#dog motif wants me dead

[roryfrommybabysittersavampire]

I did not choose to have fucking cannibalism as a special interest but here we are folks :3 painted this in art class for a typography assignment.

[venstm]

oh fuck actually thinking about being displaced remember how the galaxy garrison didn’t want his rebellious ass

[hella1975]

guys…

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

[barrel-crow-n]

Obviously, we know that Inej knows Kaz best but really, even she doesn't know him - or at least, doesn't understand many parts to him.

"He just lets go" about a boy who has never let anything go. Who, since he was nine years old, has been unhealthily obsessed with Pekka and taking him down. Who was still obsessed with this revenge eight years later. Who hears his dead brother's voice in his head - cruelly egging him on on this maddened quest for vengeance. Who remembered every single last detail of the Hertzoon con; who killed eveyone involved.

People criticise this line, and rightfully because it's plain wrong, but it goes to show how isolated Kaz is and that even with the person he trusts most, he still holds many cards close to his chest. He still hasn't shed his armour completely - not even with Inej.

Inej also doesn't understand Kaz's language. She knows the signals he has established with her for moves and attacks but, funnily enough, it's only ever Matthias that truly reads Kaz (understanding his micro expressions and how he cares about Inej). She understands that she is trusted because he takes off his gloves - but even then doesn't seem to understand the extent; Kaz strips in front of her, as a show of trust - that he's willing to expose himself to her, but she doesn't understand that this is what he is trying to convey. I highly doubt this is a way of wooing Inej. At least, that that was the main reason. He was being vulnerable with her, showing his underbelly.

Kaz cannot say he cares, but he also can't seem to show it either - not in a conventional way, anyway. He carries Inej to the Ferolind despite it causing him pain, he yanks out the eye of the man who stabbed her. He says "I protect my investments." And that sounds completely dickish, but Kaz doesn't show appreciation. Ever. Inej doesn't understand that "I protect my investments" means "I want to look after you because you mean a lot to me" because that's what it means!!! In Kaz's language. "Protect" -> Look after, take care of, defend. "Investments" -> Very important to him, more valuable over time (liking her more and more as times goes on). "I protect my investments" isn't the stupid, asshole line Nina and a lot of people read it as. It's Kaz's kinda mean, not betraying how much it means to him, round about way of showing he cares. He won't say it outright because living in the Barrel has taught him that that is dangerous.

This is shown again when he says "I would come for you. And if I couldn't walk I'd crawl to you. And no matter how broken we were, we'd fight our way out, knives drawn, pistols blazing, because that's what we do, we never stop fighting." He can't say a simple "I care about you." but he can say all that. Why? Because he ties his care to violence. Protection. Causing harm to defend Inej. (Strooooong dog motifs for Kaz btw - the people of the Barrel were spot on with the rabid dog nickname)

And it links to how all the characters are always saying "ohh he's so mysterious, I don't know anything about him, where he came from, or what his motives are" when Kaz is literally openly saying everything.

He doesn't not speak of his trauma or his feelings! He talks about them all the time! He just isnt straightforward.

"Barrel boys don't have parents, they're born in the harbours and crawl out of the canals."

"My mother is Ketterdam, she birthed me in the harbour."

He's literally talking about being "dead" (thrown on the Reaper's Barge), how that affected him (traumatised him so bad he feels like he is no longer the same boy, that he was reborn as something else - a monster), about having to crawl out of the harbour, wet and weak from fever. He openly admits he's an orphan. He talks about it! Just in a cryptic way. A way no one understands.

It's like he's crying out, with people not far, but no one hears him. Like he's still on the Barge, making a futile attempt to cry out "I'm still alive." The Barge still has that hold on him. It's a manifestation of the trauma. It's the same way the flashbacks taking him back to that miserable night. A prison that he can't seem to ever be free from.

When he tells Inej "Tell Jesper he's missed around the Slat." he's doing it again, just more blatantly and more obvious, so that she picks up on it this time. He's showing her his language! Telling her to read into what he is saying! He's saying that he misses Jesper in his detached, cryptic way.

And this is so important with everything Kaz says. Reading between the lines - that's how you start to understand him. We get a cheat sheet by seeing his internal thoughts, but his dramatic talk is the olive branch for outsiders.

When Inej is asking him to open up, she isn't asking that he should share his problems and vulnerabilities like she believes she is saying. She's asking him to be more direct. And that's the difficult part for Kaz.

[bleed-more]

My Updated Headcanons for Seth Wilson

Since a lot of my attention is on Seth right now, I'm writing some updated headcanons for him with things I've learned over the past 4 years! I'm starting with my HCs with evidence and will write my HCs without evidence later >:3c

HEADCANONS WITH EVIDENCE:

- Seth's dog name is Link (Joseph mentioned in a livestream that's Seth the actor's dog's name so in typical MH fashion I imagine dog actor Link also plays dog character Link)

- Seth is about as tall as Brian (this isn't even really a hc but I used to draw him short so I wanted to clear that up)

- Seth did all the TTA entries that include fried images and red motifs (based off of Night Mind's theory that Tim-themed entries are black and white, Brian-themed entries are stereoscopic, and Seth-themed entries are deep-fried/red. They used these colors to both communicate who's speaking AND to let the recipient know who the message is for.)

- Seth used to be Christian but fell out of it by Season 2 (I think Seth is responsible for all the Christian iconography in the first season i.e. stigmata, ark, deluge, etc. considering neither Brian nor Tim were part of TTA yet, and he slowly abandons that faith because.......)

