#he’s always so optimistic yk

[mmaeeve]

daily dean quote #184/366:

“great. so, we go outside, we get ripped apart. we stay in here, what, starve to death?”

- season 15, episode 1, back to the future

[todayisafridaynight]

*head in hands* whats the opinion on the yakuza tv series brother

i cant have an opinion on a thing when the thing aint even out yet brother

[hasnomoxxie]

Could you tell us more about Dan from Levity Rises?

YOU DO NOT UNDERSTAND HOW LONG I'VE BEEN WAITING FOR SOMEONE TO ASK ME AB LEVITY RISES

I recently updated the designs for them so I'll talk ab them all if you don't mind :]c

I'll add the most information on Dan though just for you bbg!

I do plan on making a few screenshot redraws (and potentially an intro animatic because an awesome person actually made a theme for this au)

THE MYSTERY TWINS ⇆ THE ORIGINAL MYSTERY TWINS

Stanley and Stanford Pines take on the roles of Dipper and Mabel! Stan's curious and is the more mystery focussed one whereas Ford is more energetic and active than his base counterpart.

Stanley is an adventurous young boy, looking for the next interesting trip to go on, initially thinking spending the summer at Levity Rises was going to be a waste of time. Though after arriving and finding the scrapbooks alongside the anomalies happening across Levity, he and his brother quickly became obsessed with finding out the secrets of the Rises, as well as who the mysterious Smile Pup(swapped with bill cypher) is.

Ford (often going by 'Six' or 'Sixer) is a happy go lucky and optimistic young child who is alot tougher than his base counterpart was at his age. Since it's typically only just been him and his brother, so he's eager to make the best of his summer by meeting new people, though he hides his polydactyly with gloves he changes frequently.

DIPPER ⇆ STANLEY

Dipper takes the role of Grunkle Stan in this au!

Owner of the mystery shack, Grunkle Mason- or (Big) Dipper to people around Levity Rises- is the resident faux scientist of the town. His personality is more eccentric, tending to get hyper fixated on paranormal paraphernalia, to the point in where he does lock himself away for periods at a time.

Not much is known about his origins, he just kind of always existed on the outsidea of the town, but after opening the shack to the public, people quickly accepted his presence due to his quirky personality.

MANLY DAN ⇆ SOOS

Dan actually takes the role of Soos in this au, being the resident handyman of the mystery shack! Though often the lines blur between his role and Wendy's from the original. Wanted to keep it flexible yk?

Dan's a real dude's bro, pretty dim witted and blunt but often chill and level headed- Unless he's challenged- dude's competitive as hell, it's actually crazy. His mother, dubbed 'womanly wendy', is the toughest lady in town, owning a diner, aptly named 'Wendy's'.

Dan enjoys working at the Shack as it's one of the few places that'll let him freely experiment with his logging with the nearby trees for his own projects and adding fixtures onto the shack, which Dipper is pretty thankful for since he can focus his efforts on other things. It's also because of this reason that Dipper puts up with Dan's outbursts and semi airheaded personality. So it's safe to say, he's there the majority of the time.

Stan admires Danny alot and the events of 'Into the bunker' happens with Dan in place of Wendy. This does mean Stan had a passing crush on Danny during the episode, but even afterwards Stan kind of puts him on a pedestal. Ford enjoys Dan's company often being called 'little man' and playfighting on occasion. The twins act like his little hype men and he enjoys hanging with them.

As for Soos in this au, he initially built the mystery shack and is frequently seen around Levity Rises taking on odd jobs and making people as happy as they can be, though it's implied that he hasn't found his true calling yet.

LAZY SUZAN ⇆ WENDY

Lazy Suzan takes the role of Wendy in this au! Hazy Jane is a part time worker at the mystery shack, and is stan's first crush upon arrival to the Rises. She's a bit of an odd soul with a less than perfect memory, but is incredible at making a homely environment for the shack. Despite that, she can be extremely co-dependent in some situations, especially with her boyfriend. Otherwise she's earnest and does her best at her job. The events of 'Soos and the real girl' occur with Jane instead of Soos (and Rumble instead of GIFanny). Despite wanting to help, Stan is incredibly pouty throughout the episode.

Here's the design line up as well as initial notes I made when redoing them!

Hope this answered your question about Dan :]

RAUGH THANKS SO MUCH FOR ASKING THOUGHHHHHH

(EDIT)

SOMEONE SUGGESTED A BETTER SWAP FOR BILL, I JUST HAD TO ADD IT!

(EDIT EDIT)

I'm fixing wording and stuff so it's easier to read soz :p

[thebisexualwreckoning]

Yk personally I feel like all these booktokers who shit on good girl bad blood not being as good as the other books kinda miss the whole point of it. It doesn’t suffer from middle book syndrome it had a fucking purpose and that was to show pip’s growing disappointment and eventual hatred of the legal system that has always let her and her friends down. It’s point was to take pip from being the optimistic ‘good girl’ who believed in the rules to the pip we see in as good as dead who when faced with the decision between escape with her life or kill her future rapist and murderer so that he couldn’t ever hurt any girl again chose to fucking kill him. The second book was personally the most necessary book in the entire series because without it pip would not have been able to grow and become the pip that we all love so much and it’s just so frustrating to see all these people just completely miss the fucking point

[silverflqmes]

agszc with self care/slice of life comfort?

i've been feeling really down with myself for a bit now & i could use that extra push of feeling a bit better :,) perhaps some ideas could include like: maybe distracting the reader from a failed exam by going shopping together, grocery shopping and cooking a meal together at home, perhaps that one rp with noya where he was kissing insecurities away (hi yes its sky), maybe a pep talk to help with motivation, hmm what else ALSO U DONT HAVE TO DO THESE EXACT THINGS IM JUST GIVING IDEAS... i just want the boys there for me soBS (esp zack and cloud since yk favs.)

໒⦂ 𝐂𝐎𝐌𝐅𝐎𝐑𝐓 𝐇𝐂𝐒.

notes. hey queen i did headcanons for this because it seemed better suited, i hope the post helps you feel better at least, you can do it<3

genre. comfort + crack

for @melukonova <3

ft. sephiroth, cloud strife, zack fair, genesis rhapsodos, angeal hewley

gender neutral! reader.

➫ 𝓢𝗘𝗣𝗛𝗜𝗥𝗢𝗧𝗛 ୨୧ ˎˊ˗

⌗ for whatever reason that your day and mood has been sullied, sephiroth is already on it and is doing everything in his power to try and make you feel better.

⌗ he’s not the best with handling emotions, as he has difficulty with understanding his own, but wants to help — it hurts him to see you ache like this and to know he couldn’t prevent your suffering🙁

⌗ offers to masamune whoever brought your pain, even if it’s an inanimate object incapable of fighting back.. it’s sweet of him ( and it becomes difficult to suppress your smile )

⌗ just kidding ( not really. ), he comes to the conclusion that a self care day is likely the best approach to make you feel better — genesis had brought the idea up once before

⌗ sephiroth wasn’t exactly one for worrying for his well being, he didn’t have much time to sit down and do so anyway.. but he figured he might try that out with you

⌗ and so, after getting off work, he made a point to grab some supplies from the store, which included these super cute kitty headbands to push your hair back!!

⌗ self care portion of the day ensues and ends with takeout and some cuddling on the couch to some silly sitcoms. laughter cures the blues right? so that’s just what he’s going for to see you smile again<3

➫ 𝓒𝗟𝗢𝗨𝗗 𝓢𝗧𝗥𝗜𝗙𝗘 ୨୧ ˎˊ˗

⌗ having a bad day? cloud’s been there and is ready to lend an ear to listen. he isn’t the most optimistic person and doesn’t have the best way with words, but he is willing to help!

⌗ he’s a bit awkward with the advice ( he might interest you in a sarcastic comment- kidding, maybe.. ) and words of consolation, but he’s doing his best and is determined to get his words across to you.

⌗ he offers to take you on a delivery with him, a drive can help sometimes with getting out of the house and just getting fresh air — or well.. as fresh as the air can be in midgar / edge..

⌗ part of him thought you would be reluctant and would argue on why and how you should continue to rot in your bed — but you were oddly willing ( maybe because you always have to ask to join.. )

⌗ either way, made his job a hundred times easier and he was glad to see you cooperating with him because he thought he would have needed to drag you by the ankles..

⌗ the drive goes nicely, you can feel yourself begin to calm down as you hold onto him and watch the scenery pass you by; it’s such a simple thing but it’s quelling your nerves and intrusive thoughts, thankfully

⌗ once the package is delivered, cloud spares a little of his time before your scheduled drive back home and takes you out for lunch along with a little stroll around the town🫶

➫ 𝓩𝗔𝗖𝗞 𝓕𝗔𝗜𝗥 ୨୧ ˎˊ˗

⌗ zack is the definition and embodiment of an emotional support animal. whatever, or even whoever, decided to ruin the flow of your day, he’s there to provide comfort!

