#i think the alt kids are my favorite

[snapdragoned]

The teen townies of Windflower Bay, sorted into high school cliques!

[huidol]

happy valentines 👍 day

[lavenderjewels]

this chapter of jjk changed my brain chemistry

[t1r3dr3pt1l3z]

I actually would fucking kill for Paula guys

[mokutone]

thank you @marijayne-writing for the kofi tip! :D here's a doodle of zuko!

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

[crossbackpoke-check]

do you really believe in him? is he a good kid? no problems? you're gonna love him. you're gonna love him.

[intomybubble]

I think i know what this person’s type is

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman

[remxedmoon]

“an innocent kid. its bleeding can fill the belly of even the strongest warrior, but do you have the heart to do it?”

hooved

0 power - 1 health - 1 blood

worthy sacrifice - cards bearing this sigil count as 3 blood rather than 1 blood when sacrificed.

morsel - when a card bearing this sigil is sacrificed, ⁣it adds its stat values to the card it was sacrificed for.

hidden trait - hearty meal

when this card is sacrificed, add an additional +3 power, +2 health to the card it was sacrificed to summon. this trait stacks with the morsel sigil and stat increases from the campfire event.

teehee. people are going to yell at me for this one i think. ANYWAYS!! BONIBAHS!! THE KID!!! my poor little blorbothing. they get extra card art because they’re my favorite (joking). writeup below!!!

sowwyyy this one’s evil. i think the sigils are pretty self explanatory this time? worthy sacrifice lets you play super powerful cards, and morsel lets you buff em even more. plus!! with the hearty meal trait they get at least +3 in both stats! the ethics are questionable though.

this was like. the second card i designed out of all of them. my original concept (when it was like 1 am and i was half asleep) was uh… morsel, trinket bearer, and waterborne? trinket bearer because they carry the items, and waterborne to keep them out of danger. but that’s a really weird card. plus…

baby goats are called kids!! the name is wordplay!! i decided to make them a variant on the black goat purely for that reason. and just like the black goat, the symbol on their head is the symbol for sacrifices!

ok i should probably acknowledge the sog in the room. in the base game, you’re able to replace your eye with a goat’s eye. this decision does literally nothing except make the black goat cuter. and bonnie’s a goat!! so they also get silly art. they turn into a sopping wet pathetic cat. i don’t have an inhabited version of this sprite because i couldn’t. find footage of it being inhabited. which is probably because you can’t get the goat’s eye in kaycee’s mod but. eh… i don’t want to deal with the sigil patch nonsense again.

my initial sketch of this card had them as a 2 blood but… it kinda made them worse than the regular black goat thanks to the fair hand mechanic. so they’re the only 1 blood here. they’re my blorbo they can be overpowered. as a treat.

the sigil patch is many lives! which allows a card to be sacrificed without actually killing it. both for synergy with worthy sacrifice and also because i’m Evil

also additional fun fact: the black goat is actually my favorite card in vanilla inscryption!! i basically cheesed the entirety of kaycee’s mod with it. i like it a lot :). i didn’t intend to fuse my favorite character and my favorite card together but it’s a happy lil coincidence.

huh. weird. that’s the entire party right? it feels like we’re missing one though… whatever. patchless alt below!

[yooniesim]

Small Simblr Saturday Appreciation Post 💜

Hey y'all! Since @tau1tvec came up with the idea for this event, I thought I'd shout out some of my personal favorite always free creators :)

To start it off though, you know I gotta recommend @alwaysfreecc, the finds blog currently managed by myself, @superflare, @nicatnite88, and @toastie-sim! We only reblog cc creators that are always free (no exclusive or early access) and use the tag #alwaysfreecc to find your posts! If you're an always free cc creator, please use the tag and/or mention the finds blog so we can get your catalog reblogged there 😌 now, onto the list~!

@xiuminuwu - a creator I've really been loving lately! they have a variety of cute cc, including poses and unique, fashionable clothing~

@hexcodesims - a very underrated creator with tons of clothing edits for masc frame sims, I also love their big bud press palette~

@herecirmsims - makes amaaaazing unique poses for a variety of situations

@adelarsims - has awesome ideas that you wouldn't think of, amazing variety of cc like hello

@janjumjam - adorable cc for kids, gives me happy feels and nostalgia

@ceeproductions - some of my fav cc on this site, great variety for both masc and fem frame

@powluna - super cute items for kiddos... a staple in the mods folder

@ssspringroll - occult cc for daysss, cool sliders and presets, they got it all

@nicatnite88 - yes I'm biased, but the variety and hustle cannot be denied, just look at the amount of cc!

