#even if i am completely off base with all of this

[ladoddsy]

i think this post also underplays how many times we worked out what caused scurvy and then just didn't do that now, it is obviously important to note that everytime someone worked out citrus fruits help scurvy they genuinely have no understanding why. so basically the experiments were never actually all that good, and when they were they still did it in a completely ludacris way that made it even more confusing. only focusing on European history because I am not well informed on other parts of the world, and also because the story is about how a group of people kept forgetting we solved this problem by 1500 the Portugese had observed cirtus solved scurvy, but frequently added it alongside 'fresh food and meat' which were also considered a part of the cure. in the mid 1500s French colonists in America learnt from the Iriquois that boiling a certain pine needle solved scurvy, but it was not super scalable and they didn't realise it was vitamin C in the late 1500s the Spanish Navy commented on citrus fruits as if it was a solved problem, but a generation later they had moved to wine with certain herbs. they had literally solved it, and unsolved it. further, they even commented that Dutch sailors were drinking lime juice to solve the problem. in 1600 a British naval captain specifically stopped by Madagascar to get citrus fruits to solve scurvy, and also did an experiment where a quarter of the crew were given lemon juice, and the rest not. only the quarter given lemon juice didn't get scurvy. this experiment killed people. not good.

10 years later another British ship doctor did the same experiment, came to the same conclusion. and basically no one listened to him

100 years later ANOTHER British ship doctor did what many people consider the first controlled experiment on scurvy. he fed people whack shit and basically determined that fresh food and citrus cured scurvy. BUT, he didn't think scurvy had a single cause, and also blamed hard work and eating meat stored in areas damp with saltwater. so even after finding the solution, in a more rigid experiment, he made basically a single line note of this.

BUT, he fucked it up. Again, no one here knew what Vitamin C was, just that citrus seemed to solve it. So, he suggested producing a lemon concentrate by boiling lemons. this destroys the vitamin C. basically underdid his own work by boiling it, and being weird and British about why sailors got sick.

at this point, Britain is now basically a fucking roaming band of warcrime sailors, and like two-thirds are dying from scurvy whenever they do anything. like, the Brits would go to war and come home with like a tenth of the people and most would have died to scurvy.

and while this was going on, ship doctors, naval captains, and sailors were basically all saying "limes cure scurvy" but the doctors in Britain had a model of disease that scurvy was a sort of internal putrification based on the diet and lifestyle of living at sea, and based just constantly dismissed citrus as a solution. and if these doctors would not change their position, the policies wouldn't change and therefore widespread use of citrus fruits wouldn't be adopted

then a new thoery came about that scurvy was a lack of 'fixed air', so the suggestion was to eat something that would ferment in the stomach to fix this. malt and wort was the solution proposed. capn Cook want off to fuck up Australia, and brought this as the solution to scurvy. no sailor on his voyage fell to scurvy. greater evidence for the malt and wort solution, right? no, he brought a bollock load of sauerkraut too which happens to have a good amount of Vitamin C. but as far as the doctors were concerned, malt and wort was now the solution

at the same time, the Spanish were having a similar refusal to acknowledge that citrus solved the problem, but due to the span of their empire and the way many voyages worked, they stopped frequently enough for fresh fruit and food that scurvy was often reduced on many voyages.

by the late 1700s things were getting more frought for British leadership. basically the doctors were losing faith in the fixed air and going back to the putrification, but the sailors actually out at sea were basically just like 'fuck off it is lemons'. at this point is basically existed as an established truth among those actually sailing, and the promotion of naval leadership from within the ranks of sailors (due to the immense scale of the British Navy) meant that people who had served as sailors and seen citrus work were now in charge of ships and crews.

at this point the Brits were also getting ready to go to war with France (again, it is a thing we do) and the top brass of the navy were basically in the mind of 'we need to fucking solve scurvy immediately'. a British crew to India had a admiral that demanded fresh lemon juice (and sugar) to prevent scurvy. the crew arrived in India not only free of scurvy but also pretty healthy.

at this point the news spread like wildfire and the British were mandating lemon consumption among its sailors. alongside quinine, it is one of the plants and discoveries that can be tied to how effective a monster the British empire was.

Brits were called limeys because at a later point, West Indian Limes took over from Spanish Lemons as the source of vitman C, and there was a whole goddamn law that British sailors had to drink a portion of lime juice every single day. but guess what, this makes it stop working

i'm not even joking, lime juice is just not as good at solving the problem. as it was more acidic they thought it was better, but they made a juice, that was exposed to the air, and ran through copper pipes, all of which damaged the Vitamin C content.

we solved scurvy, and then FUCKING UNSOLVED IT

but, people didn't realise that we had fucked it up. basically because of two things, it had some Vitamin C, people still supplemented with fresh food, and we got faster at moving around the world, so the time at sea was reduced meaning less time for scurvy to occur.

And then we went to the arctic. And while the whalers and explorers kept the old lore about how to hold off scurvy, the Royal Navy didn't, and basically people got scurvy again.

when we got to the arctic, we basically unlearnt everything we thought we knew about how to prevent scurvy. the explorers that embedded with the indegenous populations realised that despite no citrus in their diets, they didn't have scurvy. they began to guess it related to the seal meat they ate, but basically had no idea why.

a whole bunch of British Navy people thought scurvy was related to boat hygiene, exercise, and crew morale, and often prevented sailors from eating seal meat.

in the 1920s Hungarian chemists isolated vitamin C, and basically discovered how to create a pill that solved scurvy no matter what, and to an extent ended the widespread prevelance of scurvy.

but it took us a long fucking time to work out what the fuck was going when being away from land made your body start emitting a demon that wanted to hollow you out

scurvy has got to have one of the biggest disease/treatment coolness gaps of all time. like yeah too much time at sea will afflict you with a curse where your body starts unraveling and old wounds come back to haunt you like vengeful ghosts. unless☝️you eat a lemon

[lostintransist]

Secrets Are For Grown Ups

I am demanding my smooches now.

@beloveds-embrace @cherrycosmos392 @mxtallymarks @love-kha1

CW: Asshole Simon and Johnny using you for sex instead of each other. Calling out someone else's name during sex. Pregnancy mentioned. Death of a spouse mentioned.

Simon slipped. Well. Simon slipped first. Johnny slipped up too. They ruined you, tugging you between them instead of reaching out for the other. You couldn’t fathom them caring. Even now.

If they cared about you they wouldn’t have touched you. You had been twenty-four and still so young. God, you were thirty now and still felt like you didn’t have a handle on life. Johnny had been twenty-nine and Simon thirty-three. Old enough to know better. At least to know better than you.

A series of coincidences led you to a one-year work visa and as an American transfer under the 141 task force. You handled paperwork mostly, and whatever didn’t involve paperwork meant dealing with your counterparts back in DC. You keep slightly funny hours to stay working on Washington time but that wasn’t unusual for anyone else who shared your building. The lights stayed at a low dim all day and night because three pm and three am felt a lot alike when rolling in off a job.

You were a nodding professional with Captain Price, Lieutenant Sanderson, and Sergeant Garrick. Sergeant MacTavish flirted with you. You accepted it with a wary eye and a cool confirmation of what he meant each time. Lieutenant Riley watched. He never spoke to you unless he needed something until the night in the bar. Six months had elapsed on your visa when Gaz, as he had asked you to call him, invited you to the bar with everyone. Seeing no reason to not say yes you had gone.

Off base and with a little buzz in your veins you let Johnny flirt. He insisted on his first name as he sidled up close to you halfway through your first drink. You’d always been wary of Johnny’s flirting. He’s attractive with all the muscles he maintains for work, the air of danger that lingers around him like cologne, and that barely visible scar near his lip. Problem is he knows it. Or at least he knows people react to him with pretty privilege. He makes you laugh. You don’t know why it surprises you, of course, he had to have a good sense of humor to deal with his job.

Lieutenant Riley was watching again. The prickling of your senses that tells you a predator is watching is what gave it away. Staying at the bar smiling at Johnny seemed safer until you had to pee. Passing your cup to the bartender with a quick ‘I’m done with this’ you excuse yourself from the bar and wend your way around the nearly touching tables to find the bathroom.

The narrow wood-paneled hallway had a single bulb shining down on you from a sconce high on the wall. Taking the time to dry your hands completely you pause when you see that the hallway has gone dark. Diffusing light from the main room reaches only so far into the darkness. Scanning you see nothing out of the ordinary and let the crack of light from the bathroom disappear as the door settles closed.

Running the tips of your fingers over the wall, the bumps telling the tales of so many decades of drunken bathroom trips, you touch something that is made of steel and flesh. Jumping back with a squeak you search with your gaze for anything.

“Why does Johnny like you?”

Riley. You let out the breath you had been holding. It’s Lieutenant Riley, not someone who would hurt you.

“You know sir I have no idea. Do you know?” You aimed your voice up.

“I might have an idea.” He surprises you with a touch to your neck. Trailing up to your jaw before dry lips brush against yours.

Stepping back you gave a startled exclamation.

“Ah…uh..Excuse me, Lieutenant, I think I need to go home.”

Skirting around him you flee like a hare that caught the sense of a hawk in the sky. When you retrieve your purse from the chair next to Johnny you find a beautiful woman draped across it talking him up.

“Sorry, I just need my bag,” you said drawing both of their attention to you.

“Ah, bonnie,” Johnny started sadly, “Heading out so soon?”

“Yeah um,” you scratch the back of your head, low near your hairline. “I need to head home.”

