#joseiposting

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Interview with the Vampire Manga Adaptation (Yoake no Vampire) by Udoh Shinohara + DL Link

DL LINK HERE

Happy new episode of IWTV AMC day! Today though, I want to share something I've teased earlier on my blog, which is the Japanese manga adaptation of the Interview with the Vampire gothic horror novel. See under the cut for more details!

It came out in 1994, a bit after the movie, but it only referenced the book itself. It consisted of a single volume made up of three chapters, so events are condensed and abridged, and it skips Part II in Eastern Europe. The first two chapters were scanlated into English by a group named Trine and distributed on the aarinfantasy forums in 2007, but the third chapter was kind of lost to time, especially after all the links to the raw Japanese scans went down years ago. However, I discovered that a now defunct Portuguese scanlation group did the whole thing (individual credits included in the .zip), and I was able to recover chapter three, use heavily cross-checked and edited MTL (PT-ENG), and deliver the final product to you all. See more notes about this process or where to read the PT version in the readme file included in the .zip! It's not 100% perfect and I would not call it true 'scanlation' obviously, so if anyone can do a better job I welcome them to! I hope more visibility on this manga makes the raws become available again so a true JPN-ENG translation can be done on the last chapter!

This manga obviously has major IWTV book spoilers, but it does NOT include anything from later books in the series and is honestly quite faithful overall. It even includes Lestat's father. I might actually call it slightly gayer than the book, since Louis and Armand become more obviously in love. I would recommend it to anyone who's watching the series and hasn't read the book yet, as well as to anyone who enjoys the books alone! The art style is very 90s, but it has some really beautiful visuals sometimes, especially with Claudia. I hope everyone enjoys reading it!

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Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.

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I finally found the source for the interview between Satomi Tadashi and Kazuma Kaneko (main writer and artist) where they literally call Tatsuya and Jun gay - (”homo” - english loan word). It’s from the Innocent Sin World artbook (pub. in 2000). Here is the translation, and here is a link to the artbook. It’s on page 32. It’s not like this is anything new, but I feel like it’s important to have the original text onhand when sharing stuff like this! Translation under the cut for ease of access/archival purposes:

— What do you think Jun thinks of Lisa and Tatsuya’s relationship? SATOMI: I think he wants Lisa to be a bit more gentle with Tatsuya. KANEKO: She’s really got a jealous nature, doesn’t she? “Shaddup, woman.” Didn’t everyone expect Jun to say that? And then he’d say “Tatsuya, hold my hand a little bit tighter please.” SATOMI: Well, everyone is free to think what they like about that. *laugh* Personally, I don’t think he’s necessarily gay. KANEKO: Jun isn’t gay…but he likes Tatsuya, right? SATOMI: He likes him. If Tatsuya asked, “Do you like me?” Jun would say, “I like you!” KANEKO: Tatsuya would ask “Do you like me”? SATOMI: I think he’d ask like that. KANEKO: I think he’d say something like “What do you think of me?” And then Jun would say, “I like you!” SATOMI: If Jun said something like that, he would turn his back and seem happy. KANEKO: Who would? SATOMI: Tatsuya would. KANEKO: Tatsuya would turn his back and say, “You do?” happily? Well then, he’s gay, isn’t he! SATOMI: *laugh* …that’s why I said that everyone can think as they like about that issue. KANEKO: Well, I don’t know much about that field, anyway. I’ll have to do a little more homework. Hey, does Jun have thick hair? SATOMI: It’s not thick. KANEKO: And Tatsuya’s hair isn’t thick either? SATOMI: Right. So even if it gets tangled together, they’ll be okay. (NOTE: This refers to old, old literary references in which two people slept together in the same bed, so close together that their hair got tangled together.) KANEKO: What, so they really are gay. I see, so they’re gay, huh…Well, then Jun’s probably thought of assassinating Lisa? By setting some sort of trap for her…

