#how to say like. this video is so human. to me

[theanonymousninja247]

My reaction to this comic. I literally waited ALL day to come home from work to take this picture because this was just too real and raw for me not to be real myself to show how much it shook me

so face reveal sorta?

I can’t tell you how much closure I’ve received watching this 😪🙏🏼🫶🏼🧡

✨Note to self: Isolation is not the answer✨

This ended up way longer than I originally anticipated but I have no regrets, I also got carried away in one too many shots and regret none of it

Enjoy!

part1 | part2 | part3 | part 4 context: 1 / 2/ 3 / 4

After calming down the two of them just sit down and talk about it, Oneion explains everything more calmly, all the messures his brothers have taken to prevent him going into Survival Mode along with the ways they've find out to snap him out or fully stop him

(From then on Sprout has a high voltage taser intalled on his prostethic, just in case)

This is pretty much it on my part for the whole OneOne-Toast fight aftermath situation! Ell did a thing with One and Poptart too!

I also have some more Sprout and Oneion doodles, they are not connected to this event but I might post them over the weekend

[abbysimsfun]

Sims In Bloom: Generation 2 Pt. 92 (Conrad's First Love)

cw: Conrad getting pretty spicy 🌶️🌶️🌶️ and not with Heather; references to human and drug trafficking (not depicted).

Follows the events of this post.

As she passed him to put away her gloves, a stunning redhead at Pappy Murphy's Boxing Gym caught Conrad's eye. Though he'd been deep in another bout of anger and self-pity over the death of his mother years earlier, he stopped his workout. Every inch of his being compelled him to talk to her.

She turned with a smile before he could stammer a single word. "Hi, handsome. Did you want a better look?"

He nervously introduced himself and she told him her name. "Ximena." The word floated from her lips like a song. He was instantly smitten.

"Ximena, could I buy you a drink?"

They spent the day in a local pub. He told her everything about his mother's death and his distance from his father in the years since. She listened, but she had a lot less to say about herself. "I live here with my brother. I'm a student, and I'm the only caretaker he has. Our parents aren't around anymore, and it's been just Rafa and me for years."

He could hear an accent when she spoke, and most people in Britechester weren't locals, so he made an assumption. "How long since you moved from Selvadorada?"

Surprised by his guess, she turned defensive. "I don't talk about Selva."

He liked her too much to press and push her away, so they spent the rest of the day flirting and discussing their interests until Ximena invited him back to her place. "You make me laugh, Conrad Gordon. My brother's still at school and I want to get to know you better without all this noise. I hate the music they play in here."

Once Conrad followed her out of the bar and back to the small home she shared with her kid brother, Rafa, he started following her everywhere.

He lost his virginity to her a week after they met. That night, she told him why she left Selvadorada.

"I was going to die or they were going to kill me. I wouldn't let them sell me to anyone anymore, so I made a plan and left with my brother in the middle of the night to come here."

She showed him the scars left by the cartel, and a resolve to keep her safe coloured his already steadfast affection. He let her cut his hair when she said she wanted to show him how freeing it felt to change his look. "It's nice not to recognize the person in the mirror, sometimes," she said.

She told him she was a student, often meeting him at Larry's Lagoon to study but usually distracting him into other activities. One afternoon, she introduced him to an old friend, Jimmy Stefano. "Can you help him out around campus? You're in the same major."

Something about Jimmy Stefano rubbed Conrad the wrong way, but he assumed it was jealousy. Despite this, he would already do anything for Ximena and agreed to take Jimmy under his wing.

He called his father to say he planned to stay at school for Spring Break. "Sorry, I know I said I'd come home to see you."

Stephen Gordon laughed him off, but masked slight disappointment. He had no idea whether his son was flourishing or floundering at college, unsure how he'd been coping so far from home. "Don't worry, son. I'm just glad you sound happy. You're making me and your mother proud."

He skipped classes to spend time with Ximena, but made no mention of this to his father, of course. He spent time with Rafa when Ximena said she had late-night classes, taking him to the park to play pirate captain versus sea monster, and talking endlessly with him about video games.

Rafa wanted to become a pirate captain in Sulani or a game tester in San Myshuno. He had almost no memory of life in Selva before his sister left, but he knew it was "the bad place." He liked spending time with Conrad because he said his sister was too strict. "She just loves you," Conrad assured him. "Parents have to set rules, and she can't just be your sister. She has to care for you like a parent, too."

He realized then how important it was to be a model for Rafa, who needed guidance as much as anyone his age. Conrad had always had his father, but who did Rafa have besides Ximena?

Conrad discovered how she paid for an entire house for her and her brother by accident, stumbling on an argument between her and Jimmy Stefano near the campus fountain. "The deal was thirty pounds for three grand."

"They said if I didn't have five grand they'd only give me fifteen. They had guns, Ximena."

"They all have guns! Knives, too. Get your own and figure out how to use it. Watcher, please, don't screw this deal up for me, Jimmy."

"Who has guns?"

"The cartel," said Jimmy, so nonchalant, yet it still hit Conrad like a missile. His stomach turned as he read Ximena's expression. Every lie she'd told him unravelled with a look.

"Are you really a student here, Ximena?"

"No. They're my customers."

He'd had his suspicions, but he'd always told himself he was wrong. Ximena was supposed to be perfect. Hoping against hope, he still tried to play the fool. "What do you mean?"

She dragged him back home to tell him the truth - how she'd bargained with the cartel to escape a life of servitude to the men who ran product all over Simlandia. She refused to serve them, but her way out was to join them instead.

Conrad was angry, but he couldn't stay mad at her for long. As they lay in bed that night, she asked, "Are you going to break up with me because of what I do?"

"Not a chance. I love you."

"I love you, too." She smiled, resting her head on his chest as he ran a hand through her newly blonde hair. "You look nice without glasses, Conrad."

"You already gave me a haircut, Xime. You don't like glasses?"

"Conrad, you're very sexy. But you hide it and it's silly."

"If you're going to give me a makeover, what should I get you?"

"Are you asking me?"

"Ximena, I want to give you everything you could ever want."

She blushed. "I want you, Conrad. But since I already have you, maybe...jewelry? Like a ring."

"You don't wear any rings."

"Because none are special enough, Conrad."

He smiled. "Alright, that's one idea. But say I wanted to surprise you, what else did you want?"

"You could join me running product for the cartel. Our lives would be made, and we'd always be together."

"I don't want to run product for the cartel, Ximena. But I'm not going anywhere. I'll always be there for you. Rafa, too."

"Right, but what if I go? Rafa loves you, Conrad, almost as much as me. But what if the cartel moved me somewhere else? Would you come with me? Maybe you could be, like, my security. No running, just keeping me safe. Always with me and Rafa."

