#i feel like all i do is complain about viz | Explore Tumblr posts and blogs

stillness-in-green · 1 year ago

Text

On Heteromorphs and Heteromorphobia (Arc XXI-B + Conclusion, Final War-B: The Hospital Attack)

To preface before I start documenting these final four chapters, there’s been a lot said (not least by me) about how wildly out of touch the resolution to this plotline is. While I didn't set out to rehash all of that again, it turns out I can't actually talk about how the series portrays heteromorphobia without talking about how it resolves it—if I'd wanted to do that, the place to stop would have been with the last post. This whole piece is also destined for AO3 eventually, so it needs to be readable for those who don't follow me on tumblr. Therefore, if you've been following my #heteromorph discrimination plot posts for a while, there are portions of this post that will be pretty familiar territory!

If you're new and want my full breakdowns, you can find them in my Chapter Thoughts posts or in this pair of posts rounding up the asks I’d gotten on the topic. Here, I will simply say that I don’t think Horikoshi’s fumbling of the plot can be read to mean that all the stuff I’ve documented thus far was just me reaching too hard, reading stuff into the manga where nothing was intended. While I’m sure some of it is—I definitely went out on a few limbs!—I think the main answer to, “How can heteromorphobia be such a well-thought-out depiction of a logically foreseeable form of discrimination while also having such a terrible resolution?” is, “Because the mainstream opinion about how best to handle discrimination is wildly different in Japan than it is in progressive American circles.”

That doesn’t mean I’m willing to wave the wand of Cultural Differences over this resolution and forgive everything—there were plenty of Japanese fans critiquing it as well![1]—but it does somewhat modulate my feelings about it. In any case, let’s get to it.

1: Most of what I saw was on Twitter, but there’s a Japanese site called bookmeter that’s kinda goodreads-esque, and which had several critical reviews posted for the volume, including one that felt like every point laid out was something I’d complained about as well. Super validating, but a shame it was necessary!

(I'll be changing up my formatting just a bit in hopes that I can find a way to present sub-sub-bullet points that tumblr won't choke on in this 13K post. Pray for me.)

Chapter 370:

O We open with a scene which we’re led to believe is about Spinner but which the end of the chapter will reveal to be about Shouji. It’s shockingly open about the extent of the discrimination Shouji faced, and there’s worse yet to come, but here we find people throwing stones at him, telling him to die, saying he has dirty blood that will defile the land, that he should stay inside the house, and that no matter how much time passes,[2] they will never accept “his kind.”

2: Viz renders this as “no matter how much society progresses,” but the word jidai means something more like “the times”/”the age,” and the progression term used can mean improvement, but in the circumstances, probably just means forward movement. I think the intention is more like, “No matter how much the times march on,” if only because it would be very odd for the people yelling this vitriol to frame it as themselves resisting progression. After all, bigots don’t typically think of themselves as “regressive” compared to everyone else’s progressiveness; they think of themselves as normal or valuing tradition compared to everyone else’s moral laxity/perversity.

So, remember how I talked about the spiritual/religious charge to the language the CRC used to talk about their “sanctuary” and the League/Spinner’s presence in it? Here’s the full scope of that. It’s about kegare, a Shinto concept of uncleanliness associated particularly with blood and death, and while that’s normally something that can be purified simply by undergoing the proper ritual cleansings, when something is, in itself, intrinsically unclean, no amount of purification will fix it; you can only keep it sealed away. Hence the yelling at Shouji not to leave the house.

The spirituality-based discrimination calls to mind the burakumin, originally an outcaste group of people who made their living working with all the aspects of life Shinto considered kegare—butchers, tanners, executioners and the like. They were made to dress and cut their hair in ways that identified them on sight, barred from entering temples or schools, and lived in their own villages. The laws mandating much of this were abolished in 1871[3] and urban sprawl gradually rolled over burakumin villages, turning them into slum areas. While today it’s not uncommon for people to not even know they’re descended from burakumin lineage unless they’re specifically told,[4] more subtle discrimination does endure. While it’s clearly not the only inspiration, there’s a lot about anti-burakumin bias that’s reflected in heteromorphobia.

3: Albeit not without considerable and violent protests against the liberation of the burakumin/the idea that they were henceforth to be allowed to hold other occupations and become ordinary citizens. Arson, destruction of villages, attacks and deaths—all things considered, the anti-Kaihourei riots are probably a decent place to look for inspiration on the historical massacres Spinner’s #2 will be talking about shortly.

4: Or find out because someone who knows the significance of those old neighborhoods finds out first and they’re suddenly on the bad end of some discriminatory act or another.

O We find out that the group Spinner’s leading consists of fifteen thousand people, that number split between PLF remnants and ordinary civilians who support the PLF’s cause. It’s unknown exactly how that split breaks down, but based on how the rest of the attack goes, I think it’s probable that the group is mostly civilians—if it were more PLF, it probably wouldn’t be so wholly defanged by Shouji’s big plea for peace. So that’s what we might call a “bad look,” that fifteen thousand ordinary civilians feel so incredibly hard done-by that they not only flock to join a known terrorist, but that they do so for the purpose of attacking a hospital.

O They’re opposed by about two hundred police and heroes, the relevant of whom for our purposes are Present Mic, Rock Lock, Officer Gori, Shouji, and Koda. With the exception of Present Mic, who will in any case be heading inside very shortly, they’re all minorities of some sort, with Rock Lock being very visibly, obviously Black, and the others being heteromorphs. None of them are immediately thinking about the composition of the crowd, but rather about how difficult the crowd is being to handle.

O Rock Lock yells out that the rioters are too organized to be some random mob, a dismissiveness that gets him shouted at by the Spinner fanboys—tragically their only appearance in all of this!—that, “Folks with human faces just don’t get it!” I have to assume that putting Rock Lock in this scene is no accident, but rather is there to make the rioters come off as short-sighted, so deep in their own pain that they lash out at someone who, if HeroAca!Japan is anything like present day Japan, almost certainly understands better than they think!

The phrasing, in any case, points towards the dehumanization that heteromorphs, especially animal-associated ones, are subject to. After all, as Re-Destro might point out, in the post-Advent world, isn’t it the case that any given heteromorphic human’s face, no matter how strange it may be, is de facto a “human face”? Yet the vitriol from the Spinner fans clearly reflects how internalized it’s become for them, that they don’t look “human,” despite the fact that “looking human” means nothing at all in the time of quirks.

O Koda gets called a traitor by an elderly beaked heteromorph from, apparently, a rural area, underscoring what’s been alluded to a few times prior to this, and which will be laid out explicitly in a few pages, that heteromorphobia is far, far worse in the countryside than it is in the cities. Mr. Beak assumes—correctly, it seems[5]—that Koda’s a city kid, because why else other than ignorance would a fellow heteromorph stand against them?

5: Koda’s from Iwate Prefecture, which is only above Hokkaido in terms of population density; a bit of research suggests that its largest city, Morioka, is considered to be a mid-sized city. So that’s definitely the hard upper limit on exactly how “big city” Koda could reasonably be. That said, Shouji also identifies Koda as someone who grew up in a city, for which I assume he must have at least some basis.

O Spinner’s #2 fulfills the promise of his early shorthanded characterization of being a fiery, well-spoken zealot by standing on top of a building over the mob and exhorting them onward with revolutionary, inflammatory rhetoric. And boy, does he bring up a lot to talk about!

Demagoguery for Fun & Profit

O Quirk counselling and quirk education? Phony nonsense, he says. That’s a fairly confusing grievance to bring up in this context, so let’s consider what he might have in mind.

• For quirk education, I would contend that BNHA has shown very little of it, in spite of having Academia right there in the title. The academics in question are about Heroics, after all, not quirks in and of themselves. Here’s the complete list of what I would say the reader has seen that could be qualified as actual education about quirks:

Aizawa telling the kids(/low tier villains at USJ) some broad generalities, things like a very basic explanation of how quirks work on the genetic level or how they’re classified. Most of this is delivered in the context of how his quirk works; the only outlier that immediately comes to mind for me is his explanation of how quirks are like muscles, and can be strengthened via training.

Mirio and Tamaki’s middle school class doing “quirk training,” which is framed as a P.E. class and is specifically aimed at finding ways for each kid to be “useful to society,” not about them learning anything about quirks in a broader sense.

Endeavor’s recent reference to Nedzu’s alleged “quirk morality education,” about which I have already registered my skepticism.

The bit in Re-Destro’s monologue to Shigaraki where he mentions he was taught not to judge others by their quirks. It’s hard to judge how applicable this is to normal society because Re-Destro was raised in a cult, and the book shown during this sequence was released by Curious’s publisher.

So of those options, what is #2 talking about? I’d say the last one is probably closest to what he means: don’t judge others by their quirks. But of course, people judge others by their quirks all the time. Family, classmates, teachers, people in the same neighborhood, heroes and police—we see examples from literally the first page of characters who are being judged by their quirks or lack thereof. While that judgement doesn’t apply only to heteromorphs, they are, by dint of their visibility, going to face it everywhere they go, regardless of whether any given situation—say, going to the grocery store or on a date—involves quirks or not. So, whatever lessons people in this society are getting about quirks and judgement, they clearly aren’t absorbing them.

It also bears pointing out, of course, that #2’s personal affiliation is with the Metahuman Liberation Army, and he definitely shows signs—as I’ll get to in a bit—of the quirk supremacism that group is so unanimously painted with in the endgame. So while the supremacy he’s preaching is about heteromorphs rather than quirks more generally, he could well be saying quirk education is phony because he’s all for judging people on their quirks! However, his criteria for that judgement differs from both forms of judgement taught by the society he’s railing against—what they practice and what they preach.

• Then there’s quirk counseling, a practice the story most prominently associates with Toga, who’s barely a twitch of the needle away from baseline (though her abuse is not wholly without reference to her appearance, in that her natural smile is repeatedly branded as scary or deviant). So why bring it up in association with heteromorphs? My suspicion is that a heteromorph—especially a heteromorph with an animal-associated quirk!—being visibly “different” in some way makes the people around them hyper-sensitive to behavioral “deviations.”

For a start, you see that hyper-sensitivity brought to bear against Toga. Curious contends that Toga’s sense of “admiration” was a perfectly normal thing, but it was the tie to blood that made it wholly unacceptable. It’s notable that, before she snapped, Toga was never shown to actually want to hurt people: the bird was already injured when she found it, her friend got a scrape the way any child might, Saito was involved in a fight Toga had no hand in. She hurts people now because a lifetime of rejection and dehumanization, but Toga’s admiration of blood was not intrinsically indicative that she’d grow up to be violent; people treated it that way because of cultural attitudes towards blood and blood-attraction.

So, might the same sort of thing be true of e.g. animal-associated heteromorphs? That they might exhibit behaviors which would, in different circumstances, be totally fine, but which they’re judged for unduly harshly because of cultural beliefs about the animal they resemble? Let me just spitball a few possibilities:

A cat heteromorph who, as a child, showed affection by nuzzling. That’s fine when a literal kitten is doing it, and funny and cute when a baseline child sees a cat doing it and imitates it for fun, but when the cat heteromorph does it, he makes people uncomfortable, makes them wonder if he lacks self-control, comes off as weird and too-forward. So his parents rebuke him and bring him to a quirk counsellor to break him of the habit, leading him to feel ashamed and alienated from a harmless natural impulse.

A snake-headed girl is the first heteromorph in her family line and the way she stares at people so fixedly, never blinking, creeps them out, makes them feel like she’s dangerous. She isn’t and has no intention of being so, but she’s sent to quirk counselling anyway and the lesson she learns is to just never look people in the eye at all.

A condor heteromorph develops a morbid interest in corpses in middle school. He doesn’t want to eat them, he’s not some kind of cannibalistic animal—at least that’s what he told himself before quirk counselling, where his counsellor, like his teachers, assumed that his interest had to be tied to animal instincts. He wanted to be a mortician, or join the police and get into crime scene investigation, but when he told people that they just looked at him like he was already holding a fork and knife. (He ends up getting into photography, and just has to live with the fact that now people have two excuses to call him a vulture.)

Two children—one with a plant-based emitter quirk, the other an eight-eyed spider heteromorph—are caught in the act of killing some insects by a local police officer. It’s the sort of innocent childhood cruelty you might find anywhere, and, indeed, when the officer calls their school about it, that’s what gets decided about the emitter—he was just a child who didn’t know any better. But the heteromorph gets recommended for quirk counselling instead—after all, spiders kill insects. What if this is an early warning sign for instincts towards predatory behavior? It’s important to nip these things in the bud.

That’s all off the top of my head or taken from some conversation with friends on the topic, and maybe it’s a reach, but it’s also a very plausible explanation for why a heteromorphic idealogue might bring up quirk counselling as a specific grievance—because, like the Villain-designation for criminals, it’s unevenly and unfairly applied.

O The next point #2 makes, and definitely the one that made the biggest splash in fandom at the time, is his invocation of a pair of historical incidents, possibly both but at least one of which was a mass murder targeting heteromorphs, carried out by a bunch of baseline types. He names them as the 6/6 Incident and the Great Jeda Purge. These are both stealth Star Wars references, though the former is disguised a bit better by being in the same format that Japan sometimes uses for naming events like attempted coups.[6] Given the image we see, it’s fair to assume the event in BNHA was similar.

6: See for example the May 15 Incident or the February 26 Incident, called the 5・15 Incident and the 2・26 Incident respectively in Japan. You see this in China as well, with the Tiananmen Square massacre being referred to there as the 6/4 Incident.

Notice that the perpetrators here are mostly holding weapons. Were they quirkless themselves, or were they avoiding using quirks such that they couldn’t be branded as Villains? Knowing the answer to that would give us a timeframe for this.

He goes on to declaim, on the basis of these events, that the history of the paranormal is one of persecution and oppression of those with “differing forms.”[7] The term in Japanese there is kotonaru katachi, 異なる形, which uses a different reading of the kanji in igyou (異形) and muscles in a verb conjugation, which has the effect of softening the harshness of 異 somewhat.[8] This would be a great catch-all term for those with heteromorphic bodies who might or might not have heteromorphic quirks[9] if it weren’t for the fact that literally the only person we ever hear using it is an anti-social zealot. No one on Team Hero ever makes this kind of distinguishment.

In any case, #2 is obviously over-simplifying to play to his audience—recall the baseline woman we saw back in that shot of Persecuted Early Quirk-Havers back in Chapter 59—but, as I’ve discussed extensively, being more visible does make one a more ready target. Also, of course, the presence of the CRC in the story lays the groundwork for this sort of historical horror story even long after the worst days of the Advent.

7: I provide my own translation here because the Viz one, “those who don’t fit the mold,” is vague to the point of uselessness.

8: The koto reading, as best I can tell, seems to be pretty rare, often tagged as archaic in words including it. The i reading is far more common, in words that denote wrongness, divergence, abnormality, and so on. But it may be less about the reading and more about the fact that adding the verb conjugation makes the term more of a descriptive phrase than a direct noun. As ever, take my talk about Japanese language minutiae with a grain of salt.

9: “Differing forms” is broad enough, however, that it could also be read as covering, say, people with amputations, congenital anomalies, or other sorts of non-quirk-related disfigurements from accidents or disease. As in real life, navigating the linguistic space between specificity and Othering can be tricky.

O Next, #2 rhetorically demands what excuse was given by those who perpetrated these slaughters? He answers his own question with the quote, “They give me the creeps.” Note how this ties in with my earlier suppositions about the likelihood of discrimination worsening the farther one is from baseline, as well as those about the necessity of putting up a good, positive, appealing front. It’s a perfectly intuitive leap, that more extreme variants of heteromorphy, or those who evoke negative associations—animals tied to rot or bad luck, people made wholly out of green ooze—are going to be more likely to be found “creepy” than those who look like e.g. sexy bunny girls or straight-laced guys who just happen to have pipes jutting out of their calves. Of course, that’s on something of a sliding scale; the more biased an area is against heteromorphs in general, the easier it will be to find oneself on the wrong side of that line.

O #2 presents the idea that society has reflected on their actions and made amends, or at least that’s how society’s narrative goes. Illustrating this, we see two of the three heteromorphs in the police force, as well as Nedzu. Interestingly, the panel does not include any heteromorphic heroes! I might guess that this is because heroes are meant to use their quirks to serve others; they’re really just enforcement tools, lacking any particular authority beyond a quirk-use license and some admittedly broad soft power courtesy of the social contract.[10] Conversely, a school principal and a police chief (Gori remaining the outlier here) have actual authority, such that the average heteromorphobia-denier can point to them as evidence that heteromorphobia doesn’t exist anymore.

10: Which is to say, I don’t get the impression civilians are required to take orders from heroes, such that they would actually get in legal trouble for disobeying. The fact that people do typically follow those orders speaks more to the power heroes wield via their association with the police force, as well as the general tendency of people to assume that someone in a uniform giving orders during an emergency is probably a professional whose orders it would be safe and wise to follow.

In the same panel, we also see a baseline guy palling around with a vaguely murine heteromorph dude (he looks more like a mascot suit mouse than an actual mouse, but he’s certainly nowhere close to baseline!), illustrating another way society wants to pretend it’s moved past heteromorphic discrimination. I can’t help but note, in regards to this specific pair, that the manga uses faces the readers know to illustrate the point about heteromorphs in positions of authority, whereas to make the point about baseline/heteromorph friendships, it has to make up a new pair to show us because the series hasn’t made the time to actually build any (heroic) relationships that actually look like that!

