?”

“Yeah! Come meet my gang!”

Danny felt his eyebrows rise to form Jazz’s exasperated look. Ouch. Waving the pain of losing Jazz away, Danny smiled at the excited girl.

“A gang? I wasn’t aware I was being brought to your almighty group.”

“Yeah! Uh, you actually helped a bunch of us so…”

Danny thought back to all those times he punted crooks away from robbing kids and shrugged. Yeah, what Amy said was likely.

“Kay, kiddo.”

She scowled, and Danny didn’t have the heart to tell her it looked more like a pout.

“You’re just a teenager.”

“Well, you’re a just a kid.”

Danny cackled as she chased him down the street, trying to kick his shins.

Life is good, even if he’s homeless and hungry.

——

“Jason.”

“Old man.” Jason mocks back, pausing his tasks. He waits as Bruce struggles to put his thoughts and feelings into words.

“There’s… a meta.”

“In Gotham?” Jason tilts back, hands halfway to his guns as a silent offer. Bruce shakes his head.

“A child. In Crime Alley.”

“In my turf?” Jason’s disquieting demeanor quickly swapped to a protective one.

“Trafficking, I think. Male, black hair…”

“Shit. Get Dickwing back here, he’s good with traumatized kids. I’ll go look for him.” Jason’s already moving, mind filtering through the kids he knows might have information to offer.

Bruce nods, shoulders relaxing. Jason smacks down the lump in his throat at the subtle sing of trust. “I’ll get Oracle and Red Robin on it.”

Jason morphs from Jay to Red Hood in one smooth step, helmet firmly placed on his head. He grunts in agreement, slinging his legs over his motorcycle. He roars off, mind half filled with tearing apart whatever traffickers dared to shit near his territory and the other half filled with worry for this possible kid.

——

Danny, as the Bats become aware of his existence, hands Amy and her kiddie gang a bag of fancy beef jerky.

“Try these with peanut butter, it’s kind of good.”

Amy stares at him, the judgement of an eight year old more piercing than anything he’s ever experienced.

“You’re fucking weird-”

“Language!” He squawks.

“-but sure, whatever you say, boss.”

“Boss?!”

The kids ignores his alarmed face.

[devosin]

— LATE NIGHTS & FLASHING LIGHTS !! prologue : a series of unfortunate events . .

♡. Spotify playlist | Updates, every Friday !! — Vil Schoenheit x reader | Vil pov . .

Vil sighs, scrunching his eyes shut, which proved to be more difficult than it appeared with the mud mask that he applied over half an hour ago still on his face, currently drier than the gluten free bread he bought last week. He melted into his couch, feeling an overwhelming sense of boredom settle into his otherwise restless body. 

Before he knew it, he found himself mindlessly scrolling through Magicam, looking through the self proclaimed critique’s 30 to 60 second reviews on his new movie or the finale of some show he was in, for a hit of dopamine. Which clearly wasn’t working, as each video was the same thing washed over and over again repeated with new synonyms bundled together to sound authentic (Which it rarely was) and of course, there was those few criticisms here and there, nothing uncommon. 

Vil lays his head back, scrolling some more, “Influencer Tartaglia joins the new soon to debut boyband, D!CKZ—”, he shuts his phone and tosses it to the side carelessly . . Did he ever mention his distaste for influencers moving into the entertainment industry? . . It makes his blood boil, just a tiny bit, since most of the influencers tend to ruin it for a lot of genuinely talented and lesser known actors out there, not to mention they’re so-called talent is usually mediocre at best. 

And he could go on and list all the reasons why influencers do not deserve a spot in the spotlight with the elite, and they may all seem reasonable at first, but it’s a cover-up for the real reason.

He feels some weird sort of envy, towards those individuals who put in zero effort and somehow make it, and get all these big protagonist roles right away, and how they aren’t criticized for their faults or terrible acting skills, just because they have a huge built fanbase of delusional fangirls ready to defend them from the get-go. 

Or how they aren’t criticized when they look less than perfect on screen, although he appreciates that current age viewers can acknowledge that it’s only human to get acne or maybe a pimple here and there, he didn’t meet the same fate when he was younger . .  It just makes him feel bitter . . and he’d never speak those feelings into existence, but deep down he does feel a bit hurt by the shift, it sometimes makes him feel like all those previous breakdowns were for naught. 

Vil snaps out of his pity party for one, getting up and stretching, going into the bathroom to wash off the mask before it dries out his skin (It probably already has), burn-out has hit him hard, and as much as his love for acting runs-deep, he’d rather take a break before his audience starts noticing his shift in acting. 

Which is why he agreed to hosting the show in the first place, he wanted to switch up his career, for awhile at least, he’s taking a break from acting but doesn’t want to directly leave the industry, because it’s difficult to fit right back in place once you leave, as there's always someone who could come and steal your position, and maybe even do better . . that’s why this industry is so hard to survive in, and as pitiful as it sounds, he’s practically married to his work, he can’t exactly risk it, in peace. 

Vil dries his face with a towel and then moves to grab his moisturizer, when his work phone rings. 

“Hello, this is Amanda from Descendants. Inc. We talked before reguardinging ‘Late nights & Flashing lights’ . ” . . . “So, due to a multitude of reasons, we’re kind of in a time crunch to get the premiere launched, by the end of this month actually . . . but, we’ve received confirmation on who’ll be co-hosting with you, Y/n L/n!” 

“ . . . excuse me?” 

“This must be such a shock, but Y/n has actually been our top pick for this role, and the internet seems to really want to see the two of you on-screen together, considering your screen presence, I honestly think you two will be a perfect match for the show.”  

“I—”, Vil’s voice was hoarse as he tried to mentally wrap around all the information that was just dropped, “Ah—That’s time, we’re so excited to see you on set next week.” . . . “If you’d like, I could send you y/n’s number beforehand, so the two of you could talk things through?”, that seems to snap him back to reality, as the professionalism seeps right back into him, “That would be lovely, thank you.” 

The doorbell rings, informing Vil that his takeout that he ordered about two hours ago had finally arrived, but he didn’t feel like eating anymore.

Drinking is completely legal at 18-19 in my country, so I'm just putting that over here before someone tries fighting with me about it (This has happened before), also Vil is currently in his late 20's.

Don't expect everything to play off of Vil in-game, since this is placed like a decade into the future, so things will be changes and messed around with to fit the current age and setting more. <3

Profiles | Masterlist | Next chapter . .

— LATE NIGHTS & FLASHING LIGHTS !! ♡. Synopsis : VIL SCHOENHEIT recently signed a contract under Descendant. Inc for his very own late night show, only to find out his co-star and fellow co-host is none other than Y/n L/n, someone he hates despite knowing very little about them and never having met them, previously. Y/N L/N, an actor who made their debut 3 years ago and hasn’t been able to catch a break since, recently decided to sign a deal with Descendants. Inc to host their new late night show “late nights & flashing lights”, as a break from acting . . Only to find out their favorite long-time actor will be co-hosting with them. Tune in every Friday, for a new episode of “late nights & flashing lights” to see if these two hosts can find a peaceful work-bond amidst their judgements . . and quite possibly even love? . .

♡. Want spoilers ?! . . Join my server . . !! (or for updates)

— taglist ♡ ; @well-look-at-this , @honkai-freak , @kingnem10 , @merviolet-asks , @katzline , @pebble-bb , @meigalaxy , @lordbugs , @crowbird , @yuus3n , @azriel-sama , @reivelmin , @the-ghost-0f-t0m0 , @eliza-be-t-h , @feverish-dove , @yejiswifex , @l0v3r666 , @cece-cherries , @frootloopscos , @abell2029cluster , @ephemii , @alienlatteinspace

♡ . Ask to be tagged... (If you don't see yourself up here, I cant tag you)

© devosin , do not repost, plagiarize, translate, or adapt my work without prior permission and or confirmation.

[lailols]

Cockwarming with TXT

MDNI!

Unprotected sex, kinda dom txt x sub f!reader, breeding kink in jun’s

____________________________________________

Soobin

You guys are having the self-care night that you do every so often. You haven’t seen each other in a while, so you pull out all the bells and whistles. There’s music playing softly as you help each other relax and refresh so lovingly. You gave each other mani-pedis and he even helped you shave.:(

He helped apply your face mask and you crawl onto his lap to help put his on. His hands immediately crawl under your (his) shirt to rest his hands on your hips. Everything’s fine until he tightens his grip and pulls you impossibly closer to him.

“I can’t apply your face mask like this.” You giggle into his chest. “I’m also going to get face mask goo on your shirt if you don’t let me go.”

“I just want to be close to you.” He mumbles and even though you can’t see it, you know he’s pouting.

“I don’t think we can get any closer than we already are.” You place your hands on his shoulders to push yourself back a bit. His hands drift down to your butt tapping twice.

“We could….” He trails off, hoping you get the hint.

“Bin, this is self-care night! A sacred tradition that cannot be paused for sex!” You scold him playfully while repositioning yourself to finish fixing his mask.

“We don’t have to do anything! Just want to be inside you.” He tightens his hold and shifts you onto him. You can already feel him growing hard.

“You promise not to move until we finish?” You say already not believing him. “You’re sure you can handle it?”

“Oh, I can handle it alright.” He scoffs. “Can you?”

“Okay, let’s do it.”

Soobin makes quick work of sliding down your panties and opening you up for him. Slipping down his shorts and boxers and easily lifting you to position himself.

As he slides home, you both release a sigh. You close your eyes to adjust and calm yourself. Your walls flutter around him, pulling him in further, further.

“Well, I can��t not move if you’re going to attempt to milk me.”

“I’m not trying to!” You hit his shoulder. “I’m sorry I’m not immune to a monster trying to rip me apart.”

“A monster?” He smirks. “You flatter me.”

“Yeah, yeah, hush so I can finish your face mask.”

He does hush and let you finish your work. After that, you each take turns applying a lip scrub. While wiping his off, you see his lips looking so pink and pouty. You can’t help but lean in closer for a peck.

Well…. It was meant to be a peck. You’re not sure who did it, but one of you decided it was meant to be a deep kiss. Soobin makes quick work of sliding his tongue into your mouth and mapping out the already familiar space. You clench around his dick and at that point, can you really blame him for thrusting up?

You both let out moans and… well…. You know what happens next

“You liar!”

“You started it!”

“I did not! I just wanted to kiss you!”

“And what am I supposed to do? NOT fuck you after that? Be serious.”

Yeonjun

When you told Yeonjun he didn’t need to use a condom because you’ve been on the pill for a few months, you didn’t expect him to turn into an omega in heat.

You didn’t expect him to fuck you six ways to Sunday and then some. He’s put you in every position in the book and even added a few you didn’t know existed and it doesn’t seem like he’s going to stop anytime soon.

Right now he’s got you in a classic mating press and his dancer hips are putting in work. You can barely remember your own name and the only sounds leaving you are broken moans. Tears are falling from your eyes but Jun just kisses them away.

“It’s okay, baby.” He pants out. “I’m almost done, just gotta make sure it takes.”

“Huh?”

“Gotta fill you up, okay? Gotta get you pregnant.” And with that, he’s back to thrusting so hard you’re shifting on the bed. And oh, that was kinda hot? It doesn’t even make sense but he said it as if he believed it.

When he’s done (for the time being), he just flips your position and has you rest on top of him with his cock still inside. You go to pull away, but he locks his arms around your waist.

“Stay.” He says with such conviction. “We’re gonna go again in a bit.”

“Jun, I don’t even remember what day it is, what do you mean go again?”

“I already told you what the goal of today is.” Is all he says in reply, pulling you into a soft kiss.

Neither of you can stay still very long with his quickly hardening cock inside of you, so it's no surprise that you start again soon.

Beomgyu

It was originally a bet. Beomgyu wanted to test if he’d be able to focus more on the game with you warming him, and you pointed out how he can’t even handle getting under the desk support. Being the person that he is, he took this as a challenge, and that led you to now.

You’re fully naked, warming his cock while he’s only in a shirt. Headphones on, and pushed as close to the desk as possible so he can reach the keyboard with ease. It sounds like he’s doing fairly well and if it wasn’t for the way he clenched his teeth anytime he wasn’t yelling at his teammates, you’d think he was completely unaffected.