Standing he ignored the woman flirting with him entirely.

“Let me walk you home?” He steps too close to you but the body in a chair directly behind your ass keeps you from moving for more space.

Glancing to the storm brewing in the woman’s face you try and redirect him.

“I mean you looked like you were having such a good conversation I’m gonna go wait for a cab. Thank you for the offer though. I will see you at the office tomorrow.” With that you scooted past, unsure how you felt about the full body contact required.

Okay, well your lady bits knew exactly how they felt about it but you as a person? You were unsure. It felt like you had been dropped into a game that you didn’t know the rules of. It continued on like that, them pushing you and breaking your boundaries down one touch at a time until Simon pounded into you from behind in a supply closet. You crept closer to that temporary oblivion when Simon slipped.

A guttural moan washed over your back, Simon’s fingers tightening down on your hips.

“Johnny, oh Johnny!” He came then with Johnny’s name on his lips.

Any chance of an orgasm on your end dried up like a puddle on concrete in direct sun. Simon didn’t notice, pulling out and cleaning up the mess he had made of you before pulling you up and then your underwear. He gave your ass a light tap and planted a kiss at your temple before leaving you to the scent of cleaning supplies.

You worked the day in the eye of a storm. Mentally reaching out to touch your emotions you found only a torrent of fast-moving thoughts and feelings. You made it to your flat before the pressure of the eye wall faulted, crushing you under its weight. The next week you had a hard time eating, focusing, and doing anything outside of work really. Work had you hyper-vigilant always on watch for the spooky silent lieutenant that might try to pull you into a dark room. You didn’t think you could survive another encounter with Johnny’s name on his lips.

Oddly enough Johnny noticed the distress you seemed to be under and took to feeding you. He dropped off a snack at your desk every day and chatted with/at you until you ate it all before disappearing into the bowels of the building again. Three weeks after the Simon incident as you had taken to calling it in your head Johnny had pulled the same shit.

Flat on your back, knees nearly touching your ears he rammed into you. Pleasure crested for you as he could no longer hold on.

“Simon,” the breathy whisper betrayed him. He must have thought you to far gone in your orgasm to hear him.

They had to be fucking kidding you.

Would it hurt less if they were kidding you?

How the hell were you supposed to deal with this happening to you twice?

Johnny pulled out and flopped face down on his bed beside you.

Sitting up slowly you lay a hand on his shoulder.

“I’m gonna use the hall bathroom to go pee. I’ll probably be a minute.”

He grunts his acknowledgment and you set your exit strategy into action. Johnny knew you preferred to put your clothes back on for cuddles if you left the bed for any reason. Grabbing up all of your items you stepped from his bedroom hugging your clothes so tight the zipper of your jeans bit into the side of your breast. Peeing and washing your hands you dressed.

Stepping from the bathroom you called down the hall to Johnny.

“Do you have any cheese or nuts?”

“In the cabinet or the fridge,” came his return call.

Good. He wouldn’t think some odd sounds coming from this direction odd then. Tying your shoes on you open and shut a couple of cupboards and the fridge before rattling the dishes in the dishwasher grabbing your purse and leaving his flat.

Johnny didn’t come after you if he noticed your absence. Arriving home you noted the time. It was four pm on a Friday, Captain Price would still be at the office doing paperwork.

You called him as you started packing.

“Price.”

“Hi, Captain. I am just calling to let you know there has been a family emergency back home and I will be hopping on a plane tonight. I don’t know when this will be resolved. Can you send me any paperwork that I will need to complete so my work visa will close out as it should?”

“I’m sorry to hear about the family emergency, you let me know if you need anything. Your contract will run its course, including the agreed-upon pay, and conclude the day before your visa expires. The only thing you will need to worry about is talking to an accountant out here to figure out your share of taxes to be paid.”

Captain Price had always been like that with you, straightforward and honest. Unlike his men.

“That sounds reasonable and doable. If you have a recommendation of a firm I can reach out to that would be immensely helpful,” you stare at your shoe options, deciding which ones to leave behind since your bag was getting too full with the haphazard way you filled it.

“I don’t have one off the top of my head but I will ask around. Will this number still work?”

“No, this is a UK number that will probably stop working somewhere over the Atlantic. Can you send the info to my work email? I will be able to access that until my visa expires right?”

“That is correct. I will send it there. Safe travels and thank you for all of your hard work with us.”

“Of course, and thank you for being a good captain and a good man to work with.” You ended the call before he could think to question the sentence.

A call to the cab company came next. With the car ordered you left a voicemail for your landlord telling him the same information, family emergency feel free to rent the flat out now. It was a furnished option so nothing here that held an emotional attachment would fit in your suitcase.

The only thing you left behind was a framed photo of you standing with all the guys at a party face down on the table. Anything else you weren’t taking got bagged and sent to the bins.

You cried at the airport, and on the plane, and waiting for your sibling to come and save you from the airport. Telling someone that you had been coming would have been smart, but the only goal was to escape. When they arrived Ash gave you the biggest hug which started your crying all over again. You stayed with them and their partner as you tried to piece your life back together.

Taking the month you still received pay from England you walked the trails of the mountains you called home. They brought you so much peace, like hiding in the skirts of a trusted mother. When you reestablished care with your midwives you found out that your arm implant birth control needed changing, it was overdue. Standard procedure for a well-woman check included peeing in a cup.

“Are you aware that you are pregnant?”

The thin nurse midwife with wrinkles, a long dusty brown braid, and beaded necklaces ringing her neck looked at you from the computer. You must have gone white as a sheet because she reacted by having you lay on the floor, elevating your feet, and calling for assistance. Your uterus had been achy. That’s why you scheduled the appointment.

Pregnant? You weren’t nauseous or overly emotional, only a little tired and achy. This was nothing like being pregnant on TV.

Fuck. That meant Johnny or Simon had to be the father.

Did you even want to keep this pregnancy?

Another nurse with a kind face joined you and your nurse in the room, dragging in a portable ultrasound machine.

“Hi dear, this is a bit of standard procedure. There are a few reasons that a pregnancy test can pop positive. We want to rule out some of the harder-to-care-for options. Do you think we can help you stand and get on the bed?”

At your nod the nice nurses helped you to your feet and held on as you climbed onto the bed, laying back. They had you move your shirt and your pants and undies until the top of your pubes were visible. A grainy image appeared on the screen as the nurse glided the probe to and fro in the slimy gel.

“Alright, this here,” she pointed to a roundish object, “is your left ovary. That looks good. This will help me find your uterus.”

She slid down pressing slightly harder into you.

“Here is your uterus and there looks like one, two little embryos.” She pointed with her finger at each little dot.

“Twins?” you whisper, shocked and aghast.

“That’s what it looks like but things this early can change.” She slid the wand further, “Since we are here I am going to check out your right ovary as well and then we will get you cleaned up and discuss your options.”

The options included waiting, keeping, or a self-managed abortion which included a few prescriptions. They gave you a page of information for each option and sent you on your way with a follow-up appointment scheduled for a few weeks.

In shock, you called your best friend first. Larsen had become your best friend in the second grade and you two had stuck it out through thick and thin.

You told him everything. The entire story. No one else knew everything that had happened. Now Larsen did.

He offered to marry you.

You knew he was good for it. Larsen had never fallen in love, found the idea repulsive. The love you and he held for each other was deep and special, but not romantic. Marriage to Larsen would provide safety and stability, and the ability to change your name before Johnny or Simon could think to look for you. Even if you lost the pregnancy Larsen would be the best roommate and friend you could think of sharing this journey with.

“Yes, but let’s talk this over at dinner.”

The wedding had been a week later in front of a judge, with Ash as your witness and his mother as his.

Larsen never pressured you to make a decision about your pregnancy, simply talked through each option with you again and again until you decided you wanted to keep this gift. Simon and Johnny might have treated you as if they were evil but at least you stole something good from them in the process.

You had two boys growing inside you. To the growing delight of the specialty pregnancy team, you were a rare case of two separate fertilization babies. Distinct sacks and placentas meant two independent babies. Baby A was three weeks further in growth and development than baby B. This idea was confirmed when both boys arrived and looked nothing alike even covered in vernix.

Larsen had chuckled and chided the nurses in the halls for the odd looks you and the boys got. You had five amazing years with Larsen before he died of an aneurysm at work. He left you with a boatload of life insurance and two four-year-old boys who had just lost the only father they had ever known.

The boys knew Larsen didn’t help create them but they were so small it didn’t matter. He was their dad. The first thing you did after picking yourself up off the hospital chair was call and set up therapy for yourself and the boys. You would all need it.

Another two years passed, the boys started kindergarten and you started a cake decorating business from the house Larsen had bought you. You had paid it off with a portion of his death benefits. Everything was looking up. Despite the boys sometimes looking exactly like their genetic fathers, they were the most amazing thing in your life. Life was looking up until the house the bus stopped at went up for sale. Your neighbors mentioned an attractive-looking gay couple bought it and wouldn’t you know they had the best accents? One rang of rainy England and the other of Scotland. They were retired military and were excited for the change of pace this life would bring.

Nope, had to be a coincidence. Couldn’t be them. Why would they move to the States? Why your state of all places? No. Couldn’t be Simon and Johnny, you were still safe from their reach. Except you weren’t.

They followed the boys home one day from the bus, shocked at seeing a child who looked so much like themselves. When you opened the door, royal icing dried to your cheek, you blanched and slammed the door shut slamming the deadbolt home.

The men that haunted your therapy sessions and the aches of your heart had found you. You and their boys.