Now, one could argue that using familiar faces to underscore #2’s speech would imply that he’s aware of those faces, and while that’s fine for figures of authority, there’s no reason for him to be aware of e.g. Natsuo and his mousey girlfriend. However, the same would apply to anyone placed to demonstrate a random urban friendship crossing the “differing forms” line, including those two strangers. Who are those two, after all, that #2 is any more familiar with them than he would be of Natsuo and mouse gal?

Honestly, I think the best relationship candidate we have—a pair who would both communicate what the panel needs to communicate to the reader and who would feasibly be enough in the public eye to get pointed at for rhetorical purposes by an in-universe speaker—would be Kamui Woods and Mount Lady. Unfortunately, they don’t work because Horikoshi has never seen fit to actually reveal Kamui Woods’ real face, so they’re much less visibly “a baseline person being emotionally close with a heteromorph” than the random two Horikoshi made up.

O The oratory continues into discussing the divide between city versus rural views on heteromorphs, and this is, to me, the first clear sign that the series is beginning to lose the thread of this plot. Taking #2 at his word asks us to concede the heteromorphobia has been completely wiped out in cities, eradicated with that wonderful antidote called “education.” But discrimination very much does exist in cities! It may be less violent, less extreme, less vocal, but in the form of things like law enforcement bias, housing discrimination, microaggressions, the quirk counselling #2 himself brought up, it’s very much still there! Now, it could be that he’s just downplaying that discrimination to focus on the really ugly stuff you don’t see in cities, but I don’t know what his reasons for doing so would be? Not when there’s so much else he could say that would be equally inflammatory without alienating urban heteromorphs by dismissing their still very much present, modern suffering.

O He then brings up the talk of “light”—echoing Skeptic’s earlier rhetoric—and it not reaching those gathered at the hospital, so they must make their own, for people who’ve never once regretted the quirks they were born with can never be their heroes. What this primarily puts me in mind of is Hawks’s background with heroes prior to his father’s arrest—that heroes were only on TV, not present to save him in his actual life. Keep that in mind for Shouji’s response later on.

O Towards the end, #2’s speech finally tips over the line from what could plausibly be read as protesting unequal treatment to an outright call for supremacy. Notably, he doesn’t call for quirk supremacy, but rather for heteromorph supremacy—for the tables to be turned, the cards reversed, for them to not merely be equal, but rather to be superior.

It’s unclear how much of this he’s sincere about and how much is just convenient rhetoric disguising views that are more quirk supremacist in actuality. For many reasons, I want to read him in good faith: because the MLA originally struck me as being written in good faith throughout MVA and the first war arc; because #2 never once uses his quirk in this mini-arc, casting doubt on him having such an amazing quirk that he’d benefit overmuch from quirk supremacy anyway; and especially because it would be incredibly bad faith on Horikoshi’s part to make a character delivering a speech like this a total bad faith, manipulative outsider. Unfortunately, #2’s inner monologue in later chapters will make a good faith read all but impossible to sustain.

O Halfway through his speech, #2 unmasks himself, revealing both his face—dominated by four pairs of pedipalp-esque mouthparts, though the markings on his head are pretty eye-catching, too—and his scar. We’re never told how he got it, but the implication is certainly that he was attacked for his appearance. That may just be a conclusion it serves him to let people make, given his bad faith elsewhere, but thankfully the manga doesn’t go so far as to say that explicitly. In any case, his deliberate reveal turns his wound into a form of performance art, drawing attention to it, forcing it to be a part of the conversation—the polar opposite of Shouji covering his scars because he doesn’t want them to be a part of the conversation about him, and those scars being revealed because his mask is torn off against his will.[11]

11: This also fits a larger pattern of villains, by and large, choosing their expressions of vulnerability, making deliberate shows of agency in how their weakness is perceived by the broader world—Shigaraki taking his hand off for the first time, Dabi’s video, Toga approaching heroes with genuine questions, and so on. There are certainly exceptions, but generally if a villain shows his “true face,” it’s because they’re making a conscious decision to do so, and may be actively manipulating how that reveal is going to land. Conversely, heroes want to present a powerful, confident, untarnished image to the public, so their shows of vulnerability all have to be forced out of them after pitched battles or acts of violence. Heroes don’t make themselves vulnerable to the public on purpose, which feeds into the way the public then treats them when they are forced into vulnerable positions.

O Spinner’s a mess at this point, and the reason he’s a mess is all tied up in his faith in/desire to help Shigaraki. It’s not explicitly about heteromorphobia, but on the other hand, given that the thing that drove Spinner to be here at all was his horrifically low self-esteem caused by heteromorphobia, maybe it’s not so irrelevant after all. It may have taken Spinner longer than the Tenkos, Touyas, and Chisaki Kais of the world to reach the “fall victim to a dark influence due to the neglect and abuse you faced at the hands of Hero Society” plot, but he certainly got there in the end![12]

12: I call this The Sekoto Peak Problem, and it’s a big criticism of mine about how the final arc is framing all these conflicts as being solely brought about because Bad Faith Villain Men like AFO are scooping up vulnerable people and driving them towards violence, without acknowledging the much worse circumstances those vulnerable people might be in if they were just left to their fates. Touya, for example, if not for AFO’s timely rescue, would likely have simply died on the mountain long before Endeavor was able to find him.

O Shouji takes the mob to task for attacking a hospital without ensuring the safety of the uninvolved innocents within, a laughable bit of sophistry[13] that accurately foreshadows how disastrous his reasoning will be throughout the rest of these chapters.

13: It’s laughable sophistry firstly because the heroes knew this mob was coming but chose to leave Kurogiri at a hospital anyway; one can mount a very reasonable argument that Kurogiri’s teleportation power qualifies him as a military objective, which would make stashing him at a hospital an actual war crime in an international conflict, as well as negating the hospital’s protected status as a civilian object. It’s laughable sophistry secondly because it criticizes a Villain-led mob for failing to evacuate the building, as if said mob had exactly the same social cachet possessed by heroes, that they could freely walk in the front door of a hospital and start shouting evacuation orders with reasonable confidence that they’d be obeyed. Finally, it’s laughable sophistry because Shouji is quite simply wrong about the order of the actions he’s describing—the heroes’ evacuation of Ujiko’s hospital was concurrent with their invasion of said hospital, not precedent to it.

Chapter 371:

O Shouji accuses Spinner of taking actions that will set them back thirty years, which is just a really egregiously victim blamey sort of thing to say, placing the responsibility on heteromorphs for the crimes of those who hate them.

O Koda’s perspective gives us a flashback to Shouji telling his classmates about his history—his town and his scars and his reason for wanting to be a hero. It’s all material that works in the context of all the set-up we’ve gotten—the CRC and the religious inflection of their specific brand of hatred, the rural heteromorphobia, the hints about Shouji’s own discrimination, the attack on the Ordinary Woman, and so on—but that would have been far better served to have been integrated into the story more naturally. Koda has no specifically established relationship with Shouji (seriously, there is absolutely nothing; it’s shocking how out of nowhere his sudden deep dedication to Shouji is), nor does the scene he remembers have any specific flags for when it might take place,[14] leaving the memory feeling less like a natural extension of their arc than it is a graceless sequence muscled in to attempt to rouse some emotion in the audience when Koda has a quirk awakening he is not otherwise remotely in dire enough straits to have rightfully earned.[15]

14: Shouto and Bakugou being missing might suggest that they’re off at their remedial license course, which would put the scene somewhere in late September up through December (stretching from the aftermath of Overhaul to the introduction of the MLA), save that there are several other students missing as well—Sero, Iida, Sato, and Aoyama, none of whom where in the remedial course.

15: Nearly every other inarguable quirk awakening[※] we know of in the series has as a chief component serious physical injury: Bakugou, Ochaco, Toga. Geten’s is the only exception, and his is tied to the strength of his feelings for Re-Destro, which are clearly and overridingly his most significant character trait! Shouji is not anywhere near that central to Koda’s life, and he sure as hell isn’t injured enough to have gotten it that way.

※: By which measure I exclude stuff like the change in Shigaraki’s Decay or Mina’s acid attack against Gigantomachia. Shigaraki was explicitly just breaking through a mental block to access power he already had. Meanwhile, if Mina’s Plus Ultra moment had been a sudden quirk evolution, she wouldn’t already have an attack name picked out for it, nor would her horns have gone back to normal after it. Acidman: ALMA is an Ultimate Move, not Mina having a quirk awakening.

O The flashback itself calls for another subsection.

Ignoring the Difference Between the Personal and the Systemic for Fun & Profit

O The big thing here the description of the whole town coming out for a “blood cleansing” whenever Shouji touched someone. This is depicted as Shouji, probably a preteen in this sequence,[16] being savagely attacked with farming tools, the most visible of which is a pitchfork. This visual, as well as #2’s invocation of historical slaughters, is the darkest heart of heteromorphobia: a child being ritualistically assaulted in the open street as a matter of course, as a consequence for touching someone. This is the image you should hold in your mind as The Problem through all of the potential answers and responses that get trotted out through the rest of these chapters.

16: Visibly older/bigger than, say, Kouta, but also visibly younger/smaller than middle school Deku.

Before moving on, I do want to examine this image in just a bit more depth.

This is, firstly, the moment that Shouji got those scars, and it’s very important to note that what we’re being shown is likely not a random, representative sample of what the town “coming out in force for a blood cleansing” looks like. The strong implication is that this is in the immediate aftermath of the sequence we’ll see shortly of Shouji saving the girl from the river: he’s wearing the same clothes and shoes,[17] he’s the same size, and there’s a spray of blood from where he’s being struck across the mouth where he didn’t have his distinctive scars when he saved the girl. Does that mean the blood cleansings were typically not this violent? That’s hard to say. On the one hand, we don’t see any other scars on Shouji, and he wears his arms pretty bare! On the other hand, we never see any part of his body bare except his neck and arms, and since he can regrow his arms,[18] they’re not exactly conclusive evidence that he’s never been scarred there. Also, he does say talk about his situation—the scars he bears—as something other children in the country have to bear, suggesting that the norm is rather worse than a little symbolic gash across the palm or something! 17: In fairness, he may not own very much different, as I’ll discuss shortly. 18: The duplicated ones, at least. I seem to recall reading once that he could regrow the base set as well, but I’m still working on tracking down a citation on that.

Secondly, as was the case with the image of the historical massacres, the adults here are using tools/weapons in the assault, not quirks. As I mentioned in a footnote last time, them not using quirks to carry out this attack makes them merely criminals, not Villains, and therefore not nominally a Hero’s job to deal with. While I can’t imagine any Hero in the manga these days would stand back and let this go on, the absence still stands out—no Hero is participating in this, nor observing from the sidelines, nor trying to intervene. Heroes simply don’t figure into this picture at all.

Thirdly, we can see a few children in the background, both there with adults, I assume their parents. The child on the right is a passive observer, clinging close to their mother and simply watching; their father has one hand supportively on their shoulder. Neither parent seems distressed, insomuch as we can tell from their somewhat indistinct features and rather clearer body language. The child on the left is being actively held back by their mother, who’s standing with her back to the violence, her body interposed between it and her child. The kid is reaching out towards the scene, but it’s unclear what the intent is. Are they trying to intervene or do they want to join in? Neither child appears to be the little girl Shouji saved—the one on the right is dark-haired, and the one on the left—the more likely prospect just going by the body language!—is wearing a long, dark T-shirt instead of the little girl’s overalls. I suppose the left one could be the little girl if we assume she was hustled out of what she’d been wearing by her parents, eager to get her out of now-tainted (and also soaking wet) clothes and into something dry and warm and, in more ways than one, clean. However, that seems like the sort of thing that would take longer than what looks to have been a pretty impromptu, disorganized bloodletting, unless everyone just held off on assaulting Shouji right out on the street until the “victim” could be present.

Finally, there’s the pair of adults right at the center of the background. If anyone in this picture is actually related to Shouji, I’d put money on them being here, watching but not attempting to intercede. I don’t think it’s conclusive, though; the woman is thin and hunched, making her look older—I’d guess Shouji’s grandmother before Shouji’s mother. That hunched posture and her hands being raised to her mouth do give her the most obviously distressed appearance of any of the adult, though, to the extent that the person with her is focused on supporting her rather than watching what’s going on in the foreground—and forward attention is what I’d expect if the dark-haired figure is related to Shouji.

So that’s the image we have of the crowd—actively taking part or observing with varying degrees of reaction running from distress to indifference to, potentially, enthusiasm.

O Next, let’s talk about Shouji’s parents. He implies they were baseline—at the least they were significantly more baseline than Shouji himself, as they lacked arms “like his.” That makes it quite telling that Shouji’s parents are nowhere to be seen in his story beyond the simple mention of how they were different than him.

Now, I don’t want to suggest here that Shouji’s parents are completely irredeemable people. While I would imagine that—at least initially—they shared their town’s bigotry, having a heteromorphic child themselves would have exponentially increased the hardship of their own lives. In a town like that, I’m sure that many if not all of their neighbors must have come to regard them with suspicion of wrongdoing or transgression—recall the first page of the last chapter, where Shouji is accused of tricking the town in his having brought dirty blood to it. Hie parents almost certainly lost friends and likely became ostracized themselves, and ostracization in a small Japanese town can be a horrifying thing to deal with.

And yet, even with all that being the case, they didn’t abandon Shouji or give him up; they didn’t commit family suicide with him.[19] Assuming he wasn’t removed from their custody after the incident, they’re presumably paying his school and living costs;[20] likewise, unless he just ran away from home or is carrying out an incredibly elaborate deception about what school he’s attending, they almost had to support his desire to attend a hero school to begin with. In his situation, parents who support his desire to be a Hero is a big fucking deal. After all, between the winning and the saving, heroes will de facto be touching people all the time! If Shouji’s parents still live in his hometown, how do you think those people will take it when someone first realizes the Shouji family sent their kegare-riddled monster off to be a Hero?

19: The history of honorable suicide in Japan casts a very long shadow, and when it’s combined with the meiwaku culture, you get an underreported epidemic of things like parents who can’t see their way out of a bad situation taking their lives and their children’s as well, so as not to leave messy loose ends that others will have to bear the burden of dealing with.

20: I won’t get into whether or not the U.A. students’ parents are paying for any given thing on the following list, but here are some potential costs to consider, assuming that Shouji, like Uraraka, was commuting from an apartment prior to the dorms being implemented: tuition, school uniforms, textbooks, school supplies, school meal plan, food not served at school (e.g. breakfast and dinner or meals when the school is on break), non-uniform attire, personal care and hygiene, housing and transportation costs, a measure of spending money for unanticipated expenses or culturally expected gift-giving, etc.

All that being said, it’s obviously not a glowingly loving relationship, either. Think back to Shouji’s absolutely barren room in Chapter 99 and consider it in the context of the information we get in this chapter. Is he really so ascetic by inclination, or is he just used to making do with as little as possible? After all, it goes without saying that if him coming into contact with someone called for blood purification, anything he himself was in regular contact with was also to be considered incredibly impure. That includes his clothes, personal belongings and living space; even setting aside his parents’ view on it, who in his hometown would even want to provide or sell things to the family that they think will go to the child with the dirty blood that’s defiling their land?

Shouji’s parents’ absence is also glaring in other ways. For example:

They’re either not in the beating scene image above at all or they’re that central background couple hanging back and just watching; whichever is the case, what they’re assuredly not doing while their son is being beaten so badly he will still have glaringly visible scars years later is “trying to stop the violence or take the blows themselves.”

Shouji says he has one single good memory about his body, but his parents are nowhere to be found in that memory. Ergo, his parents have not given him a single moment of positivity about his heteromorphic form.

Parents of U.A. students were evacuated to U.A.—not just the ones near it, but even ones like Uraraka’s parents, who live at least a two hour drive away, in a wholly different prefecture with a third prefecture in between them and U.A. Every student we see in the departure scene in Chapter 342 is shown with their parents except Shouji.

To sum all that up, Shouji’s family situation is not maximally bad, but it’s certainly proximally bad.

O Next, we get Shouji alleging ignorance on the part of heteromorphs raised in cities, that there are still parts of the country in the modern day where stories like his happen.[21] It’s a milder version of the same assertions made by #2 and the beaky heteromorph last chapter, in that Shouji doesn’t suggest heteromorphobia doesn’t exist at all in cities, simply that there are extremes of violence that can only be found in the country. It still feels off, however, to suggest that absolutely no one else in Shouji’s class might ever have heard of this through any channel at all: being from similarly small towns, reading about an attack in the news, reading about factors that impact the public approval ratings for Heroes, going through a morbid phase in middle school and researching it, being talked to about it by their parents, etc.

21: The suggestion of the Viz translation of this suggests that city-raised heteromorphs do know this, but only because they’re read about it in textbooks. My sister-in-law, who does professional translation, tells me this was a subtle mistranslation of the original text, however; the textbook framing is supposed to imply a remove of time, not merely of distance.

It’s not as unrealistic a story beat here as it would be in an American comic, as Japan does tend more towards using silence as a weapon against bigotry—children won’t learn what they aren’t taught, and similar reasoning. Still, to portray the class as so unanimously ignorant reflects a deep incuriosity, be that in the kids themselves about the world around them or in their author about how the knowledge/perpetuation of discrimination spreads.