@bobnewbie - hairs, facial hairs, accessories, gorgeous sims... what else could you want?

@darlyssims - UNIQUE. really cool ideas for hairs, accessories, and more

@cliffirem - clothes and hairs with an alt twist i really enjoy

@sammi-xox - beautiful skinblends and super useful skin details

@warwickroyals - gorgeous formalwear, especially good for all you royal simblrs!

@marsosims - cute cute cute all over... hairs, clothes, even build/buy cc!! we stan

@whyhellosims - lots of stuff for kids, build buy cc, and a slant of humor!

@creamlattedream - masc cc staple in this house, lots of cute recolors and casual wear

@pluto-sims - the cutest patterns EVER, adorable kids clothing, posters and walls~

@deathpoke1qa - unique is my word for the day bc my lord... it's popping off! alt staples you can't miss

@icchixxxxxx1 - hairs hairs hairs... and more cute hairs! if you like the cutesy anime look but still mm, go here

@mellosakicc - so. many. t-shirts. but also other clothing, tats, and hairs! another alt cc maker with work ethic for days

@whirliko - cute bright recolors... we have no choice but to stan the pop of color

@shandir - conversions, historical, occult, variety... hello??? get going

@mangosimoothie - the ideas are popping... once again things that would never pop into my brain but are brilliant... just go look and see what I mean

@igorstory - facial hair... a totally unrepresented niche of sims cc.. I have all their stuff... download it

@madameriasims4 - CLASSICS. STAPLES. I use their clothes all the time and they also got build/buy stuff.

@aniraklova - alt & punk vibes to the tippy top, fallout, chains, mohawks, whats not to love??

@pixelunivairse - ONE OF MY FAVS. use their cc constantly for my fem frame sims. uses tons of cute patterns that I love

@demondare-sims - cas cc i love, I use it pretty much every time I play, mm and practical

@fiftymilehighclub - talking about work ethic, it's here... so many recolors in bomb palettes that you'll never download them all... or can you??? try

@sforzcc - retired from cc making, but I gotta recommend, bc I use their wardrobe sooo much... brilliant

@casteru/@woosteru - also retired, but same as #16, I use their cc every day!

@xldkx-cc - am I just listing staples of my mods folder now? yes!! I am not biased!! go and get all that cas cc and poses and deco sims NOW!!

@a-luckyday - if you don't know ms a luckyday poses u have not lived in life!! they have a huge amount of them, solo, couple, group, accessories, and more

@gothoffspring - really cute and vibey recolors, I use them a lot, also some build buy items too!!

@jellymoo - we love the clothing... mm aesthetic to the core and cute af

@gladlypants - lotsa adorable items I adore, variety of patterns too

@birksche - tons, I mean TONS of hairs bro, years worth, always free... a treasure trove

@teekalu - supreme maxis match, vanilla vibes that are so lovely... ideal for low cc players

@honeyssims4 - poses, honey!!! the variety will shock you. and they ALL look good

@sewerwolfx - really cool stuff with alt style, some recolors and some from SCRATCH, we love to see it

@historysims4 - historical cc from many different eras!! iconic

@hamsterbellbelle - some of the most unique scifi cc i ever seen... idk how they even make some of that stuff! must see

@surely-sims - beautiful legendary amazing gorgeous never been done before... their fallout inspired cc made me weep and almost solely furnished one of my households, work

...annnndddd I hit my limit!!! I guess thats it for now but maybe a part two... 😉

[in1-nutshell]

For the Ratchet and Drift adoption battle.  

The Lost light ends up on earth for some reason.  And trouble appears, Buddy’s birthparents.  Coming out of the woodwork demanding to see their child.  Now, depending on how long Buddy has been in the system, the state may have already relinquished their parental rights, but it does bring up another problem, by cybertron standards, Buddy is legally Drifts and Ratchets, Earth standards, less so.

This is just the start of an idea.  Maybe it's angst and the parents are a piece of shit who want the child who they abandoned back for some really selfish reason.  Maybe the parents truly do want some relationship with their child and poor buddy is just stuck in between the family that loves them and the family who they spent their life wishing loved them.

Maybe I just want the lost light to turn this custody battle into a fucking kangaro court.  They show up in their holoforms and Rodimus starts to boo whenever the birth parents try to say something.  He’s kicked out and the court goes into recess as they try and figure out how to hold him in contempt of court.  Luckily a good part of the remaining crew have assembled to always have someone audibly cough whenever birth parents try to speak.  Nevermind the fact that none of them even really need to breathe, holoform or no holoform.  And Ultra Magnus is acting as their attorney.  That's all I got.