- ...Seth thinks he is a messiah of some kind (from TTA's "Forecast" where he says "AMIAPROPHET." [TW DEAD ANIMALS & ANIMAL CRUELTY FR PLS READ WITH CAUTION] Forecast uses footage from the USSR's "Experiments in the Revival of Organisms: 1940" in which you see a disembodied dog's lung being inflated and deflated by a machine in an effort to keep a dismembered dog's head alive. I don't think it's a coincidence TTA used a dismembered dog to refer to Seth ((or what Seth has become)) and that Seth is both alive(-ish) and has saved others from death, but only in the same fucked up corrupted way you see in the USSR's footage. Which leads me to...)

[END TW]

- ...Seth is trapped somewhere between the line of life and death and is sticking around for the unfinished business of revenge killing Alex (in the TTA entries, while many things are convoluted and unclear, one thing that is very consistent is TTA's hatred of Alex. Seth is vengeful for the death of himself, the attempted and successful murders of his friends. From TTA's "Decay" where Seth is clearly addressing Alex, he says "HE[Jay] WILL LEAD ME[Seth] TO YOU[Alex], LEAD ME TO DEATH[because his job will be done then], LEAD ME TO THE ARK[salvation and an end to his and Alex's suffering])

- Seth is the one responsible for Brian, Tim, and Jay surviving during Alex's first murder attempt (Alex couldn't bring himself to *actually* kill his friends back in 2006, so he lured them to the park and used blunt force trauma to knock them unconscious hoping leaving them for dead out in the park would be enough. Seth, however, had already caught on that something was wrong after Sarah's disappearance (I am going to write a whole thing about this eventually hehehe) and so he knew to be at the park, and after Alex left them, Seth made sure they were safe (there is also info I have here about a lake but that's worth a whole other post, send an ask if you're curious <3)

- And finally, Seth had been well ahead of everyone else in figuring out what was going on (Seth was the camera and tech guy, so it would make sense he would be the first to see what's happening on these cameras, and investigating what might be causing all of this. Seth was the one who coined the term OPERATOR. He understood Alex's actions were being influenced by this creature Seth was seeing while editing Marble Hornets. And I also think Alex knew Seth was catching onto his murder attempts, and that's why Alex took no chances and shot Seth (the first instance of Alex using a gun in the series) instead of hitting him over the head with a pipe and leaving him for the Operator like the others.)

I WOULD LOVE TO KNOW WHAT YOU THINK AND IF YOU GUYS HAVE ANY OF YOUR OWN THEORIES THIS WAS REALLY FUN TO WRITE AND I CANT WAIT TO MAKE PART 2 <3

[occasionaloneshots]

I want a female (or fem presenting) animal character from the Dead Boy Detectives universe. I want a character who has magic but in a more controlled and less exciting way than TCK or Esther.

Give me an emotional support animal who got humanized like Monty, give her powers like Jasper Hale from Twilight. She’s absolutely stone faced but there’s so much love that pours out of her that she’s damn near intoxicating to the characters we already know. Make her an analogy for addiction or for learning to overcome trauma for all I care but make her comforting with something unknown under her skin. Have her always deadpan, cozy but off putting.

I want her to feel so entwined to their emotions, to them, that she’s step in front of a gun (or witch, or iron object) for them just so she doesn’t have to feel it with them. So used to making them happier that she can’t handle letting it slip. She can’t let them slip.

Make her a love interest to a character like Jenny or Niko who obviously we have but we haven’t gotten to explore like our main three. Someone who knows grief and loneliness and meets this force with a gentleness and understanding that just feels otherworldly to them.

Give me Charles being attached at her hip because when she’s around he can’t FEEL his anger that bubbles under the surface (she’s upped his dopamine, being around him and feeling everything festering under his smile makes her recoil, not that it’s as strong as he thinks, just that it feels awful to harbor someone else’s bottled up anger). Have him chase her like a high, begging for her to join them so he can keep feeling better.

Give me Edwin hating her until he realizes he’s just a little less scared of himself when talking to her. Who when he understands her magic he genuinely wants to add her to their group because she’s got the same calming ability as Death without the threat of Death herself. Their relationship becoming softer and almost sibling like as they grow to understand each other.

Give me Crystal finally being relaxed if she’s around. Going to her begging for just a little comfort when she thinks too much about David or herself from before the possession, Crystal who later realizes that it was never the girl’s (dog’s perhaps?) powers soothing her but just feeling seen. That she never truly lost the emotional support animal training she was given as a child (pup?, major dog girl to rival the cat boy brain rot)

Monty having someone who understands what it’s like to be torn apart and have to learn to understand emotion. She’s become nearly maternal to him because her powers pick him up the same way they do a toddler’s feelings. She can feel him trying to understand himself and through her own experience she just wants to help. Giving him the gentle affection and care Esther never cared to, like someone finally wants to love him in any form without having something to gain.

Give her an on going and unexplained rivalry with The Cat King that can fall apart the second one of them is in trouble. She can’t stand feeling his fear or pain and despite swearing to hate her, he hates seeing her give way to her own emotions when she does so much to make others feel better (including the lonely cat himself, not that she’ll admit to it). Give me them getting into an argument and getting some sort of “Cat King” collar as punishment, making people think she’s in the same situation as Edwin (not that he wants her -or maybe he does idgaf- but that the humiliation of it gives him a leg up)

I want to see an animal character who has grown past their animal instincts to something not quite human but not primal. A character decked out in fur and animal motifs but they come off so real you’d never see the magic under the surface. So attached to her last life through magic and so detached from her instincts that if she saw her animal form she wouldn’t know it.

Honestly I could turn this into a fic but idk if anyone would ever want that (and I just want more animal characters and comfort for those very very sad teenagers and magic creatures)

[shallowseeker]

Optimism freeform meta

Jack, Harper, and the folly of pursuing of immature, illusory Perfection as the antidote to life's many disappointments.

