#cultural diversity is not the shows problem

[whencyclopedia]

The Invention of the First Coinage in Ancient Lydia

Money may take many forms, from the digital code of cryptocurrency to the woodpecker scalps favoured in early California. People have also used cattle, cacao beans, cowrie shells, chewing gum, grain, and giant stones as money. Early cultures became especially fond of metals, particularly silver, gold, and electrum (an alloy of the other two). These held their value (unlike a dead cow), were easy to transport (unlike a giant stone), and they could be measured out in exact amounts and fractions (unlike a woodpecker scalp). The only problem with metals is all the weighing. This adds time to every transaction, increasing the inconvenience and costs of doing business with bullion. There had to be a better way – and the ancient Lydians invented it.

Lydians Invent Coinage

In approximately 630 BCE, someone in the Anatolian kingdom of Lydia stamped a piece of precious metal with something akin to a signet ring. One outcome of this simple act was that it increased confidence in the lump’s weight and purity when later used in the marketplace. This procedure did nothing to modify the intrinsic value of the commodity, but it simplified the exchange of bullion for anyone willing to accept the stamp’s guarantee prima facie rather than reweighing and retesting the lump every time it was traded. Merchants could set aside their cumbersome scales, weights, and touchstones to accelerate their transactions by counting out, not weighing out, this new form of currency. The Greeks, who quickly adopted this Lydian technology, named the coins nomismata because they functioned as money by accepted convention (nomos).

That acceptance probably grew by degrees. The first time a fellow showed up in a Lydian marketplace with some stamped chunks of electrum, most of his neighbors may not have noticed or cared. The metal went into the balance pan with other bullion to pay a debt or purchase a lamb. Nothing differentiated the stamped and unstamped pieces until people could agree, by custom (nomos), that the message punched into the metal had special meaning. At that point, the object obtained the three essential elements of a coin as later stipulated by Isidore of Seville in the seventh century CE: acceptable metal, weight, and design. The stamps were rudimentary affairs at first, bearing messages in Greek or Lydian stating, "I am the signet of Phanes" or "I am of Kukas."

It must be remembered, however, that ancient peoples treated a seal more formally than we do a signature; the seal embodied the full power and prestige of the person associated with it. We might compare this to a document that has been notarized and not merely signed. These legends accompanied diverse images ranging from a lion to a stag, all hammered into the metal by a hardened die. Persons such as Phanes and Kukas (perhaps one a military commander and the other a king) stood surety for their stamped bullion in terms of its quality and quantity. Their prior involvement with the metal made it easier to transact business using it. To make this innovation even more convenient, coins were struck in seven denominations going down to a minute fraction (1/192) of a stater weighing less than a tenth of a gram (0.004 oz). This fact suggests a high degree of coin-based monetization, accommodating payments large and small across the Lydian economy.

Book Excerpt

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[eponastory]

Cultural Diversity?

Okay so, I've seen some criticism about the 'lack' of diversity in AtLA: Netflix Addition.

Are you blind!!!

Starting off with the costumes... they are literally ripped straight from the source material. You have Inuit, Japanese, Indian/Sri Lankan, Indonesian, and several Chinese Dynastic interpretations represented in the Earth Kingdom. The Fire Nation itself is a mix of some of these things. So I'm not sure what people are complaining about.

Bumi's Palace, for example, has elements of both Hindu and Middle Eastern (even Moorish) architecture. There are some designs that reminded me of Alhambra in Spain.

Roku's temple... Japanese, Southern China, and some Taiwanese architecture. Like I guess it takes someone with half a BA in Fine Arts to see this, but these criticisms are seriously flawed.

My goodness, Kyoshi Island is basically a Japanese fishing village. You have people wearing Yukatas and Hoaris for crying out loud. Even the homes you see are very Japanese. It was purposely designed that way because Japan was the inspiration behind Kyoshi.

The Water Tribes are so Inuit they even got a well know Native American actor to play Chief Arnook.

Like I'm not getting it?

Am I spinning lose wheels here?

[shame-kink]

jimmy and the pulsating mass NEVER appears in those fucking rpgmaker motheresque game circlejerk posts and i’m SICK OF IT.

[staff]

Tumblr’s Core Product Strategy

Here at Tumblr, we’ve been working hard on reorganizing how we work in a bid to gain more users. A larger user base means a more sustainable company, and means we get to stick around and do this thing with you all a bit longer. What follows is the strategy we're using to accomplish the goal of user growth. The @labs group has published a bit already, but this is bigger. We’re publishing it publicly for the first time, in an effort to work more transparently with all of you in the Tumblr community. This strategy provides guidance amid limited resources, allowing our teams to focus on specific key areas to ensure Tumblr’s future.

The Diagnosis

In order for Tumblr to grow, we need to fix the core experience that makes Tumblr a useful place for users. The underlying problem is that Tumblr is not easy to use. Historically, we have expected users to curate their feeds and lean into curating their experience. But this expectation introduces friction to the user experience and only serves a small portion of our audience. 

Tumblr’s competitive advantage lies in its unique content and vibrant communities. As the forerunner of internet culture, Tumblr encompasses a wide range of interests, such as entertainment, art, gaming, fandom, fashion, and music. People come to Tumblr to immerse themselves in this culture, making it essential for us to ensure a seamless connection between people and content. 

To guarantee Tumblr’s continued success, we’ve got to prioritize fostering that seamless connection between people and content. This involves attracting and retaining new users and creators, nurturing their growth, and encouraging frequent engagement with the platform.

Our Guiding Principles

To enhance Tumblr’s usability, we must address these core guiding principles.

Expand the ways new users can discover and sign up for Tumblr.

Provide high-quality content with every app launch.

Facilitate easier user participation in conversations.

Retain and grow our creator base.

Create patterns that encourage users to keep returning to Tumblr.

Improve the platform’s performance, stability, and quality.

Below is a deep dive into each of these principles.

Principle 1: Expand the ways new users can discover and sign up for Tumblr.

Tumblr has a “top of the funnel” issue in converting non-users into engaged logged-in users. We also have not invested in industry standard SEO practices to ensure a robust top of the funnel. The referral traffic that we do get from external sources is dispersed across different pages with inconsistent user experiences, which results in a missed opportunity to convert these users into regular Tumblr users. For example, users from search engines often land on pages within the blog network and blog view—where there isn’t much of a reason to sign up. 

We need to experiment with logged-out tumblr.com to ensure we are capturing the highest potential conversion rate for visitors into sign-ups and log-ins. We might want to explore showing the potential future user the full breadth of content that Tumblr has to offer on our logged-out pages. We want people to be able to easily understand the potential behind Tumblr without having to navigate multiple tabs and pages to figure it out. Our current logged-out explore page does very little to help users understand “what is Tumblr.” which is a missed opportunity to get people excited about joining the site.

Actions & Next Steps

Improving Tumblr’s search engine optimization (SEO) practices to be in line with industry standards.

Experiment with logged out tumblr.com to achieve the highest conversion rate for sign-ups and log-ins, explore ways for visitors to “get” Tumblr and entice them to sign up.

Principle 2: Provide high-quality content with every app launch.

We need to ensure the highest quality user experience by presenting fresh and relevant content tailored to the user’s diverse interests during each session. If the user has a bad content experience, the fault lies with the product.

The default position should always be that the user does not know how to navigate the application. Additionally, we need to ensure that when people search for content related to their interests, it is easily accessible without any confusing limitations or unexpected roadblocks in their journey.

Being a 15-year-old brand is tough because the brand carries the baggage of a person’s preconceived impressions of Tumblr. On average, a user only sees 25 posts per session, so the first 25 posts have to convey the value of Tumblr: it is a vibrant community with lots of untapped potential. We never want to leave the user believing that Tumblr is a place that is stale and not relevant. 

Actions & Next Steps

Deliver great content each time the app is opened.

Make it easier for users to understand where the vibrant communities on Tumblr are. 

Improve our algorithmic ranking capabilities across all feeds. 

Principle 3: Facilitate easier user participation in conversations.

Part of Tumblr’s charm lies in its capacity to showcase the evolution of conversations and the clever remarks found within reblog chains and replies. Engaging in these discussions should be enjoyable and effortless.

Unfortunately, the current way that conversations work on Tumblr across replies and reblogs is confusing for new users. The limitations around engaging with individual reblogs, replies only applying to the original post, and the inability to easily follow threaded conversations make it difficult for users to join the conversation.

Actions & Next Steps

Address the confusion within replies and reblogs.

