#but i do like how this turned out. the video couldve been better edited but | Explore Tumblr posts and blogs

reds-skull · 16 days ago

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CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

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floralhuqzz · 6 months ago

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Sexual tension (Johnnie Guilbert x fem reader) smut

·:*¨༺ ♱✮♱ ༻¨*:·

Warning: smut, degradation, choking, petnames, virgin reader,, DONT READ IF YOU ARE UNDER 18🔞

🦇author: the edit thats in this post is not mine,, all credits to crystalcaskle on tiktok!!! :) I also apologize if theres any misspelled words english is not my first language!

♱

I woke up around 7 am when i decided to make myself some breakfast before i start streaming,, ive started youtube 1 year ago, around that time when i met Johnnie. Ive been living with him and Jake for the past 3 months and honestly its been going pretty good.

“whatcha’ making?”

“oh god dont scare me like that!” i slightly punch him in the shoulder

“sorry sorry.. it smells really good” he puts his arm around my shoulder and i blush.. i had a crush on him since when we first met

“you want some pancakes?” i look at him

“yeah, thanks” he pats my head, making my hair look like a mess

“i hate you” i roll my eyes

“you love me” he laughs as he sits down

‘i do..” i thought to myself

i make some coffee and more pancakes as i sit down next to Johnnie.

“are you doing something after?” he asks me while he keeps eating his pancakes

“yeah..i have to stream right now,, but im free afterwards” i smile

“wanna go out?” he finally looks at me,, he looked so beautiful,, his blue beautiful eyes.. his makeup he forgot to take off before bed that somehow still looked good on him.

“yeah..i would love to” i smile a little

i stand up

“i better go now, ill see you in 2 hours johnnie” i smile as i walk to my room

1 hour later*

i started streaming and i decided to react to some videos that my followers sent me,, they were usually sending edits of me or they will even sometimes send me memes. They all kinda supposed i had a crush on Johnnie, i just didn’t want to say anything just yet. They will sometimes send me edits of Johnnie and see my face turning red.

As one of my followers sent me this edit

When i watched that edit i said something that i will be definitely regretting later

“i volunteer..*cough* i mean what?..” i laugh

“WHAT DID SHE SAY” “DID WE HEAR THAT RIGHT?” “SHE JUST SAID I VOLUNTEER” “TELL ME THAT SOMEONE CLIPPED THAT”

“chat you are all crazy” i laughed

after another hour i decided to end the stream as i said my goodbyes

i walk to the living room as i see Johnnie sitting on the couch looking a bit serious

“you okay there?” i chuckle

“i need to talk to you”

oh no.

“yeah what is it?”

“mind explaining me this?” he shows me a clip of my reaction to that one edit on my stream

"oh um." i blush as i look away

"hm?" he stands up and walks towards me "cat got your tongue?"

i didnt say anything. i just stared at the floor

"i asked you something" he puts his hand on my chin

"it- it was just a joke, you know?" i chuckle awkwardly as i felt like i was about to pass out from embarassment

"it didnt seem like a joke to me" he stares at me

"yeah umm..." i start to walk back as he started to walk towards me, almost like trying to intimidate me

"whats wrong?" he smirks

"n-nothing" i finally bump into the wall behind me

"if you wanted to get fucked by me you couldve just said so"

"w-what?"

"dont play dumb"

"i-im no-" he grabs my neck

"lying to me wont get you anywhere" he stares at my shirt as he starts to put his hand inside my shirt

"j-johnnie what are y-" i could literally feel my heart beat racing by the second

"dont tell me you dont want this” he now started to kiss my neck

i felt like i was literally about to pass out from how hot i was in that moment. i couldn’t believe this was actually happening,,

“come here” he picks me up in bride style and sets up on walking to his bedroom,, he opens the door and throws me to his bed as he climbs on top of me

“fuck,, i wanted this for so long..” he starts to take off my shirt,, i felt hot between my legs

he started to kiss my stomach going down my hips. he slowly took off my pants and threw them on the floor

“johnnie wait!” he stops

“whats wrong? did i go too far??” he looks at me worried

“no no…its just that…its my first time..” i blush

“oh…” he smirks “ill make you feel good alright baby?,, you just have to trust me with this okay? can you do that for me?” he caresses my thigh. i nod as he then continued what he was doing earlier. he starts to kiss my chest going down my stomach, and finally reaching down to my panties.