Masterlist

[auroracalisto]

with all the power in oz

movie!fiyero x gn!reader, 2.2k words summary: the reader, rather anxious and studious, finds their self head-over-heels with none other than fiyero, supposed boyfriend to galinda upland. to placate this, they somewhat agree to meet him at the ozdust ballroom. a/n: YOU pronouns are used to address the reader, but there is no usage of y/n. just watched the movie today. tried to find a fic, couldn't. here I am writing one instead. reader worries a lot. so me. you're welcome. also, I'm going into this blind. I have unfortunately never seen the actual musical (downsides to living in the middle of nowhere) so I'm only going off based on wikis and the movie. it should be gn as I read through it like... five different times, but please let me know if I missed something!

Breathtaking. That's what he was. But could you truly refer to a man like him as breathtaking?

The very features that graced his face were absolutely mesmerizing, and you felt like a fool watching him at times. How could you not? He seemed so full of life, so full of... well, not a care in the world, really. It was as if he brushed everything off of his shoulders without hesitation.

You could only wished you were the same way.

No cares, no worries. How lovely that would have been.

No, you hold onto the things that happen to you as if you have no other way to live. You hold grudges, you think over things that happened years ago that no one could possibly remember.

For someone who wished to be a sorcerer, you had a hard time simply letting things go. Your emotions often got the better of you, even when you knew better. Even when you wished it could be the opposite. But perhaps that was the way of the world.

Not a man in Oz could tell you otherwise.

Books in hands, you crossed the path to your dormitory, brows cinched together in mild concentration.

You had a project in your history class, and an extensive paper to complete on the study of mathematics—of all the things you could have had, a paper in mathematics. You'd rather perform magic in front of the entire student body, but you couldn't.

As you walked, you heard your name come from behind you. Eyes flicker back, a soft frown on your lips. You see him—Fiyero. The one fool you meant to avoid with all the gumption within you.

You'd melt just being near him.

"Fiyero," you softly greet.

He gave you a charming smile, coming up to walk with you. "Heading back already?" he asked.

"I am."

"Working on the project, hm? We could work on it together if you'd like. I'm sure our minds could do wonders," he said, a playful wink coming from him.

"I'm fine," you simply said.

He blinked slowly, but his smile never wavered. "Come now," he said, your name leaving his lips rather sweetly. "Surely you're not going to spend the rest of your evening alone. Why don't you come to Ozdust tonight?"

You looked back at him, frowning. "Ozdust. Me. I don't think so, Fiyero."

"And why not? I'm sure you'd be as dashing as ever."

You stopped in your steps, eyes searching his for but a moment. "Dashing. Are you in earnest, Fiyero?"

"Yes," he said, smiling.

"And what of Galinda? You'll be with her. Why invite me?"

"She doesn't need to know. It's not her business," he said. "Besides, she will be busy with Elphaba. I'd much rather spend time with you."

"And I think you're just pulling my leg," you said defensively. You crossed your arms over your chest, careful to keep your books close.

"Pulling your leg? I haven't even touched you," he said, a cheeky grin on his lips. "Come now, don't play coy. You should come."

"And if I do?"

"Then I'll be quite happy."

You rolled your eyes and went to walk away.

A hand wrapped around your bicep, and you paused, glancing over your shoulder at him.

His eyes widened a bit and he dropped his hand, albeit hesitantly. Perhaps he didn't think he would actually reach out to you. He cleared his throat.

"I really would like you to be there. You'll have the time of your life."

"The time of my life," you repeated. "I don't think you realize how much I dread parties."

"Have you ever been to one?"

"No."

"Then how do you know you dread them?"

"I just know," you said. "I feel it in my bones. I know going will just get on my nerves."

He scoffed, placing his hands on his hips. "I think you're foolish for that," he said. "Come on. What are you losing? A couple hours to work on a project that you know you could finish in a morning session? You'll be fine. Come to the Ozdust tonight. I'll show you a good time."

You clenched your jaw. "I don't want—"

"—I would like you to be there. That is all. I won't ask again." He gave you another small smile before he looked away. "I'll see you around. Perhaps tonight?"

You stared him down. He would like to see you there? Was he being honest? And what of Galinda? Would he be going behind her back? Wasn't he madly in love with her, or something? Or was it the other way around?

He said your name once more, and you looked up at him, letting out a soft sigh.

"Right. Perhaps tonight," you softly said.

The smile on his lips was rather... hopeful than anything else. There wasn't anything smarmy by it. He seemed as genuine as the glint in his eye—the one he used when he spoke with anyone he trusted. At least, you hoped so.

The night came quickly as you finished up your outfit—one you would hope you didn't look completely foolish in. The color you chose seemed to fit well with almost anything, but you still worried. You always worried about something.

Time was of the essence. You weren't even supposed to leave Shiz University's campus, but here you were, sneaking like some scoundrel.

Well, perhaps you were, listening to the requests of a man who already had a girlfriend—a fantastically beautiful one at that.

But you paid no mind. You did what you could, and soon, you found yourself walking down the steps of the Ozdust Ballroom.

Never had you been in a place like this. It was almost... breathtaking, had it not been for the overpowering smells of perfume and some kind of drink wafting from the bar. Your eyes flitted from patron to patron until you finally spotted him—Fiyero.

He looked just as handsome as ever.

Good Oz, what in the world were you doing? This was foolish.

You took a step back, staring at Fiyero for a moment as he spoke with another man, drink in hand. You needed to leave. This was ridiculous. You were ridiculous! Never in a thousand years would you ever imagine yourself to do such a thing—

"You made it!"

Fiyero's voice rang out above the music.

You look to him, eyebrows furrowed in frustration. Because of course he saw you as soon as you had decided to leave.

Fiyero smiled and made his way to you, taking your hands in his, drink left with the confused man behind him. Surely he didn't just up and leave in the middle of his conversation.

You part your lips and go to speak, but to your dismay, Fiyero is instant.

"I was afraid you had changed your mind," he said. "You look ravishing, darling."

Your eyes widened. Ravishing? You'd been called many things in your life, but never ravishing.

"Galinda couldn't make it?" you asked.

"Wha—no, she couldn't. But what of it? I didn't ask her to the Ozdust, I asked you. I'm glad to see your face."

Warmth blossomed in your cheeks as you watched him. "Fiyero, please... I shouldn't be here."

"Oh, nonsense," he said, grinning all the while. "Come. Dance with me."

"But I don't—"

"—do not say you don't dance. I can teach you."

"Teach me?"

"It's as easy as breathing," he said.

"For you, maybe, but not for—"

"—humor me," he said, smiling.

You pursed your lips. Of course he had to give you that charming smile and the sweet bat of his eyelashes.

"I do not dance," you repeated.

"I think I will be the judge of that."

He grabbed your hands once more and pulled you out into the ballroom floor, smiling all the while.

"You'll be a natural. I can just see it."

"I feel like if I were a natural, you wouldn't have to teach me," you said, gasping as he pulled you close to his chest. His face was dangerously close to yours, his eyes flickering from your eyes to your lips.

"You know," he began, eyes flickering back to your eyes. "We all start somewhere, do we not? You should know that better than anyone."

"What? What does that—"

He interrupted you by spinning you by your arm, back into his embrace. The music was rather ambient, not quite one for dancing so enthusiastically, but Fiyero embraced it. Hand to your hand, face close to your face.

"See? A natural."

"You merely spun me around, Fiyero. Do not be foolish."

"You could have fell flat on your face," he said, a boyish grin evident on his lips.

"Stop looking at me like that," you defiantly said. "You are far too close to me for my liking."

"Oh, feisty, are we?" he asked, moving his body along to the music and forcing you to go along, too. You nearly stepped on his toes several times. "I do not think there is anything wrong with the way I'm looking at you. You're rather breathtaking, if I may."

Breathtaking. The same way you had described him only hours before. He wasn't a mind reader, was he?

No.

Of course not. That was foolish. He was merely a man. Nothing of great importance—no power within him other than the power he held in every single eyelash as they batted down at you, making you melt over and over again.

"What of Galinda?" you repeated.

"What of her?"

"You shouldn't be calling someone who isn't yours breathtaking. It's quite..."

"There is nothing wrong with admiring the beauty in front of me," he said, your name playfully leaving his tongue. "Look at me. Galinda and I are only friends."

You rolled your eyes. "Do not lie to me."

His eyes widened a bit. "Lie? I do not lie. We are friends and nothing more. Though I do believe she thinks differently..."

"She must," you said, huffing softly.

"But that does not make it true. I have eyes for someone else."

"Eyes for someone else?"

He tilted his head once more. He was rather endearing when he did that.

"Who did I ask to their very first party?" he asked, smiling. "It's quite a feat, isn't it? Afraid you wouldn't show, and then you do, questioning me and everything I stand for, hm?"

Warmth found its way to your cheeks once more. You looked away from him. With the crescendo of the music, Fiyero pulled you closer, fingers lacing with yours. His lips hover dangerously close to yours.

"You know, if you would just give it a chance, perhaps you and I could make some magic of our own."

You let out a curt laugh. "You—oh, good Oz, I hope you never use that line on anyone! Has that worked for you before?"

He gave a cheeky smile. "It seems like it's working on you."

"Absolutely not!"

"Not even a little!"

"No!"

His smile only seemed to grow. "Truly?"

You looked away, swallowing thickly. "I mean... no. Not even a little. Not at all."

"You're lying," he said.

"I am not."