This is particularly the case when you consider the story’s handling of the Ordinary Woman—attacked in her own town because people were suspicious of a heteromorph out after dark, turned away from multiple shelters because of her heteromorph status. It’s certainly true that things got worse for heteromorphs after the first war arc, but for discrimination in that specific form to emerge, there needed to be something for it to draw on. The fear of villains and the association of villains with heteromorphs are the foundation for the upswelling in anti-heteromorph sentiments in cities.

O Mina’s reaction to all this is one of rather theatrical anger. That is, no one around her takes her broad declarations—that the world would be better off without the people who hurt Shouji—as anything more serious than hyperbole. This is, it would seem, the only sort of anger that’s acceptable to show in response to hearing a story like Shouji’s—empathy to the wronged, sure, but no real intent to confront the wrongdoers.

O Mineta stares into space for a second before emphatically apologizing for calling Shouji an octopus once—a call all the way back to his microaggression in Chapter 6!—and asserting that it wasn’t his intention to say Shouji was gross or anything. Shouji responds gracefully, saying it’s “only natural” that his arms would make people think of octopus.

He doesn’t go on to say, “But that doesn’t mean people have to say it out loud,” but it’s possible that Mineta’s apology is meant to suggest that regardless. At least, one certainly hopes this isn’t the author’s way of quietly absolving his more popular characters of all the times they’ve done the same thing! It’s notable, however, that none of the other Class 1-A kids that have done this are in the scene. Shouto and Bakugou, who have both used that kind of language in anger (and in the latter’s case, also just with no provocation whatsoever) are the missing elephants in the room, and even Sero, who was the actual person to call Shouji an octopus, is, in his absence, Sir Letting The Gag Character Handle This Apology So I A More Serious Character Don’t Have To.

O Shouji brings up the Heroes Who Look Like Villains rankings. We know the Number 1 on that list is actually Endeavor, per a movie bonus booklet, but bringing it up in this context does implicitly confirm that said rankings have an unseemly slant towards heteromorphs, and what did Skeptic say about Villains and heteromorphs again…?

O Shouji says he wears the mask because he knows that if people see his scars, they’ll wonder about them, and fear he’s out for revenge. He doesn’t want people to think that, so he covers them up. He’s praised for this by Tokoyami, and the narrative pretty clearly also thinks it’s admirable and cool. I have serious issues with this—chiefly that it’s prioritizing the oblivious comfort of the baseline citizens over the fellow feeling and affirmation of other persecuted heteromorphs—but I’m also curious to see if the mask will come back now that its meta-narrative purpose of hiding Shouji’s scars from the reader has been fulfilled. I note, for example, that Shouji is not wearing the mask in the color spread for Chapter 394, and the color art does have some precedent for being an early predictor of stuff in the body of the manga.[22]

Incidentally, while I’m talking about Shouji’s mask, I do wonder how effective it would even be for him to cover his scars up? I have my doubts for two reasons. First and most obviously, heroes are such celebrities, all over the news all the time, such that if Shouji really does get as popular as he intends to, there will be people who want to know what he looks like.[23]

22: The big one is Aizawa’s eyepatch. It showed up in two pieces of color art (the popularity poll results spread for Chapter 293 and the new art announcing the BNHA Drawing Smash Exhibition) before it was revealed in the manga. Both pieces released within days of each other in early December, 2020, three months after Shigaraki raked his hand down Aizawa’s face during the war and almost two months before the latter showed up in bandages in the hospital, with another two months to go beyond that before the eyepatch itself made it to the manga in late March. In a more stealth spoiler, the same popularity spread revealed Shigaraki’s blackened, burned face-hand two chapters prior to Spinner digging it out of Shigaraki’s pants. The 394 spread is also my basis for asserting that Mina’s horns have gone back to normal after her attack against Gigantomachia, compared to Shouji lacking his mask and Koda having his new horn in the same spread.

23: Edgeshot’s character profile page notes that his fans are split into two factions: those who’re mad to see his real face and those who think the mask is what makes him cool.

O More importantly, though, heroes have to be licensed, and Hero Licenses are photo IDs. Photo IDs don’t typically allow face coverage because not being able to provide a visual reference to what the bearer looks like defeats the whole purpose. While we don’t know what full-fledged hero licenses look like to say if they’re taken in or out of costume, we do know the provisional licenses the students carry showed them in their school uniforms, despite the fact that they definitely had working costumes by then:

Pardon the sudden screenshot. The manga has this shot, too, but the anime fills in the details of the text a bit more.

It seems probable to me that the photo on a Hero License must show the bearer’s face, so that if they’re tooling around a crime scene and a cop who hasn’t seen them around before asks for their license, it can reliably be used as a form of identification. (I wonder how Hagakure manages?)

Also, think back to the press conferences we’ve seen in the story, most recently the one post-war: at every one, the heroes are in serious, solemn black suits, not their costumes. So at any press conferences Shouji ever has to speak at in the future, he’ll have to show his face there, as well.

O We see a direct flashback to Shouji saving a little girl from drowning in a choppy, swift-flowing river as he says in voiceover that he’d rather cling to the single good memory related to his body than dwell on the bad memories. He very much uses his quirk to do it, with his right set of limbs used to hold onto the bank while his left ones reach out to the girl, extending out another few “nodes” of arm-length when he at first can’t keep hold of her fingers. As they sit and catch their breath afterward, the girl clings to one of his tentacles and cries. This is not quite what his entry in the Ultra Analysis databook was hinting at[24] when it said he wears the mask due to his scary face making a little girl cry; that’ll be next chapter.

24: My apologies for not bringing this up before; it’ll be covered on AO3. The gist is as detailed above; the databook came out circa the Endeavor Agency arc, so this was a known factoid about Shouji by the time this chapter came out three years later.

O Wrapping up the flashback, we’re left with Koda’s memory of Shouji saying that he knows it’ll take longer than a generation to tear down a wall that’s stood for over a century, so, just as previous generations have done, he’ll keep paying it forward, being the coolest hero the world’s ever seen, “to give good memories to generations to come.” Which sounds really nice when he says it that way, as opposed to the broader implication that people whose children have been or are in danger of being maimed by bigots should just keep their heads down and “keep paying it forward.”

The whole “be a cool hero and give good memories” bit is particularly egregious to my eye, for a few reasons.

How much good did cool heroes do for Takami Keigo when they were just on TV? Which is where Shouji will be, because in order to be “the coolest hero the world’s ever seen,” he’s going to have to be at the top of the rankings, and being at the top of the rankings means prioritizing cities, which means all those heteromorphs out in rural areas are never going to see him in person. And anyway, what’s stopping all those bigots from just changing the channel or going on a rant about Woke Mutie Agendas every time a heteromorphic hero crops up on TV?

How much did the visibility of previous generations’ cool heroes do for Spinner? Does Shouji think Spinner was super inspired and uplifted by seeing e.g. Gang Orca on TV using the emitter-like hypersonic waves his quirk gives him to beat up Villains, an undue percentage of whom are also heteromorphs?

It’s certainly nice that Shouji was inspired enough by heroes on TV to want to emulate them, but he is demonstrably not the norm when it comes to wildly disadvantaged and victimized heteromorphs. Also, I have to wonder how much his admiration of TV heroes would have done him if he’d gotten to the girl just a little later—say, in time to get her out of the river, but too late to be able to save her life without knowing CPR. As bad as it was for him when he saved a little girl but had to touch her to do it, can you imagine how much worse it would have been if he’d touched her and then failed to save her, being found or having to walk back into town with her body?

I realize that's incredibly dark, but it's the kind of question that presents itself when the story is so insistent on Shouji's exemplary behavior being the model for heteromorphs to follow in their own lives.

O Exiting the flashback, when Shouji calls out to the heteromorphs, we finally get a straight-out look at how disastrous this conclusion is going to be in the way he shouts that no, the people who hurt them weren’t justified, but that there has to be a better way, that they should think about how to use their rage—but offers exactly zero suggestions himself for what that better way might be, or what they should be using their rage to do instead.[25]

25: I have seen the argument put forth that Shouji is one (1) teenager, and one (1) teenager cannot fairly be asked to Solve Bigotry. To this, I would counter that if Shouji doesn’t have even one (1) single idea to offer, why is the camera lens holding him up as the hero who quelled a fifteen-thousand-strong mob with only words? He doesn’t have to Solve Bigotry, but if he’s going to be used as a counter for other peoples’ misguided but at least active attempts to address the problem, he needed to be better than a mere white knight for the status quo.

Spinner’s #2 calls Shouji out on this directly, saying that if the situation were that easy to resolve, it wouldn’t have come down to this, and accusing Shouji of having no feasible solution to offer, just childish and naïve egotism. And call me a hopeless MLA Stan and you’d be right, but truly, where’s the lie?

His efforts in this regard, however, wind up pushing Koda to what certainly has all the markings of a quirk awakening because it upsets Koda to see Shouji being “mocked.” Man, sure is a good thing quirk awakenings are just a dime a dozen and definitely don’t require life-threatening injuries and/or incredibly severe emotional distress over someone who means more to you than your own life, right?

O In a last little stroke of ugliness for the chapter, Spinner calls Shouji gross. Just to, you know, make it really obvious that the villains are all totally bad faith representation for this cause and thus can be safely dismissed. (Christ, I hate these chapters.)

Chapter 372:

O We get the flashback of Shouji and Koda asking All Might to assign them to the hospital defense group. Points of note:

Neither Shouji nor All Might can be bothered to use the Ordinary Woman’s real name, instead just referring to her by her size. Seriously, I get the intent behind insisting that she’s just an ordinary woman, that there’s nothing in particular stand-out about her in the current age; it’s pretty much the same deal as Shinomori saying that OFA can no longer be wielded by an “ordinary” person, with that phrasing being used to ironically emphasize that quirks are now seen as ordinary, while those without quirks are the unusual ones. However, it obviously wouldn’t work in-universe for characters trying to specify who they’re talking about to say, “That ordinary woman,” with the end result being that they have to grab for what stands out about her if they want to be understood—in this case, her obviously unusual height. In trying to emphasize that she’s normal, Horikoshi forces his characters to define her by what makes her stand out.

Koda says that if Shouji’s going, he is too, a moment that would really land much better if they’d had literally any interactions of note at literally any point prior to this exact moment. Frankly, even last chapter’s flashback is pretty thin on that front, since Koda is not one of the students who gets speaking lines when cuddling up to Shouji to comfort him. (I’m not even convinced it’s very in character for Koda to be one of the kids diving in for cuddles—he’s usually pretty shy!)

Shouji says that he could never call himself a hero if he were to stand back while the hospital attack plays out, implicitly emphasizing the role his reaction to his own oppression plays in his heroic motivation.

O Another flashback[26] gives us Koda’s mother discussing the possibility that he might get horns like hers someday, and what those horns can do, as well as mentioning that she used to have to put up with considerable mistreatment herself, and, lastly, telling her son to grow up into a man who gets angry when people mock those dear to him.

26: The sheer number of them crammed into this mini-arc really says a lot for how rushed it is, but complaining about the structural problems of the last few arcs would be a different essay.

Breaking those down, we’ve got:

The fact that Koda’s mom says he might grow in horns like hers suggests to me pretty strongly that her own horns are a quirk evolution she just doesn’t have the language to name as such. If it were just a matter of maturation, something that came in with puberty, there’d be no “maybe” about it. Given what we know about the context of quirk evolutions elsewhere, this in turn suggests that she did not exactly get her horns under peaceful, wholesome, uplifting circumstances!

This is backed up by her mention of the “real cruelty” she faced. Interestingly, this kind of raises some questions in relation to Shouji’s assertion last chapter that people like Koda who grew up in cities lack an understanding of the extremes of heteromorphobic violence that endure elsewhere. Did Koda’s parents move to the city from the country at some point when Koda was young/before he was born, and the “real cruelty” was out in the country? That might track with the overalls she was wearing. And of course, Koda’s mother was a younger woman then, so maybe it’s just the fact that heteromorphic discrimination was worse at the time. Either way, Koda’s mother is clearly open with him about the fact that she was mistreated because of her appearance, though she may have downplayed the severity of it.

The idea of Shouji being “dear to Koda” is immensely frustrating for how utterly groundless it is, based on absolutely no prior grounding within the story other than the general bond among the 1-A students. That’s just me complaining, though—more pertinent for this essay is the problem with how this moment frames anger. Like, the whole mini-arc has the same problem, but this chapter is particularly rotten with it. To preview: Koda’s anger is portrayed as righteous, as was his father’s, because their anger is about protection, about defensive reaction, about intervening with harm currently in progress—basically all the stuff Heroes are supposed to do. It is notably not about action based on past harm or proactive attempts to prevent future harm.

O Koda’s bird attack knocks Spinner’s #2 off the roof in one of the most egregious examples of, “I can’t come up with an actual counterpoint for his arguments, so I’ll just shut him up through force,” I’ve ever seen. Sure, there’s something to be said for not engaging bad faith parties in good faith arguments, but like… That guy already had a platform of his arguments—he was standing on the roof of a tall building! The author gave him several pages to make his pitch; the argument’s already out there in the readers’ minds! The only thing getting rid of him does is guarantee that the person the taciturn Shouji actually has to argue with is…Spinner. Who is not exactly a born orator at the best of times, and he’s very far from even that level here.

Now, #2 will get a few more lines next chapter, but they’re against one of the people on his own side. No heroic character has to argue #2 down; instead, they get to match wits with the literally drooling Spin-zilla. Which is a bit like stepping into the wrestling ring with someone who’s had a bag thrown over his head and his hands zip-tied behind his back.

This confrontation is, woefully, not the only place in the endgame where a heroic character gets all the time and freedom in the world to make their big pronunciations while their opponent gets shut down by some outside factor—interference from other villains, psychological decay, literal possession—but it’s in particularly stark relief here.

O Shouji contends that the crowd is letting their pain be exploited, which is a fair cop, but will become difficult to square with his praise of them next chapter.

O He says that these peoples’ children might be the next targets, presumably because of their actions here today. This is particularly maddening because it’s coming from someone who was, himself, already targeted as a child! Not because of anything his parents did, and certainly not because of anything bad he did, but simply because of the bigoted, backwards views of his town. Children already and still are being targeted! Shouji’s backstory is all wrong for this stand, and there’ll be another angle on that next chapter as well.

O Here we finally fulfill the promise of Shouji’s databook entry and see the Little Girl Crying Because His Face Was Scary. She wasn’t crying because she was just scared of his face in isolation, but rather because she sees his face being scary as her fault, directly correlating his wounds to her rescue.[27] Those wounds stand in marked contrast to what happens when other people save small helpless children from danger, and underlines the biggest problem with this whole resolution: the idea that simply Being An Hero will create change.

27: My big question is, “Given that him being in contact with her was so bad it got him scarred for life, how did she even sneak out to see him again to give him this tearful apology? Did young Shouji even want this apology, or would he have preferred she not risk the two of them being seen together again for both their sakes?

Now, it’s certainly likely in Horikoshi’s world that this little girl will, herself, grow up to be different from the people around her, that she won’t think heteromorphs are tainted. And like, that’s at least one less person being awful, right? And doesn’t every one count?

Sure, of course—but what happens when she runs up against that prejudice herself? Will she try to intervene the next time she sees a blood cleansing? Will she simply abstain from such action and teach equality in her own household without trying to change the village around her? Will she simply move away and leave her hometown worse for her absence? If she does stay in that town, will she herself become an outcast for her views—a form of silent, passive harassment that can be absolutely life-wrecking in those small Japanese villages? If she gets married and has children, will her husband have her back in trying to raise those kids free of hatred?

For that matter, isn’t there a chance that, being surrounded in people who think heteromorphs are tainted, that she’ll just internalize something like, “It was my carelessness that got that poor heteromorph boy beaten so badly. He was trying to help, and it only got us both hurt—him for the beatings, me for being in contact with his filth.” Like, she’s so young in that scene; she’s got a whole lotta years of having the anti-heteromorph narrative reaffirmed at her before she’s old enough to do anything different herself. It feels to me like the kind of thing that she could easily fall back into as she grows up, only to have a huge spiritual crisis about it once she hits her late teens to early twenties.

In any case, it's just a lot to put on a single child—on her and Shouji both!

O Spinner rallies enough to yell out a message of his own, but it’s just a quote of what he told his followers when he first sent out the call, not anything new to rally them, nor tailored to respond to what Shouji’s saying. This has been the danger of the plotline all along, and here it comes to fruition: in putting bad faith villains with ulterior motives[28] up against an underdeveloped character who’s hidden the evidence of his mistreatment from Day 1, someone with no apparent intention to ever speak up for others like himself, no one comes out looking good. Truly, heteromorphs deserve better rep.

28: #2 is the obvious one, but Spinner’s here in bad faith, too. While I’m sure he’s not totally indifferent to the matter of heteromorph rights, it’s self-admittedly not his current priority.

O That said, if what Spinner says is old hat to the crowd, it is new to the audience, and it serves to sharply up the ante on from what we knew previously about the persecution he faced in his hometown!

But it would have gotten better if he’d just put on a mask and dealt with it, amirite?

Recall that Spinner has previously only said that people in his town called him names—this is self-evidently many steps worse. Note, though, that it’s another example of the violence heteromorphs face not involving anyone using quirks—that is to say, nothing that’s a hero’s jurisdiction to deal with. That being the case, how much could Spinner get away with fighting back or running before the “it’s okay to use quirks in self-defense” stops holding? After all, is it still self-defense if biased cops[29] can accuse him of “escalating” the conflict? How far away can he get by climbing on walls before it becomes, to some small-town local Hero, unlicensed public quirk use?