He'd do anything to protect her, but he didn't answer her that day, refocusing on his studies until he returned to San Myshuno at the end of the semester.

He'd missed his father more than he expected, and they went for walks in warm sunshine by the Spice Market. They talked about school, and Conrad talked about Ximena - leaving out details of her career and focusing instead on her relationship with her brother. Conrad rarely asked his father about work, but Stephen hinted he was inching closer to retirement. "Chester's daughter Nancy is ready to take over the company, but Chester's not quite ready to retire. I think she's plotting a coup, but you didn't hear that from me."

"What happens to you if she pushes out her own father?"

"Hopefully, a retirement package. Chester may not be ready, but I think I am."

On one of their walks, they passed a jewelry store, and Conrad made a beeline for the ring counter. A confident salesman smiled as the Gordon men walked inside. "Welcome. What are we shopping for today?"

"I'm just looking," Conrad said. "What rings do you have?"

The salesman beamed. "Are we thinking of an engagement?"

Stephen eyed his son carefully, but Conrad shook his head. "Not right now. Just like, for an accessory."

"I don't know, son. A ring says you're ready for forever."

Conrad took his father's words to heart, considering what forever with Ximena might look like. He wanted to be with her, but he wasn't ready for a ring. He left that day with a nice bracelet for her, instead.

"Even leaving with a bracelet as nice as that one...she must mean something. I'd love to meet her."

Conrad nodded. "She might be able to visit this summer, if she's not too busy with work," he said.

Stephen smiled and the Gordon men continued their walk, strengthening the bond nearly severed by grief before Conrad returned to Britechester for another semester. ->

<- Previous Chapter | Gen 2 Start | Gen 1 Summary | Gen 1 Start

NOT FUN FACT: Conrad got crab lice from Ximena when they slept together for the first time, which is gross but also fitting I guess. And yet I didn't make it canon because it didn't quite fit the vibe. Plus, he wasn't supposed to find out that early on that Ximena was problematic.

WCIF Poses Used? Various from packs Old Souls Love Differently by @simmireen (when Ximena is blonde), Our First Time by @eclypt0sims (redhead), The Kiss by @simmerberlin (black hair) and Nights Like These by @sakurasims-world (also redhead).

WCIF Jewelry Store? Jewelry Store by Guinifere on the Sims 4 Gallery. Very elegant interior and comes with crafting tables, a vault, charging stations - very nice lot! Needs dressing up with completed jewelry on the counters and in displays to look really spectacular (and I of course went the lazy route), but I wouldn't if I was playing a retail career, and this is a great lot for someone who wants to be a jeweler!

[accio-victuuri]

read a book for me. 📚

inspired by people who were curious about the books featured in xz’s video, let’s take a look at what they are. i’d like to think these were pre approved by XZ and are related to his interests. i’m not removing tge possibility that one of these were chosen by someone from xzs or the director himself. i’m tagging this as cpn because there will be some cpn. if you don’t wanna go that route and just enjoy learning about the titles featured, then go ahead. 😉

1. Restoration House by Kennesha Bucks

You don't have to live in your dream house to make your living spaces feel more like home. Home is meant to be a place to belong. A place to gather and connect. A place of beauty. A place to restore your soul. In Restoration House, author and designer Kennesha Buycks will encourage you to embrace your home and your story so you can create mindful spaces that give life to you, your loved ones, and all who enter.

2. LORI WILDE

that red book just says the author’s name and no actual title but if you look her up, she’s all about that romance novel. here is her website if you wanna know what i mean. if you move a bit, the spine of it says “boy” so i think it maybe one of those books that has the cowboys in it!

3. Next is LIT UP, which is a black book. I’m not so sure if it’s a real book and when you search it, there are a couple of contenders. Tho i personally gravitate towards p2 since it’s black and the plot of the story is something i think XZ will enjoy!

it says out of the cubicle and into the real world, it’s like him getting out of his work cubicle years ago and discovering the world.

book overview:

Eddy Gilmore found himself on society’s fringe after being exiled from Corporate America. Despite years of higher education and exemplary service inside a cubicle’s pixelated world, he had no tangible or transferable skills to offer his community. Amazingly, failure was the door into tapping dreams and gifts that had long been ignored as impractical.

This true to life adventure is a pilgrimage into the real world, a place where neighbors make and produce things that sustain life and bring joy. When their eyes were opened to the talents all around them, Eddy and his wife discovered how to produce value themselves, and sank roots into the community. By working together, they are building a life they might never need to retire from.

4. The Interior Design Handbook

Frida Ramstedt believes in thinking about how we decorate, rather than focusing on what we decorate with. We know more today than ever before about design trends, furniture, and knickknacks, and now Frida familiarizes readers with the basic principles behind interior and styling—what looks good and, most of all, why it looks good.

The Interior Design Handbook teaches you general rules of thumb—like what the golden ratio and the golden spiral are, the proper size for a coffee table in relation to your sofa, the optimal height to hang lighting fixtures, and the best ways to use a mood board—complete with helpful illustrations. Use The Interior Design Handbook to achieve a balanced, beautiful home no matter where you live or what your style is.

5. Limits of the Known

A celebrated mountaineer and author searches for meaning in great adventures and explorations, past and present.

David Roberts, "veteran mountain climber and chronicler of adventures" (Washington Post), has spent his career documenting voyages to the most extreme landscapes on earth. In Limits of the Known, he reflects on humanity’s—and his own—relationship to extreme risk. Part memoir and part history, this book tries to make sense of why so many have committed their lives to the desperate pursuit of adventure.

In the wake of his diagnosis with throat cancer, Roberts seeks answers with sharp new urgency. He explores his own lifelong commitment to adventuring, as well as the cultural contributions of explorers throughout history: What specific forms of courage and commitment did it take for Fridtjof Nansen to survive an eighteen-month journey from a record "farthest north" with no supplies and a single rifle during his polar expedition of 1893–96? What compelled Eric Shipton to return, five times, to the ridges of Mt. Everest, plotting the mountain’s most treacherous territory years before Hillary and Tenzing’s famous ascent? What drove Bill Stone to dive 3,000 feet underground into North America’s deepest cave?

What motivates the explorers we most admire, who are willing to embark on perilous journeys and push the limits of the human body? And what is the future of adventure in a world we have mapped and trodden from end to end?

6. Eat, Drink, Nap: Bringing the House Home

The quintessential style, cooking, and home interior book from Soho House, the world's leading members' club.

Since the first Soho House opened its doors over 25 years ago, we've learnt a bit about what works. Contemporary, global yet with something quintessentially English and homely at its heart, this is Soho House style explained by its experts:

- From planning a room to vintage finds: bringing the Soho House look home.