///

Okay, here it comes. It's our rambling, group Optimism meta from discord that I promised once upon a time I'd post here. Apologies ahead of time if I get your Tumblr names wrong.

Harper's flat is decorated in ooey-gooey symbols of love.

Green for growth (though Harper's growth pattern is certainly arrested), and red for passion. We have the green-Italian amore in the symbolic kitchen of life, and a bright red heart near the entrance.

BEWARE: You're entering Harper's heart. It's black and bloody.

We also see that her home is full to the brim with books and stories. She clings to them, hoping they'll bring her life meaning. The blood-red-pink-purple color theme continues in the form of her array of romance novels.

Harper herself is clothed in red, in a Sayles-coded corduroy, perhaps a mate to the hunter's anorak jacket. Her little scarf is certainly Scooby-Doo-Daphne-esque, but it's also a RED BANDANA calling to mind that she's an OUTLAW, like Dave Matthews in the Tombstone episode.

///

But her bedroom is more serene, stuffed with zen colors, serene green, and a bedful of childish stuff animals. It's dominated by strong protector-types like lions and elephants.

via @honeyedwhiskey: okay so I got intrigued by the fact that she has these particular stuffed animals. the lion, symbolizing stalking her prey, elephants for their memory and their brutality (maybe a nod to wanting community) and the tiger for her actual isolation. the puppy seems to be an older addition, maybe from childhood, and the smallest and most vulnerable one is being protected by the dog which seems to be a bear cub? reference to maybe a mama bear that protected her? the three at the top are what interest me the most though because harper is represented by the heart and the color red so the mouse is her, and the two pigs seem to be her parents, with one being a combination of colors and patchwork looking. so it seems to me that one of her parents was zombie-fied, maybe from a young age.

I like the symbolic nature Whiskey acribed to the stuffed animals above a lot!

I too think her reaction to abandonment and Vance speaks to something really fucked up in her necromancy family, like maybe a necromancy-coming-of-age-trial that went REALLY REALLY badly and wound up with her being totally alone.

Maybe it's like how Sam jokingly told Charlie: "You're not really a hunter till you've come back form the dead." Or like Cas told Jack of his own death, "It's something of a rite of passage around here."

Maybe you're not really a necromancer until you've killed and brought your family back and ofc Harper failing that test would fuck her up forever.

//

I noticed the teddy bear, too! There's a tee-tiny nod to the teddy-bear lovers' symbol above her bed, same as Marvelous Marvin has a red heart on his chest in season 15's Gimme Shelter. (And Dean's I Wuv Hugs from a million years ago.)

[The stuffed bear is] a simultaneous motif...of sexual intimacy and The Lover, it's also representative of The Beloved Child resulting from their contact.

(Jack is Marvin.)

///

Here's love in the corner, illuminated by two lamps. Harper is getting Jack a book, a book about her little beloved hometown, McCook.

Deep down, Harper is lonely, and unlike her disdain for her other suitors, she's a little different with Jack here: she wants to be understood.

She wants him to understand her and her hometown. Just a little. She's prodding at the niggling, unusual, UNFAMILIAR feeling. So, she sits down and invites him to sit, to learn more about her.

By this point, it's possible she's figured out he's a hunter, which opens up the possibility of revealing her true self, for better or for worse. It's an intoxicating thought for Harper.

Jack hesitates, clearly interested but also a little bit "!!!!"

He's framed by the heart on the wall. Indeed Jack, like Dean and Mary, is a "heart" character. He's even clothed in one of Mary's key colors: dusky orangey pink. (Aside// You'll notice Connor also wears this color in Gimme Shelter.)

///

Unlike in Tombstone, where Jack wasn't (via script) all that interested in Athena and Dave's relationship, now Jack's clearly grown. He's even interested in physicality.

Even though his emotional core can be kinda prickly, like Dean and Mary, he's at root a very affectionate character, interested in experience affection/connection with others:

So, he sits. Perseveres through he awkwardness. And lo and behold, Harper is as weird as he is.

They talk about having a positive outlook, even though they've had and terrible pasts, have done terrible things. And hey, look--she's getting the lamp treatment! How lovely.

They sit on the blue couch, as Harper tells him more about her past, subconsciously seeking his acceptance. The blue of the couch mirrors the blue color of her past, of her prom dress. We see her little prom queen crown, and we wonder...Harper is so awkward...

...does she really seem like the Prom Queen type?

I suspect it was fake. That she manufactured her own popularity with bit of magic. To meet the perfectionistic obsession with her romance tales. She is at core a fearful character, fearful of messing up, or being imperfect, of not living up to The Dream (TM).

///

Jack makes a quick getaway. In this shot, he's effectively the trope of the divine masculine, fleeing from love, "amore."

It's interesting that the kitchen, a bit like the bedroom, is earthier in tone, filled with more "valley" colors: of browns, greens. The kitchen is about the imperfect strivings of every day life, divorced from the high-dollar reds of Harper's romance-novel decor.

In the bathroom, Jack is clearly interested in exploring "love."

To Dean, he says, "Just in case (she is in love with me)...tell me everything you know about sex. Go!"

Jack is a curious-and-courageous character, too. He's prone to experimentation, which is also why he so often gets the drug ("I like cocaine!" and The Who) motifs. Like Cas, he's maybe a little scared, but he's going to go-for-it no matter how silly and awkward he might look.

That courage is probably something Harper senses in him. It's attractive to her, like the symbolic stuffed-animal lion-and-tiger protectors she has in her bedroom. She wonders:

"Is he strong enough to love the real me?"

In THIS sense, the thing with Vance isn't completely "a naughty nurse game." Deep down, at her root psychological base, Harper is testing the potential lovers' strength. Very classically mythical, really. And she's disgusted by her suitors because they keep failing and failing.