Improve the conversational posting features around replies and reblogs. 

Allow engagements on individual replies and reblogs.

Make it easier for users to follow the various conversation paths within a reblog thread. 

Remove clutter in the conversation by collapsing reblog threads. 

Explore the feasibility of removing duplicate reblogs within a user’s Following feed. 

Principle 4: Retain and grow our creator base.

Creators are essential to the Tumblr community. However, we haven’t always had a consistent and coordinated effort around retaining, nurturing, and growing our creator base.  

Being a new creator on Tumblr can be intimidating, with a high likelihood of leaving or disappointment upon sharing creations without receiving engagement or feedback. We need to ensure that we have the expected creator tools and foster the rewarding feedback loops that keep creators around and enable them to thrive.

The lack of feedback stems from the outdated decision to only show content from followed blogs on the main dashboard feed (“Following”), perpetuating a cycle where popular blogs continue to gain more visibility at the expense of helping new creators. To address this, we need to prioritize supporting and nurturing the growth of new creators on the platform.

It is also imperative that creators, like everyone on Tumblr, feel safe and in control of their experience. Whether it be an ask from the community or engagement on a post, being successful on Tumblr should never feel like a punishing experience.

Actions & Next Steps

Get creators’ new content in front of people who are interested in it. 

Improve the feedback loop for creators, incentivizing them to continue posting.

Build mechanisms to protect creators from being spammed by notifications when they go viral.

Expand ways to co-create content, such as by adding the capability to embed Tumblr links in posts.

Principle 5: Create patterns that encourage users to keep returning to Tumblr.

Push notifications and emails are essential tools to increase user engagement, improve user retention, and facilitate content discovery. Our strategy of reaching out to you, the user, should be well-coordinated across product, commercial, and marketing teams.

Our messaging strategy needs to be personalized and adapt to a user’s shifting interests. Our messages should keep users in the know on the latest activity in their community, as well as keeping Tumblr top of mind as the place to go for witty takes and remixes of the latest shows and real-life events.  

Most importantly, our messages should be thoughtful and should never come across as spammy.  

Actions & Next Steps

Conduct an audit of our messaging strategy.

Address the issue of notifications getting too noisy; throttle, collapse or mute notifications where necessary.  

Identify opportunities for personalization within our email messages. 

Test what the right daily push notification limit is. 

Send emails when a user has push notifications switched off.

Principle 6: Performance, stability and quality.

The stability and performance of our mobile apps have declined. There is a large backlog of production issues, with more bugs created than resolved over the last 300 days. If this continues, roughly one new unresolved production issue will be created every two days. Apps and backend systems that work well and don't crash are the foundation of a great Tumblr experience. Improving performance, stability, and quality will help us achieve sustainable operations for Tumblr.

Improve performance and stability: deliver crash-free, responsive, and fast-loading apps on Android, iOS, and web.

Improve quality: deliver the highest quality Tumblr experience to our users. 

Move faster: provide APIs and services to unblock core product initiatives and launch new features coming out of Labs.

Conclusion

Our mission has always been to empower the world’s creators. We are wholly committed to ensuring Tumblr evolves in a way that supports our current users while improving areas that attract new creators, artists, and users. You deserve a digital home that works for you. You deserve the best tools and features to connect with your communities on a platform that prioritizes the easy discoverability of high-quality content. This is an invigorating time for Tumblr, and we couldn’t be more excited about our current strategy.

[scarlet--wiccan]

Agatha All Along, the highly anticipated follow-up to WandaVision, begins airing this week on Disney+. Now is the perfect to revisit some important information about both shows and the context in which some of Agatha's new characters are being introduced.

WandaVision primarily followed the character Wanda Maximoff and expanded on her family history by introducing her late parents as well her twin sons, who are born from magic and age rapidly over the course of the series.

In the Marvel comics source material, Wanda is part of a large, multigenerational family of Jewish and Romani characters whose stories frequently reflect the systemic violence and oppression that both communities face-- including Romani Holocaust victims, who are critically underrepresented in both education and media. In the MCU, these identities and histories are completely erased, and the characters are all played by white actors. Alternate versions of these characters also appear in the Fox X-Men films, and are similarly whitewashed.

The Romani people are a racialized minority that originated as a South Asian diaspora, and who face severe systemic oppression in Europe and North America. The modern Romani population is quite diverse, but they are not of white ethnic origin, and despite the fact that Wanda and her family have historically been drawn with white features, they are minority characters and ought to be considered as such.

Depictions of witches and witchcraft are often entwined with antisemitism and anti-Romani racism. In pop culture, witches and fortunetellers are typically portrayed as visual stereotypes of Romani women. In the real world, fortunetelling is a profession born from survival work, one which Romani families are often heavily policed and racially profiled for practicing. While Wanda usually subverts these tropes, they are often played straight elsewhere in the superhero genre, and any story about witches, especially one featuring Romani characters, needs to be critiqued in this context.

Agatha All Along introduces viewers to a new cast of characters, including Lilia Calderu, played by Patti LuPone, and the enigmatic "Teen", played by Joe Locke, who is heavily speculated to be an incarnation of Wanda's son, Billy.

In the comics, Lilia is a member of a prominent Romani family in Wanda's community. Often lauded as the "witch queen of the gypsies," Lilia embodies many racial stereotypes about Romani women. In Agatha All Along, Lilia is depicted as an older Sicilian woman, however, being portrayed as a batty fortuneteller with a tawdry psychic shop, she still embodies an offensive trope. Although Lilia is far from "good" representation, this is not an improvement-- if anything, it's even more exploitative.

Billy was raised in a Jewish American household and places a very strong emphasis on his Jewish identity, in addition to having Romani heritage. His identity as a young gay man is always presented in conjunction with this heritage, not in spite of it. Though there is a significance to Locke being a gay actor playing a gay character, his casting-- if he is indeed playing Billy-- is not authentic. White gay representation should not supersede racial inclusivity, and it is not an excuse for whitewashing or Jewish erasure.

Marvel Studios recently announced that the character Doctor Doom will be played by Robert Downey Jr., who is returning to the franchise after many years in the role of Iron Man. In the source material, Doom is also a Romani character with a very similar background to Wanda's. This identity is central to Doom's character-- although he is written to be both morally and politically challenging, the liberation of his people has always been a primary motive.

Clearly, this type of whitewashing is an ongoing pattern in the MCU franchise. Although "Teen's" identity is still unconfirmed and Lilia may, ultimately, be of little consequence, they are part of a larger problem, and Agatha All Along needs to critiqued in that context.

[punkpandapatrixk]

🏖Your Own Standards of Beauty ♦︎ Timeless Pick A Card

I’ve seen one too many times East Asian YouTubers, when talking about EA’s ‘rigid standards of beauty’ giving this sense of defensiveness or helplessness—because it’s culture, right? With every fibre of my mixed ancestry I loathed that particular brand of apologist behaviour.

‘Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.’ – U.G. Krishnamurti

Up until fairly recently, I was still struggling with comprehending the thought process behind this ‘invention’ of a grotesquely small and narrow mould of beauty and conduct to which ALL East Asians must abide lest you’re a total disharmonious failure. After some long and hard rumination, frustration, accompanied by occasional bouts of repugnance, I think I finally get ‘why’.

Almost ALL people in East Asia ALL LOOK THE SAME!!! By nature!!! LMAO LMAO People can ONLY have black hair and black eyes LMAO Ahahahohohhahah I think these Asians were never ‘socialised’ to appreciate variety. Hahhh that’s so pathetic. If this really is the reason, man, it’s pathetic as fuck. Ionno tho. You think I’ve figured it out.

All I know is that East Asians must repent for all the sins they’ve committed against childhood, individuality, creativity, aaand society and Humanity itself. Yes, Humanity. Standing on the side of all genetically diverse peoples of Asia, such as the Ainus, Mongols, Uyghurs, to some extent the Zainichis, and sooo many other ‘anomalies’ who, in recent history, have been cast aside and treated poorly only because they don’t ‘fit in’ to the ideals and cultures of the main races of some purebred fucks.

For all I care, the part of East Asian culture that has birthed this infamous ‘rigid standards of beauty, and, conduct’ can go to fucking hell. If you’re the type of person who’s even the slightest bit proud—or defensive—of this you can go and fuck yourself. No one should be proud of that kind of a racist, fascist, repulsive, little bitch mindset. Are you a little bitch? I ain’t one.