- Our House curator's advice on how to buy, collect and hang art.

- The art of a great night's sleep: how to design the perfect bedroom.

- No-fuss recipes and chef's tips: here's how to make your favourite House dishes.

- Inside Babington: our take on country-house living. Wellies optional.

- Flip-flop glamour and poolside style from Soho House Miami Beach.

- All the secrets of cocktail hour: House tonics and barman's tips.

- Spa treatment at home, DIY facials and chocolate brownies.

Eat Drink Nap, a 300-page highly illustrated book, with a foreword from founder Nick Jones, and photography from leading food and interiors photographers Mark Seelen and Jean Cazals, shares the Soho House blueprint for stylish, modern living, the Soho House way.

7. Styled

It’s easy to find your own style confidence once you know this secret: While decorating can take months and tons of money, styling often takes just minutes. Even a few little tweaks can transform the way your room feels.

At the heart of Styled are Emily Henderson’s ten easy steps to styling any space. From editing out what you don’t love to repurposing what you can’t live without to arranging the most eye-catching vignettes on any surface, you’ll learn how to make your own style magic.

With Emily’s style diagnostic, insider tips, and more than 1,000 unique ideas from 75 envy-inducing rooms, you’ll soon be styling like you were born to do it.

8. The other book i’m seeing is WINTER TID then it cuts off so again it’s tricky to confirm what it is! My best guess is WINTER TIDE but if you google that — i can’t connect how XZ will read that lol.

EDIT: adding this one seen from the alternate MV,

The Tale of the Body Thief by Anne Rice

is a vampire novel by American writer Anne Rice, the fourth in her The Vampire Chronicles series, following The Queen of the Damned (1988). Published in 1992, it continues the adventures of Lestat, specifically his efforts to regain his lost humanity during the late 20th century.

=========

now let’s look at the CPN.

i see fans saying the style related books could be because of his work before. but he is more of a digital and design artist right? he does logos and stuff that can help their brand identity. i don’t remember him being an interior designer. there is also the eat, drink, nap which has topics on cooking and being a good host. these books are making me clown so hard! my head canon is xz is keeping himself busy ( as if he is not busy enough already ) with designing their home. his and wyb’s — if that wasn’t clear enough, that’s what i’m insinuating. if he isn’t traveling, i would imagine he is the type who just wants to spend time at home in between jobs. it is their home. their sanctuary. so xz would make sure that it is according to what they both want and that it’s stylish.

and when he is at home sipping wine, while waiting for Bobo, is he reading a LORI WILDE BOOK? lol. sexy millionaire cowboy you say? 👀👀👀👀

😂😂😂😂😂

or reading something like the LIT UP book which is more up his alley ( but again i’m not sure if this is the exact title )

what is out of place is limits of the known. out of place compared to the theme of the other books, but xz is someone who is into nature and climbing of sorts. but i haven’t seen him climb the way yibo did in ETU. the most popular cpn is that this is yibo’s contribution to the selection. or maybe he read it after yibo and liked it. OR he is also becoming interested in rock climbing — which is not a far off possibility.

-END.

[estcaligo]

My favourite Sebek moments from this update (Book 7, chapter 11)

*what is this picture? who knows... *Spoilers, obviously

EQUESTRIAN CLUB LORE Silver's horse name is Samson and Sebek's - Tempest (ok ok I'm so normal about this) Once again, a reference to Sebek and books, I think, amazing And guess what other horse was called Samson?

Azul mentioned that someone uploaded a video of Equestrian club to Magicam and people were saying "He looks like a prince" (obviously about Silver but Azul actually says he meant both of them :)))

When Silver asked Sebek if he knew about it he said no because

But anyway Silver thought it was about his white horse Samson Sebek got jealous (big news) and said HIS horse - Tempest - is better and Prince of Horses ahsdkjhasdkah I can't with him (don't mind this wonky translator, I'm too lazy to type everything)

Next to Jack's dream

"To live in a dorm run by a man you can't respect. What an unlucky guy he is" - he comments on Jack's dream version of Leona (the opposite of irl Leona yikes) But then he adds "well, anyone who is not in Diasomnia is unlucky" lolol ok ok we get it you're proud as you should be

TEAM RAMSHACKLE OK YES Please Sebek transfer to Ramshackle at least for one week for one day for one second I beg you, It'll be fun I promise

Leona calls Sebek TsunTsun Head :)   ツンツン頭 can be translated as "spiky-haired" or "with spiky hair" (Leona was talking about their hair) but also it's a reference to Sebek's tsundere character :) Cute detail, imo

And what does Ruggie say about Sebek?? "That Diasomnia first-year - he's built just as well as Jack" RIGHT?? I've been saying!!! He literally has dumbbells in his room, like. Canon. Thank me again for drawing canon-accurate Sebek :)

Unprotected hand-holding with Leona :) My LeoSeb heart is throbbing aw (like someone once said on twttr - Sebek do be living his dating sim dream life lol)

Also oh? Main story SebeJack - "I have no intention to forgive a Sawanaclaw students who tried to hurt Young Master with their sneaky plan. But to think they also have someone like you…" Aaaa two tsunderes interacting yes pls

Next we have some lore about Baur. Sebek says his grandfather told him it was hot, but he couldn't imagine just how hot. He comments that Baur must've had a hard time when he (suddenly??) moved to the subarctic Briar Valley. *why did he say suddenly, what happened? Was he banished???

OH??? Baur also told Sebek that there were many different species, including Night Faes and that it was an easy/nice place to live.... Then why did he leave?????

Anyway! Sebek and Grim are hungry and wanna eat lots of doughnuts (3 doughnuts omg how Sebek.....) We've got options! Either we tell them to be modest, or we cheer them on hehe

OF COURSE SEBEK EAT WHATEVER YOU WANT

Then Ruggie wakes up and cries, of course. "Malleus you are heartless, you're not a human!!" - briefly And Idia comments "Well, he it's technically not, he's a fae" IDIA💀💀💀 Then Ruggie goes - "Ughhh These faes with their fae ways..."

And Sebek hears this and OF COURSE he says

LMAO CALM DOWN

Aslo I like this Moment with Silver. Our prince is stronk

That's it! In conclusion - Sebek is the best once again!!!

[smollsmule]

Ok my queue spit this out after I saved it for later, so let me add some nuance here. Because this is a very importand issue, actually.

Of course nobody is prohibited from readin the books they enjoy. Hell, I like me some easily digestible fluff too! Some of my favourite book series are ya (and genuinely great books despite being “easy to read”).

