#i can say this as i am one myself

[caleb-is-existing]

Max and Kelly announcing their having a child together in the middle of the whole beef is so funny. Tryna distract us.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[rendevok]

“Take my hand” pages 16-18

1 -> 3 - day 4 - swap

[hinamie]

playing around w slightly different hair renders

[mutantfactor]

Fangs of Fortune 𓆩𓆪 Zhuo Yichen & Zhao Yuanzhou

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[theceaselessidiot]

Eloise Bridgerton being an absolute mood:

and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[ender1821]

im a child of divorce

[wildsaltair]

Nightmare

Pairing: Maximus Decimus Meridius x reader

Rating: T (hurt/comfort, angst, fluff)

Word Count: 2.3k

Tag List: @enjisbf, @nasatshirts, @empressenchanted

Author’s Note: Up until now I've never posted any Maximus fanfiction because it's always just sort of been something I did for my own enjoyment, but this is one that I don't mind sharing :) @streets-in-paradise inspired me by sharing some Maximus love with me, so this is dedicated to her (and all you other wonderful people who have made Tumblr a place where I can share my passion for this wonderful man)! There's a lot of love poured into this fic, so I hope y'all enjoy it :)

*~*~*~*~*~*~*~*~*~*~ 

You are not surprised to learn that Maximus has nightmares. The details of his past are something you can only guess at, though he has alluded to the terrible battles and bloody escapades that haunt his memories. You also know that his refuge in your home is the first peace he has known since he was a child.

But you are not prepared for the sheer forcefulness of his first nightmare. He’s asleep next to you in bed, pale blue moonlight filtering through the window of your room, but you are awakened by his movements in the middle of the night. He’s jerking back and forth, his face twisted in a look of concentration, agony, and terror. You can’t help the fear that rises in your throat at the sight.

He makes a quiet sound in the back of his throat, one hand gripping the sheets tightly enough that his knuckles turn white. Blinking yourself into consciousness, your heart tightens at the sight. Even all these miles and months away from battle, still his past pursues him in dreams.

His next convulsion shakes the bed, and you instinctively reach out to him, hoping to wake him from the nightmare. It proves to be a mistake the second your hand presses onto his shoulder to shake him awake.

His eyes fly open at your touch, but it’s abundantly obvious that he is not awake, still seeing visions of whatever memory he was in a few moments ago. The look in his eyes is one of pure survival instinct, of a desperation that breaks your heart.

A split second later, you’re flat on your back, and the full weight of his body is pinning you down against the bed. You barely have time to register the shock of his swift movement before you realize that you did not wake him up. Blinded by memory, all he can see is his opponent, and the thought drives you to panic and try to wriggle out from under him.

Grinding his teeth, he grips both your wrists in his left hand and restrains them above your head effortlessly, despite your struggling. You call out his name softly, then more loudly, but still he is lost in the nightmare.

You thought you had tasted his strength before, when he’s made love to you and demonstrated how easily he can hold you in whatever position he chooses, but this situation gives you an entirely new perspective of his strength. A second after flipping you over, his right hand is around your throat, his thumb pressing into your jugular with enough force to crush it.

You’ve never been afraid of him once, but in this moment, without a single hint of recognition in his eyes and all his power focused on choking you, you are so terrified you can barely react. You can’t even use your hands to try to push him away.

Knowing that you may only have a few seconds to react, you gasp out his name as loudly as you can, the word immediately drowned out by the pressure on your throat. Your vision is fading to black a moment later, all the feeling in your hands gone from his vise-like grip.

But your strangled cry reaches past the fog of his nightmare somehow. The pressure on your throat releases, and his eyes widen suddenly, letting you know that he’s finally awake and realizing what he has been doing.

You can never forget the look in his eyes at that moment. All the terrifying forcefulness, the single-minded fierceness, the brute strength that made him such a force of nature on the battlefield — it all vanishes in a split second, dissolving into a gaze of such horror and regret that it shatters your heart instantly. You know that from this moment forward, he may never truly trust himself with you again, a thought that devastates you for him.

You can’t move for a moment, still struggling to catch your breath, and the look of horror in his eyes only increases as he pushes himself off you. He seems torn between the need to gather you in his arms and the fear of hurting you as he just did. His lips move, but no sound comes out.