⌗ has a pretty good grasp on emotions, even if there are some things he might not fully get, but he wants to help in any way he can! seeing you sad is the worst thing ever, how dare, whatever hurt you, steal away that smile of yours??

⌗ his best course of action is to take you out and doodle up a list of activities for you to do to uplift your mood. distraction is temporary, of course, but it works its course and he was going to make it succeed!

⌗ said list includes visiting the arcade, a walk through the mall, buying you flowers, feeding and petting any strays with your leftovers from where you guys ate and maybe even karaoke while the night is still young..

⌗ should the karaoke go as planned, it would be a mission to get zack out of there LMAO he wants to do cheesy romantic duets with you and boyband songs..

⌗ despite your whines and protests, they do not fail to make you grin and wash away whatever ickiness you had felt earlier.

⌗ it’s a full day that ends up getting you tired by the final activity, but it was all part of the plan!!! distraction and getting a good nights sleep! perfect, right?

➫ 𝓖𝗘𝗡𝗘𝗦𝗜𝗦 𝓡𝗛𝗔𝗣𝗦𝗢𝗗𝗢𝗦 ୨୧ ˎˊ˗

⌗ how dare someone or something sour your mood and evening! genesis is completely distraught and is prepared to do whatever means necessary to exact his revenge..

⌗ fires will be set ( not really but it sounds like a really good idea at the moment ESPECIALLY BECAUSE TUMBLR DIDNT SAVE MY SHIT AND I HAVE TO REWRITE THIS — im sorry.. um moving on.. )

⌗ in the end, fires were not set.. he opts for taking you out to dinner and bringing you to loveless avenue because it just works, and he wants to spoil you with gifts<3

⌗ dinner was lovely and like a fairytale — i mean being with genesis in general was like a fairytale, but he somehow always seemed to exceed your expectations..

⌗ you’re feeling slightly better as you exit the vicinity, taking an idle walk down sector eight since he insisted on a stroll — not because he wanted to check the loveless merch, definitely not. of course not.

⌗ he ends up buying you something your gaze lingered on a little longer than you had planned for, which you protested on at first.. but then you gave in, because it was genesis — aaand he also bought it regardless of what you said..

⌗ he walks with you hand in hand on your way home and proposes his idea of setting fires if you were still upset. you of course, say no.. i mean, psh a fire??? yeah, right..

➫ 𝓐𝗡𝗚𝗘𝗔𝗟 𝓗𝗘𝗪𝗟𝗘𝗬 ୨୧ ˎˊ˗

⌗ bad mood? rough day in general? angeal is prepared to do whatever is necessary to help you through your mood — anything to return your happiness to you rather than this funk you’re in.

⌗ his best course of action was to take you to the market to buy the necessary ingredients to prepare your favorite meal! they say food cures any blues, perhaps that applies here as well?

⌗ unwilling as you were to leave the comfort of your bedroom, he managed to get you out with the promise of pushing you in the cart..

⌗ yes you wanted to be pushed in the shopping cart, who wouldn’t want to be pushed in a shopping cart after a shit day?

⌗ the small joyride seems to lift your mood a little and he even bought you some of your favorite snacks to have after the meal he’s preparing<3 what a guy🥰

⌗ arriving home, he immediately gets to work on dinner, and after a few back hugs from you along with a brief sway while he waited on the food to finish, it was finally time to set the table!

⌗ nothing too fancy but you appreciated it nonetheless, as you could taste the love and care in each bite you took. truly angeal was the gift of the goddess!!!

notes. okay uh this is not the best quality because stupid tumblr did not save ( GET AN AUTOSAVE FEATURE PLS I CANT DO THIS ANYMORE ) — but i hope you liked it and that you feel better mami<3

↳ return to main masterlist . request rules . send an ask

[menlove]

Honestly so confused of Paul's silly love songs. Apparently Paul was sending a message to John and telling him 'i love you' but he also says 'she gave me more she gave me all to me' and then again Linda says 'he gave me more he gave me all to me'. Like, wtf really??? Is he trying to tell John he loves him but Linda gave him more?

well my thing is I Don't think his message to john with "silly love songs" was telling him he loves him honestly! the song Is a message to john, and his other critics, as said by paul himself, but honestly it's a LOT bitchier to john than any of us give him credit for lol

here's what he said about it:

"There were accusations in the mid-1970s – including one from John – that I was just writing ‘silly love songs’. I suppose the idea was that I should be a bit tougher, a bit more worldly. But then I suddenly realised, that’s exactly what love is – it’s worldly. ‘Some people want to fill the world/With silly love songs’. I’d been given that reputation, and I had to stand up for it. Instead of abandoning songs about love, just get on with it, get into it and don’t be embarrassed, because even thought you might say this is a soppy subject, it’s actually the opposite: this thing people can feel for each other that makes life better. I think that’s the crux of it, and if you want to be cynical, it’s easy, you can. ‘Love doesn’t come in a minute/Sometimes it doesn’t come at all’. I think a lot of people who are cynical about love haven’t been lucky enough to feel it."

which 💀 so not only was john the one to call his music "silly love songs" which makes this veeeery directed to him, but paul is uh. also saying he hasn't been "lucky enough" to even feel love 😭

and his ire towards this comment from john can also be seen in his commentary on "I will", funnily enough, which is just one of the reasons I do think that song is about john:

"It’s a declaration of love, yes, but not always to someone specific. Unless it’s to a person out there who’s listening to the song. And they have to be ready for it. It’s almost definitely not going to be a person who’s said, ‘There he goes again, writing another of those silly love songs.’ So, this is me in my troubadour more."

but uuuh yeah essentially My Interpretation is that john mocked his music by calling it "silly love songs" (& paul has mentioned this being a comment from him more than once but since it's not recorded anywhere I'm pretty sure it must've been in a private convo which is 💀) which Especially struck a chord considering paul wrote plenty of love songs For john like "I will" (imo) and paul wrote a very tongue in cheek Overly Soppy Optimistic Song about it.

like he's just saying "so, john, you think all I do is write silly love songs? well first of all my wife loves me more than you ever could have and also love makes everything go round and we all need more love songs, something your bitter and lonely self wouldn't understand 🫶"

I think yk. paul himself has sort of curated this image that john was the main instigator of their shit flinging in the 70s, but the thing is john is NOT a subtle person. he was slagging paul off by name in interviews and writing "how do you sleep?" and not hiding how much he resented him for a bit. paul, on the other hand, is waaaay more vague and sneaky about it lmao. he's even Said him and john wrote way more songs to/about each other in the 70s than they've admitted to. so I think there were a Lot more jabs that he KNEW only john would get were about him. I mean, john knew him better than anyone and they had their own inside language so what better way to get back at him than making him look batshit insane when he would claim some song was about him 😭 and I do genuinely think "silly love songs" is another one of paul's Cunty John Songs

[sarascamander]

Reading the cursed child (scorbus, norvelize version in a03). I read the script years ago when I was 11 (funfact it was the first harry potter book I've ever bought). So I'm rereading it again because I have a scorbus brainrot suddenly (11 y/o me shipped Scorpius and Rose so hard but now I grew up let just say my taste had change lmao).

List of thought gonna go longer as I read:

- yo Albus surly personality is basically me when I was 15 it was like looking into a mirror. Hold on there baby I understand you 😭

- I want to write a whole essay on Albus and Harry's relationship. They both are so precious but they just have a hard time with each other.

- Scorpius is the sunshine most sunshine cinnamon role ever. I would kill for him. I would die for him.

- ALL THOSE BULLY BETTER STAY THE FUCK AWAY FROM MY OUTCASTS BABIES.

- “And be my good friend.” what if I die.

- why do people love to torture the cinnamon roll??? I want to hug Scorpio so bad like baby you deserve the moon and the sky and the world. And the fact that he's still trying to be so cheerful and optimistic. THE WORLD DOESN'T DESERVE HIM.

- Albus and Harry's father and son angst is killing me but it is also so delicious I relish in it (it's just so complicated I love it).

- "you’re kind, Scorpius. From the depths of your belly, to the tips of your fingers." Is the sweetest thing I've ever heard anyone said. I love this quote so much I want it tattooed on my forehead.

- Again, Scorpius deserve the fucking world.

- Scorpius and Draco's relationship is SO GOOD, SO PURE, SO SOFT. They love each other so much 😭

- brb I'm going to cry at the fact that Dark AU Ron and Hermione die in such a terrible way a few minutes after they finally confess their feelings (they were scared). 😭😭😭😭😭😭

- Snape is so dramatic. Girl "you're giving up your kingdom for Albus... All it takes is one person." he made it sound like they're in a romance fantasy novel (they are).

- Head empty. Scorpius happiest memory with Albus is strong enough for him to produce a patronus.

- Scorpius is once, again, a cutie pie that deserves everything.

- Delphi is more manipulative than I realized when I first read this lmao.

