#i was so sure this season would explain it!!

[archiebaldo1414]

Picture it with me people

Season 16. Opens with Dean realizing Heaven isn’t good. He’s having these memories of him and Cas through the years and is just like ‘if this was heaven he’d be here’ type shit you know

Supportive Sam and him break out and try to go rescue Sam from the empty. Dean is depressed as hell as always, but he has a purpose now so he’s compartmentalizing, but we continue to see memories. At first, they were all bro-like shit (as much as Destiel ever can be so still romantic lmao) but it starts transferring into stuff we’ve never seen before.

A night in the Dean Cave just them and they keep just looking at each other. [the audience can’t tell if it’s sweet or if they are getting second hand embarrassment since Dean’s fucking 40 and Cas is billions of years old]

A time where Cas heard about the kiss it better thing and fucking DID IT when he cut his hand or some shit. We begin to realize they might have been slightly more aware of things that we were led to believe.

There’s more chill domestic stuff but the kiss it better thing comes up once or twice more. Enough to show us that’s one of their weird little rituals that no one knows about; but ITS A THING!!!

Cas is saved. There’s hugging and intense eye contact. Sam is there. He gets a hug too and suddenly they are having trouble looking at each other. Dean is distraught. He’s fucked up about feelings, he can’t voice this shit! He tried in purgatory but Cas didn’t let him, but now, now he can’t. He keeps trying to talk to him; Cas is sure to remind him he is okay and knows Dean doesn’t feel a certain way.

He’s frustrated. Why is Cas making this so difficult?? How does he have no clue? Surely he’s aware how he acts with Cas is VERY different to how he acts with everyone else/how everyone else acts with him?

It comes to him suddenly when he bangs his hip on the counter. As he swears (loudly) a little voice in his head is saying ‘Cas needs to kiss it better’. And then he knows. Since he was rescued, they’re little rituals have gotten infrequent and awkward. Cas doesn’t want to make Dean uncomfortable after all! He knows now!

Dean runs. Bangs on Sam’s door. Sam opens it, it’s late, he’s annoyed. “What, Dean, why do you look so excited?” He’s doing his bitch face

“Sammy, punch me in the mouth” he prepares himself for the punch, he can hardly stop grinning. He’s practically vibrating with excitement, the freak.

“Dean? What? Why would I punch you?” Sam is perplexed. He’s concerned. He would love to punch Dean (lol)

“I need you to. It’s important, please, Sam”

Eileen hears them and comes to the door as well. Sam explains what’s going on while Dean looks at her and pleads to punch him. She clearly realizes something Sam doesn’t becuase she starts cackling before winding back and punching him. Hard. His lip splits, and he grins around slightly bloody teeth before waving goofily and turning to go while Sam throws up his hands in frustration because What! The! Fuck!

Anyways. Dean marches down the hall. He’s nervous. He knocks. Cas answers. He looks down at Dean’s fucked up bloody mouth and is like Dean! What happened! Who must I kill! And Dean’s like it’s all good man but 😔👉👈it hurts

Cas is all; let me heal you…and Dean’s like OKAY THAT’S FINE WITH ME HA HA

There’s a bit of staring while Cas tries to figure out what’s going on and he slowly raises two fingers before Dean slowly pushes his hand down. He doesn’t let go of the loose grip on his wrist. His hands are shaking a bit. Cas is feeling a little rejected, he can’t even heal Dean now? But Dean is so close, and he’s still holding his wrist? Why is he shaking a bit? What’s go- oh. Oh oh oh oh

Cas very tentatively leans forward and presses tiny little delicate to Deans mouth as he heals him and cdjrjgfjejficsjtjvisjtv

Anyways they kiss a lot yay the end

dean: ow, fuck. i cut my finger.

cas: here, let me kiss it better.

dean, blushing furiously: oh- uh- okay.

[later]

dean: sammy, i need you to punch me in the mouth.

sam, already winding up: done.

[kkayyerr]

Hii can I request a rafe c little!reader when he is talking to some girl but reader gets jealous. You don’t have to write it if you don’t want to 💕

The only one.

Summary: Rafe is talking to the Kiara and little!reader getting very jealous and hurt.

Warnings: Age regression, angst, jealousy, fluff in the end.

Author’s note: Rafe is more soft in this one because it isn’t the early seasons Rafe that I’m usually writing about.

Since the very start of your relationship, you knew that Rafe hated all the Pogues. His only exception was you; he excepted you and was still dealing with excepting your lifestyle. So of course you were more than shocked when you saw him talking to another Pogue, and you were even more surprised when you found out that it was Kiara. As you knew, they never liked each other, so why was he standing there, smiling at her? You didn’t even want to know. The only thing that you knew is that you were unhappy about this, and when you were regressed and unhappy, it meant that Rafe might ended up running to the store to buy you something that will be accepted as an apology and would make that pouty look go away from your pretty face. 

However, today you didn’t want anything. You didn’t need new plushies or some sweets; you just wanted to make sure that he wouldn’t trade you for another girl, because even thoughts of it were making you anxious. You start sucking on your thumb, trying to calm yourself down, but thoughts were only getting louder.

You left the beach and went home without letting Rafe know, ignoring his calls as he was probably going crazy thinking that something bad might’ve happened to you. And it did, but this time Rafe was the one who hurt you instead of being your protector. As you got home, you went straight to your room, covering yourself with your favorite blanket. You were overwhelmed by all the thoughts and memories that had popped up in your head.

Rafe sweared that he won’t leave you no matter what, but that’s what they all had said, right? 

Maybe you just became too much and he decided to finally break free from you and your regression; maybe you finally became a burden to him. Tears streamed down your face, and you were trying to quiet your sniffles by hiding your face in the pillow when suddenly you heard someone entering the room, loudly shutting the door. 

 

„What have I told you about always telling me where you are, hm?”

 

Rafe was angry, probably even furious with your behavior. He probably thought that you were just being stupid and irresponsible, ignoring his words as always. He ripped off the blanket from you when he saw something that he wasn’t expected to see at all. You were lying there, your face all puffy, strings of tears on your red cheeks. 

 

„Baby, what happened? Did someone hurt you?”

 

Rafe asked quickly, trying to make you look at him by softly touching your arm, but you slapped his hand right away, pointing your little finger at him. 

 

„You.”

 

You mumbled, making Rafe’s face expression turn from worried to confused. He didn’t do anything to hurt you today; he was trying to not hurt you at all. What could he've possibly done to make you this upset? His heart ached just from the thought of being the one who makes you cry like that. He actually had no ideas, and the only way to find out was talking about it with you. Gently.

 

„How exactly did I make you feel so bad, little one?”

 

His voice was not only softer but also quieter. He didn’t want to make you even more overwhelmed, loudly interrogating you with his questions. You finally stood up from where you were laying, still looking upset but more cooperative.

 

„Do you like Kiara?”

 

You asked, ignoring his question but basically answering it anyway. Rafe’s face finally brightened up, and he gave you a small, soft smile, also getting up from the bed. Rafe was relieved when you finally told him why you were so upset. The situation wasn’t so bad after all, and he had a chance to explain himself. He wanted to hold you in his arms, or at least put you on his lap and keep you close to him, until all those stupid thoughts won’t go away. He wanted you to know just how much he needed you. Though he knew that he needed to explain himself to you first. 

 

„No, baby. I don’t like her at all. She was afraid of me a little bit, and you were always telling me not to terrorize people, so I wanted to make sure that she wasn’t taking your Daddy for a bad guy anymore.”

 

After he had said that, you finally let him touch your arm. His fingers were caressing your skin in a soothing manner, while you gave him a soft smile back. All those thoughts about you being a useless burden finally disappeared when you saw his loving glare. Well, he definitely wasn’t looking at Kiara that way. 

 

„You’re the only one for me, and everything I do is for us, baby.”

 

Rafe said, pulling you in his arms and sighing with relief when cuddled up to him instead of breaking free from his embrace, even though he deserved that for not letting you know about his plans with the Pogues. He kissed your head gently, making sure that you are feeling loved and important, even though it was extremely hard for him to say that to you out loud.

 

„Don’t talk to that bitch anymore.”

 

His eyes widened at your words. He wasn’t used to you swearing, especially in the littlespace, because he was teaching you manners and not to repeat bad words after him or anyone else. He opened his mouth to call you out on it, but you quickly covered it with your hand, giving him a sly smile.

 

„Shh, Daddy. No whining.”

 

Well, it looks like his talking privilege was just taking away. 

Taglist: @tinylilacbun @rafecameronsloverrrrr @aew-regression-cove

[eloquentlytired]

odysseus. sfw.

logan howlett x fem goddess reader

note: this is basically a circe x odysseus!au but also not moving according to the actual story. I've alternated the ending too. I've always wanted to write logan in such a theme/au so I'm happy that I did. it's short but still feeling satisfied. I also blame Madeline Miller for her amazing writing, just finished reading circe and I cried AGAIN. first tsoa and now circe.

warnings 4 this ?? bittersweet, hurt to comfort, reader is just a girl that's thousands of centuries old, logan is a worn out warrior, he'll never introduce himself in the story btw

“I heard my men came this way, my goddess. I mean no harm or to intrude but to only ask your assistance to find them.” His voice was soothing but raspy. His shoulders sunburned but prideful. Age was evidently catching up to him but he remained as handsome as other mortal men you'd witnessed before, although not plenty. You wondered if he would be any different but then you remembered the nature of all men before him and you mentally shook your head. He was just another pig to be.

You welcomed him to your home and offered him the best hospitality like you did to all of your guests. He ate as he spoke to you about a distant home he was missing, then his wife, and for a while you wondered if having a wife would make him less of a monster. But the men before him surely would have wives too, or loved ones, and if not most of them then some of them. Yet they had still been pigs.

He could sense your hesitation and you could sense his. At some point you noticed that he had not touched his wine — clever man he was. It was the wine that would cause him harm and he somehow knew. He kept twisting the full goblet in his hand without ever drinking from it, his mouth occupied by mere words of his trips and his suffering.