I am a Supreme Bitch! Imma be myself and do whatever the fuck I want and look however I want. And if my society can’t take that? Those types of people—Asian or no Asian—can die on the wrong side of history! I. AM. MY OWN. PROTOTYPE.

perspective: Why BUSHIDO Is The Root of All Social Problems in Japan by Let’s ask Shogo

documentary: WE ARE X on YouTube (watch before it’s taken down LOL)

‘X challenged a conservative Japanese society and showed us a new way to be. They started a revolution, honestly.’

‘Be proud!! Be proud of yourself! We are!! X!!!’

deck-bottom: X(!?!) The Wheel of Fortune, Priestess of Ambition, Gold Magus (Johannes Faustus)

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – A Light of Innocence in this Insanely Debased World

playlist: silly playlist for silly people with rare songs!! by Rita wild

the TYPA beauty you are – Page of Cups

You are someone who’s known for being quite childlike. It could be that you do look young, but it’s mostly your mannerism. Technically speaking, it’s just YOU being the happy pill that you are. Listen, some of you tuning into this Pile could be dark and sombre on the inside—especially if you have a significant Scorpio/Pluto about you or if you’ve had a very unhappy childhood—but the way you’re perceived on the outside is totally bright, beautifully soft and pleasant, and dang, people really be liking your aenergy when you’re in a room.

You’re the type of beauty that exudes ‘purity’ in the most innocent way, no matter how you look or dress. You could be perceived as ethereal or unreal. otherworldly in a sense that you don’t seem to fit in this dimension. Are you an alien? Are you a goddess? Are you a fairy, elf, or an anime character? People may not have the exact words to describe you but you’re INTERDIMENSIONAL is what’s going on.

It isn’t just your physical beauty or the attractive way that you smile. People may not realise this themselves either but what’s truly beautiful about you is this VIBE or AURA that you generate from having a vastly pure heart. No, no, not pure in the sense that you never think sexy thoughts, what? Pure in the sense that you really operate from your Higher Heart and has very little ego driving your ambitions in Life~^_☆-v

effects on the world around you – Ace of Cups Rx

Basically, you just love beautiful things. You always look for beautiful things. And you make an effort to surround yourself with things you find beautiful in your own standards. And in a way, you’re also the kind of person who sees beauty in everything and everybody. You’re the type of person who sees Light even in a narc’s darkest corners of their blackened heart (if they had one), which is really such a beautiful thing but could also prove DANGEROUS!

It’s wonderful to have childlike wonder but it ain’t cool whatsoever to be childish enough not to acknowledge the presence of evil fucks. Bad people exist, OK? Very predatory and murderous people exist, OK? And it’s a spectrum. And you’ve been such an easy target for those on the milder spectrum of psychopathy! Babe! OMG You’re often drained of good aenergy after catering to the stupid whims of very narcissistic, histrionic, pathetic, selfish and whiney fucks.

STOP THAT. Of all the Piles, you’re the type of soft beauty who’s often underestimated and taken for granted just because you’re always so positive. If not ‘positive’ per se, you’re perceived as ‘strong’, so those types of people don’t even feel shame for constantly taking and demanding your aenergy. Keep allowing that long enough and your physical beauty could be drained out of you by the time your First Saturn Return jaywalks along and smacks you in the head.

keep being you, Glorious One – 6 of Swords Rx

Truly, you’re a silly angel who holds the power to absorb other people’s pain and gloomy feelings. But if this is your main pile, thing is, you might not have learnt how to release or transmute the negativity you’ve absorbed from your surroundings. It is paramount that you learn to call upon divine protection so that you’re shielded from the Evil Eye of those who are envious of your beauty and feel silly in your purity. Your Spirit Guides aren’t saying that you should stop being innocent, right?

A Soul like you is very rare in this perverted world. Some people might say, ‘They don’t make people like you anymore…’ WRONG. You’re the catalyst, if anything. By your example, there’s gonna be MORE people who are gonna be comfortable in their purity. Knowing that there’s nothing wrong with them for being this way. Fully comprehending that it is this world that’s gone too insane, and DEBASED. And this world has been this way for far longer than people realise. I mean, I’m sure you’re aware of how inhumane most people were in the medieval times LOL

Keep being the innocent and pure you, Glorious One. What you’re being advised to do is learn to set healthy boundaries from which you can still shine your Light safely. I’m being told that many of you choosing this Pile, due to your heightened sense of aesthetic, might want to have a social media presence or any kind of public platform where you’re free to share bits and pieces of your beautiful Life as a form of your Lightwork. Some kind of a lifestyle influencer?

I’m thinking of channels and blogs that typically share aesthetic daily vlogs and stuff like that—like nemui atelier on YouTube. You know what I mean; I don’t know what I mean XD

YOUR BEAUTY KILLS🔻💙

story of your evolution – Priestess of Prosperity

a legacy of authenticity – Red Astronomer (Johannes Kepler)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – An Unexpectedly Romantic Dreamer of Luxury

playlist: songs like 𝑚𝑦 𝑙𝑜𝑣𝑒 𝑚𝑖𝑛𝑒 𝑎𝑙𝑙 𝑚𝑖𝑛𝑒 (MITSKI) by song with love

the TYPA beauty you are – 2 of Cups

Ah~! You are such a dreamy and romantic beauty! You’re soft, elegant, sweet and lovely, with a kicking spice for those who would get on your bad side LMAO You’re actually a lot tougher than appearances give but most people don’t always get this until they’ve gotten to know you. For the most part, at first glance, at first encounter, you’re a sweet goddess, who probably gets projected on a lot.

You really have an unassuming quality about you. So then, people think there’s not much going on within and think it’s easy to typecast you into something, with some simplistic label. People think it’s easy to figure you out and classify you into some kind of a dream girl who’s always going to be nice, warm and friendly with everybody. You’re not. You’re a totally self-respecting babe. Actually, you really hate it when people act like they know you.

When people act like they’re close, buddy-buddy with you, it’s super annoying and depending on your mood that day, you could sometimes feel this urge to break people’s faces. But you don’t do that; you’re too nice. And you’ve got a plethora of coping mechanisms to deal with how annoyed you are with your surrounding XD Good for you!

effects on the world around you – 5 of Swords Rx

First of all, I think many of you tapping into this Pile love shopping. Retail is definitely your therapy. Is this good? Is this bad? Depends, I guess. You tend to spend money gregariously or consume a lot of food, or buy a lot of aesthetic knickknacks, or buy a lot of arts and craft as a means of therapy. Deep down, you’re somebody who has a lot of anger or a general sense of dissatisfaction with the world you’re a part of and this rage, almost, needs to be channelled creatively.

There’s a perpetual sense of disgust inside of you. You’re keen to observe and notice how much Humanity is failing. Everything that is ugly about society and people in general disgusts you. That’s why it’s important for you to live in beauty or indulge in creativity. That’s why it is paramount that your immediate surrounding, that your own Life, within what you’re able to control, is beautified to the max. You could be quite desperate in this pursuit because this is some kind of an overcompensation for the beauty and creativity that you feel is lacking in the world.

Your aenergy is kinda reminding me of this quote by the iconic Edie Sedgwick when describing why she dressed up the way she did:

‘When I was girl of the year and superstar and all that crap, everything I did was really…motivated by psychological disturbance. But I’d make a mask out of my face because I didn’t realize I was quite beautiful…I had to wear heavy black eyelashes like bat wings and dark lines under my eyes. Cut all of my hair off and strip it silver and blond. All these little manoeuvres I did out of things that were happening in my life that upset me. I’d freak out in a very physical way, and…it was all taken in a fashion trend.’

In fact, I think all of her famous words here could resonate with you. You are what trend-setters and superstars are made of, that much of your effect on the world is certain~

keep being you, Glorious One – Queen of Pentacles

Really, that’s all dandy as long as you can make a living out of your pursuit of beauty and creativity. This about you is really something that you can utilise as a means of therapy, self-care and self-improvement because you really are an artist, one way or another. It would be wonderful if you could monetise your beauty and creativity in some trendy way.

If you feel that you’re not particularly good at any kind of ‘real’ art, then you can ‘serve face’ to help other people sell their shit. You don’t think this is smart enough? Muses are often people who don’t do art—rather they inspire Art in the minds and hearts of other artists. Truly, you are an artist; but those of you tuning into this Pile who feel like you’re not one…you are potentially someone’s Muse.

