#i mean i would “love it” in a very specific sense

[muwapsturniolo]

𝐈’𝐥𝐥 𝐚𝐢𝐫 𝐭𝐡𝐢𝐬 𝐛𝐢𝐭𝐜𝐡 𝐨𝐮𝐭 𝐥𝐢𝐤𝐞 𝐚 𝐪𝐮𝐞𝐞𝐟💨 Matt sturniolo

“ did you just?”

✗ Awkward asf but realistic, NSFW, sex, mentions of queefing, secondhand embarrassment, that’s it me thinks.

You wanted the world to swallow you whole, you wanted to disappear.

You knew it was a semi-normal thing to happen, yet you were still embarrassed. It happened to most girls when having sex, although you never thought it would happen to you - It’s never happened to you until now.

Your legs were spread wide open, a pair of rough hands pushing the back of your knees on either side of your head - You were in heaven. “O-oh fuck Matt,'' he groaned in retaliation, his hips driving into you harder, the squelching of your essence filling the room.

Every once in a while, you noticed Matt would make a face, his hips stuttering. You didn’t know why, you figured he was just struggling not to cum quickly and paint your insides that shade of white that you both love.

You didn't think much of it, he always made faces when you two were having sex.

He was very expressive.

You were so lost in the pleasure Matt was providing you, you missed a specific sound that came from your body. When Matt suddenly stopped all movement, you were confused.

Why did he stop?

Did he cum already?

Why is he staring at you with wide eyes?

Did you accidentally call him daddy again?

All you two could do was stare at each other for a solid minute or so, before you finally spoke up.

“W-why did you stop?”

“I uh…d-did you just…”

Your brows furrow in confusion, did you what? What is he talking about?

“Did I what Matt?”

He stares at you silently, the only sound in the room being the both of you breathing harshly from the sexual escapades that had come to a halt.

“N-nothing, never mind.” He shakes his head as he tries to dismiss whatever he was talking about. You didn’t have the chance to interrogate him further, his hips resuming their actions.

However, he only got about five more pumps in before you finally heard it.

You were mortified, a soft gasp leaving your lips as you stare at him with wide eyes. He met your gaze, his eyes equally as big as his actions halted once more.

“Did you just far-No!” You quickly cut him off, your cheeks hot and your heart beating fast.

“It’s ok if you did…I mean, it doesn’t smell - Plus, I know you had dairy, and you’re lactose intolerant, so it makes sense.”

You could not believe the words coming out of his mouth, you couldn’t believe this is happening to you out of all people.

“Matt, I didn’t -'' you wave your hands around, hoping he would get the gist of what you were saying.

You didn’t know why you hated the word fart, maybe it was because your parents raised you to say ‘passed gas’, and the word fart was too cringy for you.

“You didn’t? Then what the hell was that?”

“I-I think I queefed I-I don’t know!" Matt could tell you were flustered, your tone becoming defensive. “Ok, ok! Just calm down!” He lowers your legs and rubs at your thighs for comfort, attempting to calm you down as he remains inside you.

After a few minutes of silence, he speaks up. “D-did you want me to keep going or…?” He trails off, unsure of what you want.

To be honest, the mood for both of you was somewhat ruined. He wouldn't be shocked if you told him to stop. Hell, he was sure you probably would hold off on having sex for a while after this as well.

Much to his surprise, you nodded.

“Y-yeah, yeah you can keep going.” You try to push the awkward tension away, hoping, praying, begging that you wouldn’t queef again.

He nods and begins to thrust softly once more. You were tense, anxious your body would do it again, but it didn’t. You allow yourself to relax, to feel the pleasure once more.

Matt sees this and picks up the pace, drawing out soft moans and mewls from you. Despite your orgasm dwindling from the first two times he had stopped his ministrations, it was quickly rebuilding itself.

Matt could tell, and he was determined to push you over the edge.

He grabs your leg and throws it over his shoulder, planting his hands on both sides of your head as he drives his cock deeper into your aching cunt. The sexual energy in the room was potent, the previous moment long forgotten as you both explored each other's bodies.

"Oh fuck m'close. Come on ba-"

It happened....Again.