The bio parents were done for the moment Magnus took on the case.

Hope you enjoy!

Human Buddy (Dratchet's kid) meeting their bio parents again

SFW, Platonic, Familial, Slight angst, Human reader

MTMTE

The ship had docked again on Earth for a mandatory, in-person, meeting that Buddy needed to go as liaison of the Lost Light.

It was something simple check in that honestly could have been done online but there wasn’t any harm in some sightseeing. Many of the bots on the ship hadn’t been on Earth or hadn’t been there in a while and wanted to look around.

Buddy stayed with Drift and Ratchet.

Before they headed back to the ship, Buddy wanted to show their bot parents one of their favorite parks they used to go to feed the pigeons.

Ratchet napped in the parking lot, while Drift activated his holoform to go after Buddy.

After a bit Drift started heading back to his alt mode with Buddy trailing behind after forgetting their water bottle at the bench.

Buddy walking back to Drift alt mode.

“Hey kiddo!”

“Buddy turns around and freezes as their face collides with someone’s chest.

A familiar chest.

They push themselves off the person as another person comes up too.

“Mom? Dad? What are you doing here?”--Buddy

“That’s what I’d like to know.”--Drift

Buddy looks behind them to see Drift’s holoform marching up to Buddy.

He gently places his hand on their shoulder and looks at the two humans.

“A who might you be?”--Drift

“I’m their father.”--Dad

“And I’m their mother.”--Mom

Drift raises his eyebrows.

“Buddy are they…”--Drift

“My biological parents? Yes, and I thought I’d never see you again after you put me in the system.”--Buddy

Neither of the parents get the little hint of venom in their voice.

“Well, we’re here now! And its time to take you home—”--Mom

“Take them home?”--Drift

“Take me home?”--Buddy

“That’s right Pal—”--Dad

“My name is Buddy.”--Buddy

“Whatever, we’re going home now, so if you’d just come here.”--Dad

The ‘Dad’ tries to grab Buddy’s wrist, but Drift pushes Buddy back.

The ‘Dad’ narrows his eyes at Drift.

“Are we going to have a problem here?”--Dad

Drift narrows his eyes as well.

“I think we are.”--Drift

Buddy’s eyes widen.

“Listen everyone, HE is legally my main guardian. Has been with my other guardian for a while now.”--Buddy

The ‘Mom’ huffs.

“Well until WE see the paperwork, if its not justified by the court here then its null and void for us. Now get over here and—”--Mom

“And what’s happening here?”--Ratchet

Buddy smiled at Ratchet’s holoform coming overlooking more annoyed than usual.

“These are Buddy’s biological parents.”--Drift

Ratchet’s eyes narrow and stands by Buddy’s side.

“The parents that put you in the system?”—Ratchet

“Yep.”--Buddy

The ‘Mom’ starts getting more annoyed.

“That’s in the past and we’ve already settled a court order to get Pal—”--Mom

“Buddy.”—Buddy, Drift and Ratchet

“—Back to us.”--Mom

Ratchet turns to Buddy.

“Wait in the ambulance.”--Ratchet

“But—”--Buddy

“Kid, trust me. We need to have a chat with your ‘parents’.”--Ratchet

Buddy looks at them all before walking to Ratchet’s alt mode.

Buddy wordlessly goes to the ambulance while the muffled yelling was heard outside.

They just strap themselves in the back and hug themselves tightly.

Everything went so fast…

They felt their seatbelt tighten.

It’s a heavy quiet on the drive back to the ship.

When they transformed Ratchet passed them to Drift who just holds them to his chassis.

A crew meeting was called.

“So, Buddy’s bio parents want them back because, and I quote ‘We want to embrace them once again!’. Am I missing something?”--Rodimus

“That’s about it.”--Drift

Half of the bots laugh.

“Good luck with that! Buddy’s legally Dratchet’s kid!”--Whirl

“Whirl we’ve talked about the name—”--Cyclonus

“Yeah! They’re Dratchet’s kid!”--Tailgate

“…Why do I even bother with you?”--Cyclonus

“But they did bring up a point, Earth courts and legal system don’t see Buddy as their kid. Meaning to them, Buddy’s still in the system. And if they play their cards right…”--Megatron

Drift and Ratchet stiffen at the thought.

The crew starts talking amongst themselves but all feel angry at this revelation.