“can i?” he started to kiss my inner thigh

“mhm” i nod

he slowly started to take off my panties as he then began to slowly eat me out. I’ve never in my life had been touched this way by anyone,, and knowing that the first person to take away my virginity was johnnie, it relieved me. i started to whimper as he suddenly started to go faster. his tongue was reaching all the right spots.

“fuck-“ i whimper as i felt him moan, sending vibrations to my core which gave me even more pleasure. i look down as i see him staring at me as he kept eating me out “johnnie fuck i-“ i moan

“come on baby, be a good girl and cum on my face” him calling me a ‘good girl’ sent me shivers down my spine.

“oh god oh god oh god-“ i throw my head back as i came

johnnie looks at me and caresses my thighs once again.

“you did so good baby..” he gets up and starts to kiss me. I see him unbuckling his pants.

“do you want this?” he asks

“yes…yes i do” i was so turned on by now that the only thing i wanted was him..and only him

“you will have to beg for it or ill leave you like this…needy…and you dont want that right princess?” he smirks

“n-no…” fuck he knew what he was doing. He waits for me to continue

“p-please johnnie..” i whimper as he lined himself to my entrance

“you can do better than that..” he looks at me dead in the eyes

“please johnnie i want your dick inside of me..” i beg,, i felt so embarrassed but turned on at the same time

“thats a good girl” he gets inside of my without a warning as i moaned from the sudden feeling

“for how long you’ve wanted this y/n? hm? tell me.” he began to move

“for a l-long time..” i moan, it felt like i was on cloud nine

He started to thrust harder and faster,, i felt like i was about to cum.

“j-johnnie i-im~” i whimpered and he put his hand on my leg and place it on his shoulder for better access which made the feeling 100 times better

“i know baby i know…fuck y-you feel amazing” he thrusted faster, “come on princess cum with me…” he moaned as we both cummed. We started to breath heavily,, with our hair sticking to our foreheads because of the sweat,, messy hair and red face but he still looked beautiful

“youre absolutely gorgeous..” i blush at his sudden comment

“i dont know if this is the right time but…i really like you..” he confesses

“i like you too johnnie…ive liked you for a very long time..” i smile at him as he kisses my forehead and we both fall asleep in each others arms.

#fanfic #johnnieguilbertxreader #johnnie guilbert #smut

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trendingnewsb · 8 years ago

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MIA: This is a white country, you dont have to spell it out to me

Maya Arulpragasam is bringing dancehall, hip-hop and grime to this years Meltdown. Is the outspoken British Sri Lankan the best argument for positive cultural appropriation?

The Guardian said that you couldnt shag to my record. As conversational openers go, MIAs beats the banal niceties of, say, Hello, how are you doing?. Its no surprise that she charges straight into a chat about why her last album was considered too confrontational for the bedroom by this paper. Its an icebreaker moulded to MIAs very own design: abrasive, compelling, underpinned by sex. Yeah, she finally concedes with a grin when I suggest we move past it, you cant have it all, can you?

Its a theme she warms up to when we talk about her edition of Meltdown at the Southbank Centre, which were ostensibly here to discuss. Usually, I wouldnt do something like this, she says, slouched under an oversized khaki coat dress. [But the organisers] were like: Hey, you can do whatever you want. Still, putting on the South Banks annual festival, curated in previous years by the likes of David Bowie, David Byrne and Patti Smith, has turned out to be a fairly arduous affair for MIA who says she doesnt do computers at the moment.

They didnt tell me it was nine days long. I thought it was a weekend. And then all my lists were, like, Well, this person wont be in London and that person is doing Glastonbury. Organising festivals is actually really complicated, she stresses. It wasnt just about dreaming something and then it appeared. Programming literally means, like, programming.

For all that Maya Arulpragasam didnt quite know what she was letting herself in for, one suspects the Southbank Centre didnt either; logistics aside, the mornings photoshoot has already been met with some flapping from the press officer made nervous by MIA climbing on the roof without safety clearance. Still, her lineup dancehall, Brooklyn hip-hop, depressive Swedish rap and Nigerian grime is perhaps the most underground the festival has seen in its 24 years. How much is she expecting to shake up its comfortable concert halls, cafe bars and conference-room spaces?

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Click here to watch the video for last years Go Off.

When I was a teenager in London, I would just get a Travelcard and go somewhere, explore the city and go to weird places, she says. I would never judge the place, like, This is middle class and white. This is a white country, you dont have to spell it out to me, but there wasnt ever a limit on where I could go or what I could do.