29: If policing in HeroAca Japan still works basically the same as it does in IRL Japan, then in truly backwater areas, ones too small to afford the upkeep of a police department, an officer would be sent in from another area to live in a home attached to the police box. That being the case, it’s not a given that the officer would share the locals’ bigotry. That’s where we come back to the whole “what percentage of Villain-designated criminals are heteromorphs” statement and what it implies about bias in the law enforcement system. Also too, building a strong relationship with the community is absolutely essential to rural policing, and there are, oh, so many stories about what happens when someone new in a small Japanese town gets between the inhabitants and their “traditional spiritual practices.”

O Pig Nose Guy starts making an impression by noticing the doctors—most prominently Dr. Yoshi, standing shoulder-to-shoulder with a baseline nurse—forming a human chain in front of the hallway leading to the Inpatient Ward. This drama is undercut on both fronts by the fact that Spinner is not looking for the Inpatient Ward, and in fact barrels right on past that hallway without even glancing in its direction. So, the mob stops because they’re struck to hesitation by a group of people protecting a part of the hospital that the mob was not even intending to assault in the first place.

O As part of stopping, Pig Nose Guy seems to have some sort of flashback to a time he saw Dr. Toad caring for an elderly baseline man. This raises a lot of questions to my by-this-time hyper-critical eyes.

What past circumstance brought Pig Nose Guy—presumably fairly rural, as most of this crowd is implied to be—to Central Hospital, the most technologically advanced hospital in the entire country? • If Pig Nose Guy is not rural, but was still so fired up about heteromorphobia that he joined a terrorist-led mob to attack a hospital, wouldn’t that suggest that a lot of people in the story have been misleading us about the extent of anti-heteromorph sentiment in cities?

If the person in the bed is someone related to Pig Nose Guy—perhaps someone with a rare illness that requires specialized treatment?—why is the guy entirely baseline? If it’s just a friend, then they must be very close, given that PNG was willing to take a trip to the Tokyo metropolitan area to visit him. But if PNG is that close to a baseline guy, why did he ever believe that baseline folks are such a lost cause that he, again, joined a terrorist-led mob to attack a hospital?

Why is this important, impactful memory one of a heteromorph in a caretaker role instead of being taken care of? To elaborate on why that question matters, a common issue you’ll see minority groups raise when talking about representation in media is the role any given minority character performs in their narrative—the gay best friend there to give the straight female lead advice, the Black person there to help a white person self-actualize, that sort of thing. This is not so much a critique of any given, specific character as it is criticizing the restrictions on of what demographics are allowed to be portrayed as full, rounded individuals in popular media versus which are relegated to stock stereotypes or supporting cast. This isn’t something BNHA addresses explicitly, but I do think we have some precedent for suspecting heteromorphs in this world have similar problems—think of the image for Class B’s play in Chapter 173, Gang Orca playing the Villain at the license exam, and, most egregiously, the Hug Me Corporation and its all-baseline-all-the-time image of bystanders and victims. That being the case, it really gets to me that Pig Nose Guy’s memory here has the man in the hospital bed being baseline while it’s the doctor who’s the heteromorph. Like, what does that communicate about his mindset, exactly? “Oh, I remember this time I saw a heteromorph who’d managed to actually kind of Make It in society and he was nice to the baseline guy in his care. But the spider guy leading us, he didn’t sound like he wanted us to be very nice at all. Is that what I am? Not nice?” On the other hand, if the whole point of this memory is to remind PNG that there can be peace and support between heteromorphs and “people with human faces,” why in heaven’s name isn’t this a memory of a heteromorph being cared for and supported by a baseline person? Why does the person doing the labor in this picture have to be of the oppressed class?

I hate this panel so much.

Chapter 373:

O The last conversation plays out between Pig Nose Guy, #2, and Shouji, revealing #2 to be a bad faith idealogue who thinks of Shouji with microaggressions and his followers as meatshield patsies. It’s real bad.

O Shouji says that the feelings that led the mob to come today are neither useless nor wrong, and that their willingness to keep thinking about everything makes them look like a bright and shining light to his eyes. However, he carefully does not engage with the fact that those feelings, which were previously aimless and directionless, were only stirred up and stoked to the point of “coming today” by the villains. It’s the same sort of thing the villains always get told, really—you may have a point, you have suffered, but when you act on that point, that suffering, then you’ve gone too far. All you’re really supposed to do with that pain is—what, exactly? Thinka bout it and choose to Nobly Endure?

O The last little bit of insult to this chapter, to my eye, is #2 getting an apology from some anonymous hero we’ve never seen in our lives, who says, “We’ve heard your voices loud and clear today. Sorry for not realizing sooner.”

Remember the bit where the person who apologizes to Shouji for the octopus comment is Mineta, the gag character, instead of Sero, the serious character who brought it up in the first place? Remember the conspicuous absence of Bakugou and Todoroki, who have actually used that language with conscious demeaning intent? This apology is the systemic version of that absolute unwillingness on Horikoshi’s part to let his sympathetic/popular/important characters look bad. It’s the same thing that led to none of the heroes who retired after the war being heroes the readers know and care about, the same thing behind the total collapse of the series’ critique of All Might. Heroes are allowed to be ignorant, but they are not allowed to be complicit.

Notice, too, what this random hero does not say, what Shouji does not offer, the absence that damns this resolution: any promises of concrete change. We’ve finally gotten to the crux of Horikoshi’s point, as delivered by Shouji, and it really does all boil down to this:

And I can’t overstate enough what a terrible resolution this is, especially given how Shouji’s own experience puts the lie to it. Remember, Shouji saved a child from drowning, one of the absolute most prototypical actions someone can do and get called a Hero by the bystanders/victims/evening news. The only thing he could have done that would have been more stereotyped would have been saving her from a burning building! He saved that little girl from drowning and the townsfolk attacked him with farming tools for it.

How much more heroic would he have needed to be? How much more of a shining light could he possibly have been? In what universe could someone with that backstory possibly think that the answer to systemic bigotry—violence that goes wholly accepted by the community and wholly unpunished by the broader society—could be this Model Minority bullshit?

Ultimately, for Shouji’s backstory to realistically have given him the motivation he professes, his actions needed to have changed the people in his village for the better. If the reader is meant to believe that Shouji’s “answer”—the premise that selfless heroism can change the hearts of bigots—then we have to see it. And, you know, even if that had been what we got, there would still be grounds to criticize it! It would still be a perhaps-too-idealistic depiction of fighting oppression; it would still put too much responsibility on the victims! But at least it would justify Shouji’s own stance.

As it is, we have Shouji choosing to believe in the changeability of people who specifically shouted while throwing rocks at him that, no matter how much the times advanced, they would never accept him. His answer does not entail a single non-heteromorph working to bring heteromorphs living in the darkness a light; it entails them kindling their own. As with Pig Nose Guy shutting down in the face of a memory of a heteromorph doctor, this resolution asserts the life-changing power of…being told that heteromorphs have to do all the work to make baseline people feel better.

Conclusion

Do I think that this terrible resolution means heteromorphobia was poorly set up or retconned? No, I don’t. I just think it means that Horikoshi is a Japanese man writing a Japanese story from a position of demographic privilege in Japanese society. I think he’s fully capable of setting up a detailed, intelligent, thoughtful discrimination allegory, a logical, internally consistent extension of the discrimination in the world around him to the alternate future he’s created—and then coming to a completely different resolution than I would because his context led him to different answers than I wanted or found acceptable. Compared to the U.S., Japan as a culture is more communal, more collectivist; they have less history with successful protest movements, more history with protest movements turning violently extremist or just being ignored by those in power. The idea of “not making trouble for others” is an incredibly deeply engrained value.

I have a decent idea why this resolution is what it is. I can try to make myself view it through the more generous, forgiving lens of Cultural Differences; I can fail to do so and instead conclude that this is portrayal is much less about Cultural Differences than it is yet another in a long chain of Well-Meaning Majority-Culture Author Writes Discrimination Allegory, Fucks It All Up Because of His Well-Meaning Majority-Culture Centrism. That doesn’t mean I believe heteromorphobia came out of nowhere, and I hope this essay has at least demonstrated that much, whatever you might think of its resolution.

——————————

Thank you so much for taking this journey with me, all! At 42,000 words and 93 pages in Word, there's definitely more I'd like to do with this, chiefly taking a spin through the Vigilantes spinoff, which I've always found to be very good at grappling with practical questions and concerns BNHA Core largely ignores. The character of Kamayan is particularly relevant to this topic.

However, for now, I'm going to take a break on this subject and turn my attention to something else. I'm not sure what it'll be quite yet, but meta projects that have moved towards the top of my list concern the ridiculous series of nerfs Toga has been subjected to in this endgame, arc thoughts on everything I hate about the stupid, stupid All Mech fight, and an organized argument for the endgame being chock-full of retcons that are obvious if you look at them for more than the five minutes it takes to read a chapter each week.

You may notice that all of those are pretty negative-sounding, and you would be right. Given that the whole reason I stopped doing my chapter posts is that I was weary of the constant negativity, the actual next thing I do will probably be to get back to one of my neglected MLA fanfic projects.

'Til next time, all!

#bnha #bnha meta #bnha worldbuilding #heteromorph discrimination plot #octolad #plf advisors #my writing #preview for Vigilantes:#Kamayan is a crank and that distracts everyone #from realizing that Kamayan is also right

58 notes · View notes

foxofstars-death-and-blood · 1 year ago

Text

HOLY FUCKING SHIT I WANT TO TALK ABOUT

Her ♡

I love her so FUCKING MUCH and she was voiced by KE$HA?! I love her design, her personality and just EVERYTHING ABOUT HER! I read another post about how it was insensitive that Vivzie would make Ke$ha voice Bee but I want to point out that Ke$ha could have refused to voice Vivzie's character but she didn't. I feel like to her, voicing gluttony is like her showing her dominance over her health issues, proving that they don't have control over her anymore which makes me love Bee so much more for that!

Now, as for the actual design part, I will admit I was confused as to what she was supposed to represent for the circus theme at first, but once Viz explained that Bee was supposed to represent the animal trainer/animal shows, it cleared up the environment aspect. But as for the actual character herself, I felt could use a bit more work in looking like an animal trainer. And I want to be clear, I AM NOT HATING ON THE DESIGN, I love Bee just the way she is, I'm just saying that there could have been improvements as to make it more clear as to what she was supposed to represent.

I also really love how genuine she is with all her party goers, making sure all of them are having fun and enjoying themselves! It's really clever because Bee feeds off of the energy they give off so to make sure they are giving her what she wants, she has to make sure they are ok. I also love how she shows the different forms of gluttony which I can't explain how clever this truly is but this post can.

The episode was definitely worth the year long wait because the animation was so fucking smooth?? And the music was FIRE (obviously lol) and I love the color palettes that they used. The writing was also well done in my opinion as all of the actions felt natural and realistic, at least to me.

So with all of that said, I really hope that Bee isn't just a one off character because of her voice actress and her design, because I really do love her!

#helluva boss #helluva boss beelzebub #helluva boss queen bee #hellvaboss #helluva beelzebub #helluva boss vivziepop #I am in love with her #like i am actually jealous of Vortex #PLEASE I FUCKING LOVE HER #vivziepop #queen bee #sort of a helluva boss analysis

81 notes · View notes

sueske · 1 year ago

Note

Not to come off as pretentious but it really feels like no one but people on tumblr are able to really understand sasuke, naruto and their relationship. Like on other sites like tiktok, twitter or Instagram, of course you have it infected with hinata and Sakura fans who just naturally have bad takes but you also have sns fans who just like….. have embarrassingly bad takes.

I remember seeing a tiktok video about sns and it was an okay “analysis” it was just discussing like very base level things Sasuke’s character. but then they just go on to say that’s why he’s a top. Because “he needs to be in control. He likes having control. His abandonment issues lead him to needing to dominate someone to help him feel like he finally has agency in his life. Naruto being that someone is natural because of his fem / wife coding throughout the series. It’s been stated subliminally numerous times that naruto is the submissive in their relationship, he needs to be controlled unlike sasuke because he’s so rowdy and chaotic.” And like………. That’s an interesting take.

And the fact it got like around 2000 likes just kinda made me realize that sns tiktok fandom does not really understand sns at all and have likely not actually consumed the media and just got their information from other tiktok people or YouTube.

not the top bottom discourse crap…

I agree with u actually, the most nuanced and comprehensive takes I’ve seen about naruto have been on tumblr, including Japanese stuff as well that non speakers wouldn’t know about. Doesn’t help the viz official translation censors and changes stuff either. Granted there are bad takes on tumblr as well but u won’t find well written canon only essays about sns on a TikTok slideshow (at least from what I’ve seen.) personally I feel that tumblr is the easiest to use, I don’t like the character limit on Twitter and am pretty sure Reddit mods can do whatever they want. I’ve found some okay analysis on YouTube about naruto and sasuke and their bond, but I feel like they’re surface level, or could go deeper in some places and then don’t, and even if they do get it right for the most part the fact of the matter is sns’ bond is also romantic, not touching on that leaves things unfinished imo. Some naysayers in the comments section always seem to want to clarify that their bond is platonic or ‘sns are just bros’ - which, if people addressed one of sns’ biggest running plot threads that happens every single time they meet up in person (and not clones) from vote1 to the end (what are we?) - they’d perhaps realise something and sing a different tune. but yet no one does (at least from what I’ve seen?) or take moments singularly which I think is a shame since they’re very obviously connected and they’re very important. I guess it speaks volumes that they don’t and leave that untouched. I’d really love to watch a sns analysis video so it can reach a wider audience that covers their entire bond, their mutual understanding and pure love and empathy AND how it’s also romantic, the tropes, the literary devices, etc used to achieve this. I know some people complain that romantic bonds are glamorised in media and that they’re seen as somehow ‘more’ than platonic bonds, as a means to dissuade people from shipping sns romantically, but like sorry. sns are romantic and that’s how kishimoto wrote them and I can see it and others can see it and even if people can’t see it clearly they can at least feel it which is why sns are gay comments are everywhere lol.

#anon #ask #writing this on my phone takes so much time I miss my laptop 😭#my stuff

26 notes · View notes

almacambiondaughterofsaleos · 2 months ago

Note

I am sick and tired of the fanbase constantly being rude to Trans Masc people because they aren't "Manly Enough" or because Viv said.

At this rate, the people following Viz's every move and defending her might as well be on a chain, I feel the representation of Overlord's owning one's souls are kinda the Fanbase, they are stuck at Viv's whims.

I do, sincerly hope most of these are blinded children but, most of them are adults too. (Just this one time a 24 year old literally complained under my post about my opinions.)

I am 20, to put in perspective, I had a birthday on August 17th, and I am terrified these people can vote.

I agree just how blindly they worship this series. No matter what she can do no wrong despite all evidence. It feels like a cult, especially stolitz shippers.

#helluva boss #helluva boss critical #vivziepop criticism #vivziepop critical #helluva boss criticism #vivziepop #helluva boss critique #hazbin hotel #anti-vivziepop #hazbin hotel critical

3 notes · View notes

twistedwonderlandshenanigans · 11 months ago

Text

December Drabbles

Prompt 15: Family Character: Trey + Vizzie (OC) ----------------------------------------------- "Are you excited to go home for the holidays?" Trey chuckled a bit at the question as he popped two trays of cookies into the oven and set a timer, pushing his glasses up his nose a bit. "My house is more of a circus than Ace and Deuce are clowns, but yeah. Yeah I am." Vizzie kicked her feet a bit and huffed, amused. She was sitting on a stool across from Trey's working area. According to Riddle, Trey was 'stress baking' because he wanted to make sure he knew all of his eleven siblings favourite desserts still, and for whatever reason around the holidays he would get a bout of uncertainty in his skills and needed to bake every recipe and get the dorm to review it before he went home to do it again. Not that anyone in Heartslaybul was complaining. Nor Grim or Vizzie, as they had appointed themselves as honorary Heartslaybul members for the time being....while it was convenient. This was supposed to be his last batch of cookies, but she didn't think twice when he started working on another dessert, figuring he might be making something of Riddle's request, or to practice something for his parents. "How do you keep track of all your siblings' favourite desserts?" Trey gave her a bit of a mischevious smile. "Well it changes slightly every year, but this year my parents sent me a list. But I remember it by PEARLY WHITE." It took a moment for her to register what he said. "....Like...like a tooth?" "Yeah. Pecan pie, eclairs, apple strudel, red velvet cupcakes, lemon bars, yule log, warabi mochi, halwa....then it's the younger kids so straight up icing was one of their answers, tres leches but he mostly just eats the whipped cream, and Evelyn is too young to eat solid foods still, but I needed her name for the sake of the perfect acronym." He shook his head a bit, smiling. "It's only gotten more difficult as each of my siblings starts branching out into their world studies, but it's made for a fun challenge learning about other cultures desserts." "That would explain why I didn't recognize a few of those dessert names....but you listed them off so perfectly, and you know you're a good baker, so why do you worry so much?" Trey smiled more as he resumed working on the dessert he was currently on. "They're my family. They're the people I'll give my best for, all the time, every time. It's exhausting, but it's worth it. They mean the world to me." His response gave Viz plenty of food for thought. He watched her expression carefully, before deeming it best to just let her think about it for a while - not in regards to him, but in regards to what her family...her biological family meant to her. It wasn't until he slipped a plate of ginger molasses cookies in front of her that she snapped out of her spiral of thoughts. She looked up at him slightly surprised. "These weren't on your list- why did you make them?" Trey smiled at her. "Ace told me what you said about me - something about a big brother figure? I'm not changing my acronym, but we can pretend there's a silent "g" at the end of "white"." She flushed a bit, looking back down at the plate of cookies in front of her, Trey moving away for a moment to give her time to put together some words. He brought back a glass of milk, setting it gently next to the cookies. He didn't expect her to all but launch herself at him, hugging him tightly and whispering a tiny "Thank you."