“We can’t let that happen!”--Nautica

“That’s why we’re going to court to fight for Buddy’s case. Ultra Magnus has agreed to represent Buddy—”--Megatron

“Those Fleshy’s are so screwed!”--Whirl

Time to take this to court.

Buddy is put into a different home while the case gets settled.

Meaning no contact with anyone.

There had been attempts by the bots to go and see Buddy, but they complied hearing that any visit could jeopardize their position in custody.

Thank goodness Magnus was there to help with the court case and legal things.

Also to help mediate the humans and the bots ‘immature’ actions.

So many of the bots in their holoforms were making obnoxious noises (cough* Rodimus and Whirl*cough).

There were more breaks because of this.

No one of the bots are happy to see the parents when come to the stand, fuming when the pair put on an act.

Even going as far as stating that Drift and Ratchet were unfit parents, not being the same species.

Something strange happens the day when Buddy is supposed to take the stand.

Everyone is asked to come back the next day for the final verdict.

All the bots are confused and worried.

Ratchet and Drift are especially worried about what happened.

Today would have been the first time the pair or anyone would have seen Buddy, and all of a sudden, the day they are supposed to take the stand no one is allowed to see them?

Something is wrong and they can feel it.

The pair find solace in each other while riding high on anxiety.

What if the court decided they truly weren’t fit to raise their human kid?

Would Buddy have to leave the Lost Light for good?

There were too many questions going through their processors right now.

The next day Magnus is updated on what happened yesterday.

The next day the bots and bio parents come in.

Buddy is sitting behind a desk far from everyone else in the room with a guard by their side.

“Ultra Magnus and the crew of the Lost Light, in the case of the legality of the adoption document of Buddy, the jury recognizes that Drift and Ratchet are the legal guardians and will be formally recognized in the system here on Earth.”--Judge

All the bots are floored and cheer hearing the news.

Ratchet and Drift smile the happiest of the bunch.

“Excuse me? What makes these aliens even fit to raise a human child, our child Pal—”--Mom

“Their name is Buddy, Fleshy.”—Whirl and most of the bots

Magnus clears his throat getting everyone’s attention.

“To begin with, you two are charged with attempted kidnapping and aggravated assault of a minor.”—Magnus

The bots behind him eyes go wide.

The parents themselves go pale.

The police start cuffing the bio parents as they squawk in shock.

“What is the meaning of this!? Unhand us!”--Mom

“You have no right—”--Dad

“IF I may!”--Magnus

Magnus ‘clears his throat and intently stares at the parents with hatred in his holoforms eyes.

“You attempted and succeeded in breaking and entering the home where Buddy had been staying and attempted to take them to an unknown location against their will. They fought the both of you off sustaining injuries to both hands and you two fled the scene on foot back to your respected household to pretend that this ‘incident’ never happened the next day.”--Magnus

The bots behind him have a mixture of shock and anger on their faces.

Drift is glaring at the parents wanting nothing more than to punch them square in the jaw.

Ratchet is trying to look over at Buddy for any injury he could spot from where he was sitting.

Magnus looks at Buddy.

“Buddy, if you may show your hands.”--Magnus

Buddy reveals thick bandages on both arms and hands.

“I do believe that is enough evidence. The biological parents are set to a new court date to address these charges. The court once again recognizes Drift and Ratchet as Buddy’s legal guardians, court dismissed.”--Judge

With the swing of the gabble the parents are escorted out screaming and kicking, while Buddy is escorted to a different door.

Once the bots are outside, they can see Buddy running to them with arms wide open.

Drift and Ratchet open their arms as Buddy crashes right into them crying and wrapping their arms around them.

Drift is crying and ratchet is on the borderline of doing so too.

Ratchet carefully looks at Buddy’s wrapped hands.

“Those two good for nothings just wanted to get me back to get my income.”--Buddy

“We can add more charges to their case.”—Magnus

“We can jump them!”—Whirl

Buddy chuckles a bit.

“I think the grapefruit sized marks are enough for now.”--Buddy

Buddy pulls out a wrench from their pocket.

“Learned how to throw from the best.”—Buddy

Ratchet hugs them again as Drift joins in a second later.

The bots all head back to the Lost Light.

Ratchet and Drift never letting go of Buddy for an instant.

[bernardisgross]

Bim bam boum ! Here's the whole comic i drew for Crossroads @zine--garden , a zine focused one showing and sharing love for Hunter x Hunter ^^

I chose to focus on my two favorite teachers !!!