- GIRL the way Albus said that he and Scorpius ran away to start a new life in the muggle world as an excuse — what do you mean you're eloping at 14??? (Out of chronological order but I just remembered this)

- Delphi when I catch you —

- Never thought I'd be rooting for Draco and Harry duo yet here we are (did I say I love Draco as a dad?? I don't think he's appreciated enough. He's a brilliant dad! THIS is his best redemption arc).

- "What did you say to our son, Harry?" GO OFF QUEEN (Albus is a confirmed mommy boy)

- RON WANT TO MARRY HERMIONE AGAIN. I don't quite ship them in the book/movie but they're just the sweetest in here 😩😩

- I just had the sudden realisation that Scorbus might be the only couple that I ship in hp that is so close to canon (and was canonised by some play if I heard correctly).

- that time where they were in godric hollow and Scorpius was surprised that Albus never knew the full story of his grandparents or visited the place just bc he was being a petty, moody uninterested teenager hit so hard (he is me and I am him). And the shame he felt was real too. I always regret those years in my life where I acted like that and I don't even have a daddy issue like Al did, what's my bloody excuse lmao (I blame fucking hormones) 😩😭

- okay so finished it!! When I was a kid I don't quite like the time travel thingy and find it very confusing but I think it's because it's a screenplay yk, and it was meant to be watched not read. But the novel version did help a lot (and I give the author my hundreds of gratitude, her writing is absolutely beautiful! And she captured the characters perfectly! If you're scared to read The Cursed Child, read her novel version in ao3!!!).

I'm surprised that I actually love the plot more than I thought I would. Yeah it can get a bit unrealistic at times but all in all it's very entertaining and Albus and Scorpius are very well written, very rounded and nuanced characters that carry the book. I'm glad their parents didn't overshadow their personality etc (like them being mini-copies of Harry and Draco). They're their own person and I love that about them!!

They're not Drarry or even Jegulus as I've seen people say, they're in their own league. There are no enemies or hatred or tension between them; Scorpius and Albus genuinely like each other so much from the first they laid their eyes on each other and I adore them for it.

I read a theory that Albus was sent in Slytherin because he subconsciously wanted to be in a house with this kind boy met on the train and it made me want to cry (they were made for each other). (Although I do think Albus have many Slytherin traits, Scorpius I was less sure he screamed Hufflepuff/Ravenclaw to me but admittedly he can be cunning to).

So yeah, I don't think it's that bad as everyone said (and my 11 y/o self). It's fun and I actually cried a lot at the end of it (I have to watch Jily die, do you have any idea what that did to me???) (I don't even ship them but i swear this book set me to default back to canon).

I really want to watch the play, would die for it but it's impossible and I can only dream.xoxo

[1perplexed1]

More ranting but its the protags now

Danganronpa, despite its out of pocket comments and shitty development sometimes, is actually still great with presenting how characters deal with trauma. This is mostly gonna be about the 3 main protags but yk (p.s. I haven’t watched the gameplays in over a year or two, so correct me if I’m wrong😓)

Makoto, being a cheery guy, still came to forgive everyone for their misdeeds. He didn’t yell at Kyoko for getting mad at him, he kept Sakura’s secret, he still got along with everyone, and he didn’t hold a grudge despite being sent off to the execution. He never held a grudge (apart from Junko but that’s cause she’s a bitch!!). He obviously went through a lot, watching people he actually knew for 3 years die right in front of him while he thought he didn’t know anyone, as well as nearly dying from the execution. But even so, he still kept his optimistic self and continued encouraging everyone despite knowing what the cycle would be, never giving up. In the Dr3 anime, in the scene where he’s driven insane, you can actually see that a lot of his trauma is internalized. Meaning he still holds regret in his heart, but chose the healthy way out and continued to work on it, despite having to go through 2 different killing games. His trauma had a heavy impact on him, which was the reason why he could be driven to despair, but even so, he’s a strong character, which allowed him to keep his mindset and still fight for the best

Now onto Hajime. Hajime is a whole different story. We don’t know much about his backstory or family, apart from a few glimpses into his Reserve Course life. We can easily tell that he truly dreams of becoming talented because Ultimates were a big deal in the world, but the Reserve Course was deemed as being desperate for that (they were lmao). So dealing with obvious self-esteem issues and somewhat implied self-loathing, he sold his damn body to scientists to experiment on.

What you believe is entirely on you. You can believe that Hajime and Izuru are two seperate identities, sharing the same body and brain, as a split personality, or you can believe that Hajime and Izuru are one in the same, with his brain just getting a few modifications. And there is no humane way for him to be able to accommodate all of those talents without obvious body modification, so imagine that, some parts of him aren’t even his at that point. Anyways, Hajime deals with trauma a bit differently. He gets agitated and deals with it like any average person: panicked and desperate. Constantly seeing his friends die, it gave an impact on his brain where he had slowly, but unknowingly grown used to it, with still being obviously impacted, but each time less and less, though it’s really faint. By chapter 6, Hajime let those bottled up feelings out, since he never lets his guard down and is always tense, and is obviously upset and angry because he had no reason to be there, again his self-loathing. In the anime, we can see him getting better, accepting his past (via the symbolism of Chiaki fading out, though he still keeps her dear in his heart), and moving on by going back t his friends. So he most likely also ends up dealing with it healthily!

Shuichi? Oh fuck he’s a mess…

Shuichi obviously also struggles with a self-esteem problem, but it’s not severe. He generally doesn’t believe he’s worth his Ultimate, because he only solved one case the police couldn’t, and is quite shy or introverted on his own. Throughout the gameplay, he obviously builds up confidence, which could also play as tiredness and anger, because of continuously doing these class trials and losing people he tried to make a genuine connection with. Even so, he tries to stay strong, but again, he never truly built true confidence, which is why he’s so easily knocked down in chapter 5, where his feelings are exposed, revealing that he did in fact become/was already depressed. He gave up with everything, because knowing there was no point in killing, everyone’s deaths were a waste, and everything that happened was pointless, gives a pretty big impact. He even comes to a point of giving up on his own life. But with a bit of support from Maki and his friends, he gets back up on his feet again and continues on, making everyone’s deaths important because they never lost their value. Though in chapter 6, you can see his confidence waver again, but he still stands his ground, proving that he actually grew to accept everything, and built actual confidence, which I think is a nice touch to his character.

So truth be told, Danganronpa, despite still being shitty, is still good at character development when they actually put work into them. But of course, sometimes you just can’t get that

[shimmerluna]

yk from Henry’s perspective I not only understand but appreciate why he did what he did how he did it

like, he’s in love with Alex. He’s wanted to be with him forever, and now he wants to stay with him for as long as possible. We know this, but Alex says two awful things that ruin everything.

Firstly, he sounds like he’s fallen for Henry. This is bad because a serious relationship between them could never work. They wouldn’t be able to go public with it, and there are risks associated with being together in private too. Surely resentment would build because of all the sneaking around. It’s impossible for them to be truly happy together, so there’s no reason to try.

Secondly, Alex says their going out in public won’t matter after the election, which tells Henry a few things. He doesn’t seem to fully understand how visible Henry will always be or how careful they’ll need to be to keep their secret. He’s so hopeful and unrealistically optimistic, and Henry doesn’t want to disappoint him or, once again, build resentment. 

The combination of the two is terrifying to Henry because he doesn’t want to disappoint Alex or his family/country. He doesn’t even view coming out as a possibility, and he doesn’t have the heart to actually sit Alex down and dampen his excitement because he fucking loves him, and hurting him would be too painful. So instead he opts to leave quietly in an attempt to hurt him less

and if that isn’t the most tragic romantic “Henry the Jane Austen-loving English major” shit idk what is

[meracyn]

Could we please get general relationship headcanons for Cana, Lisanna, and Lucy? Thank you!

relationship hc’s with lisanna, cana & lucy !

my bad for posting this late i wrote half of it last night and got busy today so i just finished it rn lmao + yakult is so yummy giys u should try it trust but the bottles r small asf :((

lisanna strauss !

she’s probs the clingy type though

ok this one was a bit hard since.. i never really paid attention to lisanna lmao

ill do my best to make it at least barely lisanna-like 💀

very protective (it runs in the family 100%)

despite not being on the same level as mira for example, lisanna will always do her best to make sure you are safe

pretty playful, might result in her shifting into her take-over forms to show you how many she can change into

training together constantly, lisanna strives to become stronger, having you training with her boosts her confidence and motivation to be as powerful as her siblings

is aware she doesn’t have the higher potential as them but still tries to be optimistic and not let that insecurity get to her

can be reckless at times/impulsive, basically thinks with her feelings and not brain; but yk if someone she cares about is in danger, which includes you

petting any animals you both see together during your missions

owning one too most definitely, if you don’t mind it

asks mirajane for relationship advice constantly, since mira and elfman approved of you two dating, lisanna doesn’t want to disappoint them and be as much of a good girlfriend she can be

always nice to you, never wants to hurt your feelings

whenever you need help, lisanna will try her best to help you out and think of a solution

really sweet gf

cana alberona !

as soon as everyone gets the news that cana has a partner they’re all most likely relieved

you automatically have the duty of handling cana whenever she gets drunk

cana is wandering off drunk in town?