“Ok ok stop!” You basically yell out. He stumbles back as you push him, his cock slipping out of you with a small pop, followed by even more air being released.

It sounded like a deflating balloon, almost like Donald Duck was in the room himself.

You were on the verge of tears, this was too embarrassing. It didn't help that Matt was smirking, biting his lip as he held back laughter.

"D-don't you dare say anything!" Matt raises his hands in surrender, backing up even more and moving to the other side of the room. You sigh and sit up slowly, hoping you wouldn't release anymore more air from your vaginal canal.

It didn't work.

You could feel the air passing through your folds, creating that wet farting noise - thanks to the bodily fluids you secreted- and making your folds ripple softly.

A soft snicker is heard, making your head dart to Matt. "Shut up! Don't laugh, it's not funny!" You shout as you throw a pillow at him. He cackles loudly, dodging the pillow at the same time.

"I'm sorry but it's funny! She's speaking to me!"

You couldn't help but roll your eyes, "Mmcht, you're such a fucking boy." You mumble. You want to stand up and rush to the bathroom, but you didn't know if you could handle Matt's laughter at your excessive queefing.

"Get out."

"What? Baby come on, I'm sorry for laughing!"

"No, you're not. Now shut up and get out so I can go to the bathroom!" He holds back another round of laughter and slips on his boxers and sweatpants, quickly leaving the room and leaving you alone.

You waddle awkwardly to the bathroom, cringing every time another gush of air escapes you. As you stand in the bathroom, you quickly search up "How to get rid of queefs."

All you could find were multiple sources telling you there wasn't a way.

"Absolutely not, fuck this."

You try another search, " How to get rid of air down there."

Thankfully, you found an answer.

"Squatting down, especially while peeing, can help trapped air escape."

"This is great, but how the hell do you squat over a toilet without getting pee everywhere?" You mumble to yourself. You won't even deny it, your eyes dart over to the tub but you quickly dismiss that thought.

No way were you going to pop a squat and pee in your boyfriend's tub. You wouldn't hear the end of it.

You end up sitting backward on the toilet, your chest facing the lid as you do your best to squat.

Sure enough, you could feel the excess air release, echoing in the bathroom.

You finish up quickly, making sure to wipe and wash your hands before exiting the bathroom. As you walk out of the bathroom, you see Matt back in the room, sitting on his bed.

"Did you get that.... situated?" You roll your eyes and throw on your pajamas, laying back down on the bed. "You shut your damn mouth...And yes." He snickers softly and begins to situate himself between your legs, just as he always does.

The both of you sit in silence before he looks down at your clothed mound.

"So since you can speak, how do you fee-OW!" He winces as your hand comes down on the back of his head. He watches as you climb off the bed.

"Wait, where are you going?!"

"To Nick's room! At least he won't try to talk to my vagina as if it could talk back!"

He watches as you walk out the room, slamming the door in the process. He lays back down and chuckles to himself,

"I'm definitely changing her name in my phone to queef queen...maybe donald duck."

purrrrr im making this an awkward series! send in stuff that you would want to see!!!

[hoshinasblade]

you are so close to gaslighting yourself into thinking that maybe, just maybe you have already told hoshina's mom in the past what your favorite tea is.

the problem with that thought is today was the first time you met the mother of your boyfriend.

you denied it in your head - for all you know, perhaps mrs. hoshina is just really a good at guessing. that, or you are going batshit crazy.

because at that very day, people you have met for the first time - people who may be friends with hoshina soshiro but are practically strangers to you - seem to be aware of small details about you.

captain ashiro complimented you on your blue dress after shaking your hands, saying it's obvious why it is your favorite color, emphasizing how it brings out the intensity of your eyes. even okonogi, who you know works directly with the third division's vice-captain, had a specific joyful aura on her friendly face as she offered to hang out with you in the future, mentioning how she is a fan of true crime documentaries too and suggesting in the same breath that you should try the pudding sold in the headquarter's cafeteria.

you could have let all of that go if only you did not blush like a teenager after hoshina's own older brother called you by your childhood nickname during family dinner.

"i'm sorry." hoshina's hand found yours, his thumb drawing patterns on your wrist. he knows you'd been on edge since morning, and although this is entirely your idea - meeting his friends and his family in one day - he wouldn't blame you if you're overwhelmed.