"I do think I know what I'm talking about," he said, leaning forward and pressing a soft kiss to the soft skin of your cheek. "Come now," he said. "Stop with the lies."

You looked up at him, a soft huff escaping you.

"Fine. I lied. It may or may not be working. But it's not just because of what you said."

"Oh? Are you saying you like me for more than my suave words?"

"Suave words? Who in Oz said they were suave?"

He just smiled, his eyes flickering to your lips once more. "Do you think instead of just a dance, I could try something more?"

"Try what?"

"I think you know."

You blinked slowly at him, your fingers gently gripping onto his tunic. Your lips part in mild surprise, but you realize that you shouldn't have been. He'd been eyeing you the entire evening.

"Very well," you softly said.

"Wonderful," he replied, and in a swift motion, he pressed his lips to yours. It was short as he pulled back almost as soon as he had kissed you, but it was enough to keep you wanting more.

"Fiyero, that wasn't—"

"—come with me," he softly said, lacing his fingers with yours once more. "Somewhere without so many prying eyes, yes?"

Your answer was almost instant: "Yes."

Fiyero led you back up the staircase, and he didn't look back once at the ballroom.

"Where are we going?" you asked.

"Somewhere where I can see you and only you," he said. "If that's alright."

"Oh," you softly said. "Yes. That's alright."

"Then follow me," he said. "Do you trust me?"

You smiled sincerely for one of the first times in the evening. Did you trust him? What kind of foolish question was that? If you had the chance, you'd do whatever he'd ask of you. You found your answer rather quickly, knowing within yourself that it was far truer than any other statement you had ever uttered.

"With all the power in Oz."

[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[meamiki]

okay here is the original ramble under the cut here! mainly doing these to the ones with associated textposts for different tagging systems tbh LOL

vvv

TLDR - The Universe keeps fucking with Loop and they are not really happy about it, regardless of timing.

While I haven't decided anything 100% concrete for Loop, the idea of a reverse isekaied Loop in general is interesting to me, so I'll be exploring that a bit here. Especially in terms of timing on when Loop gets taken out of their timeline. At least in terms of immediate outlook within this AU. So, for now, have a couple of those thoughts! 

---

The two main points in time I am currently considering are the following:

1. From when they gave up their original wish and made a new one.

In this instance, I feel like their arc would play a bit similar to in game

Seeing this new world as different & peaceful

Since they don’t have to deal with the loops anymore, just watch whatever happens.

Be a lil silly for funsies! The chaos that can ensue with a star being existing within a modern world! 

Even though it hurts to see Siffrin’s team hanging around, they really don’t have anywhere to go at the moment (hard to hide a star being in this type of world)

To a slow realization of how unfair this whole situation is. In comparison to all of the horrors they went through, this Siffrin has it so easy.

This Siffrin gets to live an idyllic life, free from the world calamity of being frozen & the literal time loop.

This Siffrin gets to freely hang around their family team, with no foreseeable "end" to being with them in sight.

This Siffrin had their original wish, the wish Loop wanted granted, handed to them on a silver platter. 

This Siffrin, nor anyone in this world, would ever be able to come close to understanding what Loop went through; Loop would never truly be seen in this world, not fully anyway.

What does The Universe have against them, to put them into this world and make them witness all of this?

It should have been them, with this carefree type of life, given all they went through.

2. AFTER the fight with Siffrin.

This leans a bit more lighthearted than the last, since Loop would have gone through all the development from the game via convos + the talk at the very end with Siffrin, and has a bit more peace about their whole deal.

Perhaps they would still see the same conclusions as above, since healing from the horrors would not happen all at once, if ever, with additional flavor

Underlying bitterness in why the script is still going. 

Why is The Universe asking for them to continue into a new world and role?

Haven’t they had enough, once making them witness another Siffrin’s loops and perfect ending, and now a completely idyllic Siffrin’s life from the get go?

However, there is also a bit of hope in the entire situation. Since if The Universe keeps deciding to fuck with them (as in, sending them to different world lines) there is still, technically, the chance of going backward as well.

To their original timeline and to their family.

Once could have been a one-off, but twice?

Perhaps three world jumps might be the minimum to go back, following standard wishing rituals?

More hope in this one from the get-go, with that thought in mind.

---

Though there are probably other points in time that would be interesting too! 

Another one I was considering was RIGHT BEFORE the fight with Siffrin, perhaps even mid-fight. However, I don't think that makes much sense for this particular AU ASAFASFASDAS. Can you imagine if Loop just spawned into this world, doesn't realize this is a completely different Siffrin, and attacks on sight?????

Honestly the idea of a reverse-isekaied Loop into different AU's in general is neat, would love to see other people's takes on it!!  Especially cuz of the various reactions/conclusions Loop could have/make based on the scenario/circumstances would be interesting, if that makes sense. At least I think there is something in that thought? I dunno!

I feel like I am missing some characterization bits in here, but that was the main gist of it for now since I cannot remember LMAO.

Mumblings over, thanks for reading my silly thoughts if you got this far!!!

a star being appeared in your apartment, wdyd?

(aka loop getting reverse isekaied into the modern office au)

also there are some scattered mumblings on loop in this AU under the cut actually in an rb now link right here if anyone's interested (spoilers for all of ISAT, including 2hats!)

[thememestrider]

Had an idea, thought it was cute, so I wrote something for it.

Introductions - Dante x F! Reader

Sypnosis: Needing to touch base with the various high lords and regents of his new Imperium, Robute Guilliman hosts an enormous social function at his palace on Ultramar. Naturally, Commander Dante is invited. And, naturally, he's taking his beloved as his plus one.

C/W: No warnings, possible lore inaccuracies/ooc (especially for Guilliman since idk anything about his lore lol), reader is described as female in this one, pre-established relationship, kinda fluffy with a smidge of angst, lil spicy insinuation at the end but nothing nsfw, unedited.

Back in the days before the Heresy, Guilliman had hated events like this.

The pomp, the lavishness, and the expenditure; all so his father could have the opportunity speak with the high lords and imperial regents face-to-face. It's so gawdy, so wasteful. And, frankly, it's so unbearably pretentious.

But, just like those early days, Guilliman understands the necessity. Without them, he'd never see any of the imperial upperclass. Half of them are too preoccupied to try and arrange private audiences with, while the other half will simply refuse. Events like this are a chance to bring all these people together in one place, allowing Guilliman to brief, reprimand and pass orders to everyone he must while keeping them from being distracted or finding some way to avoid him. These conversations are exhausting, though. And, more often than not, frustrating to all hell. Several times throughout the night, Guilliman has to disengage from mingling, to preserve his sanity as much as his strength.

Now is one such time.

Swirling a cup on wine in one hand, the Primarch surveys the floor of his place's vast dining hall, which for tonight has been converted into something akin to a ballroom. His serfs had done well in setting everything up; everything from the music to the drapes to the crystal chandeliers scream luxury from the tops of their lungs. Guilliman takes a swig from his wine. While the taste is pleasant, he find himself resenting the fact that he is immune to the effects of alcohol.

Everyone here, I despise, one way or another.

His gaze catches on the right side of the room. A flash of red; deep, rich and belonging to an ornate set of robes; draped over a man taller than anyone else in the room aside from the Primarch himself. Black hair streaked with silver cascades over his shoulders in loose waves. He's standing against a wall, hands clasped across his lap, sharp amber eyes following something amidst the crowd that Guilliman cannot pick out. The Primarch recognises the man immediately. As he does, a weight suddenly lifts from his chest.

Well, not everyone.

Guilliman starts towards the man in red. When he notices the Primarch approaching, the man's already rigid posture stiffens even more. Setting his fist across his heart, he begins to bow. But before he can complete the gesture, Guilliman intervenes. "How many times must I tell you, Dante? I'll not accept such signs of humility from a man such as you."

He speaks with a smile, but evidently, Dante's innate reverence of the Primarch will not allow him to partake in the jest.

"Forgive me, my lord," the Blood Angel says. "You surprised me, is all."

"There's nothing to forgive." Guilliman sets a hand on Dante's shoulder. "It's good to see you, nephew. I am glad you could attend."

"I..." Dante trails off, and Guilliman fears his attempt at personability have unsettled the space marine. But, eventually, Dante allows himself a brief half-smile. "Thank you, Guilliman. It is good to see you, too."

Releasing his shoulder, Guilliman pauses to look Dante up and down. In spite of his advanced age, Dante remains a spitting image of his gene-father, Sanguinius. Paired with his noble heart and soft-spoken demeanour, and the commander might as well be Guilliman's long-dead brother reborn. The thought tugs at the Primarch's heart. He covers it with a smile. "You look well. Very well. You have recovered from your wounds sustained on Baal, I hope?"

"Somewhat," Dante admits. "Though I cannot say the same for Baal itself."

Guilliman nods sombrely. "The Tyranids are a merciless enemy. Even in defeat, they leave little upon which to rebuild." He offers the commander another smile. "You will rebuild, though. It will just take time."

Dante's expression is thoughtful. "Not too much, I hope; time is not something we have in abundance in the Imperium Secundus. "

Rueful silence follows the commander's words. Slowly, Guilliman can feel it turning melancholic. He moves to break it before that happens. "I see you lack a glass; can I get you a drink?"

Suddenly, Dante perks up. "Oh, no, my lord. You needn't worry. My-"

"My wife is already on it, he meant to say."