“You have not touched your wine.” You told him and his eyes glinted as he looked at you. He definitely knew.

“My goddess, if you'd allow me to speak honestly.” He said and you offered him a firm nod. You were fearless and he clearly liked that by the way he smiled at you. “My men. You have done something to them,isn't that right?”

A sly smile adored your features and to your surprise his own never disappeared.

“I let them in,fed them and cared for them. Yet they wished to steal from me.” You responded while circling him like a predator. That's what you were — and those stupid men were your prey.

“I have spoiled them. They're all idiots whose judgement has been clouded by the endless war.” The handsome man explained as he stroked his beard, his eyes following your every move. He turned with you as you circled him; as if this was a game. Perhaps it was.

“They are idiots and to that we may agree.” His smile grew at your words and he tilted his head slightly.

“I don't wish to fight you, my goddess. I see no reason to. Do you?” His goblet remained in his hand, untouched and filled to the brim. Despite him toying around with it, the wine never spilled from the cup.

“You knew about the wine.” You suddenly told him.

“And you know about the flower.” He shot back and the two of you exchanged glances longer than any season of time. Your face beamed with energy and warmth while your eyes moved like a prying serpent. His, on the other hand, were cautious but delightful to look at.

“Hermes gave it to you, did he not? And yet you haven't used it against me.” The man's next actions surprised you as he grabbed his satchel and threw it on the stoned floor. The roots of the flower, which was meant to go against you, were visible within the satchel.

You stared at the stranger in disbelief but he smiled again. Almost laughed.

“Like I said, respectful goddess, I see no reason to fight you. It's just not within reason to do so.” His words surprised you even more, how smooth of a talker he was but also how intelligent. Bards would die for this type of inspiration while others would sacrifice whatever for even half of his sentence’s worth. “My men are stupid but they mean no harm. The Trojan war has corrupted their minds but also I, their captain, have failed to properly teach them manners. They're young.” He took a step forward but you didn't cower. He appreciated that.

“Get to your point, mortal.” You said while raising your chin with pride, challenging him with your gaze.

He grinned and his teeth showed. “All I ask is to get my men back. In return, I will offer whatever I can to you.”

You thought about the events unfolded ever since your birth. How little you knew for your age; so old you'd forgotten it yourself. You were the daughter of a Titan, not newborn divinity. You knew what mistakes were better than anyone and you had learned, one way or another, to distinguish good from bad. This man was neither.

And then the agreement was made.

His men were back to their original humane forms and dined happily downstairs, finally at ease. You let them for the sake of the man that had charmed you with his words and brains.

“Our agreement.” That familiar raspy voice called out to you and you turned around, staring at his form on the doorway. He was leaning against it like he'd been here before but it didn't insult you.

He approached you slowly, one step after the other. His face hovered closely over yours as he spoke again. “One kiss.” The man repeated what you'd requested of him that night but before he could complete his pay, you stopped him.

He froze upon feeling your fingers upon his lips and his eyes stared at you — more worried than feared.

“I changed my mind.” You whispered as your fingers caressed his lips, chapped and rough. The man remained still as he listened. “I ,once, turned a girl into a monster for supposedly taking away a man I loved. I don't want to do the action which I punished someone for.”

The man nodded then smiled. “I have not met a woman wiser than you,my lady.”

His words brought a smile to your face, one that wasn't sly or contained hidden meanings. It was simply an act of delight.

“All this just to see her?” You couldn't help but ask, referring to his wife.

“Yes.” He answered with pride, and most importantly love, in his eyes. You dragged your fingers from his lips to his cheek and he leaned into your touch willingly.

“I don't know what that's like. To have a husband that actually loves you. All the men around me were never good to their wives.” You told him and something swirled in his orbs — rage.

“Then they were fools.” He whispered. “Even bigger fools for not treasuring you.”

You buried your face into his neck and he let you. His touch was warm and gentle, one arm hugging your waist while the other cradled the back of your head. The touch was so careful, almost fatherly, and you could not remember the last time someone had treated you so gently. So kindly.

You cried in his arms as he held you until the moonlight shed its final moments.

“I will need a few days to fix our ship—”

“Stay.” You cut him off. “As long as you need."

He nodded while tightening his arms around your smaller frame, his large hand still cradling the back of your head as if trying to ease the thoughts that weighed it down.

No matter what, you would help him and the others get home.

[planetdream]

striped carnations.

characters. hwang hyunjin, reader, lee minho + special guests

genre. angst, flower shop!au. words. 5.6k

synopsis. upon hearing the news that your boyfriend is going to propose to you, hyunjin realizes that he's had feelings for you all along

fic contents: hyunjin is both a chronic overthinker and a hopeless romantic. needless pining. angst. heartbreak. talks of marriage and relationships. suggestive content: hookups; heavy make out + implied drunk sex.

💌 if you think you've seen this before, it's because you have! I deleted it like a month ago lmao....but here it is again <3

Hwang Hyunjin has always been a big fan of flowers. A flower can describe the emotions behind every pivotal moment in one’s lifetime—a wedding, a funeral, graduation, or a life-changing event—though not limited to only those situations; Hyunjin's love for, and belief in flowers reaches across all occasions and sentiments. His admiration of flowers as a whole goes beyond the smell, or how visually pleasing and/or vibrant in color they look. Flowers allow him to express feelings that he feels words simply cannot—even if no one else around him understands it in the way he does. Hyunjin loves flowers because of the stories you can tell with them, and thus, he chooses to document his life with flowers. 

As a small child, Hyunjin would pick flowers at the park for his mother; or one of his various personal art projects. A bundle of flowers bunched up in his tiny little hands as he ran to his mother with the widest, dimpled grin he could make. To his mother, the flowers are a sweet sentiment of his admiration towards the woman raising him. However, to Hyunjin they meant so much more than that—a physical manifestation of a deep awareness that he couldn’t find the words to explain until he matured as a person. This habit of gifting flowers out of pure emotion was probably the one constant in his life other than the crushing weight of heartbreak. 

Heartbreak is much like flowers. It has so many different colors and feels, it takes on a multitude of shapes and smells—and it is pretty easy to romanticize. 

When Hyunjin was in kindergarten, he gifted a daisy to a girl he had a small crush on. She ended up stomping on them, but that didn’t stop little Hyunjin from pining after her. The tradition of Hyunjin picking flowers as a romantic gesture continued in a slightly different way as he got older, and the helpless pining after something unattainable never stopped. Coincidentally, a few of his exes are named after flowers—the unfortunate downside of that is that it still pains him to look at whatever flower the ex had been named after, even if they ended the relationship on good terms. 

These are some moments and beliefs that have shaped Hyunjin—and his future. 

In the second to last year of his high school career, Hyunjin began working at a flower shop close to his childhood home. Morning Glory Floral—located between a convenience store and a bookstore (both of which are frequented by Hyunjin)—is a tiny little flower shop that Hyunjin knows like the back of his hand. He’d originally started out as a cashier and order taker until he eventually worked his way up to being one of three floral designers at the shop. 

He typically runs the shop most days of the week, opening in the early morning and closing in the late afternoon unless he happens to work Thursday, Friday, or Saturday—on those days the store is open until 7PM. Hyunjin usually arrives an hour, or sometimes two, before the shop opens just to get a headstart on things. He prints out invoices, splitting the orders between their type—local, domestic/international; additionally divided between funeral, wedding, and those non-applicable—as well as making sure pre-made flower arrangements are ready for pickup. The shop is fairly busy on a normal day (although that typically comes down to season), therefore, a lot of Hyunjin’s time during the day is making sure things are running smoothly and without delay. 

Floral design is an art. One of the many forms of art and creative expression that Hyunjin excels within. In his mind, floral design can easily be compared to architecture or interior design (both Hyunjin contemplated as career options). The vase is the foundation—who or what is this flower arrangement for? What color helps express the emotions behind the arrangement? Then—what flowers should be used (if the customer doesn’t have a request)? What should be the focal flower that grabs people's attention? Do the flowers chosen represent the overall message? Which filler flowers and greenery should be used? The shape of the arrangement matters too. As do a lot of other minuscule details. 

The details are important to him. Making sure the customer is satisfied with his creation is easy, hardly anything to worry about, but making sure that he’s satisfied with the work he’s done is an entirely different thing. A simple glance at Hyunjin creating a flower arrangement and it doesn’t seem like it takes too much time or energy. He moves in fluid movements, placing one flower after the other, a blank expression on his face. In reality, it’s a time-consuming process and it takes a lot of thought and precision to create the arrangements he does. Still, his hard work pays off greatly. He didn’t know he’d be where he is today, but he’s great at what he does—which is why people always come back. 

His favorite floral arrangements to make are the ones that have to do with romantic love—a date, wedding, or anniversary—since Hyunjin feels it gives him a lot more freedom for creative expression. Like floral design, love is of significant importance to Hyunjin, especially romantic love. Seeing people express their love and admiration for each other via flowers is beautiful to him, as he is a hopeless romantic after all. 

A small order of carnations arrived at the shop one morning. Unmarked and not on any receipt nor written in any book. Carnations are typically cut flowers (as in, used for decorative purposes), so consequently, it’s not unlikely for the shop to have extra, especially since Felix, one of the other floral designers, loves to use them for arrangements. The flowers catch Hyunjin’s eye in particular, not only because they’re striped carnations, but because there are three of them, obviously not enough to do much with unless for a small arrangement. 

Felix, as full of knowledge as he is, once explained to Hyunjin that during the Victorian era, carnations were used to speak very straightforwardly. Unlike other flowers that have many different, complicated, and often overlapping meanings, carnations could be used to respond to something—like a love proposal. If one was asking another for their hand in marriage, the recipient of the proposal may respond with a yes by giving the proposer a solid color carnation, such as pink, white, or even red; however, the yellow carnations mean no. Striped carnations generally mean a refusal of love, almost regrettably so. I love you, but I cannot be with you. A message that Hyunjin is more than familiar with. 