Luxury is yours for the taking. But a lot of people in this world pursue luxury and some form of fame for vapid reasons and that often makes people very unhappy. Your Spirit Guides are saying that you do have a talent for balancing modern money-making and self-care. I think what they mean to say is that, you can be the prototype for how people can be completely and uniquely offbeat whilst still maintaining a good work-life balance.

After all, you do remember how much people like to project on you, right? Well, use them to make Life a lot easier! XD After all, it’s not like their projection and labelling would be useful any other way LOL🐙

YOUR BEAUTY KILLS🔻💜

story of your evolution – Priestess of Luxury

a legacy of authenticity – Green Historian (Herodotus)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – A Ghostly Bitch Witch Who’s Quite Literally a Fucken Sigma

playlist: Everything Is Still Under Control by Mabisyo

the TYPA beauty you are – Queen of Wands Rx

You, are, by nature, magical. You’re incredibly magnetic and this ain’t even something you’ve needed to work on; it all comes naturally. If anything, it seems you’ve needed to learn the very hard way how to shield yourself from aenergy vampires. You’ve needed to work on your boundary. This is because it took you such a long time to realise most everybody around you was nothing but anklebiters. These were people who just wanted to be seen orbiting you because doing so would elevate their status or image.

Whether or not you’re aware of it, you’re quite literally thee IT girl. You’re also THAT girl, because a lot of what you do and just who you are is very aspirational. Well of course aspirational to the motivated ones; to the weak, lame-ass ones? Almost everything about you is irritating. And most people are really lame, don’t we all agree on this? So you may have felt like you’re really quite an unlikeable character. WRONG. Dead wrong. It’s not you; it’s your lame-ass environment.

You’re a Queen of Passion who’s been living in peasant quarters, figuratively speaking. You’ve been surrounded by misers who don’t even understand why it’s deeply important for them to raise their own standards of authenticity. Thing is, they can’t afford to be authentic. It’s probably not entirely their fault—after all, peasants are highly dependent on thee System. Not you. You’re the menacingly magnetic bitch witch of a system buster!

effects on the world around you – 8 of Cups

As much as you make an effort to be left alone, you magnetise admirers to no end. This is reminiscent of Greta Garbo’s famous quote, ‘I never said, "I want to be alone". I only said, "I want to be left alone". There is a whole world of difference.’ It’s true with you as well. You’re not necessarily an antisocial bitch who hates people; you just want to be left alone by gluttonous gossipers and silly simpers. You find it hard to grasp why people behave unreasonably in society, all, the, time.

You yearn for a more intellectual world where people behave honourably, which is quite paradoxical considering you’re often perceived as quite scandalous in your behaviour and lifestyle choices as well. For example, you could be gay or queer? You could desire to defy social norms such as ‘having to marry by a certain age’? You either reject social norms or you live completely opposite to what’s expected of your gender, nationality or age. You don’t like being told how to live your Life as if you couldn’t work it out yourself. It's YOUR Life, right?

It’s MY Life! My Story! Is what you say.

You’re the kind of super bad bitch that gives no one permission to decide how you should sail your ship. You’re at the wheel so you’re gonna sail the world however best you know. You’re gonna learn a ton because you’re not afraid of detours or delays or whatever—you could meet accidents, hopefully not fatal ones, but you’re going to learn. That’s what growing up well is all about for you. And if you meet the right kind of audience, your whole AURA is going to empower them to do just the same for themselves~

keep being you, Glorious One – 4 of Cups Rx

You are destined for an exciting Life. In fact, you’re meant to have an audience, have some kind of impact on the world, you’re meant to become some kind of a famous person. Could be a celeb, yeah, but in this social media era, literally everybody can have their own unique kind of celebrity, right? You’re meant to be seen, heard, listened to, watched, analysed (LOL), and learn from.

You’re somebody who’s rare and your perspectives are deeply needed by this world. This world that’s often blindsided by optical illusions. Of all people, you’re the only one who’s not getting sucked into the mirage of mass media and deceitful politicians. You’re the one who’s noticing where the lies are all at. And you need to point that shit out, spell it out for other people to see what’s truly going on in this world.

You could gain enemies, lots of them, in fact; but you are definitely gaining a massive following far greater than that if you remain authentic and courageous. Stay spooky. Stay scandalous. Stay gloriously YOU~ You’ve no idea just how much that Light of yours is needed in this world of long shadows. Keep your Third Eye open and keep your divine protection. Most people have yet to catch on to the one thing that makes YOU superfluously attractive: a courageous Heart that seeks to liberate others from the chains of their own cowardice.

YOUR BEAUTY KILLS🔻🧡

story of your evolution – Priestess of Luck

a legacy of authenticity – Green Magus (John Dee)

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

[vampireistic]

the problem with natlan / sumeru

warning: long post

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to preface this i’d like to say that i’m in no ways an expert in the topics present, i’m just an autistic dumbass with too much time on his hands who enjoys a bit of research — i’m in no way, shape or form trying to belittle players who are excited for the update, by all means i hope you enjoy it, i’m just trying to give criticism.

you can enjoy/play a game while criticising it simultaneously.

when it comes to the topic of racial diversity and a company like hoyoverse that’s based in china, there’s quite a lot of political baggage that comes along with it. while i’ll try my best to go over that, i’m afraid i can only give a very limited eastern european perspective on it and i’ll certainly get things wrong or misinterpret things — if you’d like a more thorough view on the politics, please go read the post made by @zeichannnnn (hope you don’t mind the tag my love)

firstly, i’ll be going over general misconceptions, ridiculous excuses and or stereotypes that i’ve seen commonly come up in this conversation.

any and all screenshots will have usernames cut off for privacy, i want to maintain a civilised discussion and not cause argument.

a lot of my critiques are more so towards the attitude the fandom has when it comes to this argument and their blatant colourism. as my friend above says, no one ever complained about characters in liyue/inazuma being paper white despite the fact realistically, no one in EA is that colour naturally. this of course stems from the beauty standards but that’s a discussion for later on.

the point is that if say a nation like liyue, had the same skin colour as a character like xinyan (who hails from liyue and has a liyue name) people would undoubtedly be upset. so why is it that when in terms of nations that are based off countries with a darker skin colour variety, complaining about the characters being white is seen as a problem?

culture isn’t defined by racial diversity, but when you’re monetising off the representation of different countries cultures, the very least you can do is show the actual diversity within said culture instead of slapping a cultural name on a white model (cue that one picture of the egyptian dude who looks like a plain american).

the idea that because it’s fantasy or anime, having black characters is surreal or improbable is rooted in white supremacy’s hold over unfair beauty standards as well as just the general consensus that black people are less desirable in media. which is completely false.

characters like dehya have proven that a character’s race is irrelevant when it comes to likeness, given the fact the chinese community ended up donating to charities because of said characters story.

the reason why the lightly toasted characters appear tan to you is because the rest of the cast is so horrifically pale (nahida’s hex code is #FFF7F1, cyno’s is #EEC6A6 which when placed next to each other may look like a big difference, but in reality the colours are on the same side of the colour wheel only a few spaces apart).

hoyoverse does in fact use culture as a mere aesthetic and costume to plant on white models. that is NOT to say they misrepresent culture entirely: this post goes over how hoyoverse is perfectly capable of doing impressive research to bring forth forgotten or unknown bits of culture.

even aside from the problems with racial diversity, the character design department has been known to completely fail when it comes to accurate representation. from the sexualisation of the kimono in characters like raiden shogun (which even the eastern part of the fandom have been upset about) to the character of yunjin where the chinese player based believed she was more like a lolita inspired caricature than a real depiction. they don’t understand how to mingle tradition with modernism.

in all fairness, it is difficult — and i will praise the game for making natlan much more technologically advanced and vibrant than people were expecting because having the one nation that’s based off africa and indigenous people be a wasteland would’ve ultimately been a problem. personally, i even love the slight mashup of “tribes” and the pokémon esque aesthetic — its new, and a smart way to bring two things together.

same thing cannot be said for how hyv ignores the fact darker people of colour are also significant when it comes to the building of culture.

please read over these that go more into depth about problems:

natlan being an amalgamation of three separate countries/cultures.

misrepresenting both continents natlan’s based from

another thing that’s always bothered me is the excuses people used in sumeru about the presentation of characters that were based off real people; specifically, kusanali.

yes, she’s based off a hindu moon goddess who’s described as pale and sure that could’ve been the reason she’s nearly the colour white — but how come candace, who’s based off kandake, a fully black woman, is presented as being slightly tan? you can’t pick and choose what you represent and honestly the idea that nahida’s character is supposed to be a depiction of the moon goddess is disrespect to the goddess herself (please go look at a singular picture of her and you’ll understand the utter tragedy).