You draw a ragged breath, reaching out one hand toward him desperately. “I’m all right,” is all you can manage. “I’m all right.”

You try to push yourself to a sitting position, but you find that you simply cannot, still so shaken from thinking you were about to be choked to death by the man you love, who you know would rather die than cause you any harm. His hands are trembling wildly when he reaches out to steady you.

“I didn’t know it was you,” he says, his own breathing so erratic that you wonder if he can feel your pain. “I couldn’t see you. I didn’t know it was you.”

He’s repeating himself in absolute shock, his eyes scanning every inch of your face, your neck, your arms to see what damage he’s done to you. His shaking only worsens, but he doesn’t lay a hand on you during his frantic checking over you for injuries, just lets them hover as if he’s afraid to touch you again.

You manage to sit up this time, steadying yourself with a calming breath and trying to give him a relaxed smile. “I know, I know,” you murmur, reaching out to brush your hand over his ruffled hair. He almost recoils at your touch.

“I could have killed you,” he whispers, involuntarily shifting himself to the edge of the bed away from you.

You keep running your hand lightly through his hair, determined to reassure him. “Of course not,” you promise. “You were only dreaming. It was just a dream.”

“It was just a dream,” he echoes, but not in agreement. “A dream of a battle in which I almost died. In which I killed so many men I could never count them.”

You don’t betray a single hint of fear, just scooting forward to close the distance between you. You use both hands now, framing the sides of his face as his eyes search your face desperately.

“I’m perfectly all right,” you assure him with a smile. “See? No harm done at all.”

“You don’t understand,” he insists vehemently, his voice breaking. “I could have killed you. I didn’t know it was you. I only saw my enemy and thought of killing him.”

Seeing how shaken he is, you push forward and clasp your arms around his neck to steady him. He still doesn’t touch you, doesn’t return your embrace. You can feel his whole body quaking in your arms.

“You don’t understand,” he repeats. “You don’t know what I’m capable of.”

“I don’t need to know,” you whisper in his ear, stroking his hair rhythmically in the way he always responds to.

He actually pushes you away this time, his hands gentle on your forearms as he puts space between you again. His eyes are blazing, his face as white as your sheets. “You don’t know,” he murmurs again, dropping his hands. “I could snap your neck with one twitch of my wrist. I could break your wrists, your ribs, your spine as easily as I can hold you down.” He holds his hands up in front of you, eyes wide and haunted. “You have no idea what these hands have done.”

“I don’t care what they’ve done,” you argue, seizing his hands with yours before he can pull them away. This time, though, he doesn’t make a move to pull away, freezing in place while he watches you carefully. Slowly, intentionally, you kiss the backs of both his hands, his knuckles, his fingers, to demonstrate your words. “I know you, and I love you, no matter what you’ve done.”

He shakes his head, though his eyes drift closed at the touch of your lips on the base of his palms. “No,” he half-whispers, “no, no.” Your heart tightens seeing him so tortured, knowing that all this anguish lurks beneath his stoic exterior every day, hiding so you can’t see it. “I should never have risked you like this.”

“You’ve never risked me,” you insist. “You’ve never done anything but protect me.”

“Until tonight,” he counters sharply, his eyes flashing open and fixing on yours with his typical intensity magnified. “It only takes one time. I should never have taken the risk.”

You can read the meaning behind his words — that he thinks he can’t trust himself to sleep next to you. The thought of giving him up, especially for this reason, is utterly unacceptable to you.

“I am not afraid of you,” you tell him firmly. Your words seem to affect him, because the tension in his shoulders lessens fractionally. You kiss his hands again and again, then rest your cheek against the roughened skin that you love so much.

“You should be,” he replies softly, the severity in his voice already decreasing. You can see the waves of exhaustion and sorrow washing over him, and you reach out your arms to enfold him again. This time, he accepts your embrace, folding his arms around your waist gently and resting his forehead in the crook of your neck. His skin is burning hot against yours, his arms still trembling.

“I could never be afraid of you,” you whisper. “I could never be afraid of the man who has protected me and cherished me. You have treated me so gently, so tenderly all these months. Never once has it crossed my mind to be frightened of your strength.” You press a kiss to his shoulder, then the side of his neck. “I take pride in having the heart of a man so strong, so capable. I know you would never hurt me.”