A long, elliptical digression on London then and now follows, which takes in the optimistic multiculturalism of the 90s, Tamil house parties, empire and British identity. Its the bento box of an MIA interview: individually contained ideas that dont obviously bleed into one another and yet, overall, make a collective sense if youre prepared to go with it. Thats the key thing about MIA: you have to be willing to go with her to properly get her. Given that she still looks and sounds like a beautiful, bratty, art-school upstart and is prone to labyrinthine tangents, its easy to portray her as inarticulate or unhinged. But MIAs intelligence is instinctive rather than intellectual, and fuelled by the political.

The Mehrabian maxim that reckons that only 7% of communication is verbal is one that might best be proven by the transcript of a chat with MIA removed of all tone, attitude, context and body language. Take, for instance, her explanation of why only the future remains relevant:

As humans, we dont use our past and our history to work out the importance of what our role is in the present, she says. And if you cant use the past to define your present, then it should not be an element that holds back the future. Greece is a perfect example. More than Britain, they were brought to their knees, and not a single white country thought about saving them. And it was part of their heritage. Its where their mythology comes from or their concept of capitalism and democracy comes from. Nobody cared, everybody cared about the modern. Right?

Kim Kardashian is actually more powerful than Greece. She has more money than the whole of Greece, she continues. Therefore, thats where the power lies. If you then define it that way, then you kind of just have to live with that. And maybe whats happening in modern society: that if youre going to judge it by that, then other countries are gonna come in and define the future.

In print, its a statement that seems lacking in logic and coherence. In the moment, Im fairly sure Im able to follow her and we go on to consider how and where this future is being defined (for the record: You cant ignore the fact that China is going to be doing their thing in the next 50 years) and how Arulpragasam believes the immigration issue has become a red herring covering up a truth that can explain the American and British swing to conservative populism.

With Brexit, the idea was to get away from Europe and reinvent our identity, she says. And really, that identity was going to be American, but then they gave us Trump! So, everyone now is like, Oh shit, what is Britain? Are we going to rewind back to the 1800s? We cant. Its too late for that. So, going forward, we need a charismatic leader who then va va vooms the British identity. And we dont have that either.

People thinking that Im a bitch is totally unwarranted … MIA. Photograph: Stephanie Sian Smith/The Guide

The prime minister has called a snap election on the day we meet. Does MIA have any faith in our political system? Or in the left?

Everyone keeps going, Corbyn cant do this, but its, like, well, who else is there? she says. If people just left him alone to actually do the job and actually gave him some support, maybe hed be different. Treating him with so much contempt fighting that takes all his energy. How the fuck do you expect him to do interesting things? In any case insists the estranged daughter of a Tamil revolutionary, politicians are people who couldnt get jobs somewhere else.

MIAs politics, unwieldy and unslick though they may be, have often made her an easy target for tedious sneering in the press; the most insistent narrative is that, like Banksy, shes big on arch, subversive statement but lacks substance. Or that she is a hypocrite for making herself the poster girl for the worlds most marginalised people. And yet, shes one of the best pop stars Britain has ever produced. For all the ear-clanging experimentation of her five albums, MIA has always kept a sleeve full of pop bangers Bucky Done Gun, Paper Planes, Bad Girls, Finally that have sounded like little that came before or since her. Even if she didnt have the tunes, here is an art-school refugee Sri Lankan single mother with a visual aesthetic co-opted by everyone from Vetements to Versace who was born into political rebellion and revels in controversy. Gleefully gauche and carefree, MIA is the best argument for when cultural appropriation works. Bland singer-songstress beloved of Radio 2 playlists she isnt. So how much has the criticism bothered her?

People thinking that Im a bitch is totally unwarranted because Im not, she ays. I just had to fight for shit, and I still do. I just dont care any more. I dont know. She stops and starts. What I deal with as an artist, the media, the public persona, its a walk in the fucking park, compared to how confusing the universe really fucking is. Theres so much beauty in it and theres so much mystery, theres so much confusing shit in it. That is way more interesting to think about than why, like, Patricia hates me. You know what I mean? I laugh. Its like, Who the fuck is Patricia? and How can Patricia say this shit about me?. It just does not matter to me at all.As it is, she says shes most preoccupied with how to be a functioning grown up, an adult and a mother to an eight-year-old son (whose father Benjamin Bronfman is son to the billionaire heir of the Seagram fortune) born into immense privilege.