"they did their research on me or something," you tried to laugh the nerves away. it didn't work.

"ah." hoshina suddenly looked guity. " that. well -" he stopped for a moment, gathering his wits, choosing the right words to say. "i mean, it makes sense that everyone who actually knows me would know about you, really."

you wanted to joke as a response; you wanted to say that he's talkative and tends to yap for hours about stuff he loves so yes, people around him would naturally know things about you. but then you caught yourself because this is yet another confirmation of what hoshina soshiro had been telling you for months now - that you are someone he loves.

you did not know being known could feel this sweet.

"huh. do you reckon i can extort them for information about you next time?" this time it was your turn to grab hoshina's hand, and with your forefinger, you traced three little words on the warm skin of his palm.

[author's note: hello guys, i know i haven't been posting a lot anymore, but i am thankful to everyone who still remembers this blog - yes i can read your asks, yes i see that you've tagged me in a fic, yes i checked my notifications in this blog every now and then. it might take me long to respond most of the time so apologies in advance but please know that i appreciate all interactions from everyone.

also i dont need to remind you but i don't tolerate copy-pasting or reposting any of my works anywhere. i read a lot from here too, and other writers can attest to this as well - we know if a line or a paragraph from any of our works is copied and/or reworded. ]

[gem-de-lune]

Why are the members vibes progressively getting negative and kinda hopeless? Like a few weeks ago they were kinda confident about this situation but now they seem like accepting the situation as it is.

Of course we as fans would keep raising our voices for him but he feels so helpless these days I hope sm could give him some good news soon

I don't really think that is true. I say this with love and no ill will- but I think you are seeing one sector of something and running with it.

None of them are feeling hopeless. Helplessness and hopelessness are two different things. And sometimes even if we are helpless it's more positive than negative, like a "ive done everything I could, now lets just relax and wait"

For instance I would say that Sohee and Seunghan are the most Helpless* members currently. Let's dissect what I mean by this based on my readings.

Sohee and Seunghan both understand that certain things are now out of their hands. If I were to be specific, Sohee understands that he is a younger member- his opinions are not going to be listened to as much because he is not able to communicate on a level where older adults respect him that much yet. He aslo does not like being scolded and doesn't have enough extroversion or confidence to see those things through. He is helpless bc he has done what he is able to do to help and feels he cannot do anything more himself. HOWEVER he has hope and faith that good things will pull through even without his assistance.

For Seunghan, he has not "given up" nor resigned. He has come to a similar verdict in that he won't necessarily be heard as an equal and he will have to wait to hear the verdict before making any more decisions for himself regardless.

When you have taken your exam- it is no longer in your hands. Your teacher will grade it. They may curve the grade depending on who got the highest score, they may give you extra points and you may pull through- or not. Whatever happens it is no longer something within your control which is not necessarily BAD, it just IS. Does that make more sense?

So the diff between these two and...let's say Sungchan for example is what? It's that Sungchan has extra cards in his hand. He has a cheat sheet. Or maybe the teacher likes him a lot and will allow him to revise his test.

Sungchan is a person who IS able to communicate very effectively to the older adults in their situation. He has the extroversion needed, the correct words to say, and is confident in doing so. He does not feel helpless. He feels determined. I would say NONE of the members feel particularly HOPELESS.... and that only Sohee and Seunghan feel like they have completed their tasks and, therefore, are helpless to a certain degree as they wait for results.

I hope this makes more sense. None of them have lost hope or anything. It's about reality and realizing what you must allow to play out. None of them are particularly negative. Just anxious.

[lover-of-mine]

Hi! i was reading this lovely post of yours, and i got stuck on you mentioning that buck's neutral color is grey. because when i made my cheers post i thought "aw they're wearing the same colors in both scenes. except their saturation(?) are reversed? idk what that means but it's nice to look at :D". (it made me feel like watching gifsets of madney's pregnancy reveal scenes and realizing they're wearing the exact same colors :D) but after reading your post i went back to look at mine and i'm realizing i actually can't tell if buck is wearing dark grey or dark brown??? but both colors work with the scene, and so does the ambiguity. it's the end of this brown era for buck. it's the start of a "coming back (coming home👀) to his colors" era.