hoyoverse also has a bit of a history with both whitewashing their slightly tan characters (nekomiya from zoneless zen zero, arlan from honkai star rail etc) but i think one of their biggest proofs of disrespect comes to carole pepper from hi3.

now, this is not at all me saying you can’t present female characters as very muscular — no. in fact, i would’ve loved if characters like beidou had a similar sort of build. but out of all the characters you could’ve chosen to give this to, you chose a black woman.

would this be a problem if it continued with other characters? not really. the issue lies within the fact the ONLY mother in game who’s presented as buff and “masculine looking” is a black woman — something that’s quite literally a stereotype against black women who are regarded as “naturally less feminine” than white women.

eastern beauty standards

the assertion that eastern beauty standards prevent the inclusion of black characters in video games is not only invalid but also reflects deeper issues of bias and systemic exclusion in the gaming industry. this argument is flawed for several reasons, including the diversity of beauty standards in eastern cultures, the global nature of the gaming market, and the responsibility of creators to reflect and promote inclusivity.

to claim that eastern beauty standards universally exclude black characters oversimplifies and homogenizes the diverse beauty ideals present in countries like japan, south korea, and china. these cultures are not monolithic and have their own histories and contemporary movements that embrace a variety of appearances.

creators in the gaming industry have a responsibility to reflect the diversity of the real world and promote inclusivity. video games are a powerful medium that can shape perceptions, challenge stereotypes, and foster empathy. by including black characters, game developers can contribute to a more inclusive and equitable society. this requires intentionality and a commitment to representation that goes beyond mere tokenism. the argument that eastern beauty standards prevent such inclusion suggests a lack of willingness to challenge existing norms and expand the narrative possibilities within games. hoyoverse have themselves stated in their mission statement that their goal is to show inclusivity.

that’s not to say it’s not clear that china’s beauty standards have unfortunately affected the gaming market: but for a game that brandishes itself on localising itself for a global audience (meaning, outside of its region), it’s a poor excuse. those standards aren’t universal and shouldn’t be used as gateway into designing.

once again, i am NOT at all very well versed in politics especially one that’s overseas (well, next door neighbour in a way) so i definitely will misinterpret or misunderstand things unintentionally and if i do, i’m really sorry.

historical nihilism to me doesn’t relate to black people, just actual story events (hence why hoyoverse had to put a warning label for fontaine that the events presented didn’t represent that of the real world and any similarities were mere coincidence). black people existing isn’t regarded as “politically harmful” neither is it an extraordinary idea — it’s just another group of people.

although, the CCP has a MASSIVE history about their demonisation and hatred of black people therefore, even without the idea that the censorship stems from something like historical nihilism, it’s likely something to do with individual prejudice.

politically, i can semi-understand why hoyoverse is in a tight space for racial diversity. but that doesn’t mean i’m willing to baby a company that profits billions worth of profit from other cultures that they misrepresent and i’m even less inclined to hold the hands of hoyoverse dickriders who believe people complain about race just solely to whine. it’s a real systemic issue, and one that’s prevalent in a multitude of games aside from genshin.

people from the cultures presented are rightfully upset and they shouldn’t be told to just “accept”mediocrity. it’s their culture and identities being ridiculed, it’s their identities being profited from for the sake of aesthetics for a game that preaches inclusivity to the people that are willing to ignore its prejudice.

hell, even as a polish person, just thinking about what they’ll do with snezhnaya upsets me even if it’s not racially based — once again, the media emphasises the idea that eastern europe / slavic culture is purely russia meanwhile they steal little things from all of the surrounding countries in eastern europe (won’t forget the fact they changed that password thing in sumeru from “ravioli” to “pierogi”).

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TL;DR hoyoverse uses other people’s cultures and identities as an aesthetic and proceeds to profit off of it while misrepresenting the sample of people they chose to depict and while a political argument can be made in this regard, ultimately the backlash from people rightfully feeling unjustified in the lack of racial diversity is what amplifies these colourist attitudes: and while hoyoverse has seemingly much more legal repercussions to commit to their idea of diversity, the fandom has no excuse for their disregard of different identities.

also just a funny thing my friend and i did to show just how white these characters are lol

“ blackwashing “ versus “ whitewashing “

i feel like i need to add this little section too because i know there will be a lot of people that draw or reimagine the characters in a variety of different skin tones, and i know a lot of people will be upset (usually it’s just the lowlife weebs who cry at the thought of a black woman being in the same room as them).

historically, media, including video games and anime, have predominantly featured pale-skinned characters, often neglecting the representation of people of color. this lack of diversity reinforces a narrow view of beauty and heroism, contributing to the systemic exclusion of non-white individuals. blackwashing helps to rectify these historical imbalances by providing a broader spectrum of racial representation. it challenges the default assumption that characters must be pale-skinned and introduces audiences to a more inclusive range of appearances.

representation matters profoundly in media. seeing characters that reflect one's own identity can have significant positive effects on self-esteem and cultural pride. blackwashing creates opportunities for black audiences to see themselves in roles and narratives traditionally dominated by pale-skinned characters.

critics (once again, youtube creators and tiktok lmao) of blackwashing often argue that it disrespects original character designs or cultural contexts. however, the impact of changing a character's skin tone is minimal compared to the harm caused by whitewashing. whitewashing often erases the cultural significance of non-white characters, perpetuating stereotypes and denying the rich diversity of the source material. blackwashing, in contrast, does not erase cultural identities but rather enhances the inclusivity of the media. it provides a more diverse and representative depiction without detracting from the character's original essence or storyline.

in addition, usually when a character is black in fantasy media or even just an anime/game with a lore based story, it’s because their race is significant to who they are (i.e tiana from princess and the frog who faces racial discrimination — without her being a person of colour, this storyline and the events that follow wouldn’t make sense).

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i’m sorry for such a long and probably nonsensical rant, but this has bothered me into absolute oblivion especially the community’s response to the uproar of people who rightfully critique and are upset by the company.

[literaryvein-reblogs]

How to write genius level characters? :(

One of the most reliable measures of intelligence today is the Stanford-Binet Intelligence Scale—currently in its 5th edition, with an upcoming edition in the works.

Using the tool/scale, scores are converted into nominal categories designated by certain cutoff boundaries for quick reference:

Measured IQ Range — Category

145-160: Very gifted or highly advanced

130–144: Gifted or very advanced

120–129: Superior

110–119: High average

90–109: Average

80–89: Low average

70–79: Borderline impaired or delayed

55–69: Mildly impaired or delayed

40–54: Moderately impaired or delayed

To write your "genius" character, you may want them within the Gifted to Very Gifted categories.

Note: With reference to this list, Roid (2003) cautioned that “the important concern is to describe the examinee’s skills and abilities in detail, going beyond the label itself”. The primary value of such labels is as a shorthand reference in some psychological reports.

These are the factors measured by the scale, and you ideally should aim for your "genius" character/s to exhibit high levels of:

Fluid Reasoning: Novel problem solving; understanding of relationships that are not culturally bound

Knowledge: Skills and knowledge acquired by formal and informal education

Quantitative Reasoning: Knowledge of mathematical thinking including number concepts, estimation, problem solving, and measurement

Visual-Spatial Processing: Ability to see patterns and relationships and spatial orientation as well as the gestalt among diverse visual stimuli

Working Memory: Cognitive process of temporarily storing and then transforming or sorting information in memory

Or maybe your character doesn't excel in all of these areas but in a specific one, or just a few of these. Maybe they perform within the average or high average in some, but are highly gifted in other areas.

