#find him more interesting as a symbol. but i think it WORKS and is a perspective more people should consider

[durge-marzio]

No, I’m not done with just a reblog. I have to talk about his character design. It’s nearly perfect for what it’s trying to accomplish.

There’s scared tissue around his eyes creating permanent dark circles. He’s covered in grime from his work, showing despite his power, he still gets dirty. He has the wrinkles around his mouth, most likely caused by grimacing in anger so often—most likely a result of his childhood. But he’s also described as having a quick, easy smile. He’s good at putting on a mask and the wrinkles show that. They’re the opposite of Gale’s smile wrinkles in a sense. His eyes are almost always narrowed, his eye brows furrowed. He’s always thinking, calculating, and it shows!

And don’t get me started on his hair. There is so much to say about his hair. Did he cut it after experiencing grief? Is it bed head? Did he just not want to spend the time styling it since he works all day? Is there grease in it from his work? Did he cut it himself because it was in the way while working? He’s hardly shaved, so he either gets no sleep or hasn’t had the time. He wears his work ethic on him. It’s not because he doesn’t care about his looks, it’s to show the people that he is putting in the time to be their Archduke (whether some nobles find that gross or below class or not). This is speculative of course. He might just not care because he’s sleep deprived, and dude me too. Or did the devs just not like the way his concept art looked in 3D so they gave him final fantasy hair?

And then there’s the mystery to him that most people would be allured by! Are there scars under his gold bracers from working with devils or metals? Where did the face scars come from (they are angled to maybe have come from a blade in one swing and not two, so a narrow escape)?

His clothes display his values and interested. Demons and dragons. Words are more powerful than actions in a demons contract—charisma and intelligence. Dragons can symbolize Tiamat or the power of Baldur’s Gate with Balduran and Ansur. Karlach mentions he looks the same just with a fancy coat, so could all just be for display. He’s a working man underneath all that embroidered gold.

The only thing I have a gripe with is the collar of his coat. It creates a shadow on his face almost at all times, and it hides away his cheekbones and jawline. But then again, he probably wants that shadow. Mysterious man. I see through you. You’re silly and gay!

…

I probably missed other things, but this isn’t the first time I’ve gone off on this tangent. It’s just the first time I’ve typed it all out.

"gortash is ugly"

a part of me dies every time i see gortbashing and obv attractiveness is subjective but i always look back at this one screenshot i took while in dialogue and i sigh and kick my feet

[snakeunderyourboot]

we should talk about malevolent but soulmates au, especially in the context of Jarthur

Imagine the situation when your soulmate is not only some eldritch being BUT ALSO someone you have to share a body with. Also, it could be both romantic and platonic

like....there are many different versions of how soulmates work. There could be soulmate marks, or being colorblind and only seeing color when you met your soulmate, the timer that runs out when you see your soulmate, the first phrase they are going to say to you, some tatoo, or even just a name etc etc. All of those are potentially interesting, ESSPECIALLY if we apply them to jarthur

Soulmate marks, where Arthur left pinkie has a darker color. Or his eyes are. Or all parts that John would later come to possess have darker color. OR Arthur has weird scars that no human has ever seen before and could not be explained by any human logic. It is almost like they are divine in nature.

Seeing color when you first meet your soulmate, where Arthur has never in his life seen color. He has no idea what John means when he says that something is yellow, because what the fuck yellow even means. Sure, he knows that the sun is yellow or dandelions are yellow, but he doesn't understand. He would probably think that John is able to see colors because he is outwordly being so he doesn't apply by the same rules mortals do. And if it is true, what if John being able to see color is his proof that he is human, that he is no longer God. Or if it is NOT true and gods do have soulmates, what if Kayne or King in Yellow mention something about it?

Would Yellow see color? Would he see it with Larson? Would he see it later in Dreamlands, whenever he is?

The timer that runs out when you meet your soulmate, what if Arthur's timer is all fucked up, with strange symbols, that are always changing? And what if the second he picked up the book his timer abruptly stopped on zero? What if John later asks what the strange line of zeroes means and Arthur wouldn't know what to even say to that. What if in Addison his timer is back again to being all fucked up and Larson notices it and recognizes some of the symbols? What if after he has Yellow, his timer is also all fucked up?

The first phrase your soulmate is going to say to you, where Arthur doesn't have "Don't you remember?" INSTEAD he has "Arthur? Arthur!" because that is the first thing JOHN tells him after a coma? I just think it would be neat if the prase is from John when he is John, and not the Entity. You know what, we can even play it out to episode 43, where Arthur has tattooed the first words John says to him when he is resurrected. ORRR what if it's the first words John says after he has his own body?

In the same way, John doesn't have the soulmate mark until they are in the hospital or in the witch's lair? Or what if it is different, what if the words tattoed on your skin are the words your soulmate says when they realize they love you. Would then Arthur's words be "I suppose so" (when he talks to the King in Yellow in s2 finale) while John has "Because I care about him?"(from s4 finale)?? What if he only understands what the words mean when they are confronting the Witch?

This is actually my favorite variant because THERE IS SO MUCH that could be said.

A tattoo where again Arthur's tattoo is all fucked up, some weird sign that he knows nothing about. He starts looking, finds some mentions of eldritch gods, and decides that NOPE he is out of here. And then he meets John?

Or even just a regular name, where life is so much more complicated for Arthur. I would say homosexuality would be acceptable much earlier in human history if soulmates were a thing, but I would say he still would have a hard time with it. John is one of the most common names, but the problem is also that the name "John Doe" is literally given to people who are not identified. Can you imagine how long Arthur needs to search for his soulmate? And then in the hospital when John asks to be called by John and Arthur is just head in hands??

And you could say even MORE I just listed the most popular and the ones that come first to my mind. We should talk about malevolent soulmates au because this is an entirely new level that is so interesting to talk about

EDIT: also I did not mention Arthur relationship with love BUT we could play it out too. Arthur could be completely ignorant of the soulmarks. Or he could think that soulmarks mean only romantic love. Or both of these or neither or something completely different!

[mya-valentine]

Headcanon: Artistic S/O

Characters: Shikamaru, Deidara, Itachi, and Sai

Shikamaru Nara

Shikamaru is low-key impressed by your skills, even if he doesn’t outwardly say it often.

He likes to lay on the floor, watching you work while cloud-watching out the window. He finds your creativity soothing.

When he’s stuck on strategies, he’ll casually ask for your perspective. “If this were a painting, how would you balance it?” He doesn’t admit it, but your insight helps him think outside the box.

He secretly loves when you draw or paint him, even if he tries to act like he doesn’t care. If you catch him blushing, he’ll just say, “You could’ve picked someone more interesting.”

Shikamaru will fall asleep in your studio sometimes, claiming your space is just too peaceful.

Deidara

He’s obsessed with your work. Being an artist himself, he sees you as a fellow creative soul. He’s constantly hyping you up, calling your pieces “art” in the most passionate way.

If your style is different from his, he loves the contrast and often debates with you about what “true art” is. He claims his explosive art is superior, but deep down, he’s amazed by your skill.

Deidara will absolutely collaborate with you. Imagine him using small clay bombs to add dynamic texture to a sculpture or piece of art you’re working on.

He’d be the type to randomly grab a paintbrush or pencil to “improve” your work, though it’s usually just him trying to bond. “Huh? What do you mean I ruined it? This is genius!”

He keeps your art on display in his personal space, showing it off to anyone who visits.

Itachi Uchiha

Itachi is quietly supportive of your passion. He admires your ability to express yourself through art, as it’s something he struggles with.

He finds watching you create incredibly calming. After long missions or stressful days, he’ll sit nearby in silence, letting the sound of your pencil or brush soothe him.

Itachi is a big fan of meaningful, symbolic art, so if your work has hidden themes or stories, he’ll notice immediately and ask thoughtful questions.

He’ll secretly collect small pieces of your work, like sketches or paintings, and keep them tucked away in his belongings as little reminders of you.

If you ever draw or paint him, he’s deeply touched, though he might not say it outright. You’ll just catch a soft smile and a quiet, “Thank you.”

Sai

Sai is fascinated by your art. As an artist himself, he’s genuinely interested in your techniques, tools, and inspirations. Expect him to bombard you with questions.

He loves comparing styles with you. Sai’s work tends to be precise and controlled, so if your art is more freeform, he’ll admire how expressive it is.

He’ll happily share tips and even teach you some of his ink techniques if you’re interested. In turn, he’s eager to learn from you, no matter how different your style is.

Sai isn’t the best with words, so he often expresses his feelings for you through little drawings or paintings. You’ll randomly find sweet sketches left on your desk or in your bag.

If you draw him, he’ll analyze every detail and take it as an opportunity to understand how you see him. “Is this how I look to you? Interesting…”

.

.

.

Masterlist

[stars-n-spice]

For the WIP ask game, "The Arena" and "Secrets Revealed" both sound really interesting! Would love to know more :)))

Ask and you shall receive!

The Arena

This one has like 2k words already and I really should go back to it lol

It's OC angst about Tay'kaa ft. Crosshair set on Pabu in the aftermath of Tantiss and everything else

Essentially the gist of it is that now that he has this slow life, Tay's able to process all his trauma for the first time ever and he comes to the realization that his time in the arena as a gladiator severely fucked him up

He finds himself longing for that life again - because as fucked up as it was, there's a sense of familiarity and attachment to it - and he lets it slip to Crosshair one night that he misses the arena

Of course this upsets Crosshair and hurts him because he doesn't quite understand why Tay would ever want to back to that because Crosshair himself would never want to go back to Kamino or Tantiss

But after a long conversation/argument he begins to understand where Tay is coming from and realizes just how much more healing they both have to do - so it kinda ends on a bittersweet note

This one kinda has both of their POVs of the situation equally

Secrets Revealed

Another angsty Tay'kaa ft. Crosshair fic because I like putting my OCs through pain (whoops)

Honestly, I can't remember if this one was supposed to be about Crosshair finding out that Tay was a gladiator for a LOT longer than Tay had previously told him OR if it was supposed to be about Crosshair finding out what happened during the time that the two were apart - when Crosshair was on Barton IV and then Tantiss and Tay was dealing with the past catching up to him

Maybe it was both - idk

I only wrote a few opening paragraphs for it so I can't be too sure and my notes aren't helpful either, lol

But I think this one was formed because I had this scene in mind where Crosshair first sees the Black Sun Syndicate symbol branded into Tay's back - something he doesn't remember seeing before - and Tay eventually spills the beans about how he got it

It's supposed to be the first time Crosshair sees Tay break down and really cry - and he's like seeing that scared child that Tay is at his very core - and yeah, just angst stuff.

This one is supposed to mainly be from Crosshair's POV

Yeah,, just a lot of angst, lmao. If you couldn't tell, Tay's my favorite OC currently so that means subjecting him to pain - even if he gets to end up on Pabu. I mean, in the end, it all works out!

Thanks for the ask! 🩵💫 I really should go back to writing

[good-beanswrites]

Fuuta x Kotoko?

Waah I hope the fact that this ran a little long makes up for the lateness -- I really love the idea and was so excited to get the request!! They'd be so interesting and affect each other so much...... it makes me crazy...... It becomes canon divergent at the end because I genuinely think being in each others' company more would influence them both

Kotoko was nothing if not observant. Over the years, she’d found herself in – and gotten herself out of – enough situations to get a good read on the people she interacted with. No matter what this world threw her way, she could always rely on those abilities. And from the moment she met Milgram’s third prisoner, those abilities told her he was nothing but trouble. 

“Oi,” he’d called across the dining table during the first meal they all had shared. “What did you do to get here?”

From the moment she woke up in this strange place, Kotoko had kept to herself. It’s dangerous to charge forward and introduce oneself to a group of mysterious murderers when there are no locks on the doors. She hadn’t spoken a word to anyone, the others smart enough to heed her intense look and stay away. 

Fuuta, on the other hand, was the first to speak directly to her. He stared impatiently.

“Well?”