Also, seeing eddie go from maroon to pink is really interesting. i don't remember what are your thoughts/analysis of eddie and maroon but i know you've mentioned it before.

Maybe the next Buddie Couch scene, they'll be wearing black and white? i wouldn't know how to interpret that xD but it would make a really nice gifset

Hello love, I did write a meta on Eddie and the maroon, it goes with my Buck and green post (tho my conclusion there might be off because something I forgot to consider when adding the pink from the bachelor party is that that is a costume, so different rules), but I'm pretty sure Buck's jacket is supposed to be black. I think they are in a weird mirror of the bachelor party tbh. But they are also in a switch of saturation from recovery.

Buck is inverted, he is in a black jacket and dark green shirt, contrasting the white and mint, and Eddie has the pink shirt with the raised collar in contrast to the way he lost his shirt the last time, he lost the rest this time. The pink actually pays into the sense of naivety, they were using that a lot in s7 in that sense, and it's interesting considering maroon can be used to demonstrate wisdom, so the contrast of Eddie allowing himself to let go in the "naive" color and Buck searching for advice while Eddie is in the wisdom color is fun when you consider the visual parallels between recovery and confessions. They're both starting over in a sense. I do think that Buck is finally going to allow himself to find color again, and the use of green as Buck's something wrong color will always be fascinating because it is a color associated with growth and new beginnings, so even if he's being misguided, he is allowing himself the opportunity to reach for more, that paired with the brown, that has the whole stability and warmth connotations paired with the isolation and loneliness connotations, means Buck is in a very interesting spot to go back to his bright blues and reds.

I don't know about the black and white specifically, but I am maybe 75% sure that Edddie will play in lighter colors while searching for his true color (Eddie's yellow here we go) while Buck goes back to the darker colors while trying to go back to his blue. Honestly, I would expect Eddie in pastel colors while Buck is moving around darker ones, most likely going back to grey tones, leaving the brown that's been heavily associated with Tommy behind, and navy blue.

(Madney blue and red of parenting my beloved)

[outrunningthedark]

Every time someone posts about Lizzie I am reminded that she's selling her "followers" a pipe dream while knowing full well Ryan has no interest in giving the fandom what it wants considering a question SHE asked about Buck and Eddie's friendship - couldn't mention The Elephant In The Room, remember! - made him feel the need to say this: “A man’s struggle of harnessing his emotions and having to just kind of push past them, that is very specific to us men. So, it would be advantageous for all of us to understand that. And with Buck being a relatively new entity in Eddie’s life starting six years ago, he’s been able to understand what it would have felt like if he’d had this person who’s always been there for him no matter what and loves his kid just as much as he does. It is just family. So, I’m glad it gives everybody that sense of familyhood. But now I see that Eddie has leaned on Buck so much that people are like… well, I mean, whatever they create is what they create.” [x] That "memory of a goldfish" problem this fandom has is really working in her favor!

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!

[27daisuki]

Hello again! I recently added subs to the dmmd stage plays (except Ren's! i do not take credit for that). Originally i only had 4 routes, but I received Mink's and ViTri's routes and just finished subbing! (thank you @minkiemoo for sending them to me!!)

They're all updated on the same Google drive that i posted before but I'll repost it here

I hope you all enjoy!! please let me know if I missed anything or if it's not working (I didn't finish subbing the post credit conversations but i wanted to get the rest of the play out there first)

translators notes and general thoughts below if u care

Woo!!!! I'm so happy i got to watch all the routes and I'm very happy to make it easier to consume for English speakers! the game blew up in 2014 on tumblr from a fan translation iirc? so I think it's only fair that I do my part now that I'm at a level of fluency where I can do that too! my goal since i was a kid to be able to watch/play things in jp without subs or translation, and i think i only recently realized i can do that now lol

it has been a very long time since I started learning jpn (i believe in total it has been 18 years on and off 💀 god) and i just wasn't confident in my skills but when i was watching Ren's route (it was the only one available overseas without vpn shit and had subs) and no shade to whoever had to sub Ren's route but i noticed some subs were just straight up wrong? (there's a part where aoba is looking at a screen at toue's speech and it was just all wrong) so i think that coupled with having friends that also like dmmd and wanted to watch the other routes inspired me to do my own damn subs lmao 😂