Perhaps it’s an omen. A sign that he’s going to fall headfirst into another relationship resulting in yet another heartbreak. A sign that if he falls for someone again, he may not get back up this time. Hyunjin often wonders if fate is real—he knows it is, he can feel that it's real—but has he been fated to fall in love over and over again just to reach the same emotionally catastrophic end that he always does? Maybe he did something in a past life that would warrant this anguish.

He shakes the thought from his mind, for the time being, choosing instead to blissfully and ignorantly fall victim to his subconscious. He won’t admit it out loud, and when the thought arises, he pushes it out of his mind in embarrassment, but Hyunjin loves the feeling of heartbreak. It stings. In both the worst way and the best way. And while he genuinely does hate heartbreak, it’s almost like he’s addicted to it. 

And then the bell of the door rings, signaling to Hyunjin that there’s a new customer. He looks up from behind the counter and his eyes meet Lee Minho, your boyfriend. 

You and Hyunjin had met in the fourth grade. It can only be described now, all of these years later, as an instantaneous click. You both felt comfortable with each other and eventually opted to do everything together, very soon becoming the best of friends. From grade school to adulthood, you’ve kept a secure friendship. Confiding in each other about everything—when one of you is low, the other is sure to pick them up. 

There’s a sheepish smile on Minho’s face as he approaches the counter. The expression takes Hyunjin aback. The smile is surprising because Hyunjin swears that the older man typically has a permanent scowl on his face. Hyunjin greets him, giving a small smile and a wave. 

“Need flowers for a date?” Hyunjin asks, fixing his standing posture. 

“For something better actually,” Minho’s smile grows wider, as if he cannot contain it. Hyunjin thinks this might be the biggest smile he’s ever seen across Minho’s face. Minho places his hands onto the cold surface of the counter, lightly tapping in it. “I’m proposing this weekend.”

Hyunjin’s jaw drops in awe. Never had he thought Minho was a man interested in marriage. Not only that, this means he’d be losing his best friend to married life. Next thing he knows, you’ll start having kids! His mind begins to race around, unforgiving. 

When Hyunjin the two of you were younger, you and Hyunjin would talk about your hopes and aspirations for the future. Of course, the topic of marriage and creating a family entered the conversation. You expressed that when you truly love someone, there’s no need to get the law involved for a piece of paper. Hyunjin couldn’t help but laugh, he felt that your reasoning was a bit childish, joyous of true, deep love. However, when you told him that though, it put a couple of things into perspective—most significantly, how you and Hyunjin are opposites. Hyunjin aches to get married and wants a few children too, he thinks the idea is beautiful. Still, for Hyunjin, the possibility of him actually getting married feels too far-fetched; unimaginable, and unattainable. Would anyone love him enough to want to marry him?

Minho breaks Hyunjin away from the depth of his mind. “I was thinking of a nice bouquet to give them, and you’re my guy for that.” 

Hyunjin exhales as he looks at Minho. He can’t even crack a small smile. He feels he should be happy—but something within him feels wrong. Someone dear to his heart is getting married and he can’t even pretend to be excited. He should be happy for you. He knows he should be happy for you; but he cannot find happiness within himself at all at this moment. 

Hyunjin and Minho aren’t exactly friends. Had it not been for you, they doubt they would have even crossed paths. It’s not that Hyunjin doesn’t like Minho, he’s a cool, upstanding guy; but is he worth being your boyfriend? Let alone, is he worth being your husband? In Hyunjin’s perspective, absolutely not. Sure, from the things you tell him, Minho treats you with love, care, and the utmost respect, but Hyunjin thinks there’s something…off about him, even after four years of you and Minho being together. From Minho’s perspective, it’s obvious that Hyunjin has a crush on you. He’s teased you about it multiple times, but to you it seems highly unlikely that your best friend since practically forever would be in love with you—but it happens. 

“Here, I’ll show you the ring.” Minho fishes into the front pocket of his jeans, pulling out a black velvet box. He opens the box, places it on the counter, and turns it to Hyunjin. 

The ring is gorgeous. Hyunjin can tell it’s been updated and has had a few repairs, probably a ring kept within the family. He knows this because after looking at so many rings, both through work and in his own free time (self-admittedly pathetic of him to just go looking for engagement rings and wedding bands while he’s desperately single), he’s starting to notice the small differences. 

“Wow.” Is the only thing that leaves Hyunjin’s mouth. 

Minho continues to talk, but it all goes in one ear and out of the other. Hyunjin is lost within his head. One thought after another, layering and locking himself within his own mind. Hyunjin remains on auto-pilot for the rest of his conversation with Minho. Towards the end of it, Hyunjin fishes out the most pathetic fake smile he possibly could. Hyunjin, per usual, promises to do his best at making the best floral arrangement he possibly can. Before he leaves, Minho says something to Hyunjin that sticks with him for the rest of his day. 

“They’ve always liked your arrangements, so just do what you do best. I trust you.”

The carnations are back. Another three. 

Coincidentally, they arrived on the same day that Hyunjin has to create the floral arrangement for Minho’s proposal. Hyunjin can’t lie, while this project was constantly on his mind; subconsciously putting all the pieces together one by one—he absolutely put the entire thing off until the last minute. Hyunjin has never once dreaded coming into work until now. Just the thought of working on the arrangement makes him sick to his stomach. But now there’s no more time left. 

Everything that Hyunjin needs for the making of the arrangement is spread out right in front of him. 

He chooses a white vase as the foundation—white, along with being a symbol of purity or innocence, is also a symbol of new beginnings and marriage, the latter representing what the arrangement means as a whole—sleek and rounded in an hourglass shape. Usually, for engagement bouquets, Hyunjin uses a clear vase to ensure that the flowers stay healthy and alive (of course while being taken care of). However, neither you nor Minho are any good when it comes to taking care of flowers, so Hyunjin figures he can do whatever he wants when it comes to his creation.

The foliage comes first—Hyunjin preps the stems, pulling off the lower leaves that might hang in the water, clipping the ends off the stems before they dive into the water. Floral arranging is not only art, it’s a science. The plants have to be inserted into the vase at an angle so that the arrangement can take shape. The arrangement needs to be balanced and colorful, preferably. Vase arrangements require layering, it’s easier to start with the heavier flowers first; two red chrysanthemums on opposing sides. He cuts the stems so that the flowers hang low in the vase, almost acting as a focal point if not for his statement flowers. 

As a standard for his arrangements and bouquets, Hyunjin chooses flowers that signify love and new beginnings. He also needs to make sure that the flowers he chose actually look nice in the bouquet, as if not, he feels the need to completely start over.

As he works on his creation, Hyunjin allows himself to get lost within his thoughts. Everytime someone comes into the shop, a smile on their face as they’re picking out flowers for their lover; Hyunjin feels something within him break, just a tiny crack at the surface of his identity. For a brief moment, with his work, he’s allowed to peak into the lives—the relationships—of others. Everything from the great moments of excitement to the bad moments that hope and pray to be forgiven. All of it sends Hyunjin spiraling into the depths of his memory. 

He remembers his high school years. Going back to classes after the summer he hit a growth spurt. His voice got a bit deeper, too. Suddenly, all eyes were on him. Hyunjin was desirable. Shy as he was, he enjoyed it. And after a few experiences, he’d seemingly gotten over his timid behavior, though still introverted. It was a strange time. He remembers falling deep into infatuation only for things to not pan out. Before the situationship begins, the sharp sting of heartbreak lingers. 

Just a few months back, Hyunjin got his heart broken yet again when his now ex-girlfriend left him to get back with her ex; some total loser named Changbin, of whom she had been originally dating sometime before Hyunjin. It’s not you, it’s me, she said. I just don’t feel the same as you, she said. Maybe we’ll meet later in life, or in the next, she said. He knew she didn’t mean it. That she was just feeding into his past-life and karmic romantic ideologies to lessen the blow. Within that same week (at minimum, three days later), he sees a mutual friend post a picture from a double date including said ex and her boyfriend. 

It stung. Badly. And he’s over it now. In fact, he’s so over it that he can hardly remember her name. Sooyun? Miyeong? See? He can’t remember it. It wasn’t the worst breakup that Hyunjin has experienced. Not by a mile. The worst actually was a couple of years ago, his longest relationship which lasted a year exactly, getting betrayed on the one-year anniversary of their one-sided love. The memory still stings, so Hyunjin prefers not to talk about it—but once it comes time for self-reflection, he thinks of the memories in awe—sickly attached to the distant memory of something that failed to work out. What if? He thinks. 

But three months (yeah, his most recent relationship was only three months; yes, he’s still a bit broken) with someone—constantly talking to them, getting acquainted with their lifestyle, seeing them often, kissing them, feeling them—changes a person; for better or for worse. So, Hyunjin is lucky he got out of it with only hurt feelings. A faint tug at his heart and, understandably, anger surrounding the situation, if anything. Nothing unmanageable that he can’t work or date away. 

Past relationships have driven him into a slump. Depressed and unable to create or live, even, until he finds himself somewhere within the next person—both metaphorically and actually—when he’s really at his worst; the ‘best’ thing to do is to relieve his stress by burying himself inside of someone in an effort to escape intense personal feelings. This occasionally backfires whenever he catches feelings for whoever he fucks and the cycle repeats itself. Over and Over. An unfortunate life lesson that Hyunjin has to continue repeating: spiritually, possibly due to the sins made in a past life; but actually, because he rarely ever learns from past mistakes, especially if it has to do with romance. 

Hyunjin, is, quite simply, a hopeless romantic in every sense of the term, but at a specific level of naivety. Aching to see the good in people or a situation even if it has near-disastrous results to his psyche. Before even speaking to someone, he’d have already envisioned their first few dates, their marriage, and growing old together. It embarrasses him badly. And no matter how many times he has to sit down with himself, reminding himself to calm down, that he should take things slowly, he’s already experiencing heartbreak. 

