#i just. i could ramble for hours

[jestersking]

chief...

[dizzybizz]

"this is regrettably the best kiss of your life, you understand?"

[deeneedsaname]

Is this anything

[fallen-goldfishcracker]

Part of the reason I find Wyll to be such a compelling character is that he is such a good person, but in what I think is a kinda unique way. 

I've seen a few criticisms of how quickly Wyll seems to switch sides in his initial confrontation with Karlach; how fast he goes from convinced he must kill her to letting her live. For me though, this makes perfect sense. 

The decision Wyll makes in that confrontation not actually whether or not to kill her; he has to decide whether or not Karlach is innocent, but once he's confirmed that, it's not a question.

He commits so quickly to Karlach because he doesn't have to choose whether or not to kill her in that moment; he already decided seven years ago. 

Because at seventeen years old, he decided he would sacrifice anything for the safety of others. 

At seventeen years old he decided that his own life, comfort and happiness was never worth the cost of someone else's. 

And so at twenty-four, he learns the devil he's been chasing is a person, and a victim, and an innocent, and the decision is already made up. 

Because Wyll Ravenguard at twenty-four is who he was at seventeen, and twenty, and ten. 

And to me that's one of the coolest things about him.

There's a separate post I'd like to make about how Wyll never loses his childhood wonder of the world- and I think there's a very similar principle here. Wyll grew up hearing stories of knights who slay monsters and heros in shining armor, and he took those stories and loved them and held them close to his chest. 

And then he's seventeen and a devil asked him if he wants to be a hero, and he's not an idiot; he understands the price of saviourhood so he says yes. 

And so when he meets Karlach, it's never really a question of if he'll kill her. It's just a matter of him finding the courage. 

Because he says "you don't know what you're asking of me" and he's absolutely right, we don't. But Wyll understands the cost; he's understood it for seven years. I'll bet anything that when Wyll Ravenguard made his pact with a devil to save tens of thousands of souls, he promised himself and his city and his father who wouldn't listen that he'd only ever use his pact to help and be good, and when it comes down to it, he sticks to his word. 

Because above all, Wyll Ravenguard is a man who knows who his is and what he beliefs, and who sticks to his principles no matter what, and for me that's incredibly compelling.

[crabsnpersimmons]

exam 5 for me... tomorrow!

honestly have been feeling really nervous for this exam since my classmates have either failed it or just barely passed. and i had less time to study this time around because i rushed to book the exam.

so i drew this little encouragement early cuz i need the reminder that no matter what happens tomorrow, i did what i could and i didn't compromise on my boundaries—and that is its own victory.

and i hope that you'll be reminded to celebrate your own big and small victories too!

"You are nervous and that's okay! You did your best! You set boundaries! You took breaks! We're so proud of you, Starlight! Whatever happens, we'll always be here, cheering you on!"

[puddii-ng]

swan lake x valkyrie

[cashmoneyyysstuff]

yall i have a confession to make….i fucking hate slowburn.

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[xxplastic-cubexx]

eternally grateful that no matter the verse within cherik either one of them will always have long lushish hair the other can lovingly comb through

[stere0typical]

I think the doctor and the master should kiss/be extremely homoerotic about being the last of their kind again. as a treat.

[antennatoheaven]

diversity win! your dead father is genderqueer

[vegaly-art]

"I will not judge you for what you are. Just as I will not judge you for what you've fashioned yourself out to be. Or what you've lost in pursuit of that."

"Rest Easy. Your soft heart is safe in my grasp."

"I am born of cruelty but that isn't all I am"

[eekub988]

gatsby but inspired by old cartoons

[levis-poison-is-my-medicine]

I love the moral ambiguity of Attack on Titan. Just like in reality, the world isn’t simply divisible into black and white, good or evil. Two things which should be mutually exclusive can be true at once. It’s reflected in the characters, too: Reiner’s entire being cracked upon realizing this, unable to fully process this impossible truth. In a world in which the supposed hero ends up doing unspeakable things to save the people he cares about, who should we even root for? Eren and Reiner are two sides of the same coin. We could have just as well started out the story from Reiner’s point of view. In the end, it’s just a matter of perspective, a flip of the coin. Both of them started out believing that what they did was right and just, morally sound. Both of them found out the truth and continued anyway, fully knowing what they were doing. Both ended up broken by it, but in different ways, victims of the complex impossibility of this world, at once beautiful and cruel. A mirror image of our own.

[lazylittledragon]

don't you love when you Just stopped feeling guilty about eating the things you like and then one of your parents drops the "i'm concerned about your diet"

[shadowqnights]

crazy how everything about mcd is so much more insane when you apply what i call the dog rule and that is when they are all dogs now in some way shape or form: an analysis.

when garroth is purebred, a hound made to serve, that does not know how to do anything but heel. he has purpose. he is sleek and well-groomed because he has to be, because he has always been tended to. a dog that falls into desperate spiral when that dynamic shifts - because who is he, without someone to follow, protect, love? a dog that becomes flea-bitten and hungry when he runs because he was never taught to take care of himself, to be his own master. he falls apart. he needs this, he knows, but what is he without someone to own him? a dog that cannot lead any kind of pack or family because it is afraid to understand the kind of animal it is if not in submission. if a parent, a teacher, he is promptly punished by his students as cruel reminder that he is not allowed to find joy in anything other than what his makers intended. a dog so desperate that it offers up its own leash to whoever will take it when things crumble - even if it means turning back to distasteful company. as long as it is held at all. time and time again, he tried to tend to the younger, weaker. he tried to feed them and lick their wounds - and time and time again, only to be mauled in turn. no more, he thinks. life was simpler when he was mindless, just four paws and a purpose. if that was what he was bred for, what business does he have pretending?

when laurance is a stray but made out of love. his coat shines thanks to the love of his family, his sister. he is sleek and well-groomed with them. the nether breaks him in, turns him a little wild. gives him cause to show teeth when threatened. when he bites, he mauls. there is something wicked in his animal eyes. he goes for the kill. when he bites, something in him wants it to hurt - whether his prey or himself, he can't tell. a part of the dog believes the suffering is natural because its maker declared it so. the pain wanes in and out like the cycle of the moon; life is unpredictable. he is braced to survive, sometimes with teeth already bared to expect the suffering. constantly on edge, pacing, waiting for the next disaster. a loyal, desperate pet that will follow to the ends of the earth - a desperation that borders on obsession. he will eat you alive, if only you would stay with him, inside of him, never leave him. never look at anyone else the way you would him. don't put him on a leash - let him choose who to lope after. his leash, in fact, is in tatters. he can't be collared. he merely follows, hungry at the heels of who fed him. his sense of duty is not of obligation but of love, a sacred need to stay at the side of those who treated him with kindness and them alone. and worse, he is burdened with the constant fear that if left untethered for too long, that obsession might turn carnal - that if wronged, he may not kill to eat and feel full, but kill merely to feel the blood on his teeth, just to feel the pain. feel something. anything. that he might enjoy the taste of his loved ones. maybe a leash is the right thing. maybe he needs to be caged. he can't bear either thought.

when they both bite the hand that fed them. when they bite each other. when they are dogs and kind of made for each other.

dante is a dog. aaron is a dog. aph is a dog. katelyn? oh you fucking guessed it. ivy. jeffory. zane. yeah. all of them are dogs. welcome to the dog rule fuckers its exactly how it sounds. are you sick of the word dog yet.