She noted his directness. His volume. The brashness and vulgarity she’d heard earlier in the day. His motivations and values he’d let slip in his early defenses. His anger and his fear. The suspicion in his gaze, as well as the need for reassurance in his voice. In that moment, the information clicked together in her mind, and Kotoko realized two things:

Kajiyama Fuuta was a lot like her, in the obvious ways.

Kajiyama Fuuta was nothing like her, in the ways that really mattered.

“The same reason as everyone else, I suppose,” she said carefully. He may have revealed his whole hand, but from experience she knew better than to do the same.

A lot of her experiences returned to her as the trial went on. She went through the motions of coaxing secrets out of quiet men, or playing along with cheery girls’ games to uncover what she was looking for. She remembered how it felt on stakeouts as she kept her eye on the warden’s door, and recalled the thrill of negotiation when she had a moment alone with them. And unfortunately, she recognized the immediate sensation of being tailed. She was used to shaking an unwanted follower out on the streets, but it was difficult to do the same when the only places to go consisted of three rooms and a corridor. 

No matter how inconspicuous Fuuta thought he was being, Kotoko got a glimpse of that bright hair retreating around corners just behind her. She could feel his eyes boring into her back, always conveniently whipping away by the time she turned to look. The only thing that seemed to affect his permanently blaring volume was when she was speaking nearby – unlike a real stalker who would tactfully pretend not to be listening in, Fuuta would use the opportunity to jump into all her conversations.

Kotoko was in the middle of her morning stretches when she became aware of his presence lurking around the doorway. After several weeks of the behavior, she’d had quite enough. Kotoko knew that if you can’t shake a tail, there’s only one other option. 

She stepped out of her cell, swiftly reaching for Fuuta’s collar. With a handful of his uniform, she shoved him back against the cell bars. For someone that had creeped on all her daily exercise routines, he seemed awfully shocked at how strong she was.

“Stop following me.” She kept her voice low and even. “I don’t know what you want from me, nor do I care. I will –”

“I don’t want anything from you!” 

He raised his voice in an attempt to sound tough, but only succeeded in coming off desperate. He tried to weasel out of her grasp to no avail. She’d had practice intimidating guys three times her height – it was almost too easy now that she had an inch or so on Fuuta. 

“Don’t give me that oblivious crap. Every day. Every single day, you –”

“I don’t know what you’re talking about! You’re the one who acting fucking crazy!”

Even after knowing it was in vain, he kept squirming under her harsh look. His eyes flicked frantically around the room, only able to take in her stone cold expression for a brief moment at a time. He kept shouting his own defenses, his cheeks growing more red by the second.

This time, the information gathered took a bit longer to fall into place. One of her conclusions was something Kotoko was very used to. The other was something she’d never quite experienced before. For the first time in long career of poker faces, she visibly started upon realizing two things:

Kajiyama Fuuta was downright terrified of her.

Kajiyama Fuuta was hopelessly attracted to her.

She hurriedly released him, jerking herself away. “Just… stay out of my way.”  

“I was never in your way!” He shouted after her, his voice still shaking.

She should have stuck to her own demand and kept her distance; she was already aware of how much trouble this prisoner was capable of. But she took pride in her abilities to gather information of interest. And god, was Fuuta interesting. 

Between his constantly running mouth and his never running filter, he was always keeping her on her toes. She’d never met anyone who pressed her for answers like that – Fuuta was never satisfied with the explanations that could placate everyone else. He was always questioning, always pushing back. Though his talk could be as shallow as the older prisoners' melancholy musings, or the children’s gossipy chatter, it was different when he and Kotoko really went at it in a debate.

Fuuta talked shamelessly about society, about the other prisoners, and about her. The others kept their distance from someone as quietly calculating as her, but Fuuta would pour out his thoughts right to her face. He had her back when she was trying to prove a point to the others, but was too stubborn to compromise on any of own opinions when they conflicted. It was refreshing. 

And that was all it was, she would remind herself. The man would be insufferable if he was ever under the impression that she so much as tolerated his company. For everyone’s sake, he should remain completely unaware.

Awareness, however, was the very thing Kotoko prided herself in. She picked up on exactly what the warden was trying to communicate by granting her innocence. She was aware of the opportunities that arose with their disappearance. She noted the best time to fulfill her duties to them. She knew the optimal order to attack each prisoner in, to guarantee success.

It was due to her beloved observation skills that she found herself in cell 003 in the middle of the night. It didn’t matter how many training sessions Fuuta had spectated, or how many she’d invited him to join – he wasn’t as perceptive as she. He couldn’t predict or counter a single one of her movements. It only took a few moments for her to have him pinned on the ground.

“Y-you were serious?” Fuuta managed, even as her weight made it difficult for him to breathe. 

She’d confided in him about her deal with the warden, one late night long before verdicts were announced. She didn’t know what had driven her to do it. It had been a rare lapse in her judgment. The current situation only confirmed why she should never reveal more information than necessary. Why she should get closer to someone than necessary. 

“I am always serious.”

“Kotoko…”

She knew all of Fuuta’s typical arguments and excuses, and she had a rebuttal for each. She wound her arm back, her brass knuckles reflecting in the dim panopticon light. 

“...J-just… do it fast.”

Kotoko’s arm wavered. 

“What?”

“I’m not a fucking idiot. Even before that brat called you innocent, I knew that y-you were the one in the right. I used to think that you and I were the same, but I know that was all a lie. You were always the real hero. M-more than anyone else in this shithole. So…” Fuuta closed his eyes, squeezing tears from them. “Make it quicker than you did for that asshole, will ya?” 

Kotoko gripped her fight tighter. It was trembling. 

Fuuta’s eyes remained shut in fear. In trust. His breathing was erratic as he pretended not to be crying or struggling from the pressure on his lungs. He grit his teeth, preparing himself for what was to come. Kotoko prepared herself as well. 

Releasing a cry, she swung forward. The moment before her brass knuckles clashed with the floor, just to the left of Fuuta’s face, Kotoko realized one thing:

Kajiyama Fuuta was indeed nothing but trouble.

[kiss2012]

rewatched the first three episodes of s3 and im never going to recover

[gertritude-art]

A fun way imo to develop characters is to look at them and ask, "what does this imply?" This unfortunately only works if you already have a character concept in mind, but it's always been useful for me when I need to create some interiority for a character who feels a little flat.

As previously stated, literally all you're doing is looking at a character and performing a rudimentary analysis of them based on what you've already developed. A good example of this is my character Mordred, who early on in his development was conceived of as a sickly looking teenager wearing a full suit and bowtie. This is because I thought there was a lot of potential in this image. "What kind of teenager goes to school everyday wearing a full suit and bowtie?" Probably a kid who takes himself very seriously and has some interest in looking "polished" -- perhaps he even views himself above his peers for how he dresses. And, how might this visual extend to other aspects of him? Is he always someone who goes against the grain? Does he actually have an interest in men's wear, or is this a symbolic image for how he stands against his peers? I bet he has strong opinions on society. Did he buy the suit himself, or did his mom buy it, because one or the other also implies some stuff about the nature of their relationship, if his mother is supportive of his oddness or not, etc. etc. etc. A lot of stuff that you can find out, just from looking at one small aspect of a character! The same kind of process can spiral from anything - a character's actions, a character's thoughts, their beliefs, a line they say, a face they make, a hobby they have... all can be a good starting point for developing them further and figuring out more about them.

In a similar vein, I know that people recommend filling out character charts and stuff, but usually I find it more useful to think of a character in terms of a "scenario" or a "description" than in terms of their traits. "This character is smart" vs. "This characters complains to the teacher when the test has a question that isn't in the book" ; "This person is stubborn" vs. "This is the kind of person who'd rather starve than order food if they said they weren't hungry." Figuring out a character through something like this gives me a specific image of how they might act in a story as opposed to more broadly-described traits. Being as I tend to think up characters with story ideas and scenarios, it's much more helpful for me! "Ah, but how do you do this, Gert?" Easy: you stare at a wall for multiple hours until you have a revelation about a character. This is surely what everyone is capable of [nodding sagely]

[sugar-grigri]

Denji no longer has access to his heart

The golden rule in Chainsaw Man is to focus on the title, since it's the key to reading the story.

Rain, Brothel, Removal seem to be three absurdly unrelated elements, and Fujimoto likes to put it that way, because the challenge for the reader is to find a way of reading that links them together.

This chapter is funny as well as disturbing, deeply sad, and in itself this collection of sensations just makes you uncomfortable, since the tone is always reversed, and the protagonist himself refuses to allow his situation to be a comic spring.

Fujimoto confirms an interpretation that is fundamental to understanding Denji: his character thinks only in terms of short-term objectives, incapable of projecting himself, just as he responds only to the satisfaction of needs without being able to verbalize and think about his unhappiness in a more abstract way.

Denji, for example, isn't thinking about whether sex is actually a solution to his problems, no, it's more concrete than that: he's thinking about whether he's masturbated recently.

Another piece of evidence is the rain. I've always thought that when it rains in Fujimoto's works, it's proof that no lies are being told.

Whether in Look Back with a silent victory, the school moment with Reze and Denji.

But that's not what we're interested in here, because there's no doubt that Denji is sincere, or at least the rain only shows us that he's sincerely desperate.

There's a subtlety....

Denji complains that he only thinks with his dick, but there's another, more philosophical and certainly less funny idea behind this: Denji only thinks through his body.

The rain, the amputation, the brothel - they're all proof that Denji only thinks with his senses.

Denji thought the brothel was the solution to his distress, it's when it started raining that he collapsed, as if the change in weather had evoked his own emotional change. Yoru's solution is amputation, another physical sensation and solution.

Amputation is a solution all the more symbolic because it's antithetical to what Denji is: a demon man capable of regeneration.

To amputate is in itself not to regenerate, and not to regenerate is in itself to be more human.

What distinguishes us from animals (although science relativizes this) is the way we think about our own emotions, something Denji is incapable of doing, or at least has great difficulty in doing.

This doesn't mean he can't verbalize it at all, but when he evokes, he evokes a sensation, a dish (a shitty hamburger, a steak, a ton of sex).

Even when he wants to be loved, Denji formulates it in the form of wanting his heart, almost organically.

No one wants Denji's heart because it's gone

And it makes sense, because Pochita has reassembled his entire body, except for Denji's heart, which has literally been left in that garbage can.

That's why, when Pochita lets Denji access his feelings, the place is symbolized by a garbage can.

When Denji asks Pochita to wake up to find Nayuta, Pochita asks him where his legs are, because Denji's only function is to be a body.

And now everything makes sense again

When Denji spoke his dream to Pochita, being Chainsaw Man, I think there was a certain feeling in every reader: what exactly does it change?

What if it changes nothing? It's normal for Denji not to be able to project himself in the long term, as he should symbolically listen to his heart.

Denji's inability to have a dream, a goal for the future, is symbolized by him and Pochita as children.

It doesn't mean that Pochita is an antagonist (although that could be cool), but that Denji and Pochita are prisoners of their own situations.

Denji doesn't have access to his heart, but Pochita is contractually bound to what Denji wants.

This is also why, when Denji reproaches himself, it's his child self who's addressing him, because the only way to reproach himself, to feel guilty, is symbolized by his old self, the Denji that Pochita may have known. Just as Denji doesn't have access to his heart, Pochita has difficulty gaining access to the person Denji has become, all of which only leads to stagnation.

Denji as a child is also the symbol of a scumbag, the remnant of a lost heart, always dressed in poor, dirty clothes, a past that Denji seeks to escape, but a past that is the only time Pochita has been able to get to know Denji.

I know it's a pretty crazy line, but it's precisely because Denji is Chainsaw Man - a being both fused and disconnected - that he thinks with his dick lol

Saving Chainsaw Man by killing Chainsaw Man has never been a truer statement

Chainsaw Man is Denji's prison but also his only hope

A cage

[hyunsvngs]

kinktober !

kink: tentacles

pairing: kim seungmin x fem!reader

wc: 2.3k

tentacle kink: a sexual interest in tentacles and the imagined creatures that have them.