There is something to be said however about limiting yourself to only engaging with that level of difficulty in reading. And before you come at me, I know that many people don't read at all and to many others reading is simply a hobby to unwind after a long day, where they just wanna turn their brain off and have some fun. Which is a totally fair reason to read. BUT. Reading (or more broadly, literacy) will never be just that. You live in an age of (mis)information and you WILL be confronted with texts (speeches, video clips, what have you) that are hard to dissect. Especially the ones that don't seem like it at first glance.

Media literacy is not only about how quickly you can summarise a paragraph or being able to pull quotes to show how maybe a character could be read as queer (although both of those things are a very good indicator of having advanced literacy). It's the VITAL skill of filtering and assesing information presented to you before so you can make an informed choice to internalise or discard it. It's being able to understand the information in the first place by grasping a complex thought presented to you in writing or in a speech because the simple truth is that not all truths are simple.

Media literacy gives you the ability of identifying that someone is trying to make you believe something and parsing why they're doing it by identifying the tools they are using. Which means you also need to know the tools they have at their disposal. It also means being able to connect points brought up before in the same or different texts to see if there is inconstencies or leaps in logic or if the argument someone is making only looks good because they use big words and a sentence structure that “feels” smart, but actually falls apart as soon as you poke at it a little.

Forgive me sounding alarmist, but if you can't read at that level people who have these tools WILL have power over you and you won't even have the tools to notice that they do. Even if people are not actively trying to harm or manipulate you, if you're unable to engage with their ideas you will get left behind in certain vital discussions and that not only feels like shit because everybody gets it but you, but it also again makes you incredibly vulnerable to those who do have bad intentions!

Now does that mean you only get to read Proust from now on? Of course not! I still do believe that a piece of literature can directly and fundamentally change your life. I know it has for me. However, that is a personal opinion and it doesn't mean I can force anyone to engage with deep philosophical manifestos on what it isto be human in this world. And even less that I want to do that, despite me thinking that literally ANYONE could benefit from reading that kind of thing. But you NEED to be able to read complex texts outside of your comfort zone for honest to god survival. I am so fucking serious.

And, hey! The good news is that this is not some secret mystical power you either get blessed with or not. It is a skill you can train, by reading challenging material. Books with more complex sentence structures, more nuanced ideas or arguments. Books that force you to think about them. I hate to say it but the only way to get better at reading is to read. It doesn't have to be fiction but i will be very real with you, I doubt that - if you're putting down a book because it's unreadable to you based on the chosen perspective - you'll be the type to pick up scientific essays or anything like that.

Don't cut yourself off from vital skills by locking your mind in a box. You are capable to handle those more complex texts, and I'd wager you'll even enjoy it once you find your niche (yes! you still get to have preferences!). You just need to give yourself a chance to learn.

[zara-renata]

And everything that is now already existed then | ao3 | masterlist

Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.

Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.

The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.

Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.

“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.

Sylus holds you a little tighter. “No.”

You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?

But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?

“Business slow in the Onychinus economy?” you ask.

“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”

You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.

“Then how do you have the luxury of lazing about with me?”

“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”

You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.

“Why?”

One corner of his beautiful mouth lifts. “Guess.”

You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 

“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.

“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.

“That’s not an answer,” you say, softly.

“Yes, it is.”

You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.

“You can’t mean that.” You frown at him.

“Try me,” he challenges.

You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.

“Oh, kitten’s plotting,” he snickers after seeing your expression.

“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.

He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”

You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.

“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.

“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.

Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.

You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 

Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”

You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”

“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”

You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”

“Oh? What animal do you think accurately portrays your personality?”

You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”

He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”

You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.

“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 

You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.

“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”

You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.

“Then I repeat—what do you want to do?”

Okay. Okay, he asked for it.

“Show me your favorite things to do at home, when you’re not being a warlord.”

He looks surprised. “That’s it?”

“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 

He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.

“That’s my spot,” he murmurs, pulling back.

Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.

Fuck.

You want to fuck him so badly.

You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?

If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.

“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 

“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.

At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”

“What time is it? Don’t you think it’s a bit early to start drinking?”

He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”

You sigh. “So it’s basically noon in your day-night cycle.”

“Time is a construct, and inherently meaningless,” he says serenely.

After this insufferable response, you give up trying to save his liver for the moment.

____________________

Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 

You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.

You left me standing here, a long long time ago

You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.

Don’t leave me waiting here, lead me to your door

You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.

His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.

You feel like you can breathe again.

You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.

He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  

But what if you’re wrong? What have you done to earn this incredible man's devotion?

“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 

You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.

“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”

You look at him in confusion. “Why?”

“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”

Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 

“The music made me sad,” you offer this truth, as a reward for his sweet response.

“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.

“I do like their music. My gran used to listen to them a lot.”

“Is that what made you sad?”

You give him a look. “I said I didn’t want to play the guessing game.”

“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”

You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.

He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”

“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.

His knuckles sweep over your skin just above the band of your soft pants.

“We have time—we don’t have to do everything today. Which one do you want to see first?”

You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.

“Library,” you say firmly.

“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.

He sets you down outside one of the ubiquitous black doors, and then opens it for you. 

His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can’t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 

It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 

You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”

“Yes.”

“Why?”

“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”

“Have you read every book in here, like you’ve seen every film in your collection?”

He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”

“Do you think that someday your life will be less busy?”

“If I have my way, yes.”

“And you’ll spend your days quietly reading in the solitude of your lovely library?”

“Not in solitude. But yes. You think it’s lovely?”

You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”

He looks down into your face, thumbs brushing across your cheekbones.

“Like I said. This room is about the future.”

You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?

It almost sounds like…

The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.

“Read to me,” he orders, striding to one of the soft couches and plopping down.

You snort. “What do you want me to read you, your spoiled highness?”

“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.

Your eyes catch on a familiar title.

“Oh,” you breathe.

“Find something?” Sylus asks languidly.

“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.

“You’re a fan of poetry?” he asks, eyebrows lifting.

“Don’t act so surprised. I’m not entirely uncultured.”

“Your manga collection could have fooled me,” he teases.

“Manga is art. You’re a pretentious fool if you can’t recognize that.”

“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”

“You do?”

He just steadily stares at you.

“Where?”

He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”

You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.

You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.

“Still want me to read to you?”

Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.

“You could have just said yes,” you say drily. “No need to be dramatic.”

“I don’t hear any reading. Chop chop.”

Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”

“Good thing I’m filthy rich.”

You scoff. “I don’t want your money.”

He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”

You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”

“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”

“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.

He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”

You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.

You begin to read.

“Try to praise the mutilated world.

Remember June's long days,

and wild strawberries, drops of rosé wine.”

He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”

“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.

He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”

You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.

“The nettles that methodically overgrow

the abandoned homesteads of exiles.

You must praise the mutilated world.