Guilliman turns around sharply. He sees you, wrapped in a slinky dress the same crimson shade as Dante's robes, smiling playfully up at the Primarch. You have a glass in each hand. Both filled with wine, though one is significantly larger than the other. This you hand off to Dante, before gliding to the space marine's side and slipping your now-free hand around his arm. For a moment, both men are at a loss for words: Dante, due to your unbelievably casual behaviour towards the Lord Primarch, and Guilliman due to your refering to yourself as...

"Wife?" Guilliman stares at Dante in surprise. "I didn't know you had a wife. "

Dante's expression suddenly hardens. "You don't disapprove, do you?"

"It'd be a bit late if he did," you add slyly.

Guilliman blinks. "I- No, no! Of course not. I'm just... I'm just surprised, is all."

You throw your husband a smirk. "Surprised?" you mutter. "That's a bit rude." Dante's only reply is an unamused glare.

Guilliman shakes his head. "That's not- I only meant that I didn't realise space marines... had partners. Let alone... got married."

"They don't, typically," you reply. "But Luis and I-" quickly rising to your toes, you plant a quick kiss on Dante's cheek. "We're a unique case, you could say. "

Guilliman hardly hears what you're saying; the mere sight of you has his thoughts paralysed. Your crown barely reaches the Blood Angel's shoulder, and yet hanging off his arm, you look completely at home.

Dante is the same, too. Guilliman sees the way his face lights up when you kiss him. Had seen the hostility in his eyes when the Primarch had questioned him, like a primal protectiveness. Even now, it's not yet faded. As much as Dante reveres Guilliman, the Primarch realises that if given the choice between him and you, Dante will choose you without hesitation. Guilliman feels... He isn't sure how this makes him feel. The logicitian in him cringes at the thought of his fellow Lord-regent- his second-in-command, effectively- having his loyalty split between the Imperium and something (or, in this case, someone) else. But another part of him, the human in him, sees the way you look at each. The way you stroke Dante's arm as you speak. The way Dante unconsciously leans into you, as if drawing comfort from your touch. Guilliman sees all of this, and everything that lays unspoken beneath, and he feels... He feels happy. Hopeful. And maybe, though he'd never admit it aloud, he even feels a little jealous.

Before he can ponder that point any further, you address the Primarch again. "Well, Lord Guilliman, it was an honour to finally meet you. But I'm afraid I must steal my husband back for a moment."

Blinking his reverie away, Guilliman nods. "Of course, my lady." He stifles a wince at how quiet his voice has become. "It was... It was a pleasure meeting you, as well."

You flash a brilliant smile. Dante simply nods. Rather than wait for you both walk away, however, Guilliman takes his leave first. Turning on his heel and retreating back to his earlier vantage point. For the rest of the night, however, his thoughts remain on the pair of you. Swirling amongst pleasure, melancholy and other things he does not yet know how to label.

********************************************

The moment that Guilliman is out of earshot, Dante sighs in relief. "By the Throne," he mutters. "That went better than expected."

You raise an eyebrow. "What went better than expected?"

Finishing his wine, Dante sets the empty glass down on a table as you walk past. Then, you feel him squeeze your hand; the one you have threaded through his arm.

"You and Lord Guilliman," he says softly.

You take a moment to study your husband's face. You find it wrought with undeclared anxiety. Slowing to a halt, you turn to face Dante, keeping a hold on his arm. "Why?" you ask gently. "Did you think he'd disapprove?"

His grip on your hand tightens. "I thought he would take you from me."

You find the suggestion humorous- as if you'd let anything get between the two of you- but upon seeing the stress still lingering on Dante's face, you do not say so. Instead, you ask, "Why would he do that?"

Dante looks at you ruefully. In spite of his feelings, it seems your naivety has amused him somewhat. "Space marines are weapons, sweetheart," he answers. "The only things our hearts are supposed to feel are duty and honour. Not..."

Gently, you finish his thought for him. "Not what we have."

Dante smiles sadly. "Exactly."

"Well... Guilliman said outright that he doesn't disapprove. So, that must bide well, right?"

"That could change," Dante argues.

"If it does, we will fight it."

"And if we cannot?"

Sighing, you set your glass aside. Then, you reach up to cradle his cheek. Immediately, he leans into your palm.

"Then nothing," you say softly. "It will change nothing. No matter what does or doesn't happen, Luis, I'm not going anywhere. Remember what I said? You'll never have to manage without me again."

Draping your arms around his neck, you pull him into a hug. You feel him grab you around the waist, forearms pressed against your lower back and pulling you flush against his front.

"I love you," he whispers into your ear.

You nuzzle into his hair, resting your head in the crook of his neck. He smells delicious; of musk and sweet spice.

"I love you, too, " you reply.

For several, tender moments, you remain locked in each other's arms. Many passers-by eye you curiously. Some even begin to gossip. But neither of you pay them any heed. In fact, neither of you even notice them. Eventually, you're the first to draw away, but it's only enough enough to meet Dante's eye. Your arms remain firmly wrapped around his neck. "I don't know about you, but I'm about ready to get out of here."

Absently, Dante begins stroking your back. "Is that why you pulled me away from Guilliman?"

You nod. "I've taken all the high lords and ecclesiarchy I can for one night." With a sigh, you rest your head on Dante's chest. "Between that and meeting a Primarch, I need some peace and quiet."

"I understand," Dante says. "And I agree. Although..."

"What?"

"Maybe you could hold off from the "peace and quiet" for little longer?"

You look up at him. "Why?"

Dante flashes a smirk. Through it, you make out the tips of his angel fangs. "My love," he says sweetly. "You've made me watch you glide around in that dress all evening..." He holds you tighter. Suddenly, you're accutely aware of how low down your back his hands rest.

You give him a sultry smile. "Well, in that case... I suppose I can." With that, you pull away, taking your husband by both hands and pulling him towards the ball room's exit.

Taglist: @solspina :)

[midnight1nk]

So, this week's episode...

[spoilers below cut]

WOW, a Mario Reacts! It's been a long time, hasn't it? Hell yeah, I can work with this!

(no bc seriously, I just finished watching ep. 7 of Arcane before this and I need an emotional break, yeah I know the rest of Act 3 is gonna kill me)

(the following is my live reaction:)

oh hey, Mario! Wassup?

jigsaw, is that you?

oh nvm, hello Swag! nice to see you again since last episode

I'm about to commit a crime [*strikes a pose then walks away*]

I'm willing to work in a government office just so I can come up with an acronym like, gee idk, Y.U.R.I. or something (I should've been a worker in NASA)

NO STOP STOP WHAT ARE YOU DOING?! WHAT. ARE. YOU. DOING?!

At this point, Mario, I would just give up

[*clears throat*] mejor me muero, ni modo que sigo con estos porquerías. bueno como dice Mario, bye bye [*drinks some water*] alright I'm back

TADC? ah, just a normal Saturday

no thoughts, head empty

honestly, mood

well, in his own way, yeah

[*echoes announcer voice*] VR, the new era of entertainment

...mr puzzles? nah jk jk

oh, Four's theory may not be wrong here (omg it's jesus)

still can't believe christianity is canon in the SMG4 universe

oh, so I was right! [*jigsaw voice*] "I wanna play a game."

That's actually kinda sweet that he immediately chooses his brother

OH SHIT OOOOH that's gotta hurt

NO MARIO, THAT SHOULD'VE BEEN ME

[*other me pops in*] emo girlfriend, omg it's smg3

no, we're NOT gonna look too much into this, shut up other me

PPFFFTTT that caught me so off guard

say it with me now: YOU CAN'T CONTROL MARIO [*applause*]

I mean, we've been through simulations before, we can take this one too

unironically, I wouldn't mind a 10-hour video of just Mario (and/or the rest of the Crew) just dancing :)

it doesn't even need to have music, I can just put my playlist on and I would totally join in

ooooh, you want to scan that QR code so badly

but also, how did they get a screenshot of my computer?

Mario 🤝 Mario Buddy from the last episode → destroying PCs for the LOLs

AKLDHLKSAFB;KL just the way Mario goes for a fighting stance just so he could run away will never not be funny to me

LET ME IN LET ME INNNNNNNNN

10 hours, welp I got my wish lmao

Mario morphing his face... hmmmm..... [*flashback noises*]

[SMG4: MAR10 Day]

....

don't think about it don't think about it don't think about it

KIRBO NOOOOOOOOO

NO NO NO SWAG NO

same vibes

meme factory? youtube arc? is that you? /j

(yeah I know that the Team uses the same assets ik)

LET'S DO THISSSS oh welp time to vibe

FIGHT FIGHT FIGHT

what would that be, Swag? Try not to Laugh challenge? I might win tbh

LET'S GO GAMBLING

laughing because of early victory call? very in character for Swag

oooh that's some good animation (y'know, as always)

HOLD UP WAIT A MINUTE

am i thinking too much into this or is this the same military base from last episode?

Alright, my little headcanon: the events of this episode and the last one took place on the exact same day

that's just for me specifically

oh hey, more TADC ref

Also, nice PINGAS STUCK IN A DOOR ref

man Mario can't catch a break dude

Congrats to CMorseu for your art being featured at the end credits 🎉

.・-: ✧ :--: ✧ :-・.

Such a good episode! Not plot-heavy, just a silly episode. I'll gladly take it as my late birthday present. And it's great to have Swag back, kinda was half-expecting Chris to just pop out.

I've said this once and I'll say it again: I wouldn't mind if the rest of the year is just filled with goofy episodes. After all, we just came from WOTFI and we do need a bit of a break so the Team could work on the next arc. (From the looks of things, we might get goop!4 *cough cough*)

Loved the bits of animation and Mario's expressions as always.

