#honestly i like it but also im not too sure how i feel about it bc i spent too long looking at it lol

[sugarandspite05]

im sure this theory is frequent but i got my friends to start yellowjackets (yippie!) and one of my friends said that adult taissa looks "robotic” in the scene where they’re taking family photos. and i don't know why it took me this long to realize, but when she mentioned that i was like….

okay, so the lines between other tai and normal tai just have to be blurred. it’s clear that adult tai doesn’t have control over other tai and it’s ruining her life…. or is it?

but anyway other tai doesn't just come out when shes asleep, its when shes awake too. and i get that, but i guess my friends comment just woke me up to the fact that when adult tai is on screen it could rlly be other tai or normal tai at any given moment, you have to really focus to see a switch. that’s if the switch is even noticeable?? i think it will get to the point of no one being able to tell. and tawny cypress is sooo good at showing the subtle changes in her face when needed, so honestly im feeling like ive been very dense this entire time😭 and now that im looking over these old scenes it rlly just shows me that other tai and normal tai are just coequal.

and then that also makes me believe that at some point tai is gonna fully release herself and embrace other tai. i mean, that’s what these recent s3 episodes are showing me.

(taivan appreciation coming out here now) i 1000% believe van is the catalyst for tai FULLY accepting and embracing herself… good tai and evil tai alike.

now thinking back to shauna telling tai about her affair, tai says what she had with simone was good, stable, but it’s clear that the “spark” she felt was referring to van, the relationship that’s messy and the inherent bad choice based on their shared trauma. but tai has always wanted van. and i think taissa’s demeanor change in season 2 really exemplifies the exploration of other tai, and that correlation to van. it always has. i mean, she goes to find van because of it.

but focusing on tai’s character, it’s also noticeable how her appearance even changes too, how her dress becomes more laid back and more masculine as she strays away from being a politician and keeping up her self image (she literally hires jessica robert’s for this very reason). jesus, i adore taissa’s character so much… but that’s more yapping for another day.

but overall there’s this freedom now that current tai is experiencing that she was heavily lacking before, and i believe the last time she felt it was the wilderness. so, i do think tai will eventually kill someone for van and other tai will take complete control. but then again, who knows with this show anymore… my faith in the writing is very very slowly weaning but i still have hope in this show

[elainsgirl]

The fandom hasn’t been this much of a mess since 2021. I’m still here mostly because I feel like the announcement is coming soon and at this point I’ve been around too long to just dip.

But man, seeing gwynriels mock the elriels who left actually has me seething. Acting like they’re just too sensitive for fandoms or scared their ship is sinking. Like, really? People can’t even leave without getting dragged? It’s like they can’t turn off the ship war mindset for five seconds and realize that real people were actually hurt. Instead they just make fun of them on their way out. It’s messed up. And the worst part is that the wrong people are leaving. Like I get why, but it’s always the kind ones who go. How many times is this gonna happen? I’ve seen so many good people leave over the years and many never came back.

This week sucked ass. Easily one of the worst since the 2021 chaos. So many who joined the fandom after silver flames just have no decency. I just feel weirdly empty now. We really need that announcement.

A fandom is meant to be a space of fun. A space where you can shut off from real life issues & problems - and simply enjoy, stressfree for a while whether that’s through creating content or simply consuming it. Obviously it will be inevitable that some real life issues filter through into fandoms, however it should always be talked about with empathy, caution and care - so those that are affected or going through these issues aren’t so triggered.

That side were simply not mature enough to handle such heavy topics. Their posts were careless and triggering. Any sane, normal person would be able to understand why people are upset and leaving. I think lately, I’ve really come to the realisation that antis do not see elriels as real life people who are going through our own struggles. As you perfectly put it -(and a phrase I will now be using so thanks anon) it seems as though most antis cannot turn off their shipwar mindsets for a minute to look past and understand how these sort of heavy topics are very disturbing. Each post they made this past week about the issue/article basically went

“Yh no sure the article was wrong…but like, its just an opinion and tbf the author did write it as such where people would y’know bring up Elain not having the right anatomy…so blame Sjm and not the readers/journalist and…like, its not a big thing - elriels have said so much worse! And honestly…they’re just mad bcs the point make sense and they can’t deal with that. It was nothing to make such a big deal about”

I know this might come across as mean but, you know when a young teenager or even child enter spaces meant for more mature adults - they dont understand or grasp on how to communicate with the conversations going on in that space. They just end up blabbering and saying dumb stuff, missing the point. THAT is how antis have acted this past week.