He’s tried the dating scene multiple times since this most recent breakup. A few dates here and there, and more than a few hook-ups as well (What can he say? He’s a single man). He was mostly encouraged by other friends, and you, to reopen his Tinder account and get back out there. And Hyunjin, easily influenced, did just that. It didn’t last long though, simply due to the fact that he found himself bored almost immediately after each date or hookup. He’s simply wandering through life, boldly yet blindly, without inspiration. 

Then he feels that spark. It’s just as he’s putting the finishing touches on his creation. 

That very familiar, almost sickening spark deep within his soul that he found himself craving after going so long without. Feelings. Of the romantic variety. For you. He can say that he initially realized them during a party hosted by a friend of a friend. You were surrounded by some of your close friends, drinking, and smiling all pretty as you do; and that’s when it started. It was like the universe expanded in a way that could be physically felt—similar to that of an out of body experience—an intensity that feels so right. He could damn near feel the temperature changing in the room due to some kind of universal shift. The vibrations of the music gets heavier, and the chatter of people blurs together—time slows down but is going all too fast. 

But perhaps he’s had these feelings for you for a while now. Maybe since you first met as children. Hiding them deep within himself. Covering up his feelings by searching for you through countless other people. Perhaps it is why many of his relationships never work out. 

It has to be fate calling out to him. Hyunjin clings to this thought and the feeling that it gives him.

Hyunjin questions himself like he does every time he realizes that he has feelings for someone. What do I like about them? He ponders it. Though it doesn’t take long for him to figure it out. Everything. He likes everything about you. From the way you type on your phone to how you order food at restaurants. He loves how concentrated you get when reading something and he likes how you walk a little weirdly. He likes your opinions and the way you see the world. Those small, specific things that make you who you are, are what Hyunjin loves. You as a person, inside and out. The good and the bad. All desirable and undesirable things. 

This is bad. Really bad. The realization feels bad. 

Hyunjin has had feelings for tons of his friends before. He never tells them, but if he does—because hey, life is short—then it never goes past a -with-benefits label. His friends mean a lot to him, and while a romance could strengthen a relationship, it could also weaken one. Some people are meant to stay friends. Perhaps that could change between you two. But it cannot. Hyunjin remembers one little fact: you are in a committed relationship. Of four years. With Lee Minho of all people. 

What does Lee Minho have that Hyunjin doesn’t? He’s just as pretty. Just as charming. And he’s a few centimeters taller. Plus, he’s known you longer than Minho has. If anything happens, you’d certainly pick Hyunjin, right? But Minho wants to marry you and Hyunjin doubts himself as being ready for that type of commitment even though he craves it desperately. 

By the time that Hyunjin has finally finished the final pieces of the floral arrangement and sneaks away from his thoughts, Minho saulters into the store. Speak of the devil. 

He’s smiling just as wide as he had days ago. Tonight is the night that he proposes, Minho informs Hyunjin. To which, Hyunjin congratulates Minho—but he hopes that you say no. He prays that you say no and, just to add insult to injury, you laugh in Minho’s face, despite how crude it’d be. In the pit of his stomach, though, he knows that you’ll say yes to Minho.

Minho leaves with the flowers after a few minutes of chatter; but not before he pays and leaves quite a hefty tip. 

The rest of Hyunjin’s day goes by dryly. A permanent pout rests on his face, as noticed by his coworkers. He’ll just shyly smile so as to not cause any worry. Hyunjin remains on autopilot. Smiling, talking to his regulars and answering the questions he might receive throughout the day. For the most part, though, he retreats to the dark and cozy area of his mind. 

—

He decides to take a refreshing walk back home. It’s only about a fifteen minute walk, and he does it often. More time to think. His headphones are tight against his ears, but not uncomfortable. Hyunjin initially chooses to blast a soft, slow tempoed song before he switches to something more heavy and aggravated. 

The music is cut and a millisecond later, his phone rings. It’s you. Oh, god. You’re going to rub your relationship in his face. 

When Hyunjin answers it, there’s an, albeit fake, smile on his face as if you could see him, and he begins to speak in a typical cheery tone. He’s cut off by a sob. He can’t understand a thing you’re saying and he panics. He stops in his tracks, hand curling to grasp at air in a panic. His eyes widen while he searches for any thought in his brain to console you. 

“Are you home? I’ll be on my way, okay?” He informs you, voice filled with worry. “We can stay on the line until I get there.”

And he stays on the phone with you until he reaches his home; and then the entire fifteen-block walk to your place. Avoiding the eyes of those who wonder whether he might be talking to himself. He hurries, speed walking the entire way—and almost sprinting at one point when your sobs had suddenly gotten worse—in order to reach your apartment in less time than it would usually take. 

He’s buzzed into your building and within a few seconds he’s at the door of your apartment. He doesn’t need to knock, as you open it immediately. Tears are staining your cheeks and you walk up to hug Hyunjin, not bothering to welcome him into your home. 

Now, everything is seemingly on pause, and Hyunjin is comforting you through your own heartbreak. Once again, time is both slowed down and sped up—he’s present but still lost in his head somewhere. Still, he waddles the both of you into your apartment, and kicks the door closed with his foot. 

He notices the flower arrangement he’d made just hours prior, sitting untouched on the kitchen counter. 

“You wanna talk about it?” Hyunjin questions. Dealing with those emotions, especially right after they surface, is difficult, and the last thing Hyunjin wants to do is push you into speaking about it—he knows the fresh wounds of a heartbreak all too well. So, he remains by your side, patient, and comforting until—if—you decide to speak. 

The two of you begin rocking side to side slowly. It’s soothing, and you’re able to speak just quietly. 

“Well, he proposed,” His stomach turns, tightening to the point where he becomes nauseous for a moment. Hyunjin even nearly rolls his eyes, but the thing that relieves him is the reason he’s here—obviously you turned Minho down. That, or Minho dropped dead; but that’s not as likely. Yet, the thing that nearly makes Hyunjin sicker is how much he hates that he’s happy that you declined the proposal. 

“And I declined. I-I said I wasn’t ready for marriage yet. Told him I wish we had discussed it a bit more before he did anything so we’d be on the same page. B-but I begged for us to stay together and he said… he said he couldn’t do it.” 

You bury your head in Hyunjin’s chest, weeping a bit more. 

“I know it hurts,” His words get lost in his mind somewhere, feeling as though he isn’t adequate enough to comfort you. 

“It hurts so bad.” You grab his hoodie with your fist tightly, twisting and tugging at it. 

“Let’s just cry it out. That always helps me.” He suggests, hand running up and down your back. 

“Cry with me? Like that scene in Midsommar?” You laugh through your sobs despite the hurt you’re in. Not that it matters to Hyunjin, of course. You can feel him laugh and, fortunately, it makes you smile. 

“Only if you want me to.” He unknowingly returns the smile. You don’t respond, but you ponder it—even as just a joke. 

The room falls silent but the silence is comfortable. That’s what you love about being around Hyunjin. You intrigue him, and while he always wants to know what’s going on in your mind, he never pressures you to speak. Sometimes, we learn more about ourselves—and to an extent, other people—through silence. 

The hug breaks. You fail to meet Hyunjin’s eyes. You walk off to sit in the living room and Hyunjin goes to get water for the both of you. He sets the glasses of water down and takes a seat next to you. 

“Where is he?” Hyunjin asks. His palms are sweaty, so he wipes them onto his jeans.

Your frown somehow deepens before you speak. “Went to stay with his parents.”

Silence. Hyunjin can tell that you’re lost in thought. He feels a bit odd. Individually, you both have gone through a significant amount of breakups; but each one is different from the last. It’s been so long since you’ve had your heart broken. To see you like this after so long—eyes red and puffy with a tear stained face, bottom lip quivering as you try to console yourself—it breaks Hyunjin. He does what you would do for him. 

“What will help take your mind away?” His voice is soft, barely above a whisper. 

You ponder for a moment. “Remember back in February when you and Miyeong broke up? The sleepover we had while Minho was away? We stayed up all night eating snacks and watching romance movies,” 

He nods. Despite being deeply hurt to the point he got sick, the latter part of that week was one of the most enjoyable times that he’d had in forever. The two of you ate, drank, cried, and watched cheesy romantic movies (to which Hyunjin cried more). Through the stuffy fog that is heartbreak, Hyunjin was reminded that, sometimes, life isn’t so bad. 

“What if we did that again for a couple of days?”

Hyunjin ponders it, considers it, but… “We both have work.” He pouts.

“Not tomorrow, though. I just don’t want to be alone right now,” You need him. A crutch. A support system. And you know he’ll never let you down. “Plus, you act like you haven’t stayed over for long periods of time before! Remember the time that Jisung refused to shower out of spite so you slept over here?”

Hyunjin lets out a short chuckle. He knows that when he goes back to his apartment, it’ll be left a mess. But for you, he doesn’t mind cleaning up after Jisung. “Fine. But only because I love you and I want you to feel better, loser.”

—

“You just have to find your thing, you know?” Hyunjin takes another shot. Neither of you are sure just how many you’ve both had. 

“Like, you know, my thing is art, and flowers and, you know, expressing myself with them. It’s the one thing I can always come back to and feel good about. Not betrayed, not hurt, or anything. But good. That shop—god—it’s like the one place in this world that’s for me.”

He’s venting now. He shouldn’t be. This is all about you. Tonight is all about you. So he cuts himself short, words still lingering on the tip of his tongue. There’s a momentary silence, eventually broken by you.

“Are you implying that you want to fuck your flower shop?”

“Wha…? No! I’m just saying…I’m trying to help you!” His ears become red.

“Hm. Not sure. Sounds like you’re confessing your love for your job,” Hyunjin looks at you with a face full of temporary disgust. “I’m jooking! Find my thing, something to express myself with, I know, I get it.”