It had to work. You would die if it didn’t work.

Then again, you’d probably die if it did work. You’re trying to summon Slenderman, after all. No one would understand why except for you. You’ve always had an affinity for all things macabre and dangerous, and maybe you’re a little messed up. After deep diving on Reddit, you were more than dubious that the creature actually existed. You had to find out. You had to see for yourself.

Clearly not that bad, because you hadn’t gone into the woods like they’d told you to online. The October weather was ultimately too cold to be trekking through branches and fallen leaves, even to try and summon your favourite Creepypasta entity - you did the second option instead, drawing a quick symbol on your wall with marker and all of the lights turned out.

The poem felt a little silly coming from your lips, despite Reddit users insisting it’s mandatory for the summoning. It felt even sillier when you stared at the symbol, barely visible through the moonlight flooding in beyond the curtains, but you had to persevere. If he was real, he’d come to your room and meet you. If he was real.

You ended the poem, finally opening your eyes and sighing. You blinked at the wall, quickly looking around the room. What a load of bullshit. Slenderman isn’t real, then. You’d proved it for yourself, and-

“This is fucking ridiculous,” There was a thud behind you, and you spun around on your bed, hazily trying to see who had joined you in your room. You reached over with a squeak, flicking your lamp on. There, in what almost looked like the Slenderman from your dreams - a man, dressed in a suit and dark, ebony hair pushed back from his forehead. He kicked an imaginary stone with his shoe, shoving his broad hands into his pockets and finally looking up at you. He blinked at you a few times, and then raised an eyebrow. “Why are you scared? Did you not ask for this?”

You huffed. “Well, you’re not Slenderman.”

The man groaned, head rolling back. He cracked his neck effortlessly on both sides, and then stared back into your eyes. His gaze was piercing, dark and feeling all too consuming. “I am- I’m like his brother, but not in the way you humans adhere to. He sends me for cases like yours. Minor, petty things.”

“Cases like mine?” You scoffed, resisting the urge to punch the man in his annoyingly attractive face. He wandered over to your desk, wholly unaffected, and started to flick through your diary. “Hey-!”

“Cases like yours,” He repeated, a small smile flickering on his lips at one of the pages. “Sexually charged cases. You are a little fucked up, aren’t you?”

You bristled. You knew exactly what page he was looking at. Your diary was for mundane things, your day-to-day life, but it was also where you detailed your more… late night fantasies. Recently, some rather obscure things had been taking up the majority of your brain, and maybe that’s what had pushed you to summon Slenderman. You’d never admit that, though.

In all honesty, this guy was kind of hot. You weren’t sure if it was the mysterious atmosphere about him, if he was clearly otherworldly judging from his alabaster skin, or if it was his long legs in those suit trousers. If you were of a different state of mind, you’d have believed he was the entity you were trying to reach. There was just one thing.

“Aren’t you a bit short to be related to Slenderman?”

The man stopped. He sighed, and then shut the diary, before turning to you with one long, accusing finger. “First off, I’m not that short. Secondly, I told you, it’s not the same as what you humans think siblings are. Also, I don’t have to prove myself to you.”

You grinned. “You just tried though, right?”

He rolled his eyes, stalking over to the bed. “I think I’ll kill you sooner than I planned. You’re rude.”

“You’re rude too,” You huffed, trying to kick him in the leg from your position on your bed. Instead of catching it with his hands, a pitch-black tentacle sprouted from his back and wrapped around your ankle, effectively pinning it down and rendering you motionless. You gasped, and he raised an eyebrow. “What the-”

“We do have some similarities,” The man began, drawing the tentacle tighter. “We’re of the same species, for one. I suppose I’m not as prestigious as him, but you seem happy enough to have me here, right?”

You blinked. “I would actually prefer if you left, in all honesty.”

“Can’t,” He shrugged, withdrawing the tentacle. Your ankle flopped back to the bed and you grabbed it instinctively, slightly disappointed to feel no traces of the slimy limb. “I need to kill you. It’s in the rulebook, you know? Once you’ve seen one of us, you have to die, or my mission will fail.”

What were you meant to do in this situation? You didn’t really want to die. You hadn’t thought the whole thing through at all. You’d expected to just see traces of the entity, perhaps catch him from the corner of your eye - you were instead left with a sexy long-limbed man standing in front of your bed, basked in the soft orange glow of your bedside lamp.

“Why kill me when you could fuck me instead?” You’d said the first thing that came to mind. The man��s jaw dropped, before it quickly reverted back to normal, his head tilting to the side in confusion.

“You are pretty weird, aren’t you? Unusual. A little fucked up, like I said.”

“That wasn’t a no,” You hummed. The man’s eyes burnt a trail down your legs, exposed in your sleep shorts, and then his eyes were fixated on a patch of skin revealed on your shoulder from where your shirt had slipped to the side. You scoffed, yanking the shirt back into place. “Oh my God, you want to, don’t you?! That’s why you haven’t left!”

He shrugged. “I’ve never fucked a human. It could be fun.”

You blanched. Okay, you hadn’t expected to get this far. After you had, though… Well, he had tentacles. That was something from your deepest, darkest desires, something that you would try to push to the back of your brain and scrunch your eyes shut tightly with your hand shoved down your pyjama trousers. It was a once in a lifetime opportunity. You were already getting wet, clit throbbing with need.

He started to move towards you. First, it was one knee on the bed, and then the other joined, starting a slow crawl that resulted in his face getting closer. You hadn’t realised you were moving closer, too, and you gulped. “What’s- what’s your name?”

The man chuckled, face only inches from yours now. His face looked young, you noticed, yet his eyes held a wildfire inside as if there was so much you didn’t know. There was so much you wanted to know. “Seungmin.”

You had no time to debate it, because his lips were pressing against yours. They were soft, plush, and you found yourself whimpering into his kiss. He’d effectively shut you up. Without a second passing, Seungmin was dominating your mouth, pressing his tongue in and rolling it against yours. How did just a kiss feel so good?

You let him push you back into the sheets, forearms landing on your pillow either side of your head for purchase. He deepened the kiss, his hands moving to tangle in your hair as he held you in place. You felt your pussy flutter, achingly horny despite the lack of stimulation, and your breath caught in your chest. 

Seungmin pulled away and you licked your lips, chest heaving. “I.. can I see them?”

“See what?” He mused, thumb brushing along your lower lip. One look at the amused expression on his face told you that he knew. 

“The…” You gulped, legs parting to allow him closer to you. His bulge was thick, pressing tightly against your core. “The tentacles, Seungmin. Can I see them? How many are there?”

“Four, baby,” He leaned down, nipping at your neck. You gasped, hips bucking up, choosing not to comment on the pet name in your haze of lust. “I can put one in your pussy, one in your asshole and one in your mouth. How’s that? Is that dirty enough for you?”

You whimpered, grinding on his bulge. Seungmin allowed it, hands moving to your hips to aid your movement. It had your sleep shorts slipping around, fabric sticking to the wetness accumulated on your folds. You whined, arms thrashing until they settled around his broad shoulders, still clad in his expensive-looking suit. “What about your cock, Seungmin?”

“My cock?” Seungmin scoffed, running his tongue up your neck. It made you squirm, thighs clenching around his slender waist. His hair tickled your skin, dark and perfect as if he’d spent hours styling it. You knew he hadn’t. “I can fuck you without needing to cum, baby. I doubt I can say the same for you.”

“No, I’ll- I’ll probably cum as soon as you put one in, to be honest,” You admitted, cheeks burning crimson with embarrassment. 

“Hmm, that makes a lot of sense,” Seungmin reached down, yanking your sleeping shorts down. It bared your pussy to the room, cold air hitting your clit and the slick on your pussy. It made you jolt, squeaking as Seungmin saw you in such an intimate way. “You’re wet. Are you feeling impatient? Needy, even?”

“Yes! Yes, God, I need it,” You huffed, spreading your thighs further. You were practically spread eagle now, and you ran your fingertips over the soft expanse of your tummy, just barely visible below your shirt. You continued the journey down your body, looking up at Seungmin with pleading eyes, and then you pressed two fingers into your clit. You flinched, wailing at the stimulation. “Ah, I’m so horny, I’m so horny, what the fuck-”

“Stay still, I’ll give it to you,” Seungmin murmured, and then you caught sight of them again. Four pitch-black tentacles sprouted from his back, seeming to forego his clothes and then one was tickling at your entrance. You moaned, because were they suckers?

It was easy to learn that yes, his tentacles had suckers, and he was now brushing one over your clit. You obediently moved your hands out of the way, back to their position on his shoulders. It sucked onto the swollen bundle of nerves with ease, and just as you started to squirm, another tentacle was pressing into your tight, drippy hole. You could feel the amount of slick you’d gushed beneath you, ruining your bed and quite possibly ruining you for any other man. The appendage itself was lubed, brushing through your own wetness and creating a filthy noise that rang throughout your bedroom.

“Don’t squirm,” Seungmin commanded, hand running up your thigh comfortingly. The tentacle pushed in further, and you clenched, wet, heavy breaths coming from your mouth. “That’s it, good girl. Let it push inside you, just like that.”

The tentacle was narrow at the tip, but it flared much further out after an inch or so. The stretch made your pussy leak even more than what was imaginable. You didn’t think you’d ever been this wet. The appendage was long, but Seungmin kept pushing more and more until you were taking around five inches of it, and you whined, reaching down to press at his stomach.

“Too big, too much,” You protested, but Seungmin shushed you, pressing a kiss into your cheek.

“Your pussy’s just too little, baby. Too tight,” He grunted, and then he pushed another inch in. “Take it. Take it for me, and I might think about giving you my cock later.”

“Your- would you?” Your eyes were teary, toes curling into the bed. “Been good. Tryin’ to take it, ‘s just- it’s so thick, so long. Seungmin, Seungmin, sir, sir, you said you- you’re not gonna kill me?”

“How can I kill such a sweet thing?” His hand moved to your cheek, before moving down, wrapping around your neck. The pressure was light, but very much there, making you moan out into your room. “You’re whining so pretty for me. Calling me sir, taking this just like it’s my cock. You’re dirty. I have to keep you around, don’t I?”

You nodded, legs thrashing on the bed. Your chest heaved, a blotchy pink rash overtaking your skin. “It’s good, it’s so good, so thick, oh- Oh, I think I might…?”

“You think you’re gonna cum?” Seungmin scoffed. “Already? Alright, do it. I’ll let you. Just this once, okay?”

You keened, hands gripping onto his shoulders. Your fingernails must have been digging into him almost painfully, but he didn’t flinch, staring straight at you with the same dark, piercing gaze. Your pussy clenched down, tight and fluttering, and then you were-

You gasped, eyes fluttering open as you attempted to look around your bedroom. The sun had just begun to rise, but your boyfriend was awake, and pulled you into his chest upon seeing your eyes open. 

“Sounded like hell of a dream,” Seungmin smirked, his eyebrow raising. You bit your lip, staring up at him. “Was it about me?”

“Always is,” You mumbled, burying your face in his shirt. He chuckled, shoulders shaking as he rubbed down your back with a tender, broad hand. “It was dirty.”

“Yeah? Another reenactment of how we first met?”

You sighed, brushing your hand down one of his tentacles. It laid bare on your bed, and twitched with approval as you fidgeted with it.

“Yeah, something like that.”

[churipu]

JJK MEN & THEIR SLEEPYHEAD GF !

featuring. toji fushiguro, yuuta okkotsu, choso x fem! reader

warnings. absolutely nothing

note. anon, first of all, again, i'm so sorry i accidentally put your post up in the queue list when it was unfinished and the pen symbol wasn't there so i screenshotted this before deleting the og post. i hope this post comes to find you by itself :(( second of all, thank you for liking the first part, means a lot to me <33 last of all, hope you enjoy this one!