No one is like Vance. Not even Vance is like Vance. Her idea of Vance was never real, and she was never prom queen. But admitting that to herself is so painful, she constructs this horrible pattern of death and destruction.

///

"Her apartment has a lot of wallpaper/furniture from the 50’s! Or with that general aesthetic!" -Cal (@13-01)

It's so interesting, because this 50s retro theme is something that Jack, Dean, and Cas carry a lot, especially in terms of their "old-school" button-up pajamas and dressing downs. (Cas himself, with his overcoat, could be plopped in the middle of Mad Men tv series and fit into the surroundings, haha. And although we rarely see Sam carry the motif, but he dips into it in Peace of Mind as well.)

At the end of this episode, we'll see Harper seated in her own retro cafe with the same 50s vibe as well, a Charming Acres-sort of feeling. To me this symbolizes a backwards-looking illusion of perfection, that everything used to be simpler and better, and with enough effort, it can be simpler and better again.

Also there are dragonflies in her bathroom, a bit of a parallel to the lonesome fly plot that Sam and Charlie are on (in this same episode).

This too is the backwards-looking motif, of holding onto the illusory idea of Happiness (TM) so tightly that it becomes tragic and destructive.

///

Since even her idea of Vance isn't real, it's become like Amara's illusory idea of love. It can never let her down. "It can never hurt her."

[jonsnowunemploymentera]

Randomly struck me how Arya's first trip down to the Winterfell crypts seems to parallel Jon's recurrent crypt dreams on one particular motif - a dead king rising.

Robb took them all the way down to the end, past Grandfather and Brandon and Lyanna, to show them their own tombs. Sansa kept looking at the stubby little candle, anxious that it might go out. Old Nan had told her there were spiders down here, and rats as big as dogs. Robb smiled when she said that. “There are worse things than spiders and rats,” he whispered. “This is where the dead walk.” That was when they heard the sound, low and deep and shivery. Baby Bran had clutched at Arya’s hand. When the spirit stepped out of the open tomb, pale white and moaning for blood, Sansa ran shrieking for the stairs, and Bran wrapped himself around Robb’s leg, sobbing. Arya stood her ground and gave the spirit a punch. It was only Jon, covered with flour. “You stupid,” she told him, “you scared the baby,” but Jon and Robb just laughed and laughed, and pretty soon Bran and Arya were laughing too.

Arya IV, AGOT

Last night he had dreamt the Winterfell dream again. He was wandering the empty castle, searching for his father, descending into the crypts. Only this time the dream had gone further than before. In the dark he’d heard the scrape of stone on stone. When he turned he saw that the vaults were opening, one after the other. As the dead kings came stumbling from their cold black graves, Jon had woken in pitch-dark, his heart hammering. Even when Ghost leapt up on the bed to nuzzle at his face, he could not shake his deep sense of terror. He dared not go back to sleep. Instead he had climbed the Wall and walked, restless, until he saw the light of the dawn off to the east. It was only a dream. I am a brother of the Night’s Watch now, not a frightened boy.

Jon VIII, ASOS

In Jon's dream, he's a witness to the Stark kings rising to confront him. But in Arya's POV, Jon is the dead rising from a tomb to confront them.

It's just funny because a common theme in Jon's crypt dreams is how he doesn't belong. He voices the rejection to himself - he's not a Stark, he has no place.

Jon shook his head. “No one. The castle is always empty.” He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. “Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It’s black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don’t want to. I’m afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it’s not them I’m afraid of. I scream that I’m not a Stark, that this isn’t my place, but it’s no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream.” He stopped, frowning, embarrassed. “That’s when I always wake.” His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf’s shaggy white fur. “Do you dream of Horn Hill?” Jon asked.

Jon IV, AGOT

He dreamt he was back in Winterfell, limping past the stone kings on their thrones. Their grey granite eyes turned to follow him as he passed, and their grey granite fingers tightened on the hilts of the rusted swords upon their laps. You are no Stark, he could hear them mutter, in heavy granite voices. There is no place for you here. Go away. He walked deeper into the darkness. “Father?” he called. “Bran? Rickon?” No one answered. A chill wind was blowing on his neck. “Uncle?” he called. “Uncle Benjen? Father? Please, Father, help me.” Up above he heard drums. They are feasting in the Great Hall, but I am not welcome there. I am no Stark, and this is not my place. His crutch slipped and he fell to his knees. The crypts were growing darker. A light has gone out somewhere. “Ygritte?” he whispered. “Forgive me. Please.” But it was only a direwolf, grey and ghastly, spotted with blood, his golden eyes shining sadly through the dark …

Jon VIII, ASOS

Yet Arya's POV shows that Jon does have a place. Not only that, but he becomes a resident of the crypts as a ghost. There's the implication too that he spends more time in there than all his siblings as he waits for them to arrive. Then when they do, he rises out of his own tomb like the dead Kings of Winter rise out of theirs in his dreams.

Bran's POV also says that only Starks belong in the crypts.

After that, oddly, Rickon decided he liked the Walders. They never played lord of the crossing again, but they played other games—monsters and maidens, rats and cats, come-into-my-castle, all sorts of things. With Rickon by their side, the Walders plundered the kitchens for pies and honeycombs, raced round the walls, tossed bones to the pups in the kennels, and trained with wooden swords under Ser Rodrik’s sharp eye. Rickon even showed them the deep vaults under the earth where the stonemason was carving father’s tomb. “You had no right!” Bran screamed at his brother when he heard. “That was our place, a Stark place!” But Rickon never cared.

Bran I, ACOK

It seems that Snow or Targaryen, bastard or trueborn, it doesn't actually matter. At the end of the day, Jon will always be one of them: a Stark son, and a true King of Winter.