You know, Im going to be real with you. Everytime I think antis can’t go any lower then they already have - every time they prove me wrong. Who and why is anyone creating posts & making fun about those leaving due to feeling triggered? Its just immature and pathetic. People have a life outside of the shipwars, something most antis won’t know about. I feel like most of them are consumed within the shipwars and its the centre of their lives.

You’re so right anon. The wrong people are leaving. The people that make the fandom a better, brighter place that have put nothing out but positivity. Its sad to see them go but hopefully they’ll be back once we finally get something about the next book.

Im convinced most who joined after SF - its either their first fandom experience or most of them are just attention seekers. At this point, I simply have stopped caring about anything fandom related, you’re right. I also feel empty and tired - just done with this fandom but Im just praying we get an announcement soon. Match preferably - we need something new to create a positive buzz again.

[kitamars]

although it dooms me, consumes me

[spghtrbry]

so i’ve been. THINKING lately.

you can find many similarities in both stories but there are also huge differences…

in cain and abel’s story cain murders his younger brother because of his jealousy and because god preferred abel over him, which is obviously similar to how chuck’s pride made him envious of jimmy because he’s more likeable and made their mom laugh etcetera etcetera..but i’d say abel was a pure guy, he didn’t do anything bad, he was like. basically the purest human being at that time (well it’s not really difficult to be the best person when there’s like 4 people in the whole world and two of them literally got kicked out of heaven but anyway). and cain murdered him. which is clearly not the case with jimmy and chuck because obviously in the legal point of view chuck is a better person than jimmy …

and we’ve got esau and jacob, which is i think a really underrated story. i mean i love cain and abel but i think people often forget about those two. esau, (technically) an older brother, always gets tricked by jacob. jacob buys his birthright and steals his father’s blessing that was meant for esau. and esau rages at him because. i mean. that’s not a nice thing to do. but in the end jacob becomes one of the Main Characters in the genesis… personally i think this story is more… idk, specific? there’s just something about the younger brother constantly tricking the older to get what he wants, even though the reasons not always are completely selfish. BUT! in the end esau and jacob made peace which is (spoiler alert😨) not the case with chuck and jimmy ………..and also jacob didn’t really have a redemption arc and esau just. idk. moved on with his life. got a family and all that. so he basically became a normie. but yeah ANYWAYS!

so yeah. i’d really love to hear ur thoughts and opinions on this one because i am a little bit insane about all this stuff as you probably noticed

(also if i messed something up or if im wrong anywhere please lmk lol it’s been a while since ive read the old testament…….)

[mistyycowoa]

Confessing my sins to the internet because my irl friends don't know my tumblr

I'm actually a horrible friend and I don't plan to change :)

I'll be a good friend to anyone I actually like and I usually don't associate with people who I don't like, but sometimes there will be an occasional lonely (usually annoying) kid that follows me around. (They're lonely for a reason.) I kinda hate people who are loud literally all the time but I can hold my tongue and this kinda person just doesn't leave because they're not being told directly to leave.

What do I do? I talk to them only when I need them, I make unnecessarily mean comments as a joke, I point out their obvious flaws that I know they have a hard time changing, and all while they still follow me around like I'm not kinda bullying them.

Sometimes I'll treat them like an actual friend when I'm in a good mood, but if I'm not, then the unfortunate victim becomes my emotional punching bag. (I have ways to quickly fix my mood and this is completely unnecessary and I could distance myself until I feel better like how I do with actual friends.) I think this is like. Breadcrumbing? Anyways yeah, toxic shit.

If any of your "friends" treat you like this, they don't see you as a friend. If they leave you doubting if they like you or not, leave you doubting if you're actually friends, they probably don't see you as a friend. (because that's the case for me :3 )

I'm a horrible human being and I don't feel nearly as bad as I should about it :)

[mousemannation]

daniil listen to me. listen. u need to do the bare minimum at doha and dubai and u will overtake novak in the rankings, or even just a decent job at one of them. r u listening daniil

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[aria0fgold]

FINALLY DONE WITH THE ISAT OC! SOLEIL!!!