“y/n cana’s drunk go get her”

cana is stirring up fights with other drunkards at the guild?

“y/n calm your girlfriend down”

cana passed out?

“y/n, cana—”

“i knOW DAMMIT”

you love cana of course but sometimes it does become too much 😭

if you drink along with her it just causes more trouble in the guild

cana would probably be fighting some random and you’d be cheering her on while being drunk too

if you don’t, cana’s influence might cause you to do so, unless you’re really firm in not drinking, it’d be a good thing since the guild wouldn’t need to worry about more chaos and destruction of objects lmao

reckless, drunk gf + levelheaded, sober s/o = good balance, everyone is happy

reckless, drunk gf + drunk as well s/o = bringers of chaos, everyones backs are breaking due to the pain

you both might have flirting competitions, whoever makes the other blush first wins

she probably wins though lmao

lucy heartfilia !

most of the time when you both want to spend time together, it ends up being interrupted by natsu and happy wanting to join in (or abruptly going along without asking lmao)

throws his arms over you both’s shoulders and asks “what are we doing today?” oblivious to the fact you and lucy were going to go out to have dinner

dw he gets scolded or even smacked and he backs off

whenever lucy gets new clothes or a cute accessory she bought, she always asks for your opinion

yk the whole twirling while asking “how do i look?” to you

will love it if you buy her dresses, skincare products, etc.

lets you read her writing drafts and appreciates it when you give her advice on any sort of improvement or anything– when levy is busy, lucy asks if you could proofread too

hmm perhaps matching bracelets ?? lucy would be so happy if you offer to match or already bought a set and tell her about it

going on walks, missions together, to a cafe or library, restaurants and parties too

lucy is just outgoing and the thought of spending more time with her partner makes it more enjoyable

that’s why she puts in extra effort in looking better for you

very happy gf moment if you compliment her on how beautiful she looks or the clothes she has on looks good on her

maybe cooking together if there’s nothing to do, doing the chores around your shared apartment together too

lucy probably buys you perfume and stuff she thinks you’d like, or books if you love them

gets her relationship tips from novels she’s read lmao as she gets too embarrassed in asking any of her friends + knows she will get teased endlessly about it

they’re all happy for her though, good for you

[jjwho]

Who is your Next Lover

Pile 1. Pile 2

Pile 3. Pile 4

Pile1

Cards pulled out: Five of pentacles, ten of pentacles reversed, seven of wands reversed, three of swords reversed.

Okay pile oneee

Oof so what im getting is that your person might feel left out in the cold, having it ruff especially if its financially, maybe their parents are divorced because of financial issues.

This person really genuinely has it ruff, like they mightve unexpectedly lost a lot of things, like family and espically money, I'm seeing a scene of being in their parents debt and repaying their debt.

Shame man and I see them always surrender so easily and just saying yk fine I'll pay for their debts even though they should. I feel like this person is trying to stay optimistic

This person is someone who has it really ruff but still smiles yk. Hides the pain through a smile and just tries their best and stays optimistic even though the circumstances are bad. I do feel they are trying to ket go of pain and grief but shame man you should take care of them😭🥲

Physical traits:

-Might look German, Dutch or Afrikaans or raised there

-Dark skinned

-Youthful appearance

-Doe eyes

Awww so innocent. I hope that helps you pile one. Just know this is a general reading si nit everything is gonna resonate

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Pile 2

Cards pulled out: Revered- King of pentacles, death, ten of swords

Upright- The High Priestess

Okay pile 2 so uh

This person might not have the best background or past, cause this person might of been very unstable with money and just an unstable person. May come off as cold and rude and greedy. Now they also have a fear of change, they don't want ti change their old habits for some reason. Or didn't want to.

Now maybe they are trying ti change that now, but it takes a really long time for a man or woman like that to change so yeah. Just live your life and don't stay with this person if they aren't gonna treat you well.

They also might come off as mysterious at first or they have a thing for mysterious people and this person really has a thing for desire like he can't control himself and just takes and tales that's what im getting.

(Sorry very toxic masculine energy that's why I called it a him.)

Physical traits:

-oop they may appear to be more feminine, but personality might be masculine

-They have nice nails

-Curvy

-Asian(Asian also means Indian people)

Okay hope that helps pile 2222

Byeee

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Pile 3

Cards pulled out: five of cups,ace of pentacles,seven of cups, seven of pentacles revered

Okay pile 3 sooo

Your next lover is giving me daddy boss vibes

Like this person gots lots of money and opportunities and shit, but idk this person is always focused on the negative, this person is a workaholic doe

This person just needs to set their mind straight, like this person might have a kit of set backs or procrastinate or put their decisions on hold which they shouldnt cause.

Money.

If yk what I mean.

But that's really all that I'm getting tbh, they might a little lazy too when it comes to live, not too experienced in it and enter really been in love. To focused on work yk.

Physical Traits

-They got abs-

-Freckles

-Strong arms

-summer aesthetic

Damn they work out. Hot for uuu

Okay byeee hope that helps pile 3333

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Pile 4

Cards pulled out: eight of pentacles, the devil, judgement, ten of swords reversed

Okay pile 4 so uhm damn

Uh

So you might know this person from work, might be a new worker, they work really hard and might attract a lot of the higher ups. They're confident in there work too, now they might be a bit of a sexual person who's a bit obsessive and yk very sexual and naughty ooop. Yeah yeah. Like a dark but attractive aura. Pure and cool at work but sexy and whatever around outside yk yk.

Some who likes fairness though. Very strong taste in justice. And someone who stands up for themselves and other yk yk.

Sexy, hardworking, good morals, sexy again.

That's all that I'm getting tbh

Physical Traits:

-Doe eyes

-Light skinned

-Brown eyes

-they might not smell the best tho-

Hope that helps byeee

[crushedsweets]

I am so curious as to what you'd think about Nina and Hoodie as a duo. They've been two of my absolute favorites (even if Brian technically isn't even a creepypasta) since I was younger and I've always loved them as a sort of big brother/little sister pairing. They are so siblings to me I adore them. What are your thoughts on the sillies..

OHHH this is actually super interesting... but also im worried i do not have a lot to say because they won't mesh very well/very much. but i will try. not super realistic headcanons i think but what do i know... <3

brian isnt very present in my story, partially bc ik some mh fans dont like the crossover very much. and by time ninas in the story, i want him+tim to kinda separate from slenderman as toby and kate take over. he's still involved and coming around since he gets horrible slender sickness(but its from the operator) if he's away too long, but he doesn't live near or befriend most of the main cast..

nina is very present in my story because i love her and she is such a good and fun representation of the fandom yk. but brian is much more realistic and late 30s man, while nina is a very cartoonish early 20s girl. theyre on very different fields character and life wise...

BUUUUUUUUUT they would still meet of course.

she'd be bubbling around the entire cast, meeting people through jeff. people initially think she's in the same vein as jeff, natalie, and toby, with a LONG list of blood on their hands influenced by the operator, so they just don't think much about it. theyre mostly surprised by how cheery she is, but the proxies are the first to find out she's just... obsessed with jeff..... so thats very off putting. brian isn't fond of it.

nina would develop some light slender sickness(again, from the operator) just by being around jeff all the time, but the operator never infected her because he didn't see her as a worthy vessel. so, she would have to come to the proxies about it. if toby isnt in the mood or busy, she'd just have to hope brian/tim are around with some pills that'll soothe the pain

brian is more likely to help. with nina, he'd be quick to take on a more protective role, trying to console her as she cries on the couch holding her head whining about static.

initial convos would go smth along the lines of "do you want some coffee ? or uh kids like hot chocolate huh... maybe tea" "i'm literally in my 20s please tell me toby has weed somewhere" "that does not help with this pain i promise" "how would you know" "haha. water it is."

brian was a major stoner back in his early 20s and nina thinks its fucking hilarious. . . she'll try to get him to smoke with her but he's rlly not interested LOLLLL.... hes like 15 yrs older than her he thinks its weird .

again, he's not around a lot, but she's always happy to bump into him. she'd be squealing n shit 'HIII BRIANNNN how r u :3' and he'd just be like :) hey nina. and then never answer the 'how r u' bc he doesnt actually wanna sit and talk .

its a good change of pace. he's been through hell and back for well over a decade by this point, everyone around him is a sad sack of shit, and he spent a long time just. fighting to be an optimistic, cool guy to hang around . . but .... like.... um..... its hard to be that kind of person after all he's been thru. something about nina just forces that sort of like..... glee out of him . its not a huge difference where he's suddenly bouncing and giggling and whatever, he's still just Some Guy. but he'll be like :) lol .

mayhaps he'd catch her trying on toby's goggles and he'd offer to let her try on his mask. but nina would fake gag and be like 'no i dont want that dirty musty nasty sack on my head' and he'd be like ?????. then he'd say she can wash it and then try it on. which.. as an older sibling.... is the type of shit i'd do just to get my sister to do smth for me that i dont wanna do LMFAOOO. she might fall for it just cuz my dear nina is the ultimate fangirl

i dunno i kinda struggled with this one just cuz in my au, they wouldnt be all that close and the Type of characters they are don't mesh very well, but i am super fond of the concept and would love to try expanding on it more