TOJI FUSHIGURO. i feel like he's the kind of person who doesn't mind having a sleepyhead gf, in fact he'll gladly sleep with her no matter what time or place. he'll just look and then you're asleep, all of a sudden he's asleep too.

people find it odd how you and him are able to just doze off anywhere, especially toji being a pretty "busy" man. would ditch his work sometimes just to have a nap with you, and i feel like he's the type of guy who would use you like a bolster when you both sleep. so you just lie there, arms by your side — while he on the other hand, is all up on you, holding you close to him.

sometimes toji would chuckle upon seeing you asleep at the most random time and places, in a diner, in a fast food restaurant, in the park standing up (and you woke up because apparently a kid bumped into your leg), just anywhere. he finds your sleepy habit quite interesting really.

"toji... 'm tired."

"when're you not, hm?"

he absolutely loves it when you just clung onto him like a koala for a nap, makes him feel proud (oh and i feel like he's the type of person who would take pictures if you sleep with your mouth open with a string of drool coming out of your mouth, he says that it's adorable. you don't think so though).

YUUTA OKKOTSU. yuuta is just so adorable. i feel like he gushes out a lot when you fall asleep on him, like he will silently fawn over you but at the same time he doesn't know what to do. should he let you be? wake you up so you could sleep in a more comfortable place? or carry you to the said comfortable place?

he just ends up waking you up because of how fidgety he is, "yuuta?"

"i'm so sorry, did i wake you up? sorry.."

honestly, you don't even care about the whole wake up thing. you just wanted to sleep so you always end up latching onto his side like a baby, "five more minutes."

it's never five minutes, longest is twelve hours. although yuuta doesn't mind — he even joins you for a bit, and if he has to go, he will make sure you're tucked in well and comfortable with a pillow fort he built just for you incase something (the monsters comes for you) happens.

CHOSO. i feel like he gets confused at first to why you're always falling asleep near him, he even asked this "Google" to that — and Google did not in fact help, but instead drove him into a state of panic because it told choso that you were dying. so when you fall asleep the next time, choso wakes you up almost immediately.

"don't die on me."

you didn't know what he was talking about and assumed that he was just messing around so you closed your eyes, and he had a full blown breakdown because he thought you were actually dying.

but when you told him it's because you feel safe to sleep near him, he's never been so much happier. and whenever you fall asleep, he always has a blanket ready for you both. so here's how it goes, you fall asleep and lean your head on his shoulder, he drapes the blanket over the both of you, he leans his head onto your head and falls asleep.

you both always end up in such an uncomfortable position after (either with your hand or foot in his face, or vice versa), but you guys never cared, at least the sleep was good.

"cho, get your foot out of my face before i bite them off clean."

"'m sorry, it just happens."

© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !

[coldwind-shiningstars]

Dungeon Meshi is obviously primarily about food, eating, and crucially survival through eating, but it's also focused on other aspects of survival. Sleep, rest, social ties and social exclusion. There's even extensive commentary on things like personal grooming (Marcille’s hair, Toshiro becoming depressed and no longer shaving), clean bathrooms, and other things. When it comes to disability these things are referred to as instrumental activities of daily life (IADLs), which are more complex things like shopping, housework, and cooking, which people need to do to survive, and activities of daily life (ADLs) which are the basic bare bones needs: eating, toileting, etc. Dungeon Meshi is concerned with the logistics of living and finding joy in those logistics.

This is super related to disability! Yes, Laios is autistic, this has been apparent from the beginning. But what does being autistic mean for him and the story? Mostly, it means his desires, goals, and the ways he goes about achieving them are strange, foreign, or baffling. He has different priorities than other people and the way he expresses those priorities are strange. They affect how he socializes, how he eats…

So, it absolutely makes sense that there would be a minor sideplot about activities of daily living and what it's like to be out of sync with everyone else when it comes to prioritizing things. It's Mithrun Time (he's gonna mith all over the place) and I'm so SO interested in the interplay of disability, caregiving and the logistics thereof, and intersectionality & privilege. Who needs care? How do other people feel about them needing care? How do they receive that care? And who do we think is worthy of receiving care and how does that interact with all these other factors?

Bunch of manga and extras spoilers past the cut:

“So, what's wrong with you?”

I see a lot of people talking about Mithrun's non-eye disability as a depression allegory, which I think is true, but I think it's also metaphorically/symbolically both a traumatic brain injury and a trauma response to sexual assault. The sexual assault aspect is pretty clear if you look at any of the symbolism of the actual disabling event: just look at it.

Mithrun is lying in bed and the goat comes to him, lifts him up and puts its mouth on his abdomen and lower pelvis. The eating is sexually charged, as is the particular way he struggles and protests. It's intensely violating, and things that were once desirable are lost. And the dungeon lord group therapy session involves a lot of people talking about the demons like an abusive lover; Mithrun, even though he wanted to kill the demon so badly, still says that they're gentle.

As for the brain injury, chronic TBIs can cause a wide variety of symptoms. Some immediately relevant ones are anhedonia (lack of enjoyment), executive function issues, poor interoception (trouble understanding what's going on in your body), cognitive impairment affecting ability to reason/multitask/plan/solve problems, changes in behavior and personality, depression, agitation, and restlessness. We see… basically all of these, in Mithrun, as downstream effects of the loss of desires. He can't tell when he's hungry, tired, or out of mana; he can't perform ADLs consistently even if he knows he'll die without doing them and dying without doing them will interfere with his long-term goal, he had drastic personality changes, he oscillates between impatient and totally withdrawn.

Brain injuries can also affect more complex tasks and ability to sustain lengthy periods of complex cognitive work. A common example is losing the ability to read and process longer passages; maybe you can read the words but you can't read a paragraph, or maybe you can read paragraphs but now you get a migraine after 15 minutes. Mithrun's skill loss is not related to reading but the effect is similar – he is and was extremely skilled in a particular area of magic, but also disabled in ways that specifically hinder his skill in this area – to teleport things properly you need depth perception and a sense of direction, and he lacks both of these! And while he's still an incredibly effective fighter it seems like he pretty frequently makes those sorts of mistakes.

This is treated often as a gag and it is genuinely funny but it’s also very real, to no longer be as good at the thing you were good at before you became disabled. Kui takes several throwaway gags seriously later on, not just this one. Another ~gag that's not really elaborated on is the bathroom thing, but I appreciate its inclusion anyway, since even if it's presented humorously it doesn't feel meanspirited in a way a lot of “diaper jokes” do. I think people need to talk a lot more about bathroom issues in a wide variety of disabilities, and I think it's nice that a guy I can already picture the “poor little meow meow” posts about also has this issue, you know?

Preferences vs Desire

Even referencing PTSD and TBIs it's hard to really grasp what having no desires means, and the characters don't generally ask, while Mithrun explains it in vague terms. “Desires” is a very broad term and indeed he has lost access to a wide but related variety of things. Unfortunately this lead to him often being treated as nonagentic.

Mithrun does still have preferences, even if he doesn't express them and has no desire which would drive him to seek out pleasant things and avoid unpleasant ones. He'll comment on the taste and texture of foods, for example – sure seems like he has an opinion!

People treat it like his preferences don't matter since he doesn't usually bring them up unprompted, and he's often in situations where there aren't other options.

Kabru seems best at not doing this (and, noncoincidentally, also seems to be the best at actually caring for him; the Canaries have a lot more Resources theoretically than Kabru And Mithrun Eating Monsters And Kabru's A Bad Cook, but although they are loudly distressed by the two of them disappearing it seems to have positively affected Mithrun's general health)

But, uh, acknowledgement that someone has preferences at all is a really low bar to clear and Kabru also doesn't seem to fully understand how Mithrun's brain works. Mithrun’s caregivers want him to eat when they want him to eat. They want him to rest and drink when they want him to.

He lacks the desire for a number of mundane things but also seems to lack the ability to tell when he needs them. He can't explain why he faints; is “I am out of mana” considered a desire for more mana, one that can be eaten? He can't sleep on his own; it's not only that he lacks “the desire to go to bed” but he can't do anything with his own exhaustion, even if he notices it. He comments on the unpleasant taste and texture of several meals; he may be unable to want to not eat it, but he definitely can tell when he dislikes something. But he also seems to be unable to tell when he's hungry.

Kabru will acknowledge these preferences but there's not really other food options, and Everyone Must Eat. Kabru doesn't know the details of Mithrun's condition yet but you can see the immediate frustration here and the way he offers food to him like Mithrun's a child.

Sure, he won't directly communicate preferences, so that makes it extra hard, but you can always just ask, and if he tells you he tells you.

The pathway between opinion and taking actions about it may be lost in Mithrun but the dungeon forces other people into a similar position – it forces them to eat food they don't want to eat so that they can survive or accomplish other goals. We've seen this with Marcille from the beginning. It's difficult with Mithrun because it seems like there is always going to have to be some sort of someone else overriding his autonomy – yeah, he's not hungry but he still needs to eat or he'll faint. Yeah, he's lying about whether or not he's clean but he still needs to wash or he'll die. Yeah, he needs to take a rest instead of keeping moving or he'll faint. But he's not unique in being in a situation where he has to do nonpreferred things. The difference is more that he lacks the ability to independently do anything when it comes to ADLs, preferred or not, which makes it into someone else’s choice and responsibility.

There's also a theme in Dungeon Meshi that comes up a bit of people being pushy about ADLs but from a slightly different perspective, and they're usually right. You see this in Senshi most commonly; he pushes the residents of the Golden City to actually eat even if they don't need to and can't taste it, and while he's correct in that Yaad does get enjoyment from the food even without taste he's still not quite listening to Yaad. Similarly, Kabru is correct in that he can get Mithrun to sleep without a sleeping spell, but he also ignores the way Mithrun says several times that he doesn't expect massage to work. There's a few aspects to this – wild but expected that the elves would choose the “just knock him out with a spell” route, the “easy way” Senshi always talks about when it comes to magic, instead of actually paying attention to other solutions. But also, generally, people know their bodies best, and sometimes even if you're really sure you have the trick to help them you have to listen to what they tell you.

tvtropes dot org frontslash DisabilityTropes

This is going to be a harder section just because it's so subjective; it's nearly impossible to think about the ways in which disabled people are viewed by the people around them/wider society with any degree of objectivity just because there are so many factors that go into it. But I do think Mithrun is consistently treated as relatively nonagentic and there are several ways this can manifest: being treated as a doll/pet/child, being treated as a weapon, and being a surface for people to project onto.

He's framed or treated as childlike intermittently through the manga; scattered about, just a little vibe in the way he's drawn, like the "say aah" above and Pattadol and Cithis through the teleportation scroll :

That's a middle aged man! And he's framed like a toddler getting picked up or misbehaving.

Which doesn't mean they care about him any less; his squad is really fond of him for someone who's technically like their parole officer. How dare you do this to our captain! They love him dearly; this is obvious and he comments on it! They respect him, too, as the leader and as a strong fighter. But loving someone and thinking they're a skilled fighter doesn't mean you respect their autonomy fully.

There's also an element of everyone projecting their own issues onto him; Kabru with their shared Dungeon Trauma. The canaries all suggesting wacky, midlife-crisis desires. He doesn't ever express that he minds any of this, except when they try to stop him from making particular decisions. They also don't often understand why he'd be motivated to do a particular thing, and in fact some of these projections may actually be correct! But while noodles and pottery may be good later-on goals for him, I think it's striking that a) Kabru was the closest to correctly guessing what desire Mithrun might acquire now and he was still guessing the exact opposite (suggesting a desire to not eat Falin but to help Laios, vs Mithrun's actual desire, which was to eat Falin with no thought given to the promise he made at all) and b) it's a desire that actually makes perfect sense with what we know about him, not something totally new.

And, finally, he's a weapon: people are willing to caretake him because he's good at killing things dead. If his only desire is to kill demons dead, it's easy to start seeing that as who he is. I don't think he'd argue that “trying to kill demons” takes up the majority of his life (it's his only goal and he's obsessed with it) but even if there's only one thing that matters to him he has autonomy (in the sense that he can make his own choices about what to prioritize and formulate his own plans) and personhood.