I'm absolutely not saying my subs are perfect, I'm sure there are spots that aren't 100% accurate (mostly because i can't 100% hear exactly what syllables they're saying sometimes because they talk so fast or just the audio quality or mumbling lol noiz I'm looking at you), but if i was unsure at any point I'd cross check the game lol if anyone notices any point where my subs are inaccurate, please let me know! i take no offense and honestly would love to be corrected so i can know for the future

also lastly, i did wanna touch on my strategy for subbing! jpn and English don't translate very well to each other all the time so there are some things that are said in jp that if i wrote literally in English would feel awkward or be hard to understand, so for some dialogue i tried to convey what they were saying with phrases that would make more sense to an English reader. So if you hear some sentences/words and you're like, wait that's not 100% exactly what they said, there's a good chance I know and i made the choice to translate it differently. it can be really hard to know when to leave something literally translated and when to localize it, or how far you should change the wording even if you keep the important information in a sentence, and which words i can leave out because of how fast they talk😭

jpn is also a very context heavy language, which means they leave out words in a sentence because it's implied that they're still in the sentence but you're supposed to fill them in. so there are many times where it sounds like in jp, they say 2 words, but it could really actually be like 6 because they're assuming you filled in the other 4 words. English you can only really get away with so much not said, and it can feel a bit weird when u read 6 words on the screen but hear the actors say 2 words lmao but just trust me on this, i promise I'm not adding words outta no where😂

i have one specific example from the plays. When Mizuki is holding a knife to Tae, he says 後悔すんなよ which literally means "don't regret this", but with the full context he's saying something close to "don't regret this because you chose to let your grandma die" which obviously is a lot more than what he said and I can't write all that on the screen for 2 seconds. The best equivalent to this (imo) was too write "You'll regret this", because even though it's not what he said in jp, it still gets the point across to english speakers and eng speakers can fill in the blank that he'll regret this because he didn't take Mizuki's threats seriously. It's less words and it's easier to digest in the few seconds that you have to read the sub

anyway i just want it to be known that i put a lot of care into these subs and thought very hard about how I translated each sentence, so i hope that you can trust my work!

Thank you again for all the kind words! I hope you enjoy the plays!!

[lu-is-not-ok]

I just finished reading your hong Lu npd analysis post!!! And it was great!!! I’ve been going over his lines from previous cantos with this new reading in mind and it’s been very insightful

I was just wondering how we should interpret this one line from canto 6 in the npd reading? i don’t have the direct quote on me but basically Ishmael says something to heathcliff like “hey why did you pick on hong Lu for being a spoiled rich kid when you grew up in a manor yourself”

and hong Lu says something like “hehe I don’t mind it at all!” which confused me a bit since other times it does seem to bother him when people discuss it like you said

do you think he genuinely means this?? Or is this like a lie (conscious or unconscious?) to protect his self esteem?? that’s what really gets me with hong Lu - idk how self aware he is of his deflections and avoidant behavior? Like obviously he is probably blatantly lying in some cases (like about why he left home) but other cases idk?

Also thank you for your analyses! You’re really feeding the hong Lu fans myself included

o7 I'm glad people are enjoying the analysis. Hong Lu is a character that really grabbed me with just How Well Written he is as a liar who happens to be good at what he's doing. The way he navigates social encounters is genuinely so interesting to pick apart, I love it.

Anyway, regarding the moment you're talking about, these are the specific lines.

There's a few ways one can read that I think.

For one, it could be him responding to specifically the hypocrisy that Ishmael is highlighting here - that he doesn't mind the fact that Heathcliff was being kind of hypocritical when bullying someone for being rich despite being raised in a rich household himself.

It makes sense. Hong Lu, more than anyone, would probably understand why someone would hate rich people despite being raised among them, so he doesn't really care about the seeming contradiction of that.

There is also another option, that being the fact that all things considered, Hong Lu might just find Heathcliff's particular brand of insults genuinely funny rather than offensive. There are multiple moments where Hong Lu actively teases Heathcliff, with one moment in Hell's Chicken having him actually confirm that that's what he was doing in that scene.