That’s all fine and good, but what about you? You’re bored. You don’t have your phone and you can’t even see the screen. You can only alternate between looking at your bed or Beomgyu’s face/neck.

Really, he can’t blame you for finding a way to entertain yourself, can he? You start small, leaning into the crook of his neck and leaving quick kisses, running your hands up his chest. His arms tighten on your sides, but he doesn’t really react outside of that.

You then move to licking and sucking lightly. Not enough to leave marks, but enough for him to feel it. Once you do that, one of his hands leaves the keyboard to mute his mic and the other finds your waist.

“Be good, and let me finish.” He says tilting his head down to make eye contact with you. “I’ll play with you after, okay baby?”

“I’m not even doing anything.” You pout up at him. “I can’t see the screen and you’re yapping my ears off.”

“Hmm.” He pouts down at you. “And whose fault is that, huh? Keep those pretty lips and hands to yourself and I’ll make it up to you after this game okay?”

“But-“ You’re cut off by one of his teammates yelling at him to move already. Beomgyu fixes you with a look, unmutes his mic, and quickly focuses on his game again.

You figure that since he doesn’t want you to touch him, you’ll just touch yourself. You lean your head back on his shoulder and slide one of your hands between your bodies to rest on your clit. You rub it softly at first and let out a sigh.

The stimulation makes you clench around Beomgyu and he tries to look at you but you don’t move. After a few seconds, he just goes back to the game. Gradually speeding up your movements, you bite your lip to keep your noise down. Your other hand rests on his other shoulder to ground yourself.

It feels, surprisingly, good. Good enough that you’re pretty sure you could come from this alone. You’re so caught up in your pleasure that you don’t realize that Beomgyu hasn’t spoken in a while, you also haven’t heard the keyboard either. The only sounds in the room are your soft sighs and the wet sounds of your pussy (if you realized, you’d probably be mortified).

Just when you’re on the edge of your release, Beomgyu grabs your waist and pulls you completely off of him.

“Why’d you do that?” You ask around a gasp.

“If I knew you’d be such a slut, I wouldn’t have asked you to warm me while I game.” Is his bored reply. “If I hadn’t left the game, everyone would’ve heard you being a needy whore.”

You promptly look away from him.

“Oh, so now you have some shame? I told you I’d make you feel good if you let me finish, but you always need to get what you want, huh?” He pushes you onto the desk and stands. “I can never be nice to you. You always have to be a little brat, huh? Where’s my good girl?

“I am good!” You protest. “I was just bored.”

Yeah, the defense sounds weak even to you.

“Yeah? Well now you’ve got my attention and you’re not gonna like it.” Beomgyu promises with a cruel smile.

Taehyun

You don’t remember who suggested you cockwarm Tae while he writes lyrics, but you think they’re very smart (that alone leads you to believe it was him, but semantics). It’s just another form of quality time between the two of you, but so much more than that at the same time.

You’re resting on your elbows scrolling on your phone while he’s being kneeling behind you (bless his body) as he works. His lyric book is quite literally on your ass so he has a space to work but it’s fine. You can totally do this all the time. If you stumble upon a really good video, you can almost forget he’s inside you completely.

Or, at least your mind can. Your body, on the other hand, cannot. Tae feels you dripping on his knees and the bed. He can feel your walls fluttering around him every so often. And really, what kind of boyfriend would he be if he just let his pretty girl suffer?

Even if you don’t know it yourself, your body is telling him that you need him. He has to do something. And really, he’s been working for nearly an hour, that’s enough time. You’ve been so good for him, it’s time to give you what you need.

He tosses his book onto the floor and pulls you up onto your knees, startling you.

“Tae-?” You can even finish until he’s leaning over to hook his head over your shoulder, reaching so so far into you.

“Shhh baby,” he says sweetly, placing a kiss on your cheek. “I’ve got you. You’ve been so good for me even though you needed me so bad. Let me make it better, hm?”

And now that he mentions it, you’re aware of just how wet everything is. How nice and heavy he feels inside you. How if he doesn’t fuck you in the next few minutes you just might die.

And fuck you he does. He has to reward his baby for waiting so patiently.

Kai

“So, we just… stay like this?” Kai asks from behind you with one of his hands hovering unsure above your naked hip.

“Yeah! And we watch the show!” You say pointing to the anime playing on the tv.

You see, you wanted to try cockwarming while watching anime. It would take a time when you and Kai relax together and make it even more relaxing!

Sadly for Kai, the absolute last thing he feels right now is relaxed. He really doesn’t want to move, but it’s just- it’s hard okay? He has his pretty girlfriend naked and pressed against him. His cock is snug between your walls and it feels good. Of course, it feels good, but it could be better, right?

It wouldn’t even just feel better for him, it would feel better for you too. He waits for a bit to gauge how you’re doing, and it seems like you’re content to remain like this for the show. Kai doesn’t think he can handle that- actually, he knows he can’t.

He starts shifting a bit. Trying to find a comfortable position, until he just decides to just thrust shallowly. It’ll be subtle, right? He could pass it off as finding a good position, right?

With that in mind, he takes a tighter grip on your hip and pulls out just the slightest bit before going back in. And fuck, even just that is leagues better than staying still. You don’t even seem to have realized.

He continues on like that and, oh, has it always been this hard to stay quiet? Maybe it’s the nature of what he’s doing, using you like this while you’re content to watch the show. Is this a kink? It definitely feels kinky. Whatever, he’ll think about it more when he isn’t trying to chase an orgasm.

On your end, you’re thanking every god you can think of that Kai needs you just as much as you need him. From the second he slid inside you, you knew you were done for. So when he started thrusting, you could’ve cried from happiness. As you feel Kai push you nearly to the edge, you grab his hand and move it down to your nub to help you along the way.

“Sorry!” His mouth says, but his body grows more brazen. Now that the facade is gone, he doesn’t have to hold back, right? He can just focus on making you feel good. And he does exactly that. Thrusting harder and rubbing your clit, to push you over the edge.

After letting you ride out your high, he pulls out and flips you onto your back. Not even hesitating to enter you again. It’s okay, you can finish the show later, he needs you. Just take it for him, okay? He’ll make you feel so, so good.

[sunshineandspencer]

Jolene

A/N: I’ve managed to get sick and the thing that roused me from my deathbed was hearing Jolene and going ‘yes, this applies to a Hotch fic, my people need me’ if it doesn’t make sense, blame the headache.

Pairing: Aaron Hotchner x Fem!Girlfriend!Reader.

Summary: She desperately tries not to think that way about his ex-wife, but seeing them interact hurts way more than she thought it would.

Word Count: 1k

Warnings: established relationship, cutesy nicknames, Haley is alive, barely-negative self-thoughts, angst but a happy ending

be added to the taglist!!

“I can easily understand how you could easily take my man, but he’s the only one for me, Jolene.”

Some part of her knew this wasn’t going to be easy, but she’d powered through it. Aaron had kissed her softly in the kitchen and told her that it would all be alright, slowly moving her to the stairs so that she could get ready.

Smacking her ass and laughing as she yelped, disappearing into their bedroom to get dressed.

They’d been together nearly three years now, only about a month until their third anniversary, and he promised something big - but that’s not important right now.

Jack has a big soccer game this afternoon, his team - little league but still important, as both men swear to her - had made it to whatever the ‘finals’ were. Aaron coaches his team, and as much as she tries to keep up, sports have never been her thing.

Despite this, she attends every single game and cheers no matter what’s happening. Plus, she gets the added bonus of seeing her boyfriend in a loose shirt and shorts, a rare and delicious sight. All the other moms have learnt that Aaron is taken, considering he comes over to kiss her whenever he can.

Honestly, Aaron is perfect. 

Even with his job, she doesn’t mind at all. She’s a photographer, and so she does all her editing work from home, and even when she does need to travel, she does it around his work and Jack’s school times. Occasionally bringing them with her, or just Jack when Aaron is away.

She absolutely loves their little family, and every single moment they spent together, and knew early on that days like this couldn’t be avoided forever.

Of course, she knows that Aaron loves her, he tells her more than enough and he still thinks he’s lacking in that department. But he loves her so desperately that he easily makes her feel seventeen all over again.

So Aaron is not the problem, but she is.

Haley, his ex-wife. The woman divorced Aaron, and moved on a lot quicker than he had, but that’s not the problem, people move at different speeds and she fell out of the marriage a lot sooner than Aaron did. The issue that she has is seeing them together with Jack.

They’re so.. picture perfect. Clearly a family. To the point where it hurts.

Haley is utterly gorgeous, and ageing has only done her wonders. Of course, she knows that she’s also aged pretty well, but not as well as her. 

The woman exists as if the phrase ‘fine wine’ was made just to describe her, and the quiet sting of jealousy hits deep whenever she and Aaron interact. It isn’t very often, thank God, but it still sucks.

The way she still talks to him so casually, as if they were friends who didn’t have an eight year marriage between them, it sets her on edge. It feels like she believes if she wanted she could easily stroll back into Aaron’s life. And why wouldn’t she?

She’s stunning, she’s Jack’s mother, there’s nothing stopping her from taking Aaron all over again.

Except the fact Aaron has reassured her that Haley is nothing to him anymore except the woman who gave him the greatest gift in his life bar his “wonderful girlfriend”, and she believes him. God- it feels so wrong to feel jealous and small when he’s told her that Haley is nothing. It feels like she’s doubting him, and it’s not that she’s trying to, she can’t help it.

How could she, when his ex-wife looks like that?

“Where’ve you gone sweetheart?”

Blinking softly, she looked up from where Jack was excitedly talking to his mom about all the goals he scored - uncaring that half were own-goals.

Aaron had come over to sit next to her, and hesitated from placing his usual peck to her lips when he found her so lost in her own thoughts. Moving to sit next to her and immediately place a hand on her thigh, squeezing softly and pressing his thumb into her flesh by the hem of her dress.

“Nowhere, no I’m- I’m still here.” He gives her a look and she sighs, leaning in to kiss him and grumble unhappily against his lips. “Everyday you make it harder and harder to like profilers.”

Humming, he kissed her a little firmer than usual and she pulled back, looking at him confused. Not that she was complaining, but he usually had a reason.

“She may be his mother, but Jack loves you just as much.”

Her heart seized, hating that he was able to figure her out so easily, but not surprised anymore. Reaching to squeeze his hand where it still rested on her thigh and turning to look at him fully.

“Aaron, I--”

“I mean it dove, we love you. She’s had her time in my life, and that’s over, you are the only one I want for any foreseeable future.”

A bright smile drew up on her face, the one he so loves drawing out because it means that she’s getting over whatever bothered her. 

He’s not stupid, he knows how much that bothered her at the start, and it had calmed down slightly over the years, and she believes him completely. Convincing her brain to believe him, however, had been the most surprising thing to try and overcome. For her, however, he’d reassure her everyday for as long as it takes.

With her hands smoothing up his arms to thread into the hair at the nape of his neck, that little bashful smile overcame her face as she got closer. Pressing a quick kiss to his lips.

“Careful there Hotchner, or someone might think you’re proposing to me.”

He huffed out a small laugh and wrapped his arm around her waist and tugged her even closer, kissing her deeply. Not caring that there were other moms watching and awing, or Jack making fake throwing-up noises, even though he really doesn’t mind.

Only pulling back to brush his nose against hers, smiling down at her and watching the way she couldn’t decide which eye of his to focus on.

“Just wait sweet girl, I’m not having you ruin my surprise.”

Want more?! Good!

taglist ( ˘ ³˘)♥ @peachsodameg @angelinajolie0213 @jiggly-puff-12 @khxna @kennedy2156 @trulycayla @none-of-your-bullshit @alexxavicry @meg-black @anotherpassiongirl @princessjax @gghostwriter (please tell me if this works because I have never done this and google is useless, also if your tag is here and it doesn't work, check your settings to see who is allowed to tag you or this might not work)

[mywitchyblog]

Message to @alphaltrainreflection

First of all, bitch, where did I ever say anything about "eroticizing inferiority"? Like, be fucking for real. Show me the receipts. Because unless you’re reading between lines that don’t exist, nothing in my post said anything about power dynamics, submission, or “inferiority.” It sounds like you’re projecting some judgmental bullshit that I didn’t even invite into the conversation. So let’s start there—check yourself before you come into my space twisting my words to fit your weird little agenda.