[maljaws]

@thenoeyebunnynobunsusmaingallery inspired me to post my own

Wilbur Whateley HCs

In my version, Lavinia Whateley/his mom died in childbirth, leaving their occult obsessed, half-insane grandfather as their sole guardian

Also he doesn't shoot dogs, bc I said so

He's a very isolated man and only goes into Dunwich or generally off his property when he needs to, the people there aren't very kind to him after all Most food he can grow, water he has a well

This can lead to downright comical interactions of him looking in his 40s-ish but not knowing how to hail a cab Just, standing there until he manages to figure it out Which wouldn't be too long, he's a clever man, but far longer than it'd take for somebody who's been doing this their whole life

^ Someone take him to see a single film he's never been

If you've seen/played What Remains Of Edith Finch, the inside of the Whateley home has a similar aura to it's house. Scattered books on set in bookshelves, and old wall paper, dotted with paintings and photos from many many generations before him

He has no electricity, plumbing nor a proper stove for the time, so all old-fashioned And he doesn't care to change that anytime soon

When he's soaked, he smells like just a wet dog

Due to no bones, he works on octopus logic! If his teeth, beak, and any hard accessories fit through a gap he can squeeze his entire body through ^ Same goes with Oscar

Man relies on tools, though he has some degree of physical strength its far from his forte If he were to need to strangle somebody, it'd be by rope In a fight with no set up? He's gonna crumple quickly without a gun to defend himself Traps on the Whateley property help a lot to deal with any intruders

He's a really good cook! Though his tastes are tailored to himself and Oscar (The Dunwich Horror itself) so it may be odd

Man is SURROUNDED by books, its his dedication in life right now Also, one of few forms of entertainment

Next to, of course, taking care of his brother. They play Chess a lot, though their board is one of those giant sets so Oscar can actually see and control the pieces That was a primary decompressing activity when he was younger

He is still 15, so he still has some kid-like tendencies and wants, although since his grandfather's passed he's had to take up everything and functionally be the adult

He's very very busy. Afterall he's a farmer, a scholar, and the caretaker for Oscar He'll rest when reality is dead

Moon and inky cap motif hell yeah

I have so many of these and may've even forgotten some, apologies for how unorganized this is

[rose-tea-and-strawberries]

The way you write Deuce is just, *chef's kiss* i love it. it absolutely lives in my head rent-free.

So much so that i saw this tiktok of a pigeon sprinting with a leaf to gently put it on top of his mate sitting in her nest, and my first thought was, 'that's them. That's Deuce/MC. 💕💕'

Here's the video but i understand if you're hesistant to click on random links. I do hope you have a nice day btw ^ ^)

(https://www.tiktok.com/t/ZT8DbBeDw/)

AAAHHHH THANK YOU SO MUCH!

No but seriously Deuce 'his gaze softened' Spade is so loving and deserves so much love like I literally can't even explain.

First of all, that video is everything and it’s so Deuce coded I can’t even. Another animal couple I see would be this:

But, don't get me wrong, I would just like to go on the record and say that I've been watching a lot of dog videos and Deuce is 100% a dog: he's sweet, loyal, supportive, loving, protective - the complete package (though his eyes are much cuter). Just saying that he (and Jack) would be at the top of Crewel's list for approved boyfriends.

I mean as deranged as I am for him, I swear I can quit any time (I say as I stuff my shaking hands into my pockets and send multiple pictures of him flying out of my pocket)

He’s a perfect gentleman despite not being raised as one - and no I don’t mean in the literal sense, actual queen Mama Spade definitely raised her son to be chivalrous and kind and respectful to everyone. I mean he wasn’t raised to be a quintessential refined nobleman like Riddle or Malleus or Vil. He’s the only son of a single mother and as far as we know only his maternal grandmother is around (we don’t know if his father left or is dead but I subscribe to the headcanon that he was a jerk that left when Deuce’s mum was pregnant) so he’s never had an older male relative to look up to. Yet he still has all the traits that you’d see in Austen male leads - he's serious and straightforward, sort of soft spoken, he'll restrain his emotions, he's gentle (at most times), he canonically loves sappy romances, he’s got a strong moral compass and he has this sort of soft touch-starved vibe that I can't really explain.

But he's this sweet, considerate wholesome guy who gives it his all in everything despite his background and personality of an adrenaline-fuelled teenage boy. And he's very realistically (and very endearingly) a teenage boy: he's a troublemaker, he's rough around the edges, he makes mistakes even when his heart is in the right place, there are times where he can be slow on the uptake, he's aggressive, he thinks more with his fists and instincts and feelings than with his head, he's emotional and will lash out if he sees injustice, he's not afraid to use dirty tactics, he was literally in a gang, he's impulsive and reckless and literally itching for a fight. But he’s still as much of a man of honour as Mr Darcy or Captain Wentworth. And e's so loving and he's so sincere and he tries so hard I just-

(I want to kiss him on the mouth)

I just think it's really sweet that the same guy who could violently beat up like five guys bigger than him without a thought would instantly turn into a blushing puddle if you so much as held his hand and follow you around with a wide eyed awestruck look like a lost puppy or baby duckling.

I love to say that the reader is his salvation, his angel, his light and it comes from his inner shame at his past. Yes, he's bettering himself to atone for all the hurt his mother went through but he also really wants to prove to be someone worthy of being at your side. You're his apricity and he loves you more than anything.

He’s very sword and shield coded (though, I’d say he’s less of a shield and more of a sword - Jack seems to fit the shield motif more to me). He's very honour bound and duty driven and he gives me the vibes of those loyal knights you get in period stories.