He chuckled a bit and pat her head, before hugging her back, making her feel more secure and safe than she had felt in years. ".....I'm still going to beat Ace's ass for that, but....thank you...." "You realize though, being my little sibling doesn't come without it's drawbacks. You have to laugh at all my jokes now, even if they aren't funny. And you're susceptible to a hundred times more teasing." Trey gave her a shit eating smile, softening to something more genuine as he heard her laugh a bit through tears. "I think I can deal with that if it means I get to feel how I feel right now.....give or take some embarrassment."

#v talks #twisted wonderland #twst #twst headcanons #twst hcs #twst scenarios #trey clover #twst trey #vizzie castello #oc: vizzie #twst fluff #twst oc #december drabbles

8 notes · View notes

spooky-salesman · 9 months ago

Text

Since my brothers special interest is demonology and religion, he made me watch Hazbin Hotel with him. This is my honest review (This will contain spoilers)

Disclaimer: I know Viz has done heinous and weird shit, so Imma start off with that I know she’s a shit person. I don’t like her. And I would steam roll her with my car .

Now , On with the review. I will start off with what I do like

1) Character design - Each character has a unique shape, and I adore how it really plays into shape language and silhouettes. Each characters color pallet is easily accessible, and the colors don’t necessarily clash. It was really fun to just look at them

2) Music- this ost , SLAPPED . Like actually has me jamming out. Dancing around my room. Shits been added my cleaning playlist. Everyone’s voices are so fluent and talented! They all knock it out of the park again and again!

3) Character plot- I some how got attached to any and ALL the characters. Even the characters I was supposed to hate I was laughing at and with them. Especially the Vees in the Finale, and I was CACKLING with Adam. The vees are like a shitty team rocket, the angels are aggressive and fun. The hotel crew is all so unique and awesome! Angel and Husk had me invested, Alastor was absolutely charming! Lucifer being my short representation/j . Sir Pentious was so incredibly hysterical and sweet, and I wish we got to see more of him and Cherry

4) Lesbian Standpoint- Charlie and Vaggie were so sweet, and it was so nice to see a HEALTHY WLW RELATIONSHIP. It felt like a breath of fresh air that they weren’t fighting- fighting or wanting to kill the other. It was so sweet and nice. Of course there are going to be secrets but what matters it that they WORKED THROUGH IT.

Now onto my issues with the series

1) Male lead in a supposedly “female lead show”- I can count on two hands Vaggie, Charlie, Camila, Rosie, Sera, Emily, and Velvette had of screen time COMBINED. Compared to Angel, Alastor, Lucifer, Husk, and Vox + Val. I really hope she can clean this up later in the series, as it mostly seems like Angel has just. ALL the spot light, two songs, several episode about him/just him also hanging around. Alastor having like 3 songs. Yes Charlie has a bunch too, along with Vaggie. But I just really feel like I saw more of the male cast than the female cast. Especially comparing it to Hellvula boss, who’s female characters are only there for the male’s development. Almost all the female characters are demonized.

2) handling the pacing- I get it, only having 8 episodes is a LOT to put such a big plot in. But all the different plots felt so loose. Only really being vaguely strung together.

3) my overall gripes with the writer- I’m sorry. I just. I can’t stand her. She’s made zoophilia art. And is just overall fucking weird. Many people complain about the cursing (but y’all forget it’s like really normal. Like I swear all time. I grew up with swearing all around me) I just. I can’t stand her. Plus her weird fetish with SA. Just as long as y’all pirate her stuff, or at least watch it KNOWING she’s a piece of shit. I won’t parent you, I can’t parent you over the screen. Just. Be aware.

(Check my Bio before getting nasty btw. I won’t be rude if you’re not rude either. This is meant to be a civil critique)

#hazbin hotel #hazbin hotel review #show review

4 notes · View notes

dereksmcgrath · 1 year ago

Text

Sunday Morning Manga: Afternoon Reactions #4 (Nov 26 2023)

Is Witch Watch trying to be Spy x Family?

Jujutsu Kaisen Chapter 243

I don’t have much to say about Yuta’s arrival, or whatever Kenjaku has planned next, because my fixation is still on how we just sat through an arc all about the art of comedy--and that felt so much more refreshing than what else this manga has given, if just to get some Bobobo and Show-ha Shoten action in this series.

But I’m also embarrassed that I didn’t recognize the Yu Yu Hakusho reference in the previous chapter.

Witch Watch Chapter 134

Not that I want to rush the story of Witch Watch, but why wasn’t this just a sequel story about Nico’s child?

I can appreciate Shinohara wanting to get all the ideas out as fast as possible before whenever they end this franchise. But we’ve seen from Teasing Master Takagai-san and its spinoffs about the main couple’s daughter, you can still continue this story with the next generation of characters.

I understand that Nico didn’t have the most school-centered childhood, but what is gained? Page 1 of this chapter establishes she remembers this teacher, so she did have these childhood experiences. I would be more in favor of this de-aging arc if there was something to compare it to, using this arc for those opportunities Nico never had in her childhood but can now experience the second time around. But even that doesn’t feel like a sound idea, because Nico wouldn’t realize what she is gaining that she never had before, it would be only the audience--us readers as well as Morihito and everyone else watching--that gets to do the comparison, thus it’s us readers and those supporting characters who get the character progression, not Nico, ostensibly the main character who is used as a vehicle for everyone else’s insights.

There is the potential for more depth to this story in subsequent chapters--which is why it’s not fair criticism on my part, to complain that I didn’t get the direction to this story I wanted, and when Shinohara still has so much left in this story to get to this point.

Also, if I may be crass: is this to ride a gimmick similar to Spy x Family with a precocious protagonist? Because even Spy x Family makes sure to address additional protagonists and numerous genres, not just Anya and her school days.

Spy x Family Chapter 90.1

Speaking of: I don’t have much to say about Spy x Family Chapter 90.1, because the comments over on the Viz web site got more out of this than I did.

The potential misspelling of Anya’s name, and whether that is actually her name, or whether the alternative spelling of her name indicates a different national or ethnic origin--all of that went over my head.

I pretty much figured it was a weird in-joke about names shifting in and out of Japan for international distribution and localization are never consistent--and at least one person in the comments on Viz had the same idea.

But what do I know: maybe it’s all one in-joke, but Anya’s expression at the end, and her eyes getting brighter upon Twilight’s correction, all makes it confusing whether there is more depth to this, or maybe the shock that one of her parents is looking out for her to get her name right--or that Twilight is again so oblivious that he is forcing that spelling onto her.

Wrapping Up

That’s all for this weekend--thanks for reading to the end.

What are you liking about Nico’s return to childhood in Witch Watch? And do you think the Spy x Family comparison is too superficial, given stock character types and shonen tropes? Let me know in the comments section or email me, [email protected].

Please look forward to more writing from me next week, if not also livestreaming and podcasting about new manga chapters.

As I say at the end of livestreams (after some new additions): until next Sunday, stay safe out there, people–mask up, get vaccinated, install adblockers, register to vote, campaign against fascism and war and genocide and terrorism, and learn and practice anti-bigotry. I’ve been Derek S. McGrath. You have a good afternoon. Bye.

#spy x family #witch watch #jujutsu kaisen #shonen jump #sunday morning manga #manga #long post

4 notes · View notes

shiroganeryo · 4 years ago

Text

Komui's Discussion Room content (DGM 27)

Volume 27 has been released recently here in Brazil and I realized the remaining of Komui’s Discussion Room were nowhere to be found in English, but after reading all of it, I thought there are very interesting things hence why I wanted to share!

Please bear in mind this is not a direct translation, but a summary.

I have a lot of criticism when it comes to Viz Media’s release (official English), but I’m quite content with the work Panini, the distributor of D.Gray-Man in Brazil, has done so far with the official Portuguese release. If there are any mistakes, please bear in mind I translated the information directly from their version.

There are 11 questions covered in this summary. For the others, please check Jeidafei’s translations on them (totally recommend it!): Part 1 | Part 2 | Author's note & Thanks Corner | Extra

Without further ado, let’s get into it! This got very long.

≫ Kanda hasn’t reached the “critical point” in synchronization yet (+ why Allen isn’t a General)

In the question “How did Kanda hide having gone past the critical point”, Tiedoll answers that he actually has the potential it takes to do it but hasn’t done it yet. Still on the same question, they answer a related question about Allen’s critical point: “If Allen has reached the critical point, why wasn’t he appointed to become a general during the Order’s reconstruction?”

Allen replies that it was impossible at that time since Central was keeping watch over him. Tiedoll adds that he’s also too young and the only one able to operate the Ark, the latter making Central even more suspicious of him. General Cross’s reputation also seems to have played a part in this, having the higher-ups deem Allen as someone they couldn’t trust enough.

Ryo’s note: Allen thanks Tiedoll for putting his thoughts about Cross into words and Cross simply laughs it off. XD

≫ Sleeping positions

They get asked about their sleeping positions. Tiedoll describes how Kanda sleeps with detail (when younger, in fetal position; nowadays, he sleeps lying on his side, preferentially the right side).

Allen comments that Johnny sleeps sprawled on the floor or the desk and that everyone in the Science Division sleeps like this; when he first saw it, he got concerned thinking something tragic had happened. Johnny says it’s comfortable to sleep like this, but Allen isn’t so sure.

Cross comments on how Allen sleeps; he mentions he likes to sleep hugging something and when he can’t do it, he complains until falling asleep. Allen gets flustered and claims that he got used to sleeping with Tim because he used to be big, but is over it nowadays. Johnny remembers Link used to tell him not to sleep with the piggy-bank, to which Allen replies that it was “not a sleeping position, but survival instincts”.

Kanda comments on how he brought a ton of food to the infirmary one time and says it was annoying to listen to him eating nonstop. Allen replies with sarcasm (“sorry for needing to eat to recover my energies”).

Cross sleeps naked, with his arms open (according to Allen).

Tiedoll sleeps on his stomach, blanket over his face.

Ryo’s note: The time Kanda is referring to is in Chapter 135 (135th Night: Repose, Partly Cloudly).

≫ The symbol on the CROWs' foreheads

Cross replies that it’s probably the compulsory mark of the procedure that transforms regular people in CROWs. Tiedoll says that Cross knows a lot, as expected of someone who’s able to use magic –he shrugs off the compliment – and Kanda asks when and how exactly someone like him learned it. He angrily says he didn’t learn it anywhere and ends the question at Allen’s remark that he always gets angry when people ask.

Ryo’s note: This is interesting. Could imply he was the one to teach magic to Nea (and the Earl himself?), and not the other way around. But, it’s also possible he just didn’t want to answer.

≫ “What is something you find impressive on the other, but have never admitted?”

Johnny decides to start with Kanda and Allen, and the two exchange insults for several lines.

Johnny then passes the baton to the Generals, who do the exact same as their apprentices.

Johnny ends the question with a thank you and sweating nervously.

Ryo’s note: By “insults”, I mean things like Kanda calling Allen a crybaby, and Allen saying Kanda’s dumb. Tiedoll calls Cross a delinquent; Cross calls him “doting dad”. The list goes on…

≫ The time Kanda spent with General Tiedoll right after becoming his apprentice (+ Allen’s time with Cross)

They are asked what was the most outstanding episode from such a time, and Kanda absentmindedly says he forgot. Tiedoll seems disappointed, stating they had made so many marvelous memories together, to which Kanda replies “please stop talking in this weird way”.

Allen asks how the travels were, and Tiedoll says the most important at that time was to take care of mending Kanda’s heart. They spent much time talking about amenities, having contact with plants and animals and admiring beautiful landscapes. Tiedoll believes that getting in touch with beautiful things can help to connect with the world, despite carrying the burden of being a Second; he wanted Kanda to feel like regular people feel about the world.

Johnny and Allen are touched, and the latter comments how jealous he is. Cross then reminds Allen of how many bedsheets he had to wash because of him, making him flustered. He then goes on to remind how not only he did that but also had to feed him – Tiedoll comments on how it seems impossible to imagine Cross doing all that – and even help him change many times.

Allen’s embarrassment reaches the maximum and he threatens to beat Cross if he keeps talking about that.

≫ Stories of when Kanda and Lenalee were little

Kanda tries to shrug the question off, but Johnny insists they answer. Tiedoll says that the two of them were really cute, just like two lilies that bloomed inside the gray scenery of the Order; Kanda tells him to stop.

Allen is uninterested in Kanda, but wants to hear about Lenalee. Cross asks him if he likes her, and says he thought he had a girlfriend in the Asian Branch already. Allen denies it and says both LouFa and Lenalee are his friends; Cross laughs, saying he doesn’t judge, and Allen nearly snaps in irritation (again).

Johnny moves on to answer the question; Kanda is against it, but Tiedoll holds him in place. Johnny tells that Jiji told him that at first, Kanda would be asked if Lenalee could train with him, but he would shrug her off saying he didn’t want to train with a girl, which would make her cry.

Every time Kanda made Lenalee cry, she would run off to Reever. In reality, Johnny thinks she wanted to talk to Komui instead, but she thought he was busy and didn’t want to bother him, resulting in her crying at Reever’s desk. Tiedoll and Allen are weeping at it (they thought it’s cute).

While Reever comforted Lenalee, Marie would appear bringing Kanda along, who had no idea how to apologize, while Lenalee would bashfully hide inside Reever’s lab coat. This kept happening until he eventually accepted to train with her.

Johnny starts telling another story involving Kanda’s meditation and Lenalee coming back tired from a mission, but Kanda interrupts him. Allen says it’s being fun and tells him not to bother.

Kanda tells him to shut up, calling him a bedwetter. Allen snaps (again).

Ryo’s note: ¯\_(ツ)_/¯

≫ “Who amongst the Noah would Allen best go along with? Hypothetically speaking.”

Allen and Kanda are worn out from fighting (see the previous question); Johnny is giving them calming tea. Tiedoll says that it seems Allen and Tyki Mikk looked friendly when talking to each other, and Allen interjects saying they’re not friends and that Tyki doesn’t respect the notion of personal space.

He then goes on to say he doesn’t imagine himself being friends with any Noah because they lack common sense. Cross mentions Road and how she’s always being flirty with him, which makes Allen tell him to stop implying things, while sounding unsure about being friends with her or not.

Johnny asks if Allen is embarrassed and reminds Road kissed him. He denies being embarrassed and says that kissing is just a form of greeting for her (he’s sweating nervously while saying so). He adds that, on top of that, he feels like Road sees someone else when she looks at him.

Cross seems amused.

Ryo’s note: This answer is very interesting. It seems to confirm the theory that Road had some kind of connection with past!Allen. We won’t know for sure until it’s revealed, but it does seem to imply such a thing.

≫ The taste of Innocence + the Crystal Type Innocence + Exorcist supplies + Cross suspiciously knowing about the Bookman clan

A reader asks how did Innocence taste like when liquefied; Kanda says it tastes like nothing, similar to water.

Johnny points out the wounds that formed after their Innocence became Crystal types and if they don’t hurt. Kanda says that at the time they don’t, but such wounds won’t heal even with his healing ability – which he concludes makes sense since it’s from where the blood comes out to form the weapons.

Johnny mentions that the Science Division (Komui, more specifically) made Lenalee pills that will prevent anemia. Still on that subject, Allen remembers people had asked what goes inside the bags the Exorcists carry on their uniforms. Johnny says they carry first-aid kits, disinfectants, anti-hemorrhagic meds, and things of the sort. Miranda and Timothy carry sweets with a high intake of calories, Krory carries Akuma blood sweets and Lavi and Bookman asked for migraine meds.

Tiedoll says they are nothing without the support of the Science Division and thanks them. Allen asks about Lavi and Bookman getting migraines. Cross mentions it’s probably from an occupational disease because storing that much information and memories can wreck your head over time.

Allen comments again that he seems to know a lot about the Bookman Clan, and that it’s very suspicious. Cross magnificently shrugs off the question.

≫ Allen’s cheating

Allen gets asked if he becomes bad at luck games (i.e gambling) in case he doesn’t cheat. He says that a bet on luck always rewards something even if gains are small, but Johnny says he’s really bad at things like rock-paper-scissors. Kanda thinks he was just in denial about admitting he’s unlucky.

When scolded by Kanda, Allen says it was a matter of survival and that he never cheated good people on; just bad people.

Johnny says living like this is dangerous and that he should stop; Allen apologizes and says he needs money, and if anything, he can use his Innocence.

Cross is amused and sounds proud. Tiedoll regrets Cross’s influence on Allen.

≫ About Link

Allen gets asked if he has ever seen Link smile, to which he responds he has tried making him laugh/smile, but never could do it. Johnny says that everyone from Central is very serious, especially Link. Tiedoll thinks that it might be forbidden to smile when their superior is Director Lvellie.