You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.

You watched the stylish yachts and ships;

one of them had a long trip ahead of it,

while salty oblivion awaited others.”

You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.

“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.

“You know this poem?”

“I own the book, don’t I?”

“You said you hadn’t read everything in here.”

“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”

You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.

“You've seen the refugees going nowhere,

you've heard the executioners sing joyfully.

You should praise the mutilated world.

Remember the moments when we were together

in a white room and the curtain fluttered.”

Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”

You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”

“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”

“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”

“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.

You jostle his head again. “Cynic,” you retort.

“You’re not done,” he sniffs, closing his eyes again.

You resist the urge to buck your hips in order to dump him on the floor. You read again.

“Return in thought to the concert where music flared.

You gathered acorns in the park in autumn

and leaves eddied over the earth's scars.

Praise the mutilated world

and the gray feather a thrush lost,

and the gentle light that strays and vanishes

and returns.”

You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 

You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.

Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?

You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 

“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.

“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 

“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”

So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.

After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.

You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.

“Can we light the fire?”

“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.

“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?

He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.

As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?

“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”

You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.

It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.

You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.

He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”

You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”

His eyebrows lift in surprise. “What do you mean?”

“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.

“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.

You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.

“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”

His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”

You wait. It sounded like he ended that sentence with a ‘but.’

“You’re right. I didn’t have just my preferences in mind as I was planning each room.”

You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.

“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.

His smile widens, just a little. “Do you really not know?”

You can’t process this. How could he have known?

It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 

You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.

The enormity of your feelings is terrifying.

What if you’re wrong?

How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.

Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.

It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.

You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.

“Do you know how to play all of these?”

He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”

You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.

“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.

He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.

“I can also play the organ,” he murmurs, before beginning to play in earnest.

You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.

You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.

“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 

You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.

Slowly, the piece comes to an end. His hands become still on the keys.

“What song was that?” you ask.

He flicks his eyes to yours.

“It doesn’t have a name.”

“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.

“Me,” he says, turning his head to look at you.

Wait, what?

“It’s already shocking enough that you play, but when do you have the time to compose?”

He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”

“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.

“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 

At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”

You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”

He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”

“Is that what you meant when you said that Amnesia isn’t really your vibe?”

“You remember,” he says, sounding pleasantly surprised. 

“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.

“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”

“So what is your vibe?”

“Curious, kitten?”

“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.

“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”

He dropped the “fake” part again.

His phone begins to vibrate in his jeans pocket again.

He frowns in irritation. You stand, forcing yourself to move away from him.

“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.

You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes�� returns again.

You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.

You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.

“No need to knock,” one of the twins yells.

You open the door and peek into the room. It’s dark, with all the lights dimmed.

On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.

Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.

Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.

Luke pauses the game and looks over his shoulder at you.

“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.

“Business call,” you say, nodding. You stare at the screen. It looks like…

“Are you playing the Silent Hill 2 remake?” you squeal.

“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”

“Are you a fan of the original?” Kieran asks.

You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”

“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.

You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.

“I’m good, but do you mind if I stay and just watch until Sylus is done?”

“Is that even a question? Get in here.”

Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.

You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.

Apparently Noah notices Kieran’s fear as well.

“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”

You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?

“That’s fucked up,” you say out loud.

“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”

You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.

Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.

Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.

“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.

“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”

“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.

The twins shake their heads in unison.

You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”

“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.

“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.

You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.

“Did he not tell you?” she asks, looking at you strangely.

“Tell me what?”

“I’m not gonna do his work for him,” she says, rolling her eyes.

“Huh?”

“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”

Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.

You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics

When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.

The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 

Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”

“Popcorn!” Noah calls.

“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.

“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.

“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.

“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.

“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.

“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.

“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.

“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”

“Hey, flooding the guest floor was a good idea,” Luke protests.

This is just met with a cackle. 

You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?

Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?

But they said it was about their boss achieving something. Not about your feelings.

You don’t want to know.

You try desperately to cling to that warm feeling you’ve had since the pool.

Boss is gonna have it in the bag.

You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.

You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.

The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.

“Sorry,” you say. What the fuck else can you say?

“What happened?” Kieran asks.

“Just me being clumsy,” you say, trying to smile.

Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”

Kieran stares at you.

Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”

“It means they heard what we were discussing,” Kieran says grimly.

Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.

She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.

“We live here,” he answers, looking confused that that’s even a question.

You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.

That good feeling is gone.

You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.

Would Sylus do all that for a bet?

Is he that bored? Is he that good of an actor?

How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?

You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 

Yeah, you’re forgetting something all right.

You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.

You think about what it will take to get out of here.

You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.

You think about the resonance with Sylus when you woke up. Could he fake that?

His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.

“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.

You take a step back.

Noah just looks between the twins and you, confused.

“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.

As you round the corner, Luke says,“Get—”

“On it,” Kieran says, with his phone to his ear.

Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”

Luke shrugs. “Aren’t we all?”

Noah frowns at him. “Speak for yourself. You don’t know shit about me.”

“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”

“And you?”

“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”

Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”

Kieran grins at her. “What makes you think I have a problem with you?”

“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.

“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”

Noah scowls back at him. “You don’t like people like what? ”

“I mean, I don’t like, like people. I get the creeps when people hit on me.”

Her lovely eyebrows shoot up in surprise. “Oh.”

“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”

Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”

“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.

“Nah man, I like being in the peanut gallery.”

“Does that mean you’re not gonna shut up?”

“You know it.” Noah gives him a big, feral grin.

Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.

_____________________

Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?

He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.

His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.

“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.

Sylus jerks to a stop.

“Repeat that?” he demands.

“They overheard us talking about the wager,” Kieran explains, sounding pained.

It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”

“Yeah.”

Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?

“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.

Sylus immediately realizes what probably just happened.

“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.

“Your bet is over,” he barks.

“Understood.”

Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.

_______________

As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.

But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 

You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 

It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.

It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?

You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.

The lights flicker on.

You gasp.

It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.

Why would Sylus trust you with access to such wealth, if you were just a bet?

But more importantly, how much death must Sylus Qin sell, to afford such a vault?

How many lives in exchange for each gem?

You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.

What are you doing?

What the actual fuck are you doing?

You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?

But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.

You sink to the black marble floor. It’s cold. You draw up your knees and hug them.

There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.

The realization that you’re falling in love with a man whose life’s work is bringing misery to others.

You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 

There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.

You’re focusing on the wrong things, again. You’re forgetting what’s important, again.

What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?

You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.

______________

Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 

Hope has no place in his world.

People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.

Hope has no place in his world.

But.

You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.

But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.

He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 

Your fingers in the dip of his clavicle.

The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.

He opens the door.

He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.

His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.

He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?

