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#faith in failure
johnnybeane · 9 months
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Tonight 10 PM Eastern I will be talking 🔴 with @FaithInFailure
👉 https://www.youtube.com/live/rfLWTxhqX38?si=6k-mlhKRZ-_Yh9Mb
#FaithinFailure #Line6 #SchechterGuitars, #Spector #DirtbagClothing #MetalInterview #JohnnyBeaneTV.
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salonduthe · 6 months
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I cannot do anything with a dancer--and I include myself--if the mind is not as conditioned, as limber, as obedient as the body. The body reveals what the mind is doing, where it is going, what it loves. The world reveals to you what you most want, and the conditioned mind heads toward what it most needs. Think and respond intelligently. If you entertain the notion of limitation or failure, it will rest comfortably in your company, and it will become a familiar location. I am not talking about the failure of risk: I am talking about the failure of imagination; the failure of faith. No one is looking at you; no one cares what you are doing. Get over this vain sense of observation and devote yourself to life and to others and to your work. You have no audience yet, but you have your soul and your fate, hovering overhead to see how you're going to husband both." ~ Martha Graham/Interview with James Grissom/1990
(with thanks to aliveonallchannels)
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Lessons from failure
I have failed on a small scale and I have failed largely. Some failures still shock me and some, I have gotten over. Here are some lessons I have learned:
Failure could be the beginning or the end of a goal. Only you can figure this out.
Some failures could be predicted.
It is hard to console yourself when you know you are responsible for the failure.
You may fail because you are aiming too low.
To overcome failure, look into the failures of others.
The last thing to do is worry.
You will not get over it, so find a way to get around it.
It will hurt your self-esteem, so seek other ways to repair it.
To minimize the effect of failure, expand your scope.
Don't attach yourself too much to a person, place, or thing.
Try to learn from it while it hurts.
Do not repeat the same mistake.
If you find yourself going through those same cycles, take a break.
Know when to share your failure and when to keep them to yourself.
Best, know who to share them with, let your journal know before your best friend.
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asterbats · 3 months
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Go, go, Mirabelle! We love you, Mirabelle!
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shift-shaping · 2 months
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very funny when someone who tries to tell you porn addiction is real is already marked with shinigami eyes. like oh really? i never would have guessed a transphobe would buy multiple strains of fundamentalist christian propaganda. anyway
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like i cannot stress enough that porn addiction is a fake thing made up by fundamentalists to make you demonize sex. it is not a real thing. you can have all manner of compulsions, sure, but a porn compulsion is no more harmful than a compulsion to doomscrolling or washing your hands or brushing your teeth. which is to say, it's not great to have a compulsion at all, but a compulsion to pornography is not uniquely concerning in and off itself.
research on this subject is very clear that porn and porn consumption itself is not the issue. what causes distress and shame is the culture surrounding porn and the way our society demonizes people for normal sexual feelings.
porn is morally neutral. you are not a bad person for enjoying porn. the real-life porn industry is a shitshow, but there are many ways to enjoy pornography that are entirely harmless. support your favorite independent porn producers.
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uniiiquehecrt · 1 month
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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quotelr · 5 months
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Tell me, who have never be knocked down by life’s circumstances? It takes grace and enough strength, to get up and begin again
Lailah Gifty Akita, Think Great: Be Great!
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stagefoureddiediaz · 5 months
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Thinking about step 9 and the whole concept of forgiveness of one’s self and others and it bringing healing and how bobby and Eddie have been paralleled a fair amount and the idea that Eddie started this process back at the end of s5 with his forgiveness and acceptance of his father but how he hasn’t yet gone anywhere near his mother and their relationship .