Allen goes on to ramble about how Link complained about everything: when he had food on his face after or during eating, asking him to redo reports because they were illegible despite Reever being able to read, scolding him for not drying his hair after going out of the bath because he could get a cold, and how he was a shame for not folding his uniform properly before putting it away.

Cross asks him, “what was he? Your mother?” and Allen says he didn’t get annoyed at him. He wonders if all moms are like this.

Johnny says people were worried when he was assigned to watch Allen, but in the end, Link went along well with everyone and confirms that Allen liked him as well. He also states that Allen’s reports became a lot easier to read thanks to him.

Ryo’s note: Ladies, gentlemen, and non-binary folks: it’s Link appreciation time! *tips hat* Also Allen wondering about how mothers treat their children was just precious, even if it’s a throwaway comment.

≫ The vibe at the Black Order

In the question “Who runs faster, Komui or Reever?”, Johnny says that he thinks Reever is faster; Allen adds that Komui cheats by using Komurin, though. Kanda gets annoyed and tells them they (at the Science Division) should make Komui behave accordingly to his role. Johnny sniffs and says that they try.

Tiedoll says that it’s actually good that Komui is cheerful because the Order used to be a very different place until he took over the post, and that he (Tiedoll) disliked the gloomy aura it used to have. Allen remembers Lenalee commented about it once and asks if the Order was really this different back then. Tiedoll says that even if it’s been built with a noble purpose, human beings aren’t perfect and a lot of things get distorted over a hundred years. He recommends Allen to ask For about it, as she has existed ever since the Order was founded and protects it to this day.

Allen is sad and comments he wants to visit the Asian Branch again someday. Johnny says he’ll go with Allen, but the latter says he would want to eat Jeryy’s food again before that. Cross sneers and wishes good luck.

They wrap it up at this, and both Kanda and Allen look very happy about being done with the Discussion Corner (as noted by Johnny). Tiedoll bids Cross adieu, and says “rest in peace, Marian” – to which he replies “don’t treat me like a ghost”.

Allen says he knows Cross is an illusion created by his weakness, but that he was happy to see him (in reference to the 222nd Night: Searching for A.W - Hypokrisis). Cross tells him not to exaggerate.

Johnny is content that they could finally keep it to the ideal number of pages – something the Discussion Corner is known to usually have trouble with. Tiedoll says that if they had gone overboard, the next issue’s Discussion Corner would be canceled, and wraps up thanking everyone who has cared about Yu so far and asks that people keep cheering for him.

Johnny thanks the readers for sending their questions. Allen and Kanda are relieved it’s over.

Ryo’s note: And that’s it! Man, this got LONG. Thank you very much for reading until the end. Can’t wait for the next Discussion Room, the way Tiedoll worded it makes it seem like it’ll be on the next volume, 28. I’m excited!

If you're interested in seeing more DGM content from me, feel free to check my masterlist here.

#d.gray-man #d.gray man #komui's discussion corner #komui's lounge #Allen Walker #Johnny Gill #Kanda Yuu #Cross Marian #Froi Tiedoll #DGM #I sure hope I didn't count wrong the number of questions #math isn't my forte at all #as for the palette requests: I'm currently working on them!

198 notes · View notes

bamfdaddio · 3 years ago

Text

X-Men Abridged: 1981 - the Body-Swap

The X-Men, those body-swapping mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. We’ve been untangling that history for a while, but sometimes, you really want a more in-depth look. Interested? Then read the (un)Abridged X-Men!

(Uncanny X-Men 151 - 152) - by Chris Claremont and Josef Rubinstein

Emma Frost and her frenemy Ororo Munroe have not been getting along! One fateful evening, as the two quibble away, they mysteriously switch bodies and minds. Talk about your Freaky Friday! What lessons will they learn, walking a mile in one another’s shoes? And will they be able to switch back, or will they stay in each other’s bodies forever? Mutant Monday, coming soon to a cinema near you. Starring: Elizabeth Banks, Angela Bassett and Elliot Page. (PG-13)

For a moment, we’re in a proper period drama: a letter delivers ill tidings!

I love that Kitty’s parents are so self-involved that it took them A WHOLE YEAR to realize that it’s weird that Kitty is the only non-adult attending the Xavier Institute.

I can only assume the mailman interrupted a pool party of some kind? Or a communal shower? I get why Kurt would not swim a lot - all that fur - but did Scott wear that while they were splashing around? Was it a beach volleyball competition where one half got to wear swimsuits and the other half superhero costumes? Most importantly, was Scott’s costume always this tight?

Not that I’m complaining, mind you.

The awful thing is that Kitty’s parents are transferring her to the Massachusetts Academy, not realizing that headmistress Emma Frost is, in fact, a terrible human being. Charles, uncharacteristically, says that changing their minds telepathically is a line he does not cross (any more) and half the viewing audience bursts out in laughter. More importantly, last they saw Emma, she was kind of dead-by-Phoenix, so it might be better there this time? Kitty does a Classic Teenage Stomp-Off and Storm comes to comfort her. Kitty cries that life is unfair (��My parents are only doing this because they’re splitting up”) and Ororo tells her that yes, life is unfair. You just gotta roll with the punches as best you can.

To be fair, bald men are technically all cheek, so it doesn’t matter where you kiss them.

While I enjoy the relationship Kitty has with the other X-Men (Scott gave her a compliment! Logan told her his name!), especially the mother-daughter-bond she shares with Ororo, the whole Piotr-thing always gives me pause. Even if we’re being very generous with age, Kitty is, what? 14 going on 15? And Piotr is… 19? At best? I get why Kitty would have a crush on him: he’s a gentle hunky giant: at fifteen, my teenage ass would have felt the exact same viz-a-viz Colossus’ upper arms. The fact that Piotr reciprocates feels skeevy, though, especially because they’re always treated like star-crossed idiots these days.

Skee-vy.

Ororo drives Kitty to Massachusetts, where her young ward is greeted by someone named Muffy and whisked away for orientation. All seems well. Ororo stands in a parlour, surveying the grounds and considering that they should have fought harder for Kitty. Still, nothing seems too wrong just yet: this Academy just seems very preppy.

Not-at-all-dead Emma takes her cue and jumps out, saying (essentially): “Surprise motherfucker.”

There’s a flash of light, and then...

I’m willing to bet that Emma’s EVIL journal has the following to-do-list: - Steal Storm’s body. - Experiment with her powers. - See how good Storm looks in white. (Leather? Fur?! Both!??) - REWARD: Smoke break.

I wonder if Emma’s plan hinged on being able to body-swap with Storm, or whether any X-Man would have sufficed. Was her original target Xavier? Cyclops? What if one of Kitty’s parents had brought her to Massachusetts, would she have taken Kitty instead?

In a locked cell, Storm wakes up in Emma’s body and is horrified. I wonder why Emma didn’t take any more precautions. Couldn’t the guy who made the freaky friday-gizmo also make a power dampener to nullify not!Emma’s telepathic abilities? Or did Emma count on her victim being so utterly incapacitated by her mind-powers that they’d be driven mad? (This would actually tie in with some of Emma’s later-revealed history: when her powers first emerged, she also got locked away in a padded room because of her madness.)

Emma is not wrong, by the way: Storm can’t get a handle on Emma’s powers. What follows is possibly the sweetest moment in an arc filled with sweet moments:

This arc isn’t drawn by any of the regulars - not Byrne, not Cockrum - but Josef Rubinstein brings his own kind of panache to the pages. I love the way he draws women’s faces: in a story that’s all about women, their faces are actually distinguishable. Kudoz.

Emma, meanwhile, coordinates with Sebastian Shaw to execute the second part of their two-pronged attack on the X-Men. They both laugh evilly in their phones while the mansion is attacked by Sentinels! These androids take out Cyclops and Xavier with some sleeping gas and knock out Nightcrawler, but the rest of the X-Men manage to trounce these robots. Then ‘Storm’ appears! She zaps the rest of the X-Men (and Amanda Sefton), successfully finishing their master-plan.

It’s not entirely clear what the Hellfire Club wants with the X-Men this time, but I’m assuming it’s more experimentation to improve the sentinels? Eh, doesn’t matter! Nefarious Hellfire Club is nefarious.

The real Storm, meanwhile, comes to claim Kitty, forgetting that she looks like the one and only Emma Frost. Kitty spooks and Storm accidentally reaches out, knocking her out telepathically. Whoops! Storm takes Kitty and flees in a car, while Emma gives chase. (How dare Ororo run off with her body, which is absolutely the kind of hypocritical hilariousness we all love Emma for.)

Kitty awakens and jumps from the car, causing Storm to swerve and...

JETSTREAM!? Speaking of which, where are the Hellions in all of this?

Kitty sees that an unconscious ‘Emma’ is about to burn to a tender and moist little crisp and she is faced with the hero’s dilemma: would you save a villain that would never save you?

Emma, meanwhile, has realized the downside to body-swapping: somebody else gets to run around with your body too. Shaw, of all people, talks her down from her anger.

You can’t just introduce a persona exchange gun to the plot WITHOUT EXPLAINING WHERE THE FUCK YOU GOT IT FROM.

My favorite detail is that Emma keeps calling Kitty brat, like she’s some sort of Pokémon-villain.

Kitty, meanwhile, has saved ‘Emma’ and tied her up with a special knot. Storm tries to convince Kitty, going for the “ask me something only Storm would know”, but Kitty’s all: “Duh, you’re a telepath.” Ororo insists, but the thing that clinches it is when she breaks free of her ties without breaking a sweat. That knot was taught to Kitty by Ororo and she’d be the only one who knew how to break out of it.

Storm and Kitty recruit Stevie Hunter to come pick them up and during the ride, Storm-being-angry-mother!Storm convinces Kitty more than anything else:

After all, Storm was voted most likely to say: “If you don’t stop this nonsense immediately, I will turn this Blackbird around, so help me God!”

Ororo and Kitty sneak inside. Ororo even uses Emma’s telepathy to help her pick a lock after phasing through a door. (Kind of funny: Kitty’s still such a neophyte that she can’t even phase with anyone else yet.) Emma, meanwhile, taunts the captured X-Men, presenting herself as the new white queen:

Anybody feel the inclination to point out that the Hellfire Club did this exact same thing last year, except then they tried it with a redhead?

I secretly suspect that the Hellfire Club’s plots always revolve around seducing X-Men to their side and dressing them up in sexy lingerie. (Which: fair.) There’s also a subplot where the guys Wolverine cut apart last year want to exact revenge on him for being made bionic, but eh. We’ll start paying attention to them when they become actual Reavers.

Kitty phases through the locks of the X-Men, freeing them, and a kerfuffle ensues. Emma starts using Storm’s powers, but they grow out of control. Colossus tosses Shaw out of the window - which should just be company policy, really: all Shaws should be defenestrated - where he’s promptly hit by a rogue thunderbolt.

When he doesn’t get up, Emma starts to lose it. The weather goes wild. Storm intervenes, using her telepathic power to help calm down Emma (and the raging storm), but she also manages to get a hold of the swap-gun. There’s a zap, and with a satisfied sigh, the status-quo is restored again.

My favorite implication is that, apparently, Emma decides which school Kitty attends and not her parents.

While this little arc is neither the most iconic nor the most profound of 1981 -- those would be Days of Future Past and I, Magneto, respectively -- I still love this for a couple of reasons.

As a lover of Freaky Friday, 17 Again and the new Jumanji-film, I just have a soft spot for body swap plots. (Hi Psylocke!)

It focuses on the Xavier Institute as a school, planting seeds for the upcoming New Mutants.

It is very female-driven without beating you over the head with it. (Looking at you, Birds of Prey.)

It has three definitive main characters, who all get fleshed out in fun and interesting ways. It starts the trend of robbing Ororo of some of her powers and tossing her into against-the-odds circumstances, only for her to come out on top.

It solidifies the Storm/Kitty mother/daughter (or older/younger sibling) dynamic. Kitty is a believable teenager when it comes to Storm - clever and kind, but also looking for answers and prone to rash decisions - and I love how much they care for each other.

Jean/Storm-friendship-callback, yay!

Emma gets fleshed out as a villain. Resourceful and petty, powerful and vain. It’s no wonder she’s one of the break-out antagonists of the X-Men, because, like Magneto, Claremont is not afraid of giving her depth. Arguably, she is the most three-dimensional of the Hellfire Club at this point.

Yay! And fuck completely sensible plots, if you don’t know what to do with your plot, just introduce a random persona exchange gun. Let’s use it on Xavier and Legion in Way of X next!

#x-men abridged #abridged x-men #x-men #storm #professor x #kitty pryde #uncanny x-men #emma frost #cyclops #nightcrawler #stevie hunter #colossus #sebastian shaw

48 notes · View notes

chit-a-to · 3 years ago

Note

I still remember after episode 15 aired and antis were voicing their concerns on Twitter and even tagging the director shippers were calling antis horrible and that they shouldn’t harass creators. Yet months later when sesshomaru Brazilian VA stated that he saw sesshomaru and rin relationship as father/daughter he was harassed so badly to the point that he had to make a second post to backtrack on his first one. Let’s also not forget shippers harassing Richard and coming up with fake accusations that could have been damaging. This is one of the reason why the yashamine fandom is so toxic. Anti or any person voicing their concern about a pedo ship is harassing the creator and should shut up. Yet shippers harassing people for literally have an opinion of a ship or doing their job (the VIZ Twitter account) is seen as okay!?!?

That 👆👆 all of that 👆👆👆👆

Honestly, it feels so unfair most of the time because, well yeah even though antis keep on complaining and voicing our concern over and over again (in short: almost no positive feedback or praise) but we never told Sunrise or VIZ to fire their staffs over simple matters like that, or sending hate messages or insults directly to HNY's VAs. Never. (if it turns out there are any of you guys antis who did those, istg I'm gonna go find you by myself and force you to apologize to the staffs and VAs)

And yet antis are the one to be blamed. Being put in the bad light, just because we dislike the show. As if everything bad that's happening in HNY fandom is all antis' fault (staffs' harassment, fans bullying and doxxing, anonymous hate messages, death threats, etc.). It's sooooooo bad and soooo fucking horrible, I can't help but wish that someday they'll get what they deserve.

#ask #anon #anti sessrinners #anti yashahime

7 notes · View notes

a-crimson-lion · 4 years ago

Text

Ultimatum: The Art of Lying In A Made Bed

(Or Why My Experience With Chapter 285 Is Contrary To Everyone Else's)

[Manga Spoilers Ahead. Also Opinions. Feel Free To Ignore.]

After Chapter 284, many fans were wondering how the story of BNHA would follow up on Katsuki's development. Now that Chapter 285 is officially out, fans are clamoring about Katsuki's latest acts of heroism, about how his arc is finally kicking it into high gear.

I'd be inclined to agree, but… you know how these things go.

[Heads up fans/stans, if you like Katsuki you might wanna bail. The word vomit that follows is pretty much incoherent and reflects my disaster of a thought process.]

I was looking forward to Chapter 285. I had my reservations on the execution of Chapter 284, but if the next chapter could follow it up and then some, I'd be pleasantly surprised. But then the leaks came out. And then the fan translation. And as of today, the official VIZ translation.

While everyone else is cheering for explosion boy, I'm just… done.

285 didn't get me to see how far Bakugo's journey has come. 285 didn't get me to finally root for him. And maybe I am making this decision prematurely, maybe I am missing something, but…

...the way things are going in the story I just- I just CAN'T root for him.

And I'm not saying the rest of you can't, if you're still reading. Katsuki is definitely a different person compared to Chapter 1, a better person, and he's definitely been heading on the up and up! If you can and want to support him, then by all means, go for it, don't let me stop you! It's just…

For me, chapter 284 was a wavering torch: a flicker of hope that sometimes dwindled, but was still there. Chapter 285 was the moment where I wanted to jump on the Katsuki Development Train, to finally gain some semblance of respect for him. But when I jumped, I landed on the tracks, and had to crawl back onto the platform.

I missed my chance to jump on that train. Whether it's because of previous circumstances or recent circumstances, I'll never know…

You probably wanna ask me at this point, "But Crimson, why DIDN'T Chapter 285 make you see the awe inspiring pinnacle of character development that is Katsuki Bakugo???"

To put it simply: it's a culmination thing.

For starters, there's a sort of… whiplash with Katsuki's development in the last few chapters. People like me will complain that Katsuki's development is too slow, in the case of the last 2-3 chapters, it feels like a switch was flipped, and now it's become too fast. Perhaps it's a me thing, but let me try to explain…

Shoto starts out as a standard background character. By the time he gets his spotlight in the Sports Festival, he comes off as reserved and antagonistic. After the whole "it's your power" moment, Shoto is finally able to accept the side he always hated. Then Katsuki fights Shoto, and we're shown he still needs time to grow; his left side comes with a lot of baggage he can't just brush off in the span of a single sparring match.

Fastforward to Hosu. Shoto's starting to take other people into better account. He's starting to learn to better control his fire. He's reconnected with his mother. His goal is no longer one-upping his old man; he has goals, people, that he wants to protect. He's coming into his own and wants others to do the same, like Tenya.

He joins the Katsuki Rescue Squad because, like Izuku, he had an opportunity to save Katsuki, didn't, and now he wants to make up for it. When we get to the Provisional License Exam, we're yet again slammed with the fact that his growth is still not done via Inasa, that there's still a bit of Endeavor he has to shake off, even if it was in the past. And he does progress towards that with the Remedial Course Arc. And while I have my opinions on the Endeavor Agency Arc, I'll admit that it was another development opportunity for Shoto and the Todoroki family. Shoto's growth comes with setbacks, but overall it's consistent.