A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 

But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.

You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.

He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.

He cradles your head in his palm.

“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.

“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.

“About how long it will take for my beloved to realize how I feel about them,” he sighs.

You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.

“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.

You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 

“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”

“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.

Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?

“Even dragons have hearts, darling.”

You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.

“What do you want?” he asks.

You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.

“You offered me time.”

He leans forward, rests his forehead against yours. “And I will give you time.”

“I want to see your favorite part of the greenhouse.”

“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.

“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”

The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”

You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”

Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”

“I want you to want to watch with me.”

He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”

He stands. Carries you out of his gem vault.

“Why do you have so many jewels?” you ask, quietly.

“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”

You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”

“Something like that,” he says.

“No other reason?”

He tells the truth. “I’ve always been fond of shiny things.”

“Do you have a favorite stone?”

He laughs softly. “Whatever stone you’re wearing.”

Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.

Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."

You just mumble that you're sorry.

"We've talked about your apologies," he says, frowning down at you in his arms.

You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."

"Deal. But only if you come with me to choose something," he says.

"Deal," you say softly, and he still can't tell what's going through your head.

When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”

Kieran nods in approval, as if he had helped Luke compose this little speech.

Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.

“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”

Sylus carries you to a loveseat next to the twins, with Noah on their other side.

“Thanks,” you say. “No worries.”

Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”

“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.

After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.

A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.

He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.

End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.

[daretoassume]

Hello , I hope you see this.

I might be a bit desperate.

So 2 years ago I wanted to kill myself but then I had a huge “spiritual awakening” where I say things beyond human comprehension. And from that moment I decided to give life a chance, I knew that life actually had a meaning and that was for me to discover what was beyond what I could think. It gave my so much clarity of the world around me and who I was. From that moment I also started to randomly consciously manifest things without knowing about manifesting. I’m not kidding when I say this but in that time I manifested 6 million overnight while I was just kidding about being a millionaire while listening to my rich music and then when I woke up my parents had the good news. I also manifested others things that I thought where extremely special. But I didn’t really put in effort it was just fun experimenting with my powers.

So then I decided to deepen myself in the laws. I started with law of attraction. And I ended up meditating so deeply everyday that I was so passionate about finding the ultimate truth of reality inside me, that I was extremely depersonalised from my 3D and basically lived inside my brain. I could ask things and receive answers on my questions, like the one time i asked how to invent something that could end humanity ( I still have a full doc on how to build to most effective machine that could end humanity in less than second) I also got the answer of questions about reality and my vessel. So that’s when I realised there was nothing but me. And that I was experiencing myself from the experience of myself ( if that makes sense!) I found that there really was nothing and everything at once while I was giving meaning to it. So that’s when I started with extreme anxiety and depression because I struggled so much with intrusive thoughts, not being able to ground myself in this reality and being so so scared of my thoughts. Still to this day my thoughts scare me so much that I can’t help but experience anything other than fear from myself. It’s like I’m living in a constant nightmare. I have watched so much law of assumption post and videos dedicating every second of my day on being focused and disciplined to affirming and being in the state of having what I want, but it makes me so fuckiyn angry and I don’t know why. Everytime I see a post I feel depressed because deep down I know everything but everyday I wake up in the same reality where everything fucking sucks ( I have been forcing myself to be kind self love gratitude letting go void state visualisation whatever exist I’ve done it all) and when I finally have build up that trust that everything is working out in my highest favour and I always get what I want and the 3D can’t tell me nothing yk I can delude myself into knowing I have it but it’s been over a year and I just can’t bear this reality anymore I know I’m meant for another reality and there’s just nothing for me to find here anymore. And I really don’t know what to do anymore I feel like I’m stuck in this reality where everything seems to get worse. And my thoughts are also getting worded everyday for the last year but whenever I tried manifesting a better self concept mindset etc it got worse when i don’t even want to be the person that is in conflict with themsef because that’s just a idiotic thing to do. But can you help me out?🫶

what you experienced, everything that you learned, was so profound. it is truly a gift to have such insight, so treat it as such. try to examine why it scares you so deeply. there is something within that fear that is asking to be understood.

you have seen how effortlessly you created before, simply by being playful and detached. you were experimenting, having fun with it, and not placing too much importance on the outcome. that is why there was no resistance. things flowed into your reality flawlessly. you already understand the law. you know how to apply it to your life. you do not need another blog post or video to teach you what you already know.

what you need now is to go deeper within yourself, to truly understand why you feel this way. these feelings are not here to torment you but to guide you toward something deeper. perhaps there is a message waiting for you, something significant you need to uncover, or even a realization that you are meant to share with others. your emotions, no matter how overwhelming, are part of your journey. they may be pointing you toward a greater understanding of yourself and your purpose.

if you feel an inner pull to create something meaningful, to express yourself, or to pursue something that sparks joy, do not ignore it. act on it. even if it feels small or insignificant at first, do it. follow what excites you, even in the simplest of ways.

i know it’s easier said than done, especially when it feels like the weight of the world is on your shoulders. but remember, we both know the truth—what we focus on expands. even a small shift in focus toward what you prefer can create change. we often feel so much these days that we forget to acknowledge what we can be grateful for. take a moment and ask yourself: what are you truly grateful for right now? your family, your friends? doesn’t it bring you some happiness to know you’ve learned so much already? i am not saying you are ungrateful. i am suggesting that maybe starting with gratitude, even in the smallest way, could help shift your attention, even just a little.

as you take time for introspection to truly understand what is behind these emotions and why you feel the way you do, you might also set some goals for yourself. try doing something that excites you, even if it’s small. i know this reality can feel limiting, and maybe that’s why you feel like you don’t belong here. but if you see it as a curse, then that’s the experience you will live out.

what if you see it as an opportunity to discover something profound within yourself? what if the very limitations you feel are only reflections of the state you’re currently in, waiting for you to shift?

you don't have to force yourself to change everything all at once. just start small, day by day.

you already know how powerful you are.