How his catholic guilt storyline seems more likely to play on his reltionship with his mother than his father (if his father wasn’t around that much it would’ve been Helena taking him to church etc each week) so the idea of an Eddie - Helena storyline that plays on catholic guilt and potentially his queerness in relation to that has me chewing on glass - it could be so epically good
#I’ve always viewed Helena as the biggest issue in Eddie’s relationship with his parents - Ramon has always - to me a least always seemed to#just go along with what Helena wants or dictates#it made sense with how his trauma ptsd army related arc played out that it was Ramon who was the centre of that#now though - catholic guilt - possibly playing into his queerness and suppression of that queerness#to keep some kind of reltionship with his mother - who only seems to view him through a lens of failure#leading him down a road where he wasn’t able to be his true self - it would be so powerful#there is so much potential there#eddie saying his mother wasn’t an issue in s6 - was such a choice and so pointed that they have to be wanting to explore that#so many aspects of who Eddie is and why he is the way he is - his want to nest but not being able to with women - stems from his mommy#issues and the fact he’s been denying they exist#I will eat it up - it would be the right kind of angst for the show and Ryan would deliver#plus the way it parallels with Bobby and his relationship with Catholicism would be fascinating#not to mention the whole Eddie not having a relationship with the faith he was brought up in only to start dating someone who is a literal#embodiment of that faith - and female - as a symbol of his needing to explore and reconcile the actual reasons for his faith lapsing- become#could not be queer and Latino and catholic when Eddie was growing up - it wasn’t an option - so if you step away from the faith that’s#denying a fundamental aspect of who you are#even if you still can’t act upon it - ​it is easier to keep that part of you concealed#911 spoilers#911 Thinky thoughts#eddie diaz#I need this arc to be a thing so badly#911 abc
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anistarrose · 7 months
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I could make the disability pride flag in my icon even more obvious, change my url to "describeyourposts" or something, and blog about accessibility even more than the (already frequent) amount that I do now, and I'd still constantly have people adding undescribed images to my posts. And yeah, my particular disability pride flag isn't there for a vision related or image-interpreting related disability, sure, but like. A lot of people who don't know that aren't even contemplating the possibility.
Disabled people aren't some vanishingly small minority with an infinitesimally small chance of you ever encountering one of us in your life. Blind people — and people who have images/gifs turned off for photosensitivity, and people who can't read certain fonts, and people who struggle to interpret images — all use this site. If you're starting a conversation with someone, even in the loosest social media sense of a "conversation," you should be inclusive.
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the-silver-chronicles · 3 months
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Siblings Q&A | Silva & Elsa Omar ONESHOT
Tagged by @raresbaby and @inafieldofdaisies
Tagging @voidika @icecutioner @socially-awkward-skeleton @derelictheretic @shallow-gravy @direwombat @strangefable @strafethesesinners @rhettsabbott @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @aceghosts @turbo-virgins @shellibisshe @deputy-morgan-malone @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @sleepyconfusedpotato @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries and @nightwingshero + anyone else who wants to join. Taglist here.
Hey guys, SimpleGenius here! Decided to turn this short Q&A into a legitimate Oneshot for The Silver Chronicles, involving two OCs of mine; Silva and her younger half-sister, Elsa, set in a time in Hope County where Silva had no knowledge of Eden's Gate and the Omar's experienced a time of normalcy. There should be nothing but fluff, yes-siree. Oneshot below the cut:
The buzz of the worn-out camcorder complimented the numbing visuals of the frozen static, but swiftly the unused device booted up.
The specter on the screen was both haunting and ethereal, a memory from a time so much simpler. A normality so sparse in time.
With her trusty camcorder in hand, Elsa admired herself in the mirror. Hair twisted in many small blonde braids, wearing a white sundress laced with magenta patterns that looked like flowers.
The camcorder fizzled, the screen going blank for a moment. She gave it a good whack, faded red paint dusting her black gloves, and the camcorder proceeded to work like normal.
Elsa carried the camcorder away from the mirror, passing through into a lounge. Her hermana, dressed in a yellow flannel and black jeans, her dark hair flowing past her shoulders, seated on their couch having a cup of coffee.