He shifts you in his arms, lifting you slightly to align more easily against his body. You can feel the deep, shuddering breath he draws while he thinks about your words. “I would never mean to hurt you,” he replies, “but in a dream, I cannot tell the difference between memory and reality.”

“I believe you would be able to keep yourself from truly hurting me,” you reassure him, threading your fingers into his hair at the base of his neck. He reacts to your touch with a hand sliding up your back to cradle you closer to his chest.

“And if I could not?” he whispers in response, his lips pressing against the sensitive skin of your neck. “If I should wake and find you dead by my hand?”

You shake your head, feeling tears spring to your eyes. Any fear you felt in the moment while he was holding you down is completely gone, lost in the tender embrace he holds you in now. “I do not believe the gods would allow such a thing to happen. Not to you. Not to us.”

He releases a shaky breath, one that glides across the exposed skin of your neck. He ducks his head to press a kiss to your collarbone, letting his lips linger there in a way that makes you shiver in his arms. “I am honored by your trust.”

You smile in response, dragging your fingertips lightly down his sides, over the deep scar that slices down his ribs. “I could never trust another man on earth as I do you,” you reply. “My only fear is that I may drown in the love I see in your eyes every day.”

He kisses your collarbone again in response, then moves upward slowly, pressing his lips to the soft hollow of your throat, then the underside of your jaw at your pulse point. Lifting you up effortlessly with his hands hooked under your arms, he repositions you so that you’re straddling him.

He then rests his fingertips, feather-light this time, against the sides of your neck. He strokes his fingers over each mark they left, then presses the softest of kisses against each one. Goosebumps break over your skin at the intimacy of his actions, of the wordless apology in every touch.

He lowers his forehead against yours, eyes closed as he breathes you in. “I do not know what blind fortune allowed me to find you,” he murmurs, touching his lips softly against the corner of your mouth, “but I thank them every moment for the gift of holding you like this.”

At your affectionate smile, he finally gives you the ghost of one in return, though his eyes are still haunted. You suspect that he will retain that haunted look for some time, no matter how many reassurances you offer.

As the intensity of the last while calms, he shifts you in his arms again, cradling you gently and laying you back against the pillows. He leans up on one arm, facing you, and you reach up a hand to stroke the side of his face. His expression softens again, giving you a look of utter fondness and devotion that makes your heart melt.

He leans forward slowly, as if asking your permission, and you gladly grant it. His lips touch yours with a gentle brush, then a bit more pressure. His tongue slides across yours in the way that always sends shivers up your spine, and one of his hands reaches up to stroke your hair, the other resting lightly on your waist. He kisses you once, twice, three times, each one more tender than the last, then lets his lips linger against yours for a moment more.

“I love you,” he says softly that you barely hear it, but rather feel it against your mouth.

“I love you,” you return, “more than I can say.”

One last kiss, and he finally lays down beside you, his face mere inches from yours and his arm folded across your waist. He takes his time in going back to sleep, choosing instead to gaze at your profile in the soft moonlight, but sleep finally takes him. And when you finally close your eyes, content to sleep peacefully beside him again, it’s to the sound of his even breathing and the warmth of his protective embrace.

*~*~*~*~*~*~*~*~*~*~*~

More of my fanfiction if you're so inclined :)

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[miserable-something]

the court physician and the second born

[poorly-drawn-mdzs]

At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.

I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)

(2024 summary here)

[faunandfloraas]

The Nobleman or 양반 (yangban): The smiling face represents the bluff and composure that an aristocrat is often known to have. The chin is a separate piece from the top of the mask, and the actors can lean forward and back to make the mask smile or frown as needed.

This monk who abandons his doctrines, or 취발이 (chwibari): Chwibari was originally a monk, but he had no intention of joining the monastic order, so he came down to the world and wanders. Represented with a forehead full of wrinkles and spots.

The widow or, 부네 (Punae/bune): represented to be a widow, or a kisaeng ( a woman who sang, danced, or played an instrument to provide entertainment for company at a drinking party), or a mistress of the Yangban. She has a very small mouth, round cheeks and forehead- giving a general look of happiness good-humor.