Let's shift gears to Tenya, who's characterization I find fascinating. He starts out opposed to Izuku when they first meet at the Entrance Exam. He sees how Izuku is (for lack of a better phrase) "better qualified" at heroics thus far, reassesses his position, and apologizes whilst making amends. When Tenya resorts to LITERAL MURDER against Stain, the narrative does not let him go off without reprocussions. His arms are damaged, his supervisor's teaching license is revoked, and while he managed to avoid legal charges via police cover up, it still came close. Tenya listened to Stain's words, and opted to improve himself by that notion. He tries to set a better example, be a better class rep. It isn't a one and done.

Him lashing out during the Hideout Raid Arc is an offshoot of that. He doesn't deck Izuku just to be a dick; he's trying to knock some sense into him. They're so focused on Katsuki that they're forgetting about everyone else. Their friends, their teachers, their parents. If they f*** up like Tenya almost did at Hosu, they'll have hell to pay, and he doesn't want that. Of course, once they explain that combat/murder is not their M.O., Tenya tags along, if only to ensure the operation goes smoothly without this hitch. And again, Tenya keeps up. He looks after his classmates, looks after Izuku during the Shie Hassaikai arc. His growth is also consistent.

There are probably more characters I could elaborate on (Ochako, Momo, Eijiro, etc.), but I'll stop there. So, what's the deal with Katsuki's arc?

Well, it's… frustratingly back and forth.

It's one thing to have setbacks like Tenya and Shoto. It's something else entirely to have multiple setbacks and to keep trucking on with only abstract signs of development, but otherwise feeling like a very similar character compared to several chapters ago.

This is (in my opinion) Katsuki's problem. If we're going by what the manga stated, his arc technically started in Chapter 11: "Bakugo's Starting Line." But this is a rocky start. Izuku tells him about OFA right from the getgo out of guilt, but this neglects the fact that he's technically lying to everyone about it (including his new friends Ochako and Tenya), that OFA is a world-shattering secret, and that Katsuki is likely the worst person to tell this to considering that Izuku just handed Katsuki's ass to him and Katsuki was willing to use lethal force in their Trial. That aside, instead of say, sucking up his pride and opting to try and learn from everyone else, Katsuki doesn't really change strategies or approaches. He essentially does what he was planning to do since the start of UA; he's only crying because, SURPRISE, people are better than him. You'd think he'd expect that considering he called his middle school crappy…

After the USJ, once everyone had their "Lol Bakugo sux" moment on the bus ride, we get to the Sports Festival and everyone is clamoring to join Katsuki's team despite his apparent unapproachability. This feels less like something happened in the two weeks leading up to the Sports Festival, and more like history repeating itself from middle school. Moving on to the tournament, we don't even get to see how capable Katsuki is at serious combat. Two of his matches resort to Deus Ex Machina pulls, and the other two are in his corner by principle instead of difficult.

First off, Katsuki vs Ochako. I don't know why people praise this fight. For starters, it makes Katsuki HEAVILY OoC. Ochako is the only person he asks if she wants to back out before the match even starts. The ONLY person, which kinda undermines the whole "he didn't underestimate her" thing. Then he takes a reactionary stance the entire battle. Like, I thought we were still dealing with the "fist first" Katsuki. He does this to Eijiro, Fumikage, even Shoto, but Ochako? Stay still and then attack. Even if he did get his gravity removed, couldn't he just… propelly himself and let her have it. If he was proactive, he could have ended the fight quicker. Instead, he just plays sitting duck and headless chicken. If you're gonna have Katsuki win the fight, don't bulls*** it.

Which brings me to the final bit of that fight: the meteor shower. Having Katsuki blow that away after supposedly expending most of his energy earlier in the match just does NOT sit right. Ochako gets the upper hand, and then you just… negate that? You expect me to believe that Katsuki could generate an explosion at that magnitude, if nothing else? And what exactly does that do for him in the end? No one else tires him out for the remainder of the festival, which is pretty sketch.

(And yeah, I know I know "What part of her was frail?" but that's more of a retrospective thing than in the moment, coupled with the facf that it's never elaborated on again in any capacity, with Ochako or with someone else. It's a throwaway moment; a waste. Moving on…)

You really can't say much about the matchups with Eijiro and Fumikage. With Eijiro, it's an endurance match, and Katsuki apparently has infinite stamina and is on the attack. And he just… rushes him, which I'm pretty sure anyone else would do. Then with Fumikage, Dark Shadow is weak to light. Katsuki's explosions emit light on contact. Do the math.

And I am especially mad at Katsuki vs Shoto because one, he stays in place yet again at the start of the match, and two, he can apparently ignore his Quirk' weakness to low temperatures. In a gym uniform. Against a glacier the size of a building. Even with his power output, you don't see his explosions dampening in magnitude. It's obviously in his favor, which defeats any tension the fight could have had. It sucks, and in the long run, as a wise man once said, "Todoroki should have folded [his] ass."

Then we get to the Final Exams (ABOUT DAMN TIME) and… Katsuki hits Izuku for trying to cooperate, nearly gets knocked out once, and gets knocked out the second time around. He does not want to work with Izuku despite it being All Might, is petty enough to consider losing, and actively grumbles against working with Izuku. And all of his supposed self-preservation goes flying out the window when he's willing to try and beat All Might, leaving Izuku having to come and carry this boy out of the gate, which should not have let him pass.

Then there's the Training Camp attack. The second Izuku is mentioned, Katsuki decides to go AWOL, and while being kidnapped sucks, I am less sympathetic when you're boneheaded enough to help them capture you because you wanted to fight villains instead of getting to safety like the professionals recommended, all because of your one-sided hatefest with one of your classmates. Congrats, you played yourself.

Then we get to the Provisonal License Exam, which feels like a step in the right direction… until you realize this will boil over into Deku vs Kacchan 2, which will get both of them in trouble, which will give Katsuki insight into OFA while Izuku gets shunned by his classmates, and which will prevent Katsuki from the one ass beating that could have potentially taught him something. It's essentially the narrative covering his ass, and then he has the gall to be happy about other people potentially getting set back just because he was set back. Geez dude.

The Cultural Festival essentially undoes what the Remedial Course Arc accomplishes, having Katsuki look down on the rest of UA when he said NOT to look down on people earlier. And then his speech is still heavily antagonistic to the rest of the school, and to the idea of basic human decency and kindness in general. And if I'm being honest, that whole "he can play drums" feels like a big ass pull to keep him in the spotlight. At least the story brought back his ability to cook down the line.

The Joint Training Arc is just shoe horning in regards to Katsuki. It acts like his gearing up towards saving, but the circumstances are heavily, heavily in his favor, and not in a good way. I've already brought up how Katsuki won't get "saving" until the Endeavor Arc, and how here he's just doing it to show off, so I won't go into it here. Then apparently he gets to outwit a recommendation student 'cause why not? It makes him look more impressive than he actually is, even though he outright states he hasn't changed much if at all. Not to mention the narrative makes it sound like he was some sort of underdog, even though he only got kidnapped and didn't get his license. And I know those are big things, but not enough to warrant his victory feeling that triumphant. I'd probably buy it if he didn't win the Sports Festival or pass the Final Exam. Keep him in that slump for longer than you actually do, or it lessens the impact. And let's not forget, he might have been willing to help Izuku with Blackwhip via fisticuffs, but the second he realized he wasn't getting anything out of it, he noped out. And it's been what, almost 200 chapters since his "starting line?"

I don't have much to say during the Endeavor Arc (that was its own can of worms), but as for the War Arc thus far… here's what I mean by "whiplash." The arc begins in Chapter 253. By Chapter 257, Katsuki will demonstrate how much he just does not give a f*** about Izuku's mastery over OFA so long as it looks like he'll come out on top. By Chapter 274, when Izuku's gotta split, it'll look like Katsuki has been thinking about some stuff, but by 275 he's gonna throw that out the window so he can attempt to one up Tomura and Izuku, and then he'll nearly get killed for it. And we won't know what exactly Katsuki is thinking until a flashback in Chapter 284 (which chronologically takes place after 257), where he has a conversation with All Might about his past with Izuku. Or at least the bullet points. If you're me, the start of the conversation feels less about Izuku and more so about his situation: his situation with OFA. And as much as I want to believe there was at least one good kernel in Katsuki that he was too stubborn to let out with Izuku, I feel like Katsuki only brings up him and his capabilities now because he got a Quirk. That's what put him on Katsuki's radar. That's what forced Katsuki to take notice of Izuku, what caused him to be unable to ignore his own weakness. Because of a Quirk. That's… borderline shallow, if not remarkably so.

And even when Katsuki is attempting to save Izuku in 285, his first thoughts are still on OFA. And even if we go by the line of thought that Katsuki is thinking "Even if OFA sucks, it's still Izuku's Quirk." And that's nice and all, but the flashback makes it seem like the Quirk is still All Might's Quirk as well. That all of Izuku's worth is hinged on the fact that he got a Quirk now and therefore can't be written off. Maybe he doesn't owe this to his accomplishments, but the narrative is terrible in its implications that Izuku wouldn't have gotten as much attention without it. At the end of the day, Katsuki is still associating Izuku's worth with his Quirk. And as much as I want to vaguely, vainly hope that this will change later on, I'm already at my limit

...and now that I've said my piece on almost the entire narrative thus far, let's shift gears to a few more tidbits in 285.

Again, the flashback. I think it's significant that they're shifting the focus briefly on middle school again. But you wanna know what sent me the wrong way? They didn't include the god forsaken suicide instigation. They can show Katsuki gloating. They can show Izuku up against a wall. They can even show a notebook and Izuku's face during the Sludge Villain rematch. But they can't show Izuku reacting with sorrow mixed with almost fury. That can't show Katsuki threatening him with a mere "What?" and the sparks on his palms. They can't show Izuku standing and crying, small and defeated.

"BUT HORI SAID HE WENT TO FAR WITH THAT SCENE!1!" Blah blah blah, doesn't change the fact that it still happened. Doesn't change the fact that it should be addressed, at any capacity. Doesn't change the fact that the story had the balls to recall middle school but couldn't bring itself to remember the one thing that could get its audience raising eyebrows.

But that's alright, it gave you the notebook; clearly it's done enough.

And maybe in another timeline, I could have let my jaw drop when Katsuki was hit and the chapter title was revealed. "Katsuki Bakugo: Rising" It would have been pretty damn powerful too.

...but with all the previous crap the narrative has pulled, it feels like more shoehorning. It feels like more Erasehead stepping in and shaming the audience. It feels like more All Might letting Katsuki in because he's not completely familiar with the finer details. It feels like more people. In narrative parroting that Katsuki changed when he does the bare minimum, as a hero or as a person. I can't treat this development legitimately, because so many other "legitimate" developments pulled a "psyche!" and headed out.

So, I'm done. I'm done with Katsuki, done with hoping his development will be done in a somewhat satisfying manner. Done with people telling me "it's actually good though!" like I'm blind and deaf or something, when I have enough brain cells to formulate my own opinions, and we both have enough brain cells to leave each other alone if we don't agree. Maybe when the series ends and we can all look at this in hindsight, and Katsuki has either found a way to redeem himself, or remain deplorable, I might talk about it then. But for now. I'm drawing the line. I might talk about what we've gotten up to this point, but everything past 285 I'm taking with a grain of salt. 'Cause I'm sick of hoping for something that obviously won't come through, and it's better for me and everyone involved if I just pack up and move on. BNHA isn't just Katsuki's story after all.

And if you made it to the end of all this… I hope you'll either respect my opinion, or respect my thought process. That's all I can ask.

-Crimson Lion (27 September 2020)

167 notes · View notes

bokunoheroanalysisforthefuture · 4 years ago

Text

Hmm, still thinking about character profiles… might try and do something with that after this arc, since I didn’t do it before the USJ arc. Or maybe I should wait until after the Sports Festival? I suppose I’ll have to wait and see if I have enough material…

Still, it does feel weird to try and do character profiles when there are other ones out there that are so much more detailed and really dig into things. I mean, it can’t necessarily hurt for me to do, but it’d also push back the chapters even further when I just want to get caught up, so… bleh.

Anyways, chapter.

[No. 16 - Know Your Enemies]

First off, Mineta, why. Just. Sigh.

Our first panel has izuku and Tsuyu wading towards the edge of the water, Izuku cradling his broken finger while Tsuyu drags Mineta along. Long and short, Mineta says the villains will be stuck together all day. Izuku is muttering about how lucky they were, because that move was a real gamble, and if the villains had been smart, a few of them would have been hidden under the water. He can guess they weren’t thinking ahead, but they still need to be careful…

Tsuyu tells him to stop, since what he’s muttering about is scary. She then asks him what they should do now. Izuku determines that their top priority is calling for help, and that if possible, they should follow the shoreline and make for the exit, avoiding the plaza altogether. (Meanwhile, Tsuyu asks if Izuku’s okay, which he confirms even while wincing over his injury.) Izuku’s narration recounts that their first battle ended in a win, but that he’d made a deadly wrong assumption.

Huh. Izuku is using his elbow pad as a temporary compress for his broken finger. Interesting.

Tsuyu accepts Izuku’s plan, and then notes that Aizawa is drawing a large number of villains to the plaza. Izuku is worried about their teacher, noting that there’s too many enemies. Of course, Eraserhead is holding his own out there, but it’s too much for him, and that he had to know that, but jumped in to protect the class anyways.

Mineta think Izuku is planning something stupid (which I mean, rude but fair) while Tsuyu gives a neutral ribbit. Izuku clarifies that he isn’t saying they should dive right into the fight - just that they watch for an opening and do what they can to lighten their teacher’s load. The narration from above finishes with an ominous statement - thinking that they stood a chance against those enemies was a grave miscalculation.

Then we get an overview of the USJ and where everyone was sent, serving as the ‘cover page’ for the chapter.

Interestingly, neither Aoyama or Hagakure have a confirmed location, though I am aware that Hagakure later states she was in the same zone as Shouto. And Shouji… oh, poor Shouji…

Can’t believe my good hugs boy was slandered like this… damn you Viz…

Not to mention the disrespect to our goddess Yaomomo… when will it end...

Next up, we get to see Shouto being casually intimidating. He exhales a chilled breath as his shoulder starts to steam, musing about the villains’ divide and conquer strategy. He then notes with a half-hearted preemptive apology that it’s hard to see the villains who were in the landslide zone as any more than thugs with quirks they can’t even handle.

Jesus christ where does his ice end.

Shouto approaches the closest villain - perhaps the leader of that squad - his boots crunching in the ice as his left side continues to steam. The squad leader(?) calls him a bastard and complains how he reacted the second he was warped there, as well as wonders if he’s really just a kid before complaining about the pain from the frostbite of the ice.

Shouto briefly flashes back to Shigaraki mentioning how they brought along so many playmates (which I guess confirms that Jirou and/or Shouji forwarded some of what the villains were saying down in the plaza because otherwise there’s no way they should have heard from that distance.) He thinks about how the villains want to kill All Might, and and first, they’d all seemed elite, so they could use their numbers to overwhelm him. But taking a closer look, the pawns are only there for the kids, nothing but a gang of low-level cannon fodder. As far as he can tell, there are only about four or five really dangerous individuals there.

He then sits down(!!!) as he gets the villains’ attention, noting that at the rate they’re going, their skin will rot away from frostbite. The villains are alarm, but Shouto continues on, explaining that he’s trying to become a hero, and that heroes don’t do such horrible things. As he thinks about what he needs to do next, he asks the villains what makes them think they can kill All Might, and to tell him their plan.

Shouto, my man, that is a power move and a half right there, I cannot believe he actually sits down and makes them talk to him like an unruly class of students or sommat. Just, fucking hell, I don’t even know if he realizes how effectively he just asserted his dominance.

Our next scene shift (and the last for this post) is over to Yaomomo, Jirou, and Kaminari in the mountain zone, surrounded by enemies.

Pick your fighter. I’m Birb Dude.

A lot of those enemies have weapons of zome kind and are overall fairly intimidating, though there’s also this one fucker-

I’m sorry I just cannot take this one seriously, what the FUCK is that. There’s certainly some other questionable villains in this mess, but that one just. What.

Anyways. Kaminari just dodges a heavy punch from the big villain with the weird helmet on. He yelps as he gets closer to the girls and gets into formation (back to back to back), complaining about his whole life flashing before his eyes and asking who the hell those guys are and what they’re doing there. Jirou tells him to worry about that later, with Yaomomo stating they need to figure out how to get away from that mob.

Jirou asks Kaminari to confirm he’s a ‘lightning guy’, and then tells him to just fry them all to a crisp. While she’s holding a presumably metal sword. Yeah no, I can’t see anything wrong with that plan. Kaminari is offended because why wasn’t she paying attention when were partners during the battle training?

He then goes on to explain that he can only cover himself in electricity (so he wants a weapon), then goes on to say that he can discharge it, but he can’t control it - he’d hit them as well! Kind of like Todoroki’s power. He also states that he’s still trying to call for help, but his special transceiver is being jammed. He then finishes with the statement that they can’t rely on him, so he’s relying on them, giving a thumbs up with a bit of zap coming off of it.