Politics and privilege – who gets to access care?

One of the things we're first presented with when it comes to Mithrun is that he is intensely capable at handling dungeons. Yeah, there's the immediately visible prosthetic eye and the navigation issues, but the Canaries are built up as being incredibly dangerous and skilled, and he's their captain; they all immediately defer to him. He's intense, he curbstomps an entire room of guards, he's efficient, he's brutal, he's strong physically and magically.

In short: yeah, he's very disabled. He's also still very useful.

At the risk of oversimplification, even within his particular disability, he's much more disabled than Marcille is (she lost something relatively simple and easy to miss, she has no catatonia-moment) but less disabled than Thistle, who seems to still have at least one desire related to the king but is still primarily catatonic. It seems like Thistle is not unusual among ex-dungeon lords, even if there's enough noncatatonic dungeon lords to form a support group later. When Milsiril finds Mithrun, she immediately intends to mercy-kill him – this seems to be a condition the elves are familiar with but consider terminal, at least to the degree Mithrun is affected, and people seem unfamiliar what it means to keep living in this state because Mithrun is unusual in that he survives at all. And he's “allowed” to survive initially because he's not as disabled as he could have been (still has a desire) and that desire is useful. They aim him at the dungeons and off he goes. It takes twenty years for him to recover enough to do it, sure, but they're elves. They can wait. He can still be useful.

Relatedly, when he loses the ability to pursue his desire he's immediately much worse off than he was previously.

The no-desire catatonia is something that can recur and the elves continue to not know how to handle it. If Kabru wasn't there to problemsolve I think he'd have just… stayed there with his increasingly distressed squad.

Speaking of his squad, there's also a fascinating power dynamic going on with just the inherent structure of the Canaries; criminals are assigned as his caregivers. There's the inherent unfairness to the criminal Canaries about them being given extra duties, this strange rich noble guy who's now their Responsibility. There's so much possibility for resentment in normal caregiving relationships, much less being forced by your jailor into caregiving someone. But there's also an element of the power the prisoner Canaries now have over him and his most basic ADLs and needs. Assigning Cithis to his care is such a can of worms! The dynamics of the situation are frankly awful for both of them; of course she resents him initially. It would be strange for her not to. When Pattadol catches her making Mithrun do embarrassing things, she instantly reminds Cithis of her lower-status – she's forced to care for this nobleman and then forcibly reminded that she's beneath him.

She's responding to having menial, low-status tasks forced on her by trying to humiliate him, and although he doesn't have the ability to care enough to stop her it's still a deliberate removal of dignity. He's the instrument with which she is punished and she punishes him in return (until it's not fun anymore and she understands him a bit more.)

Mithrun is a long-lived race, who has structural power over the shorter lived races simply because of how long they live. The dwarves and elves try to actively keep certain knowledge from other races, restricting their access to technology, and other expressions of distance. Senshi spends nearly the whole first season not listening to Chilchuck trying to explain that he's an adult and treating him like a child, and Kabru repeatedly says that the elves do the same thing (and tbh we see them doing it). There's even the fact that it took him twenty years to recover enough to join the Canaries again; a shorter-lived race might have died from old age in this time, or become too old to work in this capacity, and then wasted away without the drive to return to the dungeons. But they're elves; the other elves can afford to wait, and he's not going to age out of dungeoneering any time soon. Being an elf probably contributes to his wealth in the same way skin color contributes to wealth inequality in the real world.

Dungeon Meshi doesn't really go into race in the sense of skin color much, and Kui is writing from a different cultural standpoint than I am. While tallmen are quite accurate when it comes to skin/hair color (yes, even Kabru and his blue eyes; it's rare but possible) and cultural references, the elves, uh, absolutely are not, both in the sense of “dark skin & pale hair and eyes trope” and sense of the royals having jet black skin.

Still, I feel like race is so connected to care and caregiving in the real-world west that I would be profoundly remiss not to mention it. Skin color might not matter to elves in the racism sense, but it matters to humans and humans are the ones writing and analyzing this story. (And I fully expect as the fandom grows with anime-onlies people will like Mithrun more because he's white (has white features) than they would if he had darker skin, because fandom is also baseline racist.)

I don't think we can just not mention that Mithrun is pale-skinned and both Cithis and Kabru, his primary caregivers over the story, both have dark skin.

Racism means white people are more likely to get good medical care, the type you need to get diagnosed and prescribed caregiving. Racism means wealth distribution is uneven, favoring white people. Race affects immigrants taking on undesirable jobs like caregiving for low pay. Racism is a profound stressor which means it contributes to who becomes disabled in the first place in that it can worsen health outcomes.

Similarly to race, gender may not be very obvious when it comes to this subplot within the story but the gendered dynamics of caregiving in the real world are something I do want to touch on. There's an oft-cited statistic about how men are much more likely than women to divorce their partners when their partners are diagnosed with a serious condition; I don't like relying too much on those sorts of statistics because they can be so misleading but it does gesture at something very real, culturally. Even if men aren't supposed to be caretaken, women are supposed to be the caretakers. Certainly, it's not Mithrun's fault that he can't cook and can't do laundry and probably can't do most housework, but I do also think about all the posts passed around about “my boyfriend who won't do housework.”

Again, none of these privileges make him less disabled and less in need of and deserving of care, they're just worth talking about when we talk about caregiving in general.

It's Rotten Work, Even If It's You

People expect disabled people receiving care to be grateful, to accept anything, and to try and make it easier for the caregiver if they're able. Requiring care is an incredibly disadvantaged position, even as actually receiving it can be so tangled up in privilege. Caregiving is tremendously difficult work, it's true, but there's a particular vibe people want from disabled people – all those movies about not wanting to be seen as a burden. Never complaining. Being grateful.

And, uh, well…

Mithrun basically accepts anything his caregivers do, but he's not grateful at all! I appreciate that in a disability portrayal. He'll also lie to and ignore his caregivers, which is Annoying but is definitely an expression of autonomy even if he's probably not doing it specifically to express his autonomy. He's not going to thank you. He's not going to make it easy. He'll accept a lot of things considered “undignified,�� and he's not mean or unpleasant in the sense that he's taking advantage or anything, but he's certainly not a model patient.

He's running off back into the dungeons just when you think you've finally gotten him somewhere safe.

There's always a strange tension in caregiving, I've found. It is incredibly intimate but a lot of it is done by total strangers. A number of caregiving tasks are viewed by the wider world as entitled but placing those tasks in the hands of strangers is a remarkably tough place to be in. As a disabled person, I've had to accept my bowel movements being discussed with my parents’ friends, all sorts of being physically moved places not against my will but without my permission, even my pubic hair being shaved off by a stranger (nurse) while I was unable to speak or move. When people are feeding you, making sure you use the toilet, rubbing your feet to make you sleep, helping you with hygiene – people are working so hard to help you. Are you supposed to just accept them doing whatever they want to you?

There's also a dynamic where people will say they don't mind caring for you, they're happy to do it, and then as the years go by and you continue to need care the resentment just builds up. Caregiving is hard work. It's often thankless. The goodness of people’s hearts can run dry, when it's been twenty years and you still can't bathe yourself.

Aaand I need to continue in reblogs, because I'm out of space for images. Please hold. edit: you can find part 2 here

[theemissuniverse]

FLIRTY INTROS MK MALE CHARACTERS X GODDESS!READER

SUMMARY : Flirty intros with reader that’s Goddess reader. Reader is goddess of sexual love and beauty. Raiden and Fujin are her younger brothers. This is based off MK 11. If this gets enough likes I’ll do women

ABOUT CHARACTER : (Y/N) is able to put people under love spells. It is also hinted that when she has sex with warriors, she gains their power. (Y/N)’s beauty makes her very conceited and flirtatious than from the other Gods. (Y/N) is good neutral. This means she is mainly good but works with villains. She also has glowing tattoos along her body that symbol love and sexual freedom.

CHARACTERS: Liu Kang, Kano, Kung Lao, Kabal, Johnny Cage, Erron Black, Shao Kahn, Noob Saibot, Scorpion, Sub-Zero, Jax, Geras, Nightwolf, Kotal Kahn, Shang Tsung, Kollector, Baraka, Raiden & Fujin (obviously brother and sister banter for them)

LIU KANG VS (Y/N)

(Y/N) : I can feel the sexual tension between us, monk

Liu Kang : I find you very beautiful Lady (Y/N)

(Y/N) : You’ll find out the rest of me is soon enough

(Y/N) : Ever lay down with a goddess?

Liu Kang : It was never really on the bucket list

(Y/N) : Well add it and then check it off

(Y/N) : Kitana is such a bore

Liu Kang : Then who’s more interesting?

(Y/N) : Look right in front of you

(Y/N) : My brother was right in choosing you

Liu Kang : I’ll honor him for his decision

(Y/N) : Honor me instead

(Y/N) : Hello, gorgeous

Liu Kang : Are you flirting with me, Lady (Y/N)?

(Y/N) : Just wanted to compliment you before I destroy that beautiful face

KUNG LAO VS (Y/N)

Kung Lao : If I win, you have to let me take you on a date

(Y/N) : If I win, you have to go down on me

Kung Lao : So I win either way?

Kung Lao : Double date with Liu Kang and Kitana?

(Y/N) : You could not handle a woman like me

Kung Lao : Oh I think I can

(Y/N) : You’re quite handsome

Kung Lao : And you’re quite beautiful

(Y/N) : Such a shame I’ll have to ruin that pretty face

(Y/N) : You’ll be one of the first I breed with

Kung Lao : *chuckles* Of course

(Y/N) : Confidence is a trait all my children will share

(Y/N) : Are you jealous of the chemistry I share with Liu Kang?

Kung Lao : Hardly. You know you are mine

(Y/N) : Oh am I?

KANO VS (Y/N)

Kano : Aren’t you lovely to look at

(Y/N) : You can look but you can’t touch

Kano : I like me a challenge

Kano : You know, you don’t act high and mighty like the other Gods

(Y/N) : Is that a turn on for you, Kano?

Kano : Very much

(Y/N) : You’re loyal only to yourself

Kano : I got some loyalty to fit you in, love

(Y/N) : I will make you the most loyal of them all

Kano : So are you the dominant or submissive one?

(Y/N) : I’m the one that puts you in the ground

Kano : I’m feeling you’re more like a switch

Kano : Hello, baby. You miss me?

(Y/N) : Maybe. Did you miss me?

Kano : A lot, lovely

KABAL VS (Y/N)

Kabal : You got me under some spell, babe?

(Y/N) : You are not worthy for that kind of witchcraft

Kabal : Well damn

Kabal : Screwing me wont make you faster

(Y/N) : Actually that is precisely how it works

Kabal : Ah, shit

Kabal : You’re cute when you dress in all white

(Y/N) : You’re cute when you keep your mouth shut

Kabal : Ha. Got you to admit I’m cute

(Y/N) : Are you prepared to die Black Dragon?

Kabal : Not gonna lie. That voice is sexy

(Y/N) : It will be the last thing you hear

(Y/N) : Kneel before your goddess

Kabal : Not gonna lie, that’s tempting

(Y/N) : Cute

GERAS VS (Y/N)

Geras : Beauty will not save you

(Y/N) : So you admit you find me beautiful?

Geras : *sighs*

Geras : I have never seen a God full of themself before

(Y/N) : It is merely fact that I am better than the rest

Geras : It is truly a wonder

Geras : I am immune to all your powers

(Y/N) : As if I need them against you

Geras : Making a grave mistake

(Y/N) : Kronika’s minion

Geras : My purpose is more than you know

(Y/N) : I do not care for your purpose

Geras : In the New Era, you will be more humble

(Y/N) : Is that apart of your imagination?

Geras : Soon will be reality

JOHNNY CAGE VS (Y/N)

(Y/N) : Johnathan Carlton

Johnny : Ooh. Not the government. What’d I do?

(Y/N) : Practicing for when I scream it

(Y/N) : Are you always this insufferable?