Bonus, making of & talk in the read more⬇

I was very happy to be able to participate and even more happy to finally share a headcanon i've had for years about Bisky and Wing's meeting.

I don't know how clear it is but basically, Wing is a young nen user who happens to have been taken in by a big criminal family. The boss is using his abilities to forge precious gems from cheap materials, passing them as precious gems he bought for his collection. As a renown collector, he also sells the gems and makes tons of money from it. As Wing's skills become sharper though, his forged gems become more and more precious, making it difficult to tell them apart from real ones.

Having sold a good gem in a batch of "bad" ones, the boss is trying to get it back, framing his client as a thief. He calls for Bisky (a "young" hunter with a good resume) planning to trick her into committing insurance fraud in his place. Unfortunately, she's got a better eye than he thought, and asks for the good gem as compensation.

Feeling antsy about his money, the boss accepts, already planning to get rid of her once the job is done.

Bisky can sense the residual nen from Wing the moment she meets him, that's why she demands he comes with her. She wants to make sure at first that this is a normal child in the wrong place rather than the boss's actual associate.

Making him her disciple just came along the way because she honestly didn't know what to do with that kid LOL but didn't want to return him to a bad place. Also, she saw his potential. Here's a rejected final page (rejected bc I couldn't tie the text properly and wasn't very happy with the visual) where it's a bit clearer that she's got back with the good gem and values it a lot BECAUSE it was made by Wing. (also metaphor, analogy blabla)

I love teachers/masters in stories, i love that trope so much!! It's always so interesting to me to have someone older and wiser share their knowledge with the young waiting for nothing in return. Nurturing and loving, becoming a support with the only satisfaction to witness the growth and blossoming of someone else. I think it's so beautiful to help others in this way, to give a little of yourself with kindness.

I think if touches on other tropes i'm sensitive to like found family etc... So of course, i've loved Bisky & Wings for a looong time, and i'm even more obsessed with the fact they're on the same line of teachers 🥺💕

I was always curious about how they could have met and what could have moved Bisky to take him under ... her ..................... wing.....🔥🔥🔥 lol... anyways !!! I went full indulgence and comics are not my thing at all so if you've enjoyed it, i'm very very, very blessed and happy ^^ !!!

I've also included a rejected sketch of the cover with big Bisky :3

and here's a look at all her outfits !! I love Lolita alt fashion soo much, i do tend to latch onto characters who dress like this... and love making my own outfits for them too !!!

I also made a sticker of Palm for the merch bundles !!

Thank you so much if you've picked up Crossroads, it was great from the start !! I'm so lucky and so grateful to @/gachahugs and all the contributors for having me ^^ !! thank you thank you !

[creativepromptsforwriting]

Fic Titles: Song Edition

Part III

More than distance between us - California King Bed, Rihanna

A waking nightmare that is only worse when I am sleeping - Kill The Messenger, Jack's Mannequin

Company under cover, filling space in your sheets - Candles, Daughter

Everything looks better when the sun goes down - Make me wanna die, The Pretty Reckless

Lay your head on me one last time - So cold, Breaking Benjamin

So just pour a drink (let's talk it over) - Robots will cry, Cobra Starship

Am I the one you think about - Pink Rabbits, The National

Until you hold my hand - Swing Life Away, Rise Against

All colors and cares glaze to gray - Taro, alt-J

I fall in love just a little ol' little bit - Someone new, Hozier

Sometimes goodbye is a second chance - Second chance, Shinedown

Have we got our lines crossed? - Don't waste my time, Victor Lundberg

A souvenir for the morning - The Consequence, You Me At Six

I hate loving you as much as I do - Where is her head, The National

Destined for this and the crown - Solo, Jennie

Soft skin and soft lips - girls, girl in red

Every time we lie awake - I hate everything about you, Three Days Grace

But we're still sleeping like we're lovers - Still, Daughter

Can't give you my soul - Somebody Else, The 1975

I can feel you dreaming of me - Wester, AFI

There's a fine line between love and hate - The Diary of Jane, Breaking Benjamin

Could you love me at my worst? - @ my worst, blackbear

Because we're one of a kind - God's Menu, Stray Kids

Triangles are my favorite shape - Tessellate, alt-J

Desperate minds mean desperate measures - Playing the blame game, You Me At Six

Someone I am made for - Forever yours, Sunrise Avenue

Put your sweet lips on my lips - Like real people do, Hozier

And I'll lie and you'll believe - Just tonight, The Pretty Reckless

Call me your favorite, call me the worst - Call me, Shinedown

Then tell me to leave (and baby I'll go) - July, Noah Cyrus

More titles!