The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.

And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).

And so we're back at the present time! Now to talk about some details on its appearance.

Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).

After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.

Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.

The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).

If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.

The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.

With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.

All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).

The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.

Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.

Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.

A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.

Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).

Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.

[bueris]

okay maybe I should seriously reconsider my path in life and sell my soul to marketing or journalism instead

[volfoss]

Long time no faceup...

Under the cut cause my number 1 hobby with doll faceups is to talk 700 years about the process and well. I was talking a LOT this time around lol

I am so kind of notoriously bad at not finishing a doll. Like ridiculously so. In my defense with this doll- his face sculpt was SO ridiculously out of my comfort zone (I usually have more cartoonish dolls > realistic) and he was massive (and his body had a lot of mods that I in turn wanted to modify) (on top of my pain increasing a lot which caused me to not be able to work on projects often the last year or two). I would have kept his faceup if it wasn't scratched badly in certain places but, here's the before (blank, I am NOT showing how bad my previous faceup attempts are..it's bad) and then I'll get into processes and such!

[ID: A large ball jointed doll sitting up. His face is blank with no eyes or wig and his body has multiple sculpted blue sections on it. A cat is sniffing his shoulder. /End ID]

The mod work was easy (thankfully! Pin that says I ❤️ my dremel) but I am not done with that so I will be focusing on his face! I watched a lot of realistic faceup tutorials and came away with a few takeaways:

1. Watercolors and a skinny nail brush WILL be your best friend. Also water in general to fix the mistakes

2. Take your time <- you'd think this was obvious but I'm soooo bad at rushing a faceup ok. I'm so bad at slowing down

3. Pastel before watercolor makes it go on smoother (the vid recommended using white which worked well bc this boy is very pale lmao)

4. Be brave and get the worst bit done first so if you fuck it up it's no big deal

So, with that knowledge I began sealing the head (was doing him along w 2 other heads Ive been putting off) and that was when the trouble started. I use sponge on sealant (liquitex matte varnish. Works like a dream always and no respiratory gear or weather conditions needed) but it was applying glossy. I assumed it was too cold in my room and after a few layers of hoping that would fix it, it didn't! Thankfully it had happened to me before and I shook it up VERY aggressively (like 1-2 minutes of shaking) and it went on fine minus some exaggerated texture on the resin from the few bad layers. Now this is one of the issues w this method, the other is it can trap dust/hair or whatever in there (you can easily pick it out if you notice it before it dries tho). These are both pros for me, I like when the doll looks more textured skin wise (realistic) and if I'm getting a little too lost on what direction to take the head, the dust or hair can make moles, freckles, or even scars! Prefacing all of that with the sealant was kicking my ASS and I was fighting for my life, which wasn't giving me much hope when this was a faceup style greatly out of my comfort zone and skill set, so it was just really a bad start. Also important to note that I did like absolutely no mockups for this which I usually do. I did a very vague basic realistic faceup and that was it, which was not really setting myself up for success, one may say.

But, somehow, the first layer was ok! I put white pastel down under the eye, around the eyebrow placement and then after some mishaps with the watercolor on the brows, I went to my old tactic. Usually with brows, I lay a layer or two down of pastel (FAR lighter than I want the brows to be) to kind of carve a rough shape out because I'm so atrocious at getting them even (like to a comical level. The amount of times I've had to redo a full brow to match the other makes this be my default method bc I'm SO bad at them).

I did one layer of that, and then decided I would try again with the watercolor. I don't want him to have super obvious eyeliner or anything (statements I've never said before. I have dolls where the liner covers the entire eyelid, I love a big eyeliner) so I just did the top waterline in a dark brown watercolor on a skinny nail art brush. This went... Suspiciously well? To the point where I just decided hey, we're going in and doing the eyelashes on the same layer.

Eyelashes are another point I'm so bad at, to the point where of all of my dolls I've painted, I've done bottom eyelashes 2x like ever. 3 at most. I remembered the tips from the video (not too much water but not too much paint, steady your hand, take it slow, and not doing just straight lines (hard to do that because I default to that often lol)) and just dove in.