Second of all, and I mean this with every ounce of sincerity, shut the fuck up. Genuinely, if you don’t like what you see, don’t interact. It’s that simple. Not everyone has to match your narrow idea of what shifting is “supposed” to be. Shifting isn’t some gated community where you get to play security guard and decide who’s allowed in. So do us all a favor, take that rigid-ass energy, and keep it to yourself, bitch.

Let’s be real for a second. You said, “sex freaks who insist on eroticizing inferiority are ruining shifting.” Bitch, nobody’s ruining anything—especially not me. All I said was that I want to get fucked. Plain and simple. If my desire to shift for a good time offends you, you’re free to move along. Shifting means different things to different people, and if sex is part of that, it’s totally valid. If I want to shift to a reality for some damn good dick, who the fuck are you to get all sanctimonious about it? Newsflash: your opinion on what’s “appropriate” doesn’t apply here, darling.

And let’s get one thing fucking clear, because clearly, you need this spelled out: even if someone did want to shift to a reality where they take on a more passive, submissive role, what of it? Why the fuck does that bother you so much? Some people spend their whole lives having to be strong, holding shit together, constantly defending themselves, and staying in control just to survive. Maybe, just maybe, they want to create a reality where they can finally let go, surrender, and trust someone who respects them and won’t take advantage of them. Imagine that—feeling safe enough to let down your guard and explore a side of yourself you don’t get to express in this life. For some people, that’s healing. For others, it’s fun. Either way, it’s their choice, not yours. So back the fuck off.

So let’s talk about this “ruining shifting” nonsense you pulled out of nowhere. Bitch, the only thing “ruining” anything is people like you, stomping into conversations uninvited and acting like you’re the gatekeeper of how others should experience their desires. You’re clinging to this imaginary rulebook about what’s “appropriate” for shifting as if that makes you morally superior, but all it does is make you look insecure, judgmental, and way too invested in other people’s business. Spoiler alert: nobody gives a fuck about your approval or needs it to validate their experience.

Here’s the truth, since you seem to need a wake-up call: shifting is deeply personal. It’s about self-determination and freedom, not conforming to some rigid-ass code of conduct set by random bitches on the internet. If someone wants to shift for spiritual growth, self-discovery, sexual exploration, or all of the above, that’s their fucking prerogative. Shaming them because it doesn’t align with your limited, vanilla-ass view of what’s “appropriate” is straight-up pathetic.

And by the way, bitch, sex is a natural, beautiful, and completely valid part of life. If I want to shift for sex, or if someone else wants to shift to feel cherished, adored, or, yes, even submissive, that’s nobody’s fucking business but ours. Maybe instead of trying to drag others down to your level of insecurity, you could take a hard look in the mirror and figure out why other people’s sexual autonomy bothers you so damn much. Because this isn’t about “ruining shifting”; it’s about you being uncomfortable with the idea of someone enjoying themselves in a way that’s different from what you deem acceptable. Maybe some self-reflection would do you some good.

To every other shifter out there who’s ever been made to feel guilty or “lesser” for shifting for your own reasons, listen up: you don’t owe anyone an explanation, and you don’t need anyone’s approval. Your DR, your fucking rules. If shifting for you is about finding love, intimacy, exploration, or yes, even some good dick, that’s your choice. Don’t let some insecure bitch shame you or make you feel like you’re somehow ruining the experience just because it doesn’t fit into their narrow little box. Shifting is about creating the life and reality you want to live—whatever the fuck that looks like for you.

So, here’s a suggestion: take your unsolicited, holier-than-thou attitude and keep it to yourself. If you can’t handle seeing people talk openly about their desires and goals for shifting, then bitch, scroll past and save yourself the outrage. Because at the end of the day, I’m not here to please you, and neither is anyone else. We’re here to live our best lives, however we see fit, and if that’s too much for you, the door’s right over there.

To everyone who’s out here shifting for what they want, keep going. Own your desires, own your reality, and don’t let anyone’s outdated judgment make you feel like you’re doing it wrong. Shifting is your journey, and if that includes exploring intimacy, vulnerability, or sexuality, you’re not alone. You’re valid, and your experience is just as real and important as anyone else’s.

Consider this your reminder that no one’s begging for your approval. I’ll be over here, unbothered, shifting for exactly what I want, and loving every fucking second of it. ✨

[rafesangelita]

heyy everyone, i just wanted to come on here and say a few things regarding a lot of plagiarism that’s been going on, along with some other points that i feel inclined to speak out about. before i start this post, i just want to preface this by saying that i am in no way speaking about anyone in particular, this just applies to the general community, and i think it’s important to not be so divided, especially amongst each other. so many writers in this community are so incredibly talented that unfortunately, copying and stealing of work has become a regular occurrence. below are some topics that i believe needs to talked about and acknowledged in some way.

stealing of au’s and concepts + the claim on concepts and au’s that already exist:

there is a huge difference between creating an au and introducing something completely new that has never been done before in a fandom, or ever for that matter, vs. introducing a concept that has already been around and existed outside of a fandom and bringing popularity to it/making it more well known, thus, kind of lighting a fire and inspiring others to write for it as well. this goes for plot lines, !readers, different versions of !rafe (example: frat!rafe, dealer!rafe, etc..), prompts, and the list can go on. there’s so many original au’s and concepts out there, but there’s also a lot of stuff that’s already been done before that isn’t considered ‘original’, which means it would’t call for the need to be credited for in the first place.

the difference between being ‘inspired’ by someone else’s work vs. publishing a remake and often times NOT crediting the original writer:

no matter what the instance is; being inspired by someone’s work, or publishing your own version of the same original concept by someone else, YOU SHOULD ALWAYS ASK THE ORIGINAL WRITER FOR PERMISSION FIRST. if they tell you yes, CREDIT them, if they tell you no, COME UP WITH SOMETHING ELSE. if you’re ‘inspired’ by someone, your work should not be similar to theirs in a way that the plot, !reader, !rafe, prompt, etc.. is being used in the exact same way as their original work. you could only be ‘inspired’ so much before you’re just paraphrasing a fic, it truly gets to a point.

DIRECT communication:

this would fix most, if not all, of the problems in this fandom. feel like someone is copying you? (using exact, word for word, lines from your writing pieces?) DIRECTLY confront them. feel uncomfortable with the similarities between your work, or works, and another writer’s? DIRECTLY express your concerns with your valid proof. feel as if your layout is being copied and you’re not being given credit? DIRECTLY, kindly, ask for someone to start doing so. politely messaging someone will never make you confrontational or problematic, INDIRECTLY making rant posts that are throwing disses at someone without messaging them about the situation first is what does that. INDIRECTLY speaking out about someone hoping they’ll see it and know they’re the one being talked about doesn’t make the matter any easier when it really all could be resolved with a single message. PLEASE JUST TALK!! we are all (mostly) adults..

note: i say this with only one exception in mind; if you see anything like this and you make the active decision not to make shady posts, acknowledge the situation, confront a person, or simply just put your energy into something like that, and instead you just block the person and move on with your day, that is 100% your choice, and you don’t owe anyone an explanation for anything.

debunking the whole ‘this fandom isn’t welcoming to newcomers’ accusation:

this is not true in the slightest. if you’re a new writer in this fandom, and you’re not starting off by coming up with your own fics and ideas, but instead piggy backing off of others, stealing and not crediting, copying, etc.. you truly can’t expect others to want to interact with you if you don’t have the common decency to not do certain things. this is not just for this fandom, but any fandom that you may write in. think about it like this; if people and other writers are supporting a writer that you’re ripping off of, why on earth would they interact with you if they are already reading similar, if not the same, content from someone else? it’s not possible to establish yourself anywhere if you build your blog off of copying, that’s just the truth!

[trappolia]

SEBEK ZIGVOLT ── hot things he does for you

i. verbal appreciation. it’s a whole thing. there’s not a single day that will go by that this man doesn’t let you know how much he appreciates every little thing you do for him. sometimes it’s loud and booming, making the other students and staff in the library flinch because of the sheer volume of his voice, but other times it’s silent and soft-spoken, the ghost of a kiss against your skin in the late hours of the night. he doesn’t think it’s that big of a deal, but it means so much to you that he’s so open about how truly grateful he is for you.

ii. towers over you most of the time. he’s big and strong, and there’s something attractive about that combined with the fact that he’s practically dedicated himself to being your guard alongside his official duties to malleus. it’s not uncommon to have him lingering behind you, ready to step forward the moment you need his help. the position also makes for very good back hugs, should you request them at the right place and time.

iii. has a tendency to touch up on your appearance without you asking. he’s used to looking after silver, making sure he looks nothing less than perfect (even though silver has that unfair advantage of always looking princely even if he fell asleep in a ditch), and that habit extends to you over time. he soundlessly reaches out to you to adjust the collar of your uniformm of the fringe your hair as if you have no personal space, leaning in close enough for his lips to accidentally brush against your skin. it’s a wonder that he doesn’t notice the way your breath hitches (or does he…?).

iv. takes a while to learn how to whisper, but when he does, you can’t help but feel like he’s using it against you in some way. he gets closer than necessary when he’s whispering in your ear, to the point that his lips are brushing against your skin every time he moves. you don’t want him to tell him to move away, especially since you’re not exactly uncomfortable by the sudden close proximity, so you’re just left to pray to whatever deities exist in the world of twisted wonderland that he doesn’t notice the way your ears are suddenly burning hot and you’ve somehow forgotten how to breathe.

v. remembers the most trivial things about you, from the expression you make when you’re eating something you’re not particularly fond of to your body language when it’s too cold but you don’t want anyone to know that you’re freezing your ass off, even the way your gaze shifts around a crowded room when your social battery is depleting. one could say that he knows you better than you know yourself. he applies his knowledge very discreetly, so subtle that barely anyone notices. you do, of course, because you’re quite proud to say that you know sebek almost as well as he knows you. but you’re much too hesitant to point it out, afraid that if you were to do so, he’d stop. (a silly fear; sebek wouldn’t be able to stop caring for you even if he tried)

© trappolia 2024

[elliehase-blog]

We're simply meant to be

I just had to write something about them. ❤️💜 This time it's longer than usual, and not proofread (sorry) but if you enjoy this little piece, you can read the rest on AO3.

~*~

In the afternoon, Roman is still quite relaxed. He polishes the blade of his sword, humming verses of Sally’s song. Hey, why not? He is only 51% sure that this is a kind of date tonight. It’s not as if Virgil was in any way clear with his all-but-nothing sentence.

»You're right, Roman. We can live like Jack and Sally if we want to.«

There. The word 'date' has not been used in any form.

Virgil had laughed at this point, to Roman’s utter bewilderment. A delightful little laugh that took up all of his attention and everything else outside had ceased to exist. And of course Roman had not known how to help himself other than to take the whole thing to the next level.

»And sit together, now and forever,« he had said, and had taken Virgil’s hands carefully in his. In this moment, Roman had only felt his heart pounding against his ribs in a whirling drum solo.

After that, Virgil had turned away in embarrassment and mumbled something that sounded like, »See you later.«

So maybe it is a date after all.

Perhaps.

(It’s certainly not.)

For seconds Roman bites his fingernails helplessly. He had seen so many cheesy romance movies in his life that he liked to consider himself an expert in the field. There was nothing to surprise him, as he knew all the signs and all the rules. And if you can no longer rely on cheesy romantic movies, then what?

But somehow all these rules never apply to Virgil.

How did they get here in the first place? Aren't they supposed to argue and fight like in the good old days? Sometimes, Roman likes to picture the deep, passionate rivalry he and Virgil have for each other. He imagines them having endless discussions about Disney characters, staring at each other in a fiery way. And when no one is around, Roman sighs deeply and longingly at this point and buries his heated face in velvety soft red silk pillows.

In the evening, Roman takes a look at his imaginary wardrobe and starts hyperventilating. He’s never had a no-date before. With nobody.

He has no idea what to wear and if he has any piece of clothing that says, 'When you look at me, I can’t breathe, and whenever you’re around me, I talk a lot more nonsense than usual, but if this is a date, I’d be totally fine with it.'