"You ready, Sylvie?" Elsa asked, shuffling cards out of frame. Sylvester placed her cup onto the coffee table, laced gloves fixing creases on a dress she's not wearing. Realizing this, she stops the action and awkwardly cups her knees.
"Si, uh, seguro," Sylvester muttered out, clearing her throat, "How does this work?"
"Essentially, from what Rae-Rae told me, this is a fun little game where siblings answer questions for that net-work mambo-jumbo," Elsa explained, and again shuffled the flash cards she prepared.
"And since we're both sane enough to not invite people to put their noses into where they don't belong, I thought maybe, instead of doing this for strangers, we do it for Persephone," Elsa elaborates further.
Sylvester blinks, grey eyes staring at her younger hermana like a doe caught in headlights. She tilts her head, her right cheek sunk in, chewing her inner cheek.
"Elsa, she's una," Sylvester points out.
"Yeah, I know that," Elsa sighs, understanding but exasperated, "But she won't be for long. When she's older, we can show her this. Let her get to know her mamá and tía some more."
Sylvester's lips didn't quite frown, but she wasn't unconvinced either. "Derecha," she nodded, still wrapping her head around the camcorder's functions.
Elsa was likely grinning behind the camcorder, "Exactly! Now, to make this a bit more fun, I shuffled the questions out of order. Now let's begin."
Elsa showed the flash cards, the shuffle complete, and flipped over the first one.
"Question 19: Who has the worst ideas?" Elsa asked aloud.
Sylvester snorted, uncharacteristic of the person she's supposed to be, a small teasing smile on her healing chapped lips, "Well we both know who that is."
Elsa let out an exaggerated gasp, feigned offense, "Why Sylvie, I am but a respectable, humble and pious shopkeeper. Do you insinuate that I am anything but?"
"Bold words coming from the local daredevil who likes to worry her hermana to near-death," Sylvester retorts, arms crossed.
"...I'm guessing Rae-Rae snitched about my escapes on her roof?"
Sylvester had no need to answer, though Elsa must have seen that she had nothing to worry over, as Sylvester's smile held only amusement.
"Next question," Elsa declared, moving on, "Number 7: Most stable romantic life?"
Both wondered briefly, and Elsa states, "I gotta give this one to you Sylvie. You managed one relationship with Irene far longer than any ones I've had in our time here."
Sylvester narrows her eyes at Elsa, raising a quizzical brow, "Is that so? You and Ezekiel were like two peas in a pod every time you both talked with each other."
"That was brief, and we weren't official. Just some one-upping through flirtation. And he had been a real jerk at first, remember? At least you and Irene had a better start," Elsa deflects, waving a hand onscreen as she desperately denied her hermana's accusations.
Sylvester merely nods her head in feigned agreement as Elsa brings out the next question.
"Question 12: Best memory together?"
Sylvester leaned back on the couch, looking up for a moment. With Sylvester pondering which memory she liked the most, Elsa already found one.
"I'd say buying this residence," Elsa admits, "A place we can forever call our home. Wouldn't you agree?"
Sylvester looked to Elsa, and gave a short nod, "Si, it is up there. But... I'd say my favorite would be when it first rained. Just... playing and dancing like kids do... like we should have been allowed to do."
Elsa must have sensed the solemness in her voice, and replied, "At least we got to do it."
Sylvester hummed, appreciative of that fact.
"Question 15: Would you rather not being able to shower for a month or have the same clothes for a month?"
Sylvester was immediate in her response, "Not shower for a month, obviously. We can just bathe in baths instead."
Elsa laughed, cheerful and loud, "Never thought you'd be the one to take advantage of a loophole Sylvie."
Sylvester smile wholeheartedly, grey eyes sincere as she admitted, "I learned the best from my crafty little hermana."
"Aww," Elsa lightheartedly cooed, and proceeded forward, "Question 5: Who sleeps the most?"
Sylvester raised her hand, "Mother of one very curious and fussy niñita, right here."
"No arguments there," Elsa replied, "Question 14: Dream trip together?"
In a moment of synchronized thought between hermanas, they both state, "Spain."
"Question 16: Who's the older one?"
Sylvester raised her hand once again. Elsa flipped to the next flash card, "Question 10: Who had a weird phase?"
Both pondered for a moment, trying to think of any moment in their lives of such a phase.
"I don't think we were ever given a chance to do so," Elsa states. Sylvester hummed in agreement, shaking her head in confirmation.
"Alright then! Question 6..."
Elsa paused, reading the flash card: 'Who's Mom and Dad's favorite? (If there is one?)'
Sylvester waits, worry building in her gut, and asks, "What's the question?"
Elsa hesitated, but responded, "Who's.... mo- ahem, father's favorite..."
Sylvester briefly gaped, but recovered, stating, "Well, we both know the answer to that question is neither of us."
Elsa hummed, throwing the card away as she proceeded with the next one, "Question 18: Role Model? Mine's you, of course. But who's yours Sylvie?"
"I'd have to say Paul," Sylvester mustered out, clearing her throat, "He saved me after all. Raised me. Gave me something that we were denied."
"I wish I got to meet him," Elsa admits, "From what you told me, he was funny and dramatic."
Sylvester smiled at Elsa's words, "You two would have adored each other."
Allowing Sylvester a moment to keep herself together, Elsa proceeded to the next card, "Question 3: Who eats the most?"
She raised her hand this time, the various rings displayed for the camcorder to catch, "That'd be me! Speaking of which..."
Sylvester cringed, swiftly adding, "I had a sandwich earlier."
But Elsa was not deterred, "While that's good, you skipped breakfast nor have you had any fruits or snacks prior to lunch."
"I'll have something later," Sylvester flimsily promised. Elsa, not satisfied, retorts, "I'll hold you to that."
"Question 8: Worst habit of each one?"
Sylvester sighed, "Well, you already know mine. Though your recklessness is concerning considering your condition Elsa."
"I'm not made of glass, Sylvie."
"Elsa, your bones are brittle and break easily."
"...Okay I'm a little like glass, but I'm not stupid. I can take care of myself. I know what I'm doing when I climb a tree, or go bungee jumping or help Rae-Rae around her farm," Elsa defends. Her hermana replies, "I... I know that Elsa, but even so, you've been seeking out riskier and riskier thrills lately, and I can't... help but worry."
"I appreciate it," Elsa assures, and adds, "But you worry way too often."
Sylvester doesn't argue, and Elsa takes advantage of the momentary silence, "Question 4: Who has been on the weirdest situations?"
Neither hermana could think of either one being in a "weird" situation. Sylvester opted to gesture to Elsa, "Well, given your escapades so far, I vote you."
Elsa huffed, "Seeking thrill is not the same as getting stuck in chance and strange situations."
"And how likely am I going to be in such situations?"
Elsa mumbles, indistinctly playful, and moves on, "Question 20: A GIANT insect is on the wall, who's taking care of it?"
Sylvester raises a brow, "Whoever finds it first."
"Pfft, a bug ain't that scary," Elsa comments, "Question 17: Describe each other in three words."
Elsa and Sylvester held gaze for a moment blurted out their answer.
"My badass worrywart-hermana." "Daring little hermana."
There was a silent beat before both responded to such descriptions.
"Surely that is four words, Elsa," Sylvester argued, but Elsa interrupted with her pointer finger as she replied, "Ah, but you forget my lovely older hermana, the power a hyphen holds."
Sylvester shook her head in disbelief, but did not debate further as Elsa brought forth the next question, "Question 1: Who looks the... ah mierda, another one?"
'Who looks the most like dad?' the question read.
"Is it another relating to... him?" Sylvester tested, her lips pursed in a thin line, her voice softer and quieter than normal. Her grey eyes dulled, hands clenched into her jeans.
Elsa sighs, a hand going out of the camcorder's view, probably to play with her blonde locks, and most likely undo a braid in the process.
"I... Do you mind if we skip this one?" Elsa asks, and Sylvester eagerly nods, much to Elsa's relief, "Question 11: Best cook of the family?"
Elsa answers before Sylvester could have a chance, "Yeah, I can't cook for shit, that's you right there, Sylvie."
Sylvester closes mouth, making no comment on Elsa's lack of culinary skill. Elsa flips the next flash card, "Question 9: Who's the most dramatic?! Why that would be me!"
Sylvester nodded with absolute certainty.
"Question 8: Worst habit of each one?"
Sylvester beat Elsa to the tea, "I got this. I'm a nagging worrywart who forgets her own needs sometimes, and you, mi querida hermana, are a crafty daredevil with a big ego that often gets you into trouble."
"Hah! Wow, you know me so well," Elsa said, flipping to the next flash card, but mentions, "However, you're wrong in your description; you're not a nagger."
Sylvester doesn't visibly react to this, but she seems to be stuck in a forlorn gaze. However, the next question snaps her out of this odd pause, and Sylvester listens attentively.
"Question 13... uh, worst memory together?"
Sylvester and Elsa pondered together, brainstorming.
"Our entire childhood was jodido and never the best," Elsa mentions. Sylvester frowns, and points out, "Si, but the run for the docks weren't any better."
Elsa couldn't not hum in agreement, and she moves on, "Last Question. Number 2: Who looks the most like mom...?"
Sylvester looks baffled as Elsa blows a raspberry, "Irrelevant. We've never met nor did we have the same mother."
Elsa throws away that flashcard out of the camcorder's view, much to Sylvester's visible annoyance.
"And... that's it. We finished the game. Yay!" Elsa lightly cheered, her camcorder focusing on Sylvester, "So... food for thought?"
Silva watched herself, younger and with so much more innocence, more hope, than she had now. The camcorder in her gloved hands was running hot, the flashing sunset-red indicating a coming end, but she could care less, holding onto the memory in her hands for as long as she could.
Sylvester chewed her inner cheek and said, "Besides two nosy ones, I'd say it was... nice?"
Elsa's mock offended gasp was as exaggerated as the younger hermana's mannerisms had always been, "Just 'nice'? This is a memorial moment for the both of us. It is evidence for Persephone to watch and rewatch for years to come."
Elsa placed the camcorder on the coffee table, and sat down next to Sylvester on the couch, a big grin spread out, pearly teeth shown. She grabs a hold of Sylvester's laced gloved hands, despite the latter's exasperation over the former's words.
"Wasn't it you who emphasized the importance of this? To immortalize ourselves through memories our family can visit decades after we're gone? Whether it be through ink, our voices or our image? You have to agree that this is quite a viable way to do that," Elsa assures Sylvester, who's doubt dissipated the longer she thought.
The camcorder began to buffer, the orange-red blinking faster, but Silva continued to watch, wanting to savoir this for as long as she could.
Sylvester's grey eyes looked to Elsa, softly asking, "Okay. But I have to ask; are you sure?"
Elsa laughed, her dimples caught by the camcorder's lens, as she says-
Nothing.
The camcorder's screen was blank, only reflecting Silva. The blinking light gone, the heat prevalent, and despite desperately pushing the power button repeatedly, Silva knew she wouldn't get those reassuring words she needed to hear. Not now. Nor ever again.
Silva's shoulders slumped, still sat down on the old wooden floor in the decrepit corpse of her home. The home she had taken care of for almost a decade. Even after her hermana's death, despite the ache for her visits. Even after Persephone's passing, though the yearning for her hija's laughter echoing in the halls hurt more and more with their absence.
And now... her residence, her home, was nothing more than a burned and decrepit husk full of dust and debris. All the memories that mattered, all the memories she held close to her, the journals, the photos, the shrines they rested under, were all tattered and ripped and frayed and singed and gone. Just gone.
And now... with exception to Silva's own visage of Elsa... the last thing of her hermana that she could have shown to her familia, could no longer function. The Collapse had reduced the resources required to charge such a small device to ash. Even if something survived, the camcorder was aged, and had some bugs.
Silva flipped the lid screen closed, clutching the little camcorder in her gloved hands, pushing it against her chest as she let out a shaky breath. The foliage that claimed her house rustled as a breeze swept past.
She shook where she sat, holding onto the pain, the knowledge that change has come and another chance away from her before she could appreciate it.
The wood creaked, and Silva didn't want to look at her amor's beautiful face, didn't want to shoulder her with more of her own pain and grief. But a dainty hand cupped her face, and Silva couldn't resist, relenting to her beloved's request.
Her tearful grey eyes connected with the warm green of Faith's. Her beloved, her esposa, her amor. Her Faith.
I am hers. And she is mine. As we both vowed.
And Silva wouldn't hide herself away from her. Couldn't. Even if she tried. How could she? They both knew the best and worst of each other. Intimately.
There was no judgement pitting them against one another anymore. Like now, there was only understanding. The grief for a present that they could no longer return to.
Silva did not resist the tears that fell across her cheeks. Nor did she push away Faith when she wrapped her arms around her. An embrace that held a strength that others underestimated about her. Both possessive and a comfort. All to tell Silva, I'm here.
Silva felt two more pairs of arms hold around her. The first was of her inventive Azriel, her grip unyielding as she buried herself into Silva's shoulder, just like she had done when she found her at age nine.
And the second came from her youngest. Her Mercy, clutching onto her with small hands, light-brown hair nuzzling into her body, perhaps not quite knowing why her madre was sad now that they were out of the bunker, but doing her best to lighten the load with her presence.
Silva placed down the old camcorder, and did her best to compensate in the embrace by wrapping her arms around her Faith and precious hijas. Her familia.
The grief was ever present, but this time, Silva would not be lost to it.
[A/n] I lied, the fluff was merely a front, there's only angst here. Well, mostly at least. Set before Old Dusk (the New Dawn WIP), with only a camcorder showing pre-Silva's Hope stuff. They probably only recently left Silva's bunker and well, Silva's obviously gonna be depressed about the state of everything. At least she has her family to keep her grounded? Also I haven't written in a while, so if it was repetitive or tone death, my bad, I've been trying to get my motivation back. Anywho, hope you enjoyed this lovely (and angsty) oneshot, and see y'all in the next one!
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faithisland · 1 year
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this is actively just malicious.
painting this strawman like we are claiming actual radfem ideology are you fucking kidding me
no one has ever said that. we point out that gay cis men face these same issues, that MOC do, that disabled men do. this is in EVERY. SINGLE. post refuting him.
he is now officially actively intentionally mischaracterizing the transmasc community
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euelios · 1 year
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i’ve reached the end of zurich and like. the way that arthur yells for (martin and) douglas just sends me (read: breaks my heart just a bit)
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iamthekarmapolice · 9 months
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i am so excited to see what they do with the bachelor route in terms of themes and central ideas. artemy’s route did that disco elysium synecdoche thing of the character being an extension of the setting and so the themes of nature vs industrialization, tradition versus modernity, childhood vs growing up were seen in both Artemy’s internal struggles as well as the Town at large. But daniil is an outsider so that kind of resonance just won’t be possible. So what will the themes be this time? The central idea? Ahdhahdgdjjdsh I’m so excited and ready to have my brain chemistry yet again altered forever
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Teruko and Yosano should've faced off. I think Yosano should've been posed that question that Atsushi was; that reveal of the "future war" - Teruko went along with Fukuchi out of a mix of indebtedness and being at a loss for what to do. War is all she's known; of course she doesn't know. But Yosano has been to the depths of despair and come back out of it again. She might've faltered at this horrific reminder of her trauma, but when it comes down to it, she saves the lives before her. She fought for a way back to light and life. I just think there could've been a really interesting conflict there. And it would've made Teruko's role much more tragic if she wanted desperately for there to be a third option but just didn't have enough time to sit with it and process what that third option might be before Fyodor made it all go to hell.