[turtlesystem]

(meme made by me)

THE URGE TO WRITE A FANFICTION ABOUT BRUCE BANNER THAT IS TOTALLY NOT US VOMITING OUR EXPERIENCES ONTO HIM BECAUSE HE’S SOOOO RELATABLE … sorry I’m a little crazy rn I had 3 anxiety attacks today but I need to write about this little man. I need to Draw Him

this is actually the first time I kinned a character sooooo much. probably bc his silly butt is a member of a system like I am and also like. the lore…

I always worry if I sound too self-absorbed and annoying by saying that he’s so relatable . I’m sorry guys he’s just TOO real rn he even gets misunderstood like I DO

I cherish Bruce Banner so much. goddamn do I feel alone but at least he’s here and if he exists, that means that there’s someone out there who’s willing to accept us (IRL) with open arms

He gives me hope yk 🥺 like there’s a place in the world for people like us!!! Okay maybe not in some timelines but other ones are more optimistic

- YJ (im going to cringe so hard at this later but listen. life is cruel rn .. ripping us to SHREDS i couldn’t care less about how foolish we look because it’s better to be alive and foolish than the alternative)

[zu-reblogs]

i feel we need to talk way more about our boys bc i cant get enough of brarg while this insane obsession gets the best of me so what do u think tincho would do seeing luciano all sad and angry and hopeless after losing to his cousin last night :( *sensitive topic ikr srry

HELLO yes talk to me about the boys!! I'm glad you're feeling insane about them cause it's always insane brarg hours over here

(so big disclaimer, I'm not super knowledgeable about football. I'm just vibing and having vague opinions over here)

Anyway hmmmmmmm weirdly enough I see argentineans believing in our team way more than i see brazilians believing in our team lol. They're usually like "oh this is a rough patch but Brazil NT is still a respectable team with tradition and good players". I didn't check opinions since yesterday's match cause I'm sulking, but I have seen that before, yk

I feel like our spirit was broken after the 7-1 (btw the 10-year anniversary of that is literally tomorrow, so Lulu is in a Great Mood in general), football-wise at least, and we haven't really bounced back since then. The general public's feelings for our NT are pretty negative from what I can see online. Pre-2014 we were way more optimistic

So what I think is that Tincho would think Lu is being way too defeatist, and be honestly kinda offended about it because Luciano is his rival and he would not have a weakling for a rival so how about you get over yourself little man. He'd choose the annoying banter route to shake Lulu out of his depressed funk, and it would work cause if there's one thing Martín can easily evoke in Lu (besides a need to kiss him) is deep irritation <3 and that's better than depression

[hollowed-theory-hall]

hi!

i reread your meta about Harry's feelings of women and his interactions with him. im also hc him as gay with society oppression and trying to feel and act normal normal (as straight, yk) but i also noticed that he describes his feelings like traumatic kid/teen (as he is). he's projecting both Cho and Jinny and not know they out of candylove period on starts what a man...

i like it bc he has a lots of trauma, his relationship with people is pretty toxic, but im also struggling with it. i can't imagine how he can grow out of it in canon complicate fics when he's not rest at least 3 years in woods with personal healer and how for sakes he can build healthy relationships? 🤔 (not full healthy but yk at least not fully toxic or just as normal as ok for him to feel safe, love and other pleasures)

it's pretty psychological question but i love your opinions 🖤

Hi, thank you! 💛

I'd like to think Harry could have a mostly healthy relationship in his life. Like, sure, him and Sirius are a bit off from how their relationship would've been without the trauma, but they still care about each other and I wouldn't call it toxic in any way. Like, maybe it's just me, but I like to think people who suffered can get better and form healthy relationships and live happy lives. I think Harry deserves it and I'm an optimist at my core.

Like, Harry shows many signs of PTSD throughout the books, especially after the graveyard in book 4. Like, if we go over the symptoms list from the DSM, Harry fits a classic PTSD diagnosis pretty well (might write up a post to diagnose him and show evidence for each symptom). But, we know people with PTSD can improve, their lives aren't over because of their trauma, and saying otherwise, I think, defeats the purpose of Harry's narrative a bit.

And I think 3 years in relative solitude aren't what Harry would need, probably. I think Harry would need to feel a sense of normalcy, of some rutine, and being around people he likes. So, I don't think 3 years in the woods is a good solution for him, actually the opposite.

I also don't think wizards have therapists. Like, with everything we see of their culture, I heavily doubt they have therapists. They might have healers for mind damages caused by obliviation or legilemancy, but I don't think they have actual psychologists. They'd only know how to treat spell damage. And Harry couldn't really go to a muggle therapist with all his issues, so I don't see it happening. (Maybe later in life, he could talk to someone about the Dursleys, but Hermione would have to bring it up because no way would Harry consider it on his own).

But, even without a therapist, I think he could get better and form strong and healthy relationships. I don't think he'd ever heal completely, and I think he'd always be a bit haunted, but time cures a lot. Being around friends and people who make you happy helps a lot. Going out in the sun, for Harry, riding a broom is probably more therapeutic and freeing than almost anything else. There are a lot of things that can mitigate and help even without fully processing everything in therapy.

Don't get me wrong, I think therapy would help Harry a lot, I just don't really see it happening if we take canon as is, but I think that wouldn't stop him from forming good romantic relationships like we see he can with freindships (it's not that different, both are about connection and trust). Just give him some time to process things, a good support network, and the right person, and I think he'd be alright.

[tonydaddingham]

six months on (albeit, a bit late) part 2/3

part one | part two | epilogue (at some point)

okay right this is significantly more important (and more interesting frankly) than doing the job that im actually paid to do, so let's pick up where we left off in part one. main conclusions that ive come to so far, as a recap:

aziraphale feels threatened by the conversation with the metatron and feels he has little choice but to go to heaven. also, possibly feels aware that the metatron might be able to see/hear their conversation, and so has to be careful in his own proposal that does not alert crowley to there being something wrong, and does not alert metatron to his suspicion of him

wants to bring crowley with him because... yk, love. and he thinks that the restoration might be something that crowley has always wanted anyway, so he has to offer it without clueing crowley in on the possibility that aziraphale is under some kind of duress

aziraphale was initially very resistant to going, but only gave in when a) metatron brought up crowley in the first place (implied threat aforementioned), b) crowley could be restored (which he thinks crowley might want anyway but never entertained could happen), and c) it would give aziraphale an opportunity to not only change heaven as it currently is, but also recognises him - in all his perceived imperfection as an angel - to be the "right man for the job"

crowley understandably refuses, and launches into his confession/proposal. both of them want the same end result - being together - but the journey there is the contested part. aziraphale tries to persuade crowley into coming with him by subtly changing his language and mannerisms, almost like he's leaking out hints as to why it is so important that they remain together

the only true miscommunication they have - that aptly heralds the beginning of the end - is "nothing lasts forever". everything else, arguably (aside from aziraphale's attempt to keep things under wraps) is fairly well communicated, but they simply. disagree

i will hastily add, as i said in part one, that this is still only my interpretation of the whole sequence; there have been so many amazing observations that have made my opinion/interpretation of the final fifteen flit from one stance to another, and these two posts are purely me rewatching it all, paying closer attention, and working out what the hell (ha) i think is going on.

so, we left off at "good luck".

aziraphale definitely appears taken aback that crowley has not, in fact, understood what he meant throughout the whole conversation, and most of all appears to have completely shut down with "nothing lasts forever". where aziraphale thinks that crowley putting his glasses back on means that they're about to leave together, hand in hand, and face whatever has been dealt to them... it's actually crowley drawing the line in the sand, and sticking (rightly so) to his set boundary that he will not return to heaven as an angel - regardless of the optimistic assumption of what that would precisely entail (ie. this is assuming that restoration is even possible, let alone that crowley would be able to be restored and simultaneously keep his memories/his "him" in the process... arguably, these two options are likely the more realistic).

aziraphale is now, more desperately and in plainer language, resorting to begging crowley to see why this is the best choice they can make to remain together. but this is also where i feel like aziraphale's double-speak language that he exhibited with "...i can make a difference"/"we can make a difference", and the metatron jibe, is growing more frantic and - as a result - more obvious.

to me, he's clearly trying to impress upon crowley that he is not rejecting him, that he wants crowley with him desperately... but is equally having to keep his expression of this as... strategic as possible. it's almost like he's flitting between talking to crowley in as heartfelt and candid a manner as he can, and then squeaking in the caveats that are for the benefit of this assumed pretence he's playing - i guess what im trying to say is that aziraphale can't very well turn around and say, 'crowley i am not rejecting you, i want to be with you, but i cannot get out of this situation im being placed in, and i cannot leave you here on your own because i have no idea - and am scared of - what will happen.' the way he says "work with me!"; 'its going to be me and you against them, still. that's all it was ever going to be; i am not theirs, i am yours, but i have to play this game' - which incidentally, to any outside ears, would arguably just sound like aziraphale asking for crowley to... well, work with him. "we can be together!" is said with all due emphasis and cry, and aziraphale neatly tacks on, "angels, doing good!", because they would do good - good as they see it - and crowley would have to be an angel in order to do so, yes, but ultimately aziraphale wants him... and yet still remains plausible to anyone who could be listening.