Lately, Virgil had just been too nice and peaceful around him. He means, nice… within the scope of his limited possibilities. Roman can’t say that this is terribly unpleasant, it’s just very… irritating. He has to do something. Or rather, he has to delegate this problem very quickly so that someone else does it for him.

Roman was great at delegating. This talent was practically innate. That's why he calls Logan.

»We have a… situation,« Roman explains dramatically. »I don't know what to wear!«

Logan throws a 'What do you want from me?' look at him. He raises his eyebrows wordlessly and completely unimpressed and makes absolutely no attempt to move even a millimetre from the spot.

»C’mon, Teach, I need your advice here!«

Usually, Logan would not have been his first choice in terms of clothing and taste, but he also has that unclouded and focused sight that Roman needed right now.

»Pleeeaaase!«

Logan sighs and Roman strongly assumes that this is supposed to mean agreement. Probably, Roman had convinced him with his astute argumentation and natural authority. That, or Logan, for once just doesn’t think a discussion is worth the trouble.

»What's the occasion?« he asks without further ado, pushing his glasses up in an unconscious gesture.

»Something… important,« Roman says vaguely.

[polydamnory]

Poly Shaw Pack Headcanons

⚠️SOME NSFW BELOW - LIKE ONLY 2 BUT STILL YOU HAVE BEEN WARNED)⚠️

Sometimes when David says something kind of snappy or rude to Angel (tsunderes gonna tsundere), Darlin will just come up, pick Angel up, and walk away saying “nope. Mate privileges revoked” - doesn’t matter if Angel isn’t bothered by it, he was mean

Milo HAS borrowed that choke collar from Baaabe and used it on Asher 👀👀👀

Almost all of them have tried their hand at teaching Asher how to cook - none have succeeded

Asher and Angel both keep getting caught late night gaming by the others, and David. Is. Not. Happy about it.

Sweetheart doesn’t purposefully sneak up on/startle Darlin the way they do Milo - they know that due to Darlin’s past trauma, they’re a lot more likely to lean more towards the fight part of fight or flight instincts, as well as just not wanting to accidentally trigger them in general

The non-shifter mates will go on a group date just the four of them once a month - the shifters do too but most of the time they just end up playing video games together (Asher) or spending some time in their wolf forms

Milo and Angel are both huge dorks for Aggro and baby him excessively

When Darlin gets really touch starved (which is most of the time), the rest of the polycule just kind of pile on top of them

Baaabe and David learned how to cook some of the dishes Sam’s grandmother used to make for him to help him feel better on the anniversary of her death - Darlin tried to help but got kicked out of the kitchen

Asher and Sweetheart occasionally team up to fuck with Milo (also Christian lol)

Angel moves around in their sleep a lot so whoever’s closest to them in bed have to be the ones to essentially smother them to keep them from accidentally kicking or punching somebody in their sleep

Solar Solstices are TOUGH with them all staying together, but thankfully the four non-shifters can team up to tackle it - Baaabe’s on cooking duty, Angel’s the one keeping David and Darlin from getting up out of bed (they are NOT above sitting on you, Darlin, stop it!), and Sweetheart and Sam team up to do some sleeping or healing magic - it doesn’t help much, but it’s something. They typically end up watching movies or playing some easy video games that at least keep them laying/sitting down for a majority of the day. EDIT: the lovely @darlin-collins (sorry for the at) has pointed out to me that both stealth’s AND vampires are negatively affected by the sun bound solstice so I guess Angel and Baaabe are gonna have to fight for their fucking lives lol

The mates groupchat still exists and Asher begs to be let in it like once a week

Darlin kind of wants to be included in it too but refuses to admit it

Asher and Angel can both dress like total gremlins and it physically pains Milo to have to see it

Baaabe has dommed most of the others at some point

Sam took a bit to feel comfortable asking to feed on any of them other than Darlin, and even then he still typically goes to them first if he’s feeling hungry - he doesn’t really have a favorite, it's just that in that regard he feels the most comfortable with them specifically

Asher will shift and comfort any and all of them in his wolf form like he does for Baaabe - he has to do it a lot for Sweetheart, their job has them stressed

David often feels like he’s babysitting a bunch of toddlers because even when they were just friends, the stupid shit this group would get themselves caught up in is insane - the fact that none of them have been arrested yet is a miracle in itself. No, Sam is not an exception.

Darlin, Milo and Angel are all terrible with horror movies (this is canon) and David sometimes likes to choose one he knows will particularly get them when it’s his pick for movie night just to fuck with them

I feel like some of these could technically apply outside the context of the polycule, and you know what, yeah that too

[chaos0pikachu]

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy. 

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right? 

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus. 

To start, I’m going to break down this scene featuring Great and his nepo baby cat: 

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable. 

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience? 

One thing I added to the video was a grid for the rule of thirds. 

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot. 

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT. 

Anyway on to the opening shot, right after our credits and we’re moving into the shot. 

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon. 

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place. 

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs. 

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes. 

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much. 

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually. 

Instead, we enter the scene with movement, panning over and creating some interesting visual framing. 

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation. 

Who is this character? What does he look like? What’s his deal? 

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet. 

Here’s another two more things I like about this shot:

Lines. 

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself. 

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer. 

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading. 

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle. 

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience. 

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here. 

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit. 

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well. 

What could this say about Great as a character? Or his story? 

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot. 

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them. 

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim. 

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene. 

And now, 30 whole seconds in and we’ve finally seen Great’s face! 

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in. 

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be. 

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated. 

When the scene cuts, we get this shot: 

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie. 

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out. 

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting. 

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet. 

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot! 

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him. 

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round. 

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance? 

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay? 

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority. 

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one. 

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks good. 

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be. 

Further Reading: 

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

[formosusiniquis]

Robin's Guide to the Care and Feeding of Your Newly Adopted Former Mean Girl

Happy @stevieweek everybody! This is Day One: Stobin with none of the bonus prompts, but keep an eye out cause i've got a few more incoming this week.

Robin Buckley & Stevie Harrington; Pre-Stevie Harrington/Eddie Munson WC: 9483 | T | No Archive Warnings Apply | Tags/Themes: transfem!Steve Harrington; Platonic Soulmates Steve & Robin; Robin Buckley is the Stevie Harrington Defense Squad

AO3

On July 4th, 1985, Steven Joseph Harrington died in the Starcourt Mall Fire. 

The story Robin Marie Buckley tells, after two weeks of hospitalization and an additional month in Indianapolis for “personal reasons,” when she returns to her senior year at Hawkins High a full week after the first day of school is one of abject heroism on the part of Steve.

It’s true, even if it isn’t the whole story. Just like it isn’t hard for her to play morose and avoidant, because that’s how she feels. She might know Dustin, but it’s too hard to spend much time with him and she doesn’t want to be the weird friendless senior who only talks to freshmen. She’ll leave that to Eddie Munson, who snatched Steve’s weird little child friends up only a few weeks into the first semester. 

Nancy and Jonathan avoid her as much as she does them, she doesn’t think they know what to do with the new girl in the know. It paints a picture, well she realizes later that it paints a picture, but she doesn’t want to sit at a table and eat her peanut butter and jelly sandwich while Nancy Wheeler’s big beautiful eyes are staring at her like she’s an article that’s half an inch too long and needs to be dissected while Jonathan Byers is also there.

So she drifts through the halls of Hawkins High like a ghost, she’s Cathy on the moors. Avoiding anyone who might try to ask her too many questions about the final days of Steve Harrington and Starcourt Mall.

Until the day she spots a baby blue jeep pulled into the Henderson’s driveway, a tall brunette unloading a single suitcase from the back. She’s got her bike across the road before she can even think of a game plan. A noise that’s almost like a scream erupting from her mouth the entire time she coasts over.

“You’re here, you’re here, you’re here!” It’s an uncharacteristic bit of grace, that lets her drop her bike to the ground and use its momentum to catapult herself into the other girl’s arms. Too excited for a second to remember that she’s in a place where small town gossip exists, and a new neighbor can fuel the mill for days.

But she enjoys her hug for a second before settling into a more appropriate character. She extends a hand, ignoring the laugh it gets her, “Welcome to Hawkins, I’m Robin, occasional Dustin babysitter.”

The girl’s smile pulls lopsided at her mouth, kissed with a bit of irony and undeniably charmed. “It’s nice to meet you Robin,” her voice is soft, and a little unsure. Wavering like Becky Simpson’s tone deaf oboe playing, unsure of what pitch and timbre to land on. “I’m Stephanie Henderson, Dustin’s cousin.”

The bit crumbles immediately between Robin’s fingers.

“Stephanie? You went with Stephanie? Are you kidding? We workshopped so many names!”

“I liked my name! But it’s weird apparently to be a girl named Steve.” She distributes finger quotes randomly throughout the sentence like Robin hadn’t been the one to say she didn’t know any girls named Steve. “Stephanie is pretty!”

Robin looks her best friend dead in the eye, unsurprised that there’s not a hint of humor even underneath the drama. “Never mind that it sure would be strange for Steve Harrington to die just for girl Steve who looks like she could be his cousin to move to town.”

“Affair baby,” Stephanie presents the solution with a flick of her hand. Robin notices that her nails are still chewed short, more noticeable  after they talked about what it would be like for her to grow them out and manicure them.

“Give me the whole name right now,” Robin demands, “I wanna hear how it sounds.”

Steph, cause they’re going to have to figure out nicknames immediately they just aren’t the kind of friends that can go around being Robin and Stephanie, kicks the curb with her scuffed up Nike. Her arms crossed across her middle accentuates the way her body has already started changing, Robin feels like a creep for a second for noticing her friend’s boobs before deciding that they weren’t the kind of friends with those kinds of boundaries.

“Stephanie Marie Henderson.”

“Oh my god!”

“Shut up, don’t even.”

“Oh. My. God.”

“You’re already making a big deal out of it, which it’s not.” Stevie insists.

“You stole my middle name, you’re so obsessed with me.” It’s the best thing she’s ever heard actually, that Stevie might be as into this friendship as she is. She’s always the friend that’s too much.

Stevie’s smile is small, shier than she’s used to seeing it. “Yeah well whatever Stephanie Robin sounds like a straight to VHS Winnie the Pooh movie character or some shit.”

Dustin comes scrambling out of the house before Robin can make another joke. “You were supposed to call before you left! Ma isn’t finished setting up your room, and Tews is stuck under your bed.”

They share a look, and Robin thrills a little that she has a friend that she can share looks with. “Henderson,” Stevie shouts, sounding a little more like she did this summer. “Are you really going to make me carry my own bags in? I'm a fucking lady, dickhead.”

“Sure don't fucking talk like one,” Dustin hollers back from the door, already trudging out of the house.

“Gonna have to work on your feminism,” Robin says. wondering what kind of weird shit a person would have to sort through when they realized they were transsexual. “Just because you're on estrogen doesn't mean your arms are atrophied.”

The butter-wouldn't-melt smile is still the same, even though her face looks softer. She hands off her suitcase, patting Dustin on the head as he visibly stumbles under the weight. “Don't drag it on the sidewalk, it's new,” she directs. 

He can't flip them off when it takes both hands to lift the luggage in his hand, “How are you more of an asshole, oh my god.”

“Is that anyway to talk to your cousin, Dustbunny?”

Dustin doesn't answer directly, but he's muttering under his breath the whole way to the house. 

“My ribs still hurt some when I'm doing heavy lifting,” Stevie says when he's out of earshot. “Better to be a high maintenance girl all of a sudden than someone he doesn't think he can count on.”

“Don't love the way you used girl in that sentence, Dingus.” Robin shoves at her shoulder, “Let's go look at your room, we can plan how you want to decorate.”

“I'm not saying I'm upset we got the job, Rob, just that it's weird the way Keith was acting. He always hated me, you know that. Before all this,” she gestures down her striped top, well Robin supposes she’s actually gesturing down at the way it hugs her figure, “he hated me. I’m pretty sure he wouldn’t spit on me if I was on fire.”

“That seems a little dramatic, but welcome to your first workplace sexism.” Robin gives Stevie a comforting pat. Hopeful that it communicates a ‘welcome to the bad parts of everyone knowing you're a girl’ and not how she’d been prepared to work some of that sexism to their advantage. But apparently Keith was charmed by Stevie’s list of favorite films, he’d even laughed when she said her favorite Star Wars movie was the one with the teddy bears. When they’d gone to pick out movies last week she’d heard him lecture a guy for five minutes on how it was Episode VI not ‘the third one.’