When the war came to an end in Sri Lanka in 2009, it actually did affect me, she explains. Everyone was, like, What the fuck does she know? Shes, like, a pop star, but that was my life. It was 50% of who I was, it was my identity. I didnt know what to do with myself. So I had a kid. Its the year the cause died, but the year my personal cause my son was born. And then, OK, I have to figure out what to do in very small parameters: I have a son, how is he going to see his grandma, am I going to make it there on Saturday? Can I make sure that I dont mess up his head by being depressed about certain things?

She struggles to reconcile her upbringing poor and living in Sri Lanka for her childhood to poor and living on a council estate in Mitcham, south London, in her adolescence with her sons. Im not very straightforward as an immigrant. That whole My kids would never see the pain that I saw; Im not like that. Im totally up for reintroducing him to the pain. I dont have any qualms about that. Her problems havent changed, she says, because of money or better circumstances. Whether Im in a mansion or a council flat, I would feel the same anxiety waking up going: I need to write this thing in a scrapbook, wheres my notepad? I would still have all those problems. I might still overcook the fish fingers. Those things are not going to magically transform because your house has changed. At the beginning I thought that money couldve saved my family. Very quickly I realised that money is not the thing.

Her conflict in wanting to being huge and commercial versus credible and ahead of the curve has been a persistent tension threaded through MIAs career. When I got into the music game, it was never an option to shut up and make lots of money. she says. To be a huge pop star, I would have to be, like, Yes, I think bombing Afghanistan was a great idea, I love our democracy and what it has achieved. I love the American flag and Im going to make a jumpsuit out of it. I just think it was important to have all of those Arab Springs, and its great and lets drink Coca-Cola. I had to do that, and do it all in a thong. Could I have done that if it meant that my mum had the nicest house in Chiswick by the river?

youtube

Click here to se the video for MIAs Bad Girls.

Does she worry about money now? If youre preaching living within your means, you have to, to some extent. But I also know that if youre someone in society that speaks out about injustice or political issues, one of the things that happens is that you get economically punished, 100%. I take that hit all the time.

The most recent, obvious example was MIA being forced to quit her headline slot at Afropunk last year, following a contentious quote in which she asked in an interview why Beyonc and Kendrick Lamar might not discuss why Muslim lives matter or Syrian lives matter. I dont regret [raising the issue], she says, with triumphant chutzpah. You saw how bad it was. And the Muslim ban didnt happen just with Trump, it was already happening under Obama. But you couldnt say that about him, you couldnt say that he introduced the Muslim ban, or banned seven different countries, or was already monitoring people, or dropped more bombs than Trump has. In truth, Obamas administration did identify the seven countries on Trumps list for additional screening measures, but it didnt bar their nationals. Shes already skipped ahead. The quantity of damage cant be quantified right now, she insists. Well have to wait the four years. After eight years of Obama, we kind of knew [his failings], but we just werent allowed to say them because he was so great. He was better than any person in Hollywood that I wouldve watched. He was really likable and just had loads of swag. That doesnt mean that you have to deny the truth, though.

This (and much more) comes moments after she tells me she has no time for opinions these days. She claims she doesnt read the news any more and that her primary sources for information are customers at the local kebab shop, taxi drivers and then sort of figuring it out. What about the state of the world? MIAs moment as an agitprop pop activist has never seemed more potent. Politics? I have no time for these things because Im so stuck in the zone. Ive become a hermit. [Meltdown] is actually giving me the chance to actually go out and meet people again. Ive gone for weeks without talking to a person, I do that happily. I tell her I dont believe her, as I suspect it would be a recipe for her to go fully barmy.

Im actually quite an extreme person, so I dont see that as madness. I see that as, like, solitude, doing a phase of solitude is not that bad. After declaring her fifth album AIM to be her final one, shes also trying to find new ways to channel her creativity. Im trying to write a film. I havent stepped into it yet because I want it to be good. Once you hit the start button you cant really stop it. She has, she tells me, the added complication of ADD to contend with. When was that diagnosed? I just have it. Dont even need diagnosis, its a waste of time, its a waste of the NHS. In truly blithe MIA style, she adds: Its just when you have too many ideas and not enough ways to get them out.

MIAs Meltdown is at the Southbank Centre, SE1, 9-18 June