“I’m sorry,” 

“Don’t be.”

Silence once again occupies the room, planting itself comfortably between you and Hyunjin. Hyunjin doesn’t mind the silence. You do, though. 

“You know what’s kinda funny?” 

“Hm?”

“Minho used to mention, from time to time, how he believed you had a crush on me,” You smile. Hyunjin, however, is caught off guard, eyebrows raised with his eyes slightly wide. “I would always laugh it off but part of me kept thinking What If?”

“What if I had been with you instead of Minho. I mean, you wouldn’t propose to me without having a simple fucking conversation, right?” You ramble on. “You wanna know a secret?”

“Sure.” “Two secrets! It’s actually two secrets!”

“One,” You tilt your head to smile at Hyunjin. “I had the biggest crush on you for years. But I was so hurt because you kept going after literally every fucking body else. Wish you had paid attention to me.”

“And Two!” You continue, not as sad. Ignoring the previous sentences that came from your mouth. “I wish I could kiss you right now. Would you let me?”

He can’t believe the words that come out of your mouth. For a moment, Hyunjin feels ill. He’d somehow missed the signs. You wanted him, too. His eyebrows string together in a brief expression of sadness. He shakes it away. Hyunjin nods and leans in, his eyes close and he puckers his lips. Within a second, he feels your lips on his and then your hand on his thigh. 

Sparks. That’s the only way that Hyunjin can describe it. Your mouth is warm, wet and Hyunjin can only melt into you. The two of you melt into each other. Lips mashed together as your tongues slip into each other's mouths, swapping spit. At this point it’s more than kissing. It’s heavy and messy. It’s full of hurt and passion and the feeling of being missed. Or having something missed out on. Uncertainty. Neither of you have come up for air to interrupt the makeout session. Losing yourselves within each other's mouths—lips and tongue, occasional teeth. 

You end up climbing atop of him to straddle. Breaking the kiss to pin Hyunjin to the floor. You stare down at him, searching within his eyes. “Do you want me?”

“So much.” The two words leave Hyunjin’s mouth desperately. He’s in anguish. 

He tries to sit up, to chase your lips but he’s properly pinned. You plant one soft kiss against his lips. You stand, beckoning Hyunjin to follow you to your room; disappearing into the hallway. And Hyunjin does just that; leaving his sober self to pick up the pieces of a drunken, immoral night. 

© PLANETDREAM 2024

[ladykailitha]

Of Butterflies and Backstrokes Part 13

It's a race to the finish line as we are nearing the end. I am quite proud of this little story. I started posting the weekend the Olympics ended and continued until almost Thanksgiving!

The final two chapters will come out tomorrow and Friday.

In this we have Steve learning progress is not a straight line, Dr. Hughes is brilliant, and Eddie's dreams come true.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

~

The year just flew by, with Steve and Eddie working in the off season. Andy and Haley called them crazy.

“You’ll only burn him out,” Haley said, “then he won’t make it to the trials, let alone the Olympics, Steve.”

“I know you think this gung ho approach is going to do the job,” Andy agreed, “but it’s just not sustainable. You’ll wear him out before it’s competition time again.”

Steve looked back and forth between them in open mouthed shock. “You guys honestly think I would take advice from Tweedle Dee and Tweedle Dum? Fuck off.”

They were flabbergasted that he would speak to them that way, as if they hadn’t spent the last year mocking both Eddie and Steve’s progress in the pool.

Steve just shook his head and walked away. He was doing much better now. He could get in the pool up to his waist and duck under the lane divisions, but he couldn’t put his head under the water. He had even tried kneeling into it, but he had jumped out of the water so fast, he left a huge wake behind him.

It took him two more weeks after that to even put his toe in the water again.

He had never been so disappointed in himself. Not for him. Oh no. But for the look of pity on Eddie’s face when he turned around after having booked it to the lifeguard tower.

Dr. Hughes had admonished Steve for feeling that way. “Your recovery is not predicated on how Eddie feels about it. And I highly doubt it was pity, Steve. You know Eddie better than that. He was concerned for you. As I’m sure Robin was too.”

Steve was forced to acknowledge that he just wanted Eddie to be proud of his progress.

“Steve,” Dr. Hughes said gently, “we’re all proud of your progress. You can go into the water all the way up to your chest. That is a long way from freaking out over putting your foot in the water.”

He took a deep breath and let the words of encouragement slide over him like waves in the ocean. Oh how he wished the pool was just the ocean. Dark, fathomless and deep. Unknowable and therefore conquerable.

He explained the feeling to Dr. Hughes.

“The ocean doesn’t bother you?” he asked tilting his head to the side.

Steve frowned for a moment and then shook his head. “It’s not clear like pool water. I can’t see the bottom and know how far it is for me to drown.”

“Oh.”

A smile spread over Dr. Hughes face. “I’ve got the best idea.”

~

“What are these?” Steve said pulling out the weird goggles.

“They’re for tanning booths,” Eddie explained with a grin. “They’re so you can’t see.”

Steve frowned at them for a moment. “What am I not supposed to see?”

Eddie just continued to grin without saying a word. He put them over Steve’s eyes and led him through the halls. As they did, Steve started to hear waves crashing and the sound of gentle breeze.

“What the hell?” he asked, but Eddie continued to lead him on without a word.

He led Steve to the edge of something and that’s when he spoke.

“Just dive in,” he murmured. “It’s okay, we’re here for you.”

Steve was about to ask who else was there, but it didn’t matter. He trusted Eddie not have anyone there that would make fun of him. So he dived into the water and just swam. It felt so good to just let himself go. To just swim properly for the first time since the accident.

Then he touched a wall. He let his body sink and hit solid floor. The water only came up to his chest. But there was no way they would have let him dive in the endless pool or the kiddie pool.

He tore off the goggles and looked around. He was on the other side of the pool from the door.

“What the–”

On the side of the pool were Robin, Eddie, and surprisingly Dr. Hughes. Dr. Hughes was sitting in one of the folding chairs Steve often sat in during staff swims, Robin was standing next to him with her phone held out, and Eddie was crouched by the edge in case Steve panicked and needed to pulled out of the pool quickly.

He let out a startled laugh, pushing his hair out of his face. “That was amazing!”

“You did it, pretty boy!” Eddie shouted. “You swam in the big pool.”

The sound of the waves and wind cut out and Robin put away her phone with a grin.

He waded over to the edge of the pool to where Eddie was crouched. “So I did. Was this your idea, Dr. Hughes?” he asked, looking around Eddie to the seated man.

He smiled fondly. “It was. We’ll slowly build you up to not needing the sound, then not needing the goggles. The brain for all its complexities can be easily tricked.”

Steve laughed out right. “That’s brilliant!” His smile turned into a grin as he looked up at Eddie.

“Uh oh...”

But before he could get out of arms reach, Steve grabbed him by the arm and yanked him into the water. Laughing and splashing around.

Robin turned to Dr. Hughes and murmured, “Thank you. I haven’t seen him this happy in a long time.”

“It’s my pleasure,” Dr. Hughes said. “He really wants to get better. To overcome his fears and that makes him...hmm...I’m not sure easier would be the right word. More teachable, perhaps.”

“Despite all his dad’s faults and trust me he had many,” Robin said solemnly watching her best friend, “Clint could tell Steve loved the water. Like really loved the water and he did everything he could to make that happen for Steve. It’s just too bad the bastard got so wrapped up in winning he forgot that.”

Dr. Hughes nodded. Steve was happiest in the water and if he could help him get that back even just a little, then Dr. Hughes considered it a success.

~

The Olympic trials had finally arrived and Steve was nervous as hell. Not only because Eddie was going against Jason Carver to be on the team and Billy being there, but because Bob Newby. He was one of the best and he was worried Eddie wouldn’t live up to his exacting standards.

Thankfully Bob came over right before the meet started to chat.

“I’ve been hearing some really good things about your boy, Eddie,” Bob said after they exchanged pleasantries.

Steve grinned. “He’s good, Bob. Like proper talented, good.”

“I can’t wait to see him,” he replied with a nod. “I was hoping to see another name on this roster, was a little sad you weren’t on it.”

Steve blushed. “If I felt better about that damn pool behind you, I probably would have. But I just can’t. Not right now.”

Bob gave his elbow a squeeze. “I feel that. I’m just glad that they offered the coach position to me first. Their second choice was Billy fucking Hargrove.”

Steve leaned his head forward in surprise and disgust. “Are you kidding me? He barely medalled, why would they want him?”

“I don’t know,” Bob said, shaking his head. “It doesn’t make sense.”

Bribery. That would be the only reason for it. Straight up Olympic bribery, like fucking Salt Lake City didn’t blow the cover on that particular can of worms.

“Well, it’s good to see you again,” Steve said. “I’ve got go get my boy ready.”

“We’ll talk more after the meet,” Bob said.

Robin walked up to him and put her hand on his shoulder. “Eddie is going to do just fine.”

Jason, who had been walking by, scoffed. “Your boy is throwing up chunks in the locker rooms.”

Steve rolled his eyes. “Like your beloved coach wasn’t doing the same thing at the last Olympic trials and he still made it. So fuck off.” He waved his hands at Jason, who stomped off with a scowl.

Robin smirked. “He was throwing up because someone told him one of the other athletes was gay.”

Steve smirked back. “I’ll just go check in on Eddie. I’ll be right back.”

He walked into the looker room and everyone started pointing out the direction of the hurling. They knew who Steve was and they sure as hell knew who he was coaching this year.

“Eds?” Steve murmured walking up to the stall.

“Fuck man,” Eddie murmured. “Me and my band play to actual fucking crowds and I’ve never been this nervous before.”

“That’s because you’ve never had the chance to be seen on the world stage before,” Steve said soothingly. “I think you’d be throwing up before a performance if you were told that there was a talent scout in the audience who if they liked your stuff would be giving you a contract.”