Stevie flips her hair, sending Robin a playful glare, “I’ve experienced sexism, thank you, have you already forgotten what I used to look like.”

“I’m sure he’ll go back to hating you once he realizes you working here is going to mean this is one more place that Henderson and the brats are always hanging around.” She went with Stevie to the arcade once and she almost understood why Keith always hid in the back when they walked in. 

“Probably, but at least then I can stop being nice to him. He’s such a-” Robin can hear the way Stevie swallows the rest of the sentence. A frustrated, red blush flooding her cheeks as she bites down on her bottom lip. It’s confusing, the small shake of her head and how upset she suddenly seems to be with herself. “Sorry, sorry, never mind.”

Maybe it’s stupid, but for some reason that’s when Robin realizes that Stevie was about to say something mean. That Stevie stopped herself but she is, Robin supposes, frustrated that the instinct is still there. And it’s not like Robin doesn’t remember that they’ve talked about this before. Stevie with that eyepatch on from where they reattached her retina and Robin laying in the hospital bed next to her still under doctor’s supervision. Neither one of them were high anymore, it had been almost sixteen hours since Everything, they were only in the hospital at all because Robin’s mom had found them both passed out in her bed and panicked. When Mrs. Henderson had seen them both in Hawkins General and did what Stevie said was panicking and had them shipped to the city, her car speeding closely behind.

The only thing they could possibly be high on was the sudden crushing awareness of their own mortality, when Stevie’s one good eye locked with hers and she said, “I don’t want the first thing people think of when they remember me to be how I was a douche or an asshole. Or a bitch, I guess, if they actually let me change like they said they would.

“All the girls I know,” she paused and seemed to consider that, “all the girls that I still like, are good and kind and badass.”

“Including me?” Robin had teased, but she had remembered the way she had given Stevie such a hard time from the second they started working together until the moment they as the ‘adults’ realized they were going to have to protect Dustin and Erica from something that might kill them all.

“Especially you.”

So yeah, of course, when she catches herself about to verbally eviscerate Keith behind his back two weeks after being back in town she shuts down. But Robin isn’t about to let that happen. Stevie is good and kind and definitely a badass, if Keith were in trouble she would absolutely risk her life to save him -- as long as saving him didn’t keep her from saving one of the kids. 

Stevie was a good person who had some mean girl tendencies, Robin wasn’t going to make her feel bad about that. As long as she was using her powers for good, or like Claire in the Breakfast Club she was kind of Mean Girl lite.

“He’s kind of a slimy creep,” Robin admits. The kind of comment she thinks, but couldn’t ever really say with her last group of friends. It would break the loser code.

Stevie’s shoulders drop from around her ears. She’s still idly picking at the nail polish they just painted on her thumb, but she smiles over at Robin. A little sly, a little catty. “He touched my shoulder while we were leaving and I swear to god he left orange cheese puff residue behind.”

“Maybe half of your new clothes shouldn’t be dry clean only.”

“ Maybe he should help cover my dry cleaning bill if he’s going to put his hands on me in the workplace. I could call Family Video HR, probably. You know his dad owns like half of this strip mall, and people gave me shit about having money, I’m pretty sure they own the dry cleaning place too.”

“So why do these polyester nightmares smell like the BO of employees past?”

“That’s what I’m saying!”

With the job and Stevie back, Robin almost forgets that she spent the first three weeks of school sad and miserable. She’s maybe even a little distracted that they have plans tonight, and forgets that there are reasons other than the threat of bacterial infection to avoid the girl’s room in the language hallway. And more than any of that, it’s really hard to think about any of that when she can feel her bladder starting to pickle her brain.

The door to the bathroom swings open before she can exit the stall. Voices she recognizes as Patty Taylor and Molly Smith already mid-conversation filter in. “I mean she’s pretty, like really pretty, but I mean why would you even move to Hawkins.”

It’s definitely too late to leave.

“Carol said that she heard from Heather that she moved in with her aunt, she was from the city or something.”

The squelching sound of a lipgloss wand leaving the tube is punctuated by a bitchy hum, “Well, you know who spent all that time in the city this summer.”

“I mean yeah, but how would they have even met? I’ve heard like six different stories about why she was there.”

Patty’s voice echoes, through the crack in the stall door Robin can see her lean over top of the sink putting her face even closer to the water spotted mirror above it. “Well she was in that mall fire, but I heard she had to stay so long after initial treatment because she…”

There must be some facial expression she’s missing, Patty trails off like she’s dropped some grand secret. Robin isn’t a total loser, she hears gossip. She knows that Mrs. Click is going through a bitter divorce from her husband because he had that affair with the gas station attendant from the Chevron by the highway. She knows that Tim Morris got sent to military school after he put a cherry bomb in Mrs. O’Leary’s mailbox. She knows that Vickie is definitely a shoo-in for clarinet first chair even though Michael Lewis had it last year and he’s a senior this year.

And yeah okay two of those she had heard from Stevie.

But she thinks she should have had some clue that there was some kind of rumor going around about her. Molly wrinkles her forehead, maybe she isn’t the only one who has no clue about this rumor. “Because she what?”

“Because she lost the baby and they put her in the psych ward,” Patty says loud enough that it bounces off the tile walls of the bathroom. A hand covers her mouth and they both look around like they’ve just remembered that they’re in public. Robin pulls her feet up on the toilet seat with her.

“What baby?” Molly asks in a whisper that seems even louder with the way she forces it out.

“Come on, everyone knows the reason she was so upset that Steve died. He knocked her up while they were working together and with the stress she lost the baby. She was such a freak already, the new girl and her must have been in the same padded cell in the loony bin.”

“Really? I mean with Steve Harrington? ”

“I mean Carol said it so I’m pretty sure it has to be true, you know how close she used to be with Steve.” 

The bell rings, sending them both fleeing from the bathroom with muttered curses. Robin stays in the stall too stunned by what she’s heard to move. Stunned and filled with the thought that all she wants right now is to see Stevie.

She bumps into Eddie Munson on the way to the payphone. He gives her an unreadable look, mostly eyebrows that she can’t see beneath his bangs anyway, so she isn’t sure why he even bothers. Is he wondering why she’s skipping class? Or did he see her running from the bathroom and now he’s wondering if maybe the rumors were only partially true, that she’s still pregnant and she hadn’t lost the baby like apparently half the school thinks.

If a wet rat like Munson knows more about her status in the school than she does she really might have to go back and hurl.

She puts in her change and dials the increasingly familiar number for the Henderson place.

“Hen-”

“I need you to come pick me up, now.”

It isn’t hard to convince the school nurse, who’s more worried about when she can slip away to sneak her next cigarette than she is about doing any nursing, that she’s too sick to stay. So she’s waiting out front when Stevie’s new Jeep rockets into the parking lot, the woman of the hour flinging herself out of it before it’s fully in park. 

“What happened? What’s wrong? The kids are fine right?” She’s pressing the back of her hand to Robin’s forehead, the other at her side clenching into fists as she looks over Robin’s head for any creature or person that might need to be put down.

“Everything’s fine,” she lies, “I needed to see you.”

A single eyebrow raises, Robin helped her pluck that eyebrow into that arch and now it’s being used in disbelief at her own blatant lie. “Fine,” she relents, “I’ll tell you when we aren’t standing in the middle of the parking lot, okay?”

The radio is off but so are the doors, so even as Robin refuses to talk the sound of the wind rushing past them fills the silence of the car. With no destination in mind, Stevie seems to be driving a slow meandering circuit of Hawkins.

“I overheard Patty and Molly talking about us in the bathroom today.” She says only after they’ve passed Melvalds twice with no sign of parking.

“They were talking in the bathroom about us or they were talking about us in the bathroom.”

“That’s the same sentence twice.”

“No it’s not. In the bathroom or in the bathroom.” The emphasis is nonsensical, but after a second it clicks.

“They were in the bathroom. I guess I was also in the bathroom but it was definitely not about our bathroom conversation.”

“What were they saying?” Stevie noses out gossip like a search dog noses out missing kids.

Robin sticks her hand out the side of the car, dancing it up and down in the wind like a wave. Letting the force of it glide up and over her like she wishes she could just get over whatever it is that has her so upset. Gossip and rumor that she knows isn’t true.

“Technically you got to be two characters. They think we know each other from the psych ward because boy you got me pregnant and when you died I lost the baby and went crazy.”

Her seatbelt catches her hard against the chest, forcing the air out of her lungs. Stevie’s hit the brakes so hard that the smell of rubber is in the air, uncaring that they’re in the middle of a main road. She’s just looking at Robin with something, disbelief or outrage, maybe a little bit of that rage she gets when her people have been hurt.

“Patty said that? Patty Taylor? Patty with the retainer breath whose lipgloss makes it look like she’s always drooling on herself, Patty?”

A nod is enough answer for Stevie to let out a little humph, setting her eyes back to the road and easing them into drive like they’d just been caught by a stray redlight.

“What?” 

She shakes her head, gazing around the upcoming turn like they don’t both know it’ll be the rundown place that used to be Benny’s. It’s going to be something mean, something she’s worried will make her sound too much like the person she used to be.

As far as Robin is concerned whatever it is won’t be any different than when she swung that phone at that Russian guard. Or crashed that car into Billy’s. It’s all just different ways of helping to protect the people she loves that aren’t as good at protecting themselves.

“Tell me,” she insists, wheedles even. “Whatever it is I won’t tell anyone else. It’s time honored girl code you have to tell me.”

“Girl code?”

“I’ll mimeo you a copy of the handbook, tell me. It’ll make me feel better.”

Stevie’s sigh is audible over the wind rushing past them, her side eye not bad enough that Robin is at all worried about it. “I just think it’s funny that she’s passing judgment on you and your possible pregnancy when everyone knows she’s banned from the U of I campus because she went streaking to impress a guy that wasn’t even interested in her. The only reason she doesn’t have an arrest record for it is because her dad is a former professor or donor or something and threatened funding if the Dean pressed charges.”

“Oh my god, really?”

“Totally, the guy was on the basketball team. He came back and told everyone when he came home for the pre-season kegger.”

She grabs Stevie’s hand off the gearshift, holds it just because she can. Relishes in the closeness the two of them can have now that she’s back and everything is better again. “You are the strongest woman I know, all this knowledge and you just keep it to yourself all the time.”

She snorts, squeezing Robin’s hand, “I literally don’t, I just told you something. Pretty sure that’s like if I had the nuclear launch codes or something and I gave them out to just one person because they’re having a really bad day.”

“Oh! Do you remember doing those stupid duck and cover drills in elementary school?”

“Oh that's really nice of you, Mrs. Buckley, but Aunt Claudia is expecting me home for dinner.” Stevie's voice calls from outside the door, only a surprise because they didn't have plans to hang out today.

She scrambles from her bed, the wire on her headphones tangling around her neck until the weight of her walkman drags them off her. Flinging the door open she's just in time to save her best friend. “Thanks for bringing her up, Mom, we’re just gonna hang out in my room til Steph has to leave, okay?”

Shoving Stevie toward the bed before her Mom has a chance to say anything else, Robin at least smiles before she shuts the door in her mother’s face.

“What happened?”

Stevie is digging through her jewelry box, has a ring Robin picked up at a garage sale because it looked cool and didn’t think about trying on, and doesn’t bother looking ashamed at being caught snooping. “Why does something have to be wrong?”

She slips the ring on her finger, the gold band and mossy green stone looks better on her than it would have Robin. “You can keep it if you admit something happened.” Stevie starts to raise an eyebrow, but it halts half way up her forehead when Robin gives the Family Video vest she’s still wearing a tug.

Her smile goes lopsided, tilts too high on one side before she wanders over to flop down on the bed. “I, maybe, did something stupid.”

Flopping down beside her, Robin swears when she lands on her walkman first. “Stupid like when you put Re-Animator in the romance section or stupid like when you tripped into the Back to the Future cutout and apologized cause you weren't wearing your glasses.”