i do still think - for the record - that there is a part of aziraphale that thinks that this is absolutely the right thing to do. crowley has put other options to him that, in contrast, solve nothing as far as aziraphale is concerned, and this sense of threat from the metatron only forces into sharp relief that whatever happens, wherever they go, they are not free of anything and never will be until something changes. this line of thinking has not always been how aziraphale has thought historically - but it's who he is now. if we accept that all of the hard, agonising decisions and choices that aziraphale has had to make, all of the times where he has battled with what is the right thing to do (arguably - exactly as crowley has taught him), has led to this moment, then aziraphale standing steadfast to his decision is absolutely in line with the character development we've been shown throughout both seasons.

that is just my interpretation given the events that come before this bit of the dialogue; whichever way you look at it though, aziraphale is evidently panicked and erratic that this might actually be it - that he and crowley are done. the really interesting bit for me, however, lies in his movements, his body language, and his expressions? they feel more in line with how aziraphale normally acts. to me, all of this is genuine, it's not put on, nor faked; where before he was trying to hide his fear under the guise of excitement, it now feels like this is actually aziraphale speaking, and not some uncanny facsimile who is trying to clutch every fraying string and keep it all together. also worth noting that during this part of the interaction that not once, as far as we see it, does aziraphale look out of the window.

whichever way you look at it though, aziraphale is evidently panicked and erratic that this might actually be it - that he and crowley are done. the really interesting bit for me lies in his movements, his body language, and his expressions? they feel more in line with how aziraphale normally acts. to me, all of this is genuine, it's not put on, nor faked; where before he was trying to hide his fear under the guise of excitement, it now feels like this is actually aziraphale speaking, and not some uncanny facsimile who is trying to clutch every fraying string and keep it all together. also worth noting that during this part of the interaction that not once, as far as we see it, does aziraphale look out of the window.

crowley though? crowley has clocked out. noone could blame him at all, especially after the sucker punch of the previous half of the sequence, because whilst i think he's hearing aziraphale say these things spoken with sincerety, probably even recognises them to be genuine, he's possibly also hearing the unspoken, perceived caveat that comes along with them. "we can be together... but you have to change." "we can be together... but i'll never love you, as you are, as much as you want me to."

he's hearing what aziraphale is saying, and either he doesn't believe it, or he's resentful that he would say this now - from crowley's pov - to cover up and compensate for what he said before. as he goes to walk away, but is called back by aziraphale, his turn and his carriage is... not petulant, that's the wrong word, but almost impatient? like he's humouring aziraphale at this point, but not that he has much more interest in what aziraphale has got to say. and again! given everything that has just been said and done, from crowley's perspective, that's completely understandable.

it's the turn of the head; crowley already has his barrier up with his glasses on, but he's cutting off any remaining communication he can give to aziraphale. it's interesting that he's specifically chosen to look out of the window, where we presume the metatron is - but does crowley even see him? does crowley essentially dissociating so rapidly that he can't even see that the metatron is there? or does he see him, and think that it's of very little consequence - the metatron won, he's got aziraphale (or - aziraphale was always heaven's, anyway), and it's barely worth notice or comment?

but it's also like he's giving aziraphale another chance - another chance to change his mind. if he didn't at least have a small flicker of hope left that that might happen, it stands to reason that crowley would have simply kept on walking. but he stops, and he waits. as aziraphale keeps talking, however, he turns his head specifically as he says "together", and appears to clamp his mouth shut as he does so, as if almost to say 'it's no use saying all this, because i'm hurt and i'm angry and i'm giving up. you want us to be together only if i come back; i'm never going back, you keep pushing, so how can you so desperately want to be with me if this is the only circumstance in which you can bring yourself to do so?'

of course, then, we get aziraphale's last gut-wrenching plea that he needs crowley. it's so simple a statement, and it has no condition afterwards, nothing to qualify it - and yet it is still something that aziraphale has never said, or - to my recollection - ever expressed in this capacity. sure, he's begged him with puppy-dog eyes to make hamlet popular, or to miracle the stain out of his coat, but nothing so heartfelt and dire as this. it's as true to any love confession that i think we get in the final fifteen; especially when you consider the mirror of the line in 1862 - "i don't need you..." / "and the feeling is mutual, obviously!" - and the context in which that is said.

aziraphale has, as bravely and vulnerably as we've seen aziraphale do anything else, vocalised something as close to a love confession as he can currently get... and crowley doesn't say anything? doesn't even look at him? throughout this confession of sorts, crowley has continued to look out of the window, and whilst we know that this is likely out of self-preservation on his part, what must this seem like from aziraphale's perspective? presumably it feels like a rejection - but is that a rejection of the entire thing - the whole offer - or of what aziraphale has just told him?

in the above moment, we can see aziraphale's face clearly crumple in hurt when crowley doesn't even acknowledge what he's just said, before masking it rapidly with indignation. he then lashes out with "i don't think you understand what i'm offering you."

indenting this next bit, because i need to ramble it out:

whilst i do think (as i said in the last post), that aziraphale might genuinely believe that crowley in some small part wants to return to heaven to be an angel, crowley has quite clearly rejected, in the room, any notion of it. his repulsion at heaven, and the notion of forgiveness, is not as wishy-washy as it was at the bandstand; now, he is vehement and firm that his opinion of heaven cannot get any lower. and i think aziraphale knows it. plus, the way that aziraphale words and proposes the restoration offer to crowley feels like he was aware that it might be a hard sell. so when aziraphale says 'you don't understand what i'm offering you', i don't think that aziraphale was himself talking about the restoration specifically; i don't think he's essentially saying, 'crowley, you're being so stupid, you could be an angel again - what part of this don't you understand? do you even comprehend what i'm trying to give you, here?' what i think aziraphale is, however, offering to crowley is that he and crowley remain together. aziraphale doesn't have much of a choice in going back to heaven - that much seems fairly apparent - and the only way, as far as he sees it, that they can remain together is if they go back to heaven together. and to do that, crowley would need to become an angel. i know people have often viewed aziraphale's decision to return to heaven along of the lines of, 'he loves heaven more than he loves crowley'... but i don't think that's it at all. to aziraphale - him begging crowley to come with him, work with and help him to make a difference (i.e. the right thing to do, i.e. a difference that is meaningful to, and controlled by, them), for crowley to not even look at him when he tells him he needs him - it must frankly feel like a rejection of aziraphale himself? when aziraphale says that crowley doesn't understand what he's offering him, i think it's more along the lines of aziraphale saying that he's offering all of himself to crowley. in the hope that, even if it means crowley has to return to heaven, being together is enough to warrant it? that aziraphale himself is enough for crowley to want to do that? 'do you hate heaven more than you love me?'

this feels like a stretch, i grant you, but given everything we saw towards the beginning of the episode - especially where shax's first jibe at aziraphale is to undermine what aziraphale actually means to crowley ("emotional support angel"), something that aziraphale presumably already fears (i.e. that he's a means to an end, of sorts) - it doesn't seems implausible.

furthermore, when crowley retorts that he understands perfectly, and understands more than aziraphale does, aziraphale's reaction then makes more emotional sense. of course, from crowley's perspective, he thinks that this is about the restoration, and of course he understands more about what aziraphale is offering... because how can he not?! he is fallen, he fell, and there is no way he, someone who has gone thousands of years (potentially millions) being deemed unforgivable and irredeemable, can ever be restored like aziraphale is hoping he can. and why would he want to be? that's not something aziraphale as an angel would ever be able to fully understand; the futility of wishing otherwise, the insult, and the impossibility.

i do think that it's worth bearing in mind that canonically, the implication is that aziraphale was not there to witness crowley's fall - possibly not even the fall in its entirety. we're never shown any instance where crowley even talks about it to aziraphale. absolutely, this is evidently a delicate and (if nothing else) touchy subject for crowley, and he doesn't owe aziraphale a deeper account than the questionable "sauntered vaguely downwards". but equally, it's not fair to assume that aziraphale knows how much of a boundary he is crossing by even entertaining the idea, and pushing it.

perhaps he should have inferred it at a previous point, true, but... the closest we get to crowley talking about it is "the angel you knew is not me", and "i won't be forgiven! not ever!". it's not unrealistic that aziraphale would infer these two poignant lines as crowley being wistful for the chance at redemption or forgiveness. ultimately, in my view, it's not until the final fifteen that aziraphale begins to have even the faintest idea of just how deep crowley's antipathy for heaven runs. it's not a case of just thinking they're a bunch of dicks, but that fundamentally, crowley will never align with heaven under any circumstances.

