#idk the other screams

[corvid-ghost]

Bro the entire scream franchise is fruity as hell

[littlelightfish]

Funny things I found out playing with language setting in Netflix while looking episode 15:

Chilchuck's scream sounds HAUNTED in brazilian portuguese. Give it a try if you can.

(You can hear it here)

In spanish dub, Senshi says: "tocó mis senos de hombre", which means "he touched my man boobs" in Spanish. And I think that's the best dub line one so far.

[mh2o29]

rotating them in my mind like a microwave

[pinacoladamatata]

the entire party after learning about what Astarion's scars mean

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[lesbicosmos]

MY FAVOURITE SCENE FROM THE ENTIRETY OF THE HEARTSTOPPER COMICS IS NOT ONLY IN S2 BUT ITS IN THE FUCKING TRAILER IM FREAKING OUT ITS PERFECT AAAAAA

[izzystizzys]

Half the jobs Fox is sent on are not within his jurisdiction. This certainly isn’t.

Planetary protection unit, they said. Military police. Orbital security force.

And now Fox is being pointed at Count Dooku on some backwater planet and told to fetch. How the mighty have fallen.

He’s pretty sure Kenobi, Skywalker and their units could’ve karked this all up perfectly fine on their lonesome; they don’t need three Guardsmen there to watch them do it. But the Chancellor says jump and Fox surpressed the urge to bash his head in with a durasteel chair. So it goes.

Which is when things start going terribly, terribly wrong, of course.

“Is that Spinder?!”, Skywalker exclaims, arms wheeling out in the air wildly to try and catch his balance. “The Count fucks?!”

Across the room, Cody rips his helmet off, several shades redder than a baseline human should be. “The Count fucks my brother?!”

Two lightsticks hover uselessly in the air, Skywalker’s zig-zagging in a relentless hum with his gesturing. Fox stands stock-still, in the hope that maybe he’ll spontaneously turn invisible if he does. Around them, 501st and 212th troopers gape through helmets. Behind him, Nuisance gasps for air amidst screaming laughter.

Ping, went Fox’s comm unit, in that unmistakeable lascivious jingle sound. Ping, answered Count Dooku’s within a split second. Match found close by.

For a moment, Fox considers what it would be like to run at the Count’s lightsaber at full speed.

…not like that.

“Count”, Kenobi says, with a face like he’s bitten into a rotten fruit. Not that Fox knows what fruit tastes like. “This is a highly… unexpected development.” He fwoosh-es his lightsaber shut, obviously having given up on fighting. “I’d call it a conflict of interest, but I’m not sure that applies?”

“Oh, it’s gonna be a conflict of something, for sure”, Cody hisses, fists clenched at his sides. He looks about ready to boil over, with Crys and Waxer inching closer in preparation. “What have you done to my brother, you monster?!”

“I don’t think you want to know that, Commander”, Nuisance gasps out between barks of laughter, proving why he’s eternally Fox’s least favourite. Cody’s splotchy red complexion slowly fades into ghostly white as a sheen of horror settles over the room. “Thanks for the fancy chocolate bouquet last week, Count!”

Dooku, who has been thus far staring at the floor with an empty thousand-klick stare, looks up at that. Fox has seldom seen a man that defeated outside of the mirror, he has to admit - but shudders when he remembers exactly what the chocolates were for.

Oh Force, he’s sexted Count Dooku into buying him gifts. Does that make him a Seppie spy? Traitor by proxy?

“I feel”, says the Count, gravely, still holding his long red laserknife in a white-knuckled death-grip, “that I have been taken for a fool.”

“Uh”, says Fox, nervously. All eyes snap to him. Oh Force, oh Force, oh Force. They’re going to invent a whole new kind of decommissioning for this and name it after Fox.

“Is it really scamming if you actually get what you pay for?”, asks Grids, considering. Fox slowly pulls off his helmet just for the comforting feeling of burying his head in his gloved palms. The sounds of a struggle ensue, and Kenobi makes a choked-off noise. Maybe if he’s embarrassed enough he’ll give himself an aneurysm.

“Grandmaster, why are you paying people for naked pictures of themselves on the holonet?!” Kenobi asks, despairingly. “Aren’t you a little old for that?”

“Oi, no one said I was naked!”, Fox exclaims, head whipping up.

“So naked”, Nuisance laughs, palm thumping against the floor. He might be crying.

“I’m not decrepit”, the Count blusters, and Skywalker makes a gagging noise. “I have - there are needs, and they are perfectly natural!” It takes three troopers to restrain Cody from launching himself at the Count.

[lesbianfakir]

HE FELL IN LOVE WITH HER AFTER LEARNING SHE WAS JUST A BIRD

The whole show. The whole show. We have this long running character beat of Duck beloved she, as she truly is, is unloveable and once people see her to her very core they will abandon her. But simultaneously!!!!! We have this subtle plot building of fakir, fully aware the girl has feathers, falling in love with her! And it’s so slow it doesn’t come to the forefront until the very end and AAAAAAAAA the amount of times Duck laments how no one would care about her as a bird meanwhile fakir looks at her with the most adoring eyes shut up!! Shut up literally shut up!!!! People will love you for the things you hate about yourself and you’ll have no goddamn idea because you’re so wrapped up in how YOU see yourself!!!!! HE LOVED THAT LITTLE BIRD MORE THAN SHE HATED HERSELF

[gunsatthaphan]

serve burgers, assassinate people, be gay.