And I guess that's what appeals to me. Bad boys are literally my least favourite trope in modern fiction and I get irked at practically every broody, angsty 'I hate the world' male love interest I come across (usually because the good boy second ml is so much better but my sister says that red flags are much more interesting than boring green flags so...). But Deuce, my man, my deuce box. He's a (former) bad boy that ticks all of the green flag boxes. He's not a bad boy with a hidden soft side, he's a soft boy with a (not-so-hidden) bad side.

He's not rude and snarky, he's kind and respectful. He doesn't have a problem with authority or hate his parents, one of his main character traits is his healthy love for his mother and he has a high opinion of his upperclassmen and the adults around him and he takes his studies seriously even when he's not good at them. He doesn't hide behind an arrogant facade, he's genuine and sincere to everyone he meets. Yes, he has an innate attraction for violence but instead of acting on it, he spends his time sating his love for adrenaline by speeding along on his magical wheel and joining the most athletic club in the school. He wouldn't tease you for your interests, you could spend hours babbling about your rock collection and he'd be completely rapt.

He's like the perfect dichotomy of the bad boy trope and the wholesome cinnamon roll good boy trope. Like one second he and you are engaged in the 'no you're cuter' or 'no you hang up' cycle on the phone and the next second your arms are wrapped around his torso and your wearing his leather jacket as he does the akira slide on his magical wheel.

Anyway I could go on for ages but instead have Deuce Vibes tumblr text post:

(Censored by moi)

P.S. I’ve been watching a lot of Ace edits and like 😳🥰 that boy ❤️ People make so many jokes about Malleus not getting invited to the meeting where the Disney executives explain twst is not an otome game but like Ace got the invitation and glanced at it for 0.345 seconds before ripping it into shreds, tossing the pieces into a blender, throwing the blender into a fire and then nuking the fireplace.

[lemondemonpickuplines]

you, yes YOU could become the next greatest LD pickup artist! that is, if you have a couple free minutes and are a fucking loser. just like me! submit your pickup lines today!

to jumpstart your beautiful and creative minds, I've made a list of songs that are yet to have a line under the cutoff. Remember, though, we're only Lemon Demon in name - you're also welcome to post about a Mouth song, a YouTube video, or anything else that speaks to you and that Neil Cicierega is a part of. GOOD LUCK!

Error

Bowling Alley

Wrong

Hazel's Modus Operandi

Idiot Control Now

Pepper and Salt

Holy Bison Beaks

Fire Motif

Elsewhere

Hydroelectric Viking

The Saga of You

Mr Wolfgang

Destructo

Fly Straight

Oz Explodes

Booja Jabooja

Chu Chu Rocket

Switzerland**

Birdhouse In Your Soul

Mold en Mono

What's In The Toaster

Sunbeam Light Show Flower Seed

Musical Chairs

Matches and Nails**

Relativity

Fancy Pants Manifesto

Go To Hollywood

Sick Puppy**

Almond

Bad Idea

Behold the FUTURE

Not Applicable

Roman Robot Statues

Run, Harry, Run

Take a Picture

There's a Robot in My Head

Dead Sea Monkeys

What Will Happen Will Happen

Subtle Oddities

Gonna Dig up Alec Guinness**

Smell Like a Cookie All Day

Eventuality

March of the Living Figments

Lollipops

Bicycle Race

Fuzzy

Bottom Line

Sky Blue Up

I Want to Wake Up

Stampy

Zero Gravity

Mothers All Over the World

Pirate in a Box

How To Poop

Neil.soul

Dinosaurchestra Part One

Archaeopteryx**

This Hyper World

The Too Much Song

Stick Stickly

Princess Unicorn Bunny Kitten Angel

Abraham Lincoln's Head

Funniest

Snakes On a Plane

Turkeys

Kaleidoskull

Gadzooks**

The Afternoon**

Nightmare Fuel

The Wiggles Hate Each Other In Real Life

You Got a Toothache

320x200

Strangelet

Today's Secret Word

While My Keytar Gently Weeps

Treasure Map

Creepy

Super Hey Ya

Prelude to Presents

Spiral of Ants

Geocities

Angelfire

Gravitron

Moon's Request

Cat Hacks

Kubrick and the Beast

WIERDNESS

Everybody Likes You

Christmas Dog

Clark Kent

Degrassi

eBaum's World Dot Com

Fly Away

Happiest Shit Ever

Sorry For the Text Posts

Experiments in VOPM

Happy Songs

Hydoelectric Viking Funeral

It's Gonna Get Weird

Illemonama Polkarama

Magic Dance

MyNewSong

Pokerap

Prince Ali

Robo

Vanilla

Wiry Song

Wolfden Radio

Yellowfish

Zip-up Rap

**the songs with asterisks may or may not already have lines. my blog is old enough now that I struggle to comb through the whole thing, and tagging isn't always perfect. don't worry about re-using a song, though; as long as it's not an egregious duplication of an existing post, you're alright.

also, I only post every few days, so forgive me if it takes a while to get to your submission. sometimes I don't post lines until months after they've been sent in, so if you've submitted and I haven't posted, it may just be lost in my ass-long queue. or i just don't think it's very good. but you have no way of knowing, do you.

[lockheed-martin-unofficial]

Sooooo I’ve been getting into Metroplex lately (pun intended) and the whole concept of titans and cityspeakers is so fucking cool. I decided that was how I’d add Razgriz into Aces of Cybertron, and while this sketch is barely visible I like the idea too much to wait before I post.

Wanna listen to me ramble semi-coherently about the blorbos I spin in my head?

The premise is, Razgriz the demon is a Titan, while Trigger is a cityspeaker who HATES her job. For my version of normal AC7 Trigger, her emblem dog is real and is Razgriz in disguise because she refuses to wield the demon’s power directly. It’s a whole thing and I hope you don’t need to know it to understand, because all of it exists only in my brain. anyway.