so when crowley says this, he is absolutely saying 'i know about this subject more than you do; i am fallen, you are not, and you therefore are not able to understand like i do why being restored is not only unthinkable, but the worst outcome possible for me. it's not the good thing you think it is. i want us to be together, but you're asking for something i cannot - and will not - give you, and you don't seem to see the problem in asking me in the first place.'

but aziraphale is not thinking of this; what i think he might be hearing from crowley is, 'no no, i know you want to be together, and are offering yourself up to me with your whole heart; the issue is though that if it means i have to go to heaven to have it, to have you... it's not enough to make me do this. i don't want it; nothing and noone would warrant me doing this. you are not enough for me to acquiesce to going, and moreover you're not clever enough to understand that.'

it very quickly, i think, stops being about crowley not wanting to return to heaven - at least, not in the way they were previously discussing. instead, it feels like aziraphale is now starting to internalise crowley's reaction as a reflection on himself. which then, for me, that makes aziraphale's next line of "well... then there's nothing more to say." make all the more sense to me... because that's the kinda thing you say after things have really hit the ground, right? and i imagine, for aziraphale, hearing crowley essentially say that he's not enough would probably elicit that reaction. that crowley ultimately has no further use for him (again: "emotional support angel"), because crowley can so easily discard what they had, and so very nearly could have had. and not only that - crowley implies in his wording that, once again, whilst aziraphale is incredibly intelligent in some ways, he can also be phenomenally stupid (which turned out great the last time he said it).

aziraphale clearly tries to put a brave face on - school his expression, blink away the tears that are clearly gathering and brace his mouth against the trembling - and slap on the fakest, tightest, weakest smile. just before it switches to crowley, however, you can see the anger begin to set in; looking towards the ground, aziraphale seems like he's already given way to the feelings of disappointment and betrayal, and possibly even humiliation? that he's laid out his own heart - he thinks - so clearly, and it's being refused as if it's nothing.

now look, idk about anyone else watching this scene for the first time, but... my reaction to the part of this bit of dialogue was... not dissimilar to aziraphale's. after all of this emotional outpouring, both parties being hurt by the other, etc., it feels completely apropos of nothing for crowley to suddenly be asking if aziraphale can hear whatever he's meant to be hearing. aziraphale's reaction, to me, not only within character, but entirely reasonable; he's wound up, going through a thousand different emotions, and yet he's meant to be hearing... what? a car alarm? someone thumping out some drum and bass? of course aziraphale retorts testily, and agitatedly; they've just reached the end of an intense discussion and - as he sees it - the whimper end of six thousand years of being an 'us' in various capacities. he obviously isn't, but i can imagine that it would feel that crowley is trivialising what's just happened and, in aziraphale's shoes, i'd probably be a bit shitty - and subsequently bitchy - in my delivery too.

but of course - ha - we then get the suckerpunch of the nightingale line, and we feel the weight of it right alongside aziraphale. the poignancy and tragedy of what crowley is saying with this. there's been numerous of delicious metas regarding the motif or symbolism of the nightingale (personal favourite for me is the shakespearean link to the nightingale/lark in R&J), but in the context of the story? the context that both these characters presumably know and understand? we know about the end of s1, and it's suddenly apparent that the song was diegetic. that both of these characters recognise that the nightingale represents what they nearly - and did - have and accomplish by the end of s1.

there's no piano tinkling in the background, playing what we now understand is considered by both of them to be their song, (i still have very narrowed, suspicious eyes at 1941), to put them in a lovey-dovey mood... because this? right here? this isn't going to have a happy ending. calling attention to the sheer absence of it, figuratively speaking, only confirms for the both of them that whatever they did have - or were on the cusp of having - is gone.

moreso for aziraphale; it's abundantly clear when the finality of this hits him, evident in his dumbfounded expression that follows immediately after crowley says the line. and the way that crowley says it, how it could be perceived as incredibly nonchalant and casual (and for the audience absolutely betrays just how devastated crowley likely is in saying it), is evidently shocking for aziraphale; the notion that this is truly broken, this is done, and there is no coming back from it... and crowley already has a foot out the door already.

which is only hammered home with this:

idk, again, if this was the same for anyone else, but even upon first viewing, this felt acutely unfair. not only the idiot line, which as i've already alluded to seems to be a firm boundary for aziraphale (we'll get to 'i forgive you' in a minute huns, i promise), but the way that crowley very firmly places this whole thing upon aziraphale.

up until this point on first viewing, personally, i was content with appreciating that both of them had a good point; that their perspectives were so agonisingly polarising but had equal merit. but this does not all rest on aziraphale's shoulders; there isn't, to my mind, even any blame to assign in this whole sequence, but to my mind they are both equally accountable for the outcome. they cannot align their separate belief systems, can't align what they think is the right thing to do, but share the devastating want to be together. there's miscommunication, sure - but not enough that i think either leave each other not knowing that the other cares for them deeply. it's understandable why their paths have diverged, but both of them have been fighting for 'us' until this bitter end.

so, to then watch crowley essentially drop the blame for them not being together so squarely on aziraphale's shoulders was... frustrating, to say the least. that aziraphale is so firmly in the wrong, and that him being 'an idiot' is the only reason why they're not making out on the sofa and skipping into the metaphorical sunset right now. that - if we're being real here - if aziraphale had abandoned whatever he had considered to be the right thing to do, and followed crowley in what he wanted, what he considered right, that they'd have a future together (and that's not even taking into account the whole metatron-threat thing, but i hadn't reflected on that upon first watch).

i think the fact that crowley did this, frankly, is not lost on aziraphale. he certainly reacts accordingly; his face crumples minutely before he turns reflexively away - both away from crowley, and away from the metatron (because, lest we forget, he is still outside). it feels like what were web-like fractures spidering out across aziraphale have now suddenly cracked under the pressure, and the first piece has fallen. it makes sense that in this moment of actual physical vulnerability, something that aziraphale wasn't quick enough to school away and mask, he would turn from crowley to hide the hurt he's just handed him.

(lol are you ready bc i'm not)

sigh.

okay right; this is probably the only bit of the final fifteen sequence where, by large, my reaction to it has not changed. to be clear; i love the kiss for what it does narratively, and the delicious possibilities that it opens up in s3. i think the kiss, and their respective reactions within it, are perfectly in line with their characters. frankly, on the whole, i enjoy it for what it is.

lets start with the preceding bit, as a reminder; crowley's distraught, aziraphale's distraught, we're all distraught. crowley has said something that, to my mind, is quite frankly unfair, but understandable for him to say from his perspective. it's also the line that causes aziraphale to physically break, and he's turned away from crowley to hide himself and prevent crowley from seeing the hurt that it's caused him, the ensuing vulnerability. to my mind, by extension, aziraphale is now at a point where he thinks it's all over, that there's nothing to salvage, and that they're done. crowley certainly seemed to give that impression with his line about the nightingales, and "we could have been us."

aziraphale breaking, and turning away, evidently spurs something within crowley; that there does seem, somehow, to be some hope that aziraphale will stay, and so crowley immediately strides over to him. the thing is that after initially watching it, and then thinking on it a little more (and rewatched another six or so times), i... didn't get it? i didn't get what the point of it was. it seemed abundantly clear to the both of them that aziraphale wasn't going to change his mind, and neither was crowley (and tbh, neither of them should - and even if one of them did, it wouldn't erase the *waves around vigorously* everything that just happened), so what was the kiss meant to prove? what result was it meant to have?

it could be that there wasn't meant to be a result of any kind, that crowley was just outpouring his emotion in a make-or-break physical way. yes, absolutely, and i would think that (that it was a purely emotional action, not necessarily meant to do anything), but... when they break apart, crowley clearly appears to be waiting for something.

but i'll get to that in a minute; the point however seems to be it's aziraphale's break that kicks crowley into action. that he still has an 'in', and he can use it. aziraphale cracked, crowley sees a glimmer of hope, and does the most direct thing that comes to mind that would impress upon aziraphale just how desperate crowley is for him to change his mind.

i said in a meta a few months ago, god knows where it is now, that the whole interaction appears somewhat predatory - like, literally, in the animalistic sense. it's violent, and fast, and there's no room for discussion or manoeuvre in it; grab him by the lapels, drag him round, plant it on him, and hold him there. the dance and motion of it is almost serpentine in nature. of course, again, i absolutely recognise the desperation with which crowley is evidently acting, and there's no part of me that thinks that this is done out of anything but the most deep-seated, painful, aching love, but it's... still uncomfortable. i don't see any romance in this, personally, at all.

that doesn't diminish the romantic feelings fuelling it, however, but it's not the kind of kiss, i think, you would expect to see from someone intending to romance someone into remaining with them...? of course it's more than possible (a certainty really, depending on the hc; ymmv) that crowley has simply never kissed anyone before, and just simply doesn't know... what to do? and maybe that explains why he doesn't move, doesn't actually... do much of anything, whilst kissing aziraphale. but we know crowley has seen at least one stereotypically romantic film, and presumably has seen romantic kisses throughout history. so to me, it kinda begs the question of - if a typically-romantic, climactic, show-stopping snog wasn't the intention here, what was?