[jeonscatalyst]

Jungkook didn’t say anything about Jin’s album publicly but I don’t see anyone questioning his love for Jin. He literally didn’t say a word about Tae’s album last year either but I don’t see anyone questioning his love for him yet people want to question the one he spent the entire solo era hyping, literally keeping up with all his songs and purposely going live to watch him

becsuse jimin is the one he is supposedly dating. that's why it's different when it comes to jimin. and want to know why we don't question jimin? because jimin has congratulated jk SO MUCH before. I mean he posted jks damn BB #1 to his instagram feed and I am only going to name that one thing but we all know how much jimin has gone out of his way to publicly acknowledge jks achievements that dates back to years ago. sue us for wanting the same in return for him 🤷‍♀️

I find it hilarious how we can't say or question anything about jk without you guys bringing up jimin when we all know jimin is on a different level of emotional availability and affection than anyone else in the group, why compare when they can't compete? at least you admitted jhope is jimin's jimin. first time I see a jikooker say that and rightfully so, jhope is the only person that returns the somewhat same energy that jimin gives him so cheers

Anon,

You lack reading comprehension don’t you? Didn’t you clearly see me say it isn’t very much in Jk’s nature to do stuff like that as far as we know, yet Jimin is still the highest person he congratulates or Hypes publicly. What? You want Jk to behave exactly like Jimin before you acknowledge that he does something for Jimin? Even if that is your angle, you still don’t have a point because Jk has always been very supportive of Jimin. Go through all the years and you would see at least one video of Jk singing each and everyone of Jimin’s songs, publicly supporting him which is something he doesn’t really do for others.

Anon, listen, I didn’t give birth to you and the likes of you so it’s really not my job or responsibility to educate you on how life works. Human beings are different and show their love and affection in different ways. For Jimin, words of affirmation come very easy to him but not Jk. Jk is more of an acts of service person and if you paid any attention to the things Jimin has said about Jungkook through out the years, you would have known just how much Jungkook encourages and congratulates, and honestly supports Jimin.

Problem with some of you is that you like eye service. You think it isn’t genuine if someone doesn’t stand on a podium and yells how much he likes or loves something. You think that people always have to scream at the top of their lungs about how much they love people or care about them before you believe they do but life doesn’t work that way.

No argument you are coming up with holds water because Jimin is still the highest person Jungkook publicly supports and hypes even though he really isn’t one to do all that anyway. Let’s end this argument here because I feel like I am arguing with a 4 year old. It is 2024, and we still have to spend this much time defending jikook’s bond? Jesus!

[heartedbysunoo]

INTERVIEW

HEESEUNG: “I feel like I’m at a place where I can excel at anything”

ENHYPEN ROMANCE: UNTOLD -daydream- comeback interview

2024.11.23

In his first “-note,” dated July 7, 2020—back when he was still a trainee—HEESEUNG took a look back at each of his lessons for the day, showing a serious thirst for improvement. Fast-forward to today, where the idol, having now achieved his long-held dream of becoming an artist, says he’s “at a place where” he “can do excel at anything”—a major transformation that includes going from a trainee anxious to debut to an artist performing with utmost confidence under stadium lights.

You’re celebrating the fourth anniversary of your debut. Have you ever rewatched those old “-note” videos you made, by any chance?

HEESEUNG: Ah… I get so embarrassed now that I can’t watch them all the way through. (laughs)

I remember in the “-note” you filmed the day ENHYPEN was formed, you talked about how you felt when you found out you would be debuting with your group. You said you “kind of felt sad inside, but I was emotionally really happy.”

HEESEUNG: That’s true. Why did I feel sad about it? Wow—I have no idea. (laughs) I guess I was anxious at the time and felt like it was really happening? I’d been keeping myself strictly disciplined for four years, and now that I was finally debuting, all those bottled-up emotions burst out of me. That’s probably why I said that.

I rewatched your first “-note,” and in it, you talked about where you had room for improvement while reflecting on the practice you did that day.

HEESEUNG: I was kind of anxious when we were filming I-LAND. Honestly, after years of almost nonstop prep for the debut, I was having a bit of a tough time. Even after the show ended and we debuted, I felt so impatient. I felt impatient about everything. Debuting wasn’t the end of it. My goal when I wanted to debut was just to become part of a group, but then, of course, once I accomplished that, something else had to come next. I looked around thinking, “What do I do now?” There were already so many people who are good at music and at performing. The first time I went to an awards ceremony and realized “these people are my competition,” it was scary and inevitably made me even more anxious and impatient. But now I feel like my own comfort is the most important thing. What hurts my pride is if I get nervous onstage. It feels like I’m bringing myself down if I get nervous.

In a “-note” from August, you said, “But to ENGENE who have seen me since I was 20, it must be very interesting… I feel like I’ve changed a lot from who I was then… I definitely feel happier as the years go by.” Is the fact that you don’t feel nervous anymore a part of that change?

HEESEUNG: I think it’s because it’s been about four years now. I try not to be impatient or feel nervous, and try to be relaxed at all times. I don’t even need to go out of my way to think about shaking out my nerves. I try not to even think about it—I just get on with it. I think clearing your mind and holding onto a bit of tension while you’re onstage is the best way to go. The same goes for everyday life. Here’s to easy, worry-free living. And to being open and just being comfortable doing things your way.

You seem much more comfortable expressing your emotions now.

HEESEUNG: I think I’ve become a little more human since back then. Nowadays, I just talk about however I’m feeling, which I find kind of funny. I actually feel like I need to tone it down a bit now. (laughs) But life’s taught me that there’s more upsides to expressing your emotions than downsides. When you’re open about your feelings, communication is a breeze. If I’m not clear about things, I end up regretting it later. I speak up even if it feels a little unpleasant at the moment, or try a different approach. It can be a hassle but it’s always better that way. So at this point, I feel like I’m at a place where I can excel at anything.

During the LIVE celebrating the fourth anniversary of the group, you reminisced about the I-LAND era with the others. I thought the words, “Don’t worry, guys, I’ll start, and make sure it works no matter what,” really cut to the pressure you felt throughout the show. Do you feel more relaxed within the group now?

HEESEUNG: I actually said that out of fear. I was a little scared at the time, and I wanted to do well. Now I don’t feel that in the slightest. When we go onstage, it’s like, “Oh, dopamine. This’ll be fun.” I’m the oldest of our Gen Z crew, after all. (laughs) We’ve got pretty good teamwork. We’re having some fun as we go. (laughs) Everyone does their own thing too, but we share the same goal, so it’s like we kind of come together? It’s really unique and fun like that. That’s when I realized I used to have a very rigid idea of what a team is before.

Your closing remarks at the WALK THE LINE concert in Goyang left a big impression: “Honestly, we’re human too, so we have our own share of tough times. But since each and every one of us is so kind and warmhearted, we don’t let it show, and work hard, and help each other out, and things that seemed impossible before became possible.” It seems like you tweaked your teamwork while getting ready for the tour.

HEESEUNG: Whew, that was 100% genuine. Honestly, I don’t think there’s anyone as pure and kindhearted as the members of our group. I’m 23 now, and you meet more and more people out in the world. But truly, the other members are so pure and such incredibly kindhearted people. I’m so grateful how they’re understanding even when I make occasional mistakes.

On the other hand, performing the fan dedication song “Highway 1009,” which you produced yourself, during the WALK THE LINE tour must have been a special experience for you.