Eddie stopped to consider that. “Oh yeah. Okay. I see your point.” He stood up and opened the door to the stall. “You gotta level with me coach, am I good enough?”

Steve took his head in his hands and pressed their foreheads together. “You are. You are one of the best swimmers I’ve ever seen and you have got this in the bag.”

Eddie gripped Steve’s wrists and nodded. “I’ve got this.”

He opened his eyes and saw how close they were. It would take absolutely nothing to press their lips together. Just tilt his head up.

Then a locker door slammed Steve jumped back, dropping his hands from Eddie’s face. His own face was burning.

“Steve...” Eddie murmured, holding out his hand to him. “It’s okay.”

“I want to so bad,” Steve muttered back. “But I’m coach, I can’t.”

Eddie smiled. “If I make it to the Olympics, you won’t be. Bob will. So just think about that for a moment.”

Steve huffed out a laugh. “You’re a menace, Eddie Munson.”

“You love it,” Eddie said, leaning into his space.

Steve playfully pushed him off. “Go blow away all the judges, rockstar.”

Eddie saluted and led the way out of the locker rooms, out to the pool, a fond Steve following behind.

~

The stands were stacked to the gills of all their friends and family. Max wasn’t trying out for the Olympics this year, opting to wait until she was older before she tried out. Steve and Susan were very proud of her making that decision for herself. She would be sixteen next time and they, and Robin thought it would the best for her.

It was going to be a crazy week. Having over a thousand athletes all vying for the same fifty spots. And a lot of those spots would be filled by the same people across the board.

Steve wasn’t sure what was worse: for first and watching everyone else beat your time or go last and be forced to watch all the amazing athletes go before you. Well Eddie was about to find out.

He was in the first heat on the first day for his first event and most of his heats were also on day one. Which thankfully, Jason was not. Jason was in the middle of the week and had been complaining about it to everyone who would listen longer than five minutes.

Chrissy Cunningham was at the end of the week. The first heat on the last day.

Steve gave Eddie’s shoulder a squeeze.

“Show the country who’s the best, Eddie,” he murmured. His hand slid down Eddie’s arm and he gave his hand a squeeze too.

Eddie smiled brightly and then tucked his hair under his cap. He padded over to his podium and started warming up his limbs. The whistle blew and he pulled down his goggles and got up on the podium. He crouched on it backward, still as can be, waiting for that shot.

BANG!

And Eddie arced into the pool backward, the strong lines of his body sending butterflies to the base of his rib cage and his heart rate rabbited.

Eddie was beautiful. There was no denying that. The last two years had taken him from a scrawny teen to a whipcord strength. His tattoos were beautifully on display and Steve let out a shuddering breath.

Robin took his hand and they watched as Eddie cut threw the water like a hot knife through butter. He was exquisite.

It was nerve-wracking every time he went into the water, but every time Eddie emerged from the water in the top three if not the top spot.

They watched and waited the whole week as others did the same.

When the results were tallied up at the end of the week, Eddie, Jason, and Chrissy were all going to the Olympics in London.

Eddie came bounding up to Steve. “Better get packing for London, pretty boy. I’m going to the Olympics!”

Steve laughed as he spun them around. “All right, all right!” he cried, laughing. “I’ll come watch you compete!”

“Yay!”

Steve let out a shuddering breath. He wasn’t sure if he could handle going to the Olympics and watching other people live his dream. But he’d do it. He’d do it for Eddie.

He’d do anything for Eddie.

~

Part 14

Tag List: CLOSED

1- @itsall-taken @redfreckledwolf @zerokrox-blog @gloomysoup

2- @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @cryptid-system

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @irregular-child @bookbinderbitch @bookworm0690 @forgottenkanji @eriquin

5- @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon

6- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @disrespectedgoatman

7- @counting-dollars-counting-stars @tinyplanet95 @ravenfrog @swimmingbirdrunningrock @lingeringmirth

8- @gutterflower77 @a-lovely-craziness @just-a-tiny-void @w1ll0wtr33 @beelze-the-bubkiss

9- @chameleonhair @sadisticaltarts @dreamercec @xxfiction-is-my-realityxx @mac-attack19

10- @aol19 @tartarusknight @morallyundefined

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[air--so--sweet]

I've mentioned before how part of me wants Eddie to come out to Buck and for Buck to say 'Like you said to me when I told you about Tommy, this doesn't change a thing between us' and for Eddie to say 'What if I want it to change things between us?'

In 2×17, when Eddie tells Shannon he wants them to be a family again and she says she's not pregnant he says 'It doesn't change a thing' and she replies 'It does for me.' She then goes on to explain how she can't mess things up with Christopher again and she's still learning how to he someone's mother, and once she has then maybe she can learn how to he someone's wife. She then asks Eddie for a divorce.

And, while 'it doesn't change a thing' is a pretty common phrase I find it so interesting that it's said in both scenes. Scenes with the people that Eddie loves most. In one his wife is leaving him and in the other his best friend, who he doesn't realise he's in love with, is telling him that he's attracted to men, but the man he's chosen to date isn't him.

And it's made me like my theory more honestly, but with a change. I now want Eddie to say 'It does for me'. Yes, because it mirrors his scene with Shannon, but also because Eddie has been so passive in so much of his romantic life, he needs to be active in choosing to confess his feelings to Buck and choosing to pursue a relationship with him. 'It does for me' is a more definite and sure statement and it signifies Eddie truly choosing to take a leap of faith even though it means he has to risk rejection by doing so. It changes things for him because knowing a future with Buck is possible, knowing his best friend could he is boyfriend, maybe even his husband, it changes everything in Eddie's life in the absolute best way. And he can't not try make that a reality.

Also, yes, I've gone from being cautious in case this is queerbaiting to going all in on Buddie. I can't not, *spoilers for 8x08 and season 8b* like Buck's reaction to Eddie moving to El Paso, Tim Minear saying Buck will be spiralling so much he'll be 'spinning like a top', it has to be a set up for Buddie, it has to! They know the fans love Buddie, I cannot imagine they would write this story line and then have it be about their friendship. All that would do is risk alienating a huge chunk of their fanbase.

[froggo-333]

ARCANE SPOILERS

sorry this is about to be longwinded asf but is anyone else kinda disappointed with the last arc. this is mostly gonna be about vi and jinx although i think them teasing sevika stuff but her showing up like twice and not saying shit was also weird. from the start i didn't like caitvi on like a yay shipping level but i didn't mind them that much. the lesbian situationship bit in the first two acts of season 2 were funny, i actually enjoyed it cause hey girl i've def been there before, but the third act is where i really begin having issues. at the start of the season vi becomes a cop. i know she is one in league but with the story in arcane it feels a little bit of an odd choice but i digress, its coming off like she once again is shouldering the blame for jinx. she is vi's problem. she is trying to fix things. obviously this doesn't work, cait starts changing, there is the whole isha protecting jinx moment (isha's character in gen), vi crashes out. the build up so far feels like vi and jinx are going to reconcile at least somewhat to have an understanding of each other, the crashout for vi aiding in this with vi completely changing and then starting to have an understanding of her sister. the vander and isha moment in ep 6 was what i thought to be the climax for this. then act three starts. we're in a different universe where vi is dead but everyone lives in the memory of her. jinx has a huge memorial and pink in her hair, vander has a vi tattoo, ekko paints the mural. we go back to our universe and vi is rightfully yelling at cait not mincing her words at all, sure cait explains herself but never once has she shown any change with her actual actions. Vi learns jinx turned herself in and later when she goes down to find jinx she sees her suicidal and depressed. when jinx tricks her and escapes locking vi in why, after cait gets vi out, does vi not go running after jinx? why does she proceed to have sex with cait randomly in the jail cell her sister was in???? the line of jinx "supporting" caitvi felt like she was bitter and added to her depressed state. remember she became jealous that vi showed up with cait in s1?? that should've been ekko AND vi saving jinx later on. whats the point of jinx coming back with a haircut JUST like vi's and with pink in her hair for barely anything. what was the point of any of this. it does an incredible disservice to vi and jinx as characters and their entire relationship. its weird after all this vi would go back to cait. the final line for them comes off soo unbelievably laughably classist after everything i legit have no words for that shit. "i am the dirt under your nails cupcake nothings gonna clean me out" to the upper class person whose family was gassing zaun and who knows what else historically we as the audience don't know. i simply just do not think a character that is supposed to be embodying the hardships of the zaun would do all that.

[boneyspades]

GUYS I CANNOT HOLD IT IN ANYMORE I MUST TISM. I MUST RANT. I MUST EXPRESS MYSELF. I MUST GNAW MYSELF OUT OF MY ENCLOSURE

here are some of my Orange side ideas or predictions or whatever. now let me cook chat. (also I'm kinda just making this before the season finale cus Thomas said he was working on it

imma put a cw here for mentions of religion, so if you don't wanna see that then U don't have to read this lmao

ok so imma kinda categorise this in different categories I guess and I'll try my best to be short and sweet about it whilst also kinda just like... explain my reasoning? (edit: I failed. DW I highlighted the main points just in case U don't wanna read all that)

what I think the side represents

what he looks like(aesthetic?)

powers???

personality? what he's gon be like?

what's his intentions??

and idk just other things I think of on the way

What does this fuck head represent in Thomas?

I think this just goes without saying but like imma say Rage or Wrath. I remember these mfs on yt (can't remember the name) saying they predict it was gonna be rage and honestly it would be so fitting.

like fr, Logan literally SNAPPING at Remus cus he wasn't being listened to and his eyes TURNING ORANGE?

Thomas being MAD at Niko to the point where he was gonna UNALIVE THE FAKE NIKO that Remus conjured up to fuck with Thomas?!

THOMAS'S JUST BEING MAD AT NIKO IN GENERAL FOR NOT ANSWERING HIM?!?!