Johnny : Come on. You know you like me

(Y/N) : Like is a very strong word

Johnny : Why are goddesses always so hot?

(Y/N) : I am the only goddess you know of

Johnny : Well yeah. Still hot

Johnny : Flowers or chocolates?

(Y/N) : Neither, Earthrealmer

Johnny : How bout me?

(Y/N) : You couldn’t handle a goddess

Johnny : I beat Shinnok. I think I got this

(Y/N) : I still cannot believe that happened

ERRON BLACK VS (Y/N)

(Y/N) : You know that gun won’t kill me

Erron : You don’t like a little foreplay?

(Y/N) : As if you can get there with me

Erron : What I gotta do to prove I like you?

(Y/N) : Kneel before me

Erron : I got no problem getting on my knees for you

Erron : Fighting a pretty lady just ain’t my style

(Y/N) : Then maybe we should find another way to get physical

Erron : You ain’t gotta tell me twice

Erron : Women with tattoos are always hot

(Y/N) : I will make you regret even breathing

Erron : Yeah, still hot

(Y/N) : How much is on my head?

Erron : More than a lifetime

(Y/N) : How disappointing you’ll lose out on the money

FUJIN VS (Y/N)

Fujin : Stay away from Shao Kahn, sister

(Y/N) : He wouldn’t dare to harm me

Fujin : You think that

Fujin : Raiden and I are only trying to look out for you, sister

(Y/N) : I’m the older sister, Fujin

Fujin : You sure don’t act like it

Fujin : Shang Tsung will say anything to have your soul

(Y/N) : I am aware, brother

Fujin : Then why are you bonded to him?

(Y/N) : When will you and Raiden admit that I’m the better one?

Fujin : When hell freezes over

(Y/N) : I guess Sub-Zero will have to take a trip down in the Netherrealm

(Y/N) : You and Raiden don’t know how to have fun

Fujin : You’re just a childish, spoiled, god

(Y/N) : I know you are but what am I?

SHAO KAHN VS (Y/N)

Shao Kahn : Join my concubines

(Y/N) : *laughs* You could not handle all of this, Shao Kahn

Shao Kahn : You will bend to me eventually

(Y/N) : Sindel is a catastrophic bore

Shao Kahn : A bold statement

(Y/N) : An accurate statement

Shao Kahn : You are far too beautiful for me to believe you are Raiden’s sister

(Y/N) : It is something I haven’t found the pleasure in bragging about

Shao Kahn : Let me take you away from that fool

Shao Kahn : A woman like you belongs with a man like me

(Y/N) : How so Shao Kahn?

Shao Kahn : Our power combined will be beyond imaginable

Shao Kahn : Kung Lao is not worthy of your affection

(Y/N) : And you are?

Shao Kahn : I will break his neck again

RAIDEN VS (Y/N)

Raiden : I believe Nightwolf is interested in you

(Y/N) : No overprotective speech brother?

Raiden : Out of all the suitors, he is most worthy

Raiden : Stay away from, Liu Kang

(Y/N) : He is not just your chosen one

Raiden : I do not need him distracted right now

Raiden : Sister

(Y/N) : The non fun brother

Raiden : Here we go again with this

Raiden : The Black Dragon are not to be trusted

(Y/N) : I know this, brother

Raiden : So stop hanging around Kano and Kabal

(Y/N) : You’ve let rage consume you completely

Raiden : I do it to protect Earthrealm

(Y/N) : Some protection you are

NOOB SAIBOT VS (Y/N)

Noob Saibot : Such beauty like yourself is rare

(Y/N) : Are you flirting with me, shadow?

Noob Saibot : I will bring you to death to live in your beauty for eternity

Noob Saibot : I’ve been looking for you

(Y/N) : Looks like I am found

Noob Saibot : Come with me

Noob Saibot : The shadows yearn for your touch

(Y/N) : They cannot have me

Noob Saibot : Yet

Noob Saibot : Death clings to your embrace

(Y/N) : Only for you Bi-Han, I will grant it

Noob Saibot : That is all I want

Noob Saibot : Join me in death

(Y/N) : Not happening

Noob Saibot : I’d hate to do this the hard way

SCORPION VS (Y/N)

(Y/N) : I like men that have fire

Scorpion : I will not entertain your advances

(Y/N) : A fireball fool rejects me?

(Y/N) : I think my sign is a Scorpio

Scorpion : Why does that matter?

(Y/N) : Ugh. You are so difficult to flirt with

(Y/N) : Takahashi Takeda is your best student. I bet he’d be great at other things

Scorpion : You will stay away from him

(Y/N) : Jealous Hanzo?

Scorpion : You are playing with fire

(Y/N) : Aren’t you the expert in that?

Scorpion : Playing with a man’s emotions will cost you

Scorpion : I will not indulge in your pyromaniac fantasies

(Y/N) : It’s almost as if you can read my thoughts

Scorpion : A goddess and a scorpion will not work

SUB-ZERO VS (Y/N)

(Y/N) : It’s getting a little hot in here

Sub-Zero : What does that have to do with me?

(Y/N) : Sorry. That line was for Scorpion

(Y/N) : I bet you’re good with your hands

Sub-Zero : I can show you in Kombat

(Y/N) : Please. Demonstrate

(Y/N) : Frost is a lost cause

Sub-Zero : There might be hope for her

(Y/N) : The hope is shattered

(Y/N) : So cold I feel goosebumps

Sub-Zero : You will feel more than that

(Y/N) : Are you speaking of kombat or something else?

(Y/N) : You are in the presence of greatness

Sub-Zero : That I am

(Y/N) : Now submit

SHANG TSUNG VS (Y/N)

Shang Tsung : (Y/N)

(Y/N) : Stay away from my brothers

Shang Tsung : Yes. We should keep this between us

Shang Tsung : Come closer

(Y/N) : What will you do if I don’t?

Shang Tsung : You cannot resist me for long

Shang Tsung : Liu Kang admires you well

(Y/N) : Of course the chosen one does

Shang Tsung : He cannot admire you for long

(Y/N) : You cannot have my soul, sorcerer

Shang Tsung : I was thinking of something else

(Y/N) : *laughs* You are not worthy of that

(Y/N) : You have affections for Sonya?

Shang Tsung : Am I sparking something in you, goddess?

(Y/N) : Just can’t believe you’d be interested in someone so boring

JAX VS (Y/N)

(Y/N) : Well aren’t you easy on the eyes

Jax : Is a goddess really flirting with me?

(Y/N) : Very much so

(Y/N) : You and I keep crossing paths

Jax : I’m not complaining

(Y/N) : I bet you’re not

Jax : There ain’t nothing more attractive than a goddess

(Y/N) : You flatter me, Jax

Jax : I can do more than that

Jax : So how many rounds can you go?

(Y/N) : With my power? About ten

Jax : You know I’m talking about Kombat right?

(Y/N) : Put those arms to use, Briggs

Jax : And do exactly what, (Y/N)

(Y/N) : You know what

KOLLECTOR VS (Y/N)

(Y/N) : Low life thief

Kollector : I will steal what is left of you when I am finished

(Y/N) : You’ll never have all of me

Kollector : You are the true embodiment of a goddess

(Y/N) : Yes, I know

Kollector : I will break you apart and sell your parts

(Y/N) : To what do I owe the displeasure

Kollector : The Kahn wants you

(Y/N) : If he wants me then he can come get me himself

Kollector : Pretty girl

(Y/N) : Ugh. You

Kollector : You will regret your distaste

Kollector : And what do we have here?

(Y/N) : Someone worth more than your life

Kollector : We’ll see about that

BARAKA VS (Y/N)

(Y/N) : Baraka

Baraka : Shao Kahn’s concubine

(Y/N) : Ha. He wishes

(Y/N) : Creature

Baraka : Submit to the Tarkata

(Y/N) : My standards aren’t low enough for you

(Y/N) : Keep looking, Baraka

Baraka : You are not all that, goddess

(Y/N) : How dare you!

Baraka : Face me in kombat

(Y/N) : You must have a death wish

Baraka : My wish is for you to die

Baraka : You are unworthy for the tarkata

(Y/N) : You dare call a goddess unworthy?

Baraka : Rightfully so

KOTAL KAHN VS (Y/N)

(Y/N) : Kotal Kahn

Kotal Kahn : You will stay away from Jade

(Y/N) : I can make you forget all about her

(Y/N) : You are Kahn no more

Kotal Kahn : Kitana takes my place

(Y/N) : Which means you are unworthy

Kotal Kahn : Shao Kahn only brings out destruction

(Y/N) : You’re no more innocent than he is

Kotal Kahn : The innocents are damned

(Y/N) : Why do all men fancy boring women?

Kotal Kahn : Jade is not boring

(Y/N) : Your heart desires for a common assassin

Kotal Kahn : You are truly breathtaking (Y/N)

(Y/N) : I do not need a fallen Kahn to remind me of that

Kotal Kahn : But your mouth is ugly

NIGHTWOLF VS (Y/N)

(Y/N) : Be on your guard, Nightwolf

Nightwolf : You really are stunning

(Y/N) : Yes. And deadly

(Y/N) : My brother claims that you are interested in me

Nightwolf : I um..that is interesting

(Y/N) : Don’t turn back on me now

Nightwolf : I’ve never met anyone like you

(Y/N) : *chuckles* Are you flirting with me, Nightwolf?

Nightwolf : Would that bother you, my Goddess?

(Y/N) : Are you going to let me win like you let Scorpion win?

Nightwolf : I would never pose kombat on you, Goddess

(Y/N) : Shame. I like being wrestled to the ground

Nightwolf : We shouldn’t fight

(Y/N) : This is merely an exercise

Nightwolf : I will prove I am worthy, Lady (Y/N)

A/N: I hope you guys liked this. It took me a long time to make

[raven-at-the-writing-desk]

Hello, I came to say that dragons are mythical creatures often depicted to be possessive in mythology and literature, sometimes known for their immense power, territorial instincts, and the symbolic association with hoarding wealth and treasures...

Twisted Wonderland in context, Malleus Draconia was confirmed to be a dragon fairy (essentially a dragon who can take a shape of a man), and I was curious if Malleus may have exhibited possessive traits in canon, whether through main story or vignette...?

The reason I ask that is because mischaracterizing characters or making them OOC is the last thing I want to do when it comes to writing or analyzing...

**Sorry if I was not able to word it in a way that you can understand what I'm trying to convey because sometimes I feel inferior that my wording may come off as blunt or insensitive. I just want to leave a brief note that I don't mean to come off as rude or dismissive. I appreciate your understanding!**

In my opinion, Malleus in canon is protective but not possessive. What do I mean by that? Glad you asked. Let's start by laying down some definitions.

In this situation, when I say “protective”, it implies good intentions. It means actively looking out for others' safety and wellbeing. To be possessive, on the other hand, implies a more controlling desire to own or to restrict another's actions. It’s commanding and demanding all of a person’s attention and love. It means having a disrespect for others' autonomy and instead trying to displace it with your will. (Yes, I know that you're probably automatically thinking of The Big Exception of book 7, but I will address that later in this post so hang on for a moment!)

This gets long, so buckle up! We’ve got a lot to talk about.

First thing's first, a lot of the "possessive Malleus" interpretations originate from fandom, especially when it comes to yandere, yume, or generally romantic fan works. (And to be clear: This is NOT to shame the folks who enjoy these kinds of works; I am only listing them here as examples.) Oftentimes this occurs due to individual fans bringing in ideas from media outside the bounds of Twisted Wonderland. This is totally expected and normal; there is no such thing as someone who has an interest in ONLY a singular thing. We will naturally apply our previous knowledge to help us understand and interpret new information.

For example, in irl mythology, fae are hurt by iron--and even in Disney's own films, such as Maleficent, iron is depicted as harming fae and sapping them of their power. This led to many Twst fans headcanoning that iron does the same thing to fae in Twisted Wonderland. However, we learn in book 7 that this is NOT true. Fae, particularly nobles, do find the smell of iron nauseating, but the metal does not appear to impede their powers or hinder them in any way. Lilia and his men are still able to dispatch several Silver Owls (who are dressed in iron arm and battle with iron tanks and other machinery) without issue.