Jirou grumbles about how he blabs a lot for a guy, then turns and kicks him into the crowd of villains, telling him to be a human stun gun. Kaminari yelps in disbelief at the betrayal, smacking right into the huge villain who almost punched him before and giving the guy a real good zap. Jirou is unimpressed as Kaminari realizes that the adhoc plan actually worked, and that the two can in fact rely on him after all. Jirou notes that that was easy.

Two other villains move to go after Kaminari, who is STILL somehow zapping the guy (how is that villain not dead yet??), with the rock fisted guy aiming a massive bouldery fist at a scared Kaminari. However, right before it hits, it gets cracked open by some kind of soundsave, leaving the villain’s unprotected fist to land right in Kaminari’s face and get them brutally zapped as well.

The boar-masked villain with knives tries to leap in, but a net shot from seemingly nowhere catches him mid-air and sends him falling to the ground caught up in it. We see right after that it was shot from Yaomomo’s right forearm / elbow, all while she’s blocking another strike from a different villain with her staff. She tells Jirou and Kaminari to get serious, with Jirou apologizing as she lifts her short sword again.

Jirou unplugs her ear jack from the speaker in her right boot, the jack retracting to normal length as she notes that she had a good plan, but Kaminari… (something? IDK. I guess he’s in the way? Or she wasn’t expecting his quirk limitations?)

We get her full name - Jirou Kyoka - and a description of her quirk, Earphone Jack.

We also get to see her use her quirk without the speakers, directing one of those amplified heartbeats as a direct attack at some of the villains, who hold their hears as they shout from the pain. Jirou blocks another up-close sword attack with her own short sword, nothing that in her costume request, she asked for a way to focus her sound in one direction.

A question about her costume, like. Why are the speakers in her boots? I mean, I know her costume needed speakers to direct her quirk, but why not go for something like Present Mic’s costume where she could have the speakers on her shoulders and so a lot closer to her quirk???

Yeah, I need to try and keep remembering that these are first draft costumes made by fifteen year olds and not meant to be used in the field / against villains yet. Sometimes I am a dumb. Thank you discord for knocking my head straight.

Moving on, we get Yaomomo kicking another villain back as she states that ‘it’s ready’, which confuses Jirou and I guess the villains as well. The villain she kicked stumbles back as Yaomomo crouches over, her back starting to bulge as she notes that it took some time, what with it being a larger object. The back of her costume tears open in a fairly gruesome-seeming image, only for the next panel to reveal it’s some kind of huge sheet that shoot out over her and Jirou’s heads before coming down to completely cover them both.

The villains are confused about the sheet, asking if the kids are trying to shield themselves. Meanwhile, Kaminari seems done shocking the other villains, stumbling as others start to run at him with their weapons or hands poised to strike. Momo clarifies that the sheet is a 100 mm thick insulation sheet, then tells Kaminari ‘now.’ Kaminari, nose bloody, realizes her plan and let her know that. He lifts his arms, telling the villains that he’s actually super strong before bringing them down and fully unleashing his quirk, zapping all of them at once.

Pikachu, use Thunder!

As the quirk wears off, we see all the villains are in no condition to keep fighting. Smoke rises from the insulated sheet as Yaomomo lifts the edge, noting that now that that is handled, she’s worried about the others, so they need to hurry up and regroup. Jirou is flustered as she points out Yaomomo’s wardrobe malfunction (which I will not be sharing here), while Yaomomo calmly replies she can make more clothes. We also get a blurb on Yaomomo’s quirk:

As well as probably one of the most important things that Bones cut out for some stupid reason: belly rolls!

Yes, Yaomomo actually has a healthy weight in the manga. I mean, all the girls do, but still. Why do animes just ruin this stuff.

Anyways, our last two panels of the page and this half of the chapter show Kaminari totally brain dead as he cheers, with another blurb about his quirk:

Behind all three of them, we see a fist smashing up out of the ground, showing that someone managed to dodge that super-attack after all…

Anyways, that’s a wrap for now. Next time is all Aizawa and Shigaraki, and that’s gonna be… messy. See y’all then!

27 notes · View notes

notebook-13 · 5 years ago

Text

…Look, I know nobody really cares about Overhaul’s characterization, but I spent enough time puzzling over wtf is his deal while I was watching the anime that I may as well make a post about it. Especially considering how he’s come up in recent chapters in relation to Twice and Hawks, one thing that strikes me about Overhaul is that he wants to be normal, and to accomplish that, he tries to change the world instead of himself.

On the surface, Overhaul’s goal was to establish himself and the Hassaikai as the rulers of the underworld using the anti-quirk serum, thereby repaying the “debt” he owed the Hassaikai boss for giving him a home, but I think there’s more going on.

Overhaul’s goal was to eradicate the belief that human lives have inherent value. He planned to do this by destroying quirks, since he perceived them as the basis of people’s belief that they matter.

Since Overhaul’s dialogue is confusing, here are two other translations of his lines:

“Because people are endowed with these things called ‘quirks,’ they can dream. Dream that maybe they can be someone that matters…they’re all sick in the head! So wipe that smile off your face! Thanks to the power of that girl you were trying to save, everything you’ve worked so hard to cultivate…has just been reduced to naught!” (Ch152, mangastream)

“The diseased…have been given quirks, and that lets them dream. Thinking you can actually become something is an illness of the mind. It’s funny! With the power of that girl you’ve come to save, everything you’ve worked to cultivate…has now gone to waste!” (Ep74, Funimation subs)

Basically, people want to matter, and they use their quirks (symbolizing individuality, and human deviation more broadly) as proof to say they do. So when Mirio loses his quirk, Overhaul’s reaction isn’t, you’re cured, you’ve been purified, you’re normal now. His reaction is, now you are worth nothing, you are a good-for-nothing deku, the illusion of value your life held is gone, everything you held dear was actually a lie.

I think that’s why Overhaul can use his quirk with impunity without seeing the hypocrisy. He essentially views people as infected mice infatuated with their own disease, but he knows better! He knows everyone is worthless! So he’s the only one who’s immune to this mental disease of ~being special~, he doesn’t get any delusions of grandeur, he’s the only one great enough to change the world—etc. When Shigaraki removes his quirk, Overhaul’s illusions are torn away the way he was expecting from Mirio.

But Mirio stands up to Overhaul and asserts that he still chooses to find value in his life without depending on whether he has a quirk. That’s the underlying reason why Overhaul is repulsed by heroism: it’s built on the ideal that people matter, their suffering is bad, they deserve to be saved, and so forth.

These are concepts Overhaul resoundingly rejects, for reasons never explicitly stated, but I think a fair interpretation is to say Overhaul’s noticed that he’s different from other people, and he’s afraid it means there’s something wrong with him. This fear is on par with an existential terror, so he can’t acknowledge it directly, but it drives him to go above and beyond to prove he is a normal person who does belong in the Hassaikai, specifically, and in society more generally.

First, for context:

^^ Regardless of how the yakuza are in reality, in Japanese pop culture their image is two-faced. They can be chivalrous gangsters (honorable criminals who offer shelter to outcasts and uphold the vestiges of samurai culture) or they can be villains (relentless hypocrites who prey on outcasts and commit staggering violence). Even down to the clothes they wear, the boss and Overhaul embody these two yakuza archetypes, and accordingly, they can’t coexist.

At the core of their power struggle is what it means to be a yakuza, and whether Overhaul belongs as one.

This reaches its climax when Overhaul tells the boss about torturing Eri, and the boss tells him it’s time for him to leave the Hassaikai. Overhaul puts the boss in a coma because he can’t bear to be rejected and branded a deviant for his cruelty (“straying from humanity,” “soulless heresy,” “how little do you think of people?”). The boss pretty much outright tells him there’s something wrong with him.

Overhaul never talks about why he thinks so lowly of people. It could be any tragic event in his life, whatever went down before he met the boss, sure, or even just the simple fact that his quirk enables him to disassemble and reassemble people like objects, but I think the answers are in the material Horikoshi emphasizes: in his relationship with the boss, whom Overhaul fixated on as a kid.

The feature that strikes me most in Overhaul’s relationship with the boss is the (lack of) acceptance between them. Overhaul seeks the unconditional acceptance the boss offered him as a child so intensely that I can’t help but think there’s a deeper motive: validation. The “debt” Overhaul feels is an imprecise label for his discomfort; he feels pressured to earn his place in the yakuza because, on some level, he recognizes that he doesn’t belong here among chivalrous gangsters. He consequently overcompensates, though going to such extremes just underscores he is different, but he wants to win the boss’s validation that badly because, without it, Overhaul feels like a freak. He’s afraid that there’s something wrong with him. This emerges most pointedly in his “germophobia.”

Given that he 1) literally breaks into hives and flies into murderous rage when he’s touched, 2) considers heroism and quirks to be a disease, and 3) breaks into hives multiple times purely from the force of his emotions—I think his phobia shouldn’t be taken at face value.

In some way, Overhaul is “allergic” to society. He doesn’t belong in this world, among these cultural values, which is why he seeks to change society.

“return humanity to normal”

^^ Overhaul wants to change the world to match his version of normal, and, remarkably, the fact that he believes it’s more feasible to change the world than to change himself says leagues about how immutable he believes his differentness is. By destroying quirks, Overhaul wants to make everyone the same: worthless. He resents that other people even want to be different because feeling like there’s something wrong with him is his greatest fear.

Shigaraki is Overhaul’s main foil, but…there’s a reason why Twice introduces him.

Twice (narrating): There’s no place for insane guys like me in society. As for the people who heroes like to save…yeah, they’re always the good, virtuous ones. Anyway, I finally accepted me for me and decided to make myself useful to the League of Villains because I wanna be okay with being me. What I’m searching for now is other people just as crazy as I am. The aimless wackos looking for a place to belong… [Overhaul debuts, complaining that he’s surrounded by sickness] Twice: (staring at Overhaul) But now those nutjobs are starting to carve out a place for themselves in this world. Twice: “Okay… To ask…or not to ask?!” Twice: Whether it’s us or the heroes, everyone’s starting to take on a different look nowadays. Knowing who you are is what really matters. Who you wanna become…what you wanna do… It’s real, real important.

Ch115, viz.

Twice’s narration frames Overhaul as someone who’s just as freakish as he is, and it foreshadows “a place to belong” as a key theme of Overhaul’s arc—a theme that Overhaul’s first flashback (to when he met the boss) cements. Overhaul wants somewhere to be accepted and belong precisely because he’s a “crazy wacko” with no place in society. Usurping the boss is Overhaul’s attempt to carve out a place for himself in the world, to fashion the Hassaikai (and society at large) in his image.

Twice’s narration also highlights how Overhaul doesn’t know who he is or what he wants, and consequently, he turns out to be a humungous hypocrite who can’t uphold even a single of the principles he professes. He double-crosses the boss, he isn’t sure if he wants to commodify quirks or eliminate them, and he can’t accept that he, like everyone, is worthless. He’s so afraid that there’s something wrong with him that he instead insists that everyone else is “sick,” everyone else is wrong, not him, he’s the only normal person. Unlike the LoV, who are more or less okay with being outcasts, Overhaul sets out to correct this difference because he can’t bear it.

…And Twice’s foiling underscores Overhaul’s lack of emotional attachments. It’s ludicrous to think Twice would ever lock Shigaraki away and then release him after Twice’s clones have toppled society. Overhaul’s interest in the boss is as a source of validation to help him repress his fear that he’s abnormal, not in the boss as a human person with feelings.

While fighting Deku and Eri, Overhaul recalls putting the boss in a coma. He follows up his flashback with these lines:

Overhaul: “None of you are looking at the big picture here!! What I’m annihilating is the world itself!! Its very structure!! So a pathetic little would-be hero driven by his emotions…reaching out for whatever petty sense of justice he stumbles across [meaning the status quo]…can’t stop me!!”

Ch158, viz.

The “none of you” is very telling—Overhaul is referring to the boss as well as Deku. He resents the boss, and his resentment of heroes is partly a sublimation of that—both Deku and the boss are driven by compassion Overhaul lacks, which disturbs him, so he needs to lash out and tell himself that his motivator, "logic,” is normal.

But regardless of the underlying reason, his most important motivators are that he doesn’t value human lives, and that he feels alienation because, on some level, he fears there’s something wrong with him for that. (<– the boss basically tells him so, by spurning him for being cruel.)

^^ When Deku delivers his final blow, knocking off Overhaul’s mask and sending him crashing to the ground, Horikoshi reveals Overhaul’s face for the first time. It’s a plain face; the mask hides no quirk-related anomaly; ironically, Overhaul’s "remedy” to his phobia (the plague mask, to stop himself from breathing the same air as others) makes him look like more of a weirdo than if he went without it.

His flashback here gives us a glimpse of what it is that inspires Overhaul. Overhaul remembers walking in the rain in the boss—a memory that prompts him to make a last stand…but also, a memory that causes him to break out into hives. Once you look, it’s clear he has no hives before he remembers it.

This is a positive memory, but it’s also an intensely negative one.

Because, deep down, Overhaul knows the boss will never thank him again. Out of buried resentment for the way the boss withheld his acceptance and made Overhaul feel like a freak, Overhaul made a point to trash everything the boss loved—he turned the Hassaikai into villainous bastards and carelessly offs the boss’s devotees, he followed through on his evil plan to use Eri as the base for his anti-quirk serum, and he, uh, put the boss into a coma. He even rejected the name “Chisaki,” the name of the strange man who tried to be a yakuza but whom the boss discarded anyways, and named himself after his quirk in order to “remake” himself into someone new. Clearly, like everyone else, he’s invested in his quirk as a crucial aspect of his identity –.–

But embracing his “true nature” isn’t enough when Overhaul knows that the boss will never accept him again, when he is still different, which is why Overhaul wants the world to change to match his views on humanity, so that he’s normal.

Another time Overhaul spontaneously breaks out into hives is when Shigaraki leaves him.

No hives when Compress and Shigaraki touch him to remove his arms. Overhaul seems to be in shock. But Shigaraki’s words finally penetrate.

“You should just sit back and watch!! Have a nice life!”

“I just want to repay the debt I owe you. So please, just sit back…and watch.”

It’s these words from Shigaraki that prompt Overhaul to break out into hives, probably because, by sheer luck, Shigaraki quotes Overhaul’s last words to the boss. Before putting the boss in a coma, Overhaul told him to sit back and watch—one problem with that being, obviously, that someone in a coma can’t watch. So (again by sheer luck) Shigaraki actually does Overhaul one better and fulfills his words better than he did.

Similarly, Shigaraki is stealing Overhaul’s life’s work—just like how Overhaul stole the boss’s life’s work, the Hassaikai—and Overhaul’s quirk, just like how Overhaul stole Mirio’s…but Shigaraki steals them better than Overhaul did. It’s Overhaul’s lofty ambition to use the quirk serum change the world, to establish himself as normal and at the center of his new society, that serves as the basis of Overhaul’s self-esteem.…and it’s Overhaul’s quirk that gives Overhaul his name.

By removing his quirk, Shigaraki strips Overhaul of the name he gave himself. He’s no longer Overhaul, and he’s not even the boss’s man “Chisaki” anymore—he’s the nameless child on the streets whom everybody shuns. The outcast, the reject, someone who can only sit on the sidelines and helplessly watch.

Overhaul’s arc ends on the contrast between them. Overhaul is introduced as the mature, more methodical villain who threatens to supplant Shigaraki as AfO’s successor, but the story unmasks him as an irredeemable, reprehensible hypocrite who can’t stand by anything. Shigaraki, however, proves he’ll stand for what little ground he ekes out, and he copes with his resentment over his outsider status by openly acknowledging it and bonding with fellow outcasts to forge their own home.

Ultimately, I think the core of Overhaul’s character boils down to 1) he doesn’t believe that people matter, 2) he feels intense alienation and isolation, and 3) he’s afraid he’s abnormal. How those three things interrelate, which of them is cause and which is effect, is flexible. I figure his hatred of quirks stems from one of these, probably (1).

Power is another consideration, one that I didn’t look at in my analysis since I think his thirst for power is his attempt to belong/alleviate his sense of abnormality by gaining status. And, though I think Overhaul is framed as a sociopath-like person whose lack of empathy is innate, I think there could be a solid characterization made for his extreme lack of empathy being a consequence of nurture, like he feels like a freak due to a childhood tragedy.

Miscellaneous Overhaul details;

Overhaul doesn’t seem to break out into hives when he touches dirty inanimate objects, like the floor; his phobia of “dirtiness” is focused on people.

His phobia is implied to have escalated or begun during adulthood. He didn’t seem to wear a mask as a kid, nor did he seem to break into hives before the canon timeline (Overhaul has no hives in any of his flashbacks, even when he’s cutting Eri or surrounded by gore).

Overhaul begins to wear his plague mask after a major argument with the boss over proper conduct for a yakuza.

Despite being Overhaul’s father-figure, the boss called him “Chisaki” instead of “Kai”—he might’ve been too traditional/stuffy to use Overhaul’s given name even when he was just a kid.

Mirio reminds Overhaul of the boss, which is why their fight gets so personal.

Overhaul hates Eri so much because they’re similar—both are “aberrations” who don’t belong. Eri is emphasized as a mutation who was rejected by even her mom, and the boss explicitly links their quirks…except that Eri has what he wants: the boss’s acceptance and a “normal” compassionate disposition, the latter of which he viciously leverages against her in order to punish her for it.

And also like…by virtue of being a young, little, helpless, sweet girl, meaning that she’s the perfect victim heroes always want to save more than anything, her life is disproportionately valuable to people, and that’s the sort of sentimental value Overhaul wants to destroy.