Now, I know there is some talk about the SMG4 Crew/Mario Does Things being on hiatus and merging with the Saturday videos. If you can even call it that. Personally, I don't mind it. I completely understand if doing 2 episodes per week is a lot for the Team to handle, though I do wish they would give an explanation for it. I think the best solution would be for the Team making an announcement of the change, the reasons behind it, and how it may be different from the regular Saturday episodes. Also make it clear that "hey, the title says this so it doesn't impact the main storyline".

Anyway, it has been overall a pretty funny episode and I quite enjoyed it! Now, if you excuse me, I'm gonna cry my eyes out watching the rest of Arcane Act 3 and bring that angst to the next episode concept :)

OH THE MISERY EVERYBODY WANTS TO BE MY ENEMYYYYYYY

[magneticflower]

Some thoughts about .... well, that

I'm seeing theories that Jinx isn't dead just based on the fact that cait was looking at the blueprints and such and there was that floating airship and that glitchy bit at the very end but honestly it doesn't stop me from feeling absolutely numb and off about how that last bit went down.

Like, a good portion of Jinx's appearances in those last two eps consisted of her either wanting to die or straight up trying to kill herself on repeat whilst Ekko has to witness each attempt over and over and over again just for it all to end with her just sacrificing herself in the end 'cause I guess she was just never worth saving.

And on that note, why didn't we get to hear what else Ekko said to her at that moment? I felt that it was an important conversation to be had between those two. Like, that whole bit with Ekko also just killed me because he couldn't even cross the bridge in the alternate universe without seeing her body lying on it and its like what was the point of doing all that to him, too?

On top of all that, they have her burn down The Last Drop, make a point of showing Silco's chair getting absolutely engulfed in flames, and they have her use her own little hideout as an airship thing to help with the battle and it's essentially like every little piece of Jinx that was in Zaun is now gone and she's just--- erased.

And then in the ending you just got her sister humming that bridge song and looking lowkey out of her wits and how am I supposed to feel about all that--- she was literally completely and utterly unable to let go of vander on that ledge and it led to her sister having to throw herself at him to protect her so Vi just experienced the same losses all over again except worse because it is really all over. What kind of ending was that for her???

I felt the narrative direction was really compelling in the first ep of act 3 and some of the second ep but I just--- I don't understand the choices made in that ending I guess.

Also, the fact that Singed manipulated nearly every single key player he got in contact with to save his daughter and it actually just straight up worked for him in the end is wild. I guess we know who the real winner is.

[squiddy-god]

Hello! I would like to request for oral (recieving) hcs with the wuwa men! Feel free to add whoever you're currently horny abt, I'm happy to brainrot alongside you <3

Ok i might just be stoopid- so hopefully i understand this correctly- if not ooooohhh nooooo ig ill just have to write more wuwa smut :( what a shame. Annyway the ones i'm currently horni about are eternally calcharo, jiyan, so that is who i am going to be writing about today 

Request open don't be shy!!

Calcharo, jiyan 

Cw : smut, no plot in sight, wuwa men receiving, oral, [head]cannons (get it hahaha), gn! Reader, jiyan two dick supremacy, technicaly a hand job thrown in there

꒷꒷︶꒷꒥꒷‧₊˚꒷︶꒷꒥꒷‧˚꒷‧₊˚૮꒰˵•ᵜ•˵꒱ა‧₊˚꒷︶꒷꒥꒷꒷︶꒷꒥꒷‧˚꒷︶꒷꒥

꒷꒷︶꒷꒥꒷‧₊˚꒷︶꒷꒥꒷‧˚꒷‧₊˚૮꒰˵•ᵜ•˵꒱ა‧₊˚꒷︶꒷꒥꒷꒷︶꒷꒥꒷‧˚꒷︶꒷꒥

Calcharo 

Woof 

Damn you on the edge of the bed, you bout to fall off 

He has a death grip on the sheets, white knuckle grip and sweating bullets the first time you tell him you wanna go down on him

He already isn't the most vocal in general but he is dead silent, glareing down at you so hard you think he genuinely hates it, so you try to back off (obviously) and he manages to stop biting his cheek and tongue to all but plead for you to please not stop

He's just pent up and repressed man 

From then on he tries not to be so quiet, getting comfortable enough to let those sound slip from his lips 

Huffs and pants, lots of grunt

He's still fairly quiet but, especially when he's close, he is literally groaning and panting like he's out of breath because he truly is 

Hands either death grip on the ground/sheets or on the back of your head 

Now I firmly believe that you could ask him anything and he'd agree. And he means it too 

Mid head you pull away with a pop and ask him anything, kill a man, a gift, seriously anything and he's asking for a name afterwards because he always completes the job. 

I think the idea that you, who he loves and trusts so much, wants to give him oral, is very hot to him.

Just the idea of you wanting him, enough to ask to do something for him? <3 

Very hot, has him hard, bricked up you could say. 

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫・

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫・゜

Jiyan 

I love him your honor

Ok now i think he is also nervous when you first ask to go down on him, don't get me wrong he is absolutely down, but uhhh 

Two of em 

The sight of you knelt between his muscular thighs, hand wrapped around one of his weeping cocks while the other was nice and warm in your mouth has him feeling a burning deep in the base of his spine

That tingling shiver that snakes along his skin and brings him that much closer to the edge 

Moans, maybe even whimpers a little. 

And when you switch, hand now stroking his spit slick length and mouth wrapped around the neglected one beneath it nearly finishes him

But he tries his best not to because he wants the feel to last a bit longer

The way i think you could genuinely make this man cum from just from kissing his dick

Like just lavashing him with such sweet kisses, both pecs and open mouth smooches has his heart fluttering so hard you can feel it in the way he throbs 

[fiddler-on-the-starship]

Spoilers for Transformers One.

On the one hand, I do think Orion was right when he said "rebuilding Iacon cannot begin with an execution" (they'd just thoroughly trounced Sentinel in every way, he wasn't a threat anymore, there wasn't an immediate need to kill him beyond the desire for revenge).

On the other hand, on a purely visceral level I do not have a problem with Sentinel getting ripped in half because fuck that guy lmao. Get your revenge, Dee, you deserve it.

But on the other other hand, I do believe that Orion's actions were motivated not by any desire to save Sentinel, but by concern for Dee. (I think these posts make a good point about that; it doesn't seem that Orion was even deliberately trying to sacrifice himself when he got shot, I think he just wanted to get between Dee and Sentinel so he could talk to Dee.)

But on the other other other hand, Orion really did not choose his words well in that scene. "Don't be like Sentinel" was the WORST thing he could've possibly said, all things considered. A while ago I saw a post that described it as "telling a victim they're just as bad as their abuser" and yeah, I agree with that assessment. That probably wasn't how Orion intended that to come off, but there's no way it wouldn't have sounded like that to Dee. Maybe it wouldn't have been possible to talk Dee down from killing Sentinel in that moment, but if it had been at all possible, that was definitely not the way to do it.

However, while this leads to a horrible outcome for the characters, I'm not sure it's such a bad thing for the narrative. It's painfully realistic, actually. Sometimes, people who have nothing but good intentions will say stupid, hurtful things. Sometimes, when someone is in a state where all they can feel is pain and rage, they will lash out without thinking of the consequences, and in doing so they might hurt someone they love. Obviously in the real world this does not usually involve a giant robot shooting another giant robot with a laser cannon, but that's one of the great things about sci-fi and fantasy; a laser cannon can be a metaphor for the horrors we face in real life.

Also, based on Orion's behaviour up until that point in the movie, it's pretty in-character for him to say the worst possible thing at the worst possible time to someone who is clearly suffering. You can tell he has a lot of compassion and generally means well, but that doesn't stop him from being an insensitive dick at times. And I like that. I like it when characters have Layers. (Orion and Dee both have a lot of Layers, and I am fascinated by the way some of the same personality traits manifest very differently in each of them, but that's not what this post is about, perhaps I'll ramble about that another time.)

Basically what I'm saying is:

I think Orion was both right and wrong (right about it not being necessary to kill Sentinel, and right that a public execution was a bad fucking idea; very, very wrong in the way he expressed that to Dee),

I'm not going to say Dee did nothing wrong, but I completely understand where he is coming from (and I'd be lying if I said that when he killed Sentinel there wasn't a part of my brain screaming YEAAAAH, YOU GO GIRL, RIP THAT FUCKER APART),

I think that Optimus Prime should have flaws and fuck up sometimes, because that makes him more interesting as a character, and in the case of TF1, because having him inadvertently contribute to Dee's downward spiral adds to the tragedy of it all (and I do think this movie can rightly be called a tragedy of Shakespearean proportions),

and, above all,

FUCK Sentinel Prime. Seriously, fuck that guy SO much.

[chirpchirplol]

hi! anonymous asker here, I made an account to post about why I initially thought I was Lion. This is going to start off like me trying to argue it's wrong but that's not what it is. It's also long af, sorry for that, I wrote it out for myself to process it then went back and realized there was a literal question it was in response to. longafness after link, tl;dr: I value and rely on my gut feelings heavily, can't make myself ignore them, but I want them to be predictable and it's uncomfortable when they get out of line

So I felt confident about Lion, and with Badger or Snake, it was "I wouldn't like it but I could see it." Like with Snake, I love me some hedonism and struggle with selfishness - had assumed both those characters were huge Snakes lol - but find it as a whole to be a very "fuck you, I got mine" mentality. Sucks for those strangers in need with no one to come through for them! Like I have STRONG feelings about this, I don't understand how people don't find it horrifying. I actually have a weird opposite thing where I can get FURIOUS on behalf of strangers being mistreated, even hypothetical or fictional ones, in a way I don't for people I know well or even myself. Which is why I thought Badger was possible and maybe I just was resistant due to being burned or because I thought it was boring, but the unpersoning group thing creeps me out. "All people matter… except the ones that don't." It's so close to being really beautiful!