The following may also guide you in writing your genius character, based on research compiled by Dr. J. Renzulli, which can be found in the Mensa Gifted Youth Handbook:

Characteristics of Giftedness

LEARNING CHARACTERISTICS

Has unusually advanced vocabulary for age or grade level

Has quick mastery and recall of factual information

Wants to know what makes things or people tick

Usually sees more or gets more out of a story, film, etc., than others

Reads a great deal on his or her own; usually prefers adult-level books; does not avoid difficult materials

Reasons things out for him- or herself

MOTIVATIONAL CHARACTERISTICS

Becomes easily absorbed with and truly involved in certain topics or problems

Is easily bored with routine tasks

Needs little external motivation to follow through in work that initially excited him or her

Strives toward perfection; is self-critical; is not easily satisfied with his or her own speed and products

Prefers to work independently; requires little direction from teachers

Is interested in many "adult" problems such as religion, politics, sex and race

Stubborn in his or her beliefs

Concerned with right and wrong, good and bad

CREATIVITY CHARACTERISTICS

Constantly asking questions about anything and everything

Often offers unusual, unique or clever responses

Is uninhibited in expressions of opinion

Is a high-risk taker; is adventurous and speculative

Is often concerned with adapting, improving and modifying institutions, objects and systems

Displays a keen sense of humor

Shows emotional sensitivity

Is sensitive to beauty

Is nonconforming; accepts disorder; is not interested in details; is individualistic; does not fear being different

Is unwilling to accept authoritarian pronouncements without critical examination

LEADERSHIP CHARACTERISTICS

Carries responsibility well

Is self-confident with children his or her own age as well as adults

Can express him- or herself well

Adapts readily to new situations

Is sociable and prefers not to be alone

Generally directs the activity in which he or she is involved

Sources: 1 2 3 4 5 6 7 8 9 ⚜ Writing Notes & References

Hope this helps with your writing. Do tag me, or send me a link. I'd love to read your work!

[tocomplainfriend]

I am mad

Yup!

Bro shut up, she is white - being Latina is not a race, is an not the same as color skin. And she is a second generation immigrant too. So like... this isn't like a Salvadorian person doing a cartoon, is a daughter of Salvadorians... That grew in the USA. Being Latino doesn't mean you aren't white, you can be any race and Latino. Still wouldn't make up for the lack of representation or the existing racism. In the piece of media that's "diverse".

Salvadorian is not a race, LMAO. That's crazy- you think someone from Argentina who is white, is not white cause of their nationality??? Being Latino and having that culture does not equal a race. It's in itself a racist thing. This Latino = Race is terrible, It also comes from the idea of the "You are not Latino because you are not brown", assuming all people from Latino America are brown by default. You know how much has that happen to me? -AND MANY OTHER PEOPLE.

(I'm Latino btw)

I already have an older post about it, but - you can really see the lack of diversity in the show a lot. (Will talk about it even more other day).

Again the main thing you get is MEN, hypersexual skinny queer men (cis). You won't get to see female characters being well written, thought all the season 1 and all the episodes we got rn of season 2. All characters are skinny and similar body types and repetitive design choices. Funny enough, shows that lack of human characters still have better race-coding that helluva. (and well in hazbin you'll get POC characters that are gray, lack all ethic features... even when they are humanoid. So that is great.)

Bro you could, you imagine a character being black and having different textured hair, and you go to hell... AND EVEN THO YOU ARE HUMANOID- your hair became straight and spiky, and you are now a light gray? If you build a world like that... it just seems like the perfect racist excuse to delete ethic features out a POC character because you don't want to draw them. "Not going to a single hint of their race/culture unless it revolves on their death"... If the character became a fucking coin with dot eyes, maybe (not really, shows with no human/humanoid characters still are capable to race-code their characters). But all of these characters are humanoid- why do none of them have their different characteristics? Also, this is about a real person in the real world choosing how to design a character.

This tweet also implies that a black character when they were a life they had ethic features, but lose them when they go to hell. Which is even more fucking stupid.

If a white person with straight hair goes to hell, and their hair remains straight (assuming it has nothing to do with their death), why wouldn't there be black people with textured hair? This is dumb. This goes back to the fucking thing of "No black people in fantasy media", In the same way, it's stupid for fantasy stories to revolve around white people characteristics in fictional species and people in that world- not including all the rest of diverse human characteristics POC people have it's crazy. The biggest problem here is why the fuck all Viv's sinners characters (main characters designed by her) that are supposed to black (or mixed like Alastor) have 0 characteristic. THEY ARE HUMANOID, THEY AREN'T EVEN ABSTRACT OR AN ANIMAL OR ANYTHING LIKE THAT. She didn't want to draw that nor change designs, and wanted to justify the whole concept of Alastor even using Voodou.

HOW ARE ALL THE ANGELS THAT VIV WANTS TO BE BLACK (black voice actors specified, or are race specified) HAVE NOTHING??? LIKE HELLO THE 'I'm such a nice angel character girl' HAS SPIKY STRAIGHT HAIR??? SHE IS AN ANGEL AND BLACK, WHY DIDN'T YOU DID HER HAIR TO BE CLOUDS- It's THE EASIEST SHIT YOU COULD’VE DONE.

BOOM! A FUCKING TROLL FROM A KIDS MOVIE WITH DIFFERENT HAIR. BOOM! THE FUNK TROLLS ARE SO EXPLICITLY BLACK CODED.

---

-

Bro, you know this whole thing of people with textured hair have to forcefully straighten their hair or wear wogs to a job... because people consider it ""Unprofessional"" cause racism? The erasure and discrimination of POC people and their features is a problem. That's why it is important to people represent all of those things:

(Marvel's Moon Girl and Devil Dinosaur)

The only reason of why Alas tor is even mixed is purely cause Viv used the Voodou symbols because she thought they were creepy and edgy. It's sucks that all the angels and sinners that are supposed to be black have nothing.

[thewriteblrlibrary]

A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

[phantomrose96]

Hey not to go all "tumblr is a professional networking site" on you, but how did you get to work for Microsoft??? I'm a recent grad and I'm being eviscerated out here trying to apply for industry jobs & your liveblogging about your job sounds so much less evil than Data Entry IT Job #43461

This place is basically LinkedIn to me.

I'm gonna start by saying I am so so very sorry you're a recent grad in the year 2024... Tech job market is complete ass right now and it is not just you. I started fulltime in 2018, and for 2018-2022 it was completely normal to see a yearly outflow of people hopping to new jobs and a yearly inflow of new hires. Then sometime around late-spring/early-summer of 2022 Wallstreet sneezed the word "recession" and every tech company simultaneously shit themselves.

Tons of layoffs happened, meaning you're competing not just with new grads but with thousands of experienced workers who got shafted by their company. My org squeaked by with a small amount of layoffs (3 people among ~100), but it also means we have not hired anyone new since mid-2022. And where I used to see maybe 4-8 people yearly leave in order to hop to a new job, I think I've seen 1 person do that in the whole last year and a half.

All this to say it's rough and I can't just say "send applications and believe in yourself :)".

I have done interviews though. (I'm not involved in resume screening though, just the interviews of candidates who made it past the screening phase.) So I have at least some relevant advice, as well as second-hand knowledge from other people I know who've had to hop jobs or get hired recently.

If you have friends already in industry who you feel comfortable asking, reach out to them. Most companies have a recommendation process where a current employee fills out a little form that says "yeah I'd recommend such-and-such for this job." These do seem to carry weight, since it's coming from a trusted internal person and isn't just one of the hundreds of cold-call applications they've received.

A lot of tech companies--whether for truly well-intentioned reasons or to just check a checkbox--are on the lookout for increasing employee diversity. If you happen to have anything like, for example, "member of my college Latino society", it's worth including on your resume among your technical skills and technical projects.

I would add "you're probably gonna have to send a lot of applications" as a bullet point but I'm sure you're already doing that. But here it is as a bullet point anyway.

(This is kind of a guess, since it's part of the resume screening) but if you can dedicate some time to getting at least passingly familiar with popular tech/stacks for the positions you're looking into, try doing that in your free time so you can list it on your resume. Even better if you make a project you can point to. Like if you're aiming for webdev, get familiar with React and probably NodeJS. On top of being comfortable in one of the all-purpose languages like C(++) or Java or Python.

If you get to the interview phase - a company that is good to work for WILL care that you're someone who's good to work with. A tech-genius who's a coworker-hating egotistical snob is a nuisance at best and a liability at worst for companies with even a half-decent culture. When I do interviews, "Is this someone who's a good culture fit?" is as important as the technical skills. You'll want to show you'll be a perfectly pleasant, helpful, collaborative coworker. If the company DOESN'T care about that... bullet dodged.

For the technical questions, I care more about the thought process than I do the right answer, especially for entry-level. If you show a capacity for asking good, insightful clarifying questions, an ability to break down the problem, explain your thought process, and backtrack&alter your approach upon realizing something won't work, that's all more important than just being able to spit out a memorized leetcode answer. (I kinda hate leetcode for this reason, and therefore I only ask homebrewed questions, because I don't want the technical portion to hinge at all on whether someone managed to memorize the first 47 pages of leetcode problems). For a new hire, the most important impression you can give me is that you have a technical grasp and that you're capable of learning. Because a new hire isn't going to be an expert in anything, but they're someone who's capable of learning the ropes.