“Stupid like I don't know, Rob, you know how at first I was pretending that I didn't know anyone when they came in right, cause I'm supposed to be new in town.”

“Like bad witness protection because they put you right back where you left.”

“Right, well I kinda forgot to do that this morning when I was working by myself?”

Looking now she can tell this is something that has had Stevie really worked up. The strands of hair at the front of her face have lost some of their beachy wave from where she's been fussing with it, pushing it back, tugging at it. Waiting for when she saw Robin again.

Sitting up from the bed, she grabs Stevie's hand in a too tight grip. “What happened? You're okay right? They didn't recognize you and do anything shitty, right?”

“Well that's the thing,” she somehow looks even more distressed, it gives Robin another clue. Stevie is afraid she's broken some unspoken rule of girlhood by doing whatever it is she's done. Which means the story will be interesting.

“So Roger came in, you know Roger right? Second stringer on the basketball team, his footwork was too slow to ever actually be any good on the court but he had an amazing three pointer as long as no one was ever anywhere near him. So he'd make a great professional HORSE player but not really going anywhere with the actual game. He came in with his girlfriend-”

“Mindy Peterson.”

“Right, and when did they even get together?” She shakes her head. “Not the point, I was flipping through the Tiger Beat that Cindy left in the drawer after her shift, cause this months Car and Driver was a total waste of money. And he wanders up, surprising me cause the bell over the door still doesn't work and I thought I was alone in there. He starts talking to me like he already knows me.”

“He was flirting with you in front of his girlfriend!”

“That wasn't flirting, he was just being friendly; and I didn't know Mindy was there, she was back in the romance section picking something out.”

“So he's flirting with you while his girlfriend is picking out something for date night.”

Stevie rolls her eyes, shoving not so gently at Robin's shoulder. “He was talking to me like he already knew me, and I do know him so I did the same. I mentioned the last game he played in, well we played in. And then he starts looking at me and I realized what I look like.”

She gestures down at herself, and Robin isn't sure if this is a compliment time or a diffuse the situation time. Stevie really doesn't look that much like she used to. Her face has softened, her hair is longer, and she's leaned into the blonde highlights that she had in the summer.

“He's all ‘Do I know you?’” She continues, and Robin laughs, it's crazy how deep she can still get her voice and even though Roger does not have anything approaching the bass that Stevie has given him. It makes the situation feel even more bizarre. “it's not like I can say, ‘What you don't recognize me from all the times I gave you advice on how to keep yourself open on offense so you could actually get a hand on the ball?’”

Robin reaches for the nail polish on her bedside table, the robin's egg blue Stevie has taken to and the taupe brown that she likes but doesn't clash with Stevie's. They both pick at their nails when they get nervous, and Stevie has definitely been nervous.

“You could have said that,” she says just to be contrary, Stevie hand held in hers it means Robin avoids the smack that would have come.

She puts blue on every finger but one, letting Stevie think as she caps the polish and grabs the taupe to finish the hand. “Hi remember me, I faked my death so I could get boobies without getting murdered in the pumpkin patch I already avoided almost dying in once. Did you know they give you a new social security number for that?”

“So what did you actually do?”

“I lied, obviously.” She blinks twice, opens her eyes wider so she looks doe-eyed and vacant. “Oh gosh, well I guess you wouldn’t remember me. I used to only come to Hawkins during the holidays to babysit my little cousin, and I always try to catch a basketball game when I’m in town. Sometimes I’d sneak out and go to the parties, but I’m shy so...”

“Oh my god, like you’ve ever been shy in your life.”

“I’m going to have to be now!” She throws her hands up, fingers spread wide to avoid accidentally smudging her fresh nails. “It’s not like I can lie my way out of admitting to sharing homeroom with someone next. I’m just lucky Roger’s never took his eyes off the bottom button of my blouse.”

“Do you remember that movie I made you watch a couple months ago, the black and white one?”

“Oh yeah, that really narrows it down.”

“Gaslight, the one with the opera singer’s niece and her new husband tries to make her think she’s crazy. We just lie until everyone is convinced that it’s the truth.”

“The truth being that Stephanie Henderson always existed?”

Eye contact isn’t easy, unless it’s Stevie. They hold each other’s gaze as the excitement bubbles between them. “Exactly,” Robin says, “and that if they think anything else, they’re crazy.”

“You’re ridiculous.” She says, but it sounds like ‘you’re on.’

“Can I be a bitch for a second?” Stevie asks. She doesn’t look up from whatever magazine she was already flipping through when Robin walked through the door. It’s too casual, too calculated.

Progress has been slow but she’s slowly getting Stevie to the point where she doesn’t feel like she has to be nice all the time just because she’s a girl. Where she still acts like the bitchy dingus she'd been before, just a happier version.  

“Obviously, just let me clock in.”

When she gets back Stevie has a stack of returns that she’s working on rewinding. One thumb in her mouth as she chews at the cuticle. “So what’s-?

“If I hear one more word about Eddie the Freak, I’m going to lose it, Rob. I mean what’s he got that’s so great? I could have taken us to the All State Championships if I hadn’t gotten that last concussion saving the twerps. I’ve saved all those twerps’ lives at least two times! I was cool. I am cool! But all I get to hear these days is ‘Oh, Stevie, Eddie just did the coolest thing in the campaign today.’ ‘Thanks for the advice, Stevie, but I’m going to go with what Eddie said instead.’ ‘I know it’s your only day off, Stevie, but could you pick us up late after school? There's Hellfire today.’ ‘Stevie, since Keith actually likes you could you hold Ladyhawke for us. Oh, no we’re going to do a movie night with Eddie.’”

She’s panting slightly when she’s finished, like she’s been holding this in for weeks. With all the quotes she’s racked up she probably has been.

“You know he kicked my tray off the lunch table last week,” she encourages. She snags a box of Sour Patch Kids from the candy counter. Popping one in her mouth before waving the bag under Stevie’s frowning face. She doesn’t even have a movie turned on. Well she does, but it looks like it was one of the weekend returns Stevie wasn’t going to put on Watership Down.

“Well he’s inconsiderate,” Stevie says, digging around in the box until she finds a red one and popping it into her mouth. “Everything is all fuck the man until he’s the man in question and then he’s the only one anyone should listen to about anything. Lucas is going to make the basketball team, he’s been working really hard on it with Jay and some of the other guys on the team.”

She’s basically taken the whole box of candy at this point. Robin doesn’t even care, just watches as Stevie picks out her favorite colors and lines them up on her magazine on the counter like a sweet and sour army. Completely oblivious to the quiet devastation that’s playing out on her face. Her brow furrowed and tight when she talks about Lucas, basketball another thing Robin wonders if she’s being unintentionally left out of.

“I just know Munson’s going to turn it into some us or them thing, like it isn’t possible to like more than one thing.”

“Maybe you-”

“And maybe that’s why they’ve been so cool with all of this,” she shrugs her shoulder in place of gesturing down at herself, too busy tearing apart a lone sourpatch general, “like it was a send off before they moved on to an actual guy who can actually do something for them. That’s probably a better send off than I deserve even right, like I mean, the kind of person I used to be. Maybe I don’t get more than one happy thing.”

Robin flattens the little red and green army underneath the flat of her hand, “Absolutely not. You are not going to let a… a… a dumpster raccoon with Mrs. Goble’s mystery meat on the bottom of his stupid shoes make you think that you don’t deserve the entire world.”

“But-” Stevie tears at the cardboard of the box between her fingers, leaving little pieces of it on the floor between her feet.

“But nothing, your little shithead kids might have latched onto the first giant nerd that looked at them when they crossed through the doors of the high school like freshly hatched ducklings but you’re the coolest person they’ve ever had the chance to meet and it’s their loss if they don’t notice.”

“I mean they’re in high school so-”

“So they’ve decided to get all the stupid decisions out at the start. It’s a bold decision but maybe that will keep them from-”

“From crashing their dad’s truck into half the cars at prom?”

“I wish one of them had been yours,” she steals the last red Sour Patch from between Stevie’s fingers, popping it into her mouth before her best friend can do anything about it.

“You’re never going to pass your driver’s test, I hope you like the bus.”

“You’re going to drive me to work forever because you love me,” she drags love out as she dances away from Stevie’s slapping hands, snagging a stack of tapes to return to the shelves as she goes.

There’s no way Stevie isn’t rolling her eyes, but Robin also knows that she’ll look all soft and pleased. Knows because a yellow candy smacks hard against the copy of The Breakfast Club that’s right beside her head.

“What the hell is going on with that rabbit?”

“Pretty sure it’s proof that you should never be trusted to pick the shift movie.”

“Stevie’s being a total headcase this week, will you tell her to chill out,” Henderson delivers what Robin is going to generously call a request after cornering her between fourth and fifth periods. Cause if it isn’t a request then it’s an order or a demand, and her small friend is not going to be happy with what she has to say in that case.

“Well that depends, Dusty, why are you calling my best friend a headcase?”

He rolls his eyes at her, a trait that Stevie might put up with but Robin is not about to. “Because she’s being one, every time I try to talk to her it’s like…” he trails off. That’s probably for the best.

“It’s like all you can talk about is your new best friend Eddie? It’s like you aren’t interested in her now that you’ve got some new brother that you can hang out with instead? It’s like all she’s good for is a ride to see the boys? It’s like you can’t ask her how to talk to girls anymore or how you should do your hair because she’s not the same anymore.”

“I didn’t say that,” he shrieks, hands waving between them like he can swipe away the thousand bees that are her accusations. She feels stinging mad actually now that she’s started putting words out there for the things that she’s feeling.

“You don’t have to say it, it’s what you’ve been doing.”

“Did she say that?” Robin gently swings her locker door just shy of closed. Dustin looks younger than she thinks she’s seen him since the first time they met. Looks smaller than she’s seen him in her life. Looking up at her with big watery eyes, waiting for her to make it okay.

Stevie’s gonna be pissed if she doesn’t at least try to make it okay.

She picks each word carefully, not wanting him to feel completely off the hook, “She didn’t say it exactly like that.”

Dustin looks at the floor, his hat obscuring his face enough that she can’t tell if he’s followed through on the watery eyes to full crying. The ambiguity makes him easier to talk to for a second, now that she doesn’t have to worry about watching what his expression is doing.

“She’s still the same person who walked down the train tracks with a kid she barely knew looking for his runaway science experiment. She’s still the person who did your hair for the snowball. She’s the person who went hunting for Russian spies with you. She’s the person that would like to keep giving you terrible advice on how to date.”

His next breath is phlegmy and ragged. “It wasn’t terrible advice.”

“Right, right, your Moonchild Empress or whatever.”

Dustin hasn’t been quiet once in the entire time that she’s known him so Robin assumes the quiet means he’s done talking. Swinging her locker back open she goes back to what she was doing before he interrupted, which had, coincidentally been Stevie related. Deciding whether or not she was going to bring her copy Watership Down to work with her so Stevie could see what was up with the rabbits.

“They should meet.”

Robin had also been leaning toward introducing her to Fiver and Hazel, but she doesn't think that’s what Dustin means.

“Who should-”

“Stevie and Eddie,” he looks at her with a wide grin. An expression she recognizes from shortly before she found herself in an elevator to hell. Dustin thinks he's just had a good idea. “Stevie can see that Eddie's super cool, Eddie will stop- And once they know each other we can hang out all the time, why didn't I think of this before!”

It does occur to her that she could remind Dustin that Stevie existed before July of 1985. That she went to school here and definitely already knows Eddie, that's where half the problem comes from even. But then she thinks of how much fun their next sleepover will be, when Stevie has brand new things to hate and make fun of.

“Maybe you're right Dustin, maybe that is the problem.”

He pumps his fist in time with the warning bell. “This is going to be great, I can't believe I didn't already think of this.”

He's still talking to himself as he starts to scamper off to a class he's going to be late to. But she isn’t about to let him leave without making sure he took away the real lesson he was supposed to. “And pass along to your little friends that her new meds didn't lobotomize her brain or amputate her legs. She can still tell you how to talk to girls, she can still shoot a free throw, she can still show you how to change a tire after it's blown out on the interstate.”

Dustin's staying with the Wheelers, Claudia has the night shift which means she and Stevie have the whole house to themselves.