Also a fight between them would've been interesting, because Teruko is much physically stronger than Yosano, but Yosano can heal from any physical injury inflicted. However, since we now know Teruko can alter mental age, she could inflict psychological wounds by de-aging her, which would've been a good callback to the horrors of war in her backstory, and also been a nice bit of foreshadowing for Teruko actually being a child.
Teruko eventually allowing Yosano to leave out that door after seeing her resolve would've been a deeply bittersweet and powerful moment, I think, especially in hindsight after her backstory reveal.
#look i love atsushi's response in that scene - it's a wonderful bit of character development for him to choose to walk out that door#i wrote a meta about it even#but it didn't go anywhere. and with teruko being present and having such an impact at the climax of the arc#her tragedy would've hit harder if she'd had literally any moment of relation with a member of the main cast.#also atsushi didn't even really do anything with the info. it was literally just to tell the audience that there was more to the story#his conflict really should've focused solely around sskk's previous failure and akutagawa's sacrifice#and meursault arc should not have been so prevalent. sorry.#either that or they should've kept dazai and fyodor contained and had sigma nikolai and chuuya be the main actors. but whatever#the arc should've been more focused on fukuzawa ranpo yosano fukuchi teruko and tachihara#from the start.#see i actually think the twists are fun and good but man i do wish we actually had the time to sit on them.#the emotional core is there it's just... buried under shock value plot twists. doa arc is a tragedy. let us sit with the tragedy.#fukuchi is a tragic figure by which i don't mean he makes me sad but like. a classical tragic figure. he was doomed from the moment#he went to war.#his desperation to avert another caused him to go hurtling down the path of no return. to hurt his friend ironically because he had#unshakeable faith in him#fukuzawa and fukuchi are the emotional core#the themes are war and desperation.#those only became fully evident at the very end. there was some great set up then the middle became a bit. muddled? to me?#i just think we needed to have picked a few focal characters and stuck with them. imo.#eh ignore me i'm not even really complaining i'm just thinking#bsd#storyrambles
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chronicowboy · 1 year
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the episode ending with buck still having his powers means now i can't stop thinking about buck giving out odds on eddie's dating life to the rest of the 118 for betting but halfway through the ep its revealed that buck's powers wore off some time and he's actually just doing this half out of hope and jealousy, half out of pettily knowing eddie so damn well and getting insider information on the dates because he's looking after christopher.
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its-eliza · 4 days
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While I dislike gender based magic being both real and inclusive of trans people (as it ultimately implies gender is real on a level of essence)...
What about magic that is "male only" that stops working after transitioning? Having to give up that power for happiness. Hell, especially if it was prophesized — the amount of peer pressure there would be to stay as a fake self to keep that power, but as that egg begins to crack further the magic keeps getting weaker.
Magic as a birthright and hierarchy. Power above others, as they don't get magic. Only real men get it. And knowing that, on some level, you aren't one, and seeing the weakness in your magic, the people around you force you into a dilemma. After all, the family prophecy? Your dad's magic was passed down for generations, and if you don't perpetuate it, then it'll all be for naught! Ignore that the prophecy always felt like a cage, and that using magic against your sisters always felt terrible, like some violation to both you and them.
But it would consume you, if you did try to be what they wanted. Even if you buried that feeling of gender, of wrongness, you know how they treat those who lost their magic, those who weren't real men, and hiding that you were one of those broken people would just mean letting that wound fester, pushing down needles into the bandage to fit in, to hold it back. And any day that last spark might fade, as they all realize you were not what they thought you were.
Would it be so easy that magic was from the self, and others could not try to force it upon you. That magic was from some core aspect to your being. Irrevocable, neutral, safe. But magic is a weapon, made, granted, and turned against you by Man.
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