Let me explain regular AC lore first. In the games, Razgriz is a force of good and evil, chaos and balance. Whenever history encounters a great change, razgriz appears first as a demon who causes destruction, and then as a hero who restores peace and brings prosperity. These things are metaphorical in the game, the hero being several of the protagonists. It’s a cycle that repeats basically every war. While AC7’s protagonist Trigger isn’t directly linked to the Razgriz, it’s implied by the soundtrack using their motifs. Hence why I prefer to write Triggs as someone who refuses to become one with the Razgriz.

Aces of Cybertron Razgriz speaks to her and wants her to merge with them so she can wield their power and carry out their will. Trigger is reluctant, but the demon in her head DOES end up befriending her in the end, gaining her trust and offering guidance. She even does the merging thing a few times, but only when she really has to. I imagine it more so serves to enhance her own strength rather than have her physically control Razgriz, but maybe both will happen. They are probably constantly in her head anyways. Razgriz in this universe can’t be classified as good or evil, they are simply a force of nature carrying out the cycle of change. That’s what makes them dangerous, they only care about upholding the cycle and not the sheer destruction they cause. You can’t appeal to morals which aren’t there, either. You can, however, bargain and reason with them. They are logical, and will do as you say if you convince them it will achieve their goal better.

Don’t give me spoilers on the comics because I’ve only skimmed them! Razgriz in AC canon does have weird eyeliner similar to Caminus’ in Transformers, and I dunno if in TF that’s only a Caminus thing but I’ve decided to give Raz some as well to stay true to the source. Need to figure out how to translate the shape of a cloak into cybertronian back parts.

I like to think Alicron and the Arsenal Bird (need to find it a TF name) are also titans in this AU. Not as powerful as Raz, but titans nonetheless. Or at least something similar, because Alicron has a whole ass backstory idea. Actually, I’ll tell it.

Alicron himself was once Tanager, sporting a battleship altmode and leading the Aegir fleet. My idea is to make Aegir a pre-existing dead character, and have Tanager’s spark transferred to his lifeless frame to form Alicron. Maybe Aegir was the Titan, and Alicron sorta became him. I have to flesh this whole thing out but I wanted to ramble about it. That is all, if you’ve read this far thank you! And have a good day!

[daffodilsineden]

ranting about bsds plot + art of AI fyodor au.

i hope i eat my own words, but i genuinely hate asagiri's writing at the moment, flame me if you will but hear me out first. manga spoilers ahead.

Bungo Stray Dogs plot has been the bane of my existence since Dazai's 'death.'

I'm not exactly sure what Asagiri intends to do with the series, but in all honesty it seems to be falling into the same genre as jjk went into when every character with potential was made into fodder.

Asagiri is good at writing characters, but a comprehensive plotline? Not so much. In a series, the storylines are supposed to be fairly cohesive, not predictable COHESIVE. But as it stands now I genuinely can't understand where the series is even going. Hopefully I'll eat my own words, Asagiri will pull the rug from under me and the series will turn out better than ever.

The plotfall, in my opinion, would be the character death-baiting in bsd. Either fake deaths with choppy 'plot twists' (if you can even call it that.) or actual deaths where the character dying doesn't serve to further the story - but rather it just happens for shock factor. But those characters who are still alive, a majority, are only alive because Asagiri back benched them over a yonder ago. An example being the entirety of europe - untapped potential as the canonical 'powerhouse of abilities in the world', and the same supposed continent that could stop the vampire outbreak.

But the biggest fumble? Fyodor being alive.

We didn't need his backstory, we didn't need him to make a return, we don't NEED to understand him. Fyodor's character stems from being mysterious, unable to predict.

I'm a hypocrite here because in my AU - Fyodor is 'alive', as much as he can be. But we still know nothing, the straws that we were grasping at turn out to be leading to nothing bigger.

Because in my AU, Fyodor is AI. The character in meursault is not Fyodor, rather his façade - stunt double almost. The real fyodor doesn't even have a physical body. It isn't out of the question that a conscious AI could exist in the bsd verse, considering the fact that androids and man-made abilities can be made.

Why is he AI? I thought it was neat, first, but there are several points that Asagiri could've actually used. First of all it'd fit the natural trope of "artificial intelligence character who hates humans and ought to rid the world of sin," - but further to that fyodor is canonically good at hacking. being able to crash the Moby Dick with access to only one control panel somehow? Not to mention the amount of computer motifs he has through the series, and how game of chess with Dazai - he predicts Dazai so easily because with every move Dazai makes, Fyodor recalibrates himself. As for the person who bested Fyodor in the past, it could've been his creator. And with europole being able to make androids, I think it would be cool as hell if fyodor made his next target europe. expand the series past Japan and those visiting, his next stop is to steal documents on how to build his own body. and then, make his own ability, with the research conducted in stormbringer. (Which, if you don't remember, abilities are tied to souls - meaning his eventual attempt to make himself a ridiculously strong ability would end in failure.) Shirase and Adam make a comeback. Adam the android detective who fyodor wants to become similar to, and Shirase who after the events of stormbringer, fled to London to sell illegal jewels. you know what else shirase has? memories of what happened in the ability lab back in stormbringer. you know what fyodor wants? information on how to make his future robotic body an ability. (and if you don't remember, abilities are tied to souls - so his eventual attempt will likely result in failure) Shirase, obviously being weaker than both Adam and chuya who were witnesses to the same thing, becomes the main target to fyodor.

As for everyone else, the ada and likewise, who believe that fyodor is 'rightfully dead', will be shocked to hear that activity not unsimilar to how fyodor operates has sparked once more in europe. i think it'd be cool for the series to spin back into what it once was, a detective manga with minimal action - and further I hope it would expand past the confines of just Japan.

