#i sure feel insane

[not-spiders]

me, putting bread in the toaster: worry not, fair friend! i shall not forget thee as i have many a time before. you are not doomed.

my humble telephone: ding 😀☝️

me: ah, it appears i have received a Text from my Good Pal. i must sit down in order to properly address this.

the toaster with no automatic stop feature (is actually a sandwich press): just as i had hoped. any last words?

my toast, burning: no! you can't do this! nooooooo.. .

[glitched-starlight]

As Gravity Falls reenters the void, and the inevitably of fanfiction begins to recirculate, there is a comment I fear I must send out to the general public.

As a trans man who gets, like, -1 representation in shows that aren’t explicitly about queer people, I often will latch onto characters that inexplicably have The Trans (TM) written into their bones, which includes Dipper Pines. And, as one might expect, I turn to my silly little A03 account to get my fix of representation and enjoyment of many a trans dilemma. Unfortunately, this is where my qualms get given the spotlight.

This is a generalization, but it seems as though every single godforsaken fic about trans!Dipper (I see this in the Spider-Man fandom a lot too, but that’s a conversation for a different day) he loses all his unhingedness, all his insanity, and is boiled down to a weak and sad little uwu trans boy who can’t handle his own dysphoria and falls apart at every slight inconvenience?

You’re telling me DIPPER, the same man who got called weak one (1) time and then disappeared into the woods for a solid 12 hours and came back half naked and rambling about positive vs toxic masculinity and manotaurs, is going to get misgendered and fall completely and utterly apart? You seriously think he’s going to have a run in with somebody who tries to bully him for being trans and he isn’t going to read them to filth? Are we forgetting that this is the same man who spent a whole episode learning about how to live and let live and then STILL told Pacifica her family was a sham with the mic-drop line of “deal with it”?????

Like good lord, please give this man some credit. I’m not saying he can’t have panic attacks, or trauma, or be treated differently by certain people, but it is the year of our lord and savior 2024 and we are STILL infantilizing trans men in fanon versions of media???

All I’m saying is if Mabel gets to keep her unhinged characteristics, you gotta let Dipper keep his too. Let Dipper punch a transphobe, as a treat.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[mourn-and-watch]

just want to remind y'all of some kirkwall-related details that are not at all relevant for the possible events of datv:

meredith stannard is alive and kicking and is also planning a war against tevinter

red templars are in control of the gallows; it's hard to tell what's going on in the city itself, but with varric absent it might be left with no viscount again

there's an elven graveyard on sundermount where ancient elves entered uthenera; it is also possibly dedicated/related to mythal

there was also a demon contained in an idol on top of sundermount who supposedly possessed a great knowledge about arlathan and eluvians

the veil in kirkwall has always been remarkably thin and tevinter magisters were weakening it on purpose during their reign; the whole city was built as an enormous blood magic ritual site

if the veilguard squad is going to travel through the eluvians there's still one in kirkwall. the one that has been plot-relevant since dao

[adamsrcnan]

do you guys think that when neil got back home from cali he took andrew up to the roof where he sat watching him smoke and told him he put a hit out on a raven. and then andrew sat there in silence watching the sunset before asking "why?" and neil looked down fiddling with his own lit cigarette and said very quietly that this particular raven was jean's drake. do you think that andrew went very still and did not speak or smoke for such a long time that neil eventually looked up at him and was taken aback by how andrew was watching him very carefully. do you think that as andrew looked at neil he was so paralysed by the thought of jean going through that same abuse and neil putting an end to it without even thinking twice. do you think he realised his meter had officially broken and neil was so far past 100% and that he was really truly it for him

[keferon]

Yea...I ..hm

Mistakes on mistakes until.. Until I scratch a hole in my tablet because I can't stop drawing them👌

[exutrio]

orym and dorian in c3 x 120: "the red end"

[bisexualbellamyblake]

eddie to buck ♥ words of affirmation

[bunnieswithknives]

Thanks.

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[wishfulsketching]

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[mobius-m-mobius]

Loki 2x01 // 2x02

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[kitamars]

although it dooms me, consumes me

[userjiminie]

jikook and japan ♡

[dasketcherz]

so is no one gonna tell me that not only are freckled siblings...freckled siblings—but that they're also buck teeth siblings??

like how tf did i miss that but OH MY GOD??? THAT IS SOOOO FUCKING CUTE???

Your honor, they're literally TWINS!!

[endless-nightshift]

There's something so sad to me about the fact Lan Xichen goes from happily encouraging Lan Wangji to befriend Wei Wuxian to Considering Wei Wuxian to be Lan Wangjis 'only mistake'

Like... Imaging getting a miracle second chance not only at life but to have be loved by the man you've always admired only to find out that his family detests you because during the worst time in your life, physically and mentally you didn't take into account the idea that a man who'd always treated with cool acquaintance at best, active distaste at worst actually cared about you and that his constant reproach and effort get you do give up the one method you have to protect yourself while everyone was literally actually out for your head was honestly because he was badly wording his concern and not because he hated you and the methods you used to survive.