That's everything I have off the top of my head. Good luck anon. I'm very sorry you were born during a specific range of years that made you a new grad in 2024 and I hope it gets better.

[exhaled-spirals]

« [W]hat if I told you that you will witness many strange and marvellous beings, creatures and sensations along your path; that you will experience new colours, shapes and textures – make contact with fields and trees, and with people from a wealth of backgrounds; invigorating games, vehicles, animals, the touch of mud and flesh, sweet and savoury foods, new companions, the experience of love and friendship, of anger and hurt, of aloneness and contemplation. And what if I said that all these experiences will lead to fresh ideas, creations and relationships… to a personality with choice and possibility as well as limits and apprehensions; and that these limits and apprehensions will point to a vast background of sky and consciousness, a background that will give you the feeling of being a part of something much greater than yourself? […]

Would you want to go? […]

It is much easier, at least ostensibly, to live in isolation from other people. It is much easier to develop a relationship to a leader, a party, a doctrine – or, for that matter, a television show (or set of shows) – and a passive-receptive lifestyle than it is to live in direct contact with people, with the exchange of ideas, with the diversity of perspectives, with wonder and surprise, and with unsettling yet potentially edifying truths about life.

Moreover, it becomes easier to live virtually […]. The power in these situations is enormous, and yet it is so often about trivial matters […]. While there is clearly no antidote as such to this problem, there is a sensibility […] that, in my view, powerfully counters the roboticist trend, and this sensibility is ‘awe’. I think of awe as the humility and wonder, or sense of adventure, toward living. It has also been defined as a sense of vastness that defies accommodation. However one defines it, the sensibility of awe subverts mechanised living. […]

That being said, one of the challenges with awe is that it is so often framed as a ‘high’, or short-term lift. That is why I distinguish between the short-term jolt of awe, or what I call ‘quick-boil’ awe, and the life-changing ‘slow-simmer’ form of awe.

The quick-boil form of awe tends to link with activities such as hiking through woods, falling intensely in love, taking a mind-altering drug, playing a vigorous sport, and travelling to exotic places. The slow-simmer awe, on the other hand, transforms the exhilarating energy of quick-boil awe into something long-lasting – such as staying open to the daunting scenery of every day, making a lifestyle of wonder and discovery, delving deep into a project or craft, and consistently engaging with life’s many-sidedness, whether unveiled in one’s work or love life, in child-rearing, friendships, or the larger community of which one is a part. […]

The problem, however, is that we are so susceptible to commodification in our culture, and to the conversion of substantive reforms into expedient elixirs, that we need to stay ever vigilant about the larger path that is imperative for us.

In a nutshell, if awe is to be a life-changing experience, it will need to encompass something that is all too often overlooked in today’s prepackaged world: anxiety, and in particular, life-enhancing anxiety. Life-enhancing anxiety is invigorating anxiety. It is anxiety that enables us to live with and make the best of the depth and mystery of existence. It also enables us to live with and make the best of the paradoxes of existence, such as our capacity for wonder and discovery in the midst of apprehension and even dread. Too often, however, we ignore the paradoxes of anxiety and fail to do the work necessary to go beneath the surfaces of life, to unveil the fuller and deeper questions of life.

Among these questions are: given the spectre of death, how is one willing to live? What is the purpose and meaning of one’s life, of the life of one’s culture? How do we shape ourselves and our societies so that we can pursue what we love? How do we avoid war and tyranny, sexism and bigotry? […]

[S]low-simmer awe is a […] layered and nuanced experience. For example, if we search beyond the surfaces of [it], beyond the readily observable, we often find the element of unease, of apprehension, and even of dread. Put more plainly, when we peel back the layers of slow-simmer awe, we often find death […]. Consider, for example, how the complex symbol of death – or the groundlessness and helplessness of our condition – looms abidingly in classical art: painting, music and literature. This is because the element of death looms over and intensifies the elements of grace, beauty and compassion that exemplify such work. […]

This is also why I have concerns about recent trends in awe research that de-emphasise or even reject these darker elements of unease.

[…] Here, then, is my summary of the capacities we need in order to optimise slow-boil awe. Or, to put it conversely, these are the capacities that are likely to atrophy the more we model ourselves after machines:

The capacity to slow down.

The capacity to optimise presence, or the holding and illuminating of that which is palpably significant within ourselves, and between ourselves and others.

The capacity to deeply reflect on ourselves and our society.

The capacity to act on our reflections about ourselves and society, to make available a more awe-based path for ourselves and our world.

The capacity to savour the delights of life […] even as they are tinged with sadness and pain.

The capacity to be deeply moved throughout one’s lifetime.

The capacity to focus on what one loves.

The capacity to see the big picture of life and its possibilities. […]

The capacity to appreciate mystery.

The capacity to appreciate the fact that we are alive.

The capacity to nurture balance (for example, between fragility and boldness).

The capacity for solitude.

The capacity to commune with nature.

The capacity to deeply appreciate travel and the ‘foreign’. […]

The capacity to give oneself over – discerningly – to the unknowable.

The capacity to trust the ultimately unknowable.

Let’s give Becker, who grappled mightily with the cost of automation, the final word:

Whatever [the human being] does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved from within the subjective energies of creatures, without deadening, with the full exercise of passion, of vision, of pain, of fear, and of sorrow. »

— Kirk Schneider, "We need raw awe"

[cheriecelestial]

Batboys as Desi Films

𝐃𝐢𝐜𝐤 𝐆𝐫𝐚𝐲𝐬𝐨𝐧

Dilwale Dulhania Le Jayenge (1995)

Raj and Simran meet during a trip across Europe and end up getting stranded in the middle of nowhere after they miss their train. Despite their initial clashing, they fall in love. However, Simran’s traditional father has arranged her marriage elsewhere. Raj must win over Simran’s family to marry her, leading to a series of heartfelt moments, comedic misunderstandings, and ultimately, a dramatic climax where love conquers all as the couple fights for their happiness against societal norms.

Dick is so raj coded with his quips and charisma. Their chaotic banter and chemistry is off the charts. Any Indian who hasn’t watched this gets their desi card revoked immediately, I don’t make the rules. This movies fits Dick’s dramatic flair perfectly.

𝐉𝐚𝐬𝐨𝐧 𝐓𝐨𝐝𝐝

Goliyon ki Raasleela Ram-Leela (2013)

The modern adaptation of William Shakespeare’s “Romeo and Juliet,” set in rural Gujarat, India. It follows the love story of Ram, from the Rajadi clan and Leela, from the Sanera clan, who belong to rival gangster clans engaged in a long-standing feud. Despite the enmity between their families, Ram and Leela fall deeply in love, leading to a tragic and tumultuous journey filled with passion, violence, and sacrifice.

It fits Jason’s love for guns and classics. An absolute visual treat with cinematography and all the songs are absolute bangers.

𝐓𝐢𝐦 𝐃𝐫𝐚𝐤𝐞

Jab We Met (2007)

Aditya, a heartbroken business tycoon, someone who was dwelling in the lowest ebb of his life and was almost on the brink of giving it all up, aimlessly boards a train to escape his depressing life. On his journey he meets Geet, a talkative and vivacious young woman. Geet is on her way to meet her boyfriend, but her plans go awry, and she ends up stranded. Aditya, feeling sorry for her, decides to help her get to her destination safely. Along the way, they encounter various adventures and challenges that bring them closer together. Despite their contrasting personalities, they develop a deep connection. However, when they part ways, Aditya realizes his love for Geet and sets out to find her. In the end, they reunite, realizing they are meant to be together.

Grumpy x sunshine. The OG green flag. Epitome of ‘if he wanted to,he would’. Makes my chatterbox heart happy because of how much I relate to the FL. Favourite comfort movie of all time. ML kinda looks like Cillian Murphy’s scarecrow. “I like you a lot but that is my problem, you don’t need to worry about it.” Their fights and his little sassy comebacks and rants were so cute and fun to watch.

𝐃𝐚𝐦𝐢𝐚𝐧 𝐖𝐚𝐲𝐧𝐞

Jodhaa Akbar (2003)

The Mughal emperor Akbar, seeking to forge political alliances, marries Jodhaa, a Rajput princess. Initially a marriage of convenience, their relationship evolves as they learn to respect and love each other. Jodhaa struggles to adapt to Mughal customs, especially with their cultural and religious differences but her courage and integrity win Akbar's admiration. Despite conspiracies and opposition, including from Akbar's own court, their love prevails. The film explores the transformation of a young ruler, initially groomed for ruthlessness by his mentor Bairam Khan, into a wise and compassionate emperor who values mercy, diplomacy, religious harmony and cultural acceptance. Akbar's realization of the importance of religious tolerance, showcased through his abolition of discriminatory policies and his respect for all faiths.