Robin is making herself at home in Stevie's room, moving extra quilts and pillows from the linen closet into a fort she's making on the floor. Because today is going to be the best bitch day in the world, once Stevie makes it home from playing chauffeur. Because today Stevie gave in and went to lunch and a movie with Dustin and his new best friend Eddie.

She keeps trying to imagine what Stevie will say. Maybe Munson dips his fries in syrup or something disgusting. Maybe he showed up to the movie in his nerd brigade shirt. Maybe he showed up thirty minutes late! And the Stevie in her head has devastating things to say about all of those things, but she knows none of them are right. She just can't manage the right amount of even toned bitchery that Stevie can, the clever double entendre that makes the person she's insulting look all the dumber for getting upset at the blatant quips.

“Did you really bike here, you weirdo? You know I would have picked you up.” Stevie's voice carries down the hallway, accented by the sound of her keys hitting the bowl by the door and her shoes getting picked up from the floor and set down in the shoe tree.

“You got that bike rack for the Jeep. I wanted to make sure it actually got some use.”

The answering laugh is the one Robin possessively thinks of as hers, a little ugly, high pitched and snorting. It makes it to the bedroom just a second before Stevies face. A face that's wearing the lipgloss with the glitter in it, the one she saves for when she's trying to impress someone or make them look at her mouth.

“You look nice?”

“Such a charmer, Rob, no wonder you've got so many girls banging down your door.” She eases herself down onto the floor beside Robin, smoothing out a buttery yellow skirt that has to be new. She knows every single item in Stevie's closet, except this skirt.

She isn't going to think about how Stevie went out shopping without her though. She'd rather focus her attention somewhere more entertaining. “How was lunch?”

Stevie fusses with the edge of her skirt, rolling the hem of it between two fingers. Her face pinking though under that she's smiling. “Ugh you wouldn't even believe Henderson was a twerp, as usual. Insisted that he had to have one side of the table to himself, ordered two milkshake flavors so he could mix them together, and of course I'm paying for the whole thing.”

“Dustin being a dweeb is old news, what else happened at lunch.”

“I mean,” she trails off, making a face Robin has never seen before. Which shouldn't be possible, she thinks she is supposed to have seen all of Stevie's faces.  “Munson was a total freak, obviously. Kept calling me ‘My Lady’ and all that nerd shit. You’d think I came in with a cast with the way he opened every door and kept pulling out my chair.” 

It all sounds decidedly unfreakish to Robin, in fact it sounds like Stevie finds the guy charming. She realizes with something close to horror that she does actually recognize the expression on Stevie’s face. Just not on her best friend. It’s the bashful, twitterpated expression of a girl at a sleepover trying not to admit she has a crush. An expression that might as well be a death knell, cause the only time she’s ever seen it is right before date night started beating girl’s night.

“Not that it matters, the guy doesn’t know how to take a joke,” Stevie goes on, her smile still too shy to fully bloom but no less in place. Even as she pretends that whatever this is is supposed to be some dealbreaker. “I asked him what he gets out of playing Halflings and Half-wits with the dweeb squad and I thought he was going to climb on the table right there. Ed-weird went on for like five minutes on how the gremlins are some of the best players he’s ever played with, and they're an endless fount of creativity that keeps him perpetually on his toes.”

Stevie never actually stood a chance. And if Robin had been paying attention she would have realized that. 

There wasn’t anyone who loved passionate, nerdy people as much as Stevie.

Eddie Munson wore his king of the loud mouthed nerds crown with pride. And he was as obsessed with the gremlins as Stevie was 

“Why are we talking about him?” She flops over until her head is in Robin’s lap, flopping one arm outside of the pillow fortress to reach under the bed. She crows, victorious, holding a jar that's pond scum brown like it’s treasure. “Had to hide this after Dust put it in his hair. Put this goop on your face and tell me about what Vickie said in band yesterday again. Cause I'm pretty sure she was dating Dan Summers last year, and he didn't really seem like the type of guy to stay with his high school girlfriend.”

It's coincidence, pure and simple, that puts her right outside O'Donnell's fourth period class. Thompson's study hall, her own fourth period, was technically across the building but everyone knew Mr. Thompson came to work on Mondays too hungover to care about attendance.

And study hall didn't have a certain wannabe friend-dater standing outside it, debating whether or not he was going to go inside.

She is still figuring out her angle of attack when it looks like he's decided he is actually going to class. Considering O’Donnell is the type to write office referral slips to kids who aren’t meant to be in her room for ‘being a distraction’ there isn’t really any time for subtlety. Still, she’s surprised by the tone of her own voice when she shouts, “Munson!”

Heads turn in the hallway, of course they do. Faces she only knows by virtue of twelve years of school watching on with a lust for future violence she recognizes from that concrete bunker. But if Munson is concerned that a girl he's never spoken to is yelling at him, he doesn't look it as he turns on both heels to face her.

He smiles first, benignly pleasant. But Stevie taught her that trick, smiling to diffuse anger or hide how she has no idea how the person talking to her actually knows her. Munson is doing both, they had two classes together last semester and she was in the orchestra for the last school musical.

The blankness eventually clears from his eyes, “Bye Bye Buckley!”

Not about to be distracted by the dumbest reference she's ever heard, and with the eyes of at least two people she can see on her, she drags Munson away from class. It's bound to be all around the school by the dismissal bell, but rumor is less important than the mission.

The girls room by the library is always abandoned. The mirrors are dingy or cracked and it always smells like cat piss for no discernable reason. “To what do I owe this pleasure?” He looks around the bathroom with an inquisitive eye like the grimy bluish tile is somehow more interesting than her. “I'm not actually carrying if you were-”

He doesn't have the decency to stumble when she shoves at his chest, trying to push him back into the stall doors.

“What are your intentions with Stevie?”

“Ah yes, the mysterious cousin Henderson. Who says I have intentions?” His only saving grace is that it takes her too long to get her thoughts in order. A miasma of rants at the tip of her tongue about Stevie and how she was too good for him and any thoughts he might be having about her. 

But in the time it takes to see through her friend based rage, she’s able to watch a transformation take place on Eddie’s face. The smug aloofness that had taken over his face from the moment she cornered him in the hallway washes away. Leaving behind something giddy and young, bright eyes and a flushed face. “Unless she was asking about me. You two are bosom friends, are you not Diana? That would make me Gilbert Blythe, hell of a role.”

“I’m sure there are plenty of people who wish they could break a slate over your head.”

“You’re probably right, doesn’t answer my question though. Was your dear Anne Shirley talking about me?” He scuffs a boot against the floor. Doing an impressive impression of a bashful school boy while standing in front of her in his ratted out, heavy metal glory. There are at least four chains that she can spot on his outfit right now but his face would be just as at home on Opie Taylor.

But she isn’t going to get fooled by some routine. She has something to say and she’s going to make sure she says it.

“She’s really special, Munson. She’s not some cheerleader you fuck in the woods because she wants to get back at her parents that are divorcing and you’re the scariest thing available that isn’t actually dangerous.”

“Tell me how you really feel, Buckley.” The retort seems to drag itself from his mouth on instinct. Cause the aw shucks routine he’d been giving is lying broken on the floor replaced by open mouthed shock.

“I am.” The bell rings, marking them both officially late for class. She glares him down, waiting to see if he’ll leave, effectively flinching first. He glares back. “She’s an athlete, likes sports.”

Maybe it’s wrong to list the things about Stevie that she knows Munson won’t like. But she also isn’t about to let her best friend water herself down for some stupid boy.

“Wayne will be thrilled to have someone who understands what he’s talking about. Go team.”

“She hates fantasy. Dustin loaned her his copy of Fellowship of the Ring and she gave it back when they kept singing.”

“I’m sure she’d like it if I sang them for her.”

“She isn’t going to become some demure, church mouse just because you’re around. She’s snarky and confident and, and…”

He sets a hand on her shoulder in a way that is so patronizing she wishes she were as good at being a bitch as Stevie was. But she suppresses her first instinct to bite him if only because she’s working at keeping up her record of 4578 days without biting a classmate.

“I don’t know what any of that means,” he says, “but it sounds like you and your hot best friend have been talking about me. So thanks for that intel, Bucks.”

People wearing leather and motorcycle boots shouldn’t be able to skip. The stupid hanky in his stupid pocket flaps behind him like a wagging tail as Munson leaves her in the girls room with the smell of ammonia.

Stevie has Breakfast at Tiffany’s playing on the TV when Robin makes it to work. Keith let them have most of their shifts together but drew the line at letting Stevie shut the store down to come pick her up after school. So on days where Stevie works a double, she’s stuck arriving to work sweaty and guessing at whatever movie will have ended up on the big TV.

And today she gets to catch Stevie standing in the middle of the floor, a stack of tapes in her arms, while she watches the party happening in Holly Golightly’s apartment. Audrey Hepburn swaying with her guest in the middle of the floor.

“Someone’s in a mood.” 

From over her shoulder, Stevie sends Robin a look. Something loaded with dry humor and a smugness that usually means something juicy happened in the time before Robin got there.

Usually.

There’s something about the look today that feels personally directed at her.

“Well it was this or Some Like it Hot, and the stay at home moms are weird about black and white movies that aren’t the first few minutes of Wizard of Oz.”

“That’s sepia.”

“Bless you.”

Making sure Stevie can see her rolling her eyes, she heads to the back to clock in. By the time she makes it back, Stevie has the volume turned down on Holly Golightly’s romantic disasters. She’s back behind the counter, head pillowed in her hands and Robin remembers why people used to be a little scared of her popular kid cabaret. Walking up the center aisle, she feels like she’s headed straight toward a tiger with its mouth open and she’s about to put her head in there. 

“So you’ll never believe what happened earlier,” Stevie taps her nail against her cheek.

“Paul Collins came in with his mistress to look at porn again?”

Humming, Stevie doesn’t say anything as Robin comes behind the counter with her. There’s a stack of tapes that need to be rewound and a roll of Be Kind Rewind stickers that need to be stuck to cases.

“Still time for that,” she says right as Robin started to think they were going to drop it. “Sally Tyler called from the payphone.”

“Sally from the basketball team?”

“Yeah,” that smile is even wider. This is almost certainly payback for the You Suck board. “I’m thinking about joining her rec team but we’ve played one-on-one in the park once or twice.”

“And she had a Family Video emergency that only you could solve?”

“Sorta. She was just really concerned, she’d heard a rumor that my best friend was dragging the guy she saw me having lunch with this weekend into the girls room.”

This is definitely payback for the You Suck board. Stevie’s looking a little too pleased with herself as she smiles at what can only be Robin’s slack jawed surprise.

“I get if you're mad,” she says and that’s all she can assume is happening, she isn’t sure how else to read what’s happening on Stevie’s face. “But-”

“Thank you.”

“I was just trying to- What?”

“Come on,” she rolls her eyes, swipes a half hearted smack to Robin’s shoulder. “I’ve been on the other side of that, you know. Well meaning friends pulling me aside to ask what my intentions are.”

“Oh my god, did she follow us in there?”

Delight makes Stevie’s eyes sparkle, “Did you actually? I love you. Did you give him hell?”

“I think he got the upperhand.”

“I think it’s all the playing pretend. The shitheads will run circles around the unprepared too.”

It seems a little too good to be true. “You really aren’t mad?”

Someone abandoned The Breakfast Club at the scene where Ally Sheedy gets the makeover. It had seemed like a stupid scene when she’d seen it in theaters, now it makes something weird pit in the bottom of her stomach. She doesn’t get the chance to hit rewind, to send Allison back in time so she can be strange and herself again, because Stevie is flipping her around and pulling her into a bone crushing hug.

“First of all,” she says into the side of Robin’s hair, “the only thing I’m even a little miffed about is you thinking I couldn’t kick Munson’s ass myself. But no one’s ever done anything like that for me before so I’m cool with letting it slide.”

“But we are acknowledging that you definitely have a thing for the guy with the rattiest hair in the school. Probably even Roane county.” Robin says, face pressed into the meat of Stevie’s shoulder.

Stevie shoves her away with a groan that Robin’s laughter is already drowning out. “Yeah, alright. He’s kind of okay I guess.”

“Such sweet words for the father of your brood.”

“He’s not the father of my anything,” she flips her hair over one shoulder, “anyway I think he gets off on it so I’m gonna keep being mean to him.”