Hong Lu isn't above fucking with people sometimes just to get a reaction out of them, with Heathcliff appearing to be Hong Lu's most common target of that. Him saying he doesn't mind Heathcliff's insults could be because he genuinely finds them so entertaining that he doesn't register them as something harmful to his self-esteem.

And of course, there is that third option of it being just a bullshit lie and him simply trying to keep up the air-headed unbothered persona he's been projecting the whole time. After all, this isn't him being directly insulted here, but simply recalling past events - and it's a lot easier to lie about your past feelings than it is about the ones you're feeling in the moment.

[general-sleepy]

The frustrating thing about The Beetle is that it can get horrific at points. Richard Marsh is a fucked-up little freak, and he can write some perverted, gory concepts and images. But then he has no skill to carry everything else off. It's like David Cronenberg's imagination with David DeCoteau's skill.

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[simcardiac-arrested]

zavijava info PLEASE PLEASE PLEASE PLEASE!!!!! PLEASEEEEE ZAVIJAVA COME HOME ... PLEASE .... umm um um ill tell you about umm . tma au im making for nastya if u tell me about her .PLEASE!!!!!!!

so she is definitely a star of some kind. i mean she is an angel but in that story in particular The Stars are kind of angels. like they’re otherworldly beings and they jus kinda hang out. cosmically. it’s a different dimension separated from the human one but like, obviously stars still exist for humans, they just don’t do anything crazy because the rules of the world dictate that their realities shouldn’t interact. angels can observe the other world from far up above yet they still exist on a different level. But tbh zavijava had never enjoyed the otherworldly ethereal whatever lifestyle—she just didn’t feel like she fit in there. she is a #1 humans fan though so she knows that’s where she’d fit in. so she does just that. she fits in perfectly :) and normally :) yay :)

[graceful-not]

Yk what actually. I'm sick of staying quiet Conya is a perfectly fine ship. I don't understand why people dislike it so much. In early Ninjago? Sure, back then it wasn't the greatest dynamic and didn't really have much in terms of actually substantive interactions. But people are still casually hating on it and putting it on DNI lists right next to ships like Greenflame like they're comparable and I'm sickkkk of it it's been YEARS!! Their dynamic has grown so much since then!!!! They're on the same level as Braincell for me in terms of ships I really like I think they have a great and interesting dynamic!!!! They're cute together!!!!!! EVEN OUTSIDE OF MUDSHOCK!!!!! RAGHH!!!!!!!!!

[skunkes]

I want to make art for people that makes them happy but I also want to kinda make a little bit of an income off of it because it would be nice. How do u suggest to get into making cool things for people and getting ppl to see it (using tags never works for me rip)

I'm not sure how to answer dis, seeing as how I had managed to gain a little bit of a following before I started taking comms when I was 18. I also had very cheap prices (not feasible depending on your circumstances, but it worked for me at the time) and the following I had gained was all luck with my rare fanart-of-current-popular-media pieces gaining traction, on platforms that did not yet have suppressive algorithms or a big chunk of userbase jumping ship 😭

anyway, continuing to work on and post your art in attempts to build a following first seems best since thats the jumping off point for comms...if you Enjoy Media, make fanart. if you're an ocs person like me, you can build interest while refining your work as well. i wish i could help with the tags but i get embarrassed tagging my stuff for reach now

[infizero]

any time u say ralsei is cute or sweet or whatever ur playing right into his trap btw. not ralsei’s trap, toby’s

[rxttenfish]

PLEASE tell us more about virina mishra im such a sucker for nextgens

OOPS FUCK I GOT DISTRACTED AGAIN AND FORGOR TO ANSWER THIS

virina!!! my beloved virina!!!! littlest froggy!!!