[credit to chthonian.net for the translation]

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hi, so i was able to stumble on something really interesting: an interview with the vampire one volume manga adaptation called "yoake no vampire" that came out shortly after the original movie did in 1994. as an adaptation it's very faithful to the book, just really condensed.

the first two chapters got scanlated into english from japanese 13 years ago, but the last one never was. unfortunately the japanese raws of the thing are no longer online but i was able to find a portuguese scanlation of the last chapter. i ended up doing what i would call "edited machine translation" on it (consulting a portuguese version of the original book to cross reference translations since a lot of dialogue was taken directly, checking dictionaries to confirm translations, redrawing some parts, etc). it's not perfect but i think it makes sense from beginning to end.

would people still be interested in me sharing? i would also include the portuguese "raws" of course (the translation group is defunct now but with credit to them ofc) i figured it might be a fun treat for anyone who's already read the book while we wait for the later episodes of the amc show (but also just for book!iwtv fans).

below are example pages (not in order)

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Persona 2: Homophobia Simulator (2011)

Bonus:

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真・女神転生 東京黙示録 (1995) Shin Megami Tensei: Tokyo Revelation (1995)

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i'm!!!! almost done!!!!!! with preparing the iwtv manga in english!!!!!!!!!!!

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treehouse censoring even alfred's, kagetsu's, etc romantic lines in elyos after you s-support them....

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真・女神転生 東京黙示録 (1995)

Shin Megami Tensei: Tokyo Revelation (1995)

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GRATEFUL★DEAD★MARCH ft. Kanato Sakamaki (CV. Kaji Yuki)

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Shin Tsukinami's Theme ~ Diabolik Lovers DARK FATE

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薔薇門 (Baramon) by J.A. Caesar (1972)

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CLICK ON SIGURD'S PANT TO ENTER!!

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"This is a limited reissue of the ultra rare privately released Tenjo Sajiki record Baramon. This identical reissue dates from 2003 and was released in a tiny edition of 500 copies, which sold out in a matter of weeks. But about the music: 'Some of the most exciting and evocative music of the early '70s in Japan was born out of the avant-garde theatre groups that had played such a central role in the '60s ferment. One of the most important was the Tenjo Sajiki Company formed by poet, film maker, boxing fan and all-around agent provocateur Terayama Shuji. Renowned for Living-Theatre inspired audience participation happenings and extreme street theatre designed to shock the bourgeois; by 1970 the group had already become a haven for runaway teens, and a focus for police investigation. Terayama was canny enough to realize that co-opting their music was an ideal way to hijack adolescent energies and he consistently used heavy amplified rock to jump-start his chaotic, socially critical acid operas. By 1972, Baramon saw J.A. Seazer and Kuni Kawauchi (of the Happenings Four and Kirikyogen) splitting the compositional scores on a bizarre musical manifesto for sexual liberation. So far so Hair, but rather than a tribute to free love, Terayama instead composed an eloquent plea for the liberation of the sexual underclass suffering discrimination, in the form of a 'gay revolution.' It wasn't Terayama's first engagement with the Tokyo queer scene -- one of the earliest plays he wrote for the Tenjo Sajiki was a vehicle for transvestite actress and chanson singer Akihiro Miwa, who was rumored to have had a dalliance with Yukio Mishima. Baramon's opening is a blast -- a densely narrated and impassioned call to arms set to a Nazi military march that links sexual second class citizenship to imperialist social control and warmongering. Featuring the actual voices of numerous smutty, cross-dressing scene queens, the record's content was deemed so subversive that it was only sold under the counter of Tokyo gay bars. Like a biker backstage at the Cage Aux Folles, fuzzed out guitar riffs and heavy swelling organ-based psych rock tracks rub shoulders with the lachrymose ballads and tawdry, mascara smudging chanson still favored in certain Shinjuku nighteries.'" - The Wire, Alan Cummings.