i put this in a photoset when the parallel had struck me, as they often do, at 2am; there was a huge emphasis played, in crowley and aziraphale's first truly meaningful encounter post-eden, on aziraphale's first temptation. something that he obviously enjoyed for millennia to come, and has a huge impact on him as an angel and as a person.

additionally, someone else posted at some point soon after s2 aired that the way aziraphale devours a whole bloody cow is reflective of the fact that, at the time, he didn't realise he was starving. apply this to the kiss, and we can imagine what kissing crowley would mean for him in turn. if aziraphale succumbed to the ox-rib temptation, and likely other temptations that followed afterwards, it would make sense that crowley might - might - resort to a similar method in getting him to stay, at a point when all else has failed, and crowley thinks he has no other option left.

i'm in two minds as to whether crowley meant the kiss, full-chest, to actually be a temptation (for me, it makes his characterisation even more nuanced and complex, so i'm largely on the side of it having been intentional, i'm afraid), but the way that he pulls back afterwards, and waits for the verdict, strongly suggests to me that it might have been.... waiting/hoping? for aziraphale to change his mind. that if it was a temptation, that he pulls away hoping that aziraphale will declare himself to remain on earth with crowley.

i realise the above may be a point of contention, and accept that - tbh, i just enjoy exploring the possibility. and even if crowley hadn't intended it that way, i think aziraphale certainly may have seen it that way (which again, for me, is in line with aziraphale's development starting in s1 with resisting crowley's insistence that he kill the antichrist etc.). but again i'm getting ahead of myself-

so wham, in with the kiss. aziraphale obviously reacts initially in shock (no, i don't think it's revulsion, but it's certainly surprise and likely a bit of the ole 'what the fuck'); he keeps his eyes open, his eyebrows drawn together in a frown, his posture is stiff, and his hands flail. but then... he melts into it. more than melts into it - he returns it. his eyes close, his face relaxes, and his hands come up, hesitantly and tentatively pressing into crowley's back. there does come a point during the kiss, however, where aziraphale's hands detach from crowley's back, and return to flitting around like he's unsure of what to do with them. at which point crowley finally releases him, and breaks the kiss.

a combination of aziraphale not physically pushing him away, and even proceeding to draw crowley in, with tenderness? to crowley, i can imagine he breaks the kiss hoping ever so slightly that whatever it was meant to be or convey - temptation, whatever - made aziraphale change his mind. that this last-ditch effort was enough to make aziraphale stay. he pulls back, and almost seems expectant of some kind of result.

aziraphale's immediate reaction, once the kiss breaks, is not so static. he falls back out of crowley's clenched fists, and his face takes to unadulterated heartbreak and despair, but ultimately seems to be rooted in panic...? shock? aziraphale also pointedly looking out towards the doors is telling, because i don't think it's wholly left his mind about who's waiting outside, and the position that he's now been put into - where he has to reconcile this really quite distressing experience with everything that has come before it.

by god does aziraphale cycle through some emotions here. he can't even look at crowley whilst he processes this maelstrom that's going on - sorrow, longing, confusion, and pure shock - and stumbles over his words trying, i think, to find the right ones to say. the kiss, i think, has very nearly done its job; aziraphale is clearly conflicted, but i think struggling to find a way to express that he wants this, but he still can't stay. trying to anchor himself to something, to a decision, that won't destroy himself or crowley in the process.

however, before he even gets that far, there is a really key moment where his expression abruptly changes, almost like he's realised something. in that moment, it's where he finally makes eye contact with crowley, and for an infinitesimal moment, aziraphale seems to eye him with something like... betrayal? disbelief? and that's where, unfortunately, i think the temptation element comes in, because i think aziraphale recognises it (or at least, thinks he does). and possibly recognises that, from aziraphale's perspective, crowley has resorted to something that he knows nearly always works on aziraphale, trying to force his hand into doing something that aziraphale has already expressed he will not - and presumably cannot - do.

but beyond that; i've said before whilst kisses do not feature in austen's literary works, aziraphale is hardly ignorant of the trope that a kiss - typically - in romantic fiction can carry weight as a declaration of love. has aziraphale ever idly wondered on what it would be like to have a first kiss with crowley? yeah, probably. but arguably what crowley has done is taken that - taken something that is precious, tender, meaningful, and cannot be taken back and redone - and turned it into something heartbreaking, possibly manipulative, and overall - frankly - something ugly.

aziraphale even gets a little smirk on, because in that moment i think he's genuinely angry at crowley... for any/all of the above. he seems so plainly resentful and appalled by what he thinks crowley was doing, thinking that aziraphale wouldn't see through it, and resorts to his textbook bitchiness in the guise of a sarcastic and sardonic smile. and even his body language - he exhales sharply in a small huff, his shoulders relax and his posture straightens, and he even bears his teeth slightly the smallest of snarls. and then, of course, he delivers the fatal blow of "i forgive you".

i know there have been a fair few interpretations of this line, and what aziraphale was saying with it. mine, personally, is very simple; this is how aziraphale can basically get away with telling crowley to go fuck himself. in s1, he says it in a way - responding to crowley's rather painful line about aziraphale being 'so clever, but so stupid' - that almost feels, on the surface, as if it's intended with benevolence and kindness... but is instead saying 'fuck you, that hurt. so i'm going to say this in return knowing it will hurt/annoy you in turn.'

and tbh, i don't think it's any different in this moment of the final fifteen sequence either. aziraphale is clearly hurt (once he delivers the line, you can see his face shift once again back into soft sorrow) and clearly angry. he is lashing out in a way befitting his 'bit (see: lot) of a bastard' streak, because he perceives it to be striking at something that resembles a weakness, or sore point, for crowley. it's also a clever insomuch that should anyone ever overhear him, he's being his devout angel self... but to him and crowley, it's absolutely a code that they both patently understand.

crowley then seems to just... accept that nothing has changed/it didn't work, and simultaneously rolls with the gut punch that was "i forgive you", like he's not even really surprised that aziraphale had that response to give him. he sighs, in a way that practically vocalises 'disappointed but not surprised', and succumbs to the inevitability of them not having (yet) the happy ending that he'd perhaps hoped. he turns, tosses "don't bother" over his shoulder, and leaves the shop.

i think "don't bother" could be taken multiple ways; if we accept that crowley actually knows the underlying subtext in "i forgive you", it could him saying, essentially, 'don't waste your breath, we're done/i'm going'. if he takes it literally, it could be 'i'm a demon, as you've so clearly pointed out, don't bother trying'... or 'i'm not sorry or asking for forgiveness, i did what i felt was right'.

last little bit before i close off here (i'll do an epilogue for the last bit of the sequence, up until credits roll; there's too much to try to squeeze into like two gifs and a couple of paragraphs):

when crowley leaves, aziraphale most obviously looks desperate himself, panicked, and heartbroken... i'm even somewhat sure that he's about to call crowley's name, or a simple "no" (this bit is next on my 'lipread' list) and stops himself. his lip pouts, he's breathing heavily, and whilst - by god - his eyes are a watery mess throughout the entire sequence, this is probably as close as he gets to shedding actual tears. there's still some residue confusion, like 'what the fuck just happened, that's not how that was supposed to go'.

it's clear that aziraphale is generally distressed, and he certainly looks this way... just before the point that his hand raises to his lips. the way it's so shaky, and hesitant, the wide-eyed, shocked stare before rapidly blinking, perhaps both in disbelief and also to rid himself of the tears building? and then, whilst his fingers are almost trying to imprint the kiss even more, he lowers them and reveals his face stiffening into a sneer (jaw and nose tightens, eyes become more hooded, eyebrows draw together).

now, i'm in two minds as to who this sneer is directed at - is it at crowley, because of the same reasons he may have said 'i forgive you'? or is it at metatron, for putting him in this position in the first place? honestly, i think it's the former; aziraphale seems to have almost all but forgotten the metatron, and his reaction to metatron returning to the bookshop would support that. his head turns so quickly to the door when it opens, and that hope and surprise quickly disappears when he realises it's not crowley... turns away, most likely to wipe his eyes (even possibly his mouth), before turning back to the metatron to answer as to crowley's reaction.

which - and i'll leave off with this, because it'll follow neatly into the epilogue post - seems odd. metatron has presumably seen crowley come out of the shop, and even if they don't exchange a look, let alone words, he can clearly surmise that negotiations went a bit sour if crowley has left without aziraphale... if it wasn't obvious by now, it's seems to be a very blatant, and yet artfully delivered ploy. whether the motive was to separate them out of fear/trepidation, or just simply get aziraphale back in heaven under his thumb without crowley's influence, it's clear that the metatron never intended - nor thought it plausible - that crowley would agree to return to heaven. his next lines certainly cement that thought, and i think might have registered to aziraphale too.

i'll be back at some point ciao