[merlucide]

What’s their taste in music?

notes: playing around with sizing hehe-

characters: Barou, Sendou, Chigiri, Bachira, Reo, Oliver, Hiori, Otoya

barou shoei

classical music 100%

Cmon my dude mediates- how obvious does it needa be? I feel like piano would be his favorite but also really likes cello or other deep string instruments. He normally just puts on the default classical music playlists lmao. Though I do think he would like Red hot chilli peppers for some reason. Definitely hard no on metal or anything really with intense drums. He can’t stand the loud aggressive music, he thinks it’s unhinged and frenetic.

sendou shuto

sendou listens to rap cus he thinks it makes him cooler💀 I can see it so clearly omg- 

Listens to Eminem obviously, and his favorite song from him is rap god. His hype song is NEW ORLEANS by BROCKHAMPTON. He feels so badass listening to it lmao. Though what he really likes is pop, Brittney spears, Dua lipa, Lady Gaga, etc etc.

chigiri hyoma 

Okay I can see Chigiri liking a few types of music for like different moods yk.

I think he’d like XXXTENTACION, he listens to his more ‘intense’ songs when he runs. He likes YuNg BrAtZ, when he wants to listen to depressing music he likes Orlando. 

He’d like rock too, The white stripes and Nirvana would be his go toos.

When he’s getting really into his workout he puts on Disturbed and occasionally SlipKnot when he’s tryna push himself.

ALSO I CAN 100% SEEING HIM LISTENING TO SLEEP TOKEN?!? OMG YEAH???

(RIP XXX.)

bachira meguru

Hear me out okay.

Voicaloid. 

IK IK- I think Bachira would really like the fast pace and excitement in their songs. He just likes Hyperpop, it’s like an energy boost he don’t need anymore energy

His all time favorites are Rin Rin Signal and Poppippo.

ALSO THE LIVING TOMBSTONE. UGH HE WOULD LIKE THEM RIGHT???? Discord would be on loop 24/7 are u kidding me

mikage reo

I think that since he grew up classy n rich he’d listen to classical music and such. he really likes Violin/Viola. Listening to it brings him great comfort and peace. Reo really likes Jazz too. Obviously Reo explored other types of music to see what else there is .definitely did it as an act of ‘rebellion’ lmao-  He isn’t really a fan of metal or rock but likes Alt. I can see him listening to The neighborhood or Radiohead. He also likes Adele.

aiku oliver

likes the more chill stuff, like Noah Kahan or Big thief. He’s a pretty laid back guy and doesn’t feel the need to rage through music lmao- Though I can see him liking Chase Atlantic. And I know for a fact if you put on any cunty music he’d know all of the lyrics to the songs. Ayesha Erotica, Chase Icon, or even porn-ish singerslike cupcakke he’d know the words to em💀

hiori yo

..

death metal.

..

Like we talking cannibal corpse, the fallen prophecies, and on calm days, SlipKnot.

he gotta cope somehow ig😶

Like you could ask him what he’s listening too and expect him to listen to like Drake or sum and he’s like ‘oh I’m listening to Murderous Rampage by Cannibal Corpse’. 

.. 😶

Like dawg wut😭

otoya eita 

he’d listen to Drake, Lil Uzi Vert and Kanye West without doubt. 

Pls he’s the most basic, generic, un-unique ‘frat boy’ ever, of course he’d listen to them. He thinks he all hot stuff jamming out to em, all dripped out in his basic ass fit, and ugly beanie, ew. Ugh I hate this hoe🙄 (jk he’s bbg 🤭) also I’m not hating on any of these artists, I like their music- DONT TAKS NUFFIN PERSONAL PLS

lemme know if u wanna pt2 or whatever mkay

made March 17th 2024

[punkeropercyjackson]

Punk Percy Jackson headcanons but by an actual punk instead of someone who thinks skateboarding is an aesthetic

A remaster of an old post now that i've learned even more about how to be punk!!Posted for @sillycathorrors who when i asked if he wanted me to through with this post since i was debating wether to or not said yes♡This will include my Pjo s/i named Lex de los Santos so if that'll bother you,just don't read this and reminder that punk Percy is actually canon as per his writings so this is just letting him fully participate in the subculture!!