With Bird it was more, "who even does this?" Like with the Bird answer on the "lack of objective truth" question, "it's OK, I thought about it and reality is close enough to the model in my head", that is literally incomprehensible to me as a way a person would think. (My answer was "actually there is objective truth." That was my answer before I even got through the question.)

The main reason why I thought Bird was impossible is the "choosing to care about something" part. I can't do that. Caring about things is not something I can turn on or off at will, even if I want to. At least not important things as opposed to say hobbies, but even then I can't just go "ok self, you're gonna like football now because I said so" and then actually do. It's an organic process, I can kick it off but ultimately I either care or don't care, and if I don't then the farthest I'm gonna get is pretending, or lying to myself while knowing it's a lie. Definitely can't talk myself into caring about a job, god knows I've tried lol. My likes and dislikes are so fundamental to who I am as a person, so sacred even, that the idea that they are deliberately malleable for other people is just, whaaaaa?

Where this really kicks in is friends and relationships, I cannot deliberately make myself like someone I dislike or dislike someone I like, people generally don't grow more attractive to me over time. and it'd make me sad, like relationship-foundation-shakingly sad, if I found out my friends/partner felt that way with me. like they had to try to like me rather than just like me.

I'm not really a logical person either. I start with the conclusion, which is generally based on feelings, and then hope I can justify it in case I ever have to talk about it. (because arguing is stressful enough when I do have a defensible stance let alone when I can't explain it) I have this irrational but unshakeable assumption that my feelings and thoughts should just agree completely. When they don't, that feels bad, but my gut has veto power. To fully talk myself into or out of opinions I have to actually feel good about them, they have to not feel viscerally wrong, or else things get into an uncomfortable self-judging place where I know I should believe something but don't actually, truly, deep down, believe it. Or where none of the stances feel right, that's even more "fun".

A good example of that is actually the "past self is a different person" thing. My past self is still me, the things I did or thought in the past do not disappear just because I've changed nor do their permanent effects on me. I absolutely feel guilty about things I used to believe, and sure some of that is just the cringe of people knowing about it, but even if no one else knew I'd know and that's enough. And yet… I also theoretically believe in rehabilitation and think it's wrong not to, but apparently I actually don't, because that sure isn't something a person who believes in rehabilitation would say! I'm being flippant but this legitimately bothers me, especially because the idea of not believing in rehabilitation feels even more bad.

What convinced me ultimately: I'm not a Trump supporter, obviously. I would like to think it is absolutely impossible for me to become a Trump supporter. But that's what they all say, people become the things they would never EVER become all the time. Which led me to this question: Would it be worse to deliberately choose to do something wrong, or to slowly stop believing it's wrong without realizing? Or does that distinction even matter? Feel free to substitute something less extreme, like working for an evil company, bullying, cheating, selling out, betraying a friend, whatever line you would never cross.

And my answer is actually that the latter is wayyy more disturbing. I'm really big on owning and naming your beliefs and desires. It's a great way to get your conscience to kick in, to actually say it out loud then see how good or bad that felt. Same principle as how, if someone makes a racist joke, you act confused and ask them to explain it to you.

So the former would be gross, like fuck any person who would do it; but at least I could be conscious of the fact that I am choosing to do an evil thing for the sake of, I don't know, stonks. I would be engaged in the process, my conscience would be involved despite being ignored, and I would hope I would feel disgusted with myself forever. (Even considering the possibility is kind of disgusting.) But slowly having your beliefs erode over time into something bad… how do you stop that? How do you do ANYTHING about that? Shit what if it's happening right now? Even if the shift was in the opposite direction and I slowly became a better person without trying… I guess that's good? Can't argue with it being a net positive? But it feels unearned and unreliable, if you can sleepwalk forward you can sleepwalk back.

So that's conscious vs. unconscious I guess. Also I wrote and revised a ton of words to answer the question so there's that too.

bird primary + burnt snake secondary

 tl;dr: Fairly sure I'm Lion primary (maybe burned Badger since I sort of envy the idea of close communities, or hedonistic Snake, not sure where that line is)

(the way that divide works out is that basically, Burnt Badgers look like Snakes. They have the Snake's small community, but wish they could cast their net wider. Hedonistic Snakes tend to be more solo, and much more focused on /stuff/. Also, both options make pretty good short-term coping mechanisms.)

but unsure whether my secondary is Bird, Snake/burned Snake, or burned Lion.

I love researching and reverse-engineering and my immediate response to situations is to Google advice, but reactively, not proactively. I am allergic to planning, and prepwork feels stifling and unnatural.

Ooooh, have we got a single-player Environment Snake? (I also think of these as MacGyver Snakes.) Basically just pulling at the things around you in order to solve the problem at hand.

I studied math in college then did a coding bootcamp, and I always felt adrift because both only taught memorizing solutions to individual problems/proofs, not how to solve unfamiliar ones -- i.e., really learning. 

However, I neither consider myself flexible nor want to be, and singleplayer Snake is wayyyyyyyyyyyy more comfortable than stuff involving other people. (Complicating factor: not neurotypical.)

I think I can say, pretty confidently, that this system works just fine if you're not neurotypical. :) There's no reason you have to use the multi-player version if you don't want. The most dramatic single/multi player divide is probably Bookkeeper Badger vs Courtier Badger, and there are lots of people who prefer being just one or the other.

I do the "faces" thing reflexively, in the moment, but it doesn't feel like "shifting" or "becoming" anything: just me, lying.

That's Snake. "Becoming" is more of a word that a Courtier Badger would use, they kinda do have to believe it, or it doesn't work. Snake secondaries are a lot more aware of what they're doing, in the moment.

It's interesting that you are just straight-up using the word lie though. In my experience, Snakes are more likely to conceptualize that particular problem-solving strategy as "say it in a way they'll listen to," or something like that. You might just be super direct (and/or like hanging out in Neutral) buuuut... the negativity of "lie" can sometimes point to a Burnt secondary. No sign of that yet, but I'll keep an eye out for it.

I don't have a moral problem with lying; it's often even right since a) telling the truth often hurts people, and b) people do prefer it: most people want to hear what they want to hear, and if that happens to be the truth that's great.

Hmmm. This is sounding like primary stuff. And it's quite reasoned out, which makes me interested in hearing why you went for Lion primary instead of Bird.

But deep down, I guess I resent it. I wish that when I say what I mean it would convince people rather than create problems. I try to ration that to only things that REALLY matter to me, but tbh many things do. I hate arguing.

What I'm hearing here is the Bird primary fantasy of "If I was only able to explain it exactly right, in precisely the right words, then everyone would agree with me." And as you say earlier, it doesn't actually work like that. It sounds like you're feeling a bit cynical in regards to other people a the moment, and I can't exactly blame you.

I would love to be an inspirational secondary but I am bad at inspiring people.

There is definitely some burnt secondary talk going on here.

Family: I'm not close to my father -- he’s a terrible person, serial cheater, racist, etc. I'm closer to my mother, and don't think she's a bad person, but both parents were hypercritical and have horrible tempers, so my childhood felt horrible to live through since I was always getting yelled at or having corporal punishment used for doing something wrong.

Definitely seeing where the burned secondary energy is coming from, if so many of your formative experiences involved being told that the way you were doing things was wrong. I also see why you might have at least a fascination with the confident, firey, speak-your-truth-and-damn-the-consequences Lion secondary.

(On paper this could be called abusive, and anyone else being subjected to this makes me furious, but I'm not fully comfortable with the label for my situation, even though I know that's inconsistent.) 

I understand, and I appreciate that. I also appreciate your carefully articulated position, and it's slanting me in the direction of Bird primary. Even though this is obviously a topic you are very emotional about, all those emotions are arranged within the framework of thought. You're aware of and okay the fact that you feel all kinds of different ways about what happened.

Any secondary model came from my mom, but I don't know about primary. She always says my sister and I are "the most important things in her life." (One of the reasons I don’t want kids is that I don’t think I could ever believe or promise them that.) She ostensibly also hates my father and their divorce was vicious, but she kept working for him until he retired, goes on trips with him to see my sister or me, and pressured me for years to un-estrange him because “after all, he’s family” until I gave in and now pretend to have a relationship just enough to placate them. I don't have any ethical problems doing this, it's just irritating.

That is very, very unusual family dynamic. Have to get my head around that. Your mom may have some very intense Badger going on, especially with the the whole "after all, he's family" thing. That could fit go with a nasty divorce, especially if she thought his presence was a threat to you and your sister. On the other hand, she might just be able to compartmentalize to an insane degree, which would probably point to Bird secondary.

I don't understand this aspect of my mom; I observe it happening, but I don't understand it. It feels kind of sad, in an existential way. 

Honestly, I agree.

(Another way my dad sucks is that he played favorites with my sister and I, me being the favorite.

Being the Golden Child sucks just as much as being the Problem Child.

The shitty resulting dynamic is I only "care about" his approval to avoid him creating drama that ripples to everyone around him -- he's gotten better but he has literally started shit when I didn't end emails with "love" -- but my sister actually cares about his approval, and it hurts her.)