[jeonjeha]

It's on me. BEGINS ≠ YOUTH | Episode 2

[fallen-goldfishcracker]

Still on my Ulder & Wyll bullshit but like

I keep thinking of Ulder Ravenguard, sending away his only son at seventeen, and years later hearing of a hero with a fine rapier and mismatched, kind eyes and manners from a storybook, and thinking, demanding surely not. that cannot be my son. my son is a devil's servant. it cannot be. i have no son.

and then after seven long years meeting Wyll again, at Wrym's Rock through a mindflayer's thrall, and feeling something like relief, not at seeing him but at this cold surety that this boy, this man, this hero of the frontiers could not be his son, because his son was not this tall and old and sure-footed, and did not have curling horns and a devil red eye, and the rumors must be wrong, and this Blade must be a stranger.

And then Wyll looks at him, with such kind eyes- his mother's eyes still, even devil-tainted- and calls him "father", and he knows, he knows, and his son is here, so much older and wearier and stronger, too, and he's a hero and a man and by gods he's a monster and by gods he's his son.

[nomoretumbler]

this happens 3 times a week btw (he never looks into it later).

[sabo-torao]

Small disclaimer before you head in: this whole post will be referencing the TCB translation. I know VIZ handled the exchange I'm discussing differently, but I couldn't find anyone who talked about the original version and as a result I don't really know who is closer to the original meaning. In any case, the "analysis" should still stand. Whether Dragon was commenting Sabo's firmness or admiring his resolution, Sabo's still putting on a mask, and that's the point I'm trying to break down. Enjoy!

This very specific interaction between Dragon and Sabo in chapter 1083 has always stuck out to me.

"My, you really are unshakeable."

which is an appropriate response to what Sabo said, of course. What kind of sensitive person reacts that way to the death of an innocent, right?

Even so, I can't help but compare the thing Sabo said to his actual, genuine reaction to King Kobra's death.

He's devastated.

Sabo brokenly screams Kobra's name, and his expression is one of full despair; he never thought about killing Kobra, let alone letting him die. On the contrary, he actively tried to save him.

Kobra told him to just let him go, that he was dead weight and he shouldn't be concerned about him, but Sabo straight up refused. In fact, Kobra's actions read way more as a sacrifice than an inevitable death; the king let himself die, knowing that this way Sabo could flee and reach Vivi and Luffy safely.

On the Lulusian ship, we see Sabo think about Kobra's last words to him and actively trying not to cry (and failing).

That's not an unshakable man. He's suffering, he's grieving. He realizes he failed his very own mission of saving the king and lets the meaning behind Kobra's actions and words sink in.

It really puts his former reaction into perspective.

Sabo's firmness, seriousness and coldness in front of Dragon and Ivankov are nothing but a façade. He acknowledges that what he's about to say might come off as harsh, and that, even if he does feel sorry for Kobra, the tragedy doesn't weigh him down thanks to the results it brought, but it all sounds like he's reassuring himself more than actually showing his indifference.

Hell, he even drinks his glass of wine right after having said that "he doesn't really care". How can anyone take his words seriously?

And we've been knowing Sabo is inclined to do this sort of thing since Dressrosa; he acted all cool and composed in front of Luffy but the second Koala called him on the Den Den Mushi he was weeping, having a hard time believing that his little brother didn't punch him or hate him for being alive all along. He even denied he was crying!

All because Sabo hates being seen as vulnerable, especially in front of the people he thinks he has to be strong for (Luffy, Dragon, etc). It's something I think goes back to how his parents treated him, since they scolded him for, y'know, having emotions and being a normal kid in need of love, but i digress.

I once saw someone describing Sabo as a very cold person in comparison to his brothers, even going as far as to say that Sabo doesn't care if people die if it means achieving the Revolutionary Army's goals (using this very interaction as proof), which couldn't be further away from the truth.

Bonney even says outright that it's weird seeing a "radical revolutionary" act so friendly when Sabo helps her out. Why would he do this if all he ever did was for "The Cause"?

Yes, Sabo is ruthless, rude, violent at times, and his friendly demeanor could be seen as a little more volatile than that of his brothers', but he's not heartless. He's not a "meanings to an end" guy, he proves it time and time and time again, and it's disheartening seeing people label him as such.

Sabo is kind. He may not be as warm as Ace and Luffy, but he is fundamentally a good person. A generous, kind, caring, sensitive person.

No matter how hard he tries to hide it.

[barghest-land]

таится чудо в любом пустяке я раньше не видел такого тумана здесь даже деревья растут как-то странно и птицы поют на чужом языке

[nnayomaise]

Mithrun art from animator Emi Tamura I owe you my life

Please support the original artist

[kitamars]

hi did you miss them. I did