Anyway, to finish off my little rant I'd like to show my Fyodor AI concept art! Not the best I could draw, but I have no experience with mecha style concepts and I went into this with one reference and a dream 😭

expect tons of extentions to my AI fyodor au in the future, particularly surrounding Agatha's alliance with fyodor and the order of the clock tower in general, cya!

[nanistar]

How did you go about making your story Saltburn's Clan? I really love how fleshed out and interconnected things are, it's really good! I want to make my own story, too, but I'm struggling to know what steps to take to get there and where to start. So, how did you go about it?

this one is really hard. i get a decent amount of people asking me how to start/how to write a comic, but never how to start/write a story.

truthfully, i don't really know. i have always been a more oc oriented person rather than fandom oriented. when i was in middle school i tried writing fanfiction but was never as attached to the canon character as i was with ocs. now oc x canon, however, i could roll with. all this to say, i have always had oc stories floating around in my head, so starting a story itself is easy for me. following through is not, i have to really hit a vein early on.

so when it comes to story, what do you like? i like 70s and 80s grungy sci-fi and gory/campy horror (alien, event horizon, the thing, evil dead) niche and hostile biomes with highly adapted creatures (like deep sea or deep desert) and i love specbio, even if i'm far from an actual scientist. i also love bastardizing Christianity because the themes and motifs are. (chef kiss) Delicious. (a lot of these inspirations don't come into play for SBC but since i was 15 or so i've been working on another story, starting the comic, cancelling it, rewriting it, completely wiping everything but the core characters. most of these themes are more appropriate for them)

and what sort of character tropes do you like/don't like? i personally am uninterested in writing stories of younger people discovering the world around them and discovering who they are. i love to read them, but i've already lived through that situation and don't want to have to work through it again. another thing i'm personally bad at writing is will they/wont they romance stuff. that's why i like established adult characters with established relationships. Saltburn and hollowspur are both 5 years old and have been dating for about 4 of those years. we know that they love each other, as they visit and play around, and sleep over often, but we also know that they are independent and self-sufficient without each othersince we know that they live apart and have no interest in moving in together. (this is all shown, not told, in chapter 1) i did not start saltburn's story and setting with the intention of making it into a comic, or even to share it with tumblr or anyone other than my friends, outside of drawings that i did for myself and posted. she was just a little kitty cat who lived in my head for a while. i talk a bit more about it here, but basically when it came to actually coming up with the setting, i knew i wanted it in the desert so i researched biomes and found ones that would be good for clans.

warrior cats in particular lends itself to a really good jumping off point for stories, as it already has an established hierarchy and society so you dont have to think TOO hard about it. but also you can modify it to your own discretion. i'm personally sick of starclan's interference so i didn't want them to have anything to do with the story, plus there are a lot of better "starclan is evil/fucked up/has bad intentions" stories out there than i could do (@the-exiled-comic, the dog star, ect) . i also didnt want any clan v clan drama because weve had enough in canon. from there i established that cross clan relationships are fine and joining a clan that fits you better is okay too. then i filled out the clans, i started with sunclan and did marshclan last. through drawing that huge list of characters i was able to set them up with families and histories along the way because i could look at similar coat patterns and stuff and assign them as family. briskwater and hollowspur were always siblings, but hawkwasp being from briskwater's litter came a bit later. i knew i wanted flickerstar to have exes and a lot of kids so i came up with a bunch of names first and figured the rest out later. having these established histories that go back helps make the world feel lived in.

saltburn's unusual design came before the creation of moonclan, though i knew i wanted a 4th clan at this point. i decided there would be a clan that lived in the mines and came out at night, and then eventually worked them back so that they were instead banished away deep into the mines. there is a lot of moonclan lore that i have not revealed yet (we will learn all about them this upcoming chapter) and most of it has stemmed from the question: If life is so bad for them down there, why hasn't anyone left yet? because a major plot point form moonclan is that nobody knows they exist. SO there has to be something, physical or otherwise, keeping them down there. when you build a world you gotta ask yourself WHY a lot, and figure that out too. why are the surface clans so friendly with each other? because they don't need to compete for resources and are able to spare some. why hasn't anyone left moonclan? well...

anyway a lot of these things will come naturally the more you think about it. and tbqh, i did not go into the comic with all this lore and stuff planned. it has come to me as i work. moonclan's [Redacted] has been rewritten like a dozen times as i come up with cooler ideas. when i plan a scene, i usually wrote a short kinda vague script for it, and then work through it as i do the pages. an 8 page scene takes a month to do, so I have a lot of time to mull over the dialogue, so i don't worry about writing it all down ahead of time.

but beyond all that. i personally can't go "i want to write a story" and then do it. i have to work it over in my head and as doodles for a long time before i get anywhere that i'm happy with it. it comes naturally to me i just sorta zone in and focus on stuff.

[arainaizevran]

Post 5 songs associated with your OC, followed by 3 outfits they would wear

tagged by @the-eldritch-it-gay @asharaks and @20skai (sorry it took me so long to do this one 😭)

I haven't kept track on who already did this or not so no pressure tagging: @thedragonagelesbian @timothylawrence @landlordevil @marmett @droodlebug @mathlann @leopardmuffinxo and anyone else who wants to do this!! 💖

I will do 5 songs for Ajax and 3 outfits for Marcy! <3 Under the cut because it got long, somehow

Songs (Ajax):

God of the Dead by Darren Korb (Hades soundtrack goes so hard and also I can imagine this song playing during the Temple of Bhaal duel)

Laughing with a Mouth of Blood by St. Vincent

Torture Me by Metric

Cop Car by Mitski (sadly no longer on any streaming platforms...) (also dog motif yayyy)

Human by Daughter

Outfits (Marcy):

one word: leatherrrrrr