aaravi and miranda very much both wanted to actually, you know, have a family. its one of those things where you come from someplace so shitty and so terrible, that you just cannot imagine someone else going through that same thing, and you cannot bear the thought of making someone else go through the same thing. to be fair, they are both TERRIFIED of just repeating the past and ending up in the exact same loop that their parents did, terrified of just heaving back on the same generational trauma and wreck of a childhood, but there comes a point in being afraid of something where you just need to get rid of this fear. its too constant, its too forever, its too eternal. sitting through it and avoiding it isn't making it go away, and they already fucked up avoiding it by finding each other and loving each other, so dancing around the issue isn't helping. instead, what they mutually land on is just... a want to prove that fear wrong. a want to prove that fear wrong, to prove that they aren't doomed to be just a weapon and just a source of death in all its forms, that they can hold something in their hands and make it grow. best way to avoid repeating the past is to take responsibility by the leash, after all. they want to go back in time, to give themselves the childhood that they always missed, and the best way they figured to do that is to give that to someone else.

this is something that very much existed since their relationship started to get serious with each other, and something that's been in the background the entire time since, so its not like its a mystery or anything. if anything, they've been using this want as a motivation, as a need to keep going even at the worst of times. they will have this happy future. they will make it through this together. they will make it work. no more ifs, no more buts, no more doubt. stop living in the doubt and start acting as though their happy end is a foregone conclusion and something that they are going to have no matter what, give no room for fear or guilt or shame or depression or self hatred to sneak in. they will be happy. they will make someone else happy. they will be someplace safe, not just for themselves, but for their loved ones too. they will be good. they will be.

even after everything blows over (mainly from miranda's family, she is still crown princess and stepping away from that was never going to be an option they gave her), it still takes a few years for them to broach the topic of having a kid for-real. just to make sure everything's settled. just to make sure everything's safe.

they have virina later in life than some of their other friends or just in general, but they were planned and wanted for so long that the wait is worth it. the name, as i've mentioned, comes from aaravi. she knows her mom was a... complicated woman, she knows her own raising wasn't perfect and that there were things that she still cant fully forgive her mother for, but she had a hard life too. she too deserved better. despite it all, aaravi still loves her mom, despite despite despite. and so she does the best thing that she can to honor her mom, to honor her memory, to give her the life that she never had the same as aaravi herself, and gives it to virina. the mishra last name was a no-brainer already, miranda already look aaravi's last name and preferred being a mishra over a vanderbilt anyday.

years later, virina also earns the nickname of "froggy" - primarily because of their own love for the animal, constantly finding them and bringing them in from outside. likewise, miranda and aaravi decide to raise them genderless, and to let them decide for themselves how they want to be referred to when they're older.

virina doesn't really take much after either of their moms, though. mostly they're quiet, shy, keep to themselves. where both of their moms are brash and dominant, very confident in themselves and willing to bowl over quieter personalities, virina seldom speaks, and when they do, its soft-spoken. they get easily spooked and cry easily, especially when it comes to other people. they cling to their moms legs, hide behind them when other people come around, prefer the company of animals over other people, tend not to like new things or new people and greatly prefer sticking to their simple, easy routine. they just can't figure out other people, seemingly, not understanding them or how to make friends or even what's appropriate or not to say in a conversation.

this isn't to say they aren't deeply intelligent and curious. they quickly learn to love venturing outside with their moms, playing in the garden or chasing bugs and frogs. they come in with sticks and rocks, make mud potions, try to build things out of sticks and befriend birds. they prefer books over people, ending up much more of a bookworm than either of their moms ever were, and ends up a very big nerd as they get older. theyre close and affectionate with the friends they do make, but this is a small handful of their very most trusted, and they never get much better at figuring out social norms.

in time, they lean a little bit more towards the femme side of things, growing their hair out long and liking long, swishy skirts that they can spin and sway over and over, that doesnt cling too tight to their legs. they end up needing glasses, and end up picking a pair thats large and circular, making their eyes seem all the more owlish. they settle on they/she, but never have particularly strong opinions about gender regardless. they can be blunt and quick to frustration, especially if they feel people arent understanding them, and are forever going to be deeply embarrassed over how their moms dote on them. i very much see them getting intensely interested and starting to study either linguistics, literature, history, geology, or any biology that takes them closer to the marshes and wetlands that they love.

they never think very much about how one of their moms used to be a princess, heir to a kingdom. beyond an instance as a kid that ended with them dropping a training sword repeatedly and crying, they never get very interested in following the slayer line of work. they fuss over small stakes, have their moms grate on them sometimes in both of their old ways, and they live a normal life.