The arranged marriage tag and the ‘raised as a weapon but softens and shows more compassion out of respect and love for his empress’ tag fits demonhead!Damian so much. The way he said mashallah after he pulled off her veil in the middle of a sword fight >>>>. I love how it captures the essence of India’s rich heritage and diversity. “Why seek paradise ? It is before me now.”

𝐁𝐫𝐮𝐜𝐞 𝐖𝐚𝐲𝐧𝐞

Khoobsurat (2014)

Milli, a free-spirited and eccentric young woman becomes the physiotherapist for a royal family. She brings her lively yet clumsy personality into the conservative royal household, shaking up their structured lives. It clashes with the formal atmosphere of the palace, especially with the stern matriarch, Nirmala Devi. Despite initial resistance, Milli's unconventional methods bring joy and laughter into the lives of the family members, including the brooding prince, Vikram. As Milli navigates the challenges of fitting into the royal household, she also finds herself falling in love with Vikram, leading to a series of comedic and heartwarming moments.

Very cliched (well it is a Disney film) and the second hand embarrassment is unreal but sometimes after a long day all you need is a feel-good cheesy rom-com. Oh to sit next to Fawad Khan in a red convertible while gazing lovingly at him. I like how she emphasises on improving the patient’s mental health to help him heal. Incase you haven’t noticed already, cold brooding™️ x silly goose is my favourite character dynamic.

𝐀/𝐍 - I’ll be honest with y’all, this was to satiate my desire of writing x desi! reader cuz I don’t have enough motivation or time to do it T^T

[ponett]

Whenever I complain about graphic or dark content in media I watch, I keep hearing people retort with this apparently very popular opinion that people who enjoy comfy, wholesome things are actually more likely to be raging assholes than people who love things like death metal and gore. As someone who seems to enjoy comfy, wholesome things yourself and likely met many others who enjoy similar such things, do you agree with this opinion? If so, why do you think this happens?

So I've been sitting on this ask for like a week, not knowing whether or not I wanted to touch it because it kind of feels like being handed a live grenade

For one, I don't like being pigeonholed as someone who just likes "comfy" or "wholesome" things. Yeah, I enjoy My Little Pony and Animal Crossing. I made a game with cute furry characters and lots of bright colors. I also enjoy things like Berserk and Chainsaw Man and Doom and violent crime dramas and punk rock with vulgar lyrics and porn. Variety is the spice of life

Anyway: I generally don't think it's a good idea to make sweeping statements about peoples' moral or intellectual character based on what genres of story they enjoy, regardless of what direction you're coming at it from. But this is a very leading question that kind of skirts around the root problems

There's frequent (perhaps a bit exaggerated) pushback these days against people who prefer their fiction to be a warm blanket, a form of escapism meant to distract you from the real world. In particular, the dreaded "person who only watches kids' cartoons" is a form of this that gets brought up a lot. I don't think the root problem here is what media people enjoy or don't personally enjoy - taste is subjective, and I don't think it's a moral obligation for everyone to have diverse tastes in TV shows - but I do think some folks should try to get out of their comfort zone a bit more. Sometimes stuff that seems like it won't be for you on a surface level will really end up speaking to you, but you won't know until you give it a shot. Trust me, I've been there many times

It becomes a problem when people demand that media ONLY cater to that "warm blanket" attitude. And I think that's part of the reason why that stereotype you mentioned about fans of ""wholesome""" media being assholes exists. People who view dark or violent content as an inherent flaw because it's not what they like. People who yell at creators when they make bad things happen in their stories, because how dare you do this to my comfort characters? People who say movies should never have sex scenes. People who want "problematic" moral complexity stripped out in favor of black and white moral instruction. People who seem to hate any sort of interpersonal conflict in fiction at all

These attitudes can be the result of many different cultural factors, factors that can't all be traced back to Tumblr or what shows you like, but sometimes it's definitely because of that lack of broader perspective on media. You can tell when someone's opinions on The Right And Wrong Ways To Write Fiction were shaped almost entirely by, like, Steven Universe discourse. (Yes, this is a jab at Lily Orchard.) And when these people are very loud about their opinions, well, it becomes a trend people notice

Like. I don't know you. You sent this anonymously. But when you say you "complain about graphic or dark content in media you watch"... that could mean a few wildly different things! Maybe you're just venting about something that unexpectedly triggered you, and that's totally fine. But the wording could also imply that, like, you take issue with these things being present at all, and that you expect a person who likes "death metal and gore" to be more of a "raging asshole" than someone who likes the "wholesome" things you like. So... well, maybe you're more dismissive or judgmental of things outside your comfort zone than you realize?

Unfortunately, in case it's not already obvious, on the internet this shit quickly becomes a proxy battle over dozens of intersecting cultural issues at once where everyone is kinda just talking past each other. So it gets messy

For example, I have no reason to believe that the people who run the "Wholesome Games" showcases have anything against games that are dark or violent or contain adult themes. (They've outright said they don't. Many times!) But when you see people going "why is Spiritfarer allowed in the showcase? That's a game about DEATH and that's NOT WHOLESOME, why would you make me think about death?" or "Ugh, why does Disco Elysium have to be about a cop? Why can't we apply these systems to a game about a young witch who's trying to find a lost cat in an idyllic village instead?" it... Well, it makes me sympathetic towards the indies who don't feel comfortable with the "Wholesome Games" label and consider it limiting. But it also doesn't make me think that devs catering to a demand for more chill, nonviolent video games are categorically facilitating fascist censorship from the Christian right

It's complicated! The written word is imprecise and the internet is a nightmare

I've kind of gone off on multiple tangents here. Basically: I do think that people can kinda turn fans of "comfy" media or "adults who only watch Bluey" into an overblown boogeyman these days. I think people online generally have a habit of swinging too hard in one direction or another in their stances on certain things, overcompensating based on what group of people online are currently annoying them the most and turning said group into like The Main Problem With Society Today. But I also think that boogeyman only exists because of very real examples of people demanding that everything cater to their narrow comfort zone. Go like what you like, but also, y'know. Don't be that person

[damnfandomproblems]

Fandom Problem #5814:

American geeks wanting for more culturally diverse show and saying stuff like understanding other race (both white and not), but if you ever reccommend them watching anime, they will suddenly scream about how the damn japanese are degenerates or when you show anything from other countries but they still persist judging the show from their cultural lenses or making it about how it's a topic that is specific only to that culture and can't touch international viewers.

[lordsovorn]

I honestly love it when stories with neurodivergent, trans, gay, etc. characters or themes are set in fictional or fictionalized Old Time Periods, before any of this terminology even came into existence.

They are not "gay" or "straight" - they are in love.

They are not "autistic" - they are weird.

They are not "trans" - they've simply changed how they represent themselves to be in line with what they are.

In a way, because these words are never present, because they are never diagnosed or feel the need to find an identity and a safe place to show it, it brings to light their undisputable existence even more. That they are normal and human. That this may bring problems and misunderstandings, and also joys and opportunities. That they are compex and diverse with their own personal traits that lead them to each particular expression of their identity, and that their needs and innate characteristics affect how they act and present themselves. It puts these people out of the "discussion box" and clearly among all the other differently weird humans.

In a way, it pushes aside this debate to scientifically or theologically rationalize trans-ness, queerness; it pushes aside this cold mechanical rationalizing of kindness towards the neurodivergent and disabled. Instead, without all this terminology, we are confronted with the simple humanity of it all.

It shouldn't honestly matter if you are confirmed to be neurodivergent - the world should be kind to weird and obsessive and awkward and forgetful and different people anyway. It shouldn't matter that there are gay frogs in nature - there are gay people in nature, and they deserve to be treated as people, inseparable from the rich interwoven tapestry of human expression and love.

All of these discussions are real and important, because they allow us to achieve real political or legislative or cultural results with real people, millions of them, each weird in their own way. But it's so nice and refreshing to see them pushed aside from time to time, to reveal the simple truths of kindness and humanity behind it all. To explore the ways of caring, learning and communicating - and, after all, isn't that what truly matters at the heart of it?