“That was more than I wanted to know about either of you.”

“No it wasn’t, you like that I’m mean too. You get all sad faced when you think I’m trying to bury my impulses.”

For the second time today Robin is left too surprised to say anything. She’s left gaping, not that Stevie is looking at her now; too busy picking at the nail polish left on her pinky. 

“I like it,” she says quietly after a moment. Robin has shut her mouth by the time Stevie looks up at her again, something soft but serious on her face. She reaches across the counter to grab Robin by the hand, melding what’s left of their coordinating manicures by linking their fingers. “You’re my number one. Even if Eddie does anything about anything, he’s going to have to compete with you.”

Neither of them move as the weight of the moment surrounds them like one of Mrs. Henderson’s quilts. Heavy and homey and right. But they are still at work and as the bell beside the door dings, and they break their silence to greet their new customer in tandem, they shrug off the heavy sincerity for something more functional. Stevie’s smile turns sly, and she tugs Robin closer while keeping an eye on the man now browsing the comedies. “You’ll never guess who came in earlier to ask if we had Nine and a Half Weeks yet.”

[danveration]

I have a Alastor × fem!reader request. Imma be real with you, I own an Alastor stuffie and for the longest time I wondered, 'What if it morphed into the actual Alastor while I cuddled it?". I know, odd but I think it could possibly be a cute idea? (in the verse Hazbin is still a show, this fic takes place irl)

OH MT GOSH I LOVE THIS IDEA SO MUCHHH!!! i’ve got to get me an Alastor stuffie too.. If only this would happen irl 💔❤️❤️ i hope this is what you wanted/had in mind :’)

Parings: Alastor x fem!reader

Summary: You have a Alastor stuffie and you cuddle it. And it…. turns into the real Alastor?!?!

You have a favourite character from the show Hazbin Hotel, by favourite, you mean FAVOURITE. His name is Alastor, the radio demon. You’ve had a stuffie of him for the longest time, it’s always brought you comfort and it felt good to have a sort of physical version of him. Plus, it’s so cute:)

You’re currently sitting in bed, when you grab your Alastor stuffed animal and hug it. Shockingly, you feel it sort of vibrating. You look down at it and see that there’s shadowy smoke coming from it. You gasp and let go of it.

You’re wondering what on earth is going on, when something that you would’ve NEVER thought to happen, it morphed into THE Alastor from the show.

You think you’re dreaming so you do what everyone does, pinch yourself.

“Shit.” You mumble. Definitely not sleeping, that hurt like a bitch.

You look to your side and you see him laying there, looking confused, but smiling.

He looks around and his eyes land on you.

You’re sitting there in shock, unable to say anything.

Alastor hasn’t ever had this happen to him before, where he unwillingly got teleported. He usually just teleports using his shadow magic. He’s very puzzled on what happened.

As he looks to see you, you’re most obviously alive, and human. He doesn’t know anyone in hell that looks like you, and he knows almost everyone. Is he.. back on earth?

You two are just staring at each other in equal confusion.

He looks over you and sees a “Hazbin Hotel” poster on the wall and raises his brow in confusion even more.

“Who might you be?” He asks.

Your brain is short-circuiting but you manage to stumble out you name. “I-I’m Y/n.”

“I see.. now do you have any idea what I’m doing here?” He asks you.

“No, I don’t.” You shake your head. “I was just cuddling my stuffie of y-“ You stop yourself and refrain from telling him exactly who the stuffie was resembling.

“..Of something. And you just.. appeared!” You say.

“Hm. Now that’s quite the mystery then, isn’t it?” He says. “Well, it’s lovely to meet you then, Y/n. Though the circumstances are quite outlandish. The name is-“

“Alastor.” You whisper out, still in a state of:“wowmyfavoritecharacterfromatvshowjustappearedinmybed.”

Alastor tilts his head and says with confusion in his voice, “Precisely..”

He moves to get up off your bed and stand up, looking around your room. He notices a picture of him on your dresser and he looks back at you with a raised brow.

“Um.. I can explain-“ You start. “You’re not.. real. Well, you’re real because you’re here right now but- You.. You’re not real in this world. Um.. You-“ You ramble on and he stops you.

“I understand.” He says with a smile.

“You.. understand?”

“Ah, yes! I am the radio demon after all. I must be aware that other universes exist. It seems something happened and I was quite literally spawned here.” He explains. “Usually I’ve only heard this happening if it was a vessel of the person, like.. let’s say.. a statue. But it seems there’s no statue of myself in this room?” He laughs.

This makes some sense now. The stuffie must apply to these rules.

“Oh um. I think I know what happened..” You say.

He stares at you, eyes narrowing. “Well?”

“So um.. I have a stuffied animal of you.” You say in a low tone, your cheeks reddening.

“What was that, dear?” He asks.

“I have a stuffie of you..” You say.

“A..” He starts. “A stuffie? Of me? Now why would you have that?” He laughs.

“I.. for comfort?” You answer, hoping he isn’t too weirded out.

“Comfort? Well that’s a delightful!” He says in amused tone.

“Yeah um.. you’re basically a fictional character in this world.” You say.

“A fictional character?” He asks.

“Mhm.” You answer.

“I see..” He looks as if he’s trying to piece together everything. “Well, my dear! I’m not quite sure on what exactly is going on. But I assume it’s only momentary. Maybe a glitch in the system or something.” He laughs.

“Y-you..” It’s finally setting in that Alastor is in your room.

“I?” He asks with a smile.

“I LOVE YOU.” You blurt out suddenly without thinking.

Alastor jumps a bit at that and steps backwards, his eyes wide.

“S-sorry. I just.. I cant believe you’re here.” You say. “How did this even… THE Alastor is in my room.. He.. Oh my god..” You mumble on to yourself.

Alastor is a clever man, he knows that you must be a “fan” of his. He notices that he obviously doesn’t exist in your world. Though he finds your reaction quite adorable. Especially that you have a stuffie of him? You’re idolizing him? Out of all people? He’s charmed.

“Dear.. You alright there?” He asks you.

You look back up at him and smile.

“Very very alright, yes.” You answer.

———————————————————————

Suddenly, you bolt awake. It was just a dream..?

You sigh and shift on your side, still holding your Alastor stuffie. If only dreams were real.

As you fall asleep, you don’t notice but the stuffie begins to vibrate…

[sepublic]

            It really feels appropriate that TOH’s entire conception sparked from spiteful defiance towards misogyny; Towards a peer’s misogynistic claim that nobody would be interested in a story about an older woman and her young female apprentice.

            There are plenty of prominent female characters of different arcs and motives and backgrounds. The story is about a young girl meeting this older woman whom society hates, because she doesn’t conform to their expectations. Eda’s someone whose age does not disclude her from being viewed as attractive, as a response to the misogynistic double standards of older being being seen as gray foxes, while older women are decried as hags. Eda is clearly proud and open about her sexuality and isn’t shamed for it; She’s had past exes and while the exes themselves are embarrassing, Eda herself is described as flirty and someone Luz looks up to.

            It’s fitting that in the first episode that establishes the themes and conflicts of the show, Luz and Eda go up against this controlling creep who immaturely hates anyone and anything that’s different, who presents himself as serious with his mask, but when it falls off he’s revealed to be just as freakish as everyone else, while also betraying a sniveling core beneath it all. And of course Warden Wrath is a misogynist, not literally because of the setting, but his actions blatantly represent these ideas; He is entitled towards Eda and demands he can control her.

            Meanwhile you have Jacob Hopkins who is the blatant precursor/foreshadowing to Belos; He’s an ineffectual Belos, but still dangerous because of that idiocy. The way he puts his hand on Camila’s shoulder, and her having to move it away, speaks volumes. He spends his time on conspiracy sites. Men who are racist are so often misogynistic. He is from our world, where these values exist.

            The villain foreshadowed by these characters had his start as a white boy who, in order to feel better about himself, idolized his community’s violence against women; Make no mistake, while the show acknowledges that witches are gender-neutral, and this does apply to the Salem Witch Trials, the witch hunts were still misogynistic with their statistical skew towards women. In S3, the writers make a point that Gravesfield’s witch hunters had the same motives and targets as IRL witch hunters.

            A young girl not much older is targeted for violence by the community as an outsider, and by the boy because she chose to fall in love with his brother; An expression of romantic agency. Philip falls back on an ideology that validates white men such as himself as superior and in charge of all others, while framing even a child like Evelyn as an evil temptress, because to rob children of their status as children is a form of dehumanization. His misogynistic violence furthers when he sees that Evelyn has also expressed sexual agency in having a child with Caleb, and wants to kill Evelyn and her soon-to-be-born child (and Caleb as well) to violate a mother’s bodily choice.

            But the whole time, Evelyn got away; She chose to go back to Gravesfield even if in secret, because she had someone she wanted to be with. She didn’t let anyone or anything stop her from loving, even post-mortem, because Evelyn got revenge by beating up Philip so badly he never confronted her again out of trauma. She got to raise her child, who lived a full life of their own, and spawned a lineage that resulted in other characters as mentioned. Evelyn Clawthorne was a young girl who expressed agency, who took initiative in exploring another world, and ultimately set up others to do the same, especially Luz.

            The Emperor is a patriarchal figure who Luz even suggests a similarity towards with Warden Wrath. The need for control and domination, the desire to kill monsters, is a way of asserting his manhood; Philip’s statue shows him as scrawny within his brother’s shadow, implying an insecurity over his masculinity that he compensated for in punishing women and minorities, just like any incel.

            And this would even extend to jealousy in killing Caleb and subsuming his masculine identity via his coat; Not because he’s secretly GNC but because he wants to be a macho man. His effeminate voice likely brought him shame, and he grew his scraggly beard out. Despite this, Philip almost exclusively resorts to underhanded means when fighting people, such as hiding behind a hostage, possessing/manipulating others, lowering their guard, etc. Philip flees against an actual challenger like Evelyn, and the only ones he menaces directly are literal children and even they end up outsmarting and humiliating him.

            Lilith has to deal with the petty hatred and spite of Belos, who refuses to comprehend that what she did to him was in any way warranted; Of all his atrocities, across his entire life, his only remorse is for fellow white men, whose abuse he’s not even truly repentant about. Lilith escapes her abuser, using her experience to warn Luz before delivering retribution upon the man who harmed her. Like her sister, Lilith avoids the ageism towards women like her; She doesn’t care for love and her main friend is Hooty, but she’s treated with full dignity and respect, not as some crazy cat lady, but as a middle-aged woman who’s just as capable of turning her life around and finding new meaning in it, as anyone else.

            Against Belos, Luz is accused of having her sense of reasoning being messed with by the witches; Thereby undermining Luz’s agency by calling her insane, gaslighting the girl as essentially hysterical. Otherwise, he claims that all of Luz’s decisions are mistakes that just harm people. Belos is entitled towards Luz, believing he should be able to control Luz, her decisions, how she lives her life, etc.

            When Luz refuses, he immediately defaults to killing her with sadistic glee, and only relents when she convinces him that he genuinely needs her; Not because it’s the right thing to do or Luz plans to change her mind, because her wellbeing was never his consideration. It was just control, as the Titan puts it. It’s this entitlement that has Belos insinuate to Luz repeatedly that she is helping him, that this is her intended role by his side, to support him.

            And in the end, Luz asserts her agency; She does not owe Belos anything. He is not entitled to anything about her. She will not grant him time, sympathy, or understanding. She will let him be laid bare for what he really is, and let him slowly, painfully die in humiliation as he pleads for mercy. Her rage against this patriarchal figure is a triumph, as is that of Eda, who is the successful descendant of the girl who got away with it; She gets to murder this man with her child and nonbinary lover.

            Older women like Gwen and Camila are present and humanized. Kikimora, for all her vicious and pathetic flaws, is recognized as another victim of Belos, and one who successfully gets revenge on her abuser by undoing his entire life’s work and catalyzing his eventual demise. Amity and Boscha start off as cruel and mean, but are allowed to be more than shallow Popular Girl archetypes, having their own motives and vulnerabilities. Willow frets over being a caring, borderline maternal figure, and this crisis reaches a climax with Hunter, who rejects his uncle’s teachings by taking responsibility for his emotional hostility and relieving Willow of her burdens.