Percy is afrosolarpunk because he's monoracial black but multietchnic(american/dominican/greek)and the son of Poseidon so he's naturally deeply caring about enviormentalism and drawn to nature based aesthetics(and people,as seen by Lex being a Demeter kid)

He got into solarpunk because of Sally.She'd take him to the beach every other weekend to clean the beach with a group of her friends(and end each trip with lunch at the beach)

Thalia was his first real experience with the subculture head on and that's a huge reason he admired her so much and was lowkey jealous of her along with a bit of gender envy

Knows how to diy things that don't even exist(i'm sorry i'll never stop making this Percy joke,it's literally so fitting)

Straightedge(Smelly Gabe trauma)

Transfem bigender and uses any pronouns + a bunch of neos and was on estrogen but for a short amount of time compared to full transitions.Autistic too and that's a huge reason he's punk,both because of facing ableism and autism giving him punk personality traits

Radicalized Nico and Hazel,who are now goth punk and pastel goth punk respectively.The three of them and Lex are known as 'The Outcast Godlings' because of the usual treatment Hades/Pluto kids get the first two were no exception to and Percy and Lex's feelings of isolation and otherness even after getting to Camp Half-Blood,all of which were thankfully resolved by the end of Hoo and the beginning of Tods(Tales of Dead Seas,my sequel to it that happens instead of T.oa)

Owns a pair of colbat blue and black demonias that were a gift from Beckendorf and they're a little tight on him now but he still wears them to remember him by

Goes on petty crime sprees for fun,letting frustration out and as dates with Lex

Rachel,Lex and him are 'The Loser Trio',a nickname they got at Goode High they reclaimed for themselves,and Rachel is canonically punk like him since she's an activist and a huge weirdo(affectionate).Rachel is also nigerian yoruba and afrosolarpunk like Perce and Lex with Lex being pastel punk and blasian too(chinese-dominican/black-greek)so they all go to protests/riots and do charity/activism together starting all the way back to freshman year and Rachel uses Mr Dare's money to give reperations and buy gifts for her besties(from punk bussinesses ofc,otherwise what's the point?)

Intentionally travels via Blackjack,foot,Argo ||,etc so as to minimize fossil fuel usage,taught Rachel how to properly dispose of her paint water,teaches younger campers how to mend and alter their clothes so they last longer and attends mosh pits and underground parties on the regular with Lex on his arm and Nico and Hazel following behind

His favorite musicians are Mcr,Teezo Touchdown,Megan Thee Stallion,The Cure,The Misfits,Alt Black Era,Direct Hit!,Meet Me @ The Altar and Korn.Some of these aren't punk but punk is black so ofc he listens to rap and also blues and Lo-Fi Beats courtesy of LFB enthutiast Hazel!!He's a guitarist himself because Lex taught him how to play as they used to take lessons as a kid and gifted him for his 19th birthday,a sea blue diy'd guitar stacked with stickers they knew he'd love

He's 6'4 by the end of Tods and his hairstyles per book were:Baby dreads(TLT),wicks(TTC),twists(TLO),afro for most of SON because he didn't remember what he styles he likes but gives himself dreads with muscle memory by the end,makes sea material based beads for them in MOA and his hair is so long by the beginning of Tods he switches to locs

^^^Unmythologizably accurate Percy Jackson.She also loves flowy hemp pants and skirts and dyes them fun colors too,makes shawls and wraps for herself and her punk loved ones(including Sally!!)and she loves hair charms sooooo much and has a special sparkly pink sunflower one that's meant to represent Lex she saves for special occasions!

Very involved with the Demeter Cabin thanks to growing up best friends with Lex since The Lightning Thief-They were the first friend she made at camp,in fact!!Rip Annabeth's pick me ass but Lex is different-and Perlex actively try to get them involved in the camp garden

Almost entierly only weird/niche interests.She's obsessed with obscure podcasts,indie games,underrated cartoons,cult classic movies,non-corny musicals and less popular kinds of toys.The Outcast Godlings have matching Aquapets and Percy has the Beach Party Polly Pocket♡

Harrasses Poseidon into giving her money for Nico's chronic pain meds and mobility aids and helps Hazel rizz up girls as she's a baby transbian.They go to a Special ED school at Percy's convicement because she was supposed to be a Special ED kid but melted down so bad at overhearing Sally planning it she nevet tried to get her in properly and she regrets it to this day so she's making sure they get to live the happy childhoods she didn't.Nico is known as the outspoken activist nerd boy(affectionate)and Hazel is the pretty popular IT Girl who radicalizes her classmates with easy knowledge and encouragement and she does art that matches her beliefs

Including grafitti as she defaces public property with her familia y amigos y eventualmente su novia!!