Another example that’s pretty popular is fans believing that whole “if you tell a fairy your name, it grants them power over you” thing. Some have claimed this will come into play in book 7’s final battle. Others claim this is the deeper or secondary reason as to why Malleus doesn’t reveal his own name to Yuu until book 5, as giving his name would grant Yuu power over him. However, there’s nothing in-universe to suggest that names have cultural significance to fae or that any sort of power or status is granted by relinquishing one’s name. Yuu (or Malleus’s hundreds of other classmates) have also demonstrated no such control over him.

Remember: what is true outside of Twst, including in Disney's own works, is NOT necessarily true inside of Twst.

Going back to the initial question, I believe that "Malleus is possessive" is also a headcanon of a similar vein; fans are coming into Twst familiar with other mythos which state that dragons are possessive, territorial, and greedy on top of being powerful. Because Malleus is a dragon fae and is known to possess great power, it's very easy for fans to see the parallels between him and the dragons they already know of. This then leads to them filling in the gaps of his personality and projecting other stereotypical draconic traits onto him. In Malleus's case, this was extremely easy to do because it took a few years for him to see any significant spotlight in both event stories (Glorious Masquerade) and in the main story (book 7).

I think the easiest way for us to analyze whether Malleus is protective or possessive is to examine his closest relationships in the narrative of Twst. I will not be counting Sebek and Silver individually here, as they are both his bodyguards and Malleus maintains a mostly professional relationship with them. Instead, we shall look at Malleus's attitude by looking at his relationships with Lilia and Yuu, then proceed into discussing related behaviors.

I believe it's indisputable that Lilia is one of the most important people to Malleus. Lilia trained him, taught him, and trained him. He is basically Malleus's father figure. The fear of losing Lilia is what causes Malleus to emotionally spiral and take drastic measures in a desperate attempt to avoid that unhappy ending. His entire motivation for unleashing his UM is "not losing [Lilia]!" You would think that if Malleus was going to be possessive of anyone, it would be with Lilia. But the truth of the matter is... he's mostly just... not? Lilia is a very sociable person in the student body. He's frequently gaming with Idia, taking care of or lending wisdom to others (Silver, Sebek, etc.), hanging out with Cater and Kalim in their club, interacting with dorm leaders and freshmen when Malleus is absent for ceremonies, and more--yet Malleus doesn't seem to express any jealousy over sharing Lilia. I'd also like to add that although Malleus lacks parents, he doesn't really show envy over Lilia treating and calling Silver his own son instead of himself. Oh, Malleus certainly does express jealousy to some extent. Who would forget the time in his Dorm Uniform vignettes when he crushed Lilia's phone? The thing is though, the times when Malleus is upset are not fueled by not wanting to share Lilia or wanting to monopolize his time. In the previous example I cited, Malleus broke Lilia's phone because Lilia had received a picture Kalim and the other dorm leaders took after a meeting. Even the dialogue exchanged implies this; Malleus did not automatically get mad when he noticed that Lilia had a notification, he only got mad after realizing he was excluded from something the other dorm leaders were all involved in. Malleus was upset that he was not invited, not that Kalim was texting Lilia. Additionally, it is stated that the dorm leader must grant permission for others to use the lounge. If he wanted to, he could withhold the permission for Lilia, who wants the lounge for his farewell party (which everyone is invited to), or stipulate that he wants a more formal affair with just Diasomnia members present. Malleus doesn’t act in this possessive way though. He grants Lilia what he desires without issue.

Next up for scrutiny is Yuu! Now, there's some gray area here because part of Yuu's relationship with Malleus is defined by how much the player projects onto the self-insert/blank slate character. Please note that, when I discuss Yuu, I am leaving out individual interpretations and going STRICTLY by the information presenting in canon.

It can be said that Malleus slowly develops a fondness for Yuu's company over the course of the main story. At first, he is surprised and maybe even a little disappointed that someone has taken residence in Ramshackle--it used to be desolate, which makes it a perfect spot to visit on his nightly strolls. However, Malleus soon finds amusement in the fact that Yuu, not being of this world, has no clue who he is or what his status is. This grants him the freedom to speak at ease with this human and to "be himself" in a way that he cannot be with others, who typically cower at his name. You could also argue that Yuu telling Malleus they may have found a way home expedited the despair he felt in book 7, as he learned so quickly that two of his friends would be exiting his life soon. This, however, is not possessiveness. It's normal to have fear and anxiety about losing the people you love.

Malleus's voice lines also do not indicate possessiveness. Yes, there's the usual and expected fanservice-y lines where he invites Yuu to come and engage in various activities with him, but nothing in those suggests he would exclude others or become upset if they also wanted to join. (Are you telling me that Malleus wouldn't want to talk for hours on end about the glory of gargoyles to TWO people instead of just one?????) Additionally, all the characters get similar fanservice-y lines, so it's not something exclusive to Malleus. There was one line that gave me pause: "You always seem to attract a crowd... More so than I'd like, really." Buuut I think this could be read a number of ways, not solely in an ‘I want you all to myself’ way. Malleus actually goes like to be alone, hence his nightly strolls. The line can therefore also be read as Malleus enjoying solitude or one-on-one conversations as opposed to addressing a group. In that case, it's a personal preference and not necessarily a sign of possessiveness. He’s definitely not completely averse to group activities though; there are lines where Malleus invites Yuu to do things with him and other characters. For example, from his PE Uniform: “Sebek has been badgering me to help train him. I'll permit you to join us. ... You're coming, I trust?”

The guy generally doesn't get angry or annoyed if Yuu mentions having other friends or managing the 7 member VDC/SDC group. In fact, he sometimes encourages Yuu to interact with others. One of his birthday lines is, "You needn't linger and focus on me to the exclusion of others. I want everyone to enjoy the party, yourself included." Malleus doesn’t so much as flinch or react when a complete stranger kisses the back of Yuu’s hand either. If he was truly possessive, wouldn’t he have gotten angry or—at the very least—have frowned or tried to put some distance between Yuu and said stranger? Yet Malleus doesn’t really react or comment on it despite being present.

Malleus seems to understand that it's not very polite to demand all of someone's time or attention--and this makes perfect sense of his character. He is a royal, and that means he was taught proper manners. Malleus has even indicated before that his grandmother stressed the importance of observing etiquette, particularly around invitations. You don't just invite yourself to functions or insert yourself into others' lives if not extended said invites... and Malleus, for the most part, adheres to those rules. In various voice lines, he even frets over committing social faux pas, wondering if he has offended his peers with certain behaviors. For example, from his Masquerade Dress: "Flamme shoots me stern looks on occasion. Have I behaved improperly in some way...?"

Malleus is also not generally possessive when it comes to his items or territory. He wants to share cake with others; eating a whole one gave him heartburn and now whole cakes are his least favorite food. Additionally, he tends to welcome people to Diasomnia rather than chase them out or expel them. (After all, they so rarely get visitors in the first place.) Malleus will at least hear out the reasoning for seeking him out. As an example, Leona (someone who has had a rocky history with Malleus) goes to Diasomnia in his Ceremonial Robes vignettes to exchange robes after a laundry mix-up. This is a stark contrast to the highly territorial Leona, who attacks a magicless human in thd Botanical Garden and also allows his own students to wail on Yuu and co. for simply walking being in Savanaclaw. Leona joins in on this bullying too. I think it's pretty clear that Malleus handles guests with far more tact, grace, and patience than his fellow prince.

I want to point out that though Malleus is usually amicable with guests, there are exceptions. Ramshackle, as I mentioned earlier, is a place he enjoys a lot. He indicates in his Halloween Dress card that “If anyone dares to damage [this] dorm, I will be as a lóng and reduce them to cinders. I have become rather fond of that place, after all.” Indeed, he does act on this promise in Terror is Trending and comes close to striking down Magicam Monsters for disrespecting a place he holds so dear. Is this possessive though? Yes, it’s a place he loves—but it’s also a place where his friend Yuu lives.

There are many other examples of Malleus going to extreme lengths to protect the things he loves. He vows to destroy Rollo Flamme, who poses a threat to his people, the fae (who depend on magic as their way of life, and the sentient gargoyles, whom he has recently befriended. He unleashes his mighty magic to attack those who wound his pride. He stops time and kidnaps the entire student body all for the sake of including ghosts in a Halloween celebration. And, of course, he sends Sage’s Island to sleep in a desperate bid to stop losing everyone. The majority of these behaviors involve him lashing out at those who pose legitimate threats to things he cares about. It’s not as though be is acting for no discernible reason or because he is doesn’t want his loved ones being with people other than him. Does that make these actions right? No, absolutely not. But I would say they are definitely more protective than possessive.

Very rarely is Malleus actively preventing his peers from spending time away from him. Sure, he gets upset that he’s not invited to join them and sure, he wishes people would invite him too—but there’s a difference between longing and being mopey about this and acting so domineering he’s breathing down the necks of others to only be with him. He is not stopping people from being with their friends and family. He is not stopping people from using his things or entering his territory. Even when he makes everyone sleep, he grants them the space to craft their own dreams and doesn’t even make the dreams center around him and his own involvement on their lives. Oftentimes the dreams involve several other characters that are important to the individual dreamer and Malleus does not appear at all. (Again, this doesn’t mean using his UM was the best move to resolve his issues; I’m just saying his actions were not necessarily possessive.)

So, in conclusion, I stand by the thesis at I proposed at the start of this post: Malleus is largely protective, not possessive, despite what many fandom interpretations would have you believe.

[moon-ayyye]

Worst fandom mischaracterisation/headcanon of each bat-associated character, in my opinion (these are in no particular order) :

1. Duke Thomas is the sane, rational, "normal" one.

Have you ever read the We Are Robin arc? Duke is fucking unhinged, his introduction was him jumping off a bridge to escape cops. This is a kid whose father is immortal and is the first metahuman in the batfam. He lost his parents in the most horrendous way possible (joker venom. They're still alive, but it's horrifying) and organised a whole gang as a child. He threw down with a green lantern and 2 shot his ass. Hopefully, this headcanon is just a product of people not really knowing the character and goes away soon once people find out more about him, when he isn't just the token black guy in a fic or a background character in batfam drama.

2. Stephanie Brown is quirky and sassy, and ONLY quirky and sassy. She's over her trauma with Black Mask and Cluemaster!!

Stephanie Brown is a very interesting character, with an origin story that is very similar to jason todd. She's been through hell, yet she constantly gets infantalised by the fandom, which gets kind of ignored in favour of talking shit about how people infantilse tim (super valid and I'll come back to it later on in this post). You most commonly see this in timsteph stories where they show her as the immature first love, and how as tim grows up, he needs to date more "serious" people, as if tim wasn't the main reason their relationship never worked. This is also common in stephcass fics, although on a smaller level. Writers tend to make stephanie the bubbly outgoing girl that balances out all of cass' angst (some of those fics are really good, but they mould steph in a specific shape so she can be a prop for cass to heal). On an even smaller scale, I've seen both romantic and platonic jaysteph stories where stephanie appears as the "good" victim who let go of her animosity to black mask and cluemaster, and so now, she can help jason let go of what happened with the joker, and bruce's abuse. Obviously, this is a disservice to both of these characters, but people tend to focus on how it's more of a disservice to jason instead of steph. Let my girl express her trauma and heal, and stop using her as a prop for other characters! She wasn't just cutesy as robin, she threw the fuck down. Her introduction included hitting tim in the head with a brick!

3. Slut/himbo Dick Grayson is reductive of his abilities as a leader, and is not only offensive to real survivors of SA, but incredibly racist towards Romani people.