The first eye went so well that I just went right into the second one and it was so much less bad than I thought it would be. It's crazy that practice and research helps? After that dried, I mixed pink and peach acrylic paints together to paint the lower waterline, and after THAT dried, I covered the bottom lashes with the same white pastel. It muted it a lot but the main thing I've learned working with this sealant method is that it WILL take stuff off. So in theory, I hoped that it would take the white pastel off and not fade my very painstakingly painted eyelashes.

Somehow it did work (thank you makeup knowledge or something) and the first layer was done. It felt SO wrong to have a first layer with NO blush???? Like absolutely makes no sense to my brain but it was so relieving to be done with the worst parts (minus the brows. I was not looking forward to those).

[ID: A three quarter view of the doll head shown above. Instead of being blank, it has very faint blonde eyebrows and dark brown lower eyelashes. /End ID]

This is the time in which I admit that I was wrong that it was so bad to do a realistic faceup (which could easily change when I do the blushing, you do not want to see the 80s blush situation I had on the first faceup attempt), as having the brow bones so prominent made the painting so much easier. I was very mad about this as this is my first proper* attempt at this sort of faceup and it was going so well (* proper meaning I actually attempted to adapt my style to the sculpt instead of putting my usual methods to use here on a head of a different style). Honestly I just kind of locked into the brows, and since my brush is a nail brush, there's a little ball stylus (I think that's what it's called? Dotting tool may also be what it's called) so when I messed up, I got that wet and very gently cleaned it up, dabbing the excess water/paint with my finger. This was SO much less painful than using acrylic paint on brows (that is MISERABLE to remove if you fuck up with black acrylic. That does not budge ever) or using watercolor pencils (like with doing my own eyeliner, I do much better with a brush than pencil).

Genuinely never will go back to using a different material for doing the brow strokes, this was such a breeze. Even getting it even wasn't too bad, I just cleaned the brows up with that same technique until I got it close enough. While I was waiting for that to dry, I used the same dark brown (I have a very small watercolor palette and no clue how to blend it lol, so I just used the same color this whole faceup so far) and same brush to add some paint to the eye crease to add some more dimension to the face. While that was drying, it started to bother me that all the dust was just not covered up, because my brain is used to when I break the paint out, I'm nearly done with the faceup, so it should be covered and cleaner by now. Which honestly I'm glad I did! It looks a lot better with most of it covered, although I do still.plan on doing a scar from the left eyebrow up to the forehead as well as others on the forehead but those are 3d sculpt projects and not flat paint projects (I use Elmer's glue to build it up and then blush/paint over top) so it is not my problem now lol.

[ID: A front facing picture of the head above. The head has dark brown curved eyebrows, moles dotted at random around the face, and the eye crease is filled in with dark brown. /End ID]

As if this project wasn't driving me crazy with stress enough, when I powdered the brows, one of them just didn't get as powdered as the other and so when I applied the sealant, about half the brow came away with it! Absolutely devastating but it is just the nature of water colors and liquid sealant! The next layer now had to include a patch job on the brow, as well as blushing (or if I was a little smarter, one layer for the brow repair, seal again, and a layer for the blushing so I didn't mess it up again!). It was such an incredibly frustrating set back especially with how long it took me to do the brows initially.

At THIS point, I was so relieved I had done a mockup digitally (even if not super accurate to what I ended up going with) because thinking of doing the blushing the next layer did make me want to cry a little bit for a couple reasons (on top of the already immense frustrations that sealing the brows on the start of day 2 brought).

As I said earlier, very different head type than what I usually do (usually can just slap some pink on the cheeks, brown elsewhere etc), but the bigger issue was how pale he is. I find it a billion times easier to paint a yellowed doll or a doll with darker resin (I am SO excited to get to my Dong next (his resin is so pretty (and has been really fun to work on while I was in white boy shading hell)) than a white unyellowed doll. If you know color theory or like any makeup at all, paler skin makes things show up so much brighter, which is a pain in the ass when you're trying to make a doll not look like they have clown makeup on with the blush alone. And with how sculpted his face is, I had to place the blush just right to get it to look ok, as well as somehow get the shading to look clean and decent.

I used a combination of a brush directly against the pastel and shavings and slowly built up some flush to the cheeks and shading around the nose.

[ID: The same doll head as above, but with a more peach color to the lips and cheeks, with slight definition around the sides of the nose bridge. /End ID]

I added the tiniest bit more blushing (my favorite hobby is procrastinating sealing. #1 thing ever) and then felt really unsure if I was somewhat close to being done or not, so decided to try it on his body with random eyes and wig to see what else needed to be there, which confirmed a couple things!

[ID: The same head as before, now shown on a seated large ball jointed doll body. He has a long lilac center part straight wig on and dark eyes. There is a doll to the left and right of him./End ID]

The first thing was somehow ALL of the messy forehead was covered by the wig, which was such a relief in of itself. The second thing was all of the blushing looked really good and natural which was such a big relief honestly.

He really just looked like some guy which was very funny as I really um don't have any dolls in my collection that have a normal faceup (guy addicted to getting too silly with it voice: Well surely getting MORE goofy won't hurt! I think the closest to a normal guy would be Theo? Cordelia perhaps too but she's also so pink lmao) and look like just a guy that you could find at a gas station. This will probably not last as I wanted to turn the forehead marks into silvery scars (I feel we could get a little silly with it and have it be magical or something like that, provides the scars look ok lmao. Future me's problem). I definitely need to add some more shading under his eyes (under eye bags are PERFECT when his eye bags are actually sculpted, I'm not used to that on a sculpt lol), accents to the lips (MAY do lip lines. May just add more color. No one ever knows what my go to is with lips because I hate doing them), add highlights (and maybe use some pearl x powder on the eyelid area... I kind of want him to look MOSTLY natural but I cannot lie, the lure of men with eyeshadow. It's a slippery slope) and mess with his eyes a bit as he looks really good with that purple wig, so I'd like to use colors that coordinate with that if possible (same with the eyes probably?). All in all, this was a lot of work for a low energy day and I feel I'm entering the home stretch a bit!

Day three, and despite how horrendous I was feeling like the entire day, I locked in and got a lot done!

[ID: The same head as above, with silver scarring on the forehead and nose and slightly more pigment on the lips. /end ID]

In pictures the scars look a LOT like leeches to me but it's ok or something. I wanted to do silver as I felt it would be fun to do a more magical twist with the characters and having some funky colored scars would work with that! I started with a layer of light grey paint and Elmer's glue mixed together, then added layers of a silver paint with the glue until it was more pronounced from the resin, how a scar would be, and then shaded with watercolors (before then adding the blushing to make it look like actual scars instead of weird metal globs). Honestly I really liked how the eyebrow and nose ones came out but the forehead ones were more of a cover up job rather than where I wanted to place them, so they may get adjusted later.

Other than that, I started work on his eyes (and most of the day was laying in bed in pain so I didn't get a ton done sadly)! It's not very visible in photos but I also used a glittery powder (pearl ex) on the eyelids to add some sparkle.

All that was left is a bit of scar work, figuring out if I'm going to do lines on the lips (my worst debate always tbh, I feel they rarely look good with my faceup style and are often a pain in my ass), finish the eyes (admittedly this is just because I'm very slow with it as I don't really like working with the resin a ton), and gloss the areas that need it. There is definitely a chance I remove the forehead scarring (the great part about it all being glue is well. It removes easily) and do something different there that's a bit bigger and less small blobs but that is tomorrow's problem. Honestly really excited about the eyes, they look REALLY good from when I've tried them in!

I then proceeded to procrastinate for about a week maybe (time is odd for me rn) because I was so unsure about the forehead scarring but when I picked it back up, I did the finishing touches I planned on here and then wrapped his eyes up and he's done! 2 heads to go (sadly. I'm so scared doing them to be honest cause it's so much work always) but very happy with him!

[ID: The head shown previously, but on his body. His lips and scars are now glossy, he has eyes with a dark blue sclera and bright purple glittery iris in, and is wearing a long straight lavender wig. His body is wearing a teal and purple camo shirt that is tight fitting. The doll is sitting between two other dolls on a shelf. /End ID]

[jackass-jones]

Yeah the mouthwash game is pretty good

[waywardsalt]

small little thing abt botw/totk and the future of zelda games considering it seems likely that future zelda games might be in the same style as those two and how i feel like botw/totk don't actually feel like zelda games (kind of messy i just typed this out in a kind of informal or whatever way) (this post is long af btw so uhhhh yeah)

im part of the group that claims that botw/totk aren't 'real' zelda games but... i guess they are technically 'real' zelda games, but... they sure as fuck don't feel like it, and because of that, i'm not at all excited with the idea of future loz games being in the same style, especially with the pitfalls these last two games have fallen into having been things that past zelda games did especially well, it feels like things have been sort of flipped on their heads in terms of what's being valued or whatever

like... the best parts of older zelda games were things like the story and the characters and the puzzles and the dungeons and stuff like that... the best parts of botw/totk right now are just the gameplay. people enjoy these new characters, but they dont have the narrative backing that older games do, they don't have the same impactful arcs or roles allowed by a more linear story

the point i want to get at though is how botw/totk honestly don't feel like direct evolutions or steps up from past zelda games but rather just... entirely different game styles (open world games) with the zelda flavoring and worldbuilding and story styling slapped on top.

i mean... i feel like a half-decent example of some other well-known franchises that have jumped on this (honestly kind of thoughtless) open-world bandwagon are mario (mario odyssey) pokemon (sword/shield and scarlet/violet) fire emblem (kind of. with some free-walking segments in 3 houses and engage) and the soulsborne type games (elden ring), these are all other well known and storied game series' that have somewhat made the move to open world, and i think that switch was a bit smoother, kept the core and integrity of the games that came before much better than botw/totk did

elden ring is the easiest to explain- the gameplay loop and core mechanics are the same and build upon past games' you just have more room to run around and get killed in with some little open-world flourishes like material gathering.

fire emblem is... a bit less flexible in terms of changing up the core gameplay, and the addition of open-world segments are added to add bonuses to the strategy gameplay and allow for more support-building oppourtunities and little minigames, and its more or less evolution from echoes' dungeon-crawling bits and the customizable castle in fates. the core gameplay still effectively works the exact same, just with some little class or mechanic tweaks and additions.

mario odyssey, though each world was pretty massive, still had your typical 3d mario platforming, and the new hat stuff fit in pretty well with olderpowerups and gimmicks, and the boss battles feel and work pretty similarly to the way they used it- odyssey does feel like an evolution from past mario games (ps. playing two-player with one person as cappy snaps the game in half. its the secret easy mode lol)

the new pokemon games are pretty much just the same as past pokemon games, theyre just open world and buggy as fuck rip have extra little open-world flourishes that build on what past games set up. the battling works the same as ever and the progression is the same with a number of powerful trainers you have to battle to continue forward.

with botw/totk... the progression is dramatically different in terms of power-scaling, world presentation, item-gathering, puzzle-solving... pretty much everything in the established zelda format. i get that it was pretty much the aim with botw to have a fresh start and throw out a lot of the old standards but it just makes them feel so dramatically alien to past zelda games; theyre completely different experiences in pretty much every single way, and as such they dont feel like what we've (well, people who have started with and spent a lot of time with other loz games) learned to associate with the zelda titles.

with open world games in general it's a bit harder to have a truly impactful narrative akin to those in past zelda games, anyways. i will admit that botw was a good execution of trying out something entirely new, and the narrative and gameplay and world actually complement each other very well, so despite what i've said in the past I can't really fault it's narrative too much since it's a less traditional sort of narrative and effectively does what it aims to do very well.

totk, on the other hand, proves that this style of game does not mesh with the old style of storytelling at ALL. linear games can have proper narratives with coherent stakes, developing characters, twists and reveals and building emotion and mood- and all of that is thrown out the window with totk when they decided to try and have both a more linear story with actual reveals and development and emotion, while also letting you literally spoil it for yourself out the gate.

you can't really have a well-executed story when players are capable of doing things drastically out of order and of jumping into story beats without the prior buildup and straight-up ruining what could be otherwise emotional reveals, and players being capable of doing this is hard-baked in how the game fundamentally works. I honestly feel bad for people who found the fifth sage by accident before anything else.

you can't effectively have a linear story with character growth and plot developments and impactful moments while also allowing it to be experienced out of order and with massive time gaps in between; with this kind of stuff, you can't really have your cake and eat it too. say what you will about the linearity of past zelda games, but i bet you that midna wouldn't be as beloved as a character as she is if it weren't for the linear order of the story and its events. certain parts of storytelling may demand for a linear manner of telling that story.

botw's story works because none of the memories reveal anything groundbreaking taht you don't already know; they are optional and merely give you more information about these characters from link's past and simply inform you about the girl keeping ganon at bay. if you find a late memory first, that's fine- it technically doesnt reveal anything too important to you, it just fills in some gaps for you and your player character. it makes sense within the story itself for the world to be so open and for you to be able to do what you can; the story is not the focus, nor is it even needed to beat the game. the story was made with the gameplay and what you are allowed to do in mind, and as such doesn't include things such as in-depth character development or important plot-twists.

on the other hand, you can easily spoil totk's biggest plot twist in a handful of different ways completely by accident, just by getting curious about the world around you. this can shatter a lot of the mystery or tension in the plot and this can happen completely by accident to someone playing the game organically and blindly. the story itself doesn't take this into account, it reads more like a linear story that would be more suited to a linear style of play, coming across things in order to ramp up the stakes and let things be revealed at the best possible time. (tbh totk's story doesnt seem to take the player into account in general, if the game forcing you to watch basically the same long cutscene four fucking times says anything, jesus christ)

narrative pitfalls aside, botw/totk put heavy emphasis on gameplay, but not in the same way older zelda games did, and as such trade away the unique items and gimmick-y game-specific mechanics for a small toolset handed to you out the gate. what botw/totk do- giving you everything you need from the start and having very little true varation in the gameplay from then on out- make sense and works just fine for an open world game. there is, however, a lack of actual depth to that gameplay that other open world games do have (off the top of my head, the ability to unlock and upgrade abilities and have general character upgrades in fenyx rising as well as the impressive depths of elden ring's combat and character customization system). the most depth botw/totk has to the actual gameplay is just the fourish different weapon types and the ways you use your fourish abilities (saying fourish bc for real ultrahand and fuse are fundamentally the exact same thing). there is also just raising the little defense numbers on your armor and getting more stamina and health, but that does absolutely nothing to the actual gameplay but make link more durable.

i mean, sure, health in past loz games just makes link more durable, too, but thats how health upgrades in any other game work.

the gameplay switch makes sense, considering the switch from a linear puzzle-adventure concentric game to a more sandbox-esque open-world game, but it does not mesh with the former loz formula at all, so while the shift in style makes sense, it makes me think that you can't have a previous-style loz experience in an open-world sandboxish sort of game. especially with how in totk you can very easily bypass most of the fire temple just using the mechanics handed to you at the start. you can't have the same type of zelda dungeons in a game where you are allowed to do it 'wrong' and the game itself does not allow for the same kinds of puzzles.

i am of the opinion that so long as future zelda games work the same way botw/totk did, we will not get old-school zelda-style dungeons again.

the loss of a variety of items used for specific puzzles and environment switches is the loss of a varied dungeon experience and the loss of the same kind of world and character progression as past zelda games.

you are handed everything you'll ever need at the start of botw/totk. the only thing that will meaningfully change is how much damage you do. there are no alternate strategies opened up by new items that can double as weapons, no new traversal options or routes opened up by things such as grappling hooks or clawshots or whips or specific wands. even the battle system is drastically different, instead of being enemies that take specific amounts of hits to die while you can obtain progressively stronger swords, enemies are just damage sponges and you can get all kind of weapons that just do different numerical amounts of damage.

the bosses themselves- big staples and draws of zelda games- also work extremely differently. instead of having to leverage specific items to expose weak spots or having to fight in a specific manner to do damage, you are just asked to... do damage. even in totk's bosses, where sage abilities are most certainly helpful, the only boss i found to truly require a sage ability was the lighting temple's boss; the others i either hardly used the sage at all (i didn't use yunobo at all in the second phase of the fire temple boss and hardly had a need for tulin with the wind temple boss [esp considering i was using a 3-shot lynel bow to make the poor fucker a cakewalk]) or found that alternative solutions felt better, like resorting to splash fruit on repeat water temple fights instead of wrestling with having to activate and use sidon's ability. the sages are honestly fairly poor replacements for dungeon specific items.

this kind of causes botw/totk to play more like a poor man's dark souls or just like any other open world rpgish game. i don't play botw/totk for the experience of a zelda game, i play it because it's an open world game that i can walk around in for five minute before switching to something else because i liked something in that other game better.

the combat in botw/totk isnt designed in such a way that makes it feel good. mineru's mech is fucking dismal, but since it's just either shooting with a bow or attacking with one of three types of melee weapon with some timing for a dodge, it can get stale fast. it doesn't necessarily even feel good, since there's not enough variety for it to get really engaging. (this is def an uneven comparison, but elden ring's combat feels considerable better with the different dodges you can do and the amount of attack options you have with just one weapon, not to mention the amount of control you have over your general fighting style.) combat in botw/totk at hour 1 is the exact same as combat in botw/totk at hour 100, the only different being the amount of damage you do or how much of a beating you can take.

it just... the styles of botw/totk can't allow them to feel the same as older zelda games. the shift in style was clearly a good move to draw in series newbies and shake things up, but it comes at the caveat of making them feel distant from their predecessors and uncomfortably similar to other games like them. it's hard to avoid comparisons with elden ring when on the surface they are very similar games, one just feels more true to its core identity

this all is said without mentioning the way in which botw/totk lore feels almost dismissive of past series staples and seems intent on not looking back while also taking every fucking attempt to nudge you and say 'hey, remember that zelda game' and honestly all that shit does is make me want to play a different zelda game.

botw/totk seem altogether very desperate to distance themselves from past zelda games while also being unable to really tear itself from what came before and it just culminates in me spotting linebeck island on the map and going 'damn i miss linebeck' and turning the fucking game off to play phantom hourglass instead. say what you will about phantom hourglass, but it certainly handles its story progression and character development infinitely better than the game that lets you accidentally shatter the impact of the story by deciding to check out that cool temple in the distance of the depths

[turtlemagnum]

one of my favorite parts of strategy games like chess and advance wars is that feeling when you haven't quite won yet but the enemy has no real options so it feels like you're just sloowly wrapping around them like a snake. when all your enemy has is their king and you've managed to turn 3 of your pawns into queens, and all you've gotta do is get in juust the right position, and in the meantime all they can do is squirm. god, that's such a wonderful feeling. nothing quite like it

[always-a-joyful-note]

How do I explain this? (Spoilers for Enstars Sanctuary story)

Sanctuary is the story of a guy who woke up in a strange world with weird looking monsters and empty streets with a guy who was his former theatre club president. Except the theatre club president (implied to be a bit of a cryptid except this world definitely has no magic) had somehow mentally regressed back to his five-year-old self, which is fine because he's a genius, and now the guy and his former club president have to deal with this strange place together. But the side story is that two of his friends are being shown around what is basically a cult disguised as an amusement park to indoctrinate people into believing they can become idols and apply to work in that industry. And there's also another side story in which the guy's other friend is being harassed by a middle aged man who's kidnapped their goddess, basically, and is also the mastermind behind the overarching plot in the villainous sense. Also, the former theatre club president's new team, specifically that team's leader, is perpetuating the idol cult because he's got a twisted obsession with idols and believes that to farm them is the only way they won't be discouraged by those with exceptional talent and skill.

But in reality, this is just the story of a lonely teenager who could only find a little bit of freedom to express his abandoned child self in a messed up system that another teenager (who is very smart but just doesn't understand human relationships) created because he cares about nothing but in reality cares about everything and perpetuates a cycle of constant destruction to keep his one obsession alive.

But even further than that, Sanctuary and the whole SS ARC is just a story of a bunch of high schoolers/recent high school graduates who want to sing getting tangled up in a very dangerous mafia-esque world and sometimes realizing that they should call the police or some law reinforcement but forgetting to do so every. single. time.