ROMAN AT THE END OF SVS REDUX?!?!?!? BITCH WE KNOW WHATS COMING!!!!!

its just UUUUUGH I WANT THEM TO BE HAPPY BUT I LOVE THEIR INNER TURMOIL

how many stars am I gonna give him in dress to impress (aesthetics??? traits??? idk)

ok so I kinda was not quite sure about this one for a bit but then I remembered the dark sides, Remus and Janus's specifically (and I guess Patton too but like he's a "light" side but just hear me out) have had religion tied into them in some way; Janus kinda being inspired by the snake at the tree of life and even said himself "what am I doing here, am I the SNAKE COME TO TRICK YOU INTO SINNING?".(was gonna get video reference but apparently I can't have more than one video. sucks)

Remus is I guess religiously tied, using alot of religious language to mess with Thomas... like... alot...

Patton kinda just looks like a religious dad whose marriage is crumbling apart. but I think someone said that he also represents his Catholic guilt??? tho I could be wrong, I don't remember, but it fits considering he's literally the opposite of janus.

BUT ANYWAYS..... i think, clothing wise, orange could potentially dress as a priest??? or like a leader of a cult?? think robes and stuff. I mostly think of The One Who Waits from cult of the lamb or even the lamb itself since like... a the leader of the cult-... speaking of lambs. i think everyone's well aware that all the sides have a physical trait of some kind, something they take the form of I guess;

Logan= teacher

Roman= prince

Patton= dad

Virgil= (emo) spider? cat?? idk???

Janus= snake obvi

Remus= a duke and Cthulhu for some reason?

and now hear me out:

Orange= LAMB OR GOAT???!!!

correct me if I'm wrong but lambs and goats have been tied to religion alot (also I saw someone say lamb or goat as well and I think it would be so fucking cool), but if not, I have two other ideas... hear me out...

AN ANGEL?!?!

A BIBLICALLY ACCURATE ANGEL?!?!

NO CUS LIKE THEY LOOK SPOOKY ALREADY, IMAGINE IF LIKE HE WAS JUST OFF PUTTING PHYSICALLY AND PERSONALITY WISE. and also tying with with religion too

and the third, and this one is just cus I like robot characters BUT HEAR ME OUT! a specific genre of robot like GLaDOS from portal, AM from I have no mouth and I must scream (idk I haven't played the game), Cyn from murder drones, deviants in general from detroit become human. what do they have in common? (probably Ive only indulged in 3/4 medias mentioned)

FILLED. WITH. RAGE. OR. JUST. ABSOLUTELY. POWER. HUNGRY!!!!!

I feel like orange would be the mf to try and control all the sides. and just idk the fact that alot of these SciFi robot media have something to do with robots and are just filled with so much anger and hate for someone or people. idk just a silly thing I thought of.

what powers can this little bitch do

ok so I think everyone already knows that the sides have inhuman abilities (cus they aren't human but like anyways) like for example:

they can all shapeshift

they can mimic other peoples voices which I think is THE COOLEST THING EVER

they can I guess teleport??? does sinking down and rising up count as teleporting???

and I guess make Thomas see things that I guess aren't there? bitch idk

but I also do think that the sides all have INDIVIDUAL abilities only they can do:

janus can sense any lies coming from the sides (at least I think so)

Patton can turn into a frog for some reason? is there an explanation for that tho cus like?- (it's cool af tho)

I think Roman and Remus are the only ones that can conjure things up outside the MindPalace correct me if I'm wrong

Remus can give Thomas and the sides hallucinations or intrusive thoughts (cus... yk... that's what he is)

virgil can control SHADOWS?!? WHAT A FUCKING BADASS

Logan can speak through Thomas (like during Moving On part 2)

but what about orange you may ask. lets go over the obvious one first:

the ability to make a side let out any repressed anger I guess?

or I guess make a side get like... REALLY pissed off or something idk

I won't really go in depth with that one cus I think everyone knows that, but this next one I STRONGLY feel for. HERE ME OUT.

POSSESION.

now I think this will be different from how orange used his other power on Logan. BUT. the way I see it, I think that the orange side would have the ability to take FULL control of a side based on how much anger or negative feelings they're feeling, ykwim? and, now here me out, in return, kind of nullifies the effects that side has on Thomas. like for example, say Patton is all angy. bro is mayor of Angyvile. U went into an angy competition and you see Patton? you lost, bitch. anyways, the orange side, would have the ability to just be like possess him like a fucking demon. because of this, Thomas would feel less empathy, emotions, etc, because Patton is basically that. but I feel it'd look alot different than what we saw in WTIT, cus Logan was still in control of himself. but like I want it to look CREEPY AF. MAKE THEM DO SPOOKY THINGS, THOMAS. MAKE THEM LOOK POSSESSED, NOT THAT FUCKING "heh, finally. feels so good to be free 🐺😈💪💔⛓️" NO. MAKE THEM LOOK LIKE THEY'VE GOT SATAN CONTROLLING THAT BITCH. I WANT MORE SPOOKY. I also think he'd use this ability on Logan the most for obvious reasons

personality or something idk

alright so I feel like this one will be alot shorter than my other points, but personality wise... I WANT HIM TO BE A FUCKING ASSHOLE. I WANT HIM TO BE MEAN. I WANT HIM TO BE TERRIFYING, PSYCHOLOGICALLY.

I want him to be SO FUCKING MANIPULATIVE DAWG. i literally think that wrath could be the leader of the dark sides and be the one that makes Virgil (pre AA), Remus and even Janus fall for a fake sense of security whilst also using them for his personal gain and his personal gain ALONE. I want him to be a terrifying side, cus yeah, the dark sides are scary but they've been proven to not be as scary as they seem:

virgil (pre AA) was always seen as scary but even in the episode with Superwoman (aka his first appearance) it's shown that he is easy to manage. and even during and after AA, all he wanted was to protect Thomas and help him. he was just basically misunderstood

Janus is a kinda harder one to explain, but I guess its similar to virgil. all he wanted was Thomas to do something for himself (go to the callback) and practice self care, but because he is the embodiment of Deceit, he kinda just is seen as a purely bad thing. Thomas says it say better at the end of SVS redux.

Remus I feel is alot different. he's a fucking asshole cus he wants to be, he's not all "I want Thomas to just be happy and I want to do what's best for him" NO. he wants to make Thomas's life HELL, or just turn him into a professional people opener. BUT, in DWIT, Logan has proven that Intrusive thoughts can be dealt with and that they're not as scary as Thomas thinks.

I want orange to be so terrifying as a concept that not even Logan can make an argument where Thomas can deal with him. I want him to be so fucking bad that not even Patton wants to be his friend. but like make him a silly guy :) (also I feel like the orange side and Remus would be besties)

what does this bitch WAAAANT

ok so this one will be quite short. but I feel like the orange side would want Thomas to live a life where he takes revenge on the people who have wronged him. maybe try to make Thomas into a professional people opener. that's why I think orange and Remus would get along so well. if rage blinds morality and logic, then Intrusive thoughts can become reality. thats what I think at least. I feel like the orange side would try and trap the other sides and repress them somehow, except Remus and Janus.

ok that's it

[pruneunfair]

"But Rashta got greedy." Breaking down a common argument

I'm sure that no matter what character you like more you've probably heard the "Rashta could've had a good life but she got greedy" argument, it's a common one that even though I was reading and thinking "I don't see the greedy part?" I chalked that up to me just not noticing it well enough like others until I shared this idea with my mom

Ive been constantly sharing what I read with my mom, she's a writer so when I want advice on writing or an opinion on a certain book I'll either get my feelings on a topic validated or my eyes would be opened to a whole new perspective. When I explained the plot of TRE and how the mistress was an escaped slave that immediately got my mom interested when I said "She ends up getting too greedy and it became her downfall" to which she replied "so dreaming and wanting more when your life is at rock bottom is greedy now?" In fact up until I mentioned that Rashta was a slave, she was under the impression that the mistress was a noble woman.

Greed is mostly known as a never ending desire for more even when you already have everything, it's an obsession with what you don't currently have and you'll go to great lengths to achieve more then you really need especially if there is no real reason for your desire for it. Money is the most famous example but it can also be greed for social media attention or more objects to buy and consume.

Rashta never had everything or really ANYTHING as a child, there was no safety net to fall on, no real noble background, not even parents that would guaranteed to protect their daughter. So the greed factor is lowered significantly when it's apparent that Rashta doesn't have the "everything" to want even more.

when she was found by the literal emperor she took the most logical decision at the time and became his mistress even though she was technically still a slave, she was just treated better then she was at the Rimwell estate. When I reread some key Rashta chapters where she at her worst so see the greed of her character I still couldn't really see actual desires for more and more, mostly desperation, hurting others to save her skin, jumping to conclusions and holding grudges, terrible but if I had to really pick a sin to align this with, it'd be wrath with a hint of envy not greed.

In fact for most of season 1 Rashta isn't exactly clamoring for the empress seat until push LITERALLY came to shove, even if she really wanted the throne more then anything there was no way she could get it just by "stealing" Sovieshu because if I abdicate my title as empress has taught me anything, it's that being the sole lover of the emperor isn't guaranteed to make you empress. At the end of the day even if Rashta was a greedy person who wanted Naviers throne to satisfy her neverending greed it would've all been based on her luck.

when Sovieshu offers the position to her she even wonders if it's really a good idea since she has no experience and she'd just be dethroned in a year anyway but she chose to say yes because it was for her child's chance at a prosperous future, no desire for power, money or the desire social fame was minimum compared to her real goal of guaranteeing her daughter a chance at life. The closest I can say that is remotely related to greed is that Rashta wore a few over the top dresses (like her wedding dress and that one purple one with the bows)

Finally when she does become empress Rashta isn't exactly looking for more, she was ready to just live in luxury under the impression that her safety was guaranteed and that was it, she didn't want more jewels, money, power, maybe she wanted more social attention from others but even then the chapters dedicated to empress Rashta were, again, based on her wrath rather then her greed.

