#i miss when we were a family

[sensitivegoblin]

.

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[strangerinthelight]

[adreamoverlife]

Thinking about how Pomme is q!Antoines only child. Baghera has Dapper and Tilin, Etoiles has Dapper and Pepito, Aypierre has Richas, Bad has Dapper, but Pomme is his. He's a half crazed past scientist and possible god but he is also a father to one child and one alone. That is how much space in is his heart. And what experiments did he even do? Why does the Federation consider them a failure? Was it his "failed" research that was an overture for the eggs? What about Baghera? Was she created before or after his work? Did he know? And what about Aypierre? They were watching Pierre for years, did he know then? How long has this gone on? How long does the betrayal backlog? How long has Pomme been an only child? In the Watchful Scribes library at The End of The World there is no place for her.

(this post is brought to you by this clip that still drives me crazy to this day.)

[jerreeeeeee]

actually its kind of crazy how little we actually see the starblaster crew interact with each other. like other than tres horny boys and each of the pairs in that trio, and like, arguably lucretia and thb, barry and lup, and lup and taako, most of the relationships between the crew are only a few lines, if anything? like obviously in-universe they're all really close and griffin says that (time enough to grow indescribably close), but there's a lot we don't see. like, taako & barry, for example, have a handful of moments, lines we can point to that show they are really close (you're my family, taako, can i speak frankly?), but as far as actual screentime, there's really very little.

and even those i mentioned before, like, lup has more screentime with barry and taako than with anyone else, there's the whole little legato monologue about her and barry's relationship and she has (comparatively) a lot of scenes with taako, but also, as a character, she's only around for maybe a sixth of the show, so there's just not a lot of time to work with?

and that's not to mention the relationships we can figure were probably present in-universe, but literally never see, like lup & davenport. and on that note, i actually can't think of any other pairs who don't interact at least once, but still, very rarely. like now i'm considering davenport & barry. who we hardly see but there is the fact that barry cast command on him to drink the ichor. it's one line in the show and the implications are never really mentioned but there's a lot of significance to be wrung out of this one tiny interaction. barry condemns lucretia's methods of stealing agency from their family in the service of the greater good, but when he thinks it's best for davenport, does the same on a smaller scale? barry doesn't have the time to try to convince him to drink, he needs davenport back to himself now, because davenport is someone dependable, a leader, someone who barry knows will be capable and decisive and relieve him of the responsibility he's been shouldering by himself? that barry knows davenport won't begrudge his use of the spell, because he'll see it as pragmatic, necessary, assistance, and forgive him for it? none of that is necessarily supported in canon but it can be extrapolated from, again, kind of a throwaway line.

the non-thb crew have presence and are important to the narrative, but most of that comes from thematic significance rather than them as individuals, you know? we hardly see lup and barry and davenport (maybe arguably lucretia too, though we see more of her than them), but we see the echoes of their decisions and their goals and their love for the rest of their family and the way they shape the story.

but actually, even that's not entirely accurate, because as significant as they are in that way, their presence isn't only due to that, they're full characters too. they have personalities and depth and connection, they're not only plot devices. like, maybe griffin needed to explain why lup was missing, and that's why she became a lich, and her needing to be a lich is why she and barry had their romance, but also, if that were all there was to it, the legato monologue wouldn't exist, the best day ever wouldn't exist. those are scenes designed to build lup as a character through her connections to other characters and to the central themes of balance, not to fix plot holes. it's just that all of that character building takes place in a pretty small fraction of the show compared to tres horny boys, who have the entire thing. idk its interesting and impressive how some of the deepest characters and most profound relationships were developed in a very short amount of time

[littlefankingdom]

~ A Night in the Life of a Bat in Gotham

This is such a cute short story! The bat following Batman around, copying him, and being a detective with him! Bruce caring about stopping animal abuse and trafficking! Bruce saying that the bats of Gotham aren't his pets, they are their family! And he knows each one of them! I didn't know I needed Bruce gently holding a bat and calling it "my hero" until now, it's fucking adorable!

And the whole thing is a metaphor about the Batfam! About how they cannot be kept in captivity, how their falily is important and they need it, but each of them comes and goes as they wish and they respect it, and each have their own story to tell.

[virgothozul]

Ok. I have listened to the people. I have watched the thing. It is very wholesome.

Kazu comes home. He is hopeless and tipsy. And he swings between excited and wasted.

[milkbreadtoast]

Jung Yeseo🥺🫶🤎

[futuretherapoo]

Yes my brother is an annoying little brat. But touch him and you're dead.

[empyreansentinel]

if angel was raised on pandora it means that she and jack lived as residential settlers during dahls occupation. grogmouth likely worked for the flynts who, being a high status family at the time, in turn worked for dahl. baron flynt was the warden of thor, a dahl mining rig that doubled as a prison. the companys sole interest in pandora to begin with was to extract eridium and find alien relics, so a siren would be a priceless bargaining chip for their efforts. all of this to say its very possible that the flynts were the ones who sent out the order for angel to be kidnapped.

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[wonder-worker]

"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted significant new governing and judicial powers]."

"In 1478 Prince Richard [of Shrewsbury] married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."

-J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses

[malaierba]

Been thinking, there's an issue with how creators and readers often approach the theme of "coming back wrong", since so much of the emphasis ends up being put in the "they came back part". Especially on the readers' side, the idea that someone would do whatever it takes to bring you back is parsed as romantic and devoted, which it can be, but it overlooks a big element of the concept.

Coming back wrong, or even just performing forbidden rituals etc in general, for it to be impactful needs to place a big AND constant focus on the in-universe equivalents of Do Not Resuscitate & bodily autonomy when one can't consent.

It's not just the coming back. It's that you don't know what type of body, what type of mind you're coming back to. It's the dysphoria, if it can exist (and it should), and the expectation that you'll be okay with whatever was done to your inert body when you couldn't decide over it. You're back, you're alive, surely you can get over the circumstances under which it happened, be thankful.

You don't even need to get abstract with "the inherent feeling of wrongness that comes from being brought back from death", most humans can't relate to that, it's vague to the point where it isn't real stakes. It's just a non-issue mentioned to give a fake sense of stakes.

But if you take inspiration on DNR, from people whose lifestyle was changed radically from being saved from a situation where they may have preferred to be allowed to pass on. Like, say:

You come back, and you gotta learn to use your body from zero, and you'll be reliant on others forever. Or you come back and you look so different you feel disconnected from yourself, and every waking moment is uncomfortable. Or you come back, and too much time has passed, you feel like the life you were meant to live got away from you. Or you come back, and what was done to your changes you so fundamentally you end up isolated even if it's no one's intention. Or the ones that brought you back didn't do it selfishly but out of entitlement to your life.

The wrongness needs to be acknowledged often to the point of tediousness, only then would the spectator get a real sense of "okay, I see now why that'd be an issue, and why many would hate it".

[the-meme-monarch]

actually while I'm thinking about All The Ways School Wrongs You. fuck the whole seven classes shit they make you do in like what. middle school?. do you know how many times i cried bc I couldn't find a room number. how many nightmares i had about that same scenario

[autisticlancemcclain]

i miss filipino lance and vietnamese keith :(

[screechingfromthevoid]

I know I'm totes missing something about Vax and his whole deal (I haven't watched the original campaign & I'm like half way through LoVM)

But I thought the implication of Keyleth having a perch for the ravens was that those ravens ARE Vax? I have been thinking this entire time Keyleth hasn't gotten over Vax because he was actively visiting her. But the only way he could get away and see her is to be a raven.

Idk this shit sucks I hope this night lasts forever