Do I really need to explain this one? Dick Grayson is a symbol of hope that bruce wishes batman could be. This man is a natural born leader and has stepped up to the plate multiple times, both during his time with the titans and as batman. He's charismatic and lovable and a genuinely intelligent man, but for some reason, he gets depicted as a dumbass who has to deffer to bruce or tim or babs any time he has an issue with detective work. Yes, you can delegate. Of course, you can delegate, but going straight to tim and rattling off the case you JUST accepted doesn't make sense, ESPECIALLY if you're on seperate cases and tim or bruce have to postpone their work just to solve it for you. As for the other part, Dick has been heavily implied to be demisexual, given that he only has sex with people he has genuine feelings for. He wouldn't just sleep with any random woman who compliments his ass enough. Also, having an SA victim be characterised as a slut is both reductive of their trauma and a weird way that some authors justify how he's "over it." Really doesn't help that he was slut shamed (canonically!! why is this canon??) by the rest of the titans after sleeping with mirage, who pretended to be kori. Additionally, it's really weird if the first thing you think of when you see an attractive romani man just sleeps around. People don't say that about other conventionally attractive characters, even ones who HAVE slept around. The only character i can think of that gets characterised like this is bruce, but that's an image that he cultivated to keep batman hidden.

4. Jason Todd was always doomed by the narrative. He would have died if bruce hadn't intervened. Also, pit rage.

The tragedy of jason todd was, and always has been, that he was doomed by the AUDIENCE. He wasn't just an angry, reckless child, and calling him the angry robin is stupid and reductive. Was he angry? of course he was, but so was dick, and so was damian. Using a single word to describe a person is never going to be enough. Jason was notoriously compassionate to victims, especially women and children, and sex abuse victims. He got pissed when the system he was asked to believe in was shown to be ineffective, to the point where bruce believed he killed a man over it. The kid had a bright future ahead and loved school, modt of robin!jason's shitty qualities came from bruce and alfred compartmentaling his image and shitting on him to ease their guilt over his death. Pit rage is also a cheap way to take away his autonomy, an easy pass to explain the shitty things he's done. I like it when the pit has side effects like glowing eyes or increased healing or something, but pit rage is stupid. It's either used to force characters to forgive jason since he wasn't himself or as an angst prompt for jason, another testament to how he came back wrong, or a way to have him hurt a character to further up THEIR angst (*cough* titans tower AU fics*cough*). Yes, he did shitty things. Let him do shitty things without giving him an easy out. Otherwise, your story isn't compelling at all.

5. Feral Damian Wayne is just straight-up racist, no?

I love damian. I think that, for the most part, he's been written pretty well. However, damian suffers from the fact that he's an arab character in a post 9/11 comic, and thus there is bound to be some casual racism, both in comics (like when tim assumed he was too uncivilised to know what a handshake is) and fandom. Has damian wayne done a lot of shitty things, especially to tim? Yes, absolutely. But that doesn't make him feral. He was raised by assassins as the heir to the throne and to the greatest hero in the world, raised to think that blood relations are the only ones that matter, so of course he's dismissive of tim. He's also a prince who was raised in luxury, who was born as royalty and has experienced more opulence during his birth thsn most peoole do in a lifetime, although this opulence is extremely conditional, with horrifying requirements (the story with damian having a metal spine as a child is insane). Does it make what he did to tim right? Definitely not. Does it excuse his actions? Also no. But it does explain them, it tells us where it came from. Being traumatised and having extremely high expectations of both sides of your family doesn't make you feral.

6. Tim Drake is just a small little baby who can't function without his coffee.

Let me preface this by saying that i don't like tim drake. At all. As a huge fan of the al ghuls it was a real kick in the balls having Ra's be reduced to a creepy pedophile who wanted tim as an heir, and sent a woman to rape tim in order to carry his child. Also, I hate how DC decided to prop him up by shitting on jason todd. However, this doesn't mean that I don't enjoy his YJ run and that I don't enjoy some of his comics/fics. That being said, nothing on this earth pisses me off more than tim stans. You know the ones, the people who want damian hanged, who want dick and jason and bruce to fall to their knees and beg for forgiveness. Tim has been through an insane amount of trauma, and that's understandable, but please, for the love of god, don't create more whump for tim at the cost of other characters. You can hate damian, I wouldn't blame you, but remember that he's like 10 and tim put him on a hit list. Dick never wanted to put tim in arkham, and he didn't have time to support tim when it came to an honestly insane (although ultimately correct) conclusion. Also damian as robin was alfred's idea, and damian was the one that put on the costume preemptively, dick got pissed at damian for that. When it comes to jason, I'd say it's complicated. While titans tower was fucked up, it wasn't as bad as people made it out to be. My first introduction to the fandom was through jason todd since he was my favourite robin, and then i learned they brought him back to life when i played injustice. The number of fics and posts that mention that jason went to the tower specifically to kill tim is insane. When i got into comics, it was like whiplash; it wasn't a one-sided beatdown, tim was conscious until the end, the goofy ass robin suit jason had on, jason never slitting tim's throat (that happens in hush, and even then i don't think he really slit his throat, since the art shows that the skin was kinda nicked), all of that was wild to me. BftC is one of the shittiest comjc book runs when it comes to characterisation in general, and I've already discussed dick and tim, so it's only fair to talk about jason and tim. There's no justification here, honestly, other than shitty writing i guess. The other side of the coin is enemies to caretaker jason and tim, which is so fucking wild?? they're like 2 years apart, and tim is extremely competent, he wouldn't pass out mid patrol because he forgot his coffee.

7. Bruce Wayne doesn't believe people can change and doesn't care about Crime Alley.

For the first one, please fucking read a single comic book. Just one. Better yet, maybe research why batman doesn't kill. You know, the most popular thing about him? As for the second, it's mostly just a way to show how jason is better than bruce and how he's right to take over the alley since no one cares about it. Now I LOVE jason todd. He's my favourite comic book character of all time tied with gambit and Dr. Strange. But I hate it when you create angst or comeuppance by blatantly ignoring the chatacter and their motives. Bruce became batman so that what happened to his parents can never happen again, and this includes helping the poor people in crime alley either through patrolling there or by setting up countless charities to improve life there. You can make the case that batman avoided crime alley after jason died. It's not canon, but it would make sense. However, I dont see him ever giving up on the alley, both to prevent what happened to his parents, and to help people like his dead son. I fucking hate bruce, he's done a lot of shitty things, but making shit up just to make him worse is getting old.

8. Misc

There aren't really enough mischaracterisations about cass and babs to warrant separate paragraphs, so I'll just reiterate the infantalisation of cass and babs having no qualities outside of oracle, master hacker, and dick grayson's on and off lover.

[lover-of-mine]

Hello and welcome to Anna thinks they just kickstarted Eddie's queer arc and *coldplay starts to play* it was all yellow (and blue). (metas on the blue and yellow here and here if you feel like reading)

I feel like at this point I have made the point that I think Eddie's queer arc is gonna be yellow where Buck's was blue very clear (post on that here, more on the theory applied to buddie here), so I'm watching for any amount of blue or yellow around Eddie. The whole thing comes back to the way 704 is very blue and yellow and the climax of Buck's bi arc, the coming out scene since it's the one scene Buck chooses to come out, is also blue and yellow, but Buck himself is blue.

This actually starts in the locker room in 701 tho, but we have established that Buck is blue, so they are in the wrong colors. They're also in the wrong colors during the will reveal, which is interesting if they follow through it this particular symbolism the way I'm expecting them to.

The will reveal is interesting because they don't match their backgrounds the way Buck does in the coming out scene, but the backgrounds have the right colors, but I digress.

The thing is, the thing that I keep waiting to happen, happened. The sandy yellow shirt. Something about Buck's journey to blue, is that he is in darker shades of blue while Eddie is in neutral tones, mostly black, until he reaches a shade of blue that's basically the color of Oliver's eyes, so it's a brighter color.

So my working theory is that Eddie is gonna mirror that, and we will have Buck in neutral tones while Eddie finds his golden yellow, that right now I'm 90% positive will be the shade behind him in the coming out scene, but Eddie's arc will be lighter shades working up to the darker ones. And this is a promising start.

But I wanna talk about Eddie's arc on the episode. Because his arc is blue and yellow, but he's drowning in blue. Which is the wrong color. And not just because the uniforms are blue.

Something in particular that's intriguing me is the fact that they changed the waiting room of the hospital, so it is yellowish now, where it used to be a more neutral blue color.

Something else is the fact that this is the school from 504, an episode called home and away, that has "you're the guy who likes to fix things" conversation, where we actually discuss the way blood family knows you differently than a significant other. So we have a few s5 callbacks going on, and I feel like this will be a pattern, even though I don't think Eddie is in route for another full breakdown, I think deconstructing parts of who he is will have a lot of callbacks to his s5 arc.

The dialogue of the ambulance scene is very interesting too, because Eddie is talking about fixing someone's heart in less-than-ideal circumstances, and he actually manages to pull it off after some struggle. I'm probably reading too much into it, but the fifty/fifty on 2 attempts is making me 👀 because if we take this to the more metaphorical possible Eddie and his own heart, unless we are talking Buck, he failed all times, but it interesting to think Shannon vs Buck since Ana and Marisol where superficial relationships. Considering what we know, how young he was and the way his relationship with Shannon got to serious to fast vs the way Buck squeezed his way into his life and Eddie did take some leaps of faith in less than ideal conditions, I can see a symbolism hidden there.

The talk with Bobby is also interesting because of the whole yellowish setting and the implication that the issue can be traced to the mustache, and since we know the mustache is gonna be important for Eddie's character in the following episodes.

But the thing that had me screaming was actually the shop scene. I wrote a meta on this (you can read it here) but 911 uses blue and red for parenting issues. And the shop, the car the dad is working on, and the equipment are blue and red. And that makes sense, they are talking about parenting. Eddie is there as a father, at least at first.

And all of this is happening while Eddie is in white.

After they go outside, while Eddie is talking about being a father in a more detached manner, he is surrounded by the blue and red, even though the chair is yellow.

But while the dad is talking about his struggle understanding his kid, he is blue and yellow. This is interesting even though I don't want to sit here and say that Weston is queer just based on the fact that he's a cheerleader, because yes, the blue and yellow is used for Buck, but is also used for henren, and if we expand on the 911verse, it is also used for tarlos, so the metaphor there.

And attached to all the struggles Eddie has expectations that were placed on him, and specifically 517 where Eddie talks about his father not wanting to seem weak, and how that obviously affected the way Eddie grew up and how he moves on to defending Weston by saying he survived something he knows soldiers who wouldn't, we have something here. Because we don't have the focus on the red anymore once Eddie starts talking.

The green elements of the scene are interesting in the same way I said the orange is interesting about the birthday party (read that one here). Eddie is a green character, I feel like a lot of us associate him with army green, but if I'm right about the color theory we have going, Eddie can't live his life as a secondary color. That's where getting to his yellow comes in.

Eddie needs to move on from that. We talked a lot about the green army armor, with that jacket he wears when Shannon dies and when he leaves the 118 (first 2 pictures up here) so he needs to stop hiding behind the green. And the green is there, but it is out of focus, it's not supposed to be the main thing even tho it does take a lot of space in Eddie's frame. Mostly because you can see the yellow very clearly behind the dad, but not the green car behind Eddie, the edges are blending, which is good. He is moving in the right direction.

He also ends the episode drowning in blue again, which, yk, wrong color.

He's also in the same color he was in 506 after the whole kidnapping and yet another moment Eddie risks everything because there's a kid involved. But this time he can't go home to his kid. Someone give him Chris back right now (set on this parallel here).

So, since Buck's queer arc was blue and yellow, and Eddie just started an arc with those, I am choosing to believe they just kickstarted Eddie's queer arc.

That's all for today, if you read this I love you 💜

taglist (interact with this post if you wanna be tagged, or send me a message, just let me know):

@sparkedblaze @hermioneindisguise @eddiedisasterdiaz @mosaicstardust @stagefoureddiediaz @kejfeblintz @glasscities @angelcamael @sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @joshwritesfics @lunarsolar1 @dingdongfries @wolfdeans @jesuisici33 @miles--to--go @hopefuldreamers-world

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol