#even with young people like HOW???

[imabiscuitinthousandworlds]

sometimes i'm so so grateful that i got into the punk scene bc like that i have music and i know there's more people like me and i'm not alone and i can get angry and do something instead of curling up into a ball to cry or just not caring altogether because even with punk that's kinda. hard enough rn in the face of *gestures at the world*

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[zillychu]

Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.

Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.

Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.

Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.

Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?

The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.

The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.

But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?

[somewhereincairparavel]

i have ALWAYS promptly looked forward to jason grace's povs in the hoo books to the point where'd I'd flip the pages till I find the words "JASON" and would count the amount of povs he has in the whole book before I even finished reading, so I feel excited knowing that I'll get to his povs soon. there, I said it.

[sysig]

Ah, childhood memories (Patreon)

[otaku553]

Haha

[camenxi]

so many aus about stan twins timestuck mainly kid stan & ford, but have you considered …

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[littlefankingdom]

It's ironic how Batman is painted as irresponsible for having children fighting as his side (ignoring how said children would still fight without him), but never other heroes, HOWEVER the moment the Teen Titans/Young Justice wants to do something dangerous or comes back from doing something dangerous, he is literally the only responsible adult out of the Justice League. Like, the others are simply like "I'm so proud of you!" but Batman is lecturing his kids about how dangerous it was, how they didn't even told him where they were going, how they didn't contact him about their well-being enough, about how difficult it would have been for him to come help if they needed it... He's straight-up acting like a parent that found out his kid sneaked out, but they didn't came back until later the next day, and never called to tell them they were alive.

Bruce is portrayed as the "unfunny" one when one of his teenage kids is like "the team and I wants to do this dangerous thing unsupervised", because every other adult is fine with their own doing it, but like, he is being the responsible one. Yeah, a responsible parent would not be like "sure sweetie, go fight this dangerous thing with your teenage friends", they would be like "No, you could get hurt. Yes, I trust you, but this is not safe".

Sometimes, he isn't overprotective, he is normal-level-protective for when your kid is a "vigilante that fights people who will kill them without regret" as a hobby, and the others are being careless (no hate to them tho)

[gilbirda]

hot take but we as a society need to be more comfortable about discussing "icky" parts of history, and even telling the side of the "bad guys"

hear me out

history is written by the victors, and will be heavily biased. The defeated will be painted as evil, deviants and/or like they have always been "the bad guys".

Reducing people to "the bad guys" does a huge disservice to the opportunity of learning from the past, because it creates a distance between the modern reader and the actual events, it creates the comfortable position of "I'm not like the bad guys, so i will never make their mistakes"

I think is important we understand how and why people believed in something, and where did things turn a certain way. Yes. Even "the wrong side". Even the nazis. Even those people you are thinking about, whoever they are.

Because you are not immune to propaganda and it's so so so so important to understand what happened and how did we get to those points before we fall to the same techniques again and again.

"Learning from the past" isn't deleting the ugly parts or cringing when someone brings up war. Thinking otherwise is a huge mistake and precisely what someone who wants to make the same mistakes wants you to think.

[silusvesuius]

nnnnnnnnnnnnno maa'am

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[dykedvonte]

Do you have anything you've been thinking on but just haven't made a post about it yet? Also I'm really enjoying your fic!

I have a few things but it's likely mostly headcanons that I consider somewhat disconnected from my analysis.

Curly's parents had him old, only child, died shortly after he graduated and got the pony express position. It was the last big thing they saw him do which is a reason he stayed for so long.

Doesn't admit how much their death affected him

Jimmy has a largish family. One of the cases of too many kids to keep tract of, parent never really noticed any of them nor their behaviors

Anya lived in a lot of houses growing up, regular supportive family that just struggled to support themselves.

Became a nurse largely to avoid their financial struggles but mostly because she felt too many people weren't being cared for and advocated for in the world properly

Swansea likes high top sneakers most. Likes how snug they fit and how they shield his ankles at work

Curly has a bit of a caffeine problem since he can’t sleep. Can occasionally be found wandering the ship at “night” when he had some too late or just couldn’t sleep.

Daisuke knows a little about a lot of things. Starts conversations with “did you know” a lot but please don’t ask him deeper questions

Curly has known Jimmy longer but has worked with Anya and Swansea longer, met them during his middle years, met Jimmy shortly before college.

Swansea rents a house, Daisuke’s family lives in a big nice apartment, Curly has a condo, Anya live in a small one bedroom apartment and Jimmy has a studio.

Curly's home is very disconcerting. It's too normal to a like uncanny degree.

Anya is ambidextrous but prefers her left.

Anya and Curly are both not native English speakers so occasionally they forget words and bond over the mutual mocking they get from the rest of the crew. Daisuke knows some Japanese but is still learning, never picked it up as a kid

Only Swansea and Daisuke know how to drive, Earth in my mind is very post capitalist so only older people and like the extremely wealthy can afford cars.

It's also like walkable just due to how many businesses are in your face. Probably strict living vs shopping districts

I have more but the way that I headcanon about them is like too long.

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[demodraws0606]

TW : HANGING AND SUICIDE

///

I've seen people say that Whit knowing so much about hanging must mean her mother must've hanged herself but like....that doesn't make a whole lot of sense right ?

You don't magically know the techniques of hanging and how to do it purely because someone close to you has done so.

Whit's knowledge, outside of the possibility that he's the timelooping mm, would then have to mean something else.....like maybe he considered doing it himself.

It's very dark but considering this cast's mental health it's something to consider.

[thyblake]

Why are shows with gay people just like 10x better than any other in human existance?

Like every show with a gay person just automatically because revolutionary and has the most amazing fandoms with the most vivid, creative, awe-inspiring plots and word building.

Arcane, Good Omens, BBC Sherlock Holmes, Our Flag Means Death, Umbrella Academy, Shameless, BBC Merlin, The Last of Us, the list goes on!

But I feel like any other show, regardless of genre, just falls flat when it lacks the ✨crispness✨ of queerness. Am I the only one that thinks this?