HEESEUNG: Oh… I got emotional but tried really hard to hold back my tears. It absolutely filled my heart to the brim. Writing a single song is always an incredibly long process. From sitting alone in the studio and thinking, “Ah, what’ll I do…” and then having that, “Aha, here we go, okay!” feeling, to writing lines, recording vocals, getting approval, and directing, then hearing that melody booming out at a huge concert venue—it was so surreal. It made all the hard work feel so rewarding.

Between doing the FATE PLUS tour and starting the WALK THE LINE tour, in what ways do you feel you’ve grown from performing so much?

HEESEUNG: First there was all this anticipation for the new tour. During the stadium tour, I felt the importance of performing live yet again. I have a really good ear for when I wobble even slightly in pitch during live shows, so I worked through that with a lot of practice.

In the “-note” where you revealed the demo of “Highway 1009,” you said, “I think I was more afraid about working on music than I realized.” I was surprised to hear you say that. You sound very attentive when it comes to songwriting.

HEESEUNG: It’s comparable to cooking, where you get a little nervous when someone tries something you made. “How is it? Is it bad? Too salty? Too sweet?” Kind of like that. But if they tell you something tastes off, then of course I have to fix it—because, whether objectively or subjectively speaking, something’s not right. That was a decent analogy, wasn’t it? (laughs)

You talked about making your own songs in a previous Weverse Magazine interview, and you called yourself “super stubborn.” You seem very open to feedback, though.

HEESEUNG: I mean, it’s not a big deal to change something. (laughs) I have my stubborn moments, but when I’m writing a song, I tend to be super receptive to feedback.

I understand you also prepared meticulously for the making of ROMANCE: UNTOLD -daydream-.

HEESEUNG: For the single “No Doubt,” the group talked about which musical eras it evokes and how it sounds like older R&B. We also checked out a lot of different music and videos of live performances. We’ve been having lots of meetings on the direction our music should ultimately take as well—whether that means taking a somewhat different approach in terms of genre, wanting to have more hip hop vibes, or something else—but regardless, we have to engage in friendly competition with each other. I think you have to spur each other on when you’re making music.

How was it practicing for “No Doubt” after all that discussion? You’re the one who starts the song off, right?

HEESEUNG: I liked it. (laughs) When I first heard the song, it felt like something I knew I could already do, but something that would be fairly new for the group. The choreography’s way more intense than it looks, too—so much so that it beefed up my legs, even though I don’t work out much. So now I have some muscle in my legs. (laughs) The part in the chorus where we dance with our hands in our back pockets is the highlight of the choreo, and I love that part. It felt like the highlight to me, even when we were shooting the music video.

ROMANCE: UNTOLD, and ROMANCE: UNTOLD -daydream- after it, revolve around a highly jealous, very lonely vampire boyfriend. Is it similar to your own definition of love?

HEESEUNG: I don’t think of jealousy as love. (laughs) Love is… I don’t know. But I don’t think jealousy is it. That’s just something that arises from feeling insecure.

You said you don’t know much about romance, yet ENHYPEN sings about romantic vampires.

HEESEUNG: Good point. I guess the somewhat idealistic parts of our song lyrics have become a good example for me to follow. (laughs)

Did HEE-roducer make another appearance when you were directing and giving ideas to the other members during the recording sessions for ROMANCE: UNTOLD -daydream-?

HEESEUNG: It never quite reached HEE-roducer levels (laughs) but I did give some feedback on little things here and there during dance rehearsal this time around. Oh—but it’s not like I’m a dance drill sergeant or anything. That would be JUNGWON. (laughs)

You talked in that previous interview about the other ENHYPEN members’ strengths from the perspective of HEE-roducer. What do you consider to be your own strengths?

HEESEUNG: For me… I think my strength is doing things without anyone having to tell me to—trying out creative, new things on my own. And if I’m being honest, I think I’m pretty well-rounded. (laughs)

Is that how you got started with producing—by trying new things?

HEESEUNG: It was to understand myself better. I felt like I wanted to get to know myself. There’s still things about me that I thought I knew but actually don’t, and I think I can uncover those things through music. I want to release my own mixtape and perform it onstage. Oh, and actually, I recently did something I’ve been wanting to do! It was just a cover, but it was part of my dream to perform onstage solo. I covered “Can’t Feel My Face” by The Weeknd at Music Bank in Madrid.

You always struck me as someone who only puts something out into the world when you feel it’s completely ready, but interestingly, during a Weverse LIVE, you said that the performance “was more fun because I didn't really practice before going.”

HEESEUNG: It was almost like a freestyle performance, but it was fun—really fun. Hearing 30,000 people there all cheering just for me was… fun. (laughs)

So you weren’t nervous then, either?

HEESEUNG: For that show? Of course I was nervous. (laughs) But it’s one thing to not want that feeling and another thing to just not feel it. (laughs) I was warming up my voice and practicing my moves until 10 seconds before I went on, but as soon as I got up there, I thought, “Wow, this is gonna be crazy fun,” and all that nervousness turned into excitement.

What motivates you to work like that?

HEESEUNG: How I felt about my dream when I was younger, I guess?

How does it feel now that you’re living your childhood dream?

HEESEUNG: It feels unreal. I didn’t expect to reach this point in my life so soon. It was just four or five years ago that I was worried and skeptical, like, “Can I really do this?” But now I can hardly remember those days of self-doubt because I’m living the dream.

So what would you like to accomplish together with ENHYPEN?

HEESEUNG: My dream with ENHYPEN is to be even better. It’s not about the numbers—it’s about being able to express more through our performances and through our music, and receiving recognition for it. There are certain things in this industry that are set in stone, and I want to break through that. I said at the WALK THE LINE concert in Goyang that I felt like I needed to become a grown-up. Basically, with that, I was signaling that I could show a different side of myself than I used to. I buried my feelings deep down when I was a trainee, and in the same way, I had a bottled up thirst in a musical sense, too. So perhaps it was me hinting that I’m going to change a bit now? Come to think of it, it sounds a bit cringey for someone who isn’t [a hero like] Jeon Woo-chi. (laughs)

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[husband]

Absolute favorite tiktok ever

[chimerahyperfix]

You’re looking for something— no, someone, too, aren’t you?

(I can’t comprehend how you understand what’s going on, with your lifeless shell. Craft as you are.)

[joseigamer]

Persona 2: Homophobia Simulator (2011)

Bonus:

[shewhoeatssand]

I want to befriend Kaneki and meet with him and email him forever

[w1tchybusiness]

i could write a 100 page essay about what a fucking masterpiece warframe is. i will write many words in the tags. please readem if you want my 'tism.

[dingoskidneys]

How much of the self is present in the ancestor?