Secondary-wise, my mom would always harp on me to "pay attention to the people and things around you," and whenever I tell her about solving problems in Snakeish ways she's like "way to go, [me]!" But she also is meticulously planned and scheduled and organized, and hates surprises and not knowing exactly what will happen. She's the kind of person who gets frustrated in April when I haven’t told her my Thanksgiving itinerary, which, like... I don't want to think that far ahead.

She could be either Prep-work secondary, Bird or Badger. If she's a Bird, "pay attention to the people and things around you," points to a a Rapid-Fire Bird (which can look *very* Snakey.) Or it could be a way of describing Courtier Badger. Being that scheduled is more often a Bird thing... but I could also imagine a Badger manifesting like that, especially if she is so concerned with specifically planning holidays.

Low-stakes/high-stakes problem that felt good: This is a high-stakes problem containing a low-stakes problem. I'm rolling them together because they illustrate both aspects of my problem solving.

Higher stakes: That coding bootcamp required being on Zoom 8 hours every day. But I had 3 roommates (part of why I did it was to not have 3 roommates), and they didn't want me there that much. I can't go to coffee shops because either they're loud, or I will make them loud by talking for 8 hours, thus becoming the problem. Coworking spaces are expensive af. I even consider renting a storage unit but I don't think they have power and wifi. The idea I settle on is sneaking onto a nearby college campus: preferably the CS building, to blend in. I scour the college subreddit for posts about what buildings let students in without ID, then scout them out (this is March, the thing doesn't start until May, I'm just high on must-solve-now energy). After ~15 minutes (lol) of walking through campus I decide I've had enough, seems doable. The day of, I leave early in case I have to give up and go home, but that turned out to be completely pointless because tailgating in is shockingly easy. Like it's scary how easy it is. One day a security officer stopped me but even he eventually let me in after I acted increasingly frazzled and panicked -- not ENTIRELY an act but I definitely was playing it up.

I like this story. And I feel good about saying that it is QUITE snakey: what do I have immediately around me, and how can I use it to get what I want in this moment? Even little details like - you're not bothering to come up with a cover story or borrow/forge someone's ID. If you're caught you'll talk your way out of it. You did a little research, then scoped the place out, then were good to go.

Lower stakes: I usually did classes from an empty auditorium (students weren't supposed to be there but no one checked, and also I'm not a student right?). The whiteboard's eraser stand was a few inches away from the wall, and one day I drop my phone in the gap. Shit. The gap's way too high to reach down. I can't ask anyone for help because I'm already 2 layers deep of being somewhere I'm not supposed to be. The stand screws to the wall, but I don't have a screwdriver because who just carries a screwdriver around? (For whatever reason, going to a hardware store didn't occur to me.) I stare at the thing until I realize: I am literally in the ENGINEERING building. I search various offices, ask people for a screwdriver, but no luck. Then I see a board listing the departments. One floor has a "makerspace," and somehow, its door is wide open (the student lounge is locked down but the room with deadly power tools isn't, ???) I grab 5 sizes of screwdriver, then also grab duct tape and a ruler to fish my phone out in case the screwdrivers don't work, which turned out to be a good idea because they didn't

Sounds to me to me like you just MacGyvered a solution :D

One thing I am picking up on is your subtle critique of the existing rules/systems. Getting in via tailgateing is easier than it should be, talking your way past the guard was too easy. The door with the powertools really should be locked, etc. It's making me (again) think Bird primary for you. You've very tuned into the way things run, and how well designed (or not) that is. There's also just a little bit of Birdy rules-lawyer in "Students aren't allowed in this room, but I'm not a student (because I snuck in.)"

Hard decision-making process…. I don’t know. I don’t experience many decisions as hard. I often know what I want to do right away; the difficult part is doing it.

In the language of this system, that's a Burnt secondary.

Or I know what I should do, am obligated to do, have no choice but to do, etc., though sometimes it feels miserable or wrong, like resignation.

Unfortunately that is what it feels like to have a Burnt primary - you just use whatever problem-solving strategy you can at random, since they all feel like a chore and it doesn't really matter.

I can feel proud of making certain "right" choices in an abstract self-congratulatory way, but I never like it or really feel good about it. I either act on something immediately or put it off until the decision makes itself, a drop-dead deadline approaches, I get bored/impulsive enough to do it on the spot, or I suddenly swerve my life toward something I like better.

You're definitely an Improvisational secondary. Which is really fine, even though I know it doesn't feel that way all the time when you come from a family of intense Prep-work people. Just keep an eye on that 'wait until the deadline' impulse. It's very, very common for neurodivergent people to use that last-minute stress adrenaline to kind of hack their brain, and it's not sustainable.

I'd wanted to change careers for years but the actual decision to do the bootcamp was an impulse based on ~3 hours' research the day I encountered it.

That can absolutely work though. You *are* working on the problem and mulling it over in your head long term, even if you are (in the words of another snake secondary) "waiting for the opportune moment."

This is all healthy and well-adjusted, and it definitely has never caused any predictable problems! (Did get a job though.)

Hey, if it's stupid and it works, it's not stupid.

My fantasy: To be successful and well-known in my field; to create the kind of art I want to create and have it be respected/influential. To live the life I want, with the aesthetic I want, and the opportunities from others and follow-through from me to achieve that. The details vary based on the field but that's the general template. 

I'd say that's a very human fantasy, without too many details that slant me one way or the other, in terms of this system. There's definitely a focus on the community around you and how you relate to it/integrate into it. And that makes me think Bird (the external primary) is more likely than Lion (the internal primary.)

Characters: I relate to characters who are flawed in the same ways I am -- they feel like cautionary tales -- or sometimes via empathizing in a way the story doesn’t (Carlotta from Phantom got done DIRTY).

It's interesting that you respond to characters who the narrative framing doesn't support, because the narrative framing doesn't support them. I guess that does fit with your interest in constructed systems, and if they're useful/functional or not. Which points to Bird.

On that big pop culture character test I always get Hannah from Girls and Gaius Baltar from Battlestar Galactica: harsh, but not wrong.

(I always get Inara from Firefly and Céline from Before Sunrise.)

It's been a second since I've seen Girls or Battlestar Galactica, but I do think that both of those characters are Bird Snakes, which is honestly impressive since Bird Snakes are easily the least common fictional archetype.

Baltar is clever, adaptive, reactive, he pulls from around him. He also bluffs and will *act* like he's an expert when he really isn't. A lot of his internal conflict revolves around extremely Bird primary rationalization - is this situation really his fault? and if it is, what is he morally/rationally supposed to do about it (if anything?) "Voice of *a* generation" Hannah also has this way of getting caught in her own feedback loops when trying to figure herself out. One of my favorite moments is the bit where she loses her purse on the way back from the wedding, and then rides the train all the way to Coney Island, sits on the beach and eats the slice of wedding cake while watching the sun rise. I think that's beautiful, and a very Snake secondary response.

I also gravitate toward a specific archetype: Blanche from A Streetcar Named Desire, Madame Bovary, Violetta from La Traviata. People who desire an impossible thing deeply and unshakably, temporarily achieve it, and are taken down dramatically.

Now that, I'm thinking is a story structure that you like. And/or you're drawn to these tragic great ladies, living most of the way in a fantasy world. It's a good, cathartic archetype.

What makes me feel powerful: I don’t really resonate with that framing. The closest is that feeling like I have no options is the same for me as feeling powerless.

Okay, "not feeling powerless," I'll take it. And we're back to that Burnt secondary again. I'm hoping you'll leave your Snake a little more room to breathe and play, because it seems like you're a pretty capable person. You manage to do the things you want to get done, and you have an excellent awareness of what are good and bad situations, both for you and just in general.

Thank you to anonymous for such an excellent submission. If you'd like a Sorting of your very own, commissions are open on my ko-fi. :D

If you'd like to read more about the system I'm using, my explanation is right here.

[grapejuicegay]

A very all over the place list of things I really liked/can't wait to be explored more through this show because of COURSE ep 1 in a P'Aof show and I have thoughts

Things on walls

This painting of course, but also this poster in the badminton waiting room that says "Too fast to live, too young to die" (I'm going to be thinking about this poster a LOT... it feels like it's going to come up)

and also this t-shirt that says "fart" (@dribs-and-drabbles did you see this? 🤣)

Day was in a car accident even before the match... so was this potentially already going to be Day's last match? And also, what did Mhok see in the stream that made him certain that the Thailand team would lose

The brothers are named Day and Night. Night looking after Day constantly with Day convinced Night is only doing this to get the attention that usually goes to Day - something something where the light shines etc

This line

I haven't decided yet whether this is Mhok's way of dealing with the loss of his sister or a reflection of his worldview where giving up is not an option. But I'm keeping an eye on it, and also how this potentially develops

The constant judgemental looks towards Mhok from every person of authority, even without his parole leg band. Mhok understands what it's like to be judged from the moment someone sees you, something Day feels all the time but cannot clearly see.

Mhok's sister saving up for his tuition, one that he has no plans of using anymore... both of them dealing with the death of a future in very different ways

There's just a lot going on and I'm very interested.

[98chao]

me: im gonna take a break from drawing today!

also me: DRAW THESE BITCHES AS PONIES

ive literally never drawn mlp art a day in my life. What is wrong with me

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[brittlebutch]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.

[running-in-the-dark]

it's so funny when I rewatch a show but with a new/different/additional crush. like I'm rewatching the librarians with my partner right now and it just feels soo different lol