Honestly if any character symbolizes greed more it's Heinrey

The guy started off as a prince, then a king and then a damn EMPEROR, yet he still stole more magic from the mages, he wanted to go to war with the eastern empire for practically no reason and was willing to doom his damn country if he went through with it considering that the west is landlocked so going to war all willy nilly with potential allies when you have to rely on other territories just for water.. it took falling in love at first sight with Navier to get him to put it on hold and only stopped when she found out almost 170 chapters later and even then, his daughter ends up getting the eastern empire thanks to power of random plot holes. Before meeting Navier Heinrey really just wanted to keep expanding more and more for no reason because I looked and searched and could not on my life find a reason as to why Heinrey wanted to go to war other then one claim that he wanted revenge for the past which.. really? If that is the case we'll thanks for almost instigating something that didn't need to be instigated.

He really doesn't give a damn, one way or another Heinrey will get what he wants.

[le-velo-pour-dru]

UMBRELLA ACADEMY FANS OF TUMBLR. PLEASE HELP ME HERE.

WHAT DOES THE POST CREDITS SCENE FROM SEASON 3 MEAN

I WAS CONVINCED SEASON 4 WOULD GIVE ME THE ANSWERS BUT I STILL DON'T GET IT AT ALL 😭 DOES ANYONE KNOW WHAT WAS GOING ON THERE?? PLEASE AND THANK YOU <33

[caitvibing]

So, I've got another sad theory behind what might've gone down with Jayce in Act 2.

At the beginning of Episode 6, Viktor describes the hexcore as a 'sophisticated conjuration' which is 'simultaneously self-replicating and self-annihilating'.

Let's assume that at this stage the hexcore is essentially a living entity, right? So, from a biological/evolutionary standpoint, the main way I can make sense of this quotation is that an entity might annihilate the parts of itself it finds to be weak/disadvantageous to the continuation of the species. For example, our human bodies 'annihilate' cells which do not function ideally and thus threaten the function of the rest of the body.

Applying this to the latest evolution of the hexcore (i.e. the version of the hexcore which is spreading through different individuals via Viktor) I wonder if the evolutionary disadvantage here is in fact Viktor's humanity. This is most evident in his reaction to Vander: he is aware that he is risking his own life, and everything he has built, by extending his powers to the max in an attempt to save Vander, but he does it anyway because he is 'worth it'. Viktor is compassionate to an extent that it risks the continuation of the hexcore species.

Therefore, when Viktor says "that isn't Jayce, but there is another will at work within him", perhaps he is correct. Perhaps the hexcore recognised the risk to its own existence, and evolved in a way that allowed it to show Jayce the absolute horrors that could arise as a result of Viktor's influence, in order to convince Jayce he needed to destroy his dearest friend. Perhaps the hexcore's influence on Jayce deliberately persuaded him to annihilate the biggest threat to its existence: Viktor's humanity.

As other theories have pointed out, there are indications in the trailer (and in Viktor's final in-game form) that Viktor is not permanently dead: he most likely will have one last glorious evolution to become the Machine Herald in Act 3. But I would not be surprised if Viktor as we know him - Viktor's selflessness, Viktor's compassion, Viktor's humanity - will not survive the transformation. And thus, if the hexcore's biggest threat has been taken out.

I have no doubt whatsoever that Jayce had good intentions. But I wonder if it's possible that his visions were empty threats conjured by the hexcore, if Viktor's death was needless, if all of this was indeed just the result of an entity 'simultaneously self-replicating and self-annihilating', simply desperate to survive whatever the cost.

[mangora]

I just know that if ROTI took place two years later, Mike would not shut up about NBC’s Community

[scoopstomyahoy]

thinking about a no upside down au steddie fic where steve and eddie run into each other years after moving away from hawkins, and eddie remembers steve and his fall from grace as king, and is kind of intrigued to see what kind of person he is now

and steve doesn’t remember him at all at first, because, look, eddie changed his hair again, and steve’s had a few head injuries (no upside down but i imagine he still went thru some shit with the party and with robin), and he didn’t really think about eddie in high school anyway, and he’s trying to forget about hawkins as much as possible (besides the kiddos, but they’re all moved out for college now, anyway) (obviously he lives with robin)

but steve is different now, happier, more open, flirts with guys, flirts with EDDIE, and eddie….. well, he wants to know more! and he tells steve he knows him from hawkins, and steve’s sunny little smile flickers a little, but he just apologizes for not remembering him and mentions he has some memory problems

and they get to know each other, and eventually as eddie tells him more (and maybe with the help of some yearbooks) steve remembers eddie. and. well. they like getting to know each other. and they like each other. and then they get together

eventually they’ve been together for a while, and eddie thinks he wants to maybe introduce steve to wayne, and he mentions he’s going to go back to hawkins for a long weekend (as he’s done a couple times) and this time he’d like steve to join him

and again steve’s sunny smile flickers a bit, but he says he’d love to meet eddie’s uncle, and… they go to hawkins. and it goes well— meeting wayne, at least, but steve seems a little on edge the whole time they’re there, tense when they drive in, fidgety when they go to the grocery store, et cetera. eddie thinks maybe steve is nervous about staying with the man who raised eddie, which is ridiculous, because wayne LOVES steve.

it’s not til they leave the town altogether that steve relaxes, and eddie realizes it wasn’t “meeting the parents” but rather going back to hawkins. and speaking of meeting the parents, steve didn’t ever bring his own up, even though eddie knew they still lived in hawkins. and the way steve glanced around whenever they went in public, like he was scared of getting recognized

and he asks about it, and steve doesn’t really want to talk about it, but he gives eddie snippets of it. people he wanted to leave behind in hawkins, memories that resurfaced, things he wants to forget

eddie goes back to see wayne sometimes, and the first time he doesn’t know whether to ask steve to come, so he just mentions he’s thinking about going to hawkins for some weekend and steve immediately starts making plans with him as if the invite is implicit. they go back to hawkins several more times, steve still tense and pent up the whole time they’re there

over time steve reveals more and more to eddie. everything that made hawkins hell for him, from the things he himself did in high school to the things people did to him. stuff tommy and carol and billy said to him. some of it is just typical high school bullshit (and oh, the nancy thing.) some of it is the tragedies steve went through, the horrors he had to protect his kids from. the injuries he sustained. more generally the homophobia that permeated the whole town, keeping steve from being himself. the lack of support in the indiana public school system for a high school senior who’s had two concussions and gone through incredible trauma.

his parents. the reason why steve’s mail is addressed to ‘steve buckley’ now, not ‘steve harrington’.

(that doesn’t come out until much, much later, and eddie is kicking himself for ever suggesting steve come back to hawkins.)

eddie, who hardly had an easy time of it in hawkins, is absolutely blown away by what steve had gone through in the same town, right under his nose. the entire persona that steve was trying to leave behind — the cool as a cucumber, unaffected, douchey mask he wore to hide all that he had endured. the head injuries. the emotional tragedies he had gone through. the way he had to be the rock for the kids even as he went through the same things as them.

he tries to tell steve they never have to go back to hawkins again, and steve is having none of it. he tells steve wayne can come visit them in their new city, and steve thinks that’s completely unfair to the man who had raised eddie, seriously, you’re going to make him come all the way up here?

and well i don’t know exactly what the ending is but steve is so stubborn about trying to love hawkins because it was eddie’s home and he wants to be able to go see wayne because wayne deserves to see his kid and eddie deserves to see his uncle and steve doesn’t want to be the problem :(

[freakinator]

If you don’t mind, I’m gonna yap for a second.. I think another problem with Kab is how sudden the turn around was. Like in the first convo where Kab was acting “evil”, Zam fought back with the argument that she’s wasn’t really evil at all and I think he did believe that at least a little. And if Kab slowly began to turn her path around then he would be a bit more trusting cause he would have SEEN her actual emotional growth but the turn around was so fast, it feels like there was no emotional growth at all and that Kab is still the same as before, cause she basically is. She still wants Mane dead no matter the cost and she’s still, intentionally or not, trying to manipulate Zam, but she wants to be treated as if she’s had that whole long term emotional growth

yeah ii think this is where her majority experience with short-term smps really bit her in the ass, i think there are two main directions that other ppl take it tho: 1. is as what you speculate in that some ppl think that she hasnt had genuine growth and hasnt changed at all and 2. that she genuinely changes too quickly and is therefore unreliable regardless of if shes being honest or not

i think the reason zam was so receptive to her in silent scream was cause this has been a recurrent plot point for a couple streams now, kab trespassing zams base to yap while zam tries to decipher her wants and motivations until eventually she just let it all out and in that instance i think he did genuinely believed that she changed even if it was slowly/just a little bit

....but then die for you happened lol

ssee the thing about kab is that shes shes all-or-nothing, going from one extreme to the next after just a little bit of change in character which can be jarring to some ppl to say the least (unless you thought she was lying and therefore any character development shouldnt be believed i suppose) but is something that was a great asset in shorter and arena-based smps where you had to get as much advantage against your opponent as possible without having to worry about the long-term consequences of these actions ie them not trusting you while still having to interact often in mundane ways even after messing with them. while she Can be swayed this only really works with things she was already unsure of which while a great motivator and trait to keep her on track with her goals (again another great trait for short-term smps), can be really jarring and distressing for other ppl if the things she was absolutely sure about goes against their own perspective like for example her thinking that derapchu killing her constitutes zam getting payback for her as the protector of the server (The protector, not A protector like zam insists, The protector of the server)

i think shes far too used to the fast-paced instant acceptance of changed personality in arena smps that is a natural consequence of them being short-term and having a revolving door of members and teams which is why she expects ppl to accept her growth and efforts so quickly even if realistically nobody would hand over their trust that easily esp after essentially being harassed in their own home multiple times, like even in normal smps where theres a baseline amount of trust ppl still wouldnt trust you after doing that, what more in a server like lifesteal where general trust is low basically all the time?