Huge fan of energy drinks but his favorite is Cotton Candy Bang and Sally learned how to make punk themed blue food for the bit

Shark kin and catkin,specifically whale shark and calico cat(who're 99% female,tgirl Percy is her canon event).Lex is calico cat kin too for them soulmateisms and they discovered they're therians together by looking stuff up online together on Lex's bed at the dead of night and kept it a little them secret they provided tons of validation for too.Lex is also dragonkin,ghostkin and plantkin!

Percabeth is a cautionary tale to abuse survivors and intellectually disabled people about cutting off toxic normies.Lex hadn't seen much of Percy's relathionship with Annabeth until Hoo when the Eight Half-Bloods Shall Awnser The Call prophecy was spoken and it was inbetween then and Percy going missing that they learned the full details as reluctant camp co-leaders with her and realized she's abusive to her,planning to tell Percy when the time was right.The time turned out to be the MOA pre-climax when they were discussing everything that had happened over the years and Percy had a pit in his stomach as Lex and Hazel fell into their own pit afterwards too-That is to say,Tartarus.Hazel gets to unlock her true powers down there,as the Princess of The Underworld and The Unknown,and Lex does their best to care for and protect both of them while up on the surface Percy still hasn't broken up with Annabeth because too much was happening but the last straw is when she insulted Lex out of jealousy and she's so angry she dumps her on the spot and walks away despite it being the middle of a meeting.She also got the Hecate Mist storyline and no Nico relathionship retcon as symbolism/motifs for her finally making her own choices,including Lex,who she only didn't earlier because he didn't think he was allowed to

This follows up to Tales of Dead Seas,a year later Hoo sequel.The plot kickerstarter is Percy killing Zeus in a fit of rage and thus causing the greco-roman mythos world revolution Luke lied about wanting to do like the fascist he was,Luke also having been killed by Percy at the end of Pjo.The other mytho beings that're 'lesser' on the system than the gods gladly followed her and did their own things too and the mcs are Percy,Lex,Nico and Hazel in the four books of the last Percyverse series.'Elysium on Earth','Petallic','Arcane Rot' and 'Unmythologizable' are the titles in order,Sally opens up a family bussiness under 'Familia Jackson Beach Shack' in it and it chronicles Perlex's dating dynamic and Nico and Hazel as teens over the course of 4 years for that og Pjo throwback,including the chapter titles and the return of Rachel as an mc who basically lives at La Residencia Jackson at this point

Lex cracked Percy's egg via starting to date her with their own transmasc genderfluid and bigender but super femme identity making it kinda impossible for it to not happen and ofc she came out to them first and they showered her in affection,lended clothes that were too small on her she refused to not wear anyway and diy'd estrogen by their boygirlfriend.Percy's mermaidcore hair dye was spurred on by her transfeminism and Lex did it for her in an intimate moment as she nervously gripped their waist out of dysphoria she'd look ridicilous and they talked her down and kissed her face to help.Lex dyed their hair too in the final chapter of BOO,their bangs forest green as a self-love metaphor for their completed character development arc

Also Lex is a DC Comics fan and has Jason Todd as their favorite Robin and a crush on him so they told Percy she's a lot like him as a compliment and she got super offended,hand over her heart and everything,because she thinks Jason sucks(denial isn't just in The Kane Chronicles i see)

When it comes to makeup,she usually goes for glittery blue eyeliner tears,black glossy lipstick and edgy blue aquatic nails

Lex is the Team Mom to Percy's Team Dad when it comes to Nico and Hazel and befriended Nico in TTC too as his 'new older sister' by their offer when they found him crying over Bianca after meeting him briefly when Percy was showing him around and Hazel first thing they met in MOA as Hazel approached them onsight by recognizing them from Percy's talks of Lex,her not remembering anything except Sally at the start but Lex slowly came back to her when she eat a Camp Jupiter strawberry and noticed it didn't taste quite 'the same',sadness she didn't understand washing over her.Cute lil black punk found family sitch and Sally is the gilf-I mean abuela

Percy has the cocky flirty punk guy thing going on but it's a Lex exclusive

Perlex is also blue x pink,skateboarder x rollerbladder with Percy's board being ocean blue with black designs and Lex's skates are ultra girly and kiddy and huge x pint-sized.Lex has a raspy voice to match their rocker girl personality and Percy finds it so enchanting and they wear eachother's battle jackets and bought matching Ichigo Kurosaki and Orihime Inoue/Ichihime from Bleach figurines by store thrifting because they assigned their relathionship since they're just like them individually and together

Perseo 'Percy' Isadore Jackson:A punk legend